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"Nor have I," | The Secretary | any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an | early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try | its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his | dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So | across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now | not even move a hair; and Syme could come close enough to notice even in the dim, pale morning light that his face was long, pale and intellectual, and ended in a small triangular tuft of dark beard at the very point of the chin, all else being clean-shaven. This scrap of hair almost seemed a mere oversight; the rest of the face was of the type that is best shaven clear-cut, ascetic, and in its way noble. Syme drew closer and closer, noting all this, and still the figure did not stir. At first an instinct had told Syme that this was the man whom he was meant to meet. Then, seeing that the man made no sign, he had concluded that he was not. And now again he had come back to a certainty that the man had something to do with his mad adventure. For the man remained more still than would have been natural if a stranger had come so close. He was as motionless as a wax-work, and got on the nerves somewhat in the same way. Syme looked again and again at the pale, dignified and delicate face, and the face still looked blankly across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now we flaunt ourselves before the public. We have our breakfast on a balcony on a balcony, if you please overlooking Leicester Square." "And what do the people say?" asked Syme. "It's quite simple what they say," answered his guide. "They say we are a lot of jolly gentlemen who pretend they are anarchists." "It seems to me a very clever idea," said Syme. "Clever! God blast your impudence! Clever!" cried out the other in a sudden, shrill voice which was as startling and discordant as his crooked smile. "When you've seen Sunday for a split second you'll leave off calling him clever." With this they emerged out of a narrow street, and saw the early sunlight filling Leicester Square. It will never be known, I suppose, why this square itself should look so alien and in some ways so continental. It will never be known whether it was the foreign look that attracted the foreigners or the foreigners who gave it the foreign look. But on this particular morning the effect seemed singularly bright and clear. Between the open square and the sunlit leaves and the statue and the Saracenic outlines of the Alhambra, it looked the replica of some | tools of morbid conspirators, became the expressions of his own more healthy romance. The sword-stick became almost the sword of chivalry, and the brandy the wine of the stirrup-cup. For even the most dehumanised modern fantasies depend on some older and simpler figure; the adventures may be mad, but the adventurer must be sane. The dragon without St. George would not even be grotesque. So this inhuman landscape was only imaginative by the presence of a man really human. To Syme's exaggerative mind the bright, bleak houses and terraces by the Thames looked as empty as the mountains of the moon. But even the moon is only poetical because there is a man in the moon. The tug was worked by two men, and with much toil went comparatively slowly. The clear moon that had lit up Chiswick had gone down by the time that they passed Battersea, and when they came under the enormous bulk of Westminster day had already begun to break. It broke like the splitting of great bars of lead, showing bars of silver; and these had brightened like white fire when the tug, changing its onward course, turned inward to a large landing stage rather beyond Charing Cross. The great stones of the Embankment seemed equally dark and gigantic as Syme looked up at them. They were big and black against the huge white dawn. They made him feel that he was landing on the colossal steps of some Egyptian palace; and, indeed, the thing suited his mood, for he was, in his own mind, mounting to attack the solid thrones of horrible and heathen kings. He leapt out of the boat on to one slimy step, and stood, a dark and slender figure, amid the enormous masonry. The two men in the tug put her off again and turned up stream. They had never spoken a word. CHAPTER V. THE FEAST OF FEAR At first the large stone stair seemed to Syme as deserted as a pyramid; but before he reached the top he had realised that there was a man leaning over the parapet of the Embankment and looking out across the river. As a figure he was quite conventional, clad in a silk hat and frock-coat of the more formal type of fashion; he had a red flower in his buttonhole. As Syme drew nearer to him step by step, he did not even move a hair; and Syme could come close enough to notice even in the dim, pale morning light that his face was long, pale and intellectual, and ended in a small triangular tuft of dark beard at the very point of the chin, all else being clean-shaven. This scrap of hair almost seemed a mere oversight; the rest of the face was of the type that is best shaven clear-cut, ascetic, and in its way noble. Syme drew closer and closer, noting all this, and still the figure did not stir. At first an instinct had told Syme that this was the man whom he was meant to meet. Then, seeing that the man made no sign, he had concluded that he was not. And now again he had come back to a certainty that the man had something to do with his mad adventure. For the man remained more still than would have been natural if a stranger had come so close. He was as motionless as a wax-work, and got on the nerves somewhat in the same way. Syme looked again and again at the pale, dignified and delicate face, and the face still looked blankly across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now we flaunt ourselves before the public. We have our breakfast on a balcony on a balcony, if you please overlooking Leicester Square." "And what do the people say?" asked Syme. "It's quite simple what they say," answered his guide. "They say we are a lot of jolly gentlemen who pretend they are anarchists." "It seems to me a very clever idea," said Syme. "Clever! God blast your impudence! Clever!" cried out the other in a sudden, shrill voice which was as startling and discordant as his crooked smile. "When you've seen Sunday for a split second you'll leave off calling him clever." With this they emerged out of a narrow street, and saw the early sunlight filling Leicester Square. It will never be known, I suppose, why this square itself should look so alien and in some ways so continental. It will never be known whether it was the foreign look that attracted the foreigners or the foreigners who gave it the foreign look. But on this particular morning the effect seemed singularly bright and clear. Between the open square and the sunlit leaves and the statue and the Saracenic outlines of the Alhambra, it looked the replica of some French or even Spanish public place. And this effect increased in Syme the sensation, which in many shapes he had had through the whole adventure, the eerie sensation of having strayed into a new world. As a fact, he had bought bad cigars round Leicester Square ever since he was a boy. But as he turned that corner, and saw the trees and the Moorish cupolas, he could have sworn that he was turning into an unknown Place de something or other in some foreign town. At one corner of the square there projected a kind of angle of a prosperous but quiet hotel, the bulk of which belonged to a street behind. In the wall there was one large French window, probably the window of a large coffee-room; and outside this window, almost literally overhanging the square, was a formidably buttressed balcony, big enough to contain a dining-table. In fact, it did contain a dining-table, or more strictly a breakfast-table; and round the breakfast-table, glowing in the sunlight and evident to the street, were a group of noisy and talkative men, all dressed in the insolence of fashion, with white waistcoats and expensive button-holes. Some of their jokes could almost be heard across the square. Then the grave Secretary gave his unnatural smile, and Syme knew that this boisterous breakfast party was the secret conclave of the European Dynamiters. Then, as Syme continued to stare at them, he saw something that he had not seen before. He had not seen it literally because it was too large to see. At the nearest end of the balcony, blocking up a great part of the perspective, was the back of a great mountain of a man. When Syme had seen him, his first thought was that the weight of him must break down the balcony of stone. His vastness did not lie only in the fact that he was abnormally tall and quite incredibly fat. This man was planned enormously in his original proportions, like a statue carved deliberately as colossal. His head, crowned with white hair, as seen from behind looked bigger than a head ought to be. The ears that stood out from it looked larger than human ears. He was enlarged terribly to scale; and this sense of size was so staggering, that when Syme saw him all the other figures seemed quite suddenly to dwindle and become | silk hat and frock-coat of the more formal type of fashion; he had a red flower in his buttonhole. As Syme drew nearer to him step by step, he did not even move a hair; and Syme could come close enough to notice even in the dim, pale morning light that his face was long, pale and intellectual, and ended in a small triangular tuft of dark beard at the very point of the chin, all else being clean-shaven. This scrap of hair almost seemed a mere oversight; the rest of the face was of the type that is best shaven clear-cut, ascetic, and in its way noble. Syme drew closer and closer, noting all this, and still the figure did not stir. At first an instinct had told Syme that this was the man whom he was meant to meet. Then, seeing that the man made no sign, he had concluded that he was not. And now again he had come back to a certainty that the man had something to do with his mad adventure. For the man remained more still than would have been natural if a stranger had come so close. He was as motionless as a wax-work, and got on the nerves somewhat in the same way. Syme looked again and again at the pale, dignified and delicate face, and the face still looked blankly across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now we flaunt ourselves before the public. We have our breakfast on a balcony on a balcony, if you please overlooking Leicester Square." "And what do the people say?" asked Syme. "It's quite simple what they say," answered his guide. "They say we are a lot of jolly gentlemen who pretend they are anarchists." "It seems to me a very clever idea," said Syme. "Clever! God blast your impudence! Clever!" cried out the other in a sudden, shrill voice which was as startling and discordant as his crooked smile. "When you've seen Sunday for a split second you'll leave off calling him clever." With this they emerged out of a narrow street, and saw the early sunlight filling Leicester Square. It will never be known, I suppose, why this square itself should look so alien and in some ways so continental. It will never be known whether it was the foreign look that attracted the foreigners or the foreigners who gave it the foreign look. But on this particular morning the effect seemed singularly bright and clear. Between the open square and the sunlit leaves and the statue and the Saracenic outlines of the Alhambra, it looked the replica of some French or even Spanish public place. And this effect increased in Syme the sensation, which in many shapes he had had through the whole adventure, the eerie sensation of having strayed into a new world. As a fact, he had bought bad cigars round Leicester Square ever since he was a boy. But as he turned that corner, and saw the trees and the Moorish cupolas, he could have sworn that he was turning into an unknown Place de something or other in some foreign town. At one corner of the square there projected a kind of angle of a prosperous but quiet hotel, the bulk of which belonged to a street behind. In the wall there was one large French window, probably the window of a large coffee-room; and outside | The Man Who Was Thursday | its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his | {
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"Is he going to drown me, Mas' Don?" | Jem Wimble | him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: | the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your | woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's | gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, | describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the | in search. He uttered a cry of satisfaction the next minute, though, as he stooped down and took a couple of eggs from a nest upon the ground. "Good--good!" he exclaimed, eagerly; and he gave them to Don to carry, while he once more resumed his search, which this time was successful, for he found a young tree, and stripped from its branches a large number of its olive-like berries. "There now," said Jem. "Why, it's all right, Mas' Don; 'tarn't tea and coffee, and bread and butter, but it's salad and eggs and fruit. Why, fighting cocks'll be nothing to it. We shall live like princes, see if we don't. What's them things like?" "Like very ripe apples, Jem, or medlars," replied Don, who had been tasting the fruit carefully. "That'll do, then. Pity we can't find some more of them eggs, and don't light a fire to cook 'em. I say, Ngati." The Maori looked at him inquiringly. "More, more," said Jem, holding up one of the eggs, and pointing to the ferny thicket. "No, no," said Ngati, shaking his head. "Moa, moa." He stooped down and held his hands apart in different directions, as if he were describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the while. "Why, Mas' Don, a chap at home would want to go into hospital for less than that." "Yes, Jem; but these men seem so healthy and well, they heal up quickly, and bear their hurts as if nothing was wrong." "Sleep," said Ngati, suddenly; and he signed to Don to lie down and to Jem to keep watch, while he lay down at once in the mossy nook close to the river, and hidden by overhanging canopies of ferns. "Oh, all right, Mas' Don, I don't mind," said Jem; "only I was just as tired as him." "Let me take the first watch, Jem." "No, no; it's all right, Mas' Don. I meant you to lie down and rest, only he might ha' offered to toss for first go." "Call me then, at the end of an hour." "All right, Mas' Don," said Jem, going through the business of taking out an imaginary watch, winding it up, and then looking at its face. "Five and twenty past seven, Mas' Don, but I'm afraid I'm a little slow. These here baths don't do one's watch any good." "You'll keep a good look out, Jem." "Just so, Mas' Don. Moment I | salutation that, in spite of weariness and trouble, Don laughed till he saw the great chiefs countenance cloud. But it cleared at once as Don caught his hand, pressed it warmly, and looked gratefully in his face. "Hah!" cried Ngati, grasping the hand he held with painful energy. "My pakeha, morning. Want eat?" "Yes, yes!" cried Jem, eagerly. "Yes, yes," said Ngati; and then he stood, looking puzzled, as he tried to remember. At last, shaking his head sadly, he said, "No, no," in a helpless, dissatisfied tone. "Want Tomati. Tomati--" He closed his eyes, and laid his head sidewise, to suggest that Tomati was dead, and his countenance, in spite of his grotesque tattooing, wore an aspect of sadness that touched Don. "Tomati dead," he said slowly, and the chiefs eyes brightened. "Dead," he said; "Tomati dead--dead--all--dead." "Yes, poor fellows, all but the prisoners," said Don, speaking slowly, in the hope that the chief might grasp some of his words. But he did not understand a syllable, though he seemed to feel that Don was sympathising with him, and he shook hands again gravely. "My pakeha," he said, pressing Don's hand. Then turning to Jem, he held out his other hand, and said slowly, "Jemmeree. Good boy." "Well, that's very kind of you," said Jem, quietly. "We don't understand one another much, but I do think you a good fellow, Ngati; so I shake hands hearty; and I'll stand by you, mate, as you've stood by me." "Good, good," said Ngati, smiling, as if he understood all. Then, looking grave and pained again, he pointed over the mountain. "Maori kill," he said. "Want eat?" "Yes; eat, eat," said Jem, making signs with his mouth. "Pig--meat." "No pig; no meat," said Ngati, grasping the meaning directly; and going to a palm-like tree, he broke out some of its tender growth and handed it to his companions. "Eat," he said; and he began to munch some of it himself. "Look at that now," said Jem. "I should ha' gone by that tree a hundred times without thinking it was good to eat. What's it like, Mas' Don?" "Something like stalky celery, or nut, or pear, all mixed up together." "Yes; 'tarn't bad," said Jem. "What's he doing now?" Ngati was busily hunting about for something, peering amongst the trees, but he did not seem to find that of which he was in search. He uttered a cry of satisfaction the next minute, though, as he stooped down and took a couple of eggs from a nest upon the ground. "Good--good!" he exclaimed, eagerly; and he gave them to Don to carry, while he once more resumed his search, which this time was successful, for he found a young tree, and stripped from its branches a large number of its olive-like berries. "There now," said Jem. "Why, it's all right, Mas' Don; 'tarn't tea and coffee, and bread and butter, but it's salad and eggs and fruit. Why, fighting cocks'll be nothing to it. We shall live like princes, see if we don't. What's them things like?" "Like very ripe apples, Jem, or medlars," replied Don, who had been tasting the fruit carefully. "That'll do, then. Pity we can't find some more of them eggs, and don't light a fire to cook 'em. I say, Ngati." The Maori looked at him inquiringly. "More, more," said Jem, holding up one of the eggs, and pointing to the ferny thicket. "No, no," said Ngati, shaking his head. "Moa, moa." He stooped down and held his hands apart in different directions, as if he were describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the while. "Why, Mas' Don, a chap at home would want to go into hospital for less than that." "Yes, Jem; but these men seem so healthy and well, they heal up quickly, and bear their hurts as if nothing was wrong." "Sleep," said Ngati, suddenly; and he signed to Don to lie down and to Jem to keep watch, while he lay down at once in the mossy nook close to the river, and hidden by overhanging canopies of ferns. "Oh, all right, Mas' Don, I don't mind," said Jem; "only I was just as tired as him." "Let me take the first watch, Jem." "No, no; it's all right, Mas' Don. I meant you to lie down and rest, only he might ha' offered to toss for first go." "Call me then, at the end of an hour." "All right, Mas' Don," said Jem, going through the business of taking out an imaginary watch, winding it up, and then looking at its face. "Five and twenty past seven, Mas' Don, but I'm afraid I'm a little slow. These here baths don't do one's watch any good." "You'll keep a good look out, Jem." "Just so, Mas' Don. Moment I hear or see anything I calls you up. What time would you like your shaving water, sir? Boots or shoes this morning?" "Ah, Jem," said Don, smiling, "I'm too tired to laugh." And he lay back and dropped off to sleep directly, Ngati's eyes having already closed. "Too tired to laugh," said Jem to himself. "Poor dear lad, and him as brave as a young lion. Think of our coming to this. Shall we ever see old England again, and if we do, shall I be a cripple in this arm? Well, if I am, I won't grumble, but bear it all like a man; and," he added reverently, "please God save us and bring us back, if it's only for my poor Sally's sake, for I said I'd love her and cherish her, and keep her; and here am I one side o' the world, and she's t'other; and such is life." CHAPTER FORTY SIX. AN UNTIRING ENEMY. Jem kept careful watch and ward as he stood leaning on his spear. He was very weary, and could not help feeling envious of those who were sleeping so well. But he heard no sound of pursuit, and after a time the wondrous beauty of the glen in which they had halted, with its rushing waters and green lacing ferns, had so composing an effect upon his spirits, that he began to take an interest in the flowers that hung here and there, while the song of a finch sounded pleasant and homelike. Then the delicious melody of the bell-bird fell upon his ear; and while he was listening to this, he became interested in a beautiful blackbird, which came and hopped about him. Jem laughed, for his visitor had some white feathers just below the beak, and they suggested an idea to him as the bird bobbed and bowed and chattered. "Well," he said, "if I was naming birds, I should call you the parson, for you look like one, with that white thing about your neck." The bird looked at him knowingly, and flitted away. Directly after, as he turned his eyes in the direction where the uneaten fruit was lying, he saw that they had a visitor in the shape of one of the curious rails. The bird was already investigating the fruit, and after satisfying itself that the berries were of the kind that it could find | to carry, while he once more resumed his search, which this time was successful, for he found a young tree, and stripped from its branches a large number of its olive-like berries. "There now," said Jem. "Why, it's all right, Mas' Don; 'tarn't tea and coffee, and bread and butter, but it's salad and eggs and fruit. Why, fighting cocks'll be nothing to it. We shall live like princes, see if we don't. What's them things like?" "Like very ripe apples, Jem, or medlars," replied Don, who had been tasting the fruit carefully. "That'll do, then. Pity we can't find some more of them eggs, and don't light a fire to cook 'em. I say, Ngati." The Maori looked at him inquiringly. "More, more," said Jem, holding up one of the eggs, and pointing to the ferny thicket. "No, no," said Ngati, shaking his head. "Moa, moa." He stooped down and held his hands apart in different directions, as if he were describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the while. "Why, Mas' Don, a chap at home would want to go into hospital for less than that." "Yes, Jem; but these men seem so | Don Lavington | woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's | {
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"content": "woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>\"Is he going to drown me, Mas' Don?\"</|quote|>\"No, no, Jem. I know: he wants to bathe your wound.\" So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's",
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said Mr. van der Luyden firmly. | No speaker | not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and | to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed | seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and | of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came | lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. | morning papers till after dinner," said Mrs. Archer responsively. "Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come to such a pass." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's first husband. At any rate, she will be when Newland marries." He turned toward the young man. "Have you read this morning's Times, Newland?" "Why, yes, sir," said Archer, who usually tossed off half a dozen papers with his morning coffee. Husband and wife looked at each other again. Their pale eyes clung together in prolonged and serious consultation; then a faint smile fluttered over Mrs. van der Luyden's face. She had evidently guessed and approved. Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed her to dine out--I wish you would say to Mrs. Lovell Mingott--she and I would have been happy to--er--fill the places of the Lawrence Leffertses at her dinner." He paused to let the irony of this sink in. "As you know, this is impossible." Mrs. Archer sounded a sympathetic assent. "But Newland tells me he has read this morning's Times; therefore he has probably seen that Louisa's relative, the Duke of St. Austrey, arrives | the almost invariable reply: "I shall first have to talk this over with my husband." She and Mr. van der Luyden were so exactly alike that Archer often wondered how, after forty years of the closest conjugality, two such merged identities ever separated themselves enough for anything as controversial as a talking-over. But as neither had ever reached a decision without prefacing it by this mysterious conclave, Mrs. Archer and her son, having set forth their case, waited resignedly for the familiar phrase. Mrs. van der Luyden, however, who had seldom surprised any one, now surprised them by reaching her long hand toward the bell-rope. "I think," she said, "I should like Henry to hear what you have told me." A footman appeared, to whom she gravely added: "If Mr. van der Luyden has finished reading the newspaper, please ask him to be kind enough to come." She said "reading the newspaper" in the tone in which a Minister's wife might have said: "Presiding at a Cabinet meeting"--not from any arrogance of mind, but because the habit of a life-time, and the attitude of her friends and relations, had led her to consider Mr. van der Luyden's least gesture as having an almost sacerdotal importance. Her promptness of action showed that she considered the case as pressing as Mrs. Archer; but, lest she should be thought to have committed herself in advance, she added, with the sweetest look: "Henry always enjoys seeing you, dear Adeline; and he will wish to congratulate Newland." The double doors had solemnly reopened and between them appeared Mr. Henry van der Luyden, tall, spare and frock-coated, with faded fair hair, a straight nose like his wife's and the same look of frozen gentleness in eyes that were merely pale grey instead of pale blue. Mr. van der Luyden greeted Mrs. Archer with cousinly affability, proffered to Newland low-voiced congratulations couched in the same language as his wife's, and seated himself in one of the brocade armchairs with the simplicity of a reigning sovereign. "I had just finished reading the Times," he said, laying his long finger-tips together. "In town my mornings are so much occupied that I find it more convenient to read the newspapers after luncheon." "Ah, there's a great deal to be said for that plan--indeed I think my uncle Egmont used to say he found it less agitating not to read the morning papers till after dinner," said Mrs. Archer responsively. "Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come to such a pass." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's first husband. At any rate, she will be when Newland marries." He turned toward the young man. "Have you read this morning's Times, Newland?" "Why, yes, sir," said Archer, who usually tossed off half a dozen papers with his morning coffee. Husband and wife looked at each other again. Their pale eyes clung together in prolonged and serious consultation; then a faint smile fluttered over Mrs. van der Luyden's face. She had evidently guessed and approved. Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed her to dine out--I wish you would say to Mrs. Lovell Mingott--she and I would have been happy to--er--fill the places of the Lawrence Leffertses at her dinner." He paused to let the irony of this sink in. "As you know, this is impossible." Mrs. Archer sounded a sympathetic assent. "But Newland tells me he has read this morning's Times; therefore he has probably seen that Louisa's relative, the Duke of St. Austrey, arrives next week on the Russia. He is coming to enter his new sloop, the Guinevere, in next summer's International Cup Race; and also to have a little canvasback shooting at Trevenna." Mr. van der Luyden paused again, and continued with increasing benevolence: "Before taking him down to Maryland we are inviting a few friends to meet him here--only a little dinner--with a reception afterward. I am sure Louisa will be as glad as I am if Countess Olenska will let us include her among our guests." He got up, bent his long body with a stiff friendliness toward his cousin, and added: "I think I have Louisa's authority for saying that she will herself leave the invitation to dine when she drives out presently: with our cards--of course with our cards." Mrs. Archer, who knew this to be a hint that the seventeen-hand chestnuts which were never kept waiting were at the door, rose with a hurried murmur of thanks. Mrs. van der Luyden beamed on her with the smile of Esther interceding with Ahasuerus; but her husband raised a protesting hand. "There is nothing to thank me for, dear Adeline; nothing whatever. This kind of thing must not happen in New York; it shall not, as long as I can help it," he pronounced with sovereign gentleness as he steered his cousins to the door. Two hours later, every one knew that the great C-spring barouche in which Mrs. van der Luyden took the air at all seasons had been seen at old Mrs. Mingott's door, where a large square envelope was handed in; and that evening at the Opera Mr. Sillerton Jackson was able to state that the envelope contained a card inviting the Countess Olenska to the dinner which the van der Luydens were giving the following week for their cousin, the Duke of St. Austrey. Some of the younger men in the club box exchanged a smile at this announcement, and glanced sideways at Lawrence Lefferts, who sat carelessly in the front of the box, pulling his long fair moustache, and who remarked with authority, as the soprano paused: "No one but Patti ought to attempt the Sonnambula." VIII. It was generally agreed in New York that the Countess Olenska had "lost her looks." She had appeared there first, in Newland Archer's boyhood, as a brilliantly pretty little girl of nine or ten, of whom people | ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come | The Age Of Innocence | seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and | {
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"content": "seen him try the same thing often before.\" \"The LEFFERTSES!--\" said Mrs. van der Luyden. \"The LEFFERTSES!--\" echoed Mrs. Archer. \"What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to.\" \"We'll hope it has not quite come to that,\"<|quote|>said Mr. van der Luyden firmly.</|quote|>\"Ah, if only you and Louisa went out more!\" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and",
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she proceeded, | No speaker | thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn | frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if | "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great | so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I | live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence | going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--" "Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt--a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here | real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. "My father s name is Ezra B. Miller," he announced. "My father ain t in Europe; my father s in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father s in Schenectady. He s got a big business. My father s rich, you bet!" "Well!" ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his alpenstock along the path. "He doesn t like Europe," said the young girl. "He wants to go back." "To Schenectady, you mean?" "Yes; he wants to go right home. He hasn t got any boys here. There is one boy here, but he always goes round with a teacher; they won t let him play." "And your brother hasn t any teacher?" Winterbourne inquired. "Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady--perhaps you know her--Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn t want a teacher traveling round with us. He said he wouldn t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn t give Randolph lessons--give him instruction, she called it. I guess he could give me more instruction than I could give him. He s very smart." "Yes," said Winterbourne; "he seems very smart." "Mother s going to get a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?" "Very good, I should think," said Winterbourne. "Or else she s going to find some school. He ought to learn some more. He s only nine. He s going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--" "Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt--a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here in Europe, two or three women--persons older than Miss Daisy Miller, and provided, for respectability s sake, with husbands--who were great coquettes--dangerous, terrible women, with whom one s relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller. He leaned back in his seat; he remarked to himself that she had the most charming nose he had ever seen; he wondered what were the regular conditions and limitations of one s intercourse with a pretty American flirt. It presently became apparent that he was on the way to learn. "Have you been to that old castle?" asked the young girl, pointing with her parasol to the far-gleaming walls of the Chateau de Chillon. "Yes, formerly, more than once," said Winterbourne. "You too, I suppose, have seen it?" "No; we haven t been there. I want to go there dreadfully. Of course I mean to go there. I wouldn t go away from here without having seen that old castle." "It s a very pretty excursion," said Winterbourne, "and very easy to make. You can drive, you know, or you can go by the little steamer." "You can go in the cars," said Miss Miller. "Yes; you can go in the cars," Winterbourne assented. "Our courier says they take you right up to the castle," the young girl continued. "We were going last week, but my mother gave out. She suffers dreadfully from dyspepsia. She said she couldn t go. Randolph wouldn t go either; he says he doesn t think much of old castles. But I guess we ll go this week, if we can get Randolph." "Your brother is not interested in ancient monuments?" Winterbourne inquired, smiling. "He says he don t care much about old castles. He s only nine. He wants to stay at the hotel. Mother s afraid to leave him alone, and the courier won t stay with him; so we haven t been to many places. But it will be too bad if we don t go up there." And Miss Miller pointed again at the Chateau de Chillon. "I should think it might be arranged," said Winterbourne. "Couldn t you get some one to stay for the afternoon | sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--" "Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt--a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here in Europe, two or three women--persons older than Miss Daisy Miller, and provided, for respectability s sake, with husbands--who were great coquettes--dangerous, terrible women, with whom one s relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller. He leaned back in his seat; he remarked to himself that she had the most charming nose he had ever seen; he wondered what were the regular conditions and limitations of one s intercourse with a pretty American flirt. It presently became apparent that he was on the way to learn. "Have you been to that old castle?" asked the young girl, pointing with | Daisy Miller | "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great | {
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"content": "\"Yes,\" said Miss Miller without examining this analogy; \"it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,\"<|quote|>she proceeded,</|quote|>\"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great",
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Her body asserted itself with a restless movement of her knee, and she stood up. | No speaker | “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently | the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the | hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out | bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” | Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her | Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her family.” “Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of weekends out here this summer. I think the home influence will be very good for her.” Daisy and Tom looked at each other for a moment in silence. “Is she from New York?” I asked quickly. “From Louisville. Our white girlhood was passed together there. Our beautiful white—” “Did you give Nick a little heart to heart talk on the veranda?” demanded Tom suddenly. “Did I?” She looked at me. “I can’t seem to remember, but I think we talked about the Nordic race. Yes, I’m sure we did. It sort of crept up on us and first thing you know—” “Don’t believe everything you hear, Nick,” he advised me. I said lightly that I had heard nothing at all, and a few minutes later I got up to go home. They came to the door with me and stood side by side in a cheerful square of light. As I started my motor Daisy peremptorily called: “Wait! “I forgot to ask you something, and it’s important. We heard you were engaged to | grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!” cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued: “I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her family.” “Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of weekends out here this summer. I think the home influence will be very good for her.” Daisy and Tom looked at each other for a moment in silence. “Is she from New York?” I asked quickly. “From Louisville. Our white girlhood was passed together there. Our beautiful white—” “Did you give Nick a little heart to heart talk on the veranda?” demanded Tom suddenly. “Did I?” She looked at me. “I can’t seem to remember, but I think we talked about the Nordic race. Yes, I’m sure we did. It sort of crept up on us and first thing you know—” “Don’t believe everything you hear, Nick,” he advised me. I said lightly that I had heard nothing at all, and a few minutes later I got up to go home. They came to the door with me and stood side by side in a cheerful square of light. As I started my motor Daisy peremptorily called: “Wait! “I forgot to ask you something, and it’s important. We heard you were engaged to a girl out West.” “That’s right,” corroborated Tom kindly. “We heard that you were engaged.” “It’s a libel. I’m too poor.” “But we heard it,” insisted Daisy, surprising me by opening up again in a flower-like way. “We heard it from three people, so it must be true.” Of course I knew what they were referring to, but I wasn’t even vaguely engaged. The fact that gossip had published the banns was one of the reasons I had come East. You can’t stop going with an old friend on account of rumours, and on the other hand I had no intention of being rumoured into marriage. Their interest rather touched me and made them less remotely rich—nevertheless, I was confused and a little disgusted as I drove away. It seemed to me that the thing for Daisy to do was to rush out of the house, child in arms—but apparently there were no such intentions in her head. As for Tom, the fact that he “had some woman in New York” was really less surprising than that he had been depressed by a book. Something was making him nibble at the edge of stale ideas as if his sturdy physical egotism no longer nourished his peremptory heart. Already it was deep summer on roadhouse roofs and in front of wayside garages, where new red petrol-pumps sat out in pools of light, and when I reached my estate at West Egg I ran the car under its shed and sat for a while on an abandoned grass roller in the yard. The wind had blown off, leaving a loud, bright night, with wings beating in the trees and a persistent organ sound as the full bellows of the earth blew the frogs full of life. The silhouette of a moving cat wavered across the moonlight, and, turning my head to watch it, I saw that I was not alone—fifty feet away a figure had emerged from the shadow of my neighbour’s mansion and was standing with his hands in his pockets regarding the silver pepper of the stars. Something in his leisurely movements and the secure position of his feet upon the lawn suggested that it was Mr. Gatsby himself, come out to determine what share was his of our local heavens. I decided to call to him. Miss Baker had mentioned him at dinner, and that would do for an | a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her family.” “Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of weekends out here this summer. I think the home influence | The Great Gatsby | hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out | {
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"You re right," | William Rodney | of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a | longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles | tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A | Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, | herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled | cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection. "Yes, yes, yes," he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled up in Cassandra s heart. Had she done wrong in listening? Why did Aunt Celia blame her? Did Katharine think her right? Above all, did William really love her, for ever and ever, better than any one? "I must be first with him, Katharine!" she exclaimed. "I can t share him even with you." "I shall never ask that," said Katharine. She moved a little away from where they sat and began half-consciously sorting her flowers. "But you ve shared with me," Cassandra said. "Why can t I share with you? Why am I so mean? I know why it is," she added. "We understand each other, William and I. You ve never understood each other. You re too different." "I ve never admired anybody more," William interposed. "It s not that" Cassandra tried to enlighten him "it s understanding." "Have I never understood you, Katharine? Have I been very selfish?" "Yes," Cassandra interposed. "You ve asked her for sympathy, and she s not sympathetic; you ve wanted her to be practical, and she s not practical. You ve been selfish; you ve been exacting and so has Katharine but it wasn t anybody s fault." Katharine had listened to | him, too; he was inflamed by jealousy. His tentative offer of affection had been rudely and, as he thought, completely repulsed by Cassandra on the preceding day. Denham s confession was in his mind. And ultimately, Katharine s dominion over him was of the sort that the fevers of the night cannot exorcise. "I was as much to blame as you were yesterday," she said gently, disregarding his question. "I confess, William, the sight of you and Cassandra together made me jealous, and I couldn t control myself. I laughed at you, I know." "You jealous!" William exclaimed. "I assure you, Katharine, you ve not the slightest reason to be jealous. Cassandra dislikes me, so far as she feels about me at all. I was foolish enough to try to explain the nature of our relationship. I couldn t resist telling her what I supposed myself to feel for her. She refused to listen, very rightly. But she left me in no doubt of her scorn." Katharine hesitated. She was confused, agitated, physically tired, and had already to reckon with the violent feeling of dislike aroused by her aunt which still vibrated through all the rest of her feelings. She sank into a chair and dropped her flowers upon her lap. "She charmed me," Rodney continued. "I thought I loved her. But that s a thing of the past. It s all over, Katharine. It was a dream an hallucination. We were both equally to blame, but no harm s done if you believe how truly I care for you. Say you believe me!" He stood over her, as if in readiness to seize the first sign of her assent. Precisely at that moment, owing, perhaps, to her vicissitudes of feeling, all sense of love left her, as in a moment a mist lifts from the earth. And when the mist departed a skeleton world and blankness alone remained a terrible prospect for the eyes of the living to behold. He saw the look of terror in her face, and without understanding its origin, took her hand in his. With the sense of companionship returned a desire, like that of a child for shelter, to accept what he had to offer her and at that moment it seemed that he offered her the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection. "Yes, yes, yes," he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled up in Cassandra s heart. Had she done wrong in listening? Why did Aunt Celia blame her? Did Katharine think her right? Above all, did William really love her, for ever and ever, better than any one? "I must be first with him, Katharine!" she exclaimed. "I can t share him even with you." "I shall never ask that," said Katharine. She moved a little away from where they sat and began half-consciously sorting her flowers. "But you ve shared with me," Cassandra said. "Why can t I share with you? Why am I so mean? I know why it is," she added. "We understand each other, William and I. You ve never understood each other. You re too different." "I ve never admired anybody more," William interposed. "It s not that" Cassandra tried to enlighten him "it s understanding." "Have I never understood you, Katharine? Have I been very selfish?" "Yes," Cassandra interposed. "You ve asked her for sympathy, and she s not sympathetic; you ve wanted her to be practical, and she s not practical. You ve been selfish; you ve been exacting and so has Katharine but it wasn t anybody s fault." Katharine had listened to this attempt at analysis with keen attention. Cassandra s words seemed to rub the old blurred image of life and freshen it so marvelously that it looked new again. She turned to William. "It s quite true," she said. "It was nobody s fault." "There are many things that he ll always come to you for," Cassandra continued, still reading from her invisible book. "I accept that, Katharine. I shall never dispute it. I want to be generous as you ve been generous. But being in love makes it more difficult for me." They were silent. At length William broke the silence. "One thing I beg of you both," he said, and the old nervousness of manner returned as he glanced at Katharine. "We will never discuss these matters again. It s not that I m timid and conventional, as you think, Katharine. It s that it spoils things to discuss them; it unsettles people s minds; and now we re all so happy" Cassandra ratified this conclusion so far as she was concerned, and William, after receiving the exquisite pleasure of her glance, with its absolute affection and trust, looked anxiously at Katharine. "Yes, I m happy," she assured him. "And I agree. We will never talk about it again." "Oh, Katharine, Katharine!" Cassandra cried, holding out her arms while the tears ran down her cheeks. CHAPTER XXX The day was so different from other days to three people in the house that the common routine of household life the maid waiting at table, Mrs. Hilbery writing a letter, the clock striking, and the door opening, and all the other signs of long-established civilization appeared suddenly to have no meaning save as they lulled Mr. and Mrs. Hilbery into the belief that nothing unusual had taken place. It chanced that Mrs. Hilbery was depressed without visible cause, unless a certain crudeness verging upon coarseness in the temper of her favorite Elizabethans could be held responsible for the mood. At any rate, she had shut up "The Duchess of Malfi" with a sigh, and wished to know, so she told Rodney at dinner, whether there wasn t some young writer with a touch of the great spirit somebody who made you believe that life was _beautiful?_ She got little help from Rodney, and after singing her plaintive requiem for the death of poetry by herself, she charmed herself into good | the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled up in Cassandra s heart. Had she done wrong in listening? Why did Aunt Celia blame her? Did Katharine think her right? Above all, did William really love her, for ever and ever, better than any one? "I must be first with him, Katharine!" she exclaimed. "I can t share him even with you." "I shall never ask that," said Katharine. She moved a little away from where they sat and began half-consciously sorting her flowers. "But you ve shared with me," Cassandra said. "Why can t I share with you? Why am | Night And Day | tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A | {
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thought Gurov as he left the platform. | No speaker | for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home | a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in | All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had | would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a | of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did | waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful. They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go. "It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!" She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said: "Let me look at you once more ... look at you once again. That's right." She did not shed tears, but was so sad that she seemed ill, and her face was quivering. "I shall remember you ... think of you," she said. "God be with you; be happy. Don't remember evil against me. We are parting forever--it must be so, for we ought never to have met. Well, God be with you." The train moved off rapidly, its lights soon vanished from sight, and a minute later there was no sound of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did not read the Moscow papers on principle! He already felt a longing to go to restaurants, clubs, dinner-parties, anniversary celebrations, and he felt flattered at entertaining distinguished lawyers and artists, and at playing cards with a professor at the doctors' club. He could already eat a whole plateful of salt fish and cabbage. In another month, he fancied, the image of Anna Sergeyevna would be shrouded in a mist in his memory, and only from time to time would visit him in his dreams with a touching smile as others did. But more than a month passed, real winter had come, and everything was still clear in his memory as though he had parted with Anna Sergeyevna only the day before. And his memories glowed more and more vividly. When in the evening stillness he heard from his study the voices of his children, preparing their lessons, or when he listened to a song or the organ at the restaurant, or the storm howled in the chimney, suddenly everything would rise up in his memory: what had happened on the groyne, and the early morning with the mist on the mountains, and the steamer coming from Theodosia, and the kisses. | sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, soothed and spellbound in these magical surroundings--the sea, mountains, clouds, the open sky--Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence. A man walked up to them--probably a keeper--looked at them and walked away. And this detail seemed mysterious and beautiful, too. They saw a steamer come from Theodosia, with its lights out in the glow of dawn. "There is dew on the grass," said Anna Sergeyevna, after a silence. "Yes. It's time to go home." They went back to the town. Then they met every day at twelve o'clock on the sea-front, lunched and dined together, went for walks, admired the sea. She complained that she slept badly, that her heart throbbed violently; asked the same questions, troubled now by jealousy and now by the fear that he did not respect her sufficiently. And often in the square or gardens, when there was no one near them, he suddenly drew her to him and kissed her passionately. Complete idleness, these kisses in broad daylight while he looked round in dread of some one's seeing them, the heat, the smell of the sea, and the continual passing to and fro before him of idle, well-dressed, well-fed people, made a new man of him; he told Anna Sergeyevna how beautiful she was, how fascinating. He was impatiently passionate, he would not move a step away from her, while she was often pensive and continually urged him to confess that he did not respect her, did not love her in the least, and thought of her as nothing but a common woman. Rather late almost every evening they drove somewhere out of town, to Oreanda or to the waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful. They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go. "It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!" She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said: "Let me look at you once more ... look at you once again. That's right." She did not shed tears, but was so sad that she seemed ill, and her face was quivering. "I shall remember you ... think of you," she said. "God be with you; be happy. Don't remember evil against me. We are parting forever--it must be so, for we ought never to have met. Well, God be with you." The train moved off rapidly, its lights soon vanished from sight, and a minute later there was no sound of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did not read the Moscow papers on principle! He already felt a longing to go to restaurants, clubs, dinner-parties, anniversary celebrations, and he felt flattered at entertaining distinguished lawyers and artists, and at playing cards with a professor at the doctors' club. He could already eat a whole plateful of salt fish and cabbage. In another month, he fancied, the image of Anna Sergeyevna would be shrouded in a mist in his memory, and only from time to time would visit him in his dreams with a touching smile as others did. But more than a month passed, real winter had come, and everything was still clear in his memory as though he had parted with Anna Sergeyevna only the day before. And his memories glowed more and more vividly. When in the evening stillness he heard from his study the voices of his children, preparing their lessons, or when he listened to a song or the organ at the restaurant, or the storm howled in the chimney, suddenly everything would rise up in his memory: what had happened on the groyne, and the early morning with the mist on the mountains, and the steamer coming from Theodosia, and the kisses. He would pace a long time about his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in dreams, but followed him about everywhere like a shadow and haunted him. When he shut his eyes he saw her as though she were living before him, and she seemed to him lovelier, younger, tenderer than she was; and he imagined himself finer than he had been in Yalta. In the evenings she peeped out at him from the bookcase, from the fireplace, from the corner--he heard her breathing, the caressing rustle of her dress. In the street he watched the women, looking for some one like her. He was tormented by an intense desire to confide his memories to some one. But in his home it was impossible to talk of his love, and he had no one outside; he could not talk to his tenants nor to any one at the bank. And what had he to talk of? Had he been in love, then? Had there been anything beautiful, poetical, or edifying or simply interesting in his relations with Anna Sergeyevna? And there was nothing for him but to talk vaguely of love, of woman, and no one guessed what it meant; only his wife twitched her black eyebrows, and said: "The part of a lady-killer does not suit you at all, Dimitri." One evening, coming out of the doctors' club with an official with whom he had been playing cards, he could not resist saying: "If only you knew what a fascinating woman I made the acquaintance of in Yalta!" The official got into his sledge and was driving away, but turned suddenly and shouted: "Dmitri Dmitritch!" "What?" "You were right this evening: the sturgeon was a bit too strong!" These words, so ordinary, for some reason moved Gurov to indignation, and struck him as degrading and unclean. What savage manners, what people! What senseless nights, what uninteresting, uneventful days! The rage for card-playing, the gluttony, the drunkenness, the continual talk always about the same thing. Useless pursuits and conversations always about the same things absorb the better part of one's time, the better part of one's strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is | the least, and thought of her as nothing but a common woman. Rather late almost every evening they drove somewhere out of town, to Oreanda or to the waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful. They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go. "It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!" She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said: "Let me look at you once more ... look at you once again. That's right." She did not shed tears, but was so sad that she seemed ill, and her face was quivering. "I shall remember you ... think of you," she said. "God be with you; be happy. Don't remember evil against me. We are parting forever--it must be so, for we ought never to have met. Well, God be with you." The train moved off rapidly, its lights soon vanished from sight, and a minute later there was no sound of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did not read the Moscow papers on principle! He already felt a longing to go to restaurants, clubs, dinner-parties, anniversary celebrations, and he felt flattered at entertaining distinguished lawyers and artists, and at playing cards with a professor at the doctors' club. He could already eat a whole plateful of salt fish and cabbage. In another month, he fancied, the image of Anna Sergeyevna would be shrouded in a mist in his memory, and only from time to time would visit him in his dreams with a touching smile as others did. But more than a month passed, real winter had come, and everything was still clear in his memory as though he had parted with Anna Sergeyevna only the day before. And his memories glowed more and more vividly. When in the evening stillness he heard from his study the voices of his children, preparing their lessons, or when he listened to a song or the organ at the restaurant, or the storm howled in the chimney, suddenly everything would rise up in his memory: what had happened on the groyne, and the early morning with the mist on the mountains, and the steamer coming from Theodosia, and the kisses. He would pace a long time about his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in dreams, but followed him about everywhere like a shadow and haunted him. When he shut his eyes he saw her as though she were living before him, and she seemed | The Lady and the Dog and Other Stories (1) | All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had | {
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"My dear father, consult an expert if you like, but I don t admit it is my mother s writing." | Charles Wilcox | at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it | is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind | unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The | Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on | the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the | enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, extraordinarily solid, fell like trenches of purple across the frosted lawn. It was a glorious winter morning. Evie s fox terrier, who had passed for white, was only a dirty grey dog now, so intense was the purity that surrounded him. He was discredited, but the blackbirds that he was chasing glowed with Arabian darkness, for all the conventional colouring of life had been altered. Inside, the clock struck ten with a rich and confident note. Other clocks confirmed it, and the discussion moved towards its close. To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And--pushing one step farther in these mists--may | asked what they wanted. Want was to him the only cause of action. And the question in this case was correct, for his wife replied, "She wants Howards End." "Howards End? Now, Crane, just don t forget to put on the Stepney wheel." "No, sir." "Now, mind you don t forget, for I--Come, little woman." When they were out of the chauffeur s sight he put his arm round her waist and pressed her against him. All his affection and half his attention--it was what he granted her throughout their happy married life. "But you haven t listened, Charles." "What s wrong?" "I keep on telling you--Howards End. Miss Schlegel s got it." "Got what?" said Charles, unclasping her. "What the dickens are you talking about?" "Now, Charles, you promised not to say those naughty--" "Look here, I m in no mood for foolery. It s no morning for it either." "I tell you--I keep on telling you--Miss Schlegel--she s got it--your mother s left it to her--and you ve all got to move out!" "HOWARDS END?" "HOWARDS END!" she screamed, mimicking him, and as she did so Evie came dashing out of the shubbery. "Dolly, go back at once! My father s much annoyed with you. Charles" "--she hit herself wildly--" "come in at once to father. He s had a letter that s too awful." Charles began to run, but checked himself, and stepped heavily across the gravel path. There the house was with the nine windows, the unprolific vine. He exclaimed, "Schlegels again!" and as if to complete chaos, Dolly said, "Oh no, the matron of the nursing home has written instead of her." "Come in, all three of you!" cried his father, no longer inert. "Dolly, why have you disobeyed me?" "Oh, Mr. Wilcox--" "I told you not to go out to the garage. I ve heard you all shouting in the garden. I won t have it. Come in." He stood in the porch, transformed, letters in his hand. "Into the dining-room, every one of you. We can t discuss private matters in the middle of all the servants. Here, Charles, here; read these. See what you make." Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, extraordinarily solid, fell like trenches of purple across the frosted lawn. It was a glorious winter morning. Evie s fox terrier, who had passed for white, was only a dirty grey dog now, so intense was the purity that surrounded him. He was discredited, but the blackbirds that he was chasing glowed with Arabian darkness, for all the conventional colouring of life had been altered. Inside, the clock struck ten with a rich and confident note. Other clocks confirmed it, and the discussion moved towards its close. To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And--pushing one step farther in these mists--may they not have decided even better than they supposed? Is it credible that the possessions of the spirit can be bequeathed at all? Has the soul offspring? A wych-elm tree, a vine, a wisp of hay with dew on it--can passion for such things be transmitted where there is no bond of blood? No; the Wilcoxes are not to be blamed. The problem is too terrific, and they could not even perceive a problem. No; it is natural and fitting that after due debate they should tear the note up and throw it on to their dining-room fire. The practical moralist may acquit them absolutely. He who strives to look deeper may acquit them--almost. For one hard fact remains. They did neglect a personal appeal. The woman who had died did say to them, "Do this," and they answered, "We will not." The incident made a most painful impression on them. Grief mounted into the brain and worked there disquietingly. Yesterday they had lamented: "She was a dear mother, a true wife; in our absence she neglected her health and died." To-day they thought: "She was not as true, as dear, as we supposed." The desire for a more inward light had found expression at last, the unseen had impacted on the seen, and all that they could say was "Treachery." Mrs. Wilcox had been treacherous to the family, to the laws of property, to her own written word. How did she expect Howards End to be conveyed to Miss Schlegel? Was her husband, to whom it legally belonged, to make it over to her as a free gift? Was the said Miss Schlegel to have a life interest in it, or to own it absolutely? Was there to be no compensation for the garage and other improvements that they had made under the assumption that all would be theirs some day? Treacherous! treacherous and absurd! When we think the dead both treacherous and absurd, we have gone far towards reconciling ourselves to their departure. That note, scribbled in pencil, sent through the matron, was unbusinesslike as well as cruel, and decreased at once the value of the woman who had written it. "Ah, well!" said Mr. Wilcox, rising from the table. "I shouldn t have thought it possible." "Mother couldn t have meant it," said Evie, still frowning. "No, my girl, of course not." "Mother believed so in ancestors | Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, extraordinarily solid, fell like trenches of purple across the frosted lawn. It was a glorious winter morning. Evie s fox terrier, who had passed for white, was only a dirty grey dog now, so intense was the purity that surrounded him. He was discredited, but the blackbirds that he was chasing glowed with Arabian darkness, for all the conventional colouring of life had been altered. Inside, the clock struck ten with a rich and confident note. Other clocks confirmed it, and the discussion moved towards its close. To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And--pushing one step farther in these mists--may they not have decided even better than they supposed? Is it credible that the possessions of the spirit can be bequeathed at all? Has the soul offspring? A | Howards End | unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The | {
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"content": "unduly--\" He stopped. \"I don t think that,\" said his father, whose nature was nobler than his son s. \"Don t think what?\" \"That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote.\"<|quote|>\"My dear father, consult an expert if you like, but I don t admit it is my mother s writing.\"</|quote|>\"Why, you just said it was!\" cried Dolly. \"Never mind if I did,\" he blazed out; \"and hold your tongue.\" The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The",
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} | Charles Wilcox |
"How delightful that will be!" | Isabella Thorpe | tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My | will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy | no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take | the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of | more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going | cash." "That was very good-natured of you," said Catherine, quite pleased. "Oh! D it, when one has the means of doing a kind thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother s friend, and her friend s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times. John Thorpe kept of course with Catherine, and, after a few minutes silence, renewed the conversation about his gig. "You will find, however, Miss Morland, it would be reckoned a cheap thing by some people, for I might have sold it for ten guineas more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going to apologize for her question, but he prevented her by saying, "Novels are all so full of nonsense and stuff; there has not been a tolerably decent one come out since Tom Jones, except The Monk; I read that t other day; but as for all the others, they are the stupidest things in creation." "I think you must like Udolpho, if you were to read it; it is so very interesting." "Not I, faith! No, if I read any, it shall be Mrs. Radcliffe s; her novels are amusing enough; they are worth reading; some fun and nature in _them_." "Udolpho was written by Mrs. Radcliffe," said Catherine, with some hesitation, from the fear of mortifying him. "No sure; was it? Aye, I remember, so it was; I was thinking of that other stupid book, written by that woman they make such a fuss about, she who married the French emigrant." "I suppose you mean Camilla?" "Yes, that s the book; such unnatural stuff! An old man playing at see-saw, I took up the first volume once and looked it over, but I soon found it would not do; indeed I guessed what sort of stuff it must be | lost an hour," said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an animal so made for speed in your life?" (The servant had just mounted the carriage and was driving off.) "Such true blood! Three hours and and a half indeed coming only three and twenty miles! Look at that creature, and suppose it possible if you can." "He _does_ look very hot, to be sure." "Hot! He had not turned a hair till we came to Walcot Church; but look at his forehand; look at his loins; only see how he moves; that horse _cannot_ go less than ten miles an hour: tie his legs and he will get on. What do you think of my gig, Miss Morland? A neat one, is not it? Well hung; town-built; I have not had it a month. It was built for a Christchurch man, a friend of mine, a very good sort of fellow; he ran it a few weeks, till, I believe, it was convenient to have done with it. I happened just then to be looking out for some light thing of the kind, though I had pretty well determined on a curricle too; but I chanced to meet him on Magdalen Bridge, as he was driving into Oxford, last term: Ah! Thorpe, said he, do you happen to want such a little thing as this? It is a capital one of the kind, but I am cursed tired of it. Oh! D , said I; I am your man; what do you ask? And how much do you think he did, Miss Morland?" "I am sure I cannot guess at all." "Curricle-hung, you see; seat, trunk, sword-case, splashing-board, lamps, silver moulding, all you see complete; the iron-work as good as new, or better. He asked fifty guineas; I closed with him directly, threw down the money, and the carriage was mine." "And I am sure," said Catherine, "I know so little of such things that I cannot judge whether it was cheap or dear." "Neither one nor t other; I might have got it for less, I dare say; but I hate haggling, and poor Freeman wanted cash." "That was very good-natured of you," said Catherine, quite pleased. "Oh! D it, when one has the means of doing a kind thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother s friend, and her friend s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times. John Thorpe kept of course with Catherine, and, after a few minutes silence, renewed the conversation about his gig. "You will find, however, Miss Morland, it would be reckoned a cheap thing by some people, for I might have sold it for ten guineas more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going to apologize for her question, but he prevented her by saying, "Novels are all so full of nonsense and stuff; there has not been a tolerably decent one come out since Tom Jones, except The Monk; I read that t other day; but as for all the others, they are the stupidest things in creation." "I think you must like Udolpho, if you were to read it; it is so very interesting." "Not I, faith! No, if I read any, it shall be Mrs. Radcliffe s; her novels are amusing enough; they are worth reading; some fun and nature in _them_." "Udolpho was written by Mrs. Radcliffe," said Catherine, with some hesitation, from the fear of mortifying him. "No sure; was it? Aye, I remember, so it was; I was thinking of that other stupid book, written by that woman they make such a fuss about, she who married the French emigrant." "I suppose you mean Camilla?" "Yes, that s the book; such unnatural stuff! An old man playing at see-saw, I took up the first volume once and looked it over, but I soon found it would not do; indeed I guessed what sort of stuff it must be before I saw it: as soon as I heard she had married an emigrant, I was sure I should never be able to get through it." "I have never read it." "You had no loss, I assure you; it is the horridest nonsense you can imagine; there is nothing in the world in it but an old man s playing at see-saw and learning Latin; upon my soul there is not." This critique, the justness of which was unfortunately lost on poor Catherine, brought them to the door of Mrs. Thorpe s lodgings, and the feelings of the discerning and unprejudiced reader of Camilla gave way to the feelings of the dutiful and affectionate son, as they met Mrs. Thorpe, who had descried them from above, in the passage. "Ah, Mother! How do you do?" said he, giving her a hearty shake of the hand. "Where did you get that quiz of a hat? It makes you look like an old witch. Here is Morland and I come to stay a few days with you, so you must look out for a couple of good beds somewhere near." And this address seemed to satisfy all the fondest wishes of the mother s heart, for she received him with the most delighted and exulting affection. On his two younger sisters he then bestowed an equal portion of his fraternal tenderness, for he asked each of them how they did, and observed that they both looked very ugly. These manners did not please Catherine; but he was James s friend and Isabella s brother; and her judgment was further bought off by Isabella s assuring her, when they withdrew to see the new hat, that John thought her the most charming girl in the world, and by John s engaging her before they parted to dance with him that evening. Had she been older or vainer, such attacks might have done little; but, where youth and diffidence are united, it requires uncommon steadiness of reason to resist the attraction of being called the most charming girl in the world, and of being so very early engaged as a partner; and the consequence was that, when the two Morlands, after sitting an hour with the Thorpes, set off to walk together to Mr. Allen s, and James, as the door was closed on them, said, "Well, Catherine, how do you like my friend | thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother s friend, and her friend s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times. John Thorpe kept of course with Catherine, and, after a few minutes silence, renewed the conversation about his gig. "You will find, however, Miss Morland, it would be reckoned a cheap thing by some people, for I might have sold it for ten guineas more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going to apologize for her question, but he prevented her by saying, "Novels are all so full of nonsense and stuff; there has not been a tolerably decent one come out since Tom Jones, except The Monk; I read that t other day; but as for all the others, they are the stupidest things in creation." "I think you must like Udolpho, if you were to read it; it is so very interesting." "Not I, faith! No, if I read any, it | Northanger Abbey | no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take | {
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"content": "no; I shall exercise mine at the average of four hours every day while I am here.\" \"Shall you indeed!\" said Catherine very seriously. \"That will be forty miles a day.\" \"Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged.\"<|quote|>\"How delightful that will be!\"</|quote|>cried Isabella, turning round. \"My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third.\" \"A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take",
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} | Isabella Thorpe |
“It isn’t a Rubens?” | Grace | ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a | he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose | laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good | of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before | it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its | “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a | the character under discussion could after all be summed up without searching analysis. “I consider nevertheless that there’s plenty in him.” It was a moderate claim, to which Lady Grace might assent. “He strikes me as naturally quick and--well, nice. But I agree with you than he hasn’t had a chance.” “Then if you can see your way by sympathy and confidence to help him to one I dare say you’ll find your reward.” For a third time she considered, as if a certain curtness in her companion’s manner rather hindered, in such a question, than helped. Didn’t he simplify too much, you would have felt her ask, and wasn’t his visible wish for brevity of debate a sign of his uncomfortable and indeed rather irritated sense of his not making a figure in it? “Do you desire it very particularly?” was, however, all she at last brought out. “I should like it exceedingly--if you act from conviction. Then of course only; but of one thing I’m myself convinced--of what he thinks of yourself and feels for you.” “Then would you mind my waiting a little?” she asked. “I mean to be absolutely sure of myself.” After which, on his delaying to agree, she added frankly, as to help her case: “Upon my word, father, I should like to do what would please you.” But it determined in him a sharper impatience. “Ah, what would please _me!_ Don’t put it off on ‘me’! Judge absolutely for yourself” --he slightly took himself up-- “in the light of my having consented to do for him what I always _hate_ to do: deviate from my normal practice of never intermeddling. If I’ve deviated now you can judge. But to do so all round, of course, take--in reason!--your time.” “May I ask then,” she said, “for still a little more?” He looked for this, verily, as if it was not in reason. “You know,” he then returned, “what he’ll feel that a sign of.” “Well, I’ll tell him what I mean.” “Then I’ll send him to you.” He glanced at his watch and was going, but after a “Thanks, father,” she had stopped him. “There’s one thing more.” An embarrassment showed in her manner, but at the cost of some effect of earnest abruptness she surmounted it. “What does your American--Mr. Bender--want?” Lord Theign plainly felt the challenge. “‘My’ American? He’s none of mine!” “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.” “Well, it _was_, to me, half an hour ago,” she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to | in him a sharper impatience. “Ah, what would please _me!_ Don’t put it off on ‘me’! Judge absolutely for yourself” --he slightly took himself up-- “in the light of my having consented to do for him what I always _hate_ to do: deviate from my normal practice of never intermeddling. If I’ve deviated now you can judge. But to do so all round, of course, take--in reason!--your time.” “May I ask then,” she said, “for still a little more?” He looked for this, verily, as if it was not in reason. “You know,” he then returned, “what he’ll feel that a sign of.” “Well, I’ll tell him what I mean.” “Then I’ll send him to you.” He glanced at his watch and was going, but after a “Thanks, father,” she had stopped him. “There’s one thing more.” An embarrassment showed in her manner, but at the cost of some effect of earnest abruptness she surmounted it. “What does your American--Mr. Bender--want?” Lord Theign plainly felt the challenge. “‘My’ American? He’s none of mine!” “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it | The Outcry | laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good | {
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"content": "laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good",
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"He did, sir," | Mr. Bumble | supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will | after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman | your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the | aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced | was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES | been cast thereon. Boys have generally excellent appetites. Oliver Twist and his companions suffered the tortures of slow starvation for three months: at last they got so voracious and wild with hunger, that one boy, who was tall for his age, and hadn't been used to that sort of thing (for his father had kept a small cook-shop), hinted darkly to his companions, that unless he had another basin of gruel per diem, he was afraid he might some night happen to eat the boy who slept next him, who happened to be a weakly youth of tender age. He had a wild, hungry eye; and they implicitly believed him. A council was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist. The evening arrived; the boys took their places. The master, in his cook's uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual's prophetic character, once and for ever, by tying one end of his pocket-handkerchief to a hook in the wall, and attaching himself to the other. To the performance of this feat, however, there was one obstacle: namely, that pocket-handkerchiefs being decided articles of luxury, had been, for all future times and ages, removed from the noses of paupers by the express order of the board, in council assembled: solemnly given and pronounced under their hands and seals. There was a still greater obstacle in Oliver's youth and childishness. He only cried bitterly all day; and, when the long, dismal night came on, spread his little hands before | water-works to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel a day, with an onion twice a week, and half a roll of Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; kindly undertook to divorce poor married people, in consequence of the great expense of a suit in Doctors' Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief, under these last two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people. For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence of the increase in the undertaker's bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two's gruel. But the number of workhouse inmates got thin as well as the paupers; and the board were in ecstasies. The room in which the boys were fed, was a large stone hall, with a copper at one end: out of which the master, dressed in an apron for the purpose, and assisted by one or two women, ladled the gruel at mealtimes. Of this festive composition each boy had one porringer, and no more except on occasions of great public rejoicing, when he had two ounces and a quarter of bread besides. The bowls never wanted washing. The boys polished them with their spoons till they shone again; and when they had performed this operation (which never took very long, the spoons being nearly as large as the bowls), they would sit staring at the copper, with such eager eyes, as if they could have devoured the very bricks of which it was composed; employing themselves, meanwhile, in sucking their fingers most assiduously, with the view of catching up any stray splashes of gruel that might have been cast thereon. Boys have generally excellent appetites. Oliver Twist and his companions suffered the tortures of slow starvation for three months: at last they got so voracious and wild with hunger, that one boy, who was tall for his age, and hadn't been used to that sort of thing (for his father had kept a small cook-shop), hinted darkly to his companions, that unless he had another basin of gruel per diem, he was afraid he might some night happen to eat the boy who slept next him, who happened to be a weakly youth of tender age. He had a wild, hungry eye; and they implicitly believed him. A council was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist. The evening arrived; the boys took their places. The master, in his cook's uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual's prophetic character, once and for ever, by tying one end of his pocket-handkerchief to a hook in the wall, and attaching himself to the other. To the performance of this feat, however, there was one obstacle: namely, that pocket-handkerchiefs being decided articles of luxury, had been, for all future times and ages, removed from the noses of paupers by the express order of the board, in council assembled: solemnly given and pronounced under their hands and seals. There was a still greater obstacle in Oliver's youth and childishness. He only cried bitterly all day; and, when the long, dismal night came on, spread his little hands before his eyes to shut out the darkness, and crouching in the corner, tried to sleep: ever and anon waking with a start and tremble, and drawing himself closer and closer to the wall, as if to feel even its cold hard surface were a protection in the gloom and loneliness which surrounded him. Let it not be supposed by the enemies of "the system," that, during the period of his solitary incarceration, Oliver was denied the benefit of exercise, the pleasure of society, or the advantages of religious consolation. As for exercise, it was nice cold weather, and he was allowed to perform his ablutions every morning under the pump, in a stone yard, in the presence of Mr. Bumble, who prevented his catching cold, and caused a tingling sensation to pervade his frame, by repeated applications of the cane. As for society, he was carried every other day into the hall where the boys dined, and there sociably flogged as a public warning and example. And so far from being denied the advantages of religious consolation, he was kicked into the same apartment every evening at prayer-time, and there permitted to listen to, and console his mind with, a general supplication of the boys, containing a special clause, therein inserted by authority of the board, in which they entreated to be made good, virtuous, contented, and obedient, and to be guarded from the sins and vices of Oliver Twist: whom the supplication distinctly set forth to be under the exclusive patronage and protection of the powers of wickedness, and an article direct from the manufactory of the very Devil himself. It chanced one morning, while Oliver's affairs were in this auspicious and comfortable state, that Mr. Gamfield, chimney-sweep, went his way down the High Street, deeply cogitating in his mind his ways and means of paying certain arrears of rent, for which his landlord had become rather pressing. Mr. Gamfield's most sanguine estimate of his finances could not raise them within full five pounds of the desired amount; and, in a species of arithmetical desperation, he was alternately cudgelling his brains and his donkey, when passing the workhouse, his eyes encountered the bill on the gate. "Wo o!" said Mr. Gamfield to the donkey. The donkey was in a state of profound abstraction: wondering, probably, whether he was destined to be regaled with a cabbage-stalk or two when he | took their places. The master, in his cook's uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual's prophetic character, once and for ever, by tying one end of his pocket-handkerchief to a hook in the wall, and attaching himself to the other. To the performance of this feat, however, there was one obstacle: namely, that pocket-handkerchiefs being decided articles of luxury, had been, for all future times and ages, removed from the noses of paupers by the express order of the board, in council assembled: solemnly given and pronounced under their hands and seals. There was a still greater obstacle in Oliver's youth and childishness. He only cried bitterly all day; and, when the long, dismal night came on, spread his little hands before his eyes to shut out the darkness, and crouching in the corner, tried to sleep: ever and anon waking with a start and tremble, and drawing himself closer and closer to the wall, as if to feel even its cold hard surface were a protection in the gloom and loneliness which surrounded him. Let it not be supposed by the enemies of "the system," that, during the period of his solitary incarceration, Oliver was denied the benefit of exercise, the pleasure of society, or the advantages of religious consolation. As for exercise, it was nice cold weather, and he was allowed to perform his ablutions every morning under the pump, in a stone yard, in the presence of Mr. Bumble, who prevented his catching cold, | Oliver Twist | your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the | {
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"content": "your pardon, sir! Oliver Twist has asked for more!\" There was a general start. Horror was depicted on every countenance. \"For _more_!\" said Mr. Limbkins. \"Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?\"<|quote|>\"He did, sir,\"</|quote|>replied Bumble. \"That boy will be hung,\" said the gentleman in the white waistcoat. \"I know that boy will be hung.\" Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the",
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"Nothing. Here," | Pedro Romero | "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett | you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the | when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very | was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. | a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." | to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said | arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me." Bill's face was red. "Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it," Bill said. "Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley | Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his | The Sun Also Rises | when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very | {
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"content": "when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. \"You fight to-morrow?\" I said. \"Yes,\" he said. \"Algabeno was hurt to-day in Madrid. Did you hear?\" \"No,\" I said. \"Badly?\" He shook his head.<|quote|>\"Nothing. Here,\"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. \"Oh!\" he said in English, \"you tell fortunes?\" \"Sometimes. Do you mind?\" \"No. I like it.\" He spread his hand flat on the table. \"Tell me I live for always, and be a millionaire.\" He was still very",
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} | Pedro Romero |
On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands. | No speaker | oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what | to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried | his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You | how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come | coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed | and the small bald patch on his head, something of the flunkey's obsequiousness; his smile was sugary, and in his buttonhole there was some badge of distinction like the number on a waiter. During the first interval the husband went away to smoke; she remained alone in her stall. Gurov, who was sitting in the stalls, too, went up to her and said in a trembling voice, with a forced smile: "Good-evening." She glanced at him and turned pale, then glanced again with horror, unable to believe her eyes, and tightly gripped the fan and the lorgnette in her hands, evidently struggling with herself not to faint. Both were silent. She was sitting, he was standing, frightened by her confusion and not venturing to sit down beside her. The violins and the flute began tuning up. He felt suddenly frightened; it seemed as though all the people in the boxes were looking at them. She got up and went quickly to the door; he followed her, and both walked senselessly along passages, and up and down stairs, and figures in legal, scholastic, and civil service uniforms, all wearing badges, flitted before their eyes. They caught glimpses of ladies, of fur coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed her, and did not believe her. In Moscow she stayed at the Slaviansky Bazaar hotel, and at once sent a man in a red cap to Gurov. Gurov went to see her, and no one in Moscow knew of it. Once he was going to see her in this way on a winter morning (the messenger had come the evening before when he was out). With him walked his daughter, whom he wanted to take to school: it was on the way. Snow was falling in big wet flakes. "It's three degrees above freezing-point, and yet it is snowing," said Gurov to his daughter. "The thaw is only on the surface of the earth; there is quite a different temperature at a greater height in the atmosphere." "And why are there no thunderstorms in the winter, father?" He explained that, too. He talked, thinking all the while that he was going to see her, and no living soul knew of it, and probably never would know. He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another | nap. "How stupid and worrying it is!" he thought when he woke and looked at the dark windows: it was already evening. "Here I've had a good sleep for some reason. What shall I do in the night?" He sat on the bed, which was covered by a cheap grey blanket, such as one sees in hospitals, and he taunted himself in his vexation: "So much for the lady with the dog ... so much for the adventure.... You're in a nice fix...." That morning at the station a poster in large letters had caught his eye. "The Geisha" was to be performed for the first time. He thought of this and went to the theatre. "It's quite possible she may go to the first performance," he thought. The theatre was full. As in all provincial theatres, there was a fog above the chandelier, the gallery was noisy and restless; in the front row the local dandies were standing up before the beginning of the performance, with their hands behind them; in the Governor's box the Governor's daughter, wearing a boa, was sitting in the front seat, while the Governor himself lurked modestly behind the curtain with only his hands visible; the orchestra was a long time tuning up; the stage curtain swayed. All the time the audience were coming in and taking their seats Gurov looked at them eagerly. Anna Sergeyevna, too, came in. She sat down in the third row, and when Gurov looked at her his heart contracted, and he understood clearly that for him there was in the whole world no creature so near, so precious, and so important to him; she, this little woman, in no way remarkable, lost in a provincial crowd, with a vulgar lorgnette in her hand, filled his whole life now, was his sorrow and his joy, the one happiness that he now desired for himself, and to the sounds of the inferior orchestra, of the wretched provincial violins, he thought how lovely she was. He thought and dreamed. A young man with small side-whiskers, tall and stooping, came in with Anna Sergeyevna and sat down beside her; he bent his head at every step and seemed to be continually bowing. Most likely this was the husband whom at Yalta, in a rush of bitter feeling, she had called a flunkey. And there really was in his long figure, his side-whiskers, and the small bald patch on his head, something of the flunkey's obsequiousness; his smile was sugary, and in his buttonhole there was some badge of distinction like the number on a waiter. During the first interval the husband went away to smoke; she remained alone in her stall. Gurov, who was sitting in the stalls, too, went up to her and said in a trembling voice, with a forced smile: "Good-evening." She glanced at him and turned pale, then glanced again with horror, unable to believe her eyes, and tightly gripped the fan and the lorgnette in her hands, evidently struggling with herself not to faint. Both were silent. She was sitting, he was standing, frightened by her confusion and not venturing to sit down beside her. The violins and the flute began tuning up. He felt suddenly frightened; it seemed as though all the people in the boxes were looking at them. She got up and went quickly to the door; he followed her, and both walked senselessly along passages, and up and down stairs, and figures in legal, scholastic, and civil service uniforms, all wearing badges, flitted before their eyes. They caught glimpses of ladies, of fur coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed her, and did not believe her. In Moscow she stayed at the Slaviansky Bazaar hotel, and at once sent a man in a red cap to Gurov. Gurov went to see her, and no one in Moscow knew of it. Once he was going to see her in this way on a winter morning (the messenger had come the evening before when he was out). With him walked his daughter, whom he wanted to take to school: it was on the way. Snow was falling in big wet flakes. "It's three degrees above freezing-point, and yet it is snowing," said Gurov to his daughter. "The thaw is only on the surface of the earth; there is quite a different temperature at a greater height in the atmosphere." "And why are there no thunderstorms in the winter, father?" He explained that, too. He talked, thinking all the while that he was going to see her, and no living soul knew of it, and probably never would know. He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another life running its course in secret. And through some strange, perhaps accidental, conjunction of circumstances, everything that was essential, of interest and of value to him, everything in which he was sincere and did not deceive himself, everything that made the kernel of his life, was hidden from other people; and all that was false in him, the sheath in which he hid himself to conceal the truth--such, for instance, as his work in the bank, his discussions at the club, his "lower race," his presence with his wife at anniversary festivities--all that was open. And he judged of others by himself, not believing in what he saw, and always believing that every man had his real, most interesting life under the cover of secrecy and under the cover of night. All personal life rested on secrecy, and possibly it was partly on that account that civilised man was so nervously anxious that personal privacy should be respected. After leaving his daughter at school, Gurov went on to the Slaviansky Bazaar. He took off his fur coat below, went upstairs, and softly knocked at the door. Anna Sergeyevna, wearing his favourite grey dress, exhausted by the journey and the suspense, had been expecting him since the evening before. She was pale; she looked at him, and did not smile, and he had hardly come in when she fell on his breast. Their kiss was slow and prolonged, as though they had not met for two years. "Well, how are you getting on there?" he asked. "What news?" "Wait; I'll tell you directly.... I can't talk." She could not speak; she was crying. She turned away from him, and pressed her handkerchief to her eyes. "Let her have her cry out. I'll sit down and wait," he thought, and he sat down in an arm-chair. Then he rang and asked for tea to be brought him, and while he drank his tea she remained standing at the window with her back to him. She was crying from emotion, from the miserable consciousness that their life was so hard for them; they could only meet in secret, hiding themselves from people, like thieves! Was not their life shattered? "Come, do stop!" he said. It was evident to him that this love of theirs would not soon be over, that he could not see the end of it. Anna Sergeyevna grew more and | sounds of the inferior orchestra, of the wretched provincial violins, he thought how lovely she was. He thought and dreamed. A young man with small side-whiskers, tall and stooping, came in with Anna Sergeyevna and sat down beside her; he bent his head at every step and seemed to be continually bowing. Most likely this was the husband whom at Yalta, in a rush of bitter feeling, she had called a flunkey. And there really was in his long figure, his side-whiskers, and the small bald patch on his head, something of the flunkey's obsequiousness; his smile was sugary, and in his buttonhole there was some badge of distinction like the number on a waiter. During the first interval the husband went away to smoke; she remained alone in her stall. Gurov, who was sitting in the stalls, too, went up to her and said in a trembling voice, with a forced smile: "Good-evening." She glanced at him and turned pale, then glanced again with horror, unable to believe her eyes, and tightly gripped the fan and the lorgnette in her hands, evidently struggling with herself not to faint. Both were silent. She was sitting, he was standing, frightened by her confusion and not venturing to sit down beside her. The violins and the flute began tuning up. He felt suddenly frightened; it seemed as though all the people in the boxes were looking at them. She got up and went quickly to the door; he followed her, and both walked senselessly along passages, and up and down stairs, and figures in legal, scholastic, and civil service uniforms, all wearing badges, flitted before their eyes. They caught glimpses of ladies, of fur coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed her, and did not believe her. In Moscow she stayed at the Slaviansky Bazaar hotel, and at once sent a man in a red cap to Gurov. Gurov went to see her, and no one in Moscow knew of it. Once he was going to see her in this way on a winter morning (the messenger had come the evening before when he was out). With him walked his daughter, whom he wanted to take to school: it was on the way. Snow was falling in big wet flakes. "It's three degrees above freezing-point, and yet it is snowing," said Gurov to his daughter. "The thaw is only on the surface of the earth; there is quite a different temperature at a greater height in the atmosphere." "And why are there no thunderstorms in the winter, father?" He explained | The Lady and the Dog and Other Stories (1) | his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You | {
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"content": "his features more distinctly in her memory. \"I am so unhappy,\" she went on, not heeding him. \"I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?\"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>\"What are you doing, what are you doing!\" she cried in horror, pushing him away. \"We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!\" Some one was coming up the stairs. \"You",
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“Traviata,” | No speaker | would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the | saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. | and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had | watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena | now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of | all laughing—the Danish laundry girls and the three Bohemian Marys. Lena had brought them all back to me. It came over me, as it had never done before, the relation between girls like those and the poetry of Virgil. If there were no girls like them in the world, there would be no poetry. I understood that clearly, for the first time. This revelation seemed to me inestimably precious. I clung to it as if it might suddenly vanish. As I sat down to my book at last, my old dream about Lena coming across the harvest field in her short skirt seemed to me like the memory of an actual experience. It floated before me on the page like a picture, and underneath it stood the mournful line: Optima dies … prima fugit. III IN Lincoln the best part of the theatrical season came late, when the good companies stopped off there for one-night stands, after their long runs in New York and Chicago. That spring Lena went with me to see Joseph Jefferson in “Rip Van Winkle,” and to a war play called “Shenandoah.” She was inflexible about paying for her own seat; said she was in business now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of that supper makes me hungry now; the sight of it then, when I had only a students’ boarding-house dinner behind me, was delicate torment. I seem to remember gilded chairs and tables (arranged hurriedly by footmen in white gloves and stockings), linen of dazzling whiteness, glittering glass, silver dishes, a great bowl of fruit, and the reddest of roses. The room was invaded by beautiful women and dashing young men, laughing and talking together. The men were dressed more or less after the period in which the play was written; the women were not. I saw no inconsistency. Their talk seemed to open to one the brilliant world in which they lived; every sentence made one older and wiser, every pleasantry enlarged one’s horizon. One could experience excess and satiety without the inconvenience of learning what to do with one’s hands in a drawing-room! When the characters all spoke at once and I missed some of the phrases they flashed at each other, I was in misery. I strained my ears and eyes to catch every exclamation. The actress who played Marguerite was even then old-fashioned, though historic. She had been a member of Daly’s famous New York company, and | there. Don’t you just love a good play, Jim? I can’t stay at home in the evening if there’s one in town. I’d be willing to work like a slave, it seems to me, to live in a place where there are theaters.” “Let’s go to a show together sometime. You are going to let me come to see you, are n’t you?” “Would you like to? I’d be ever so pleased. I’m never busy after six o’clock, and I let my sewing girls go at half-past five. I board, to save time, but sometimes I cook a chop for myself, and I’d be glad to cook one for you. Well,” —she began to put on her white gloves,— “it’s been awful good to see you, Jim.” “You need n’t hurry, need you? You’ve hardly told me anything yet.” “We can talk when you come to see me. I expect you don’t often have lady visitors. The old woman downstairs did n’t want to let me come up very much. I told her I was from your home town, and had promised your grandmother to come and see you. How surprised Mrs. Burden would be!” Lena laughed softly as she rose. When I caught up my hat she shook her head. “No, I don’t want you to go with me. I’m to meet some Swedes at the drug-store. You would n’t care for them. I wanted to see your room so I could write Tony all about it, but I must tell her how I left you right here with your books. She’s always so afraid some one will run off with you!” Lena slipped her silk sleeves into the jacket I held for her, smoothed it over her person, and buttoned it slowly. I walked with her to the door. “Come and see me sometimes when you’re lonesome. But maybe you have all the friends you want. Have you?” She turned her soft cheek to me. “Have you?” she whispered teasingly in my ear. In a moment I watched her fade down the dusky stairway. When I turned back to my room the place seemed much pleasanter than before. Lena had left something warm and friendly in the lamplight. How I loved to hear her laugh again! It was so soft and unexcited and appreciative—gave a favorable interpretation to everything. When I closed my eyes I could hear them all laughing—the Danish laundry girls and the three Bohemian Marys. Lena had brought them all back to me. It came over me, as it had never done before, the relation between girls like those and the poetry of Virgil. If there were no girls like them in the world, there would be no poetry. I understood that clearly, for the first time. This revelation seemed to me inestimably precious. I clung to it as if it might suddenly vanish. As I sat down to my book at last, my old dream about Lena coming across the harvest field in her short skirt seemed to me like the memory of an actual experience. It floated before me on the page like a picture, and underneath it stood the mournful line: Optima dies … prima fugit. III IN Lincoln the best part of the theatrical season came late, when the good companies stopped off there for one-night stands, after their long runs in New York and Chicago. That spring Lena went with me to see Joseph Jefferson in “Rip Van Winkle,” and to a war play called “Shenandoah.” She was inflexible about paying for her own seat; said she was in business now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of that supper makes me hungry now; the sight of it then, when I had only a students’ boarding-house dinner behind me, was delicate torment. I seem to remember gilded chairs and tables (arranged hurriedly by footmen in white gloves and stockings), linen of dazzling whiteness, glittering glass, silver dishes, a great bowl of fruit, and the reddest of roses. The room was invaded by beautiful women and dashing young men, laughing and talking together. The men were dressed more or less after the period in which the play was written; the women were not. I saw no inconsistency. Their talk seemed to open to one the brilliant world in which they lived; every sentence made one older and wiser, every pleasantry enlarged one’s horizon. One could experience excess and satiety without the inconvenience of learning what to do with one’s hands in a drawing-room! When the characters all spoke at once and I missed some of the phrases they flashed at each other, I was in misery. I strained my ears and eyes to catch every exclamation. The actress who played Marguerite was even then old-fashioned, though historic. She had been a member of Daly’s famous New York company, and afterward a “star” under his direction. She was a woman who could not be taught, it is said, though she had a crude natural force which carried with people whose feelings were accessible and whose taste was not squeamish. She was already old, with a ravaged countenance and a physique curiously hard and stiff. She moved with difficulty—I think she was lame—I seem to remember some story about a malady of the spine. Her Armand was disproportionately young and slight, a handsome youth, perplexed in the extreme. But what did it matter? I believed devoutly in her power to fascinate him, in her dazzling loveliness. I believed her young, ardent, reckless, disillusioned, under sentence, feverish, avid of pleasure. I wanted to cross the footlights and help the slim-waisted Armand in the frilled shirt to convince her that there was still loyalty and devotion in the world. Her sudden illness, when the gayety was at its height, her pallor, the handkerchief she crushed against her lips, the cough she smothered under the laughter while Gaston kept playing the piano lightly—it all wrung my heart. But not so much as her cynicism in the long dialogue with her lover which followed. How far was I from questioning her unbelief! While the charmingly sincere young man pleaded with her—accompanied by the orchestra in the old “Traviata” duet, “misterioso, misterioso!” —she maintained her bitter skepticism, and the curtain fell on her dancing recklessly with the others, after Armand had been sent away with his flower. Between the acts we had no time to forget. The orchestra kept sawing away at the “Traviata” music, so joyous and sad, so thin and far-away, so clap-trap and yet so heart-breaking. After the second act I left Lena in tearful contemplation of the ceiling, and went out into the lobby to smoke. As I walked about there I congratulated myself that I had not brought some Lincoln girl who would talk during the waits about the Junior dances, or whether the cadets would camp at Plattsmouth. Lena was at least a woman, and I was a man. Through the scene between Marguerite and the elder Duval, Lena wept unceasingly, and I sat helpless to prevent the closing of that chapter of idyllic love, dreading the return of the young man whose ineffable happiness was only to be the measure of his fall. I suppose no woman could have | my room the place seemed much pleasanter than before. Lena had left something warm and friendly in the lamplight. How I loved to hear her laugh again! It was so soft and unexcited and appreciative—gave a favorable interpretation to everything. When I closed my eyes I could hear them all laughing—the Danish laundry girls and the three Bohemian Marys. Lena had brought them all back to me. It came over me, as it had never done before, the relation between girls like those and the poetry of Virgil. If there were no girls like them in the world, there would be no poetry. I understood that clearly, for the first time. This revelation seemed to me inestimably precious. I clung to it as if it might suddenly vanish. As I sat down to my book at last, my old dream about Lena coming across the harvest field in her short skirt seemed to me like the memory of an actual experience. It floated before me on the page like a picture, and underneath it stood the mournful line: Optima dies … prima fugit. III IN Lincoln the best part of the theatrical season came late, when the good companies stopped off there for one-night stands, after their long runs in New York and Chicago. That spring Lena went with me to see Joseph Jefferson in “Rip Van Winkle,” and to a war play called “Shenandoah.” She was inflexible about paying for her own seat; said she was in business now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of that supper makes me hungry now; the sight of it then, when I had only a students’ boarding-house dinner behind me, was delicate torment. I seem to remember gilded chairs and tables (arranged hurriedly by footmen in white gloves and stockings), linen of dazzling whiteness, glittering glass, silver dishes, a great bowl of fruit, and the reddest of roses. The room was invaded by beautiful women and dashing young men, laughing and talking together. The men were dressed more or less after the period in which the play was written; the women were not. I saw no inconsistency. Their talk seemed to open to one the brilliant world in which they lived; every sentence made one older and wiser, every pleasantry enlarged one’s horizon. One could experience excess and satiety without the inconvenience of learning what to do with one’s hands in a drawing-room! When the characters all spoke at once and I missed some of the phrases they flashed at each other, I was in misery. I strained my ears and eyes to catch every exclamation. The actress who played Marguerite was even then old-fashioned, though historic. She had been a member of Daly’s famous New York company, and afterward a “star” under his direction. She was a woman who could not be taught, it is said, though she had a crude natural force which carried with people whose feelings were accessible and whose taste was not squeamish. She was already old, with a ravaged countenance and a physique curiously hard and stiff. She moved with difficulty—I think she was lame—I seem to remember some story about a malady of the spine. Her Armand was disproportionately young and slight, a handsome youth, perplexed in the extreme. But what did it matter? I believed devoutly in her power to fascinate him, in her dazzling loveliness. I believed her young, ardent, reckless, disillusioned, under sentence, feverish, avid of pleasure. I wanted | My Antonia | and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had | {
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"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related." | John Middleton | "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not | a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain | of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already | Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the | appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of | relations, and this was enough for Sir John to invite them directly to the park, as soon as their present engagements at Exeter were over. Their engagements at Exeter instantly gave way before such an invitation, and Lady Middleton was thrown into no little alarm on the return of Sir John, by hearing that she was very soon to receive a visit from two girls whom she had never seen in her life, and of whose elegance, whose tolerable gentility even, she could have no proof; for the assurances of her husband and mother on that subject went for nothing at all. Their being her relations too made it so much the worse; and Mrs. Jennings s attempts at consolation were therefore unfortunately founded, when she advised her daughter not to care about their being so fashionable; because they were all cousins and must put up with one another. As it was impossible, however, now to prevent their coming, Lady Middleton resigned herself to the idea of it, with all the philosophy of a well-bred woman, contenting herself with merely giving her husband a gentle reprimand on the subject five or six times every day. The young ladies arrived: their appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of their time as could be spared from the importunate demands which this politeness made on it, was spent in admiration of whatever her ladyship was doing, if she happened to be doing any thing, or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the most rapacious of human beings, is likewise the most credulous; her demands are exorbitant; but she will swallow any thing; and the excessive affection and endurance of the Miss Steeles towards her offspring were viewed therefore by Lady Middleton without the smallest surprise or distrust. She saw with maternal complacency all the impertinent encroachments and mischievous tricks to which her cousins submitted. She saw their sashes untied, their hair pulled about their ears, their work-bags searched, and their knives and scissors stolen away, and felt no doubt of its being a reciprocal enjoyment. It suggested no other surprise than that Elinor and Marianne should sit so composedly by, without claiming a share in what was passing. "John is in such spirits today!" | own it last night." Mrs. Palmer s information respecting Willoughby was not very material; but any testimony in his favour, however small, was pleasing to her. "I am so glad we are got acquainted at last," continued Charlotte. "And now I hope we shall always be great friends. You can t think how much I longed to see you! It is so delightful that you should live at the cottage! Nothing can be like it, to be sure! And I am so glad your sister is going to be well married! I hope you will be a great deal at Combe Magna. It is a sweet place, by all accounts." "You have been long acquainted with Colonel Brandon, have not you?" "Yes, a great while; ever since my sister married. He was a particular friend of Sir John s. I believe," she added in a low voice, "he would have been very glad to have had me, if he could. Sir John and Lady Middleton wished it very much. But mama did not think the match good enough for me, otherwise Sir John would have mentioned it to the Colonel, and we should have been married immediately." "Did not Colonel Brandon know of Sir John s proposal to your mother before it was made? Had he never owned his affection to yourself?" "Oh, no; but if mama had not objected to it, I dare say he would have liked it of all things. He had not seen me then above twice, for it was before I left school. However, I am much happier as I am. Mr. Palmer is the kind of man I like." CHAPTER XXI. The Palmers returned to Cleveland the next day, and the two families at Barton were again left to entertain each other. But this did not last long; Elinor had hardly got their last visitors out of her head, had hardly done wondering at Charlotte s being so happy without a cause, at Mr. Palmer s acting so simply, with good abilities, and at the strange unsuitableness which often existed between husband and wife, before Sir John s and Mrs. Jennings s active zeal in the cause of society, procured her some other new acquaintance to see and observe. In a morning s excursion to Exeter, they had met with two young ladies, whom Mrs. Jennings had the satisfaction of discovering to be her relations, and this was enough for Sir John to invite them directly to the park, as soon as their present engagements at Exeter were over. Their engagements at Exeter instantly gave way before such an invitation, and Lady Middleton was thrown into no little alarm on the return of Sir John, by hearing that she was very soon to receive a visit from two girls whom she had never seen in her life, and of whose elegance, whose tolerable gentility even, she could have no proof; for the assurances of her husband and mother on that subject went for nothing at all. Their being her relations too made it so much the worse; and Mrs. Jennings s attempts at consolation were therefore unfortunately founded, when she advised her daughter not to care about their being so fashionable; because they were all cousins and must put up with one another. As it was impossible, however, now to prevent their coming, Lady Middleton resigned herself to the idea of it, with all the philosophy of a well-bred woman, contenting herself with merely giving her husband a gentle reprimand on the subject five or six times every day. The young ladies arrived: their appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of their time as could be spared from the importunate demands which this politeness made on it, was spent in admiration of whatever her ladyship was doing, if she happened to be doing any thing, or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the most rapacious of human beings, is likewise the most credulous; her demands are exorbitant; but she will swallow any thing; and the excessive affection and endurance of the Miss Steeles towards her offspring were viewed therefore by Lady Middleton without the smallest surprise or distrust. She saw with maternal complacency all the impertinent encroachments and mischievous tricks to which her cousins submitted. She saw their sashes untied, their hair pulled about their ears, their work-bags searched, and their knives and scissors stolen away, and felt no doubt of its being a reciprocal enjoyment. It suggested no other surprise than that Elinor and Marianne should sit so composedly by, without claiming a share in what was passing. "John is in such spirits today!" said she, on his taking Miss Steeles s pocket handkerchief, and throwing it out of window "He is full of monkey tricks." And soon afterwards, on the second boy s violently pinching one of the same lady s fingers, she fondly observed, "How playful William is!" "And here is my sweet little Annamaria," she added, tenderly caressing a little girl of three years old, who had not made a noise for the last two minutes; "And she is always so gentle and quiet Never was there such a quiet little thing!" But unfortunately in bestowing these embraces, a pin in her ladyship s head dress slightly scratching the child s neck, produced from this pattern of gentleness such violent screams, as could hardly be outdone by any creature professedly noisy. The mother s consternation was excessive; but it could not surpass the alarm of the Miss Steeles, and every thing was done by all three, in so critical an emergency, which affection could suggest as likely to assuage the agonies of the little sufferer. She was seated in her mother s lap, covered with kisses, her wound bathed with lavender-water, by one of the Miss Steeles, who was on her knees to attend her, and her mouth stuffed with sugar plums by the other. With such a reward for her tears, the child was too wise to cease crying. She still screamed and sobbed lustily, kicked her two brothers for offering to touch her, and all their united soothings were ineffectual till Lady Middleton luckily remembering that in a scene of similar distress last week, some apricot marmalade had been successfully applied for a bruised temple, the same remedy was eagerly proposed for this unfortunate scratch, and a slight intermission of screams in the young lady on hearing it, gave them reason to hope that it would not be rejected. She was carried out of the room therefore in her mother s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours. "Poor little creatures!" said Miss Steele, as soon as they were gone. "It might have been a very sad accident." "Yet I hardly know how," cried Marianne, "unless it had been under totally different circumstances. But this | whom she had never seen in her life, and of whose elegance, whose tolerable gentility even, she could have no proof; for the assurances of her husband and mother on that subject went for nothing at all. Their being her relations too made it so much the worse; and Mrs. Jennings s attempts at consolation were therefore unfortunately founded, when she advised her daughter not to care about their being so fashionable; because they were all cousins and must put up with one another. As it was impossible, however, now to prevent their coming, Lady Middleton resigned herself to the idea of it, with all the philosophy of a well-bred woman, contenting herself with merely giving her husband a gentle reprimand on the subject five or six times every day. The young ladies arrived: their appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of their time as could be spared from the importunate demands which this politeness made on it, was spent in admiration of whatever her ladyship was doing, if she happened to be doing any thing, or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the | Sense And Sensibility | of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already | {
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"content": "of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. \"Do come now,\" said he<|quote|>\"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related.\"</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already",
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Daisy looked desperately from one to the other. | No speaker | “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please | last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” | “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at | I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big | detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. | rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!” At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. “Sit down, Daisy,” Tom’s voice groped unsuccessfully for the paternal note. “What’s been going on? I want to hear all about it.” “I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.” Tom turned to Daisy sharply. “You’ve been seeing this fellow for five years?” “Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes” —but there was no laughter | “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!” At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. “Sit down, Daisy,” Tom’s voice groped unsuccessfully for the paternal note. “What’s been going on? I want to hear all about it.” “I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.” Tom turned to Daisy sharply. “You’ve been seeing this fellow for five years?” “Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes” —but there was no laughter in his eyes— “to think that you didn’t know.” “Oh—that’s all.” Tom tapped his thick fingers together like a clergyman and leaned back in his chair. “You’re crazy!” he exploded. “I can’t speak about what happened five years ago, because I didn’t know Daisy then—and I’ll be damned if I see how you got within a mile of her unless you brought the groceries to the back door. But all the rest of that’s a God damned lie. Daisy loved me when she married me and she loves me now.” “No,” said Gatsby, shaking his head. “She does, though. The trouble is that sometimes she gets foolish ideas in her head and doesn’t know what she’s doing.” He nodded sagely. “And what’s more, I love Daisy too. Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time.” “You’re revolting,” said Daisy. She turned to me, and her voice, dropping an octave lower, filled the room with thrilling scorn: “Do you know why we left Chicago? I’m surprised that they didn’t treat you to the story of that little spree.” Gatsby walked over and stood beside her. “Daisy, that’s all over now,” he said earnestly. “It doesn’t matter any more. Just tell him the truth—that you never loved him—and it’s all wiped out forever.” She looked at him blindly. “Why—how could I love him—possibly?” “You never loved him.” She hesitated. Her eyes fell on Jordan and me with a sort of appeal, as though she realized at last what she was doing—and as though she had never, all along, intended doing anything at all. But it was done now. It was too late. “I never loved him,” she said, with perceptible reluctance. “Not at Kapiolani?” demanded Tom suddenly. “No.” From the ballroom beneath, muffled and suffocating chords were drifting up on hot waves of air. “Not that day I carried you down from the Punch Bowl to keep your shoes dry?” There was a husky tenderness in his tone … “Daisy?” “Please don’t.” Her voice was cold, but the rancour was gone from it. She looked at Gatsby. “There, Jay,” she said—but her hand as she tried to light a cigarette was trembling. Suddenly she threw the cigarette and the burning match on the carpet. “Oh, you want too much!” | have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!” At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. “Sit down, Daisy,” Tom’s voice groped unsuccessfully for the paternal note. “What’s been going on? I want to hear all about it.” “I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.” Tom turned to Daisy sharply. “You’ve been seeing this fellow for five years?” “Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes” —but there was no laughter in his eyes— “to think that you didn’t know.” “Oh—that’s all.” Tom tapped his thick fingers | The Great Gatsby | “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at | {
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"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" | Mr. Mace | his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot | by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a | his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, | Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, | man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in | "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on my shoulder. His physiognomy underwent a complete change. Tears came into his eyes. | his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on my shoulder. His physiognomy underwent a complete change. Tears came into his eyes. "In all this, you see, I think of that poor Mrs. Inglethorp who is dead. She was not extravagantly loved no. But she was very good to us Belgians I owe her a debt." I endeavoured to interrupt, but Poirot swept on. "Let me tell you this, Hastings. She would never forgive me if I let Alfred Inglethorp, her husband, be arrested _now_ when a word from me could save him!" CHAPTER VI. THE INQUEST In the interval before the inquest, Poirot was unfailing in his activity. Twice he was closeted with Mr. Wells. He also took long walks into the country. I rather resented his not taking me into his confidence, the more so as I could not in the least guess what he was driving at. It occurred to me that he might have been making inquiries at Raikes's farm; so, finding him out when I called at Leastways Cottage on Wednesday evening, I walked over there by the fields, hoping to meet him. But there was no sign of him, and I hesitated to go right up to the farm itself. As I walked away, I met an aged rustic, who leered at me cunningly. "You'm from the Hall, bain't you?" he asked. "Yes. I'm looking for a friend of mine whom I thought might have walked this way." "A little chap? As waves his hands when he talks? One of them Belgies from the village?" "Yes," I said eagerly. "He has been here, then?" "Oh, ay, he's been here, right enough. More'n once too. Friend of yours, is he? Ah, you gentlemen from the Hall you'm a pretty lot!" And he leered more jocosely than ever. "Why, do the gentlemen from the Hall come here often?" I asked, as carelessly as I could. He winked at me knowingly. "_One_ does, mister. Naming no names, mind. And a very liberal gentleman too! Oh, thank you, sir, I'm sure." I walked on sharply. Evelyn Howard had been right then, and I experienced a sharp twinge of disgust, as I thought of Alfred Inglethorp's liberality with another woman's money. Had that piquant gipsy face been at the bottom of the crime, or was it the baser mainspring of money? Probably a judicious mixture of both. On one point, Poirot seemed to have a curious obsession. He once or twice observed to me that he thought Dorcas must have made | went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. | The Mysterious Affair At Styles | his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, | {
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"content": "his voice cautiously \"that it's poison?\" Poirot's face remained quite impassive. \"Only the doctors can tell us that, Mr. Mace.\" \"Yes, exactly of course\" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>\"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?\"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. \"Yes,\" he said, nodding gravely. \"He will have evidence to give at the inquest.\" We went slowly upstairs again. I was opening my lips,",
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} | Mr. Mace |
"Sleep now," | Margaret | passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of | seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into | a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and | "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear | long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, | She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, "Brute--you brute, I couldn t have--" and be rent into two people who held dialogues. Or brown rain would descend, blotting out faces and the sky. Even Jacky noticed the change in him. Most terrible were his sufferings when he awoke from sleep. Sometimes he was happy at first, but grew conscious of a burden hanging to him and weighing down his thoughts when they would move. Or little irons scorched his body. Or a sword stabbed him. He would sit at the edge of his bed, holding his heart and moaning, "Oh what SHALL I do, whatever SHALL I do?" Nothing brought ease. He could put distance between him and the trespass, but it grew in his soul. Remorse is not among the eternal verities. The Greeks were right to dethrone her. Her action is too capricious, as though the Erinyes selected for punishment only certain men and certain sins. And of all means to regeneration Remorse is surely the most wasteful. It cuts away healthy tissues with the poisoned. It is a knife that probes far deeper than the evil. Leonard was driven straight through its torments and emerged pure, but enfeebled--a better man, who would never lose | time--and Mrs. Bast was upstairs. I had not seen her, and had talked for a long time to Leonard--I had snubbed him for no reason, and that should have warned me I was in danger. So when the notes came I wanted us to go to you for an explanation. He said that he guessed the explanation--he knew of it, and you mustn t know. I pressed him to tell me. He said no one must know; it was something to do with his wife. Right up to the end we were Mr. Bast and Miss Schlegel. I was going to tell him that he must be frank with me when I saw his eyes, and guessed that Mr. Wilcox had ruined him in two ways, not one. I drew him to me. I made him tell me. I felt very lonely myself. He is not to blame. He would have gone on worshipping me. I want never to see him again, though it sounds appalling. I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!" She laid her face against the tree. "The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them. "Leonard is a better growth than madness," she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, "Brute--you brute, I couldn t have--" and be rent into two people who held dialogues. Or brown rain would descend, blotting out faces and the sky. Even Jacky noticed the change in him. Most terrible were his sufferings when he awoke from sleep. Sometimes he was happy at first, but grew conscious of a burden hanging to him and weighing down his thoughts when they would move. Or little irons scorched his body. Or a sword stabbed him. He would sit at the edge of his bed, holding his heart and moaning, "Oh what SHALL I do, whatever SHALL I do?" Nothing brought ease. He could put distance between him and the trespass, but it grew in his soul. Remorse is not among the eternal verities. The Greeks were right to dethrone her. Her action is too capricious, as though the Erinyes selected for punishment only certain men and certain sins. And of all means to regeneration Remorse is surely the most wasteful. It cuts away healthy tissues with the poisoned. It is a knife that probes far deeper than the evil. Leonard was driven straight through its torments and emerged pure, but enfeebled--a better man, who would never lose control of himself again, but also a smaller man, who had less to control. Nor did purity mean peace. The use of the knife can become a habit as hard to shake off as passion itself, and Leonard continued to start with a cry out of dreams. He built up a situation that was far enough from the truth. It never occurred to him that Helen was to blame. He forgot the intensity of their talk, the charm that had been lent him by sincerity, the magic of Oniton under darkness and of the whispering river. Helen loved the absolute. Leonard had been ruined absolutely, and had appeared to her as a man apart, isolated from the world. A real man, who cared for adventure and beauty, who desired to live decently and pay his way, who could have travelled more gloriously through life than the juggernaut car that was crushing him. Memories of Evie s wedding had warped her, the starched servants, the yards of uneaten food, the rustle of overdressed women, motor-cars oozing grease on the gravel, a pretentious band. She had tasted the lees of this on her arrival; in the darkness, after failure, they intoxicated her. She and the victim seemed alone in a world of unreality, and she loved him absolutely, perhaps for half an hour. In the morning she was gone. The note that she left, tender and hysterical in tone, and intended to be most kind, hurt her lover terribly. It was as if some work of art had been broken by him, some picture in the National Gallery slashed out of its frame. When he recalled her talents and her social position, he felt that the first passer-by had a right to shoot him down. He was afraid of the waitress and the porters at the railway-station. He was afraid at first of his wife, though later he was to regard her with a strange new tenderness, and to think, "There is nothing to choose between us, after all." The expedition to Shropshire crippled the Basts permanently. Helen in her flight forgot to settle the hotel bill, and took their return tickets away with her; they had to pawn Jacky s bangles to get home, and the smash came a few days afterwards. It is true that Helen offered him five thousand pounds, but such a sum meant nothing to him. He | "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, | Howards End | a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and | {
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"content": "a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>\"Sleep now,\"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came \"now,\" and",
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cried Mrs. Jennings, | No speaker | assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should | out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed | been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her | a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would | Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son | not a better kind of girl in the world, nor one who more deserves a good husband." John Dashwood was greatly astonished; but his nature was calm, not open to provocation, and he never wished to offend anybody, especially anybody of good fortune. He therefore replied, without any resentment, "I would by no means speak disrespectfully of any relation of yours, madam. Miss Lucy Steele is, I dare say, a very deserving young woman, but in the present case you know, the connection must be impossible. And to have entered into a secret engagement with a young man under her uncle s care, the son of a woman especially of such very large fortune as Mrs. Ferrars, is perhaps, altogether a little extraordinary. In short, I do not mean to reflect upon the behaviour of any person whom you have a regard for, Mrs. Jennings. We all wish her extremely happy; and Mrs. Ferrars s conduct throughout the whole, has been such as every conscientious, good mother, in like circumstances, would adopt. It has been dignified and liberal. Edward has drawn his own lot, and I fear it will be a bad one." Marianne sighed out her similar apprehension; and Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son independent, because another had plagued me." Marianne got up and walked about the room. "Can anything be more galling to the spirit of a man," continued John, "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely." A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to his sisters that he really believed there was no material danger in Fanny s indisposition, and that they need not therefore be very uneasy about it, he went away; leaving the three ladies unanimous in their sentiments on the present occasion, as far at least as it regarded Mrs. Ferrars s conduct, the Dashwoods , and Edward s. Marianne s indignation burst forth as soon as he quitted the room; and as her vehemence made reserve impossible in Elinor, and unnecessary in Mrs. Jennings, they all joined in a very spirited critique upon the party. CHAPTER XXXVIII. Mrs. Jennings was very warm in her praise of Edward s conduct, but only Elinor and Marianne understood its true merit. _They_ only knew how little he had had to tempt him to | never have entered her head! If she suspected _any_ prepossession elsewhere, it could not be in _that_ quarter." _There_, to be sure, "said she," I might have thought myself safe. "She was quite in an agony. We consulted together, however, as to what should be done, and at last she determined to send for Edward. He came. But I am sorry to relate what ensued. All that Mrs. Ferrars could say to make him put an end to the engagement, assisted too as you may well suppose by my arguments, and Fanny s entreaties, was of no avail. Duty, affection, every thing was disregarded. I never thought Edward so stubborn, so unfeeling before. His mother explained to him her liberal designs, in case of his marrying Miss Morton; told him she would settle on him the Norfolk estate, which, clear of land-tax, brings in a good thousand a-year; offered even, when matters grew desperate, to make it twelve hundred; and in opposition to this, if he still persisted in this low connection, represented to him the certain penury that must attend the match. His own two thousand pounds she protested should be his all; she would never see him again; and so far would she be from affording him the smallest assistance, that if he were to enter into any profession with a view of better support, she would do all in her power to prevent him advancing in it."" Here Marianne, in an ecstasy of indignation, clapped her hands together, and cried, "Gracious God! can this be possible!" "Well may you wonder, Marianne," replied her brother, "at the obstinacy which could resist such arguments as these. Your exclamation is very natural." Marianne was going to retort, but she remembered her promises, and forbore. "All this, however," he continued, "was urged in vain. Edward said very little; but what he did say, was in the most determined manner. Nothing should prevail on him to give up his engagement. He would stand to it, cost him what it might." "Then," cried Mrs. Jennings with blunt sincerity, no longer able to be silent, "he has acted like an honest man! I beg your pardon, Mr. Dashwood, but if he had done otherwise, I should have thought him a rascal. I have some little concern in the business, as well as yourself, for Lucy Steele is my cousin, and I believe there is not a better kind of girl in the world, nor one who more deserves a good husband." John Dashwood was greatly astonished; but his nature was calm, not open to provocation, and he never wished to offend anybody, especially anybody of good fortune. He therefore replied, without any resentment, "I would by no means speak disrespectfully of any relation of yours, madam. Miss Lucy Steele is, I dare say, a very deserving young woman, but in the present case you know, the connection must be impossible. And to have entered into a secret engagement with a young man under her uncle s care, the son of a woman especially of such very large fortune as Mrs. Ferrars, is perhaps, altogether a little extraordinary. In short, I do not mean to reflect upon the behaviour of any person whom you have a regard for, Mrs. Jennings. We all wish her extremely happy; and Mrs. Ferrars s conduct throughout the whole, has been such as every conscientious, good mother, in like circumstances, would adopt. It has been dignified and liberal. Edward has drawn his own lot, and I fear it will be a bad one." Marianne sighed out her similar apprehension; and Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son independent, because another had plagued me." Marianne got up and walked about the room. "Can anything be more galling to the spirit of a man," continued John, "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely." A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to his sisters that he really believed there was no material danger in Fanny s indisposition, and that they need not therefore be very uneasy about it, he went away; leaving the three ladies unanimous in their sentiments on the present occasion, as far at least as it regarded Mrs. Ferrars s conduct, the Dashwoods , and Edward s. Marianne s indignation burst forth as soon as he quitted the room; and as her vehemence made reserve impossible in Elinor, and unnecessary in Mrs. Jennings, they all joined in a very spirited critique upon the party. CHAPTER XXXVIII. Mrs. Jennings was very warm in her praise of Edward s conduct, but only Elinor and Marianne understood its true merit. _They_ only knew how little he had had to tempt him to be disobedient, and how small was the consolation, beyond the consciousness of doing right, that could remain to him in the loss of friends and fortune. Elinor gloried in his integrity; and Marianne forgave all his offences in compassion for his punishment. But though confidence between them was, by this public discovery, restored to its proper state, it was not a subject on which either of them were fond of dwelling when alone. Elinor avoided it upon principle, as tending to fix still more upon her thoughts, by the too warm, too positive assurances of Marianne, that belief of Edward s continued affection for herself which she rather wished to do away; and Marianne s courage soon failed her, in trying to converse upon a topic which always left her more dissatisfied with herself than ever, by the comparison it necessarily produced between Elinor s conduct and her own. She felt all the force of that comparison; but not as her sister had hoped, to urge her to exertion now; she felt it with all the pain of continual self-reproach, regretted most bitterly that she had never exerted herself before; but it brought only the torture of penitence, without the hope of amendment. Her mind was so much weakened that she still fancied present exertion impossible, and therefore it only dispirited her more. Nothing new was heard by them, for a day or two afterwards, of affairs in Harley Street, or Bartlett s Buildings. But though so much of the matter was known to them already, that Mrs. Jennings might have had enough to do in spreading that knowledge farther, without seeking after more, she had resolved from the first to pay a visit of comfort and inquiry to her cousins as soon as she could; and nothing but the hindrance of more visitors than usual, had prevented her going to them within that time. The third day succeeding their knowledge of the particulars, was so fine, so beautiful a Sunday as to draw many to Kensington Gardens, though it was only the second week in March. Mrs. Jennings and Elinor were of the number; but Marianne, who knew that the Willoughbys were again in town, and had a constant dread of meeting them, chose rather to stay at home, than venture into so public a place. An intimate acquaintance of Mrs. Jennings joined them soon after they entered the | wished to offend anybody, especially anybody of good fortune. He therefore replied, without any resentment, "I would by no means speak disrespectfully of any relation of yours, madam. Miss Lucy Steele is, I dare say, a very deserving young woman, but in the present case you know, the connection must be impossible. And to have entered into a secret engagement with a young man under her uncle s care, the son of a woman especially of such very large fortune as Mrs. Ferrars, is perhaps, altogether a little extraordinary. In short, I do not mean to reflect upon the behaviour of any person whom you have a regard for, Mrs. Jennings. We all wish her extremely happy; and Mrs. Ferrars s conduct throughout the whole, has been such as every conscientious, good mother, in like circumstances, would adopt. It has been dignified and liberal. Edward has drawn his own lot, and I fear it will be a bad one." Marianne sighed out her similar apprehension; and Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son independent, because another had plagued me." Marianne got up and walked about the room. "Can anything be more galling to the spirit of a man," continued John, "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely." A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to | Sense And Sensibility | been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her | {
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"content": "been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him.\" \"Poor young man!\"<|quote|>cried Mrs. Jennings,</|quote|>\"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns.\" Elinor s heart thanked her",
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put in Mr. Wilcox slyly. | No speaker | "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was | t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you | YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading | of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his | office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A | wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the | "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of | that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a | Howards End | YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading | {
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"content": "YOU?\" \"Yes.\" Evie tittered. \"He hasn t got the cosy home that you assumed. He needs outside interests.\" \"Naughty young man!\" cried the girl. \"Naughty?\" said Margaret, who hated naughtiness more than sin. \"When you re married Miss Wilcox, won t you want outside interests?\" \"He has apparently got them,\"<|quote|>put in Mr. Wilcox slyly.</|quote|>\"Yes, indeed, father.\" \"He was tramping in Surrey, if you mean that,\" said Margaret, pacing away rather crossly. \"Oh, I dare say!\" \"Miss Wilcox, he was!\" \"M--m--m--m!\" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading",
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Clatter, clatter, clatter! | No speaker | mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier | you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? | in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was | Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the | mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the | He took a book from his pocket and began energetically to read it, judging by the precision and frequency with which he turned the leaves. The sewing-machine made a resounding clatter in the room; it was of a ponderous, by-gone make. In the lulls, Robert and his mother exchanged bits of desultory conversation. "Where is Mrs. Pontellier?" "Down at the beach with the children." "I promised to lend her the Goncourt. Don't forget to take it down when you go; it's there on the bookshelf over the small table." Clatter, clatter, clatter, bang! for the next five or eight minutes. "Where is Victor going with the rockaway?" "The rockaway? Victor?" "Yes; down there in front. He seems to be getting ready to drive away somewhere." "Call him." Clatter, clatter! Robert uttered a shrill, piercing whistle which might have been heard back at the wharf. "He won't look up." Madame Lebrun flew to the window. She called "Victor!" She waved a handkerchief and called again. The young fellow below got into the vehicle and started the horse off at a gallop. Madame Lebrun went back to the machine, crimson with annoyance. Victor was the younger son and brother a _t te mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation. Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt. Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation. At an early hour in the evening the Farival twins were prevailed upon to play the piano. They were girls of fourteen, always clad in the Virgin's colors, blue and white, having been dedicated to the Blessed Virgin at their baptism. They played a duet from "Zampa," and at the earnest solicitation of every one present followed it with the overture to "The | impatience he called it rudeness with which he had received her well-meant caution. "You made one mistake, Ad le," he said, with a light smile; "there is no earthly possibility of Mrs. Pontellier ever taking me seriously. You should have warned me against taking myself seriously. Your advice might then have carried some weight and given me subject for some reflection. _Au revoir_. But you look tired," he added, solicitously. "Would you like a cup of bouillon? Shall I stir you a toddy? Let me mix you a toddy with a drop of Angostura." She acceded to the suggestion of bouillon, which was grateful and acceptable. He went himself to the kitchen, which was a building apart from the cottages and lying to the rear of the house. And he himself brought her the golden-brown bouillon, in a dainty S vres cup, with a flaky cracker or two on the saucer. She thrust a bare, white arm from the curtain which shielded her open door, and received the cup from his hands. She told him he was a _bon gar on_, and she meant it. Robert thanked her and turned away toward "the house." The lovers were just entering the grounds of the _pension_. They were leaning toward each other as the water-oaks bent from the sea. There was not a particle of earth beneath their feet. Their heads might have been turned upside-down, so absolutely did they tread upon blue ether. The lady in black, creeping behind them, looked a trifle paler and more jaded than usual. There was no sign of Mrs. Pontellier and the children. Robert scanned the distance for any such apparition. They would doubtless remain away till the dinner hour. The young man ascended to his mother's room. It was situated at the top of the house, made up of odd angles and a queer, sloping ceiling. Two broad dormer windows looked out toward the Gulf, and as far across it as a man's eye might reach. The furnishings of the room were light, cool, and practical. Madame Lebrun was busily engaged at the sewing-machine. A little black girl sat on the floor, and with her hands worked the treadle of the machine. The Creole woman does not take any chances which may be avoided of imperiling her health. Robert went over and seated himself on the broad sill of one of the dormer windows. He took a book from his pocket and began energetically to read it, judging by the precision and frequency with which he turned the leaves. The sewing-machine made a resounding clatter in the room; it was of a ponderous, by-gone make. In the lulls, Robert and his mother exchanged bits of desultory conversation. "Where is Mrs. Pontellier?" "Down at the beach with the children." "I promised to lend her the Goncourt. Don't forget to take it down when you go; it's there on the bookshelf over the small table." Clatter, clatter, clatter, bang! for the next five or eight minutes. "Where is Victor going with the rockaway?" "The rockaway? Victor?" "Yes; down there in front. He seems to be getting ready to drive away somewhere." "Call him." Clatter, clatter! Robert uttered a shrill, piercing whistle which might have been heard back at the wharf. "He won't look up." Madame Lebrun flew to the window. She called "Victor!" She waved a handkerchief and called again. The young fellow below got into the vehicle and started the horse off at a gallop. Madame Lebrun went back to the machine, crimson with annoyance. Victor was the younger son and brother a _t te mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation. Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt. Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation. At an early hour in the evening the Farival twins were prevailed upon to play the piano. They were girls of fourteen, always clad in the Virgin's colors, blue and white, having been dedicated to the Blessed Virgin at their baptism. They played a duet from "Zampa," and at the earnest solicitation of every one present followed it with the overture to "The Poet and the Peasant." "_Allez vous-en! Sapristi!_" shrieked the parrot outside the door. He was the only being present who possessed sufficient candor to admit that he was not listening to these gracious performances for the first time that summer. Old Monsieur Farival, grandfather of the twins, grew indignant over the interruption, and insisted upon having the bird removed and consigned to regions of darkness. Victor Lebrun objected; and his decrees were as immutable as those of Fate. The parrot fortunately offered no further interruption to the entertainment, the whole venom of his nature apparently having been cherished up and hurled against the twins in that one impetuous outburst. Later a young brother and sister gave recitations, which every one present had heard many times at winter evening entertainments in the city. A little girl performed a skirt dance in the center of the floor. The mother played her accompaniments and at the same time watched her daughter with greedy admiration and nervous apprehension. She need have had no apprehension. The child was mistress of the situation. She had been properly dressed for the occasion in black tulle and black silk tights. Her little neck and arms were bare, and her hair, artificially crimped, stood out like fluffy black plumes over her head. Her poses were full of grace, and her little black-shod toes twinkled as they shot out and upward with a rapidity and suddenness which were bewildering. But there was no reason why every one should not dance. Madame Ratignolle could not, so it was she who gaily consented to play for the others. She played very well, keeping excellent waltz time and infusing an expression into the strains which was indeed inspiring. She was keeping up her music on account of the children, she said; because she and her husband both considered it a means of brightening the home and making it attractive. Almost every one danced but the twins, who could not be induced to separate during the brief period when one or the other should be whirling around the room in the arms of a man. They might have danced together, but they did not think of it. The children were sent to bed. Some went submissively; others with shrieks and protests as they were dragged away. They had been permitted to sit up till after the ice-cream, which naturally marked the limit of human | light, cool, and practical. Madame Lebrun was busily engaged at the sewing-machine. A little black girl sat on the floor, and with her hands worked the treadle of the machine. The Creole woman does not take any chances which may be avoided of imperiling her health. Robert went over and seated himself on the broad sill of one of the dormer windows. He took a book from his pocket and began energetically to read it, judging by the precision and frequency with which he turned the leaves. The sewing-machine made a resounding clatter in the room; it was of a ponderous, by-gone make. In the lulls, Robert and his mother exchanged bits of desultory conversation. "Where is Mrs. Pontellier?" "Down at the beach with the children." "I promised to lend her the Goncourt. Don't forget to take it down when you go; it's there on the bookshelf over the small table." Clatter, clatter, clatter, bang! for the next five or eight minutes. "Where is Victor going with the rockaway?" "The rockaway? Victor?" "Yes; down there in front. He seems to be getting ready to drive away somewhere." "Call him." Clatter, clatter! Robert uttered a shrill, piercing whistle which might have been heard back at the wharf. "He won't look up." Madame Lebrun flew to the window. She called "Victor!" She waved a handkerchief and called again. The young fellow below got into the vehicle and started the horse off at a gallop. Madame Lebrun went back to the machine, crimson with annoyance. Victor was the younger son and brother a _t te mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation. Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt. Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation. At an early hour in the evening the Farival twins were prevailed upon to play the piano. They | The Awakening | in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was | {
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"content": "in the bottom of the workbasket. \"He says to tell you he will be in Vera Cruz the beginning of next month,\" clatter, clatter! \"and if you still have the intention of joining him\" bang! clatter, clatter, bang! \"Why didn't you tell me so before, mother? You know I wanted\"<|quote|>Clatter, clatter, clatter!</|quote|>\"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute.\" Clatter, clatter! \"Where are you going?\" \"Where did you say the Goncourt was?\" IX Every light in the hall was",
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Woolsey said. | No speaker | Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, | are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day | know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some | and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece | over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant | their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work. I got on an S bus and rode down to the Madeleine, standing on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Op ra, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and | look like that," she said. "Told him I was in love with you. True, too. Don't look like that. He was damn nice about it. Wants to drive us out to dinner to-morrow night. Like to go?" "Why not?" "I'd better go now." "Why?" "Just wanted to see you. Damned silly idea. Want to get dressed and come down? He's got the car just up the street." "The count?" "Himself. And a chauffeur in livery. Going to drive me around and have breakfast in the Bois. Hampers. Got it all at Zelli's. Dozen bottles of Mumms. Tempt you?" "I have to work in the morning," I said. "I'm too far behind you now to catch up and be any fun." "Don't be an ass." "Can't do it." "Right. Send him a tender message?" "Anything. Absolutely." "Good night, darling." "Don't be sentimental." "You make me ill." We kissed good night and Brett shivered. "I'd better go," she said. "Good night, darling." "You don't have to go." "Yes." We kissed again on the stairs and as I called for the cordon the concierge muttered something behind her door. I went back up-stairs and from the open window watched Brett walking up the street to the big limousine drawn up to the curb under the arc-light. She got in and it started off. I turned around. On the table was an empty glass and a glass half-full of brandy and soda. I took them both out to the kitchen and poured the half-full glass down the sink. I turned off the gas in the dining-room, kicked off my slippers sitting on the bed, and got into bed. This was Brett, that I had felt like crying about. Then I thought of her walking up the street and stepping into the car, as I had last seen her, and of course in a little while I felt like hell again. It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing. CHAPTER 5 In the morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work. I got on an S bus and rode down to the Madeleine, standing on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Op ra, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the | damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's | The Sun Also Rises | know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some | {
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"content": "know how it is, though, with a wife and kids.\" \"Playing any tennis?\" Woolsey asked. \"Well, no,\" said Krum. \"I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded.\" \"The Englishmen all have Saturday off,\"<|quote|>Woolsey said.</|quote|>\"Lucky beggars,\" said Krum. \"Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country.\" \"That's the thing to do. Live out in the country and have a little car.\" \"I've been thinking some",
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Lucy at once re-entered daily life. | No speaker | for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! | will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the | he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. | her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said | the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was | desire. Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish, under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss | wonderful church." She joined her cousin. Chapter III: Music, Violets, and the Letter "S" It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave. The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions. Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never. She was no dazzling executante; her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer's evening with the window open. Passion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what--that is more than the words of daily life can tell us. But that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph. A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers caressing her own; and by touch, not by sound alone, did she come to her desire. Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish, under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono | going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when | A Room With A View | he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. | {
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"content": "he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: \"If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.\"<|quote|>Lucy at once re-entered daily life.</|quote|>\"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet.\" \"Doesn't Mrs. Honeychurch like music?\" \"She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it.",
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"More than likely, sir," | First Lieutenant | Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The | such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his | and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run | could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his | sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The | "I wish I had thought of this before. Now go." Mr Bosun Jones was in command of this boat, and he gave orders to his men, the oars splashed, and away they went into the darkness, their lights growing fainter and fainter, till they seemed to be mere specks in the distance; but they did not die out, and as those left on deck watched the progress, they saw the lanthorns of the last boat become stationary, and knew that the men had reached the shore, while the lanthorns of the second cutter were faintly visible, moving slowly far away to the south. The captain rubbed his hands with satisfaction, and kept walking to the gangway and using his night-glass without any greater result than that of seeing a couple of faint specks of light, when he got the boats' lanthorns into the field. Then he listened in the hope of hearing shouts, which would suggest the capture of the fugitives; but half an hour--an hour--glided by, and all was still. The buzz and cries which had arisen from the collection of huts had ceased, and the lights shown there had been extinguished, while the darkness which hung over the sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The people will give them up either by threats or bribes." "I hope so, sir," said the boatswain, coldly. And, then, as he went below, "Poor lad! I'd have given a year of my life rather than it should have happened. This pressing is like a curse to the service." By this time the officer in the last boat had reported himself, the crews were dismissed, the watch set, and all was silence and darkness again. About dawn the captain, after an uneasy night, came on deck, glass in hand, to search the shore, and try to make out some sign of the fugitives; but just as he had focussed his glass, he caught sight of some one doing the very same thing, and going softly to the bows he found that the officer busy with the glass was Bosun Jones, who rose and saluted his superior. "See anything, Mr Jones?" the captain said. "No, sir; only the regular number of canoes drawn up on the beach." "Have you thought any more about what you said you heard last night?" "Yes, sir, a great deal." "But you don't think the poor lad met such a fate as you hinted at?" "Yes, | that?" cried the captain. "A cry for help!" "No, sir." "What was it, then?" "Beg pardon, sir; but I think it was one on 'em a-larfin'." The captain gave the speaker--one of the warrant officers--a furious look. "Now, then, is that boat going to be all night?" he shouted. "All ready, sir. Lower away." The boat kissed the sea with a faint splash; she was thrust off; and as the oars dropped and the men gave way the cutter went rapidly through the water, at a rate which would have soon made the fugitives prisoners but for the fact that boat and swimmers were taking different directions, and the distance between them increased at every stroke. "They've taken no lanthorn!" cried the captain. "Surely no one's orders were ever worse obeyed." "Shall I call them back, sir?" said the second lieutenant. "No, no; let them find it out for themselves. Here, marines, ten of you load. Quick, my lads, clear the way from up here." "Make ready, take good aim at the scoundrels--present--fire!" This time the whole of the pieces went off with a loud rattle, which brought lights out in the New Zealand village, and a buzz of excitement came from the men. "More lanthorns there!" cried the captain. "See them?" he cried, to the officer in the boat. "Not yet, sir." "Take a sweep round to the southward. They're more there." "Ay, ay, sir!" came faintly out of the darkness; and the dull rattle of the oars reached those on deck. "I'll have those two back, dead or alive!" cried the captain, stamping about in his rage. "Pipe down the second cutter." His orders were obeyed, and in a short time, with a lanthorn in bow and stern, the second boat touched the water, and rowed off, the officer in command receiving instructions to bear off more still to the southward, and finally sweep round so as to meet the first boat. Directly this was started a happy thought seemed to strike the captain, who had a third boat lowered, with instructions to row right ashore, land the men, and divide them in two parties, which would strike off to right and left, stationing a man at every fifty yards; and these were to patrol the beach to and fro, keeping watch and a sharp look out for the fugitives. "That will checkmate them, Mr Jones," he said. "I wish I had thought of this before. Now go." Mr Bosun Jones was in command of this boat, and he gave orders to his men, the oars splashed, and away they went into the darkness, their lights growing fainter and fainter, till they seemed to be mere specks in the distance; but they did not die out, and as those left on deck watched the progress, they saw the lanthorns of the last boat become stationary, and knew that the men had reached the shore, while the lanthorns of the second cutter were faintly visible, moving slowly far away to the south. The captain rubbed his hands with satisfaction, and kept walking to the gangway and using his night-glass without any greater result than that of seeing a couple of faint specks of light, when he got the boats' lanthorns into the field. Then he listened in the hope of hearing shouts, which would suggest the capture of the fugitives; but half an hour--an hour--glided by, and all was still. The buzz and cries which had arisen from the collection of huts had ceased, and the lights shown there had been extinguished, while the darkness which hung over the sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The people will give them up either by threats or bribes." "I hope so, sir," said the boatswain, coldly. And, then, as he went below, "Poor lad! I'd have given a year of my life rather than it should have happened. This pressing is like a curse to the service." By this time the officer in the last boat had reported himself, the crews were dismissed, the watch set, and all was silence and darkness again. About dawn the captain, after an uneasy night, came on deck, glass in hand, to search the shore, and try to make out some sign of the fugitives; but just as he had focussed his glass, he caught sight of some one doing the very same thing, and going softly to the bows he found that the officer busy with the glass was Bosun Jones, who rose and saluted his superior. "See anything, Mr Jones?" the captain said. "No, sir; only the regular number of canoes drawn up on the beach." "Have you thought any more about what you said you heard last night?" "Yes, sir, a great deal." "But you don't think the poor lad met such a fate as you hinted at?" "Yes, sir, I do," said the boatswain sternly; "and I feel as if I had helped to bring him to such a death." "Mr Jones," said the captain, haughtily, "you merely did your duty as a warrant officer in the king's service. If that unfortunate boy met such a disastrous fate, it was in an attempt to desert." The captain closed his glass with a loud snap, and walked away, while Bosun Jones stood with his brow knit and his lips compressed, gazing straight before him as the sun rose and shed a flood of light over the glorious prospect. But to the bluff petty officer everything seemed sad and gloomy, and he went below seeing nothing but the frank, manly features of young Don Lavington, as he muttered to himself,-- "Not a chance of escape. Poor boy! Poor boy!" CHAPTER TWENTY SEVEN. THE FUGITIVES. Don and Jem plunged almost simultaneously into the black, cold water, and felt the sea thundering in their ears. Then Jem, being broader and stouter than his companion, rose to the surface and looked round for Don; but a few seconds of agony ensued before the water parted and the lad's head shot up into the faint light shed by the lanthorns. "Now for it, Mas' Don," whispered Jem; "think as it's a race, and we're going to win a cup at a 'gatta. Slow and sure, sir; slow and sure, long, steady strokes, and keep together." "They're calling to us to stop, Jem," whispered Don. "Let 'em call, Mas' Don. Somebody else seems a-calling of me, and that's my Sally. Oh, don't I wish I hadn't got any clothes." "Can they see us?" whispered Don, as they swam steadily on. "I don't believe they can, sir; and if they can, they won't see us long. Shouldn't be surprised if they lowered a boat." "Ah! Look out!" whispered Don. "Shall we dive?" For he heard the clicking of the muskets as they missed fire. "Well, I do call that cowardly," said Jem, as he heard the order to load; "shooting at a couple of poor fellows just as if they was wild duck." "Swim faster, Jem," said Don, as he gazed back over his shoulders at the lights as the shots rang out. "No, no; swim slower, my lad. They can't see us; and if they could, I don't believe as the men would try and | seemed to be mere specks in the distance; but they did not die out, and as those left on deck watched the progress, they saw the lanthorns of the last boat become stationary, and knew that the men had reached the shore, while the lanthorns of the second cutter were faintly visible, moving slowly far away to the south. The captain rubbed his hands with satisfaction, and kept walking to the gangway and using his night-glass without any greater result than that of seeing a couple of faint specks of light, when he got the boats' lanthorns into the field. Then he listened in the hope of hearing shouts, which would suggest the capture of the fugitives; but half an hour--an hour--glided by, and all was still. The buzz and cries which had arisen from the collection of huts had ceased, and the lights shown there had been extinguished, while the darkness which hung over the sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The people will give them up either by threats or bribes." "I hope so, sir," said the boatswain, coldly. And, then, as he went below, "Poor lad! I'd have given a year of my life rather than it should have happened. This pressing is like a curse to the service." By this time the officer in the last boat had reported himself, the crews were dismissed, the watch set, and all was silence and darkness again. About dawn the captain, after an uneasy night, came on deck, glass in hand, to search the shore, and try to make out some sign of the fugitives; but just as he had focussed his glass, he caught sight of some one doing the very same thing, and going softly to the bows he found that the officer busy with the glass was Bosun Jones, who rose and saluted his superior. "See anything, Mr Jones?" the captain said. "No, sir; only the regular number of canoes drawn up on the beach." "Have you thought any more about what you said you heard last night?" "Yes, sir, a great deal." "But you don't think the poor lad met such a fate as you hinted at?" "Yes, sir, I do," said the boatswain sternly; "and I feel as if I had helped to bring him to such a death." "Mr Jones," said the captain, haughtily, "you merely did your duty as a warrant officer in the king's service. If that unfortunate boy met such a disastrous fate, it was in an attempt to desert." The captain closed his glass with a loud snap, and walked away, while Bosun Jones stood with his brow knit and his lips compressed, gazing straight before him as the sun rose and shed a flood of light over the glorious prospect. But to the bluff petty officer everything seemed sad and gloomy, and he went below seeing nothing but the frank, manly features of | Don Lavington | and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run | {
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"content": "and she was hoisted up and swung inboard. \"I'd give anything to capture the scoundrels,\" said the captain, after walking up and down for a few minutes with the lieutenant; \"but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?\"<|quote|>\"More than likely, sir,\"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. \"We must leave further search till morning,\" muttered the captain; and giving his order, signal lamps were run",
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} | First Lieutenant |
"Oui, madame," | Marqis De Griers | Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, | here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! | Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" | she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. | a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow | been making a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your | leave her chair, one felt, the moment that one first looked at her, that she was also tall of stature. Her back was as straight as a board, and never did she lean back in her seat. Also, her large grey head, with its keen, rugged features, remained always erect as she glanced about her in an imperious, challenging sort of way, with looks and gestures that clearly were unstudied. Though she had reached her seventy-sixth year, her face was still fresh, and her teeth had not decayed. Lastly, she was dressed in a black silk gown and white mobcap. "She interests me tremendously," whispered Mr. Astley as, still smoking, he walked by my side. Meanwhile I was reflecting that probably the old lady knew all about the telegrams, and even about De Griers, though little or nothing about Mlle. Blanche. I said as much to Mr. Astley. But what a frail creature is man! No sooner was my first surprise abated than I found myself rejoicing in the shock which we were about to administer to the General. So much did the thought inspire me that I marched ahead in the gayest of fashions. Our party was lodging on the third floor. Without knocking at the door, or in any way announcing our presence, I threw open the portals, and the Grandmother was borne through them in triumph. As though of set purpose, the whole party chanced at that moment to be assembled in the General s study. The time was eleven o clock, and it seemed that an outing of some sort (at which a portion of the party were to drive in carriages, and others to ride on horseback, accompanied by one or two extraneous acquaintances) was being planned. The General was present, and also Polina, the children, the latter s nurses, De Griers, Mlle. Blanche (attired in a riding-habit), her mother, the young Prince, and a learned German whom I beheld for the first time. Into the midst of this assembly the lacqueys conveyed Madame in her chair, and set her down within three paces of the General! Good heavens! Never shall I forget the spectacle which ensued! Just before our entry, the General had been holding forth to the company, with De Griers in support of him. I may also mention that, for the last two or three days, Mlle. Blanche and De Griers had been making a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my | uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange | The Gambler | Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" | {
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"content": "Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?\"<|quote|>\"Oui, madame,\"</|quote|>assented De Griers. \"Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!\" \"Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_.\" She indicated her little finger. \"And who is _that?_\"",
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} | Marqis De Griers |
"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!" | Lucy | protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" | myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for | came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious | finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is | that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only | think you were right," said Cecil gently. "I cannot tell why, but though all that you say sounds true, I feel that you are not treating me fairly. It's all too horrible." "What's the good of a scene?" "No good. But surely I have a right to hear a little more." He put down his glass and opened the window. From where she knelt, jangling her keys, she could see a slit of darkness, and, peering into it, as if it would tell him that "little more," his long, thoughtful face. "Don't open the window; and you'd better draw the curtain, too; Freddy or any one might be outside." He obeyed. "I really think we had better go to bed, if you don't mind. I shall only say things that will make me unhappy afterwards. As you say it is all too horrible, and it is no good talking." But to Cecil, now that he was about to lose her, she seemed each moment more desirable. He looked at her, instead of through her, for the first time since they were engaged. From a Leonardo she had become a living woman, with mysteries and forces of her own, with qualities that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only blame you for this: you might have warned me in the early stages, before you felt you wouldn't marry me, and so have given me a chance to improve. I have never known you till this evening. I have just used you as a peg for my silly notions of what a woman should be. But this evening you are a different person: new thoughts--even a new voice--" "What do you mean by a new voice?" she asked, seized with incontrollable anger. "I mean that a new person seems speaking through you," said he. Then she lost her balance. She cried: "If you think I am in love with someone else, you are very much mistaken." "Of course I don't think that. You are not that kind, Lucy." "Oh, yes, you do think it. It's your old idea, the idea that has kept Europe back--I mean the idea that women are always thinking of men. If a girl breaks off her engagement, everyone says:" 'Oh, she had some one else in her mind; she hopes to get someone else.' "It's disgusting, brutal! As if a girl can't break it off for the sake of freedom." He answered reverently: "I may | You always think women don't mean what they say." "Well, you sound tired, as if something has worried you." "What if I do? It doesn't prevent me from realizing the truth. I can't marry you, and you will thank me for saying so some day." "You had that bad headache yesterday--All right" "--for she had exclaimed indignantly: "I see it's much more than headaches. But give me a moment's time." He closed his eyes. "You must excuse me if I say stupid things, but my brain has gone to pieces. Part of it lives three minutes back, when I was sure that you loved me, and the other part--I find it difficult--I am likely to say the wrong thing." It struck her that he was not behaving so badly, and her irritation increased. She again desired a struggle, not a discussion. To bring on the crisis, she said: "There are days when one sees clearly, and this is one of them. Things must come to a breaking-point some time, and it happens to be to-day. If you want to know, quite a little thing decided me to speak to you--when you wouldn't play tennis with Freddy." "I never do play tennis," said Cecil, painfully bewildered; "I never could play. I don't understand a word you say." "You can play well enough to make up a four. I thought it abominably selfish of you." "No, I can't--well, never mind the tennis. Why couldn't you--couldn't you have warned me if you felt anything wrong? You talked of our wedding at lunch--at least, you let me talk." "I knew you wouldn't understand," said Lucy quite crossly. "I might have known there would have been these dreadful explanations. Of course, it isn't the tennis--that was only the last straw to all I have been feeling for weeks. Surely it was better not to speak until I felt certain." She developed this position. "Often before I have wondered if I was fitted for your wife--for instance, in London; and are you fitted to be my husband? I don't think so. You don't like Freddy, nor my mother. There was always a lot against our engagement, Cecil, but all our relations seemed pleased, and we met so often, and it was no good mentioning it until--well, until all things came to a point. They have to-day. I see clearly. I must speak. That's all." "I cannot think you were right," said Cecil gently. "I cannot tell why, but though all that you say sounds true, I feel that you are not treating me fairly. It's all too horrible." "What's the good of a scene?" "No good. But surely I have a right to hear a little more." He put down his glass and opened the window. From where she knelt, jangling her keys, she could see a slit of darkness, and, peering into it, as if it would tell him that "little more," his long, thoughtful face. "Don't open the window; and you'd better draw the curtain, too; Freddy or any one might be outside." He obeyed. "I really think we had better go to bed, if you don't mind. I shall only say things that will make me unhappy afterwards. As you say it is all too horrible, and it is no good talking." But to Cecil, now that he was about to lose her, she seemed each moment more desirable. He looked at her, instead of through her, for the first time since they were engaged. From a Leonardo she had become a living woman, with mysteries and forces of her own, with qualities that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only blame you for this: you might have warned me in the early stages, before you felt you wouldn't marry me, and so have given me a chance to improve. I have never known you till this evening. I have just used you as a peg for my silly notions of what a woman should be. But this evening you are a different person: new thoughts--even a new voice--" "What do you mean by a new voice?" she asked, seized with incontrollable anger. "I mean that a new person seems speaking through you," said he. Then she lost her balance. She cried: "If you think I am in love with someone else, you are very much mistaken." "Of course I don't think that. You are not that kind, Lucy." "Oh, yes, you do think it. It's your old idea, the idea that has kept Europe back--I mean the idea that women are always thinking of men. If a girl breaks off her engagement, everyone says:" 'Oh, she had some one else in her mind; she hopes to get someone else.' "It's disgusting, brutal! As if a girl can't break it off for the sake of freedom." He answered reverently: "I may have said that in the past. I shall never say it again. You have taught me better." She began to redden, and pretended to examine the windows again. "Of course, there is no question of 'someone else' in this, no 'jilting' or any such nauseous stupidity. I beg your pardon most humbly if my words suggested that there was. I only meant that there was a force in you that I hadn't known of up till now." "All right, Cecil, that will do. Don't apologize to me. It was my mistake." "It is a question between ideals, yours and mine--pure abstract ideals, and yours are the nobler. I was bound up in the old vicious notions, and all the time you were splendid and new." His voice broke. "I must actually thank you for what you have done--for showing me what I really am. Solemnly, I thank you for showing me a true woman. Will you shake hands?" "Of course I will," said Lucy, twisting up her other hand in the curtains. "Good-night, Cecil. Good-bye. That's all right. I'm sorry about it. Thank you very much for your gentleness." "Let me light your candle, shall I?" They went into the hall. "Thank you. Good-night again. God bless you, Lucy!" "Good-bye, Cecil." She watched him steal up-stairs, while the shadows from three banisters passed over her face like the beat of wings. On the landing he paused strong in his renunciation, and gave her a look of memorable beauty. For all his culture, Cecil was an ascetic at heart, and nothing in his love became him like the leaving of it. She could never marry. In the tumult of her soul, that stood firm. Cecil believed in her; she must some day believe in herself. She must be one of the women whom she had praised so eloquently, who care for liberty and not for men; she must forget that George loved her, that George had been thinking through her and gained her this honourable release, that George had gone away into--what was it?--the darkness. She put out the lamp. It did not do to think, nor, for the matter of that, to feel. She gave up trying to understand herself, and joined the vast armies of the benighted, who follow neither the heart nor the brain, and march to their destiny by catch-words. The armies are full of pleasant and | think so. You don't like Freddy, nor my mother. There was always a lot against our engagement, Cecil, but all our relations seemed pleased, and we met so often, and it was no good mentioning it until--well, until all things came to a point. They have to-day. I see clearly. I must speak. That's all." "I cannot think you were right," said Cecil gently. "I cannot tell why, but though all that you say sounds true, I feel that you are not treating me fairly. It's all too horrible." "What's the good of a scene?" "No good. But surely I have a right to hear a little more." He put down his glass and opened the window. From where she knelt, jangling her keys, she could see a slit of darkness, and, peering into it, as if it would tell him that "little more," his long, thoughtful face. "Don't open the window; and you'd better draw the curtain, too; Freddy or any one might be outside." He obeyed. "I really think we had better go to bed, if you don't mind. I shall only say things that will make me unhappy afterwards. As you say it is all too horrible, and it is no good talking." But to Cecil, now that he was about to lose her, she seemed each moment more desirable. He looked at her, instead of through her, for the first time since they were engaged. From a Leonardo she had become a living woman, with mysteries and forces of her own, with qualities that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only blame you for this: you might have warned me in the early stages, before you felt you wouldn't marry me, and so have given me a chance to improve. I have never known you till this evening. I have just used you as a peg for my silly notions of what a woman should be. But this evening you are a different person: new thoughts--even a new voice--" "What do you mean by a new voice?" she asked, seized with incontrollable anger. "I mean that a new person seems speaking through you," said he. Then she lost her balance. She cried: "If you think I am in love with someone else, you are very much mistaken." "Of course I don't think that. You are not that kind, Lucy." "Oh, yes, you do think it. It's your old idea, the idea that has kept Europe back--I mean the idea that women are always thinking of men. If a girl breaks off her engagement, everyone says:" 'Oh, she had some one else in her mind; she hopes to get someone else.' "It's disgusting, brutal! As if a girl can't break it off for the sake of freedom." He answered reverently: "I may have said that in the past. I shall never say it again. You have taught me better." She began to redden, and pretended to examine the windows again. "Of course, there is no question of 'someone else' in this, no 'jilting' or any such nauseous stupidity. I beg your pardon most humbly if my words suggested that there was. I only meant that there was a force in you that I hadn't known of up till now." "All right, Cecil, that will | A Room With A View | came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious | {
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"content": "came into his eyes. \"I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me.\" Her voice swelled.<|quote|>\"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!\"</|quote|>\"--she rose to her feet--\" \"conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious",
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said Ralph, turning and looking him in the face, because he was not sure how this confession would be received. | No speaker | never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much | laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," | Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. | oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s | said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good | forth. After dinner, parish business took the Rector to his study, and Mary proposed that they should sit in the kitchen. "It s not the kitchen really," Elizabeth hastened to explain to her guest, "but we call it so" "It s the nicest room in the house," said Edward. "It s got the old rests by the side of the fireplace, where the men hung their guns," said Elizabeth, leading the way, with a tall brass candlestick in her hand, down a passage. "Show Mr. Denham the steps, Christopher.... When the Ecclesiastical Commissioners were here two years ago they said this was the most interesting part of the house. These narrow bricks prove that it is five hundred years old five hundred years, I think they may have said six." She, too, felt an impulse to exaggerate the age of the bricks, as her father had exaggerated the number of trucks. A big lamp hung down from the center of the ceiling and, together with a fine log fire, illuminated a large and lofty room, with rafters running from wall to wall, a floor of red tiles, and a substantial fireplace built up of those narrow red bricks which were said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good opinion. Whether or not he liked them it was impossible to tell from his kind but experienced manner. Now and then she fed the fire with a fresh log, and as the room filled with the fine, dry heat of burning wood, they all, with the exception of Elizabeth, who was outside the range of the fire, felt less and less anxious about the effect they were making, and more and more inclined for sleep. At this moment a vehement scratching was heard on the door. "Piper! oh, damn! I shall have to get up," murmured Christopher. "It s not Piper, it s Pitch," Edward grunted. "All the same, I shall have to get up," Christopher grumbled. He let in the dog, and stood for a moment by the door, which opened into the garden, to revive himself with a draught of the black, starlit air. "Do come in and shut the door!" Mary cried, half turning in her chair. "We shall have a fine day to-morrow," said Christopher with complacency, and he sat himself on the floor at her feet, and leant his back against her knees, and stretched out his long stockinged legs to the fire all signs | they sat round the dinner-table, but nevertheless he looked very strange among the others. A country life and breeding had preserved in them all a look which Mary hesitated to call either innocent or youthful, as she compared them, now sitting round in an oval, softly illuminated by candlelight; and yet it was something of the kind, yes, even in the case of the Rector himself. Though superficially marked with lines, his face was a clear pink, and his blue eyes had the long-sighted, peaceful expression of eyes seeking the turn of the road, or a distant light through rain, or the darkness of winter. She looked at Ralph. He had never appeared to her more concentrated and full of purpose; as if behind his forehead were massed so much experience that he could choose for himself which part of it he would display and which part he would keep to himself. Compared with that dark and stern countenance, her brothers faces, bending low over their soup-plates, were mere circles of pink, unmolded flesh. "You came by the 3.10, Mr. Denham?" said the Reverend Wyndham Datchet, tucking his napkin into his collar, so that almost the whole of his body was concealed by a large white diamond. "They treat us very well, on the whole. Considering the increase of traffic, they treat us very well indeed. I have the curiosity sometimes to count the trucks on the goods trains, and they re well over fifty well over fifty, at this season of the year." The old gentleman had been roused agreeably by the presence of this attentive and well-informed young man, as was evident by the care with which he finished the last words in his sentences, and his slight exaggeration in the number of trucks on the trains. Indeed, the chief burden of the talk fell upon him, and he sustained it to-night in a manner which caused his sons to look at him admiringly now and then; for they felt shy of Denham, and were glad not to have to talk themselves. The store of information about the present and past of this particular corner of Lincolnshire which old Mr. Datchet produced really surprised his children, for though they knew of its existence, they had forgotten its extent, as they might have forgotten the amount of family plate stored in the plate-chest, until some rare celebration brought it forth. After dinner, parish business took the Rector to his study, and Mary proposed that they should sit in the kitchen. "It s not the kitchen really," Elizabeth hastened to explain to her guest, "but we call it so" "It s the nicest room in the house," said Edward. "It s got the old rests by the side of the fireplace, where the men hung their guns," said Elizabeth, leading the way, with a tall brass candlestick in her hand, down a passage. "Show Mr. Denham the steps, Christopher.... When the Ecclesiastical Commissioners were here two years ago they said this was the most interesting part of the house. These narrow bricks prove that it is five hundred years old five hundred years, I think they may have said six." She, too, felt an impulse to exaggerate the age of the bricks, as her father had exaggerated the number of trucks. A big lamp hung down from the center of the ceiling and, together with a fine log fire, illuminated a large and lofty room, with rafters running from wall to wall, a floor of red tiles, and a substantial fireplace built up of those narrow red bricks which were said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good opinion. Whether or not he liked them it was impossible to tell from his kind but experienced manner. Now and then she fed the fire with a fresh log, and as the room filled with the fine, dry heat of burning wood, they all, with the exception of Elizabeth, who was outside the range of the fire, felt less and less anxious about the effect they were making, and more and more inclined for sleep. At this moment a vehement scratching was heard on the door. "Piper! oh, damn! I shall have to get up," murmured Christopher. "It s not Piper, it s Pitch," Edward grunted. "All the same, I shall have to get up," Christopher grumbled. He let in the dog, and stood for a moment by the door, which opened into the garden, to revive himself with a draught of the black, starlit air. "Do come in and shut the door!" Mary cried, half turning in her chair. "We shall have a fine day to-morrow," said Christopher with complacency, and he sat himself on the floor at her feet, and leant his back against her knees, and stretched out his long stockinged legs to the fire all signs that he felt no longer any restraint at the presence of the stranger. He was the youngest of the family, and Mary s favorite, partly because his character resembled hers, as Edward s character resembled Elizabeth s. She made her knees a comfortable rest for his head, and ran her fingers through his hair. "I should like Mary to stroke my head like that," Ralph thought to himself suddenly, and he looked at Christopher, almost affectionately, for calling forth his sister s caresses. Instantly he thought of Katharine, the thought of her being surrounded by the spaces of night and the open air; and Mary, watching him, saw the lines upon his forehead suddenly deepen. He stretched out an arm and placed a log upon the fire, constraining himself to fit it carefully into the frail red scaffolding, and also to limit his thoughts to this one room. Mary had ceased to stroke her brother s head; he moved it impatiently between her knees, and, much as though he were a child, she began once more to part the thick, reddish-colored locks this way and that. But a far stronger passion had taken possession of her soul than any her brother could inspire in her, and, seeing Ralph s change of expression, her hand almost automatically continued its movements, while her mind plunged desperately for some hold upon slippery banks. CHAPTER XVI Into that same black night, almost, indeed, into the very same layer of starlit air, Katharine Hilbery was now gazing, although not with a view to the prospects of a fine day for duck shooting on the morrow. She was walking up and down a gravel path in the garden of Stogdon House, her sight of the heavens being partially intercepted by the light leafless hoops of a pergola. Thus a spray of clematis would completely obscure Cassiopeia, or blot out with its black pattern myriads of miles of the Milky Way. At the end of the pergola, however, there was a stone seat, from which the sky could be seen completely swept clear of any earthly interruption, save to the right, indeed, where a line of elm-trees was beautifully sprinkled with stars, and a low stable building had a full drop of quivering silver just issuing from the mouth of the chimney. It was a moonless night, but the light of the stars was sufficient to show | fell upon him, and he sustained it to-night in a manner which caused his sons to look at him admiringly now and then; for they felt shy of Denham, and were glad not to have to talk themselves. The store of information about the present and past of this particular corner of Lincolnshire which old Mr. Datchet produced really surprised his children, for though they knew of its existence, they had forgotten its extent, as they might have forgotten the amount of family plate stored in the plate-chest, until some rare celebration brought it forth. After dinner, parish business took the Rector to his study, and Mary proposed that they should sit in the kitchen. "It s not the kitchen really," Elizabeth hastened to explain to her guest, "but we call it so" "It s the nicest room in the house," said Edward. "It s got the old rests by the side of the fireplace, where the men hung their guns," said Elizabeth, leading the way, with a tall brass candlestick in her hand, down a passage. "Show Mr. Denham the steps, Christopher.... When the Ecclesiastical Commissioners were here two years ago they said this was the most interesting part of the house. These narrow bricks prove that it is five hundred years old five hundred years, I think they may have said six." She, too, felt an impulse to exaggerate the age of the bricks, as her father had exaggerated the number of trucks. A big lamp hung down from the center of the ceiling and, together with a fine log fire, illuminated a large and lofty room, with rafters running from wall to wall, a floor of red tiles, and a substantial fireplace built up of those narrow red bricks which were said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good opinion. Whether or not he liked them it was impossible to tell from his kind but experienced manner. Now and then she fed the fire with a fresh log, and as the room filled with the fine, dry heat of burning wood, they all, with the exception of Elizabeth, who was outside the range of the fire, felt less and less anxious about the effect they were making, and more and more inclined for sleep. At this moment a vehement scratching was heard on the door. "Piper! oh, damn! I shall have to get up," murmured Christopher. "It s not Piper, it s Pitch," Edward grunted. "All the same, I shall have to get up," Christopher grumbled. He let in the dog, and stood for a moment by the door, which opened into the garden, to revive himself with a draught of the black, starlit air. "Do come in and shut the door!" Mary cried, half turning in her chair. "We shall have a fine day to-morrow," said Christopher with complacency, and he sat himself on the floor at her feet, and leant his back against her knees, and stretched out his long stockinged legs to the fire all signs that he felt no longer any restraint at the presence of the stranger. He was the youngest | Night And Day | Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. | {
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"content": "Christopher, who had, on the whole, formed a favorable impression of his sister s friend. \"I won t shoot, but I ll come with you,\" said Ralph. \"Don t you care about shooting?\" asked Edward, whose suspicions were not yet laid to rest. \"I ve never shot in my life,\"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>\"You wouldn t have much chance in London, I suppose,\" said Christopher. \"But won t you find it rather dull just watching us?\" \"I shall watch birds,\" Ralph replied, with a smile. \"I can show you the place for watching birds,\" said Edward, \"if that s what you like doing.",
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"You are most welcome, ladies." | Dr. Aziz | went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being | the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. | the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat | message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying | told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called, | adjuncts in a land where the cyclist's only hope is to coast from face to face, and just before he collides with each it vanishes? And the city was fairly empty at this hour. When his tyre went flat, he leapt off and shouted for a tonga. He did not at first find one, and he had also to dispose of his bicycle at a friend's house. He dallied furthermore to clean his teeth. But at last he was rattling towards the civil lines, with a vivid sense of speed. As he entered their arid tidiness, depression suddenly seized him. The roads, named after victorious generals and intersecting at right angles, were symbolic of the net Great Britain had thrown over India. He felt caught in their meshes. When he turned into Major Callendar's compound he could with difficulty restrain himself from getting down from the tonga and approaching the bungalow on foot, and this not because his soul was servile but because his feelings the sensitive edges of him feared a gross snub. There had been a "case" last year an Indian gentleman had driven up to an official's house and been turned back by the servants and been told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called, that is sufficient," he said, tearing the protest up. "Here is my card. Call me a tonga." "Huzoor, all are at the club." "Then telephone for one down to the railway station." And since the man hastened to do this he said, "Enough, enough, I prefer to walk." He commandeered a match and lit a cigarette. These attentions, though purchased, soothed him. They would last as long as he had rupees, which is something. But to shake the dust of Anglo-India off his feet! To escape from the net and be back among manners and gestures that he knew! He began a walk, an unwonted exercise. He was an athletic little man, daintily put together, but really very strong. Nevertheless walking fatigued him, as it fatigues everyone in India except the new-comer. There is something hostile in that soil. It either yields, and the foot sinks into a depression, or else it is unexpectedly rigid and sharp, pressing stones or crystals against the tread. A series of these little surprises exhausts; and he was wearing pumps, a poor preparation for any country. At the edge of the civil station he turned into a mosque to rest. He had always liked | bankrupt. His wife led a similar existence some hundreds of miles away he did not visit her, owing to the expense of the railway ticket. Presently Aziz chaffed him, also the servants, and then began quoting poetry, Persian, Urdu, a little Arabic. His memory was good, and for so young a man he had read largely; the themes he preferred were the decay of Islam and the brevity of love. They listened delighted, for they took the public view of poetry, not the private which obtains in England. It never bored them to hear words, words; they breathed them with the cool night air, never stopping to analyse; the name of the poet, Hafiz, Hali, Iqbal, was sufficient guarantee. India a hundred Indias whispered outside beneath the indifferent moon, but for the time India seemed one and their own, and they regained their departed greatness by hearing its departure lamented, they felt young again because reminded that youth must fly. A servant in scarlet interrupted him; he was the chuprassi of the Civil Surgeon, and he handed Aziz a note. "Old Callendar wants to see me at his bungalow," he said, not rising. "He might have the politeness to say why." "Some case, I daresay." "I daresay not, I daresay nothing. He has found out our dinner hour, that's all, and chooses to interrupt us every time, in order to show his power." "On the one hand he always does this, on the other it may be a serious case, and you cannot know," said Hamidullah, considerately paving the way towards obedience. "Had you not better clean your teeth after pan?" "If my teeth are to be cleaned, I don't go at all. I am an Indian, it is an Indian habit to take pan. The Civil Surgeon must put up with it. Mohammed Latif, my bike, please." The poor relation got up. Slightly immersed in the realms of matter, he laid his hand on the bicycle's saddle, while a servant did the actual wheeling. Between them they took it over a tintack. Aziz held his hands under the ewer, dried them, fitted on his green felt hat, and then with unexpected energy whizzed out of Hamidullah's compound. "Aziz, Aziz, imprudent boy. . . ." But he was far down the bazaar, riding furiously. He had neither light nor bell nor had he a brake, but what use are such adjuncts in a land where the cyclist's only hope is to coast from face to face, and just before he collides with each it vanishes? And the city was fairly empty at this hour. When his tyre went flat, he leapt off and shouted for a tonga. He did not at first find one, and he had also to dispose of his bicycle at a friend's house. He dallied furthermore to clean his teeth. But at last he was rattling towards the civil lines, with a vivid sense of speed. As he entered their arid tidiness, depression suddenly seized him. The roads, named after victorious generals and intersecting at right angles, were symbolic of the net Great Britain had thrown over India. He felt caught in their meshes. When he turned into Major Callendar's compound he could with difficulty restrain himself from getting down from the tonga and approaching the bungalow on foot, and this not because his soul was servile but because his feelings the sensitive edges of him feared a gross snub. There had been a "case" last year an Indian gentleman had driven up to an official's house and been turned back by the servants and been told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called, that is sufficient," he said, tearing the protest up. "Here is my card. Call me a tonga." "Huzoor, all are at the club." "Then telephone for one down to the railway station." And since the man hastened to do this he said, "Enough, enough, I prefer to walk." He commandeered a match and lit a cigarette. These attentions, though purchased, soothed him. They would last as long as he had rupees, which is something. But to shake the dust of Anglo-India off his feet! To escape from the net and be back among manners and gestures that he knew! He began a walk, an unwonted exercise. He was an athletic little man, daintily put together, but really very strong. Nevertheless walking fatigued him, as it fatigues everyone in India except the new-comer. There is something hostile in that soil. It either yields, and the foot sinks into a depression, or else it is unexpectedly rigid and sharp, pressing stones or crystals against the tread. A series of these little surprises exhausts; and he was wearing pumps, a poor preparation for any country. At the edge of the civil station he turned into a mosque to rest. He had always liked this mosque. It was gracious, and the arrangement pleased him. The courtyard entered through a ruined gate contained an ablution tank of fresh clear water, which was always in motion, being indeed part of a conduit that supplied the city. The courtyard was paved with broken slabs. The covered part of the mosque was deeper than is usual; its effect was that of an English parish church whose side has been taken out. Where he sat, he looked into three arcades whose darkness was illuminated by a small hanging lamp and by the moon. The front in full moonlight had the appearance of marble, and the ninety-nine names of God on the frieze stood out black, as the frieze stood out white against the sky. The contest between this dualism and the contention of shadows within pleased Aziz, and he tried to symbolize the whole into some truth of religion or love. A mosque by winning his approval let loose his imagination. The temple of another creed, Hindu, Christian, or Greek, would have bored him and failed to awaken his sense of beauty. Here was Islam, his own country, more than a Faith, more than a battle-cry, more, much more . . . Islam, an attitude towards life both exquisite and durable, where his body and his thoughts found their home. His seat was the low wall that bounded the courtyard on the left. The ground fell away beneath him towards the city, visible as a blur of trees, and in the stillness he heard many small sounds. On the right, over in the club, the English community contributed an amateur orchestra. Elsewhere some Hindus were drumming he knew they were Hindus, because the rhythm was uncongenial to him, and others were bewailing a corpse he knew whose, having certified it in the afternoon. There were owls, the Punjab mail . . . and flowers smelt deliciously in the station-master's garden. But the mosque that alone signified, and he returned to it from the complex appeal of the night, and decked it with meanings the builder had never intended. Some day he too would build a mosque, smaller than this but in perfect taste, so that all who passed by should experience the happiness he felt now. And near it, under a low dome, should be his tomb, with a Persian inscription: Alas, without me for thousands of years The | his bicycle at a friend's house. He dallied furthermore to clean his teeth. But at last he was rattling towards the civil lines, with a vivid sense of speed. As he entered their arid tidiness, depression suddenly seized him. The roads, named after victorious generals and intersecting at right angles, were symbolic of the net Great Britain had thrown over India. He felt caught in their meshes. When he turned into Major Callendar's compound he could with difficulty restrain himself from getting down from the tonga and approaching the bungalow on foot, and this not because his soul was servile but because his feelings the sensitive edges of him feared a gross snub. There had been a "case" last year an Indian gentleman had driven up to an official's house and been turned back by the servants and been told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called, that is sufficient," he said, tearing the protest up. "Here is my card. Call me a tonga." "Huzoor, all are at the club." "Then telephone for one down to the railway station." And since the man hastened to do this he said, "Enough, enough, I prefer to walk." He commandeered a match and lit a cigarette. These attentions, though purchased, soothed him. They would last as long as he had rupees, which is something. But to shake the dust of Anglo-India off his feet! To escape from the net and be back among manners and gestures that he knew! He began a walk, an unwonted exercise. He | A Passage To India | the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat | {
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"content": "the second, also seeing Aziz, and doing likewise. \"Take the gifts the gods provide, anyhow,\" she screeched, and both jumped in. \"O Tonga wallah, club, club. Why doesn't the fool go?\" \"Go, I will pay you to-morrow,\" said Aziz to the driver, and as they went off he called courteously,<|quote|>\"You are most welcome, ladies.\"</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat",
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"I know it," | Fagin | crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a | they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and | seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was | and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We | unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, | young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, in the same wild and disordered manner, when the sudden dashing past of a carriage: and a boisterous cry from the foot passengers, who saw his danger: drove him back upon the pavement. Avoiding, as much as was possible, all the main streets, and skulking only through the by-ways and alleys, he at length emerged on Snow Hill. Here he walked even faster than before; nor did he linger until he had again turned into a court; when, as if conscious that he was now in his proper element, he fell into his usual shuffling pace, and seemed to breathe more freely. Near to the spot on which Snow Hill and Holborn Hill meet, opens, upon the right hand as you come out of the City, a narrow and dismal alley, leading to Saffron Hill. In its filthy shops are exposed for sale huge bunches of second-hand silk handkerchiefs, of all sizes and patterns; for here reside the traders who purchase them from pick-pockets. Hundreds of these handkerchiefs hang dangling from pegs outside the windows or flaunting from the door-posts; and the shelves, within, are piled with them. Confined as the limits of Field Lane are, it has its barber, | appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room. "Yes," said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, in the same wild and disordered manner, when the sudden dashing past of a carriage: and a boisterous cry from the foot passengers, who saw his danger: drove him back upon the pavement. Avoiding, as much as was possible, all the main streets, and skulking only through the by-ways and alleys, he at length emerged on Snow Hill. Here he walked even faster than before; nor did he linger until he had again turned into a court; when, as if conscious that he was now in his proper element, he fell into his usual shuffling pace, and seemed to breathe more freely. Near to the spot on which Snow Hill and Holborn Hill meet, opens, upon the right hand as you come out of the City, a narrow and dismal alley, leading to Saffron Hill. In its filthy shops are exposed for sale huge bunches of second-hand silk handkerchiefs, of all sizes and patterns; for here reside the traders who purchase them from pick-pockets. Hundreds of these handkerchiefs hang dangling from pegs outside the windows or flaunting from the door-posts; and the shelves, within, are piled with them. Confined as the limits of Field Lane are, it has its barber, its coffee-shop, its beer-shop, and its fried-fish warehouse. It is a commercial colony of itself: the emporium of petty larceny: visited at early morning, and setting-in of dusk, by silent merchants, who traffic in dark back-parlours, and who go as strangely as they come. Here, the clothesman, the shoe-vamper, and the rag-merchant, display their goods, as sign-boards to the petty thief; here, stores of old iron and bones, and heaps of mildewy fragments of woollen-stuff and linen, rust and rot in the grimy cellars. It was into this place that the Jew turned. He was well known to the sallow denizens of the lane; for such of them as were on the look-out to buy or sell, nodded, familiarly, as he passed along. He replied to their salutations in the same way; but bestowed no closer recognition until he reached the further end of the alley; when he stopped, to address a salesman of small stature, who had squeezed as much of his person into a child's chair as the chair would hold, and was smoking a pipe at his warehouse door. "Why, the sight of you, Mr. Fagin, would cure the hoptalmy!" said this respectable trader, in acknowledgment of the Jew's inquiry after his health. "The neighbourhood was a little too hot, Lively," said Fagin, elevating his eyebrows, and crossing his hands upon his shoulders. "Well, I've heerd that complaint of it, once or twice before," replied the trader; "but it soon cools down again; don't you find it so?" Fagin nodded in the affirmative. Pointing in the direction of Saffron Hill, he inquired whether any one was up yonder to-night. "At the Cripples?" inquired the man. The Jew nodded. "Let me see," pursued the merchant, reflecting. "Yes, there's some half-dozen of 'em gone in, that I knows. I don't think your friend's there." "Sikes is not, I suppose?" inquired the Jew, with a disappointed countenance. "_Non istwentus_, as the lawyers say," replied the little man, shaking his head, and looking amazingly sly. "Have you got anything in my line to-night?" "Nothing to-night," said the Jew, turning away. "Are you going up to the Cripples, Fagin?" cried the little man, calling after him. "Stop! I don't mind if I have a drop there with you!" But as the Jew, looking back, waved his hand to intimate that he preferred being alone; and, moreover, as the little man could not | descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, in the same wild and disordered manner, when the sudden dashing past of a carriage: and a boisterous cry from the foot passengers, who saw his danger: drove him back upon the pavement. Avoiding, as much as was possible, all the main streets, and skulking only through the by-ways and alleys, he at length emerged on Snow Hill. Here he walked even faster than before; nor did he linger until he had again turned into a court; when, as if conscious that he was now in his proper element, he fell into his usual shuffling pace, and seemed to breathe more freely. Near to the spot on which Snow Hill and Holborn Hill meet, opens, upon the right hand as you come out of the City, a narrow and dismal alley, leading to Saffron Hill. In its filthy shops are exposed for sale huge bunches of second-hand silk handkerchiefs, of all sizes and patterns; for here reside the traders who purchase them from pick-pockets. Hundreds of these handkerchiefs hang dangling from pegs outside the windows or flaunting from the door-posts; and the shelves, within, are piled with them. Confined as the limits of Field Lane are, it has its barber, its coffee-shop, its beer-shop, and its fried-fish warehouse. It is a commercial colony of itself: the emporium of petty | Oliver Twist | seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was | {
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"content": "seat. \"Why, you don't mean to say\" began Toby, turning pale. \"Mean!\" cried the Jew, stamping furiously on the ground. \"Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?\" \"The crack failed,\" said Toby faintly.<|quote|>\"I know it,\"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. \"What more?\" \"They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was",
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"It's cold." | Brett Ashley | straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through | and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. | mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm | cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? | the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please | only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at | this." "Let's go and look at the English," Mike said. "I love to look at the English." "They're awful," Bill said. "Where did they all come from?" "They come from Biarritz," Mike said, "They come to see the last day of the quaint little Spanish fiesta." "I'll festa them," Bill said. "You're an extraordinarily beautiful girl." Mike turned to Bill's friend. "When did you come here?" "Come off it, Michael." "I say, she _is_ a lovely girl. Where have I been? Where have I been looking all this while? You're a lovely thing. _Have_ we met? Come along with me and Bill. We're going to festa the English." "I'll festa them," Bill said, "What the hell are they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all three arm in arm, going toward the caf . Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be | only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at | The Sun Also Rises | mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm | {
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"What do you know about Lady Brett Ashley, Jake?" | Robert Cohn | and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's | shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a | I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to | "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in | on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean | dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn | morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work. I got on an S bus and rode down to the Madeleine, standing on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Op ra, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her up-stairs on my way out, and took a taxi to the Caf Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps as they came toward the bridge. The river looked nice. It was always pleasant crossing bridges in Paris. The taxi rounded the statue of the inventor of the semaphore engaged in doing same, and turned up the Boulevard Raspail, and I sat back to let that part of the ride pass. The Boulevard Raspail always made dull riding. It was like a certain stretch on the P. L. M. between Fontainebleau and Montereau that always made me feel bored and dead and dull until it was over. I suppose it is some association of ideas that makes those dead places in a journey. There are other streets in Paris as ugly as the Boulevard Raspail. It is a street I do not mind walking down at all. But I cannot stand to ride along it. Perhaps I had read something about it once. That was the way Robert Cohn was about all of Paris. I wondered where Cohn got that incapacity to enjoy Paris. Possibly from Mencken. Mencken hates Paris, I believe. So many young men get their likes and dislikes from Mencken. The taxi stopped in front of the | At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I | The Sun Also Rises | I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to | {
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and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the | No speaker | good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured | homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, | three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian | put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, | on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card | play softly along the horizon, or looking up at the gaunt frame of the windmill against the blue night sky. One night there was a beautiful electric storm, though not enough rain fell to damage the cut grain. The men went down to the barn immediately after supper, and when the dishes were washed Ántonia and I climbed up on the slanting roof of the chicken-house to watch the clouds. The thunder was loud and metallic, like the rattle of sheet iron, and the lightning broke in great zigzags across the heavens, making everything stand out and come close to us for a moment. Half the sky was checkered with black thunderheads, but all the west was luminous and clear: in the lightning-flashes it looked like deep blue water, with the sheen of moonlight on it; and the mottled part of the sky was like marble pavement, like the quay of some splendid sea-coast city, doomed to destruction. Great warm splashes of rain fell on our upturned faces. One black cloud, no bigger than a little boat, drifted out into the clear space unattended, and kept moving westward. All about us we could hear the felty beat of the raindrops on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card from Otto, saying that Jake had been down with mountain fever, but now they were both working in the Yankee Girl mine, and were doing well. I wrote to them at that address, but my letter was returned to me, “unclaimed.” After that we never heard from them. Black Hawk, the new world in which we had come to live, was a clean, well-planted little prairie town, with white fences and good green yards about the dwellings, wide, dusty streets, and shapely little trees growing along the wooden sidewalks. In the center of the town there were two rows of new brick “store” buildings, a brick schoolhouse, the courthouse, and four white churches. Our own house looked down over the town, and from our upstairs windows we could see the winding line of the river bluffs, two miles south of us. That river was to be my compensation for the lost freedom of the farming country. We came to Black Hawk in March, and by the end of April we felt like town people. Grandfather was a deacon in the new Baptist Church, grandmother was busy with church suppers and missionary societies, and I was quite another boy, or thought | the heat regulated by a thermometer, it could not have been better for the yellow tassels that were ripening and fertilizing each other day by day. The cornfields were far apart in those times, with miles of wild grazing land between. It took a clear, meditative eye like my grandfather’s to foresee that they would enlarge and multiply until they would be, not the Shimerdas’ cornfields, or Mr. Bushy’s, but the world’s cornfields; that their yield would be one of the great economic facts, like the wheat crop of Russia, which underlie all the activities of men, in peace or war. The burning sun of those few weeks, with occasional rains at night, secured the corn. After the milky ears were once formed, we had little to fear from dry weather. The men were working so hard in the wheatfields that they did not notice the heat,—though I was kept busy carrying water for them,—and grandmother and Ántonia had so much to do in the kitchen that they could not have told whether one day was hotter than another. Each morning, while the dew was still on the grass, Ántonia went with me up to the garden to get early vegetables for dinner. Grandmother made her wear a sunbonnet, but as soon as we reached the garden she threw it on the grass and let her hair fly in the breeze. I remember how, as we bent over the pea-vines, beads of perspiration used to gather on her upper lip like a little mustache. “Oh, better I like to work out of doors than in a house!” she used to sing joyfully. “I not care that your grandmother say it makes me like a man. I like to be like a man.” She would toss her head and ask me to feel the muscles swell in her brown arm. We were glad to have her in the house. She was so gay and responsive that one did not mind her heavy, running step, or her clattery way with pans. Grandmother was in high spirits during the weeks that Ántonia worked for us. [Illustration: Jim and Ántonia in the garden] All the nights were close and hot during that harvest season. The harvesters slept in the hayloft because it was cooler there than in the house. I used to lie in my bed by the open window, watching the heat lightning play softly along the horizon, or looking up at the gaunt frame of the windmill against the blue night sky. One night there was a beautiful electric storm, though not enough rain fell to damage the cut grain. The men went down to the barn immediately after supper, and when the dishes were washed Ántonia and I climbed up on the slanting roof of the chicken-house to watch the clouds. The thunder was loud and metallic, like the rattle of sheet iron, and the lightning broke in great zigzags across the heavens, making everything stand out and come close to us for a moment. Half the sky was checkered with black thunderheads, but all the west was luminous and clear: in the lightning-flashes it looked like deep blue water, with the sheen of moonlight on it; and the mottled part of the sky was like marble pavement, like the quay of some splendid sea-coast city, doomed to destruction. Great warm splashes of rain fell on our upturned faces. One black cloud, no bigger than a little boat, drifted out into the clear space unattended, and kept moving westward. All about us we could hear the felty beat of the raindrops on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card from Otto, saying that Jake had been down with mountain fever, but now they were both working in the Yankee Girl mine, and were doing well. I wrote to them at that address, but my letter was returned to me, “unclaimed.” After that we never heard from them. Black Hawk, the new world in which we had come to live, was a clean, well-planted little prairie town, with white fences and good green yards about the dwellings, wide, dusty streets, and shapely little trees growing along the wooden sidewalks. In the center of the town there were two rows of new brick “store” buildings, a brick schoolhouse, the courthouse, and four white churches. Our own house looked down over the town, and from our upstairs windows we could see the winding line of the river bluffs, two miles south of us. That river was to be my compensation for the lost freedom of the farming country. We came to Black Hawk in March, and by the end of April we felt like town people. Grandfather was a deacon in the new Baptist Church, grandmother was busy with church suppers and missionary societies, and I was quite another boy, or thought I was. Suddenly put down among boys of my own age, I found I had a great deal to learn. Before the spring term of school was over I could fight, play “keeps,” tease the little girls, and use forbidden words as well as any boy in my class. I was restrained from utter savagery only by the fact that Mrs. Harling, our nearest neighbor, kept an eye on me, and if my behavior went beyond certain bounds I was not permitted to come into her yard or to play with her jolly children. We saw more of our country neighbors now than when we lived on the farm. Our house was a convenient stopping-place for them. We had a big barn where the farmers could put up their teams, and their women-folk more often accompanied them, now that they could stay with us for dinner, and rest and set their bonnets right before they went shopping. The more our house was like a country hotel, the better I liked it. I was glad, when I came home from school at noon, to see a farm wagon standing in the back yard, and I was always ready to run downtown to get beefsteak or baker’s bread for unexpected company. All through that first spring and summer I kept hoping that Ambrosch would bring Ántonia and Yulka to see our new house. I wanted to show them our red plush furniture, and the trumpet-blowing cherubs the German paper-hanger had put on our parlor ceiling. When Ambrosch came to town, however, he came alone, and though he put his horses in our barn, he would never stay for dinner, or tell us anything about his mother and sisters. If we ran out and questioned him as he was slipping through the yard, he would merely work his shoulders about in his coat and say, “They all right, I guess.” Mrs. Steavens, who now lived on our farm, grew as fond of Ántonia as we had been, and always brought us news of her. All through the wheat season, she told us, Ambrosch hired his sister out like a man, and she went from farm to farm, binding sheaves or working with the thrashers. The farmers liked her and were kind to her; said they would rather have her for a hand than Ambrosch. When fall came she was to husk corn for | glad to have her in the house. She was so gay and responsive that one did not mind her heavy, running step, or her clattery way with pans. Grandmother was in high spirits during the weeks that Ántonia worked for us. [Illustration: Jim and Ántonia in the garden] All the nights were close and hot during that harvest season. The harvesters slept in the hayloft because it was cooler there than in the house. I used to lie in my bed by the open window, watching the heat lightning play softly along the horizon, or looking up at the gaunt frame of the windmill against the blue night sky. One night there was a beautiful electric storm, though not enough rain fell to damage the cut grain. The men went down to the barn immediately after supper, and when the dishes were washed Ántonia and I climbed up on the slanting roof of the chicken-house to watch the clouds. The thunder was loud and metallic, like the rattle of sheet iron, and the lightning broke in great zigzags across the heavens, making everything stand out and come close to us for a moment. Half the sky was checkered with black thunderheads, but all the west was luminous and clear: in the lightning-flashes it looked like deep blue water, with the sheen of moonlight on it; and the mottled part of the sky was like marble pavement, like the quay of some splendid sea-coast city, doomed to destruction. Great warm splashes of rain fell on our upturned faces. One black cloud, no bigger than a little boat, drifted out into the clear space unattended, and kept moving westward. All about us we could hear the felty beat of the raindrops on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card from Otto, saying that Jake had been down with mountain fever, but now they were both working in the Yankee Girl mine, and were doing well. I wrote to them at that address, but my letter was returned to me, “unclaimed.” After that we never heard from them. Black Hawk, the new world in which we had come to live, was a clean, well-planted little prairie town, with white fences and good green yards about the dwellings, wide, dusty streets, and shapely little trees growing along the wooden sidewalks. In the center of the town there were two rows of new brick “store” buildings, a brick schoolhouse, the courthouse, and four white churches. Our own house looked down over the town, and from our upstairs windows we could see the winding line of the river bluffs, two miles south of us. That river was to be my compensation for the lost freedom of the farming country. We came to Black Hawk in March, and by the end of April we felt like town people. Grandfather was a deacon in the new Baptist Church, grandmother was busy with church suppers and missionary societies, and I was quite another boy, or thought I was. Suddenly put down among boys of my own age, I found I had a great deal to learn. Before the spring term of school was over I could fight, play “keeps,” tease the little girls, and use forbidden words as well as any boy in my class. I was restrained from utter savagery only by the fact that Mrs. Harling, our nearest neighbor, kept an eye on me, and if my behavior went beyond certain bounds I was not permitted to come into her yard or to play with her jolly children. We saw more of our country neighbors now than when we lived on the farm. | My Antonia | three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian | {
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"content": "three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian",
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"We re not going to interrupt you," | Katharine Hilbery | encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the | effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front | not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of | share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in | moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner | had just passed Katharine in the street and she had failed to recognize him. "That doesn t matter with me, of course, but suppose it happened with somebody else? What would they think? They would suspect something merely from her expression. She looked she looked" he hesitated "like some one walking in her sleep." To Cassandra the significant thing was that Katharine had gone out without telling her, and she interpreted this to mean that she had gone out to meet Ralph Denham. But to her surprise William drew no comfort from this probability. "Once throw conventions aside," he began, "once do the things that people don t do" and the fact that you are going to meet a young man is no longer proof of anything, except, indeed, that people will talk. Cassandra saw, not without a pang of jealousy, that he was extremely solicitous that people should not talk about Katharine, as if his interest in her were still proprietary rather than friendly. As they were both ignorant of Ralph s visit the night before they had not that reason to comfort themselves with the thought that matters were hastening to a crisis. These absences of Katharine s, moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner caused Cassandra s heart to leap with pleasure. "Don t you think they must be ?" she began, but William hastily took her up. "Oh, I know nothing about that. I only thought we might amuse ourselves, as your uncle s out." He proceeded on his embassy with a mixture of excitement and embarrassment which caused him to turn aside with his hand on the curtain, and to examine intently for several moments the portrait of a lady, optimistically said by Mrs. Hilbery to be an early work of Sir Joshua Reynolds. Then, with some unnecessary fumbling, he drew aside the curtain, and with his eyes fixed upon the ground, repeated his message and suggested that they should all spend the evening at the play. Katharine accepted the suggestion with such cordiality that it was strange to find her of no clear mind as to the precise spectacle she wished to see. She left the choice entirely to Ralph and William, who, taking counsel fraternally over an evening paper, found themselves in agreement as to the merits of a music-hall. This being arranged, everything else followed easily and enthusiastically. Cassandra had never been to a music-hall. Katharine instructed her in | realized that this was a moment which would never come again. Perhaps, for a second, it seemed to her that no reality could equal the imagination she had formed. Perhaps she was restrained by some vague fear or anticipation, which made her dread any exchange or interruption. But if these doubts and fears or this supreme bliss restrained her, it was only for a moment. In another second she had turned the handle and, biting her lip to control herself, she opened the door upon Ralph Denham. An extraordinary clearness of sight seemed to possess her on beholding him. So little, so single, so separate from all else he appeared, who had been the cause of these extreme agitations and aspirations. She could have laughed in his face. But, gaining upon this clearness of sight against her will, and to her dislike, was a flood of confusion, of relief, of certainty, of humility, of desire no longer to strive and to discriminate, yielding to which, she let herself sink within his arms and confessed her love. CHAPTER XXXII Nobody asked Katharine any questions next day. If cross-examined she might have said that nobody spoke to her. She worked a little, wrote a little, ordered the dinner, and sat, for longer than she knew, with her head on her hand piercing whatever lay before her, whether it was a letter or a dictionary, as if it were a film upon the deep prospects that revealed themselves to her kindling and brooding eyes. She rose once, and going to the bookcase, took out her father s Greek dictionary and spread the sacred pages of symbols and figures before her. She smoothed the sheets with a mixture of affectionate amusement and hope. Would other eyes look on them with her one day? The thought, long intolerable, was now just bearable. She was quite unaware of the anxiety with which her movements were watched and her expression scanned. Cassandra was careful not to be caught looking at her, and their conversation was so prosaic that were it not for certain jolts and jerks between the sentences, as if the mind were kept with difficulty to the rails, Mrs. Milvain herself could have detected nothing of a suspicious nature in what she overheard. William, when he came in late that afternoon and found Cassandra alone, had a very serious piece of news to impart. He had just passed Katharine in the street and she had failed to recognize him. "That doesn t matter with me, of course, but suppose it happened with somebody else? What would they think? They would suspect something merely from her expression. She looked she looked" he hesitated "like some one walking in her sleep." To Cassandra the significant thing was that Katharine had gone out without telling her, and she interpreted this to mean that she had gone out to meet Ralph Denham. But to her surprise William drew no comfort from this probability. "Once throw conventions aside," he began, "once do the things that people don t do" and the fact that you are going to meet a young man is no longer proof of anything, except, indeed, that people will talk. Cassandra saw, not without a pang of jealousy, that he was extremely solicitous that people should not talk about Katharine, as if his interest in her were still proprietary rather than friendly. As they were both ignorant of Ralph s visit the night before they had not that reason to comfort themselves with the thought that matters were hastening to a crisis. These absences of Katharine s, moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner caused Cassandra s heart to leap with pleasure. "Don t you think they must be ?" she began, but William hastily took her up. "Oh, I know nothing about that. I only thought we might amuse ourselves, as your uncle s out." He proceeded on his embassy with a mixture of excitement and embarrassment which caused him to turn aside with his hand on the curtain, and to examine intently for several moments the portrait of a lady, optimistically said by Mrs. Hilbery to be an early work of Sir Joshua Reynolds. Then, with some unnecessary fumbling, he drew aside the curtain, and with his eyes fixed upon the ground, repeated his message and suggested that they should all spend the evening at the play. Katharine accepted the suggestion with such cordiality that it was strange to find her of no clear mind as to the precise spectacle she wished to see. She left the choice entirely to Ralph and William, who, taking counsel fraternally over an evening paper, found themselves in agreement as to the merits of a music-hall. This being arranged, everything else followed easily and enthusiastically. Cassandra had never been to a music-hall. Katharine instructed her in the peculiar delights of an entertainment where Polar bears follow directly upon ladies in full evening dress, and the stage is alternately a garden of mystery, a milliner s band-box, and a fried-fish shop in the Mile End Road. Whatever the exact nature of the program that night, it fulfilled the highest purposes of dramatic art, so far, at least, as four of the audience were concerned. No doubt the actors and the authors would have been surprised to learn in what shape their efforts reached those particular eyes and ears; but they could not have denied that the effect as a whole was tremendous. The hall resounded with brass and strings, alternately of enormous pomp and majesty, and then of sweetest lamentation. The reds and creams of the background, the lyres and harps and urns and skulls, the protuberances of plaster, the fringes of scarlet plush, the sinking and blazing of innumerable electric lights, could scarcely have been surpassed for decorative effect by any craftsman of the ancient or modern world. Then there was the audience itself, bare-shouldered, tufted and garlanded in the stalls, decorous but festal in the balconies, and frankly fit for daylight and street life in the galleries. But, however they differed when looked at separately, they shared the same huge, lovable nature in the bulk, which murmured and swayed and quivered all the time the dancing and juggling and love-making went on in front of it, slowly laughed and reluctantly left off laughing, and applauded with a helter-skelter generosity which sometimes became unanimous and overwhelming. Once William saw Katharine leaning forward and clapping her hands with an abandonment that startled him. Her laugh rang out with the laughter of the audience. For a second he was puzzled, as if this laughter disclosed something that he had never suspected in her. But then Cassandra s face caught his eye, gazing with astonishment at the buffoon, not laughing, too deeply intent and surprised to laugh at what she saw, and for some moments he watched her as if she were a child. The performance came to an end, the illusion dying out first here and then there, as some rose to put on their coats, others stood upright to salute "God Save the King," the musicians folded their music and encased their instruments, and the lights sank one by one until the house was empty, silent, and | revealed themselves to her kindling and brooding eyes. She rose once, and going to the bookcase, took out her father s Greek dictionary and spread the sacred pages of symbols and figures before her. She smoothed the sheets with a mixture of affectionate amusement and hope. Would other eyes look on them with her one day? The thought, long intolerable, was now just bearable. She was quite unaware of the anxiety with which her movements were watched and her expression scanned. Cassandra was careful not to be caught looking at her, and their conversation was so prosaic that were it not for certain jolts and jerks between the sentences, as if the mind were kept with difficulty to the rails, Mrs. Milvain herself could have detected nothing of a suspicious nature in what she overheard. William, when he came in late that afternoon and found Cassandra alone, had a very serious piece of news to impart. He had just passed Katharine in the street and she had failed to recognize him. "That doesn t matter with me, of course, but suppose it happened with somebody else? What would they think? They would suspect something merely from her expression. She looked she looked" he hesitated "like some one walking in her sleep." To Cassandra the significant thing was that Katharine had gone out without telling her, and she interpreted this to mean that she had gone out to meet Ralph Denham. But to her surprise William drew no comfort from this probability. "Once throw conventions aside," he began, "once do the things that people don t do" and the fact that you are going to meet a young man is no longer proof of anything, except, indeed, that people will talk. Cassandra saw, not without a pang of jealousy, that he was extremely solicitous that people should not talk about Katharine, as if his interest in her were still proprietary rather than friendly. As they were both ignorant of Ralph s visit the night before they had not that reason to comfort themselves with the thought that matters were hastening to a crisis. These absences of Katharine s, moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner caused Cassandra s heart to leap with pleasure. "Don t you think they must be ?" she began, but William hastily took her up. "Oh, I know nothing about that. I only thought we might amuse ourselves, as your uncle s out." He proceeded on his embassy with a mixture of excitement and embarrassment which caused him to turn aside with his hand on the curtain, and to examine intently for several moments the portrait of a lady, optimistically said by Mrs. Hilbery to be an early work of Sir Joshua Reynolds. Then, with some unnecessary fumbling, he drew aside the curtain, and with his eyes fixed upon the ground, repeated his message and suggested that they should all spend the evening at the play. Katharine accepted the suggestion with such cordiality that it was strange to find her of no clear mind as to the precise spectacle she wished to see. She left the choice entirely to Ralph and William, who, taking counsel fraternally over an evening paper, found themselves in agreement as to the merits of a music-hall. This being arranged, everything else followed easily and enthusiastically. Cassandra had never been to a music-hall. Katharine instructed her in the peculiar delights of an entertainment where Polar bears follow directly upon ladies in full evening dress, and the stage is alternately a garden of mystery, a milliner s band-box, and a fried-fish shop in the Mile End Road. Whatever the exact nature of the program that | Night And Day | not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of | {
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"content": "not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>\"We re not going to interrupt you,\"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of",
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"In that case it is far too sudden." | Aunt Juley | hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who | all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I | can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my | do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- | fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken | are the very happiest, jolliest family that you can imagine. I do really feel that we are making friends. The fun of it is that they think me a noodle, and say so--at least, Mr. Wilcox does--and when that happens, and one doesn t mind, it s a pretty sure test, isn t it? He says the most horrid things about woman s suffrage so nicely, and when I said I believed in equality he just folded his arms and gave me such a setting down as I ve never had. Meg, shall we ever learn to talk less? I never felt so ashamed of myself in my life. I couldn t point to a time when men had been equal, nor even to a time when the wish to be equal had made them happier in other ways. I couldn t say a word. I had just picked up the notion that equality is good from some book--probably from poetry, or you. Anyhow, it s been knocked into pieces, and, like all people who are really strong, Mr. Wilcox did it without hurting me. On the other hand, I laugh at them for catching hay fever. We live like fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken in--they were actually stopping at Speyer--and they rather liked Helen s insisting that they must fly with us to Heidelberg. As a matter of fact, they did come on next day. We all took some drives together. They knew us well enough to ask Helen to come and see them--at least, I was asked too, but Tibby s illness prevented me, so last Monday she went alone. That s all. You know as much as I do now. It s a young man out of the unknown. She was to have come back Saturday, but put off till Monday, perhaps on account of--I don t know." She broke off, and listened to the sounds of a London morning. Their house was in Wickham Place, and fairly quiet, for a lofty promontory of buildings separated it from the main thoroughfare. One had the sense of a backwater, or rather of an estuary, whose waters flowed in from the invisible sea, and ebbed into a profound silence while the waves without were still beating. Though the promontory consisted of flats--expensive, with cavernous entrance halls, full of concierges and palms--it fulfilled its purpose, and gained for the older houses opposite a certain measure | just see. Trail, trail, went her long dress over the sopping grass, and she came back with her hands full of the hay that was cut yesterday--I suppose for rabbits or something, as she kept on smelling it. The air here is delicious. Later on I heard the noise of croquet balls, and looked out again, and it was Charles Wilcox practising; they are keen on all games. Presently he started sneezing and had to stop. Then I hear more clicketing, and it is Mr. Wilcox practising, and then, a-tissue, a-tissue : he has to stop too. Then Evie comes out, and does some calisthenic exercises on a machine that is tacked on to a green-gage-tree--they put everything to use--and then she says a-tissue, and in she goes. And finally Mrs. Wilcox reappears, trail, trail, still smelling hay and looking at the flowers. I inflict all this on you because once you said that life is sometimes life and sometimes only a drama, and one must learn to distinguish tother from which, and up to now I have always put that down as Meg s clever nonsense. But this morning, it really does seem not life but a play, and it did amuse me enormously to watch the W s. Now Mrs. Wilcox has come in." "I am going to wear [omission]. Last night Mrs. Wilcox wore an [omission], and Evie [omission]. So it isn t exactly a go-as-you-please place, and if you shut your eyes it still seems the wiggly hotel that we expected. Not if you open them. The dog-roses are too sweet. There is a great hedge of them over the lawn--magnificently tall, so that they fall down in garlands, and nice and thin at the bottom, so that you can see ducks through it and a cow. These belong to the farm, which is the only house near us. There goes the breakfast gong. Much love. Modified love to Tibby. Love to Aunt Juley; how good of her to come and keep you company, but what a bore. Burn this. Will write again Thursday." "HELEN." "Howards End" "Friday" "Dearest Meg," "I am having a glorious time. I like them all. Mrs. Wilcox, if quieter than in Germany, is sweeter than ever, and I never saw anything like her steady unselfishness, and the best of it is that the others do not take advantage of her. They are the very happiest, jolliest family that you can imagine. I do really feel that we are making friends. The fun of it is that they think me a noodle, and say so--at least, Mr. Wilcox does--and when that happens, and one doesn t mind, it s a pretty sure test, isn t it? He says the most horrid things about woman s suffrage so nicely, and when I said I believed in equality he just folded his arms and gave me such a setting down as I ve never had. Meg, shall we ever learn to talk less? I never felt so ashamed of myself in my life. I couldn t point to a time when men had been equal, nor even to a time when the wish to be equal had made them happier in other ways. I couldn t say a word. I had just picked up the notion that equality is good from some book--probably from poetry, or you. Anyhow, it s been knocked into pieces, and, like all people who are really strong, Mr. Wilcox did it without hurting me. On the other hand, I laugh at them for catching hay fever. We live like fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken in--they were actually stopping at Speyer--and they rather liked Helen s insisting that they must fly with us to Heidelberg. As a matter of fact, they did come on next day. We all took some drives together. They knew us well enough to ask Helen to come and see them--at least, I was asked too, but Tibby s illness prevented me, so last Monday she went alone. That s all. You know as much as I do now. It s a young man out of the unknown. She was to have come back Saturday, but put off till Monday, perhaps on account of--I don t know." She broke off, and listened to the sounds of a London morning. Their house was in Wickham Place, and fairly quiet, for a lofty promontory of buildings separated it from the main thoroughfare. One had the sense of a backwater, or rather of an estuary, whose waters flowed in from the invisible sea, and ebbed into a profound silence while the waves without were still beating. Though the promontory consisted of flats--expensive, with cavernous entrance halls, full of concierges and palms--it fulfilled its purpose, and gained for the older houses opposite a certain measure of peace. These, too, would be swept away in time, and another promontory would arise upon their site, as humanity piled itself higher and higher on the precious soil of London. Mrs. Munt had her own method of interpreting her nieces. She decided that Margaret was a little hysterical, and was trying to gain time by a torrent of talk. Feeling very diplomatic, she lamented the fate of Speyer, and declared that never, never should she be so misguided as to visit it, and added of her own accord that the principles of restoration were ill understood in Germany. "The Germans," she said, "are too thorough, and this is all very well sometimes, but at other times it does not do." "Exactly," said Margaret; "Germans are too thorough." And her eyes began to shine. "Of course I regard you Schlegels as English," said Mrs. Munt hastily--" "English to the backbone." Margaret leaned forward and stroked her hand. "And that reminds me--Helen s letter." "Oh yes, Aunt Juley, I am thinking all right about Helen s letter. I know--I must go down and see her. I am thinking about her all right. I am meaning to go down." "But go with some plan," said Mrs. Munt, admitting into her kindly voice a note of exasperation. "Margaret, if I may interfere, don t be taken by surprise. What do you think of the Wilcoxes? Are they our sort? Are they likely people? Could they appreciate Helen, who is to my mind a very special sort of person? Do they care about Literature and Art? That is most important when you come to think of it. Literature and Art. Most important. How old would the son be? She says younger son. Would he be in a position to marry? Is he likely to make Helen happy? Did you gather--" "I gathered nothing." They began to talk at once. "Then in that case--" "In that case I can make no plans, don t you see." "On the contrary--" "I hate plans. I hate lines of action. Helen isn t a baby." "Then in that case, my dear, why go down?" Margaret was silent. If her aunt could not see why she must go down, she was not going to tell her. She was not going to say, "I love my dear sister; I must be near her at this crisis of her life." The | made them happier in other ways. I couldn t say a word. I had just picked up the notion that equality is good from some book--probably from poetry, or you. Anyhow, it s been knocked into pieces, and, like all people who are really strong, Mr. Wilcox did it without hurting me. On the other hand, I laugh at them for catching hay fever. We live like fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken in--they were actually stopping at Speyer--and they rather liked Helen s insisting that they must fly with us to Heidelberg. As a matter of fact, they did come on next day. We all took some drives together. They knew us well enough to ask Helen to come and see them--at least, I was asked too, but Tibby s illness prevented me, so last Monday she went alone. That s all. You know as much as I do now. It s a young man out of the unknown. She was to have come back Saturday, but put off till Monday, perhaps on account of--I don t know." She broke off, and listened to the sounds of a London morning. Their house was in Wickham Place, and fairly quiet, for a lofty promontory of buildings separated it from the main thoroughfare. One had the sense of a backwater, or rather of an estuary, whose waters flowed in from the invisible sea, and ebbed into a profound silence while the waves without were still beating. Though the promontory consisted of flats--expensive, with cavernous entrance halls, full of concierges and palms--it fulfilled its purpose, and gained for the older houses opposite a certain measure of peace. These, too, would be swept away in time, and another promontory would arise upon their site, as humanity piled itself higher and higher on the precious soil of London. Mrs. Munt had her own method of interpreting her nieces. She decided that Margaret was a little hysterical, and was trying to gain time by a torrent of talk. Feeling very diplomatic, she lamented the fate of Speyer, and declared that never, never should she be so misguided as to visit it, and added of her own accord that the principles of restoration were ill understood in Germany. "The Germans," she said, "are too thorough, and this is all very well sometimes, but at other times it does not do." "Exactly," said Margaret; "Germans are too thorough." And her eyes began to | Howards End | can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my | {
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"content": "can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--\" She waved her hand and laughed a little.<|quote|>\"In that case it is far too sudden.\"</|quote|>\"Who knows, Aunt Juley, who knows?\" \"But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely.\" \"Who knows!\" \"But, Margaret, dear--\" \"I ll go for her other letters,\" said Margaret. \"No, I won t, I ll finish my",
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} | Aunt Juley |
"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible." | The Invisible Man | up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered | for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student | to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do | struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m | Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, | "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered | observant man, and as he recrossed the hall, he noticed a dark spot on the linoleum near the mat at the foot of the stairs. He went on upstairs, and then it suddenly occurred to him to ask himself what the spot on the linoleum might be. Apparently some subconscious element was at work. At any rate, he turned with his burden, went back to the hall, put down the syphon and whiskey, and bending down, touched the spot. Without any great surprise he found it had the stickiness and colour of drying blood. He took up his burden again, and returned upstairs, looking about him and trying to account for the blood-spot. On the landing he saw something and stopped astonished. The door-handle of his own room was blood-stained. He looked at his own hand. It was quite clean, and then he remembered that the door of his room had been open when he came down from his study, and that consequently he had not touched the handle at all. He went straight into his room, his face quite calm perhaps a trifle more resolute than usual. His glance, wandering inquisitively, fell on the bed. On the counterpane was a mess of blood, and the sheet had been torn. He had not noticed this before because he had walked straight to the dressing-table. On the further side the bedclothes were depressed as if someone had been recently sitting there. Then he had an odd impression that he had heard a low voice say, "Good Heavens! Kemp!" But Dr. Kemp was no believer in voices. He stood staring at the tumbled sheets. Was that really a voice? He looked about again, but noticed nothing further than the disordered and blood-stained bed. Then he distinctly heard a movement across the room, near the wash-hand stand. All men, however highly educated, retain some superstitious inklings. The feeling that is called "eerie" came upon him. He closed the door of the room, came forward to the dressing-table, and put down his burdens. Suddenly, with a start, he perceived a coiled and blood-stained bandage of linen rag hanging in mid-air, between him and the wash-hand stand. He stared at this in amazement. It was an empty bandage, a bandage properly tied but quite empty. He would have advanced to grasp it, but a touch arrested him, and a voice speaking quite close to him. "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered weirdly, stood full and decorous buttoning itself, and sat down in his chair. "Drawers, socks, slippers would be a comfort," said the Unseen, curtly. "And food." "Anything. But this is the insanest thing I ever was in, in my life!" He turned out his drawers for the articles, and then went downstairs to ransack his larder. He came back with some cold cutlets and bread, pulled up a light table, and placed them before his guest. "Never mind knives," said his visitor, and a cutlet hung in mid-air, with a sound of gnawing. "Invisible!" said Kemp, and sat down on a bedroom chair. "I always like to get something about me before I eat," said the Invisible Man, with a full mouth, eating greedily. "Queer fancy!" "I suppose that wrist is all right," said Kemp. "Trust me," said the Invisible Man. "Of all the strange and wonderful" "Exactly. But it s odd I should blunder into _your_ house to get my bandaging. My first stroke of luck! Anyhow I meant to sleep in this house to-night. You must stand that! It s a filthy nuisance, my blood showing, isn t it? Quite a clot over there. Gets visible as it coagulates, I see. It s only the living tissue I ve changed, and only for as long as I m alive.... I ve been in the house three hours." "But how s it done?" began Kemp, in a tone of exasperation. "Confound it! The whole business it s unreasonable from beginning to end." "Quite reasonable," said the Invisible Man. "Perfectly reasonable." He reached over and secured the whiskey bottle. Kemp stared at the devouring dressing gown. A ray of candle-light penetrating a torn patch in the right shoulder, made a triangle of light under the left ribs. "What were the shots?" he asked. "How did the shooting begin?" "There was a real fool of a man a sort of confederate of mine curse him! who tried to steal my money. _Has_ done so." "Is _he_ invisible too?" "No." "Well?" "Can t I have some more to eat before I tell you all that? I m hungry in pain. And you want me to tell stories!" Kemp got up. "_You_ didn t do any shooting?" he asked. "Not me," said his visitor. "Some fool I d never seen fired at random. A lot of them got scared. They all got scared | close to him. "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered weirdly, stood full and decorous buttoning itself, and sat down in his chair. "Drawers, socks, slippers would be a comfort," said the Unseen, curtly. "And food." "Anything. But this is the insanest thing I ever was in, in my life!" He turned out his drawers for the articles, and then went downstairs to ransack his larder. He came back with some cold cutlets and bread, pulled up a light table, and placed them before his guest. "Never mind knives," said his visitor, and a cutlet hung in mid-air, with a sound of gnawing. "Invisible!" said Kemp, and sat down on a bedroom chair. | The Invisible Man | to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do | {
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"content": "to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?\" \"Let me get up,\" said Kemp. \"I ll stop where I am. And let me sit quiet for a minute.\" He sat up and felt his neck.<|quote|>\"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible.\"</|quote|>\"Griffin?\" said Kemp. \"Griffin,\" answered the Voice. \"A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry.\" \"I am confused,\" said Kemp. \"My brain is rioting. What has this to do",
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} | The Invisible Man |
“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.” | Sybylla Melvyn | the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very | could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk | clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” | than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. | up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire | bishop’s name, the approaching sale of our goods had been duly advertised in the local papers, and my father received several letters of sympathy from the clergy deploring the conduct of the bishop. These letters were from men unknown to father, who were unaware that Richard Melvyn was being sold off for a debt already paid. By the generosity of relatives and the goodness of neighbours as kind as ever breathed, our furniture was our own again, but what were we to do for a living? Our crops were withering in the fields for want of rain, and we had but five cows—not an over-bright outlook. As I was getting to bed one night my mother came into my room and said seriously, “Sybylla, I want to have a talk with you.” “Talk away,” I responded rather sullenly, for I expected a long sing-song about my good-for-nothingness in general—a subject of which I was heartily tired. “Sybylla, I’ve been studying the matter over a lot lately. It’s no use, we cannot afford to keep you at home. You’ll have to get something to do.” I made no reply, and my mother continued, “I am afraid we will have to break up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire that a fellow has to endure on that old oven would kill a horse, and the grit and dirt of clearing it up grinds on my very nerves. Besides, if I ever do want to do any extra fancy cooking, we either can’t afford the butter or the currants, or else the eggs are too scarce! Cook, be grannied!” “Sybylla! Sybylla, you are getting very vulgar!” “Yes, I once was foolish enough to try and be polite, but I’ve given it up. My style of talk is quite good enough for my company. What on earth does it matter whether I’m vulgar or not. I can feed calves and milk and grind out my days here just as well vulgar as unvulgar,” I answered savagely. “There, you see you are always discontented about your home. It’s no use; the only thing is for you to earn your own living.” “I will earn my own living.” “What will you do? Will you be examined for a pupil-teacher? That is a very nice occupation for girls.” “What chance would I have in a competitive exam. against Goulburn girls? They all have good teachers and give up their time to study. I only | money borrowed from the bishop, and keep bread in our mouths. Unfortunately for us, at this time the bishop’s agent proved a scoundrel and absconded. My father held receipts to show that to this agent he had regularly paid the interest of the money borrowed; but through some finicking point of law, because we had not money to contend with him, his lordship the bishop now refused to acknowledge his agent and one-time pillar of the cathedral, and, having law on his side, served a writ on us. In the face of our misfortunes this was too much: we begged for time, which plea he answered by putting in the bailiff and selling everything we possessed. Our five cows, two horses, our milk separator, plough, cart, dray, buggy, even our cooking utensils, books, pictures, furniture, father’s watch—our very beds, pillows, and blankets. Not a thing besides what we stood up in was left us, and this was money for the payment of which my father held receipts. But for the generosity of our relatives we would have been in a pretty plight. They sent us sufficient means to buy in everything, and our neighbours came to our rescue with enthusiasm and warm-hearted genuine sympathy. The bailiff—a gentleman to the core—seeing how matters stood, helped us to the utmost of his power. Our goods were disposed of on the premises, and the neighbours arranged a mock sale, at which the bailiff winked. Our friends had sent the money, and the neighbours did the bidding—none bidding against each other—and thus our belongings went for a mere trifle. Every cloud has its silver lining, and the black cloud of poverty has a very bright silver lining. In poverty you can get at the real heart of people as you can never do if rich. People are your friends from pure friendship and love, not from sponging self-interestedness. It is worth being poor once or twice in a lifetime just to experience the blessing and heartrestfulness of a little genuine reality in the way of love and friendship. Not that it is impossible for opulence to have genuine friends, but rich people, I fear, must ever have at their heart cankering suspicion to hint that the friendship and love lavished upon them is merely self-interestedness and sham, the implements of trade used by the fawning toadies who swarm around wealth. In conjunction with the bishop’s name, the approaching sale of our goods had been duly advertised in the local papers, and my father received several letters of sympathy from the clergy deploring the conduct of the bishop. These letters were from men unknown to father, who were unaware that Richard Melvyn was being sold off for a debt already paid. By the generosity of relatives and the goodness of neighbours as kind as ever breathed, our furniture was our own again, but what were we to do for a living? Our crops were withering in the fields for want of rain, and we had but five cows—not an over-bright outlook. As I was getting to bed one night my mother came into my room and said seriously, “Sybylla, I want to have a talk with you.” “Talk away,” I responded rather sullenly, for I expected a long sing-song about my good-for-nothingness in general—a subject of which I was heartily tired. “Sybylla, I’ve been studying the matter over a lot lately. It’s no use, we cannot afford to keep you at home. You’ll have to get something to do.” I made no reply, and my mother continued, “I am afraid we will have to break up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire that a fellow has to endure on that old oven would kill a horse, and the grit and dirt of clearing it up grinds on my very nerves. Besides, if I ever do want to do any extra fancy cooking, we either can’t afford the butter or the currants, or else the eggs are too scarce! Cook, be grannied!” “Sybylla! Sybylla, you are getting very vulgar!” “Yes, I once was foolish enough to try and be polite, but I’ve given it up. My style of talk is quite good enough for my company. What on earth does it matter whether I’m vulgar or not. I can feed calves and milk and grind out my days here just as well vulgar as unvulgar,” I answered savagely. “There, you see you are always discontented about your home. It’s no use; the only thing is for you to earn your own living.” “I will earn my own living.” “What will you do? Will you be examined for a pupil-teacher? That is a very nice occupation for girls.” “What chance would I have in a competitive exam. against Goulburn girls? They all have good teachers and give up their time to study. I only have old Harris, and he is the most idiotic old animal alive; besides, I loathe the very thought of teaching. I’d as soon go on the wallaby.” “You are not old enough to be a general servant or a cook; you have not experience enough to be a housemaid; you don’t take to sewing, and there is no chance of being accepted as a hospital nurse: you must confess there is nothing you can do. You are really a very useless girl for your age.” “There are heaps of things I could do.” “Tell me a few of them.” I was silent. The professions at which I felt I had the latent power to excel, were I but given a chance, were in a sphere far above us, and to mention my feelings and ambitions to my matter-of-fact practical mother would bring upon me worse ridicule than I was already forced to endure day by day. “Mention a few of the things you could do.” I might as well have named flying as the professions I was thinking of. Music was the least unmentionable of them, so I brought it forward. “Music! But it would take years of training and great expense before you could earn anything at that! It is quite out of the question. The only thing for you to do is to settle down and take interest in your work, and help make a living at home, or else go out as a nurse-girl, and work your way up. If you have any ability in you it would soon show. If you think you could do such strokes, and the home work is not good enough for you, go out and show the world what a wonderful creature you are.” “Mother, you are unjust and cruel!” I exclaimed. “You do not understand one at all. I never thought I could do strokes. I cannot help being constituted so that grimy manual labour is hateful to me, for it is hateful to me, and I hate it more and more every day, and you can preach and preach till you go black in the face, and still I’ll hate it more than ever. If I have to do it all my life, and if I’m cursed with a long life, I’ll hate it just as much at the end as I do now. I’m sure it’s not any | bailiff—a gentleman to the core—seeing how matters stood, helped us to the utmost of his power. Our goods were disposed of on the premises, and the neighbours arranged a mock sale, at which the bailiff winked. Our friends had sent the money, and the neighbours did the bidding—none bidding against each other—and thus our belongings went for a mere trifle. Every cloud has its silver lining, and the black cloud of poverty has a very bright silver lining. In poverty you can get at the real heart of people as you can never do if rich. People are your friends from pure friendship and love, not from sponging self-interestedness. It is worth being poor once or twice in a lifetime just to experience the blessing and heartrestfulness of a little genuine reality in the way of love and friendship. Not that it is impossible for opulence to have genuine friends, but rich people, I fear, must ever have at their heart cankering suspicion to hint that the friendship and love lavished upon them is merely self-interestedness and sham, the implements of trade used by the fawning toadies who swarm around wealth. In conjunction with the bishop’s name, the approaching sale of our goods had been duly advertised in the local papers, and my father received several letters of sympathy from the clergy deploring the conduct of the bishop. These letters were from men unknown to father, who were unaware that Richard Melvyn was being sold off for a debt already paid. By the generosity of relatives and the goodness of neighbours as kind as ever breathed, our furniture was our own again, but what were we to do for a living? Our crops were withering in the fields for want of rain, and we had but five cows—not an over-bright outlook. As I was getting to bed one night my mother came into my room and said seriously, “Sybylla, I want to have a talk with you.” “Talk away,” I responded rather sullenly, for I expected a long sing-song about my good-for-nothingness in general—a subject of which I was heartily tired. “Sybylla, I’ve been studying the matter over a lot lately. It’s no use, we cannot afford to keep you at home. You’ll have to get something to do.” I made no reply, and my mother continued, “I am afraid we will have to break up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire that a fellow has to endure on that old oven would kill a horse, and the grit and dirt of clearing it up grinds on my very nerves. Besides, if I ever do want to do any extra fancy cooking, we either can’t afford the butter or the currants, or else the eggs are too scarce! Cook, be grannied!” “Sybylla! Sybylla, you are getting very vulgar!” “Yes, I once was foolish enough to try and be polite, but I’ve given it up. My style of talk is quite good enough for my company. What on earth does it matter whether I’m vulgar or not. I can feed calves and milk and grind out my days here just as well vulgar as unvulgar,” I answered savagely. “There, you see you are always discontented about your home. It’s no use; the only thing is for you to earn your own living.” “I will earn my own living.” “What will you do? Will you be examined for a pupil-teacher? That is a very nice occupation for girls.” “What chance would I have in a competitive exam. against Goulburn girls? They all have good teachers and give up their time to study. I only have old Harris, and he is the most idiotic old animal alive; besides, I loathe the very thought of teaching. I’d as soon go on the wallaby.” “You are not old enough to be a general servant or a cook; you have not experience enough to be a housemaid; you don’t take to sewing, and there is no chance of being accepted as a hospital nurse: you must confess there is nothing you can do. You are really a very useless girl for your age.” “There are heaps of things I could do.” “Tell me a few of them.” I was silent. The professions at which I felt I had the latent power to excel, were I but given a chance, were in a sphere far above us, and to mention my feelings and ambitions to my matter-of-fact practical mother would bring upon | My Brilliant Career | clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” | {
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"content": "clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,”",
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} | Sybylla Melvyn |
Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth. | No speaker | of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get | path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she | there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining | out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you | is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the | a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money | luck, but chin-chin I do refuse," laughed Fielding, who detested the phrase. "Here's to India!" "Here's luck, and here's to England!" Miss Derek's chauffeur stopped the cavalcade which was starting to escort his mistress up, and informed it that she had gone back with the other young lady to Chandrapore; she had sent him to say so. She was driving herself. "Oh yes, that's quite likely," said Aziz. "I knew they'd gone for a spin." "Chandrapore? The man's made a mistake," Fielding exclaimed. "Oh no, why?" He was disappointed, but made light of it; no doubt the two young ladies were great friends. He would prefer to give breakfast to all four; still, guests must do as they wish, or they become prisoners. He went away cheerfully to inspect the porridge and the ice. "What's happened?" asked Fielding, who felt at once that something had gone queer. All the way out Miss Derek had chattered about the picnic, called it an unexpected treat, and said that she preferred Indians who didn't invite her to their entertainments to those who did it. Mrs. Moore sat swinging her foot, and appeared sulky and stupid. She said: "Miss Derek is most unsatisfactory and restless, always in a hurry, always wanting something new; she will do anything in the world except go back to the Indian lady who pays her." Fielding, who didn't dislike Miss Derek, replied: "She wasn't in a hurry when I left her. There was no question of returning to Chandrapore. It looks to me as if Miss Quested's in the hurry." "Adela? she's never been in a hurry in her life," said the old lady sharply. "I say it'll prove to be Miss Quested's wish, in fact I know it is," persisted the schoolmaster. He was annoyed chiefly with himself. He had begun by missing a train a sin he was never guilty of and now that he did arrive it was to upset Aziz' arrangements for the second time. He wanted someone to share the blame, and frowned at Mrs. Moore rather magisterially. "Aziz is a charming fellow," he announced. "I know," she answered, with a yawn. "He has taken endless trouble to make a success of our picnic." They knew one another very little, and felt rather awkward at being drawn together by an Indian. The racial problem can take subtle forms. In their case it had induced a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned countrymen, certainly; but if they'll let me get on with my profession and not be too rude to me officially, I really don't ask for more." "But you do; you take them to a picnic." "This picnic is nothing to do with English or Indian; it is an expedition of friends." So the cavalcade ended, partly pleasant, partly not; the Brahman cook was picked up, the train arrived, pushing its burning throat over the plain, and the twentieth century took over from the sixteenth. Mrs. Moore entered her carriage, the three men went to theirs, adjusted the shutters, turned on the electric fan and tried to get some sleep. In the twilight, all resembled corpses, and the train itself seemed dead though it moved a coffin from the scientific north which troubled the scenery four times a day. As it left the Marabars, their nasty little cosmos disappeared, and gave place to the Marabars seen from a distance, finite and rather romantic. The train halted once under a pump, to drench the stock of coal in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector of Police, flung open the door of their carriage and said in shrill tones: "Dr. Aziz, it is my highly painful duty to arrest you." "Hullo, some mistake," said Fielding, at once taking charge of the situation. "Sir, they are my instructions. I know nothing." "On what charge do you arrest him?" "I am under instructions not | knew one another very little, and felt rather awkward at being drawn together by an Indian. The racial problem can take subtle forms. In their case it had induced a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned | A Passage To India | there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining | {
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"content": "there.\" He indicated the Kawa Dol cheerfully. \"But how\" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. \"I suppose the guide helped her.\" \"Oh, rather, most helpful.\" \"Is there a path off the top?\" \"Millions of paths, my dear fellow.\"<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>\"But you saw them get down safe?\" \"Yes, yes, she and Miss Derek, and go off in the car.\" \"Then the guide came back to you?\" \"Exactly. Got a cigarette?\" \"I hope she wasn't ill,\" pursued the Englishman. The crease continued as a nullah across the plain, the water draining",
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"How ridiculous! He's going out of the gate. Isn't he coming back to-day?" | Mary Cavendish | as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given | that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what | I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his | on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far | Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to | confirms a surmise of mine. Having deduced its existence, I set Miss Howard to search for it, and, as you see, she has been successful." "What did she mean by" On the top of the wardrobe'?" "She meant," replied Poirot promptly, "that she found it on top of a wardrobe." "A funny place for a piece of brown paper," I mused. "Not at all. The top of a wardrobe is an excellent place for brown paper and cardboard boxes. I have kept them there myself. Neatly arranged, there is nothing to offend the eye." "Poirot," I asked earnestly, "have you made up your mind about this crime?" "Yes that is to say, I believe I know how it was committed." "Ah!" "Unfortunately, I have no proof beyond my surmise, unless" With sudden energy, he caught me by the arm, and whirled me down the hall, calling out in French in his excitement: "Mademoiselle Dorcas, Mademoiselle Dorcas, _un moment, s'il vous pla t!_" Dorcas, quite flurried by the noise, came hurrying out of the pantry. "My good Dorcas, I have an idea a little idea if it should prove justified, what magnificent chance! Tell me, on Monday, not Tuesday, Dorcas, but Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to think anything of the sort. "Well," she said quietly, "whether it is your business or not, I will tell you that we are _not_ happy." I said nothing, for I saw that she had not finished. She began slowly, walking up and down the room, her head a little bent, and that slim, supple figure of hers swaying gently as she walked. She stopped suddenly, and looked up at me. "You don't know anything about me, do you?" she asked. "Where I come from, who I was before I married John anything, in fact? Well, I will tell you. I will make a father confessor of you. You are kind, I think yes, I am sure you are kind." Somehow, I was not quite as elated as I might have been. I remembered that Cynthia had begun her confidences in much the same way. Besides, a father confessor should be elderly, it is not at all the role for a young man. "My father was English," said Mrs. Cavendish, "but my mother was a Russian." "Ah," I said, "now I understand" "Understand what?" "A hint of something foreign different that there has always been about you." "My mother was very | way. "And this is the man with whom Mrs. Cavendish has been wandering about all over the country!" I cried indignantly. "Yes. I should fancy he had found her very useful," remarked Poirot. "So long as gossip busied itself in coupling their names together, any other vagaries of the doctor's passed unobserved." "Then you think he never really cared for her?" I asked eagerly rather too eagerly, perhaps, under the circumstances. "That, of course, I cannot say, but shall I tell you my own private opinion, Hastings?" "Yes." "Well, it is this: that Mrs. Cavendish does not care, and never has cared one little jot about Dr. Bauerstein!" "Do you really think so?" I could not disguise my pleasure. "I am quite sure of it. And I will tell you why." "Yes?" "Because she cares for someone else, _mon ami_." "Oh!" What did he mean? In spite of myself, an agreeable warmth spread over me. I am not a vain man where women are concerned, but I remembered certain evidences, too lightly thought of at the time, perhaps, but which certainly seemed to indicate My pleasing thoughts were interrupted by the sudden entrance of Miss Howard. She glanced round hastily to make sure there was no one else in the room, and quickly produced an old sheet of brown paper. This she handed to Poirot, murmuring as she did so the cryptic words: "On top of the wardrobe." Then she hurriedly left the room. Poirot unfolded the sheet of paper eagerly, and uttered an exclamation of satisfaction. He spread it out on the table. "Come here, Hastings. Now tell me, what is that initial J. or L.?" It was a medium sized sheet of paper, rather dusty, as though it had lain by for some time. But it was the label that was attracting Poirot's attention. At the top, it bore the printed stamp of Messrs. Parkson's, the well-known theatrical costumiers, and it was addressed to " (the debatable initial) Cavendish, Esq., Styles Court, Styles St. Mary, Essex." "It might be T., or it might be L.," I said, after studying the thing for a minute or two. "It certainly isn't a J." "Good," replied Poirot, folding up the paper again. "I, also, am of your way of thinking. It is an L., depend upon it!" "Where did it come from?" I asked curiously. "Is it important?" "Moderately so. It confirms a surmise of mine. Having deduced its existence, I set Miss Howard to search for it, and, as you see, she has been successful." "What did she mean by" On the top of the wardrobe'?" "She meant," replied Poirot promptly, "that she found it on top of a wardrobe." "A funny place for a piece of brown paper," I mused. "Not at all. The top of a wardrobe is an excellent place for brown paper and cardboard boxes. I have kept them there myself. Neatly arranged, there is nothing to offend the eye." "Poirot," I asked earnestly, "have you made up your mind about this crime?" "Yes that is to say, I believe I know how it was committed." "Ah!" "Unfortunately, I have no proof beyond my surmise, unless" With sudden energy, he caught me by the arm, and whirled me down the hall, calling out in French in his excitement: "Mademoiselle Dorcas, Mademoiselle Dorcas, _un moment, s'il vous pla t!_" Dorcas, quite flurried by the noise, came hurrying out of the pantry. "My good Dorcas, I have an idea a little idea if it should prove justified, what magnificent chance! Tell me, on Monday, not Tuesday, Dorcas, but Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to think anything of the sort. "Well," she said quietly, "whether it is your business or not, I will tell you that we are _not_ happy." I said nothing, for I saw that she had not finished. She began slowly, walking up and down the room, her head a little bent, and that slim, supple figure of hers swaying gently as she walked. She stopped suddenly, and looked up at me. "You don't know anything about me, do you?" she asked. "Where I come from, who I was before I married John anything, in fact? Well, I will tell you. I will make a father confessor of you. You are kind, I think yes, I am sure you are kind." Somehow, I was not quite as elated as I might have been. I remembered that Cynthia had begun her confidences in much the same way. Besides, a father confessor should be elderly, it is not at all the role for a young man. "My father was English," said Mrs. Cavendish, "but my mother was a Russian." "Ah," I said, "now I understand" "Understand what?" "A hint of something foreign different that there has always been about you." "My mother was very beautiful, I believe. I don't know, because I never saw her. She died when I was quite a little child. I believe there was some tragedy connected with her death she took an overdose of some sleeping draught by mistake. However that may be, my father was broken-hearted. Shortly afterwards, he went into the Consular Service. Everywhere he went, I went with him. When I was twenty-three, I had been nearly all over the world. It was a splendid life I loved it." There was a smile on her face, and her head was thrown back. She seemed living in the memory of those old glad days. "Then my father died. He left me very badly off. I had to go and live with some old aunts in Yorkshire." She shuddered. "You will understand me when I say that it was a deadly life for a girl brought up as I had been. The narrowness, the deadly monotony of it, almost drove me mad." She paused a minute, and added in a different tone: "And then I met John Cavendish." "Yes?" "You can imagine that, from my aunts' point of view, it was a very good match for me. But I can honestly say it was not this fact which weighed with me. No, he was simply a way of escape from the insufferable monotony of my life." I said nothing, and after a moment, she went on: "Don't misunderstand me. I was quite honest with him. I told him, what was true, that I liked him very much, that I hoped to come to like him more, but that I was not in any way what the world calls in love' with him. He declared that that satisfied him, and so we were married." She waited a long time, a little frown had gathered on her forehead. She seemed to be looking back earnestly into those past days. "I think I am sure he cared for me at first. But I suppose we were not well matched. Almost at once, we drifted apart. He it is not a pleasing thing for my pride, but it is the truth tired of me very soon." I must have made some murmur of dissent, for she went on quickly: "Oh, yes, he did! Not that it matters now now that we've come to the parting of the ways." "What do you mean?" | the sheet of paper eagerly, and uttered an exclamation of satisfaction. He spread it out on the table. "Come here, Hastings. Now tell me, what is that initial J. or L.?" It was a medium sized sheet of paper, rather dusty, as though it had lain by for some time. But it was the label that was attracting Poirot's attention. At the top, it bore the printed stamp of Messrs. Parkson's, the well-known theatrical costumiers, and it was addressed to " (the debatable initial) Cavendish, Esq., Styles Court, Styles St. Mary, Essex." "It might be T., or it might be L.," I said, after studying the thing for a minute or two. "It certainly isn't a J." "Good," replied Poirot, folding up the paper again. "I, also, am of your way of thinking. It is an L., depend upon it!" "Where did it come from?" I asked curiously. "Is it important?" "Moderately so. It confirms a surmise of mine. Having deduced its existence, I set Miss Howard to search for it, and, as you see, she has been successful." "What did she mean by" On the top of the wardrobe'?" "She meant," replied Poirot promptly, "that she found it on top of a wardrobe." "A funny place for a piece of brown paper," I mused. "Not at all. The top of a wardrobe is an excellent place for brown paper and cardboard boxes. I have kept them there myself. Neatly arranged, there is nothing to offend the eye." "Poirot," I asked earnestly, "have you made up your mind about this crime?" "Yes that is to say, I believe I know how it was committed." "Ah!" "Unfortunately, I have no proof beyond my surmise, unless" With sudden energy, he caught me by the arm, and whirled me down the hall, calling out in French in his excitement: "Mademoiselle Dorcas, Mademoiselle Dorcas, _un moment, s'il vous pla t!_" Dorcas, quite flurried by the noise, came hurrying out of the pantry. "My good Dorcas, I have an idea a little idea if it should prove justified, what magnificent chance! Tell me, on Monday, not Tuesday, Dorcas, but Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to think anything of the sort. "Well," she said quietly, "whether it is your business or not, I will tell you that we are _not_ happy." I said nothing, for I saw that she had not finished. She began slowly, walking up and down the room, her head a little bent, and that slim, supple figure of hers swaying gently as she walked. She stopped suddenly, and looked up at me. "You don't know anything about me, do you?" she asked. "Where I come from, who I was before I married John anything, in fact? Well, I will tell you. I will make a father confessor of you. You are kind, I think yes, I am sure you are kind." Somehow, I was not quite as elated as I might have been. I remembered that Cynthia had begun her confidences in much the same way. Besides, a father confessor should be elderly, it is not at all the role for a young man. "My father was English," said Mrs. Cavendish, "but my mother was a Russian." "Ah," I said, "now I understand" "Understand what?" "A hint of something foreign different that there has always been about you." "My mother was very beautiful, I believe. I don't know, because I never saw her. She died when I was quite a little child. I believe there was some tragedy connected with her death she took an overdose of some sleeping draught by mistake. However that may be, my father was broken-hearted. Shortly afterwards, he went into the Consular Service. Everywhere he went, I went with him. When I was twenty-three, I had been nearly all over the world. It was a splendid life I loved it." There was a smile on her face, and her head was thrown back. She seemed living in the memory of those old glad days. "Then my father died. He left me very badly off. I had to go and live with some old aunts in Yorkshire." She shuddered. "You will understand me when I say that it was a deadly life for a girl brought up as I had been. The narrowness, the deadly monotony of it, almost drove me mad." She paused | The Mysterious Affair At Styles | I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his | {
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"content": "I turned to find Mary Cavendish at my elbow. She smiled, and so did I. \"What is it all about?\" \"Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!\" Mary laughed.<|quote|>\"How ridiculous! He's going out of the gate. Isn't he coming back to-day?\"</|quote|>\"I don't know. I've given up trying to guess what he'll do next.\" \"Is he quite mad, Mr. Hastings?\" \"I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his",
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} | Mary Cavendish |
I said. | No speaker | crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You | gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." | tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it | "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." | the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let | Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important," Bill said. "After a while you never notice anything disgusting." "It is a bit strong just at the start," Brett said. "There's a dreadful moment for me just when the bull starts for the horse." "The bulls were fine," Cohn said. "They were very good," Mike said. "I want | stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type." "He's a fine boy." "We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important," Bill said. "After a while you never notice anything disgusting." "It is a bit strong just at the start," Brett said. "There's a dreadful moment for me just when the bull starts for the horse." "The bulls were fine," Cohn said. "They were very good," Mike said. "I want to sit down below, next time." Brett drank from her glass of absinthe. "She wants to see the bull-fighters close by," Mike said. "They are something," Brett said. "That Romero lad is just a child." "He's a damned good-looking boy," I said. "When we were up in his room I never saw a better-looking kid." "How old do you suppose he is?" "Nineteen or twenty." "Just imagine it." The bull-fight on the second day was much better than on the first. Brett sat between Mike and me at the barrera, and Bill and Cohn went up above. Romero was the whole show. I do not think Brett saw any other bull-fighter. No one else did either, except the hard-shelled technicians. It was all Romero. There were two other matadors, but they did not count. I sat beside Brett and explained to Brett what it was all about. I told her about watching the bull, not the horse, when the bulls charged the picadors, and got her to watching the picador place the point of his pic so that she saw what it was all about, so that it became more something that was going on with a definite end, and less of a spectacle with unexplained horrors. I had her watch how Romero took the bull away from a fallen horse with his cape, and how he held him with the cape and turned him, smoothly and suavely, never wasting the bull. She saw how Romero avoided every brusque movement and saved his bulls for the last when he wanted them, not winded and discomposed but smoothly worn down. She saw how close Romero always worked to the bull, and I pointed out to her the tricks the other bull-fighters used to make it look as though they were working closely. She saw why she liked Romero's cape-work and why she did not like the others. Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like corkscrews, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero's bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each | was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important," Bill said. "After a while you never notice anything disgusting." "It is a bit strong just at the start," Brett said. "There's a dreadful moment for me just when the bull starts for the horse." "The bulls were fine," Cohn said. "They were very good," Mike said. "I want to sit down below, | The Sun Also Rises | tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it | {
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replied Nancy. | No speaker | of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. | say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined | Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a | of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and | and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and | to pass, in gaining the main thoroughfare. "Has it long gone the half-hour?" asked the girl. "It'll strike the hour in another quarter," said the man: raising his lantern to her face. "And I cannot get there in less than an hour or more," muttered Nancy: brushing swiftly past him, and gliding rapidly down the street. Many of the shops were already closing in the back lanes and avenues through which she tracked her way, in making from Spitalfields towards the West-End of London. The clock struck ten, increasing her impatience. She tore along the narrow pavement: elbowing the passengers from side to side; and darting almost under the horses' heads, crossed crowded streets, where clusters of persons were eagerly watching their opportunity to do the like. "The woman is mad!" said the people, turning to look after her as she rushed away. When she reached the more wealthy quarter of the town, the streets were comparatively deserted; and here her headlong progress excited a still greater curiosity in the stragglers whom she hurried past. Some quickened their pace behind, as though to see whither she was hastening at such an unusual rate; and a few made head upon her, and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and I ask you to give this message for God Almighty's sake." The soft-hearted cook added his intercession, and the result was that the man who had first appeared undertook its delivery. "What's it to be?" said the man, with one foot on the stairs. "That a young woman earnestly asks to speak to Miss Maylie alone," said Nancy; "and that if the lady will only hear the first word she has to say, she will know whether to hear her business, or to have her turned out of doors as an impostor." "I say," said the man, "you're coming it strong!" "You give the message," said the girl firmly; "and let me hear the answer." The man ran upstairs. Nancy remained, pale and almost breathless, listening with quivering lip to the very audible expressions of scorn, of which the chaste housemaids were very prolific; and of which they became still more so, when the man returned, and said the young woman was to walk upstairs. "It's no good being proper in this world," said the first housemaid. "Brass can do better than the gold what has stood the fire," said the second. The third contented herself with wondering "what ladies | tone of forced gaiety in which the last words were spoken, seemed to produce a deeper impression on Sikes than the wild and rigid look which had preceded them. "I tell you wot it is," said Sikes; "if you haven't caught the fever, and got it comin' on, now, there's something more than usual in the wind, and something dangerous too. You're not a-going to . No, damme! you wouldn't do that!" "Do what?" asked the girl. "There ain't," said Sikes, fixing his eyes upon her, and muttering the words to himself; "there ain't a stauncher-hearted gal going, or I'd have cut her throat three months ago. She's got the fever coming on; that's it." Fortifying himself with this assurance, Sikes drained the glass to the bottom, and then, with many grumbling oaths, called for his physic. The girl jumped up, with great alacrity; poured it quickly out, but with her back towards him; and held the vessel to his lips, while he drank off the contents. "Now," said the robber, "come and sit aside of me, and put on your own face; or I'll alter it so, that you won't know it agin when you do want it." The girl obeyed. Sikes, locking her hand in his, fell back upon the pillow: turning his eyes upon her face. They closed; opened again; closed once more; again opened. He shifted his position restlessly; and, after dozing again, and again, for two or three minutes, and as often springing up with a look of terror, and gazing vacantly about him, was suddenly stricken, as it were, while in the very attitude of rising, into a deep and heavy sleep. The grasp of his hand relaxed; the upraised arm fell languidly by his side; and he lay like one in a profound trance. "The laudanum has taken effect at last," murmured the girl, as she rose from the bedside. "I may be too late, even now." She hastily dressed herself in her bonnet and shawl: looking fearfully round, from time to time, as if, despite the sleeping draught, she expected every moment to feel the pressure of Sikes's heavy hand upon her shoulder; then, stooping softly over the bed, she kissed the robber's lips; and then opening and closing the room-door with noiseless touch, hurried from the house. A watchman was crying half-past nine, down a dark passage through which she had to pass, in gaining the main thoroughfare. "Has it long gone the half-hour?" asked the girl. "It'll strike the hour in another quarter," said the man: raising his lantern to her face. "And I cannot get there in less than an hour or more," muttered Nancy: brushing swiftly past him, and gliding rapidly down the street. Many of the shops were already closing in the back lanes and avenues through which she tracked her way, in making from Spitalfields towards the West-End of London. The clock struck ten, increasing her impatience. She tore along the narrow pavement: elbowing the passengers from side to side; and darting almost under the horses' heads, crossed crowded streets, where clusters of persons were eagerly watching their opportunity to do the like. "The woman is mad!" said the people, turning to look after her as she rushed away. When she reached the more wealthy quarter of the town, the streets were comparatively deserted; and here her headlong progress excited a still greater curiosity in the stragglers whom she hurried past. Some quickened their pace behind, as though to see whither she was hastening at such an unusual rate; and a few made head upon her, and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and I ask you to give this message for God Almighty's sake." The soft-hearted cook added his intercession, and the result was that the man who had first appeared undertook its delivery. "What's it to be?" said the man, with one foot on the stairs. "That a young woman earnestly asks to speak to Miss Maylie alone," said Nancy; "and that if the lady will only hear the first word she has to say, she will know whether to hear her business, or to have her turned out of doors as an impostor." "I say," said the man, "you're coming it strong!" "You give the message," said the girl firmly; "and let me hear the answer." The man ran upstairs. Nancy remained, pale and almost breathless, listening with quivering lip to the very audible expressions of scorn, of which the chaste housemaids were very prolific; and of which they became still more so, when the man returned, and said the young woman was to walk upstairs. "It's no good being proper in this world," said the first housemaid. "Brass can do better than the gold what has stood the fire," said the second. The third contented herself with wondering "what ladies was made of" "; and the fourth took the first in a quartette of "Shameful!" with which the Dianas concluded. Regardless of all this: for she had weightier matters at heart: Nancy followed the man, with trembling limbs, to a small ante-chamber, lighted by a lamp from the ceiling. Here he left her, and retired. CHAPTER XL. A STRANGE INTERVIEW, WHICH IS A SEQUEL TO THE LAST CHAMBER The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame, and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview. But struggling with these better feelings was pride, the vice of the lowest and most debased creatures no less than of the high and self-assured. The miserable companion of thieves and ruffians, the fallen outcast of low haunts, the associate of the scourings of the jails and hulks, living within the shadow of the gallows itself, even this degraded being felt too proud to betray a feeble gleam of the womanly feeling which she thought a weakness, but which alone connected her with that humanity, of which her wasting life had obliterated so many, many traces when a very child. She raised her eyes sufficiently to observe that the figure which presented itself was that of a slight and beautiful girl; then, bending them on the ground, she tossed her head with affected carelessness as she said: "It's a hard matter to get to see you, lady. If I had taken offence, and gone away, as many would have done, you'd have been sorry for it one day, and not without reason either." "I am very sorry if any one has behaved harshly to you," replied Rose. "Do not think of that. Tell me why you wished to see me. I am the person you inquired for." The kind tone of this answer, the sweet voice, the gentle manner, the absence of any accent of haughtiness or displeasure, took the girl completely by surprise, and | the girl, as she rose from the bedside. "I may be too late, even now." She hastily dressed herself in her bonnet and shawl: looking fearfully round, from time to time, as if, despite the sleeping draught, she expected every moment to feel the pressure of Sikes's heavy hand upon her shoulder; then, stooping softly over the bed, she kissed the robber's lips; and then opening and closing the room-door with noiseless touch, hurried from the house. A watchman was crying half-past nine, down a dark passage through which she had to pass, in gaining the main thoroughfare. "Has it long gone the half-hour?" asked the girl. "It'll strike the hour in another quarter," said the man: raising his lantern to her face. "And I cannot get there in less than an hour or more," muttered Nancy: brushing swiftly past him, and gliding rapidly down the street. Many of the shops were already closing in the back lanes and avenues through which she tracked her way, in making from Spitalfields towards the West-End of London. The clock struck ten, increasing her impatience. She tore along the narrow pavement: elbowing the passengers from side to side; and darting almost under the horses' heads, crossed crowded streets, where clusters of persons were eagerly watching their opportunity to do the like. "The woman is mad!" said the people, turning to look after her as she rushed away. When she reached the more wealthy quarter of the town, the streets were comparatively deserted; and here her headlong progress excited a still greater curiosity in the stragglers whom she hurried past. Some quickened their pace behind, as though to see whither she was hastening at such an unusual rate; and a few made head upon her, and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and I ask you to give this message for God Almighty's sake." The soft-hearted cook added his intercession, and the result was that the man who had first appeared undertook its delivery. "What's it to be?" said the man, with one foot on the stairs. "That a young woman earnestly asks to speak to Miss Maylie alone," said Nancy; "and that if the lady will only hear the first word she has to say, she will know whether to hear her business, or to have her turned out of doors as an impostor." "I say," said the man, "you're coming it strong!" "You give the message," said the girl firmly; "and let me hear the answer." The man ran upstairs. Nancy remained, pale and almost breathless, listening with quivering lip to the very audible expressions of scorn, of which the chaste housemaids were very prolific; and of which they became still more so, when the man returned, and said the young woman was to walk upstairs. "It's no good being proper in this world," said the first housemaid. "Brass can do better than the gold what has stood the fire," said the second. The third contented herself with wondering "what ladies was made of" "; and the fourth took the first in a quartette of "Shameful!" with which the Dianas concluded. Regardless of all this: for she had weightier matters at heart: Nancy followed the man, with trembling limbs, to a small ante-chamber, lighted by a lamp from the ceiling. Here he left her, and retired. CHAPTER XL. A STRANGE INTERVIEW, WHICH IS A SEQUEL TO THE LAST CHAMBER The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame, and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview. But struggling with these better feelings was pride, the vice of the lowest | Oliver Twist | Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a | {
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"content": "Maylie,\" said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. \"What name am I to say?\" asked the waiter. \"It's of no use saying any,\"<|quote|>replied Nancy.</|quote|>\"Nor business?\" said the man. \"No, nor that neither,\" rejoined the girl. \"I must see the lady.\" \"Come!\" said the man, pushing her towards the door. \"None of this. Take yourself off.\" \"I shall be carried out if I go!\" said the girl violently; \"and I can make that a",
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"We have been calling at Randalls," | Mrs. Elton | Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them | and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very | my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that | Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite | an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so | any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man." Happily, it was now time to be gone. They were off; and Emma could breathe. "Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much | her going into public under the auspices of a friend of Mrs. Elton's--probably some vulgar, dashing widow, who, with the help of a boarder, just made a shift to live!--The dignity of Miss Woodhouse, of Hartfield, was sunk indeed! She restrained herself, however, from any of the reproofs she could have given, and only thanked Mrs. Elton coolly; "but their going to Bath was quite out of the question; and she was not perfectly convinced that the place might suit her better than her father." And then, to prevent farther outrage and indignation, changed the subject directly. "I do not ask whether you are musical, Mrs. Elton. Upon these occasions, a lady's character generally precedes her; and Highbury has long known that you are a superior performer." "Oh! no, indeed; I must protest against any such idea. A superior performer!--very far from it, I assure you. Consider from how partial a quarter your information came. I am doatingly fond of music--passionately fond;--and my friends say I am not entirely devoid of taste; but as to any thing else, upon my honour my performance is _mediocre_ to the last degree. You, Miss Woodhouse, I well know, play delightfully. I assure you it has been the greatest satisfaction, comfort, and delight to me, to hear what a musical society I am got into. I absolutely cannot do without music. It is a necessary of life to me; and having always been used to a very musical society, both at Maple Grove and in Bath, it would have been a most serious sacrifice. I honestly said as much to Mr. E. when he was speaking of my future home, and expressing his fears lest the retirement of it should be disagreeable; and the inferiority of the house too--knowing what I had been accustomed to--of course he was not wholly without apprehension. When he was speaking of it in that way, I honestly said that _the_ _world_ I could give up--parties, balls, plays--for I had no fear of retirement. Blessed with so many resources within myself, the world was not necessary to _me_. I could do very well without it. To those who had no resources it was a different thing; but my resources made me quite independent. And as to smaller-sized rooms than I had been used to, I really could not give it a thought. I hoped I was perfectly equal to any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man." Happily, it was now time to be gone. They were off; and Emma could breathe. "Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into Vicarage Lane." "I dare say your apologies were accepted, sir. Mr. Elton knows you." "Yes: but a young lady--a bride--I ought to have paid my respects to her if possible. It was being very deficient." "But, my dear papa, you are no friend to matrimony; and therefore why should you be so anxious to pay your respects to a _bride_? It ought to be no recommendation to _you_. It is encouraging people to marry if you make so much of them." "No, my dear, I never encouraged any body to marry, but I would always wish to pay every proper attention to a lady--and a bride, especially, is never to be neglected. More is avowedly due to _her_. A bride, you know, my dear, is always the first in company, let the others be who they may." "Well, | the house too--knowing what I had been accustomed to--of course he was not wholly without apprehension. When he was speaking of it in that way, I honestly said that _the_ _world_ I could give up--parties, balls, plays--for I had no fear of retirement. Blessed with so many resources within myself, the world was not necessary to _me_. I could do very well without it. To those who had no resources it was a different thing; but my resources made me quite independent. And as to smaller-sized rooms than I had been used to, I really could not give it a thought. I hoped I was perfectly equal to any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be | Emma | my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that | {
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"content": "my housekeeper.\" \"But every thing of that kind,\" said Emma, \"will soon be in so regular a train--\" \"Well,\" said Mrs. Elton, laughing, \"we shall see.\" Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>\"We have been calling at Randalls,\"</|quote|>said she, \"and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that",
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"Oh, we talk a lot of nonsense," | Katharine Hilbery | the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip | had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother | touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you | to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the | and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. | dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine. | childhood, as Mrs. Hilbery had been, to disport themselves now in the Saxon plainness, now in the Latin splendor of the tongue, and stored with memories, as she was, of old poets exuberating in an infinity of vocables. Even Katharine was slightly affected against her better judgment by her mother s enthusiasm. Not that her judgment could altogether acquiesce in the necessity for a study of Shakespeare s sonnets as a preliminary to the fifth chapter of her grandfather s biography. Beginning with a perfectly frivolous jest, Mrs. Hilbery had evolved a theory that Anne Hathaway had a way, among other things, of writing Shakespeare s sonnets; the idea, struck out to enliven a party of professors, who forwarded a number of privately printed manuals within the next few days for her instruction, had submerged her in a flood of Elizabethan literature; she had come half to believe in her joke, which was, she said, at least as good as other people s facts, and all her fancy for the time being centered upon Stratford-on-Avon. She had a plan, she told Katharine, when, rather later than usual, Katharine came into the room the morning after her walk by the river, for visiting Shakespeare s tomb. Any fact about the poet had become, for the moment, of far greater interest to her than the immediate present, and the certainty that there was existing in England a spot of ground where Shakespeare had undoubtedly stood, where his very bones lay directly beneath one s feet, was so absorbing to her on this particular occasion that she greeted her daughter with the exclamation: "D you think he ever passed this house?" The question, for the moment, seemed to Katharine to have reference to Ralph Denham. "On his way to Blackfriars, I mean," Mrs. Hilbery continued, "for you know the latest discovery is that he owned a house there." Katharine still looked about her in perplexity, and Mrs. Hilbery added: "Which is a proof that he wasn t as poor as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine. She swept her hand over the faded sheet, and drew herself up squarely to the table as if she refused to waste time any longer. The gesture was not lost upon her mother. It hinted at the existence of something stern and unapproachable in her daughter s character, which struck chill upon her, as the sight of poverty, or drunkenness, or the logic with which Mr. Hilbery sometimes thought good to demolish her certainty of an approaching millennium struck chill upon her. She went back to her own table, and putting on her spectacles with a curious expression of quiet humility, addressed herself for the first time that morning to the task before her. The shock with an unsympathetic world had a sobering effect on her. For once, her industry surpassed her daughter s. Katharine could not reduce the world to that particular perspective in which Harriet Martineau, for instance, was a figure of solid importance, and possessed of a genuine relationship to this figure or to that date. Singularly enough, the sharp call of the telephone-bell still echoed in her ear, and her body and mind were in a state of tension, as if, at any moment, she might hear another summons of greater interest to her than the whole of the nineteenth century. She did not clearly realize what this call was to be; but when the ears have got into the habit of listening, they go on listening involuntarily, and thus Katharine spent the greater part of the morning in listening to a variety of sounds in the back streets of Chelsea. For the first time in her life, probably, she wished that Mrs. Hilbery would not keep so closely to her work. A quotation from Shakespeare would not have come amiss. Now and again she heard a sigh from her mother s table, but that was the only proof she gave of her existence, and Katharine did not think of connecting it with the square aspect of her own position at the table, or, perhaps, she would have thrown her pen down and told her mother the reason of her restlessness. The only writing she managed to accomplish in the course of the morning was one letter, addressed to her cousin, Cassandra Otway a rambling letter, long, affectionate, playful and commanding all at once. She bade Cassandra put her creatures in the charge of a groom, | value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but | Night And Day | touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you | {
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"content": "touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!\" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>\"Oh, we talk a lot of nonsense,\"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. \"It won t seem to you nonsense in ten years time,\" said Mrs. Hilbery. \"Believe me, Katharine, you ll look back on these days afterwards; you",
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She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all. | No speaker | good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course | call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in | shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd | it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend | . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after | you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned in connection with such a hag." It enraged him that he had been accused by a woman who had no personal beauty; sexually, he was a snob. This had puzzled and worried Fielding. Sensuality, as long as it is straight-forward, did not repel him, but this derived sensuality the sort that classes a mistress among motor-cars if she is beautiful, and among eye-flies if she isn't was alien to his own emotions, and he felt a barrier between himself and Aziz whenever it arose. It was, in a new form, the old, old trouble that eats the heart out of every civilization: snobbery, the desire for possessions, creditable appendages; and it is to escape this rather than the lusts of the flesh that saints retreat into the Himalayas. To change the subject, he said, "But let me conclude my analysis. We are agreed that he is not a villain and that you are | Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?" "Not much." "I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned in connection with such a hag." It enraged him that he had been accused by a woman who had no personal beauty; sexually, he was a snob. This had puzzled and worried Fielding. Sensuality, as long as it is straight-forward, did not repel him, but this derived sensuality the sort that classes a mistress among motor-cars if she is beautiful, and among eye-flies if she isn't was alien to his own emotions, and he felt a barrier between himself and Aziz whenever it arose. It was, in a new form, the old, old trouble that eats the heart out of every civilization: snobbery, the desire for possessions, creditable appendages; and it is to escape this rather than the lusts of the flesh that saints retreat into the Himalayas. To change the subject, he said, "But let me conclude my analysis. We are agreed that he is not a villain and that you are not one, and we aren't really sure that it was an hallucination. There's a fourth possibility which we must touch on: was it somebody else?" "The guide." "Exactly, the guide. I often think so. Unluckily Aziz hit him on the face, and he got a fright and disappeared. It is most unsatisfactory, and we hadn't the police to help us, the guide was of no interest to them." "Perhaps it was the guide," she said quietly; the question had lost interest for her suddenly. "Or could it have been one of that gang of Pathans who have been drifting through the district?" "Someone who was in another cave, and followed me when the guide was looking away? Possibly." At that moment Hamidullah joined them, and seemed not too pleased to find them closeted together. Like everyone else in Chandrapore, he could make nothing of Miss Quested's conduct. He had overheard their last remark. "Hullo, my dear Fielding," he said. "So I run you down at last. Can you come out at once to Dilkusha?" "At once?" "I hope to leave in a moment, don't let me interrupt," said Adela. "The telephone has been broken; Miss Quested can't ring up her friends," he explained. "A great deal has been broken, more than will ever be mended," said the other. "Still, there should be some way of transporting this lady back to the civil lines. The resources of civilization are numerous." He spoke without looking at Miss Quested, and he ignored the slight movement she made towards him with her hand. Fielding, who thought the meeting might as well be friendly, said, "Miss Quested has been explaining a little about her conduct of this morning." "Perhaps the age of miracles has returned. One must be prepared for everything, our philosophers say." "It must have seemed a miracle to the onlookers," said Adela, addressing him nervously. "The fact is that I realized before it was too late that I had made a mistake, and had just enough presence of mind to say so. That is all my extraordinary conduct amounts to." "All it amounts to, indeed," he retorted, quivering with rage but keeping himself in hand, for he felt she might be setting another trap. "Speaking as a private individual, in a purely informal conversation, I admired your conduct, and I was delighted when our warm-hearted students garlanded you. But, like Mr. Fielding, | make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?" "Not much." "I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned in connection with such a hag." It enraged him that he had been accused by a woman who had no personal beauty; sexually, he was a snob. This had puzzled and worried Fielding. Sensuality, as long as it is straight-forward, did not repel him, but this derived sensuality the sort that classes a mistress among motor-cars if she is beautiful, and among eye-flies if she isn't was alien to his own emotions, and he felt a barrier between himself and Aziz whenever it arose. It was, in a new form, the old, old trouble that eats the heart out of every civilization: snobbery, the desire for possessions, creditable appendages; and it is to escape this rather than the lusts of the flesh that saints retreat | A Passage To India | shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd | {
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"content": "shyly. \"I do not. Yet I believe that honesty gets us there.\" \"How can that be?\" \"Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly.\"<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. \"Events presented themselves to me in their logical sequence,\" was what she said, but it hadn't been that at all.</|quote|>\"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down.\" \"Exorcise in that sense. I thought you meant I'd",
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“Oh, let’s have fun,” | Daisy | “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too | anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t | to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the | to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” | and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High | the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from | “I don’t care!” cried Daisy, and began to clog on the brick fireplace. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room. “Bles-sed pre-cious,” she crooned, holding out her arms. “Come to your own mother that loves you.” The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him to lunch?” demanded Jordan crossly. “Daisy invited him; she knew him before we were married—God knows where!” We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline. “We’ve got enough to get us to town,” said Tom. “But there’s a garage right here,” objected Jordan. “I don’t want to get stalled in this baking heat.” Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car. “Let’s have some gas!” cried Tom roughly. “What do you think we stopped for—to admire the view?” “I’m sick,” said Wilson without moving. “Been sick all day.” “What’s the matter?” “I’m all run down.” “Well, shall I | of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at | The Great Gatsby | to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the | {
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"content": "to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the",
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"Yes, indeed," | Evie | Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. | his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well | warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at | speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. | t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. | a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a | that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and | repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, | Howards End | warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at | {
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} | Evie |
cried Thorpe, | No speaker | like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come | say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my | cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were | he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts | cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm, | Isabella then tried another method. She reproached her with having more affection for Miss Tilney, though she had known her so little a while, than for her best and oldest friends, with being grown cold and indifferent, in short, towards herself. "I cannot help being jealous, Catherine, when I see myself slighted for strangers, I, who love you so excessively! When once my affections are placed, it is not in the power of anything to change them. But I believe my feelings are stronger than anybody s; I am sure they are too strong for my own peace; and to see myself supplanted in your friendship by strangers does cut me to the quick, I own. These Tilneys seem to swallow up everything else." Catherine thought this reproach equally strange and unkind. Was it the part of a friend thus to expose her feelings to the notice of others? Isabella appeared to her ungenerous and selfish, regardless of everything but her own gratification. These painful ideas crossed her mind, though she said nothing. Isabella, in the meanwhile, had applied her handkerchief to her eyes; and Morland, miserable at such a sight, could not help saying, "Nay, Catherine. I think you cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm, and Isabella made no opposition. Thus passed a long ten minutes, till they were again joined by Thorpe, who, coming to them with a gayer look, said, "Well, I have settled the matter, and now we may all go tomorrow with a safe conscience. I have been to Miss Tilney, and made your excuses." "You have not!" cried Catherine. "I have, upon my soul. Left her this moment. Told her you had sent me to say that, having just recollected a prior engagement of going to Clifton with us tomorrow, you could not have the pleasure of walking with her till Tuesday. She said very well, Tuesday was just as convenient to her; so there is an end of all our difficulties. A pretty good thought of mine hey?" Isabella s countenance was once more all smiles and good humour, and James too looked happy again. "A most heavenly thought indeed! Now, my sweet Catherine, all our distresses are over; you are honourably acquitted, and we shall have a most delightful party." "This will not do," said Catherine; "I cannot submit to this. I must run after Miss Tilney directly and set her right." Isabella, however, caught hold of one | the latter no less anxiously placed his upon pleasing her, it was agreed that, provided the weather were fair, the party should take place on the following morning; and they were to set off very early, in order to be at home in good time. The affair thus determined, and Thorpe s approbation secured, Catherine only remained to be apprised of it. She had left them for a few minutes to speak to Miss Tilney. In that interval the plan was completed, and as soon as she came again, her agreement was demanded; but instead of the gay acquiescence expected by Isabella, Catherine looked grave, was very sorry, but could not go. The engagement which ought to have kept her from joining in the former attempt would make it impossible for her to accompany them now. She had that moment settled with Miss Tilney to take their proposed walk tomorrow; it was quite determined, and she would not, upon any account, retract. But that she _must_ and _should_ retract, was instantly the eager cry of both the Thorpes; they must go to Clifton tomorrow, they would not go without her, it would be nothing to put off a mere walk for one day longer, and they would not hear of a refusal. Catherine was distressed, but not subdued. "Do not urge me, Isabella. I am engaged to Miss Tilney. I cannot go." This availed nothing. The same arguments assailed her again; she must go, she should go, and they would not hear of a refusal. "It would be so easy to tell Miss Tilney that you had just been reminded of a prior engagement, and must only beg to put off the walk till Tuesday." "No, it would not be easy. I could not do it. There has been no prior engagement." But Isabella became only more and more urgent, calling on her in the most affectionate manner, addressing her by the most endearing names. She was sure her dearest, sweetest Catherine would not seriously refuse such a trifling request to a friend who loved her so dearly. She knew her beloved Catherine to have so feeling a heart, so sweet a temper, to be so easily persuaded by those she loved. But all in vain; Catherine felt herself to be in the right, and though pained by such tender, such flattering supplication, could not allow it to influence her. Isabella then tried another method. She reproached her with having more affection for Miss Tilney, though she had known her so little a while, than for her best and oldest friends, with being grown cold and indifferent, in short, towards herself. "I cannot help being jealous, Catherine, when I see myself slighted for strangers, I, who love you so excessively! When once my affections are placed, it is not in the power of anything to change them. But I believe my feelings are stronger than anybody s; I am sure they are too strong for my own peace; and to see myself supplanted in your friendship by strangers does cut me to the quick, I own. These Tilneys seem to swallow up everything else." Catherine thought this reproach equally strange and unkind. Was it the part of a friend thus to expose her feelings to the notice of others? Isabella appeared to her ungenerous and selfish, regardless of everything but her own gratification. These painful ideas crossed her mind, though she said nothing. Isabella, in the meanwhile, had applied her handkerchief to her eyes; and Morland, miserable at such a sight, could not help saying, "Nay, Catherine. I think you cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm, and Isabella made no opposition. Thus passed a long ten minutes, till they were again joined by Thorpe, who, coming to them with a gayer look, said, "Well, I have settled the matter, and now we may all go tomorrow with a safe conscience. I have been to Miss Tilney, and made your excuses." "You have not!" cried Catherine. "I have, upon my soul. Left her this moment. Told her you had sent me to say that, having just recollected a prior engagement of going to Clifton with us tomorrow, you could not have the pleasure of walking with her till Tuesday. She said very well, Tuesday was just as convenient to her; so there is an end of all our difficulties. A pretty good thought of mine hey?" Isabella s countenance was once more all smiles and good humour, and James too looked happy again. "A most heavenly thought indeed! Now, my sweet Catherine, all our distresses are over; you are honourably acquitted, and we shall have a most delightful party." "This will not do," said Catherine; "I cannot submit to this. I must run after Miss Tilney directly and set her right." Isabella, however, caught hold of one hand, Thorpe of the other, and remonstrances poured in from all three. Even James was quite angry. When everything was settled, when Miss Tilney herself said that Tuesday would suit her as well, it was quite ridiculous, quite absurd, to make any further objection. "I do not care. Mr. Thorpe had no business to invent any such message. If I had thought it right to put it off, I could have spoken to Miss Tilney myself. This is only doing it in a ruder way; and how do I know that Mr. Thorpe has He may be mistaken again perhaps; he led me into one act of rudeness by his mistake on Friday. Let me go, Mr. Thorpe; Isabella, do not hold me." Thorpe told her it would be in vain to go after the Tilneys; they were turning the corner into Brock Street, when he had overtaken them, and were at home by this time. "Then I will go after them," said Catherine; "wherever they are I will go after them. It does not signify talking. If I could not be persuaded into doing what I thought wrong, I never will be tricked into it." And with these words she broke away and hurried off. Thorpe would have darted after her, but Morland withheld him. "Let her go, let her go, if she will go." "She is as obstinate as" Thorpe never finished the simile, for it could hardly have been a proper one. Away walked Catherine in great agitation, as fast as the crowd would permit her, fearful of being pursued, yet determined to persevere. As she walked, she reflected on what had passed. It was painful to her to disappoint and displease them, particularly to displease her brother; but she could not repent her resistance. Setting her own inclination apart, to have failed a second time in her engagement to Miss Tilney, to have retracted a promise voluntarily made only five minutes before, and on a false pretence too, must have been wrong. She had not been withstanding them on selfish principles alone, she had not consulted merely her own gratification; _that_ might have been ensured in some degree by the excursion itself, by seeing Blaize Castle; no, she had attended to what was due to others, and to her own character in their opinion. Her conviction of being right, however, was not enough to restore her | to change them. But I believe my feelings are stronger than anybody s; I am sure they are too strong for my own peace; and to see myself supplanted in your friendship by strangers does cut me to the quick, I own. These Tilneys seem to swallow up everything else." Catherine thought this reproach equally strange and unkind. Was it the part of a friend thus to expose her feelings to the notice of others? Isabella appeared to her ungenerous and selfish, regardless of everything but her own gratification. These painful ideas crossed her mind, though she said nothing. Isabella, in the meanwhile, had applied her handkerchief to her eyes; and Morland, miserable at such a sight, could not help saying, "Nay, Catherine. I think you cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm, and Isabella made no opposition. Thus passed a long ten minutes, till they were again joined by Thorpe, who, coming to them with a gayer look, said, "Well, I have settled the matter, and now we may all go tomorrow with a safe conscience. I have been to Miss Tilney, and made your excuses." "You have not!" cried Catherine. "I have, upon my soul. Left her this moment. Told her you had sent me to say that, having just recollected a prior engagement of going to Clifton with us tomorrow, you could not have the pleasure of walking with her till Tuesday. She said very well, Tuesday was just as convenient to her; so there is an end of all our difficulties. A pretty good thought of mine hey?" Isabella s countenance was once more all smiles and good humour, and James too looked happy again. "A most heavenly thought indeed! Now, my sweet Catherine, all our distresses are over; you are honourably acquitted, and we shall have a most delightful party." "This will not do," said Catherine; "I cannot submit to this. I must run after Miss Tilney directly and set her right." Isabella, however, caught hold of one hand, Thorpe of the other, and remonstrances poured in from all three. Even James was quite angry. When everything was settled, when Miss Tilney herself said that Tuesday would suit her as well, it was quite ridiculous, quite absurd, to make any further objection. "I do not care. Mr. Thorpe had no business to invent any such message. If I had thought it right to put it off, I could have spoken to Miss Tilney myself. This is only doing it in a ruder way; and how do I know that | Northanger Abbey | cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were | {
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"content": "cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing.\" \"Catherine, you must go,\" said James. \"But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go.\" \"Thank ye,\"<|quote|>cried Thorpe,</|quote|>\"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you.\" \"That is a compliment which gives me no pleasure.\" But her words were",
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"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me." | Emma | of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections | more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the | have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was | attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by | too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to | it seldom; for evil in that quarter was at hand. As Frank Churchill's arrival had succeeded Mr. Elton's engagement in the conversation of Highbury, as the latest interest had entirely borne down the first, so now upon Frank Churchill's disappearance, Mr. Elton's concerns were assuming the most irresistible form.--His wedding-day was named. He would soon be among them again; Mr. Elton and his bride. There was hardly time to talk over the first letter from Enscombe before "Mr. Elton and his bride" was in every body's mouth, and Frank Churchill was forgotten. Emma grew sick at the sound. She had had three weeks of happy exemption from Mr. Elton; and Harriet's mind, she had been willing to hope, had been lately gaining strength. With Mr. Weston's ball in view at least, there had been a great deal of insensibility to other things; but it was now too evident that she had not attained such a state of composure as could stand against the actual approach--new carriage, bell-ringing, and all. Poor Harriet was in a flutter of spirits which required all the reasonings and soothings and attentions of every kind that Emma could give. Emma felt that she could not do too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to prize and respect it.--Harriet is my superior in all the charm and all the felicity it gives. Dear Harriet!--I would not change you for the clearest-headed, longest-sighted, best-judging female breathing. Oh! the coldness of a Jane Fairfax!--Harriet is worth a hundred such--And for a wife--a sensible man's wife--it is invaluable. I mention no names; but happy the man who changes Emma for Harriet!" CHAPTER XIV Mrs. Elton was first seen at church: but though devotion might be interrupted, curiosity could not be satisfied by a bride in a pew, and it must be left for the visits in form which were then to be paid, to settle whether she were very pretty indeed, or only rather pretty, or not pretty at all. Emma had feelings, less of curiosity than of pride or propriety, to make her resolve on not being the last to pay her respects; and she made a point of Harriet's going with her, that the worst of the business might be gone through as soon as possible. She could not enter the house again, could not be in the same room to which she had with such vain artifice retreated three months ago, to lace up her | own name was not wanting. _Miss_ _Woodhouse_ appeared more than once, and never without a something of pleasing connexion, either a compliment to her taste, or a remembrance of what she had said; and in the very last time of its meeting her eye, unadorned as it was by any such broad wreath of gallantry, she yet could discern the effect of her influence and acknowledge the greatest compliment perhaps of all conveyed. Compressed into the very lowest vacant corner were these words--"I had not a spare moment on Tuesday, as you know, for Miss Woodhouse's beautiful little friend. Pray make my excuses and adieus to her." This, Emma could not doubt, was all for herself. Harriet was remembered only from being _her_ friend. His information and prospects as to Enscombe were neither worse nor better than had been anticipated; Mrs. Churchill was recovering, and he dared not yet, even in his own imagination, fix a time for coming to Randalls again. Gratifying, however, and stimulative as was the letter in the material part, its sentiments, she yet found, when it was folded up and returned to Mrs. Weston, that it had not added any lasting warmth, that she could still do without the writer, and that he must learn to do without her. Her intentions were unchanged. Her resolution of refusal only grew more interesting by the addition of a scheme for his subsequent consolation and happiness. His recollection of Harriet, and the words which clothed it, the "beautiful little friend," suggested to her the idea of Harriet's succeeding her in his affections. Was it impossible?--No.--Harriet undoubtedly was greatly his inferior in understanding; but he had been very much struck with the loveliness of her face and the warm simplicity of her manner; and all the probabilities of circumstance and connexion were in her favour.--For Harriet, it would be advantageous and delightful indeed. "I must not dwell upon it," said she.--" "I must not think of it. I know the danger of indulging such speculations. But stranger things have happened; and when we cease to care for each other as we do now, it will be the means of confirming us in that sort of true disinterested friendship which I can already look forward to with pleasure." It was well to have a comfort in store on Harriet's behalf, though it might be wise to let the fancy touch it seldom; for evil in that quarter was at hand. As Frank Churchill's arrival had succeeded Mr. Elton's engagement in the conversation of Highbury, as the latest interest had entirely borne down the first, so now upon Frank Churchill's disappearance, Mr. Elton's concerns were assuming the most irresistible form.--His wedding-day was named. He would soon be among them again; Mr. Elton and his bride. There was hardly time to talk over the first letter from Enscombe before "Mr. Elton and his bride" was in every body's mouth, and Frank Churchill was forgotten. Emma grew sick at the sound. She had had three weeks of happy exemption from Mr. Elton; and Harriet's mind, she had been willing to hope, had been lately gaining strength. With Mr. Weston's ball in view at least, there had been a great deal of insensibility to other things; but it was now too evident that she had not attained such a state of composure as could stand against the actual approach--new carriage, bell-ringing, and all. Poor Harriet was in a flutter of spirits which required all the reasonings and soothings and attentions of every kind that Emma could give. Emma felt that she could not do too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to prize and respect it.--Harriet is my superior in all the charm and all the felicity it gives. Dear Harriet!--I would not change you for the clearest-headed, longest-sighted, best-judging female breathing. Oh! the coldness of a Jane Fairfax!--Harriet is worth a hundred such--And for a wife--a sensible man's wife--it is invaluable. I mention no names; but happy the man who changes Emma for Harriet!" CHAPTER XIV Mrs. Elton was first seen at church: but though devotion might be interrupted, curiosity could not be satisfied by a bride in a pew, and it must be left for the visits in form which were then to be paid, to settle whether she were very pretty indeed, or only rather pretty, or not pretty at all. Emma had feelings, less of curiosity than of pride or propriety, to make her resolve on not being the last to pay her respects; and she made a point of Harriet's going with her, that the worst of the business might be gone through as soon as possible. She could not enter the house again, could not be in the same room to which she had with such vain artifice retreated three months ago, to lace up her boot, without _recollecting_. A thousand vexatious thoughts would recur. Compliments, charades, and horrible blunders; and it was not to be supposed that poor Harriet should not be recollecting too; but she behaved very well, and was only rather pale and silent. The visit was of course short; and there was so much embarrassment and occupation of mind to shorten it, that Emma would not allow herself entirely to form an opinion of the lady, and on no account to give one, beyond the nothing-meaning terms of being "elegantly dressed, and very pleasing." She did not really like her. She would not be in a hurry to find fault, but she suspected that there was no elegance;--ease, but not elegance.-- She was almost sure that for a young woman, a stranger, a bride, there was too much ease. Her person was rather good; her face not unpretty; but neither feature, nor air, nor voice, nor manner, were elegant. Emma thought at least it would turn out so. As for Mr. Elton, his manners did not appear--but no, she would not permit a hasty or a witty word from herself about his manners. It was an awkward ceremony at any time to be receiving wedding visits, and a man had need be all grace to acquit himself well through it. The woman was better off; she might have the assistance of fine clothes, and the privilege of bashfulness, but the man had only his own good sense to depend on; and when she considered how peculiarly unlucky poor Mr. Elton was in being in the same room at once with the woman he had just married, the woman he had wanted to marry, and the woman whom he had been expected to marry, she must allow him to have the right to look as little wise, and to be as much affectedly, and as little really easy as could be. "Well, Miss Woodhouse," said Harriet, when they had quitted the house, and after waiting in vain for her friend to begin; "Well, Miss Woodhouse," (with a gentle sigh,) "what do you think of her?--Is not she very charming?" There was a little hesitation in Emma's answer. "Oh! yes--very--a very pleasing young woman." "I think her beautiful, quite beautiful." "Very nicely dressed, indeed; a remarkably elegant gown." "I am not at all surprized that he should have fallen in love." "Oh! no--there is | in view at least, there had been a great deal of insensibility to other things; but it was now too evident that she had not attained such a state of composure as could stand against the actual approach--new carriage, bell-ringing, and all. Poor Harriet was in a flutter of spirits which required all the reasonings and soothings and attentions of every kind that Emma could give. Emma felt that she could not do too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to prize and respect it.--Harriet is my superior in all the charm and all the felicity it gives. Dear Harriet!--I would not change you for the clearest-headed, longest-sighted, best-judging female breathing. Oh! the coldness of a Jane Fairfax!--Harriet is worth a hundred such--And for a wife--a sensible man's wife--it is invaluable. I mention no names; but happy | Emma | have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was | {
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"content": "have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it.\" Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>\"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me.\"</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was",
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"I hope you re not disposing of somebody s fortune in a hurry," | Mrs. Hilbery | The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the | that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or | time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey | further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic | whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that | the composition of a letter which, he vowed before he began it, should be sent that same evening. It was a difficult matter to put into words; poetry would have done it better justice, but he must abstain from poetry. In an infinite number of half-obliterated scratches he tried to convey to her the possibility that although human beings are woefully ill-adapted for communication, still, such communion is the best we know; moreover, they make it possible for each to have access to another world independent of personal affairs, a world of law, of philosophy, or more strangely a world such as he had had a glimpse of the other evening when together they seemed to be sharing something, creating something, an ideal a vision flung out in advance of our actual circumstances. If this golden rim were quenched, if life were no longer circled by an illusion (but was it an illusion after all?), then it would be too dismal an affair to carry to an end; so he wrote with a sudden spurt of conviction which made clear way for a space and left at least one sentence standing whole. Making every allowance for other desires, on the whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that s neither here nor there." The effect of these parentheses, whether they were introduced for that purpose or represented a natural instinct on Mrs. Hilbery s part to embellish the bareness of her discourse, gave Ralph time to perceive that she possessed all the facts of their situation and was come, somehow, in the capacity of ambassador. "I didn t come here to talk about Lord Byron," Mrs. Hilbery continued, with a little laugh, "though I know that both you and Katharine, unlike other young people of your generation, still find him worth reading." She paused. "I m so glad you ve made Katharine read poetry, Mr. Denham!" she exclaimed, "and feel poetry, and look poetry! She can t talk it yet, but she will oh, she will!" Ralph, whose hand was grasped and whose tongue almost refused to articulate, somehow contrived to say that there were moments when he felt hopeless, utterly hopeless, though he gave no reason for this statement on his part. "But you care for her?" Mrs. Hilbery inquired. "Good God!" he exclaimed, with a vehemence which admitted of no question. "It s the Church of England service you both object to?" Mrs. Hilbery inquired innocently. | to receive any pittance at all. But the appeal to Ralph s humanity had little chance of being heard to-day; he was no longer a model of concentration. The partition so carefully erected between the different sections of his life had been broken down, with the result that though his eyes were fixed upon the last Will and Testament, he saw through the page a certain drawing-room in Cheyne Walk. He tried every device that had proved effective in the past for keeping up the partitions of the mind, until he could decently go home; but a little to his alarm he found himself assailed so persistently, as if from outside, by Katharine, that he launched forth desperately into an imaginary interview with her. She obliterated a bookcase full of law reports, and the corners and lines of the room underwent a curious softening of outline like that which sometimes makes a room unfamiliar at the moment of waking from sleep. By degrees, a pulse or stress began to beat at regular intervals in his mind, heaping his thoughts into waves to which words fitted themselves, and without much consciousness of what he was doing, he began to write on a sheet of draft paper what had the appearance of a poem lacking several words in each line. Not many lines had been set down, however, before he threw away his pen as violently as if that were responsible for his misdeeds, and tore the paper into many separate pieces. This was a sign that Katharine had asserted herself and put to him a remark that could not be met poetically. Her remark was entirely destructive of poetry, since it was to the effect that poetry had nothing whatever to do with her; all her friends spent their lives in making up phrases, she said; all his feeling was an illusion, and next moment, as if to taunt him with his impotence, she had sunk into one of those dreamy states which took no account whatever of his existence. Ralph was roused by his passionate attempts to attract her attention to the fact that he was standing in the middle of his little private room in Lincoln s Inn Fields at a considerable distance from Chelsea. The physical distance increased his desperation. He began pacing in circles until the process sickened him, and then took a sheet of paper for the composition of a letter which, he vowed before he began it, should be sent that same evening. It was a difficult matter to put into words; poetry would have done it better justice, but he must abstain from poetry. In an infinite number of half-obliterated scratches he tried to convey to her the possibility that although human beings are woefully ill-adapted for communication, still, such communion is the best we know; moreover, they make it possible for each to have access to another world independent of personal affairs, a world of law, of philosophy, or more strangely a world such as he had had a glimpse of the other evening when together they seemed to be sharing something, creating something, an ideal a vision flung out in advance of our actual circumstances. If this golden rim were quenched, if life were no longer circled by an illusion (but was it an illusion after all?), then it would be too dismal an affair to carry to an end; so he wrote with a sudden spurt of conviction which made clear way for a space and left at least one sentence standing whole. Making every allowance for other desires, on the whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that s neither here nor there." The effect of these parentheses, whether they were introduced for that purpose or represented a natural instinct on Mrs. Hilbery s part to embellish the bareness of her discourse, gave Ralph time to perceive that she possessed all the facts of their situation and was come, somehow, in the capacity of ambassador. "I didn t come here to talk about Lord Byron," Mrs. Hilbery continued, with a little laugh, "though I know that both you and Katharine, unlike other young people of your generation, still find him worth reading." She paused. "I m so glad you ve made Katharine read poetry, Mr. Denham!" she exclaimed, "and feel poetry, and look poetry! She can t talk it yet, but she will oh, she will!" Ralph, whose hand was grasped and whose tongue almost refused to articulate, somehow contrived to say that there were moments when he felt hopeless, utterly hopeless, though he gave no reason for this statement on his part. "But you care for her?" Mrs. Hilbery inquired. "Good God!" he exclaimed, with a vehemence which admitted of no question. "It s the Church of England service you both object to?" Mrs. Hilbery inquired innocently. "I don t care a damn what service it is," Ralph replied. "You would marry her in Westminster Abbey if the worst came to the worst?" Mrs. Hilbery inquired. "I would marry her in St. Paul s Cathedral," Ralph replied. His doubts upon this point, which were always roused by Katharine s presence, had vanished completely, and his strongest wish in the world was to be with her immediately, since every second he was away from her he imagined her slipping farther and farther from him into one of those states of mind in which he was unrepresented. He wished to dominate her, to possess her. "Thank God!" exclaimed Mrs. Hilbery. She thanked Him for a variety of blessings: for the conviction with which the young man spoke; and not least for the prospect that on her daughter s wedding-day the noble cadences, the stately periods, the ancient eloquence of the marriage service would resound over the heads of a distinguished congregation gathered together near the very spot where her father lay quiescent with the other poets of England. The tears filled her eyes; but she remembered simultaneously that her carriage was waiting, and with dim eyes she walked to the door. Denham followed her downstairs. It was a strange drive. For Denham it was without exception the most unpleasant he had ever taken. His only wish was to go as straightly and quickly as possible to Cheyne Walk; but it soon appeared that Mrs. Hilbery either ignored or thought fit to baffle this desire by interposing various errands of her own. She stopped the carriage at post-offices, and coffee-shops, and shops of inscrutable dignity where the aged attendants had to be greeted as old friends; and, catching sight of the dome of St. Paul s above the irregular spires of Ludgate Hill, she pulled the cord impulsively, and gave directions that Anderson should drive them there. But Anderson had reasons of his own for discouraging afternoon worship, and kept his horse s nose obstinately towards the west. After some minutes, Mrs. Hilbery realized the situation, and accepted it good-humoredly, apologizing to Ralph for his disappointment. "Never mind," she said, "we ll go to St. Paul s another day, and it may turn out, though I can t promise that it _will_, that he ll take us past Westminster Abbey, which would be even better." Ralph was scarcely aware of | his desperation. He began pacing in circles until the process sickened him, and then took a sheet of paper for the composition of a letter which, he vowed before he began it, should be sent that same evening. It was a difficult matter to put into words; poetry would have done it better justice, but he must abstain from poetry. In an infinite number of half-obliterated scratches he tried to convey to her the possibility that although human beings are woefully ill-adapted for communication, still, such communion is the best we know; moreover, they make it possible for each to have access to another world independent of personal affairs, a world of law, of philosophy, or more strangely a world such as he had had a glimpse of the other evening when together they seemed to be sharing something, creating something, an ideal a vision flung out in advance of our actual circumstances. If this golden rim were quenched, if life were no longer circled by an illusion (but was it an illusion after all?), then it would be too dismal an affair to carry to an end; so he wrote with a sudden spurt of conviction which made clear way for a space and left at least one sentence standing whole. Making every allowance for other desires, on the whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that s neither here nor there." The effect of these parentheses, whether they were introduced for that purpose or represented a natural instinct on Mrs. Hilbery s part to embellish the bareness of her discourse, gave Ralph time to perceive that she possessed all the facts of their situation and was come, somehow, in the capacity of ambassador. "I didn t come here to talk about Lord Byron," Mrs. Hilbery continued, with a little laugh, "though I know that both you and Katharine, unlike other young people of your generation, still find him worth reading." She paused. "I m so glad you ve made Katharine read poetry, | Night And Day | time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey | {
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} | Mrs. Hilbery |
"it is very uncomfortable indeed." | Mrs. Allen | Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The | here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this | "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would | which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more | people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a | and ingenuity they found themselves at last in the passage behind the highest bench. Here there was something less of crowd than below; and hence Miss Morland had a comprehensive view of all the company beneath her, and of all the dangers of her late passage through them. It was a splendid sight, and she began, for the first time that evening, to feel herself at a ball: she longed to dance, but she had not an acquaintance in the room. Mrs. Allen did all that she could do in such a case by saying very placidly, every now and then, "I wish you could dance, my dear I wish you could get a partner." For some time her young friend felt obliged to her for these wishes; but they were repeated so often, and proved so totally ineffectual, that Catherine grew tired at last, and would thank her no more. They were not long able, however, to enjoy the repose of the eminence they had so laboriously gained. Everybody was shortly in motion for tea, and they must squeeze out like the rest. Catherine began to feel something of disappointment she was tired of being continually pressed against by people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a partner. I should be so glad to have you dance. There goes a strange-looking woman! What an odd gown she has got on! How old-fashioned it is! Look at the back." After some time they received an offer of tea from one of their neighbours; it was thankfully accepted, and this introduced a light conversation with the gentleman who offered it, which was the only time that anybody spoke to them during the evening, till they were discovered and joined by Mr. Allen when the dance was over. "Well, Miss Morland," said he, directly, "I hope you have had an agreeable ball." "Very agreeable indeed," she replied, vainly endeavouring to hide a great yawn. "I wish she had been able to dance," said his wife; "I wish we could have got a partner for her. I have been saying how glad I should be if the Skinners were here this winter instead of last; or if the Parrys had come, as they talked of once, she might have danced with George Parry. I am so sorry she has not had a partner!" "We shall do better another evening I hope," was Mr. Allen s consolation. The company began to disperse | introduce a young lady into public, being as fond of going everywhere and seeing everything herself as any young lady could be. Dress was her passion. She had a most harmless delight in being fine; and our heroine s entree into life could not take place till after three or four days had been spent in learning what was mostly worn, and her chaperone was provided with a dress of the newest fashion. Catherine too made some purchases herself, and when all these matters were arranged, the important evening came which was to usher her into the Upper Rooms. Her hair was cut and dressed by the best hand, her clothes put on with care, and both Mrs. Allen and her maid declared she looked quite as she should do. With such encouragement, Catherine hoped at least to pass uncensured through the crowd. As for admiration, it was always very welcome when it came, but she did not depend on it. Mrs. Allen was so long in dressing that they did not enter the ballroom till late. The season was full, the room crowded, and the two ladies squeezed in as well as they could. As for Mr. Allen, he repaired directly to the card-room, and left them to enjoy a mob by themselves. With more care for the safety of her new gown than for the comfort of her protegee, Mrs. Allen made her way through the throng of men by the door, as swiftly as the necessary caution would allow; Catherine, however, kept close at her side, and linked her arm too firmly within her friend s to be torn asunder by any common effort of a struggling assembly. But to her utter amazement she found that to proceed along the room was by no means the way to disengage themselves from the crowd; it seemed rather to increase as they went on, whereas she had imagined that when once fairly within the door, they should easily find seats and be able to watch the dances with perfect convenience. But this was far from being the case, and though by unwearied diligence they gained even the top of the room, their situation was just the same; they saw nothing of the dancers but the high feathers of some of the ladies. Still they moved on something better was yet in view; and by a continued exertion of strength and ingenuity they found themselves at last in the passage behind the highest bench. Here there was something less of crowd than below; and hence Miss Morland had a comprehensive view of all the company beneath her, and of all the dangers of her late passage through them. It was a splendid sight, and she began, for the first time that evening, to feel herself at a ball: she longed to dance, but she had not an acquaintance in the room. Mrs. Allen did all that she could do in such a case by saying very placidly, every now and then, "I wish you could dance, my dear I wish you could get a partner." For some time her young friend felt obliged to her for these wishes; but they were repeated so often, and proved so totally ineffectual, that Catherine grew tired at last, and would thank her no more. They were not long able, however, to enjoy the repose of the eminence they had so laboriously gained. Everybody was shortly in motion for tea, and they must squeeze out like the rest. Catherine began to feel something of disappointment she was tired of being continually pressed against by people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a partner. I should be so glad to have you dance. There goes a strange-looking woman! What an odd gown she has got on! How old-fashioned it is! Look at the back." After some time they received an offer of tea from one of their neighbours; it was thankfully accepted, and this introduced a light conversation with the gentleman who offered it, which was the only time that anybody spoke to them during the evening, till they were discovered and joined by Mr. Allen when the dance was over. "Well, Miss Morland," said he, directly, "I hope you have had an agreeable ball." "Very agreeable indeed," she replied, vainly endeavouring to hide a great yawn. "I wish she had been able to dance," said his wife; "I wish we could have got a partner for her. I have been saying how glad I should be if the Skinners were here this winter instead of last; or if the Parrys had come, as they talked of once, she might have danced with George Parry. I am so sorry she has not had a partner!" "We shall do better another evening I hope," was Mr. Allen s consolation. The company began to disperse when the dancing was over enough to leave space for the remainder to walk about in some comfort; and now was the time for a heroine, who had not yet played a very distinguished part in the events of the evening, to be noticed and admired. Every five minutes, by removing some of the crowd, gave greater openings for her charms. She was now seen by many young men who had not been near her before. Not one, however, started with rapturous wonder on beholding her, no whisper of eager inquiry ran round the room, nor was she once called a divinity by anybody. Yet Catherine was in very good looks, and had the company only seen her three years before, they would _now_ have thought her exceedingly handsome. She _was_ looked at, however, and with some admiration; for, in her own hearing, two gentlemen pronounced her to be a pretty girl. Such words had their due effect; she immediately thought the evening pleasanter than she had found it before her humble vanity was contented she felt more obliged to the two young men for this simple praise than a true-quality heroine would have been for fifteen sonnets in celebration of her charms, and went to her chair in good humour with everybody, and perfectly satisfied with her share of public attention. CHAPTER 3 Every morning now brought its regular duties shops were to be visited; some new part of the town to be looked at; and the pump-room to be attended, where they paraded up and down for an hour, looking at everybody and speaking to no one. The wish of a numerous acquaintance in Bath was still uppermost with Mrs. Allen, and she repeated it after every fresh proof, which every morning brought, of her knowing nobody at all. They made their appearance in the Lower Rooms; and here fortune was more favourable to our heroine. The master of the ceremonies introduced to her a very gentlemanlike young man as a partner; his name was Tilney. He seemed to be about four or five and twenty, was rather tall, had a pleasing countenance, a very intelligent and lively eye, and, if not quite handsome, was very near it. His address was good, and Catherine felt herself in high luck. There was little leisure for speaking while they danced; but when they were seated at tea, she found him | room was by no means the way to disengage themselves from the crowd; it seemed rather to increase as they went on, whereas she had imagined that when once fairly within the door, they should easily find seats and be able to watch the dances with perfect convenience. But this was far from being the case, and though by unwearied diligence they gained even the top of the room, their situation was just the same; they saw nothing of the dancers but the high feathers of some of the ladies. Still they moved on something better was yet in view; and by a continued exertion of strength and ingenuity they found themselves at last in the passage behind the highest bench. Here there was something less of crowd than below; and hence Miss Morland had a comprehensive view of all the company beneath her, and of all the dangers of her late passage through them. It was a splendid sight, and she began, for the first time that evening, to feel herself at a ball: she longed to dance, but she had not an acquaintance in the room. Mrs. Allen did all that she could do in such a case by saying very placidly, every now and then, "I wish you could dance, my dear I wish you could get a partner." For some time her young friend felt obliged to her for these wishes; but they were repeated so often, and proved so totally ineffectual, that Catherine grew tired at last, and would thank her no more. They were not long able, however, to enjoy the repose of the eminence they had so laboriously gained. Everybody was shortly in motion for tea, and they must squeeze out like the rest. Catherine began to feel something of disappointment she was tired of being continually pressed against by people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a partner. I should be so glad to have you dance. There goes a strange-looking woman! What an odd gown she has got on! How old-fashioned | Northanger Abbey | "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would | {
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"content": "\"would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you.\" \"How uncomfortable it is,\" whispered Catherine, \"not to have a single acquaintance here!\" \"Yes, my dear,\" replied Mrs. Allen, with perfect serenity,<|quote|>\"it is very uncomfortable indeed.\"</|quote|>\"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party.\" \"Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here.\" \"I wish we had _any;_ it would",
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} | Mrs. Allen |
“with Grace and Mr. Crimble.” | Theign | just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity | said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone | thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but | apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the | Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street | girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue; and | curt but resonant “Thank you!” While the others awaited his further pleasure he again bethought himself--then he addressed Lady Grace. “I must let Mr. Bender know----” “Mr. Bender,” Hugh interposed, “does know. He’s at the present moment with the author of that note at Long’s Hotel.” “Then I must now write him” --and his lordship, while he spoke and from where he stood, looked in refined disconnectedness out of the window. “Will you write _there?_” --and his daughter indicated Lady Sandgate’s desk, at which we have seen Mr. Bender so importantly seated. Lord Theign had a start at her again speaking to him; but he bent his view on the convenience awaiting him and then, as to have done with so tiresome a matter, took advantage of it. He went and placed himself, and had reached for paper and a pen when, struck apparently with the display of some incongruous object, he uttered a sharp “Hallo!” “You don’t find things?” Lady Grace asked--as remote from him in one quarter of the room as Hugh was in another. “On the contrary!” he oddly replied. But plainly suppressing any further surprise he committed a few words to paper and put them into an envelope, which he addressed and brought away. “If you like,” said Hugh urbanely, “I’ll carry him that myself.” “But how do you know what it consists of?” “I don’t know. But I risk it.” His lordship weighed the proposition in a high impersonal manner--he even nervously weighed his letter, shaking it with one hand upon the finger-tips of the other; after which, as finally to acquit himself of any measurable obligation, he allowed Hugh, by a surrender of the interesting object, to redeem his offer of service. “Then you’ll learn,” he simply said. “And may _I_ learn?” asked Lady Grace. “You?” The tone made so light of her that it was barely interrogative. “May I go _with_ him?” Her father looked at the question as at some cup of supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue; and my mind’s a complete blank on the subject of my having done so.” “So that there only flushes through your conscience,” she suggested, “the fact that he has forced your hand?” Fevered with the sore sense of it his lordship wiped his brow. “He has played me, for spite, his damned impertinent trick!” She found but after a minute--for it wasn’t easy--the right word, or the least wrong, for the situation. “Well, even if he did so diabolically commit you, you still don’t want--do you?--to back out?” Resenting the suggestion, which restored all his nobler form, Lord Theign fairly drew himself up. “When did I ever in all my life back out?” “Never, never in all your life of course!” --she dashed a bucketful at the flare. “And the picture after all----!” “The picture after all” --he took her up in cold grim gallant despair-- “has just been pronounced definitely priceless.” And then to meet her gaping ignorance: “By Mr. Crimble’s latest and apparently greatest adviser, who strongly stamps it a Mantovano and whose practical affidavit I now possess.” Poor Lady Sandgate gaped but the more--she wondered and yearned. “Definitely priceless?” “Definitely priceless.” After which he took from its place of lurking, considerately unfolding it, the goodly slip he had removed from her blotting-book. “Worth even more therefore than what Bender so blatantly offers.” Her attention fell with interest, from the distance at which she stood, on this confirmatory document, her recognition of which was not immediate. “And is that the affidavit?” “This is a cheque to your order, my lady, for ten thousand pounds.” “Ten thousand?” --she echoed it with a shout. “Drawn by some hand unknown,” he went on quietly. “Unknown?” --again, in her muffled joy, she let it sound out. “Which I found there at your desk a moment ago, and thought best, in your interest, to rescue from accident or neglect; even though it be, save for the single stroke of a name begun,” he wound up with his look like a playing searchlight, “unhappily unsigned.” “Unsigned?” --the exhibition of her design, of her defeat, kept shaking her. “Then it isn’t good--?” “It’s a Barmecide feast, my dear!” --he had still, her kind friend, his note of grimness and also his penetration of eye. “But who is it writes you colossal cheques?” “And then leaves them lying about?” Her case was so bad that you would | proposition in a high impersonal manner--he even nervously weighed his letter, shaking it with one hand upon the finger-tips of the other; after which, as finally to acquit himself of any measurable obligation, he allowed Hugh, by a surrender of the interesting object, to redeem his offer of service. “Then you’ll learn,” he simply said. “And may _I_ learn?” asked Lady Grace. “You?” The tone made so light of her that it was barely interrogative. “May I go _with_ him?” Her father looked at the question as at some cup of supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue; | The Outcry | thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but | {
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"H'm," | John Cavendish | into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have | hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but | said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I | he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's | One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about | business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp | enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice. "Am I to understand that you will continue to see Bauerstein against my express wishes?" "If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp discovered something between her and Bauerstein, and threatened to tell her husband? Was it to stop that denunciation that the crime had been committed? Then I remembered that enigmatical conversation between Poirot and Evelyn Howard. Was this what they had meant? Was this the monstrous possibility that Evelyn had tried not to believe? Yes, it all fitted in. No wonder Miss Howard had suggested "hushing it up." Now I understood that unfinished sentence of hers: "Emily herself " And in my heart I agreed with her. Would not Mrs. Inglethorp have preferred to go unavenged rather than have such terrible dishonour fall upon the name of Cavendish. "There's another thing," said John suddenly, and the unexpected sound of his voice made me start guiltily. "Something which makes me doubt if what you say can be true." "What's that?" I asked, thankful that he had gone away from the subject of how the poison could have been introduced into the cocoa. "Why, the fact that Bauerstein demanded a post-mortem. He needn't have done so. Little Wilkins would have been quite content to let it go at heart disease." "Yes," I said doubtfully. "But we don't know. Perhaps he thought it safer in the long run. Someone might have talked afterwards. Then the Home Office might have ordered exhumation. The whole thing would have come out, then, and he would have been in an awkward position, for no one would have believed that a man of his reputation could have been deceived into calling it heart disease." "Yes, that's possible," admitted John. "Still," he added, "I'm blest if I can see what his motive could have been." I trembled. "Look here," I said, "I may be altogether wrong. And, remember, all this is in confidence." "Oh, of course that goes without saying." We had walked, as we talked, and now we passed through the little gate into the garden. Voices rose near at hand, for tea was spread out under the sycamore-tree, as it had been on the day of my arrival. Cynthia was back from the hospital, and I placed my chair beside her, and told her of Poirot's wish to visit the dispensary. "Of course! I'd love him to see it. He'd better come to tea there one day. I must fix it up with him. He's such a dear little man! But he _is_ funny. He made me take | Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp discovered something between her and Bauerstein, and threatened to tell her husband? Was it to stop that denunciation that the crime had been committed? Then I remembered that enigmatical conversation between Poirot and Evelyn Howard. Was this what they had meant? Was this the monstrous possibility that Evelyn had tried not to believe? Yes, it all fitted in. No wonder Miss Howard had suggested "hushing it up." Now I understood that unfinished sentence of hers: "Emily herself " And in my heart I agreed with her. Would not Mrs. Inglethorp have | The Mysterious Affair At Styles | said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I | {
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"Here we all are!" | Margaret | since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him | who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her | but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back | replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, | bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my | belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad, | hold of Howards End, and, thanks to you, she s got it." "I call the way you twist things round and make them hang together most unfair. You couldn t have been nastier if you d caught me flirting. Could he, diddums?" "We re in a bad hole, and must make the best of it. I shall answer the pater s letter civilly. He s evidently anxious to do the decent thing. But I do not intend to forget these Schlegels in a hurry. As long as they re on their best behaviour--Dolly, are you listening?--we ll behave, too. But if I find them giving themselves airs or monopolising my father, or at all ill-treating him, or worrying him with their artistic beastliness, I intend to put my foot down, yes, firmly. Taking my mother s place! Heaven knows what poor old Paul will say when the news reaches him." The interlude closes. It has taken place in Charles s garden at Hilton. He and Dolly are sitting in deckchairs, and their motor is regarding them placidly from its garage across the lawn. A short-frocked edition of Charles also regards them placidly; a perambulator edition is squeaking; a third edition is expected shortly. Nature is turning out Wilcoxes in this peaceful abode, so that they may inherit the earth. CHAPTER XXII Margaret greeted her lord with peculiar tenderness on the morrow. Mature as he was, she might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad, without securing a berth somewhere else first, is a fool, and I ve no pity for him." "He has not done that. He s going into a bank in Camden Town, he says. The salary s much lower, but he hopes to manage--a branch of Dempster s Bank. Is that all right?" "Dempster! Why goodness me, yes." "More right than the Porphyrion?" "Yes, yes, yes; safe as houses--safer." "Very many thanks. I m sorry--if you sublet--?" "If he sublets, I shan t have the same control. In theory there should be no more damage done at Howards End; in practice there will be. Things may be done for which no money can compensate. For instance, I shouldn t want that fine wych-elm spoilt. It hangs--Margaret, we must go and see the old place some time. It s pretty in its way. We ll motor down and have lunch with Charles." "I should enjoy that," said Margaret bravely. "What about next Wednesday?" "Wednesday? No, I couldn t well do that. Aunt Juley expects us to stop here another week at least." "But you can give that up now." "Er--no," said Margaret, after a moment s thought. "Oh, that ll be all right. I ll speak to her." "This visit is a high solemnity. My aunt counts on it year after year. She turns the house upside down for us; she invites our special friends--she scarcely knows Frieda, and we can t leave her on her hands. I missed one day, and she would be so hurt if I didn t stay the full ten." "But I ll say a word to her. Don t you bother." "Henry, I won t go. Don t bully me." "You want to see the house, though?" "Very much--I ve heard so much about it, one way or the other. Aren t there pigs teeth in the wych-elm?" "PIGS TEETH?" "And you chew the bark for toothache." "What a rum notion! Of course not!" "Perhaps I have confused it with some other tree. There are still a great number of sacred trees in England, it seems." But he left her to intercept Mrs. Munt, whose voice could be heard in the distance; to be intercepted himself by Helen. "Oh. Mr. Wilcox, about the Porphyrion--" she began and went scarlet all over her face. "It s all right," called Margaret, catching them up. "Dempster s Bank s | find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad, without securing a berth somewhere else first, is a fool, and I ve no pity for him." "He has not done that. He s going into a bank in Camden Town, he says. The salary s much lower, but he hopes to manage--a branch of Dempster s Bank. Is that all right?" "Dempster! Why goodness me, yes." "More right than the Porphyrion?" "Yes, yes, yes; safe as houses--safer." "Very many thanks. I m sorry--if you sublet--?" "If he sublets, I shan t have the same control. In theory there should be no more damage done at Howards End; in practice there will be. Things may be done | Howards End | but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back | {
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"content": "but my motto s Concentrate.\" And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>\"Here we all are!\"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. \"Here we are. Good-morning, Helen.\" Helen replied, \"Good-morning, Mr. Wilcox.\" \"Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back",
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"Now girl number twenty," | Thomas Gradgrind | Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know | known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She | Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering | something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), | beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was | "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room | of facts poured into them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. | me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. | Hard Times | Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering | {
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"content": "Thomas Gradgrind. \"Your definition of a horse.\" \"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.\" Thus (and much more) Bitzer.<|quote|>\"Now girl number twenty,\"</|quote|>said Mr. Gradgrind. \"You know what a horse is.\" She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering",
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} | Thomas Gradgrind |
"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!" | Mrs. Hilbery | observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved | again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, | the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, | with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged | was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their | which had been in abeyance for the past week or two, still failed her, and she could only ask, "But where s your luggage?" in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their discomfort, or chose to ignore it, or thought it high time that the subject was changed, for she did nothing but talk about Shakespeare s tomb. "So much earth and so much water and that sublime spirit brooding over it all," she mused, and went on to sing her strange, half-earthly song of dawns and sunsets, of great poets, and the unchanged spirit of noble loving which they had taught, so that nothing changes, and one age is linked with another, and no one dies, and we all meet in spirit, until she appeared oblivious of any one in the room. But suddenly her remarks seemed to contract the enormously wide circle in which they were soaring and to alight, airily and temporarily, upon matters of more immediate moment. "Katharine and Ralph," she said, as if to try the sound. "William and Cassandra." "I feel myself in an entirely false position," said William desperately, thrusting himself into this breach in her reflections. "I ve no right to be sitting here. Mr. Hilbery told me yesterday to leave the house. I d no intention of coming back again. I shall now" "I feel the same too," Cassandra interrupted. "After what Uncle | of fire which gave its red tint to the atmosphere and crowded the scene with shadows so deep and dark that one could fancy pushing farther into their density and still farther, exploring indefinitely. Whether there was any correspondence between the two prospects now opening before them they shared the same sense of the impending future, vast, mysterious, infinitely stored with undeveloped shapes which each would unwrap for the other to behold; but for the present the prospect of the future was enough to fill them with silent adoration. At any rate, their further attempts to communicate articulately were interrupted by a knock on the door, and the entrance of a maid who, with a due sense of mystery, announced that a lady wished to see Miss Hilbery, but refused to allow her name to be given. When Katharine rose, with a profound sigh, to resume her duties, Ralph went with her, and neither of them formulated any guess, on their way downstairs, as to who this anonymous lady might prove to be. Perhaps the fantastic notion that she was a little black hunchback provided with a steel knife, which she would plunge into Katharine s heart, appeared to Ralph more probable than another, and he pushed first into the dining-room to avert the blow. Then he exclaimed "Cassandra!" with such heartiness at the sight of Cassandra Otway standing by the dining-room table that she put her finger to her lips and begged him to be quiet. "Nobody must know I m here," she explained in a sepulchral whisper. "I missed my train. I have been wandering about London all day. I can bear it no longer. Katharine, what am I to do?" Katharine pushed forward a chair; Ralph hastily found wine and poured it out for her. If not actually fainting, she was very near it. "William s upstairs," said Ralph, as soon as she appeared to be recovered. "I ll go and ask him to come down to you." His own happiness had given him a confidence that every one else was bound to be happy too. But Cassandra had her uncle s commands and anger too vividly in her mind to dare any such defiance. She became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask, "But where s your luggage?" in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their discomfort, or chose to ignore it, or thought it high time that the subject was changed, for she did nothing but talk about Shakespeare s tomb. "So much earth and so much water and that sublime spirit brooding over it all," she mused, and went on to sing her strange, half-earthly song of dawns and sunsets, of great poets, and the unchanged spirit of noble loving which they had taught, so that nothing changes, and one age is linked with another, and no one dies, and we all meet in spirit, until she appeared oblivious of any one in the room. But suddenly her remarks seemed to contract the enormously wide circle in which they were soaring and to alight, airily and temporarily, upon matters of more immediate moment. "Katharine and Ralph," she said, as if to try the sound. "William and Cassandra." "I feel myself in an entirely false position," said William desperately, thrusting himself into this breach in her reflections. "I ve no right to be sitting here. Mr. Hilbery told me yesterday to leave the house. I d no intention of coming back again. I shall now" "I feel the same too," Cassandra interrupted. "After what Uncle Trevor said to me last night" "I have put you into a most odious position," Rodney went on, rising from his seat, in which movement he was imitated simultaneously by Cassandra. "Until I have your father s consent I have no right to speak to you let alone in this house, where my conduct" he looked at Katharine, stammered, and fell silent "where my conduct has been reprehensible and inexcusable in the extreme," he forced himself to continue. "I have explained everything to your mother. She is so generous as to try and make me believe that I have done no harm you have convinced her that my behavior, selfish and weak as it was selfish and weak" he repeated, like a speaker who has lost his notes. Two emotions seemed to be struggling in Katharine; one the desire to laugh at the ridiculous spectacle of William making her a formal speech across the tea-table, the other a desire to weep at the sight of something childlike and honest in him which touched her inexpressibly. To every one s surprise she rose, stretched out her hand, and said: "You ve nothing to reproach yourself with you ve been always" but here her voice died away, and the tears forced themselves into her eyes, and ran down her cheeks, while William, equally moved, seized her hand and pressed it to his lips. No one perceived that the drawing-room door had opened itself sufficiently to admit at least half the person of Mr. Hilbery, or saw him gaze at the scene round the tea-table with an expression of the utmost disgust and expostulation. He withdrew unseen. He paused outside on the landing trying to recover his self-control and to decide what course he might with most dignity pursue. It was obvious to him that his wife had entirely confused the meaning of his instructions. She had plunged them all into the most odious confusion. He waited a moment, and then, with much preliminary rattling of the handle, opened the door a second time. They had all regained their places; some incident of an absurd nature had now set them laughing and looking under the table, so that his entrance passed momentarily unperceived. Katharine, with flushed cheeks, raised her head and said: "Well, that s my last attempt at the dramatic." "It s astonishing what a distance they roll," said Ralph, stooping to | than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their discomfort, or chose to ignore it, or thought it high time that the subject was changed, for she did nothing but talk about Shakespeare s tomb. "So much earth and so much water and that sublime spirit brooding over it all," she mused, and went on to sing her strange, half-earthly song of dawns and sunsets, of great poets, and the unchanged spirit of noble loving which they had taught, so that nothing changes, and one age is linked with another, and no one dies, and we all meet in spirit, until she appeared oblivious of any one in the room. But suddenly her remarks seemed to contract the enormously wide circle in which they were soaring and to alight, airily | Night And Day | the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, | {
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"content": "the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. \"My dear Cassandra!\" she exclaimed. \"How delightful to see you back again! What a coincidence!\" she observed, in a general way.<|quote|>\"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!\"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. \"I find Cassandra,\" she repeated. \"She missed her train,\" Katharine interposed, seeing that Cassandra was unable to speak. \"Life,\" began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently,",
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} | Mrs. Hilbery |
"I believe it is very true, my dear, indeed," | Mr. Woodhouse | my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a | you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I | any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault | you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was | very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be | immediately afterwards walked in and made it unnecessary. Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connexions in London. He had returned to a late dinner, after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed, "It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk." "Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire." "But you must have found it very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Every body was punctual, every body in their best looks: not a tear, and hardly a long face to be seen. Oh no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day." "Dear Emma bears every thing so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she _will_ miss her more than she thinks for." Emma turned away her head, divided between tears and smiles. "It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it; but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so | of a house of her own? This is three times as large.--And you have never any odd humours, my dear." "How often we shall be going to see them, and they coming to see us!--We shall be always meeting! _We_ must begin; we must go and pay wedding visit very soon." "My dear, how am I to get so far? Randalls is such a distance. I could not walk half so far." "No, papa, nobody thought of your walking. We must go in the carriage, to be sure." "The carriage! But James will not like to put the horses to for such a little way;--and where are the poor horses to be while we are paying our visit?" "They are to be put into Mr. Weston's stable, papa. You know we have settled all that already. We talked it all over with Mr. Weston last night. And as for James, you may be very sure he will always like going to Randalls, because of his daughter's being housemaid there. I only doubt whether he will ever take us anywhere else. That was your doing, papa. You got Hannah that good place. Nobody thought of Hannah till you mentioned her--James is so obliged to you!" "I am very glad I did think of her. It was very lucky, for I would not have had poor James think himself slighted upon any account; and I am sure she will make a very good servant: she is a civil, pretty-spoken girl; I have a great opinion of her. Whenever I see her, she always curtseys and asks me how I do, in a very pretty manner; and when you have had her here to do needlework, I observe she always turns the lock of the door the right way and never bangs it. I am sure she will be an excellent servant; and it will be a great comfort to poor Miss Taylor to have somebody about her that she is used to see. Whenever James goes over to see his daughter, you know, she will be hearing of us. He will be able to tell her how we all are." Emma spared no exertions to maintain this happier flow of ideas, and hoped, by the help of backgammon, to get her father tolerably through the evening, and be attacked by no regrets but her own. The backgammon-table was placed; but a visitor immediately afterwards walked in and made it unnecessary. Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connexions in London. He had returned to a late dinner, after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed, "It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk." "Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire." "But you must have found it very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Every body was punctual, every body in their best looks: not a tear, and hardly a long face to be seen. Oh no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day." "Dear Emma bears every thing so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she _will_ miss her more than she thinks for." Emma turned away her head, divided between tears and smiles. "It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it; but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so happily married." "And you have forgotten one matter of joy to me," said Emma, "and a very considerable one--that I made the match myself. I made the match, you know, four years ago; and to have it take place, and be proved in the right, when so many people said Mr. Weston would never marry again, may comfort me for any thing." Mr. Knightley shook his head at her. Her father fondly replied, "Ah! my dear, I wish you would not make matches and foretell things, for whatever you say always comes to pass. Pray do not make any more matches." "I promise you to make none for myself, papa; but I must, indeed, for other people. It is the greatest amusement in the world! And after such success, you know!--Every body said that Mr. Weston would never marry again. Oh dear, no! Mr. Weston, who had been a widower so long, and who seemed so perfectly comfortable without a wife, so constantly occupied either in his business in town or among his friends here, always acceptable wherever he went, always cheerful--Mr. Weston need not spend a single evening in the year alone if he did not like it. Oh no! Mr. Weston certainly would never marry again. Some people even talked of a promise to his wife on her deathbed, and others of the son and the uncle not letting him. All manner of solemn nonsense was talked on the subject, but I believed none of it." "Ever since the day--about four years ago--that Miss Taylor and I met with him in Broadway Lane, when, because it began to drizzle, he darted away with so much gallantry, and borrowed two umbrellas for us from Farmer Mitchell's, I made up my mind on the subject. I planned the match from that hour; and when such success has blessed me in this instance, dear papa, you cannot think that I shall leave off match-making." "I do not understand what you mean by 'success,'" said Mr. Knightley. "Success supposes endeavour. Your time has been properly and delicately spent, if you have been endeavouring for the last four years to bring about this marriage. A worthy employment for a young lady's mind! But if, which I rather imagine, your making the match, as you call it, means only your planning it, your saying to yourself one idle day, 'I think it would be | be an excellent servant; and it will be a great comfort to poor Miss Taylor to have somebody about her that she is used to see. Whenever James goes over to see his daughter, you know, she will be hearing of us. He will be able to tell her how we all are." Emma spared no exertions to maintain this happier flow of ideas, and hoped, by the help of backgammon, to get her father tolerably through the evening, and be attacked by no regrets but her own. The backgammon-table was placed; but a visitor immediately afterwards walked in and made it unnecessary. Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connexions in London. He had returned to a late dinner, after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed, "It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk." "Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire." "But you must have found it very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Every body was punctual, every body in their best looks: not a tear, and hardly a long face to be seen. Oh no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day." "Dear Emma bears every thing so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she _will_ miss her more than she thinks for." Emma turned away her head, divided between tears and smiles. "It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it; but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so happily married." "And you have forgotten one matter of joy to me," said Emma, "and a very considerable one--that I made the match myself. I made the match, you know, four years ago; and to have it take place, and be proved in the right, when so many | Emma | any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault | {
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"content": "any rate, it must be better to have only one to please than two.\" \"Especially when _one_ of those two is such a fanciful, troublesome creature!\" said Emma playfully. \"That is what you have in your head, I know--and what you would certainly say if my father were not by.\"<|quote|>\"I believe it is very true, my dear, indeed,\"</|quote|>said Mr. Woodhouse, with a sigh. \"I am afraid I am sometimes very fanciful and troublesome.\" \"My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault",
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} | Mr. Woodhouse |
"We are all unanimous in that wish, I suppose," | Elinor | delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of | her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh | Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. | extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, | competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I | "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than | here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge." "But I thought it was right, Elinor," said Marianne, "to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?" "Quite the contrary," replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at | else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than | Sense And Sensibility | Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. | {
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"content": "Marianne coloured as she replied, \"But most people do.\" \"I wish,\" said Margaret, striking out a novel thought, \"that somebody would give us all a large fortune apiece!\" \"Oh that they would!\" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>\"We are all unanimous in that wish, I suppose,\"</|quote|>said Elinor, \"in spite of the insufficiency of wealth.\" \"Oh dear!\" cried Margaret, \"how happy I should be! I wonder what I should do with it!\" Marianne looked as if she had no doubt on that point. \"I should be puzzled to spend so large a fortune myself,\" said Mrs.",
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He left two glasses for the bottle, and we paid him for the sandwiches and tipped him. | No speaker | "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he | ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with | his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, | dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked | wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the | had to wait a while." "You could have come over ten years ago, if you'd wanted to," the wife said. "What you always said was:" 'See America first!' "I will say we've seen a good deal, take it one way and another." "Say, there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the Catholic Church. It's a pity you boys ain't Catholics. You could get a meal, then, all right." "I am," I said. "That's what makes me so sore." Finally at a quarter past four we had lunch. Bill had been rather difficult at the last. He buttonholed a priest who was coming back with one of the returning streams of pilgrims. "When do us Protestants get a chance to eat, father?" "I don't know anything about it. Haven't you got tickets?" "It's enough to make a man join the Klan," Bill said. The priest looked back at him. Inside the dining-car the waiters served the fifth successive table d'h te meal. The waiter who served us was soaked through. His white jacket was purple under the arms. "He must drink a lot of wine." "Or wear purple undershirts." "Let's ask him." "No. He's too tired." The train stopped for half an hour at Bordeaux and we went out through the station for a little walk. There was not time to get in to the town. Afterward we passed through the Landes and watched the sun set. There were wide fire-gaps cut through the pines, and you could look up them like | did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I described where we were. In our compartment were a man and his wife and their young son. "I suppose you're Americans, aren't you?" the man asked. "Having a good trip?" "Wonderful," said Bill. "That's what you want to do. Travel while you're young. Mother and I always wanted to get over, but we had to wait a while." "You could have come over ten years ago, if you'd wanted to," the wife said. "What you always said was:" 'See America first!' "I will say we've seen a good deal, take it one way and another." "Say, there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the Catholic Church. It's a pity you boys ain't Catholics. You could get a meal, then, all right." "I am," I said. "That's what makes me so sore." Finally at a quarter past four we had lunch. Bill had been rather difficult at the last. He buttonholed a priest who was coming back with one of the returning streams of pilgrims. "When do us Protestants get a chance to eat, father?" "I don't know anything about it. Haven't you got tickets?" "It's enough to make a man join the Klan," Bill said. The priest looked back at him. Inside the dining-car the waiters served the fifth successive table d'h te meal. The waiter who served us was soaked through. His white jacket was purple under the arms. "He must drink a lot of wine." "Or wear purple undershirts." "Let's ask him." "No. He's too tired." The train stopped for half an hour at Bordeaux and we went out through the station for a little walk. There was not time to get in to the town. Afterward we passed through the Landes and watched the sun set. There were wide fire-gaps cut through the pines, and you could look up them like avenues and see wooded hills way off. About seven-thirty we had dinner and watched the country through the open window in the diner. It was all sandy pine country full of heather. There were little clearings with houses in them, and once in a while we passed a sawmill. It got dark and we could feel the country hot and sandy and dark outside of the window, and about nine o'clock we got into Bayonne. The man and his wife and Hubert all shook hands with us. They were going on to LaNegresse to change for Biarritz. "Well, I hope you have lots of luck," he said. "Be careful about those bull-fights." "Maybe we'll see you at Biarritz," Hubert said. We got off with our bags and rod-cases and passed through the dark station and out to the lights and the line of cabs and hotel buses. There, standing with the hotel runners, was Robert Cohn. He did not see us at first. Then he started forward. "Hello, Jake. Have a good trip?" "Fine," I said. "This is Bill Gorton." "How are you?" "Come on," said Robert. "I've got a cab." He was a little near-sighted. I had never noticed it before. He was looking at Bill, trying to make him out. He was shy, too. "We'll go up to my hotel. It's all right. It's quite nice." We got into the cab, and the cabman put the bags up on the seat beside him and climbed up and cracked his whip, and we drove over the dark bridge and into the town. "I'm awfully glad to meet you," Robert said to Bill. "I've heard so much about you from Jake and I've read your books. Did you get my line, Jake?" The cab stopped in front of the hotel and we all got out and went in. It was a nice hotel, and the people at the desk were very cheerful, and we each had a good small room. CHAPTER 10 In the morning it was bright, and they were sprinkling the streets of the town, and we all had breakfast in a caf . Bayonne is a nice town. It is like a very clean Spanish town and it is on a big river. Already, so early in the morning, it was very hot on the bridge across the river. We walked out on the bridge and then | there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the Catholic Church. It's a pity you boys ain't Catholics. You could get a meal, then, all right." "I am," I said. "That's what makes me so sore." Finally at a quarter past four we had lunch. Bill had been rather difficult at the last. He buttonholed a priest who was coming back with one of the returning streams of pilgrims. "When do us Protestants get a chance to eat, father?" "I don't know anything about it. Haven't you got tickets?" "It's enough to make a man join the Klan," Bill said. The priest looked back | The Sun Also Rises | his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, | {
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"content": "his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. \"You're going to work to-day,\" I said. He nodded his head. \"They start now, at ten-thirty.\" \"When do we eat?\" \"Huh! When do I eat?\"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>\"I'll get the plates,\" he said, \"or bring them with you.\" We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees,",
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Mrs. Gradgrind cried, with unexpected quickness. | No speaker | Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I | her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to | She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a | silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw | I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have | as nearly in her old usual attitude, as anything so helpless could be kept in. She had positively refused to take to her bed; on the ground that if she did, she would never hear the last of it. Her feeble voice sounded so far away in her bundle of shawls, and the sound of another voice addressing her seemed to take such a long time in getting down to her ears, that she might have been lying at the bottom of a well. The poor lady was nearer Truth than she ever had been: which had much to do with it. On being told that Mrs. Bounderby was there, she replied, at cross-purposes, that she had never called him by that name since he married Louisa; that pending her choice of an objectionable name, she had called him J; and that she could not at present depart from that regulation, not being yet provided with a permanent substitute. Louisa had sat by her for some minutes, and had spoken to her often, before she arrived at a clear understanding who it was. She then seemed to come to it all at once. "Well, my dear," said Mrs. Gradgrind, "and I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have never heard the last of it: and consequently, that I have long left off saying anything." "I can hear you, mother." But, it was only by dint of bending down to her ear, and at the same time attentively watching the lips as they moved, that she could link such faint and broken sounds into any chain of connexion. "You learnt a great deal, Louisa, and so did your brother. Ologies of all kinds from morning to night. If there is any Ology left, of any description, that has not been worn to rags in this house, all I can say is, I hope I shall never hear its name." "I can hear you, mother, when you have strength to go on." This, to keep her from floating away. "But there is something not an Ology at all that your father has missed, or forgotten, Louisa. I don't know what it is. I have often sat with Sissy near me, and thought about it. I shall never get its name now. But your father may. It makes me restless. I want to write to him, to find out for God's sake, what it is. Give me a pen, give me | felt herself all unfit for; Sissy she had never softened to again, since the night when the stroller's child had raised her eyes to look at Mr. Bounderby's intended wife. She had no inducements to go back, and had rarely gone. Neither, as she approached her old home now, did any of the best influences of old home descend upon her. The dreams of childhood its airy fables; its graceful, beautiful, humane, impossible adornments of the world beyond: so good to be believed in once, so good to be remembered when outgrown, for then the least among them rises to the stature of a great Charity in the heart, suffering little children to come into the midst of it, and to keep with their pure hands a garden in the stony ways of this world, wherein it were better for all the children of Adam that they should oftener sun themselves, simple and trustful, and not worldly-wise what had she to do with these? Remembrances of how she had journeyed to the little that she knew, by the enchanted roads of what she and millions of innocent creatures had hoped and imagined; of how, first coming upon Reason through the tender light of Fancy, she had seen it a beneficent god, deferring to gods as great as itself; not a grim Idol, cruel and cold, with its victims bound hand to foot, and its big dumb shape set up with a sightless stare, never to be moved by anything but so many calculated tons of leverage what had she to do with these? Her remembrances of home and childhood were remembrances of the drying up of every spring and fountain in her young heart as it gushed out. The golden waters were not there. They were flowing for the fertilization of the land where grapes are gathered from thorns, and figs from thistles. She went, with a heavy, hardened kind of sorrow upon her, into the house and into her mother's room. Since the time of her leaving home, Sissy had lived with the rest of the family on equal terms. Sissy was at her mother's side; and Jane, her sister, now ten or twelve years old, was in the room. There was great trouble before it could be made known to Mrs. Gradgrind that her eldest child was there. She reclined, propped up, from mere habit, on a couch: as nearly in her old usual attitude, as anything so helpless could be kept in. She had positively refused to take to her bed; on the ground that if she did, she would never hear the last of it. Her feeble voice sounded so far away in her bundle of shawls, and the sound of another voice addressing her seemed to take such a long time in getting down to her ears, that she might have been lying at the bottom of a well. The poor lady was nearer Truth than she ever had been: which had much to do with it. On being told that Mrs. Bounderby was there, she replied, at cross-purposes, that she had never called him by that name since he married Louisa; that pending her choice of an objectionable name, she had called him J; and that she could not at present depart from that regulation, not being yet provided with a permanent substitute. Louisa had sat by her for some minutes, and had spoken to her often, before she arrived at a clear understanding who it was. She then seemed to come to it all at once. "Well, my dear," said Mrs. Gradgrind, "and I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have never heard the last of it: and consequently, that I have long left off saying anything." "I can hear you, mother." But, it was only by dint of bending down to her ear, and at the same time attentively watching the lips as they moved, that she could link such faint and broken sounds into any chain of connexion. "You learnt a great deal, Louisa, and so did your brother. Ologies of all kinds from morning to night. If there is any Ology left, of any description, that has not been worn to rags in this house, all I can say is, I hope I shall never hear its name." "I can hear you, mother, when you have strength to go on." This, to keep her from floating away. "But there is something not an Ology at all that your father has missed, or forgotten, Louisa. I don't know what it is. I have often sat with Sissy near me, and thought about it. I shall never get its name now. But your father may. It makes me restless. I want to write to him, to find out for God's sake, what it is. Give me a pen, give me a pen." Even the power of restlessness was gone, except from the poor head, which could just turn from side to side. She fancied, however, that her request had been complied with, and that the pen she could not have held was in her hand. It matters little what figures of wonderful no-meaning she began to trace upon her wrappers. The hand soon stopped in the midst of them; the light that had always been feeble and dim behind the weak transparency, went out; and even Mrs. Gradgrind, emerged from the shadow in which man walketh and disquieteth himself in vain, took upon her the dread solemnity of the sages and patriarchs. CHAPTER X MRS. SPARSIT'S STAIRCASE MRS. SPARSIT'S nerves being slow to recover their tone, the worthy woman made a stay of some weeks in duration at Mr. Bounderby's retreat, where, notwithstanding her anchorite turn of mind based upon her becoming consciousness of her altered station, she resigned herself with noble fortitude to lodging, as one may say, in clover, and feeding on the fat of the land. During the whole term of this recess from the guardianship of the Bank, Mrs. Sparsit was a pattern of consistency; continuing to take such pity on Mr. Bounderby to his face, as is rarely taken on man, and to call his portrait a Noodle to _its_ face, with the greatest acrimony and contempt. Mr. Bounderby, having got it into his explosive composition that Mrs. Sparsit was a highly superior woman to perceive that he had that general cross upon him in his deserts (for he had not yet settled what it was), and further that Louisa would have objected to her as a frequent visitor if it had comported with his greatness that she should object to anything he chose to do, resolved not to lose sight of Mrs. Sparsit easily. So when her nerves were strung up to the pitch of again consuming sweetbreads in solitude, he said to her at the dinner-table, on the day before her departure, "I tell you what, ma'am; you shall come down here of a Saturday, while the fine weather lasts, and stay till Monday." To which Mrs. Sparsit returned, in effect, though not of the Mahomedan persuasion: "To hear is to obey." Now, Mrs. Sparsit was not a poetical woman; but she took an idea in the nature of an allegorical fancy, into | every spring and fountain in her young heart as it gushed out. The golden waters were not there. They were flowing for the fertilization of the land where grapes are gathered from thorns, and figs from thistles. She went, with a heavy, hardened kind of sorrow upon her, into the house and into her mother's room. Since the time of her leaving home, Sissy had lived with the rest of the family on equal terms. Sissy was at her mother's side; and Jane, her sister, now ten or twelve years old, was in the room. There was great trouble before it could be made known to Mrs. Gradgrind that her eldest child was there. She reclined, propped up, from mere habit, on a couch: as nearly in her old usual attitude, as anything so helpless could be kept in. She had positively refused to take to her bed; on the ground that if she did, she would never hear the last of it. Her feeble voice sounded so far away in her bundle of shawls, and the sound of another voice addressing her seemed to take such a long time in getting down to her ears, that she might have been lying at the bottom of a well. The poor lady was nearer Truth than she ever had been: which had much to do with it. On being told that Mrs. Bounderby was there, she replied, at cross-purposes, that she had never called him by that name since he married Louisa; that pending her choice of an objectionable name, she had called him J; and that she could not at present depart from that regulation, not being yet provided with a permanent substitute. Louisa had sat by her for some minutes, and had spoken to her often, before she arrived at a clear understanding who it was. She then seemed to come to it all at once. "Well, my dear," said Mrs. Gradgrind, "and I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have never heard | Hard Times | She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a | {
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Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister. | No speaker | now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to | in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I | really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will | manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be | peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides | any account, and yet to say what she did not believe was impossible. At length she replied: "Do not be offended, Elinor, if my praise of him is not in every thing equal to your sense of his merits. I have not had so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but I have the highest opinion in the world of his goodness and sense. I think him every thing that is worthy and amiable." "I am sure," replied Elinor, with a smile, "that his dearest friends could not be dissatisfied with such commendation as that. I do not perceive how you could express yourself more warmly." Marianne was rejoiced to find her sister so easily pleased. "Of his sense and his goodness," continued Elinor, "no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. You know enough of him to do justice to his solid worth. But of his minuter propensities, as you call them you have from peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides his inclination. He is very far from being independent. What his mother really is we cannot know; but, from Fanny s occasional mention of her conduct and opinions, we have never been disposed to think her amiable; and I am very much mistaken if Edward is not himself aware that there would be many difficulties in his way, if he were to wish to marry a woman who had not either a great fortune or high rank." Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth. "And you really are not engaged to him!" said she. "Yet it certainly soon will happen. But two advantages will proceed from this delay. _I_ shall not lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensably necessary to your future felicity. Oh! if he should be so far stimulated by your genius as to learn to draw himself, how delightful it would be!" Elinor had given her real opinion to her sister. She could not consider her partiality for Edward in so prosperous a state as Marianne had believed it. | if he is not to be animated by Cowper! but we must allow for difference of taste. Elinor has not my feelings, and therefore she may overlook it, and be happy with him. But it would have broke _my_ heart, had I loved him, to hear him read with so little sensibility. Mama, the more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much! He must have all Edward s virtues, and his person and manners must ornament his goodness with every possible charm." "Remember, my love, that you are not seventeen. It is yet too early in life to despair of such a happiness. Why should you be less fortunate than your mother? In one circumstance only, my Marianne, may your destiny be different from hers!" CHAPTER IV. "What a pity it is, Elinor," said Marianne, "that Edward should have no taste for drawing." "No taste for drawing!" replied Elinor, "why should you think so? He does not draw himself, indeed, but he has great pleasure in seeing the performances of other people, and I assure you he is by no means deficient in natural taste, though he has not had opportunities of improving it. Had he ever been in the way of learning, I think he would have drawn very well. He distrusts his own judgment in such matters so much, that he is always unwilling to give his opinion on any picture; but he has an innate propriety and simplicity of taste, which in general direct him perfectly right." Marianne was afraid of offending, and said no more on the subject; but the kind of approbation which Elinor described as excited in him by the drawings of other people, was very far from that rapturous delight, which, in her opinion, could alone be called taste. Yet, though smiling within herself at the mistake, she honoured her sister for that blind partiality to Edward which produced it. "I hope, Marianne," continued Elinor, "you do not consider him as deficient in general taste. Indeed, I think I may say that you cannot, for your behaviour to him is perfectly cordial, and if _that_ were your opinion, I am sure you could never be civil to him." Marianne hardly knew what to say. She would not wound the feelings of her sister on any account, and yet to say what she did not believe was impossible. At length she replied: "Do not be offended, Elinor, if my praise of him is not in every thing equal to your sense of his merits. I have not had so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but I have the highest opinion in the world of his goodness and sense. I think him every thing that is worthy and amiable." "I am sure," replied Elinor, with a smile, "that his dearest friends could not be dissatisfied with such commendation as that. I do not perceive how you could express yourself more warmly." Marianne was rejoiced to find her sister so easily pleased. "Of his sense and his goodness," continued Elinor, "no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. You know enough of him to do justice to his solid worth. But of his minuter propensities, as you call them you have from peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides his inclination. He is very far from being independent. What his mother really is we cannot know; but, from Fanny s occasional mention of her conduct and opinions, we have never been disposed to think her amiable; and I am very much mistaken if Edward is not himself aware that there would be many difficulties in his way, if he were to wish to marry a woman who had not either a great fortune or high rank." Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth. "And you really are not engaged to him!" said she. "Yet it certainly soon will happen. But two advantages will proceed from this delay. _I_ shall not lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensably necessary to your future felicity. Oh! if he should be so far stimulated by your genius as to learn to draw himself, how delightful it would be!" Elinor had given her real opinion to her sister. She could not consider her partiality for Edward in so prosperous a state as Marianne had believed it. There was, at times, a want of spirits about him which, if it did not denote indifference, spoke of something almost as unpromising. A doubt of her regard, supposing him to feel it, need not give him more than inquietude. It would not be likely to produce that dejection of mind which frequently attended him. A more reasonable cause might be found in the dependent situation which forbade the indulgence of his affection. She knew that his mother neither behaved to him so as to make his home comfortable at present, nor to give him any assurance that he might form a home for himself, without strictly attending to her views for his aggrandizement. With such a knowledge as this, it was impossible for Elinor to feel easy on the subject. She was far from depending on that result of his preference of her, which her mother and sister still considered as certain. Nay, the longer they were together the more doubtful seemed the nature of his regard; and sometimes, for a few painful minutes, she believed it to be no more than friendship. But, whatever might really be its limits, it was enough, when perceived by his sister, to make her uneasy, and at the same time, (which was still more common,) to make her uncivil. She took the first opportunity of affronting her mother-in-law on the occasion, talking to her so expressively of her brother s great expectations, of Mrs. Ferrars s resolution that both her sons should marry well, and of the danger attending any young woman who attempted to _draw him in;_ that Mrs. Dashwood could neither pretend to be unconscious, nor endeavor to be calm. She gave her an answer which marked her contempt, and instantly left the room, resolving that, whatever might be the inconvenience or expense of so sudden a removal, her beloved Elinor should not be exposed another week to such insinuations. In this state of her spirits, a letter was delivered to her from the post, which contained a proposal particularly well timed. It was the offer of a small house, on very easy terms, belonging to a relation of her own, a gentleman of consequence and property in Devonshire. The letter was from this gentleman himself, and written in the true spirit of friendly accommodation. He understood that she was in need of a dwelling; and though the house he | that he is always unwilling to give his opinion on any picture; but he has an innate propriety and simplicity of taste, which in general direct him perfectly right." Marianne was afraid of offending, and said no more on the subject; but the kind of approbation which Elinor described as excited in him by the drawings of other people, was very far from that rapturous delight, which, in her opinion, could alone be called taste. Yet, though smiling within herself at the mistake, she honoured her sister for that blind partiality to Edward which produced it. "I hope, Marianne," continued Elinor, "you do not consider him as deficient in general taste. Indeed, I think I may say that you cannot, for your behaviour to him is perfectly cordial, and if _that_ were your opinion, I am sure you could never be civil to him." Marianne hardly knew what to say. She would not wound the feelings of her sister on any account, and yet to say what she did not believe was impossible. At length she replied: "Do not be offended, Elinor, if my praise of him is not in every thing equal to your sense of his merits. I have not had so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but I have the highest opinion in the world of his goodness and sense. I think him every thing that is worthy and amiable." "I am sure," replied Elinor, with a smile, "that his dearest friends could not be dissatisfied with such commendation as that. I do not perceive how you could express yourself more warmly." Marianne was rejoiced to find her sister so easily pleased. "Of his sense and his goodness," continued Elinor, "no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. You know enough of him to do justice to his solid worth. But of his minuter propensities, as you call them you have from peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides his inclination. He is very far from being independent. What his mother really is we cannot know; but, from Fanny s occasional mention of her conduct and opinions, we have never been disposed to think her amiable; and I am very much mistaken if Edward is not himself aware that there would be many difficulties in his way, if he were to wish to marry a woman who had not either a great fortune or high rank." Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth. "And you really are not engaged to him!" said she. "Yet it certainly soon will happen. But two advantages will proceed from this delay. _I_ shall not lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensably necessary to your future felicity. Oh! if he should be so far stimulated by your genius as to learn to draw himself, how delightful it would be!" Elinor had given her real opinion to her sister. She could not consider her partiality for Edward in so prosperous a state as Marianne had believed it. There was, at times, a want of spirits about him which, if it did not denote indifference, spoke of something almost as unpromising. A doubt of her regard, supposing him to feel it, need not give him more than inquietude. It would not be likely to produce that dejection of mind which frequently attended him. A more reasonable cause might be found in the dependent situation which forbade the indulgence of his affection. She knew | Sense And Sensibility | really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will | {
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"content": "really handsome; or at least, almost so. What say you, Marianne?\" \"I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart.\"<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>\"I do not attempt to deny,\" said she, \"that I think very highly of him that I greatly esteem, that I like him.\" Marianne here burst forth with indignation \"Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will",
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said Mrs. Maylie, | No speaker | a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and | scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so | girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was | serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed | England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the | "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he | were mingled in the cup; but there were no bitter tears: for even grief itself arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain. They were a long, long time alone. A soft tap at the door, at length announced that some one was without. Oliver opened it, glided away, and gave place to Harry Maylie. "I know it all," he said, taking a seat beside the lovely girl. "Dear Rose, I know it all." "I am not here by accident," he added after a lengthened silence; "nor have I heard all this to-night, for I knew it yesterday only yesterday. Do you guess that I have come to remind you of a promise?" "Stay," said Rose. "You _do_ know all." "All. You gave me leave, at any time within a year, to renew the subject of our last discourse." "I did." "Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he should be condemned. As he saw all this in one bewildered glance, the deathlike stillness came again, and looking back he saw that the jurymen had turned towards the judge. Hush! They only sought permission to retire. He looked, wistfully, into their faces, one by one when they passed out, as though to see which way the greater number leant; but that was fruitless. The jailer touched him on the shoulder. He followed mechanically to the end of the dock, and sat down on a chair. The man pointed it out, or he would not have seen it. He looked up into the gallery again. Some of the people were eating, and some fanning themselves with handkerchiefs; for the crowded place was very hot. There was one young man sketching his face in a little note-book. He wondered whether it was like, and looked on when the artist broke his pencil-point, and made another with his knife, as any idle spectator might have done. In the same way, when he turned his eyes towards the judge, his mind began to busy itself with the fashion of his dress, and what it cost, and how he put it on. There was an old fat gentleman on the bench, too, who had gone out, some half an hour before, and now come back. He wondered within himself whether this man had been to get his dinner, what he had had, and where he had had it; and pursued this train of careless thought until some new object caught his eye and roused another. Not that, all this time, his mind was, for an instant, free from one oppressive overwhelming sense of the grave that opened at his feet; it was ever present to him, but in a vague and general way, and he could not fix his thoughts upon it. Thus, even while he trembled, and turned burning hot at the idea of speedy death, he fell to counting the iron spikes before him, and wondering how the head of one had been broken off, and whether they would mend it, or leave it as it was. Then, he thought of all the horrors of the gallows and the scaffold and stopped to watch a man sprinkling the floor to cool it and then went on to think again. At length there was a cry of silence, and a breathless look from | between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the | Oliver Twist | girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was | {
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Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. | No speaker | the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" | again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, | quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a | not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It | remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at | "How horrid all this is!" said he. "Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather." The rest of the company soon dropt in. "I am afraid, Miss Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said | they were gone. "The rent of this cottage is said to be low; but we have it on very hard terms, if we are to dine at the park whenever any one is staying either with them, or with us." "They mean no less to be civil and kind to us now," said Elinor, "by these frequent invitations, than by those which we received from them a few weeks ago. The alteration is not in them, if their parties are grown tedious and dull. We must look for the change elsewhere." CHAPTER XX. As the Miss Dashwoods entered the drawing-room of the park the next day, at one door, Mrs. Palmer came running in at the other, looking as good humoured and merry as before. She took them all most affectionately by the hand, and expressed great delight in seeing them again. "I am so glad to see you!" said she, seating herself between Elinor and Marianne, "for it is so bad a day I was afraid you might not come, which would be a shocking thing, as we go away again tomorrow. We must go, for the Westons come to us next week you know. It was quite a sudden thing our coming at all, and I knew nothing of it till the carriage was coming to the door, and then Mr. Palmer asked me if I would go with him to Barton. He is so droll! He never tells me any thing! I am so sorry we cannot stay longer; however we shall meet again in town very soon, I hope." They were obliged to put an end to such an expectation. "Not go to town!" cried Mrs. Palmer, with a laugh, "I shall be quite disappointed if you do not. I could get the nicest house in the world for you, next door to ours, in Hanover-square. You must come, indeed. I am sure I shall be very happy to chaperon you at any time till I am confined, if Mrs. Dashwood should not like to go into public." They thanked her; but were obliged to resist all her entreaties. "Oh, my love," cried Mrs. Palmer to her husband, who just then entered the room "you must help me to persuade the Miss Dashwoods to go to town this winter." Her love made no answer; and after slightly bowing to the ladies, began complaining of the weather. "How horrid all this is!" said he. "Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather." The rest of the company soon dropt in. "I am afraid, Miss Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the same county, Mrs. Palmer might be able to give some more particular account of Willoughby s general character, than could be gathered from the Middletons partial acquaintance with him; and she was eager to gain from any one, such a confirmation of his merits as might remove the possibility of fear from Marianne. She began by inquiring if they saw much of Mr. Willoughby at Cleveland, and whether they were intimately acquainted with him. "Oh dear, yes; I know him extremely well," replied Mrs. Palmer; "Not that I ever spoke to him, indeed; but I have seen him for ever in town. Somehow or other I never happened to be staying at Barton while he was at Allenham. Mama saw him here once before; but I was with my uncle at Weymouth. However, I dare say we should have seen a great deal of him in Somersetshire, if it had | Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." | Sense And Sensibility | quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a | {
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"content": "quite rude?\" \"I did not know I contradicted any body in calling your mother ill-bred.\" \"Ay, you may abuse me as you please,\" said the good-natured old lady, \"you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you.\"<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>\"Mr. Palmer is so droll!\" said she, in a whisper, to Elinor. \"He is always out of humour.\" Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a",
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"Did you speak from your own observation," | Elizabeth | manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told | help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved | believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I | a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not | home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was | receive _more_ than my due." "My object _then_," replied Darcy, "was to shew you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you." He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister, had been formed before he quitted the inn, and that his gravity and thoughtfulness there, had arisen from no other struggles than what such a purpose must comprehend. She expressed her gratitude again, but it was too painful a subject to each, to be dwelt on farther. After walking several miles in a leisurely manner, and too busy to know any thing about it, they found at last, on examining their watches, that it was time to be at home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the | of the past as its remembrance gives you pleasure." "I cannot give you credit for any philosophy of the kind. _Your_ retrospections must be so totally void of reproach, that the contentment arising from them, is not of philosophy, but what is much better, of ignorance. But with _me_, it is not so. Painful recollections will intrude, which cannot, which ought not to be repelled. I have been a selfish being all my life, in practice, though not in principle. As a child I was taught what was _right_, but I was not taught to correct my temper. I was given good principles, but left to follow them in pride and conceit. Unfortunately an only son, (for many years an only _child_) I was spoilt by my parents, who though good themselves, (my father particularly, all that was benevolent and amiable,) allowed, encouraged, almost taught me to be selfish and overbearing, to care for none beyond my own family circle, to think meanly of all the rest of the world, to _wish_ at least to think meanly of their sense and worth compared with my own. Such I was, from eight to eight and twenty; and such I might still have been but for you, dearest, loveliest Elizabeth! What do I not owe you! You taught me a lesson, hard indeed at first, but most advantageous. By you, I was properly humbled. I came to you without a doubt of my reception. You shewed me how insufficient were all my pretensions to please a woman worthy of being pleased." "Had you then persuaded yourself that I should?" "Indeed I had. What will you think of my vanity? I believed you to be wishing, expecting my addresses." "My manners must have been in fault, but not intentionally I assure you. I never meant to deceive you, but my spirits might often lead me wrong. How you must have hated me after _that_ evening?" "Hate you! I was angry perhaps at first, but my anger soon began to take a proper direction." "I am almost afraid of asking what you thought of me; when we met at Pemberley. You blamed me for coming?" "No indeed; I felt nothing but surprise." "Your surprise could not be greater than _mine_ in being noticed by you. My conscience told me that I deserved no extraordinary politeness, and I confess that I did not expect to receive _more_ than my due." "My object _then_," replied Darcy, "was to shew you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you." He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister, had been formed before he quitted the inn, and that his gravity and thoughtfulness there, had arisen from no other struggles than what such a purpose must comprehend. She expressed her gratitude again, but it was too painful a subject to each, to be dwelt on farther. After walking several miles in a leisurely manner, and too busy to know any thing about it, they found at last, on examining their watches, that it was time to be at home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here. "You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible." "This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. "Oh, Lizzy! it cannot be. I know how much you dislike him." "You know nothing of the matter. _That_ is all to be forgot. Perhaps I did not always love him so well as I do now. But in such cases as these, a good memory is unpardonable. This is the last time I shall ever remember it myself." Miss Bennet still looked all amazement. Elizabeth again, and more seriously assured her of its truth. "Good Heaven! can it be really so! Yet now I must believe you," cried Jane. "My dear, dear Lizzy, I would--I do congratulate you--but are you certain? forgive the question--are you quite certain that you can be happy with him?" "There can be no doubt of that. It is settled between us already, that we are to be the happiest couple in the world. But are you pleased, Jane? Shall you like to have such a brother?" "Very, very much. Nothing could give either Bingley or myself more delight. But we considered it, we talked of it as impossible. And do you really love him quite well enough? Oh, Lizzy! do any thing rather than marry without affection. Are you quite sure that you feel what you ought to do?" "Oh, yes! You will only think I feel _more_ than I ought to do, when I tell you all." "What do you mean?" "Why, I must confess, that I love him better than I do Bingley. I am afraid you will be angry." "My dearest sister, now _be_ be serious. I want to talk very seriously. Let me know every thing that I am to know, without delay. Will you tell me how long you have loved him?" "It has been coming on so | being pleased." "Had you then persuaded yourself that I should?" "Indeed I had. What will you think of my vanity? I believed you to be wishing, expecting my addresses." "My manners must have been in fault, but not intentionally I assure you. I never meant to deceive you, but my spirits might often lead me wrong. How you must have hated me after _that_ evening?" "Hate you! I was angry perhaps at first, but my anger soon began to take a proper direction." "I am almost afraid of asking what you thought of me; when we met at Pemberley. You blamed me for coming?" "No indeed; I felt nothing but surprise." "Your surprise could not be greater than _mine_ in being noticed by you. My conscience told me that I deserved no extraordinary politeness, and I confess that I did not expect to receive _more_ than my due." "My object _then_," replied Darcy, "was to shew you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you." He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister, had been formed before he quitted the inn, and that his gravity and thoughtfulness there, had arisen from no other struggles than what such a purpose must comprehend. She expressed her gratitude again, but it was too painful a subject to each, to be dwelt on farther. After walking several miles in a leisurely manner, and too busy to know any thing about it, they found at last, on examining their watches, that it was time to be at home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened | Pride And Prejudice | believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I | {
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"content": "believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together.\" Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>\"Did you speak from your own observation,\"</|quote|>said she, \"when you told him that my sister loved him, or merely from my information last spring?\" \"From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection.\" \"And your assurance of it, I",
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"Have you ever talked to Vyse without feeling tired?" | George Emerson | new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, | a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He | "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any | can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great | started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you, | felt, over the rubbish, the sloppy thoughts, the furtive yearnings that were beginning to cumber her soul. Her anger faded at the sight of him. Ah! The Emersons were fine people in their way. She had to subdue a rush in her blood before saying: "Freddy has taken him into the dining-room. The others are going down the garden. Come. Let us get this over quickly. Come. I want you in the room, of course." "Lucy, do you mind doing it?" "How can you ask such a ridiculous question?" "Poor Lucy--" She stretched out her hand. "I seem to bring nothing but misfortune wherever I go." Lucy nodded. She remembered their last evening at Florence--the packing, the candle, the shadow of Miss Bartlett's toque on the door. She was not to be trapped by pathos a second time. Eluding her cousin's caress, she led the way downstairs. "Try the jam," Freddy was saying. "The jam's jolly good." George, looking big and dishevelled, was pacing up and down the dining-room. As she entered he stopped, and said: "No--nothing to eat." "You go down to the others," said Lucy; "Charlotte and I will give Mr. Emerson all he wants. Where's mother?" "She's started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you, telling you what's charming or amusing or ladylike, telling you what a man thinks womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the Rectory, when I met you both again; so it has been the whole of this afternoon. Therefore--not" 'therefore I kissed you,' "because the book made me do that, and I wish to goodness I had more self-control. I'm not ashamed. I don't apologize. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore--therefore I settled to fight him." Lucy thought of a very good remark. "You say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon me for suggesting that you have caught the habit." And he took the shoddy reproof and touched it into immortality. He said: "Yes, I have," and sank down as if suddenly weary. "I'm the same kind of brute at bottom. This desire to govern a woman--it lies very deep, and men and women must fight it together before they shall enter the garden. But | clasped hands while the girl worked herself into the necessary rage. "He must--that man must have such a setting down that he won't forget. And who's to give it him? I can't tell mother now--owing to you. Nor Cecil, Charlotte, owing to you. I am caught up every way. I think I shall go mad. I have no one to help me. That's why I've sent for you. What's wanted is a man with a whip." Miss Bartlett agreed: one wanted a man with a whip. "Yes--but it's no good agreeing. What's to be DONE. We women go maundering on. What DOES a girl do when she comes across a cad?" "I always said he was a cad, dear. Give me credit for that, at all events. From the very first moment--when he said his father was having a bath." "Oh, bother the credit and who's been right or wrong! We've both made a muddle of it. George Emerson is still down the garden there, and is he to be left unpunished, or isn't he? I want to know." Miss Bartlett was absolutely helpless. Her own exposure had unnerved her, and thoughts were colliding painfully in her brain. She moved feebly to the window, and tried to detect the cad's white flannels among the laurels. "You were ready enough at the Bertolini when you rushed me off to Rome. Can't you speak again to him now?" "Willingly would I move heaven and earth--" "I want something more definite," said Lucy contemptuously. "Will you speak to him? It is the least you can do, surely, considering it all happened because you broke your word." "Never again shall Eleanor Lavish be a friend of mine." Really, Charlotte was outdoing herself. "Yes or no, please; yes or no." "It is the kind of thing that only a gentleman can settle." George Emerson was coming up the garden with a tennis ball in his hand. "Very well," said Lucy, with an angry gesture. "No one will help me. I will speak to him myself." And immediately she realized that this was what her cousin had intended all along. "Hullo, Emerson!" called Freddy from below. "Found the lost ball? Good man! Want any tea?" And there was an irruption from the house on to the terrace. "Oh, Lucy, but that is brave of you! I admire you--" They had gathered round George, who beckoned, she felt, over the rubbish, the sloppy thoughts, the furtive yearnings that were beginning to cumber her soul. Her anger faded at the sight of him. Ah! The Emersons were fine people in their way. She had to subdue a rush in her blood before saying: "Freddy has taken him into the dining-room. The others are going down the garden. Come. Let us get this over quickly. Come. I want you in the room, of course." "Lucy, do you mind doing it?" "How can you ask such a ridiculous question?" "Poor Lucy--" She stretched out her hand. "I seem to bring nothing but misfortune wherever I go." Lucy nodded. She remembered their last evening at Florence--the packing, the candle, the shadow of Miss Bartlett's toque on the door. She was not to be trapped by pathos a second time. Eluding her cousin's caress, she led the way downstairs. "Try the jam," Freddy was saying. "The jam's jolly good." George, looking big and dishevelled, was pacing up and down the dining-room. As she entered he stopped, and said: "No--nothing to eat." "You go down to the others," said Lucy; "Charlotte and I will give Mr. Emerson all he wants. Where's mother?" "She's started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you, telling you what's charming or amusing or ladylike, telling you what a man thinks womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the Rectory, when I met you both again; so it has been the whole of this afternoon. Therefore--not" 'therefore I kissed you,' "because the book made me do that, and I wish to goodness I had more self-control. I'm not ashamed. I don't apologize. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore--therefore I settled to fight him." Lucy thought of a very good remark. "You say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon me for suggesting that you have caught the habit." And he took the shoddy reproof and touched it into immortality. He said: "Yes, I have," and sank down as if suddenly weary. "I'm the same kind of brute at bottom. This desire to govern a woman--it lies very deep, and men and women must fight it together before they shall enter the garden. But I do love you surely in a better way than he does." He thought. "Yes--really in a better way. I want you to have your own thoughts even when I hold you in my arms." He stretched them towards her. "Lucy, be quick--there's no time for us to talk now--come to me as you came in the spring, and afterwards I will be gentle and explain. I have cared for you since that man died. I cannot live without you," 'No good,' "I thought;" 'she is marrying someone else'; "but I meet you again when all the world is glorious water and sun. As you came through the wood I saw that nothing else mattered. I called. I wanted to live and have my chance of joy." "And Mr. Vyse?" said Lucy, who kept commendably calm. "Does he not matter? That I love Cecil and shall be his wife shortly? A detail of no importance, I suppose?" But he stretched his arms over the table towards her. "May I ask what you intend to gain by this exhibition?" He said: "It is our last chance. I shall do all that I can." And as if he had done all else, he turned to Miss Bartlett, who sat like some portent against the skies of the evening. "You wouldn't stop us this second time if you understood," he said. "I have been into the dark, and I am going back into it, unless you will try to understand." Her long, narrow head drove backwards and forwards, as though demolishing some invisible obstacle. She did not answer. "It is being young," he said quietly, picking up his racquet from the floor and preparing to go. "It is being certain that Lucy cares for me really. It is that love and youth matter intellectually." In silence the two women watched him. His last remark, they knew, was nonsense, but was he going after it or not? Would not he, the cad, the charlatan, attempt a more dramatic finish? No. He was apparently content. He left them, carefully closing the front door; and when they looked through the hall window, they saw him go up the drive and begin to climb the slopes of withered fern behind the house. Their tongues were loosed, and they burst into stealthy rejoicings. "Oh, Lucia--come back here--oh, what an awful man!" Lucy had no reaction--at least, not yet. | you! I admire you--" They had gathered round George, who beckoned, she felt, over the rubbish, the sloppy thoughts, the furtive yearnings that were beginning to cumber her soul. Her anger faded at the sight of him. Ah! The Emersons were fine people in their way. She had to subdue a rush in her blood before saying: "Freddy has taken him into the dining-room. The others are going down the garden. Come. Let us get this over quickly. Come. I want you in the room, of course." "Lucy, do you mind doing it?" "How can you ask such a ridiculous question?" "Poor Lucy--" She stretched out her hand. "I seem to bring nothing but misfortune wherever I go." Lucy nodded. She remembered their last evening at Florence--the packing, the candle, the shadow of Miss Bartlett's toque on the door. She was not to be trapped by pathos a second time. Eluding her cousin's caress, she led the way downstairs. "Try the jam," Freddy was saying. "The jam's jolly good." George, looking big and dishevelled, was pacing up and down the dining-room. As she entered he stopped, and said: "No--nothing to eat." "You go down to the others," said Lucy; "Charlotte and I will give Mr. Emerson all he wants. Where's mother?" "She's started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you, telling you what's charming or amusing or ladylike, telling you what a man thinks womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the Rectory, when I met you both again; so it has been the whole of this afternoon. Therefore--not" 'therefore I kissed you,' "because the book made me do that, and I wish to goodness I had more self-control. I'm not ashamed. I don't apologize. But it has frightened you, and you may not have noticed that I | A Room With A View | "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any | {
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"All presentable people say I." | Helen | did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not | was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know | was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him | to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But | t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had | sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to | He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her, Mr. Bast, and Mrs. Bast stranded for the night in a Shropshire hotel, she asked herself what forces had made the wave flow. At all events, no harm was done. Margaret would play the game properly now, and though Helen disapproved of her sister s methods, she knew that the Basts would benefit by them in the long-run. "Mr. Wilcox is so illogical," she explained to Leonard, who had put his wife to bed, and was sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her." "How long have you been married?" "Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the man. She stood at the window and slowly pulled up | it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and | Howards End | was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him | {
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"Exactly eleven days," | Caroline Abbott | elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How | can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" | been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain | in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald | dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old | Why she had ever wished to leave them was surprising; but as she truly said, "I am John Bull to the backbone, yet I do want to see Italy, just once. Everybody says it is marvellous, and that one gets no idea of it from books at all." The curate suggested that a year was a long time; and Miss Abbott, with decorous playfulness, answered him, "Oh, but you must let me have my fling! I promise to have it once, and once only. It will give me things to think about and talk about for the rest of my life." The curate had consented; so had Mr. Abbott. And here she was in a legno, solitary, dusty, frightened, with as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at | the letter remained, disfiguring the tidy ground. Chapter 2 When the bewildered tourist alights at the station of Monteriano, he finds himself in the middle of the country. There are a few houses round the railway, and many more dotted over the plain and the slopes of the hills, but of a town, mediaeval or otherwise, not the slightest sign. He must take what is suitably termed a "legno"--a piece of wood--and drive up eight miles of excellent road into the middle ages. For it is impossible, as well as sacrilegious, to be as quick as Baedeker. It was three in the afternoon when Philip left the realms of commonsense. He was so weary with travelling that he had fallen asleep in the train. His fellow-passengers had the usual Italian gift of divination, and when Monteriano came they knew he wanted to go there, and dropped him out. His feet sank into the hot asphalt of the platform, and in a dream he watched the train depart, while the porter who ought to have been carrying his bag, ran up the line playing touch-you-last with the guard. Alas! he was in no humour for Italy. Bargaining for a legno bored him unutterably. The man asked six lire; and though Philip knew that for eight miles it should scarcely be more than four, yet he was about to give what he was asked, and so make the man discontented and unhappy for the rest of the day. He was saved from this social blunder by loud shouts, and looking up the road saw one cracking his whip and waving his reins and driving two horses furiously, and behind him there appeared the swaying figure of a woman, holding star-fish fashion on to anything she could touch. It was Miss Abbott, who had just received his letter from Milan announcing the time of his arrival, and had hurried down to meet him. He had known Miss Abbott for years, and had never had much opinion about her one way or the other. She was good, quiet, dull, and amiable, and young only because she was twenty-three: there was nothing in her appearance or manner to suggest the fire of youth. All her life had been spent at Sawston with a dull and amiable father, and her pleasant, pallid face, bent on some respectable charity, was a familiar object of the Sawston streets. Why she had ever wished to leave them was surprising; but as she truly said, "I am John Bull to the backbone, yet I do want to see Italy, just once. Everybody says it is marvellous, and that one gets no idea of it from books at all." The curate suggested that a year was a long time; and Miss Abbott, with decorous playfulness, answered him, "Oh, but you must let me have my fling! I promise to have it once, and once only. It will give me things to think about and talk about for the rest of my life." The curate had consented; so had Mr. Abbott. And here she was in a legno, solitary, dusty, frightened, with as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at the time: he was thinking what to say next. But his eyes had registered the beauty, and next March he did not forget that the road to Monteriano must traverse innumerable flowers. "As far as I have seen him, I do like him," repeated Miss Abbott, after a pause. He thought she sounded a little defiant, and crushed her at once. "What is he, please? You haven t told me that. What s his position?" She opened her mouth to speak, and no sound came from it. Philip waited patiently. She tried to be audacious, and failed pitiably. "No position at all. He is kicking his heels, as my father would say. You see, he has only just finished his military service." "As a private?" "I suppose so. There is general conscription. He was in the Bersaglieri, I think. Isn t that the crack regiment?" "The men in it must be short and broad. They must also be able to walk six miles an hour." She looked at him wildly, not understanding all that he said, but feeling that he was very clever. Then she continued her defence of Signor Carella. "And now, like most young men, he is looking out for something to do." "Meanwhile?" "Meanwhile, like most young men, he lives with his people--father, mother, two sisters, and a tiny tot of a brother." There was a grating sprightliness about her that drove him nearly mad. He determined to silence her at last. "One more question, and only one more. What is his father?" "His father," said Miss Abbott. "Well, I don t suppose you ll think it a good match. But that s not the point. I mean the point is not--I mean that social differences--love, after all--not but what--I--" Philip ground his teeth together and said nothing. "Gentlemen sometimes judge hardly. But I feel that you, and at all events your mother--so really good in every sense, so really unworldly--after all, love-marriages are made in heaven." "Yes, Miss Abbott, I know. But I am anxious to hear heaven s choice. You arouse my curiosity. Is my sister-in-law to marry an angel?" "Mr. Herriton, don t--please, Mr. Herriton--a dentist. His father s a dentist." Philip gave a cry of personal disgust and pain. He shuddered all over, and edged away from his companion. A dentist! A dentist at Monteriano. A dentist in fairyland! False teeth and laughing | rest of the day. He was saved from this social blunder by loud shouts, and looking up the road saw one cracking his whip and waving his reins and driving two horses furiously, and behind him there appeared the swaying figure of a woman, holding star-fish fashion on to anything she could touch. It was Miss Abbott, who had just received his letter from Milan announcing the time of his arrival, and had hurried down to meet him. He had known Miss Abbott for years, and had never had much opinion about her one way or the other. She was good, quiet, dull, and amiable, and young only because she was twenty-three: there was nothing in her appearance or manner to suggest the fire of youth. All her life had been spent at Sawston with a dull and amiable father, and her pleasant, pallid face, bent on some respectable charity, was a familiar object of the Sawston streets. Why she had ever wished to leave them was surprising; but as she truly said, "I am John Bull to the backbone, yet I do want to see Italy, just once. Everybody says it is marvellous, and that one gets no idea of it from books at all." The curate suggested that a year was a long time; and Miss Abbott, with decorous playfulness, answered him, "Oh, but you must let me have my fling! I promise to have it once, and once only. It will give me things to think about and talk about for the rest of my life." The curate had consented; so had Mr. Abbott. And here she was in a legno, solitary, dusty, frightened, with as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at the time: he was thinking what to say next. But his eyes had registered the beauty, and next March | Where Angels Fear To Tread | been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain | {
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"content": "been engaged?\" Her face was that of a perfect fool--a fool in terror. \"A short time--quite a short time,\" she stammered, as if the shortness of the time would reassure him. \"I should like to know how long, if you can remember.\" She entered into elaborate calculations on her fingers.<|quote|>\"Exactly eleven days,\"</|quote|>she said at last. \"How long have you been here?\" More calculations, while he tapped irritably with his foot. \"Close on three weeks.\" \"Did you know him before you came?\" \"No.\" \"Oh! Who is he?\" \"A native of the place.\" The second silence took place. They had left the plain",
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} | Caroline Abbott |
He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_" | No speaker | honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher | "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, | it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green | on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing | further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had | he came to an open place in the middle of the forest, and in the middle of this place was a large oak-tree, and, from the top of the tree, there came a loud buzzing-noise. Winnie-the-Pooh sat down at the foot of the tree, put his head between his paws and began to think. First of all he said to himself: "That buzzing-noise means something. You don't get a buzzing-noise like that, just buzzing and buzzing, without its meaning something. If there's a buzzing-noise, somebody's making a buzzing-noise, and the only reason for making a buzzing-noise that _I_ know of is because you're a bee." Then he thought another long time, and said: "And the only reason for being a bee that I know of is making honey." And then he got up, and said: "And the only reason for making honey is so as _I_ can eat it." So he began to climb the tree. He climbed and he climbed and he climbed, and as he climbed he sang a little song to himself. It went like this: "Isn't it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does?" Then he climbed a little further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had a big blue one, and had left it behind, being really too young to go to a party at all; and so you had brought the green one _and_ the blue one home with you. "Which one would you like?" you asked Pooh. He put his head between his paws and thought very carefully. "It's like this," he said. "When you go after honey with a balloon, the great thing is not to let the bees know you're coming. Now, if you have a green balloon, they might think you were only part of the tree, and not notice you, and, if you have a blue balloon, they might think you were only part of the sky, and not notice you, and the question is: Which is most likely?" "Wouldn't they notice _you_ underneath the balloon?" you asked. "They might or they might not," said Winnie-the-Pooh. "You never can tell with bees." He thought for a moment and said: "I shall try to look like a small black cloud. That will deceive them." "Then you had better have the blue balloon," you said; and so it was decided. Well, you both went out with the blue balloon, and you took | WINNIE-THE-POOH _BY A. A. MILNE_ CHAPTER I IN WHICH WE ARE INTRODUCED TO WINNIE-THE-POOH AND SOME BEES, AND THE STORIES BEGIN Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think of it. And then he feels that perhaps there isn't. Anyhow, here he is at the bottom, and ready to be introduced to you. Winnie-the-Pooh. When I first heard his name, I said, just as you are going to say, "But I thought he was a boy?" "So did I," said Christopher Robin. "Then you can't call him Winnie?" "I don't." "But you said----" "He's Winnie-ther-Pooh. Don't you know what '_ther_' means?" "Ah, yes, now I do," I said quickly; and I hope you do too, because it is all the explanation you are going to get. Sometimes Winnie-the-Pooh likes a game of some sort when he comes downstairs, and sometimes he likes to sit quietly in front of the fire and listen to a story. This evening---- "What about a story?" said Christopher Robin. "_What_ about a story?" I said. "Could you very sweetly tell Winnie-the-Pooh one?" "I suppose I could," I said. "What sort of stories does he like?" "About himself. Because he's _that_ sort of Bear." "Oh, I see." "So could you very sweetly?" "I'll try," I said. So I tried. * * * * * Once upon a time, a very long time ago now, about last Friday, Winnie-the-Pooh lived in a forest all by himself under the name of Sanders. (_" "What does 'under the name' mean?" asked Christopher Robin._ "_It means he had the name over the door in gold letters, and lived under it._" _" "Winnie-the-Pooh wasn't quite sure," said Christopher Robin._ _" "Now I am," said a growly voice._ _" "Then I will go on," said I._) One day when he was out walking, he came to an open place in the middle of the forest, and in the middle of this place was a large oak-tree, and, from the top of the tree, there came a loud buzzing-noise. Winnie-the-Pooh sat down at the foot of the tree, put his head between his paws and began to think. First of all he said to himself: "That buzzing-noise means something. You don't get a buzzing-noise like that, just buzzing and buzzing, without its meaning something. If there's a buzzing-noise, somebody's making a buzzing-noise, and the only reason for making a buzzing-noise that _I_ know of is because you're a bee." Then he thought another long time, and said: "And the only reason for being a bee that I know of is making honey." And then he got up, and said: "And the only reason for making honey is so as _I_ can eat it." So he began to climb the tree. He climbed and he climbed and he climbed, and as he climbed he sang a little song to himself. It went like this: "Isn't it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does?" Then he climbed a little further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had a big blue one, and had left it behind, being really too young to go to a party at all; and so you had brought the green one _and_ the blue one home with you. "Which one would you like?" you asked Pooh. He put his head between his paws and thought very carefully. "It's like this," he said. "When you go after honey with a balloon, the great thing is not to let the bees know you're coming. Now, if you have a green balloon, they might think you were only part of the tree, and not notice you, and, if you have a blue balloon, they might think you were only part of the sky, and not notice you, and the question is: Which is most likely?" "Wouldn't they notice _you_ underneath the balloon?" you asked. "They might or they might not," said Winnie-the-Pooh. "You never can tell with bees." He thought for a moment and said: "I shall try to look like a small black cloud. That will deceive them." "Then you had better have the blue balloon," you said; and so it was decided. Well, you both went out with the blue balloon, and you took your gun with you, just in case, as you always did, and Winnie-the-Pooh went to a very muddy place that he knew of, and rolled and rolled until he was black all over; and then, when the balloon was blown up as big as big, and you and Pooh were both holding on to the string, you let go suddenly, and Pooh Bear floated gracefully up into the sky, and stayed there--level with the top of the tree and about twenty feet away from it. "Hooray!" you shouted. "Isn't that fine?" shouted Winnie-the-Pooh down to you. "What do I look like?" "You look like a Bear holding on to a balloon," you said. "Not," said Pooh anxiously, "--not like a small black cloud in a blue sky?" "Not very much." "Ah, well, perhaps from up here it looks different. And, as I say, you never can tell with bees." There was no wind to blow him nearer to the tree, so there he stayed. He could see the honey, he could smell the honey, but he couldn't quite reach the honey. After a little while he called down to you. "Christopher Robin!" he said in a loud whisper. "Hallo!" "I think the bees _suspect_ something!" "What sort of thing?" "I don't know. But something tells me that they're _suspicious_!" "Perhaps they think that you're after their honey." "It may be that. You never can tell with bees." There was another little silence, and then he called down to you again. "Christopher Robin!" "Yes?" "Have you an umbrella in your house?" "I think so." "I wish you would bring it out here, and walk up and down with it, and look up at me every now and then, and say 'Tut-tut, it looks like rain.' I think, if you did that, it would help the deception which we are practising on these bees." Well, you laughed to yourself, "Silly old Bear!" but you didn't say it aloud because you were so fond of him, and you went home for your umbrella. "Oh, there you are!" called down Winnie-the-Pooh, as soon as you got back to the tree. "I was beginning to get anxious. I have discovered that the bees are now definitely Suspicious." "Shall I put my umbrella up?" you said. "Yes, but wait a moment. We must be practical. The important bee to deceive is the Queen Bee. Can you | he climbed and he climbed, and as he climbed he sang a little song to himself. It went like this: "Isn't it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does?" Then he climbed a little further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had a big blue one, and had left it behind, being really too young to go to a party at all; and so you had brought the green one _and_ the blue one home with you. "Which one would you like?" you asked Pooh. He put his head between his paws and thought very carefully. "It's like this," he said. "When you go after honey with a balloon, the great thing is not to let the bees know you're coming. Now, if you have a green balloon, they might think you were only part of the tree, and not notice you, and, if you have a blue balloon, they might think you were only part of the sky, and not notice you, and the question is: Which is most likely?" "Wouldn't they notice _you_ underneath the balloon?" you asked. "They might or they might not," said Winnie-the-Pooh. "You never can tell with bees." He thought for a moment and said: "I shall try to look like a small black cloud. That will deceive them." "Then you had better have the blue balloon," you said; and so it was decided. Well, you both went out with the blue balloon, and you took your gun with you, just in case, as you always did, and Winnie-the-Pooh went to a very muddy place that he knew of, and rolled and rolled until he was black all over; and then, when the balloon was blown up as big as big, and you and Pooh were both holding on to the string, you let go suddenly, and Pooh Bear floated gracefully up into the sky, and stayed there--level with the top of the tree and about twenty feet away from it. "Hooray!" you shouted. "Isn't that fine?" shouted Winnie-the-Pooh down to you. "What do I look like?" "You look like a Bear holding on to a balloon," you | Winnie The Pooh | it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green | {
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"content": "it _was_ rather----\" he admitted, as he slithered very quickly through the next six branches. \"It all comes, I suppose,\" he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, \"it all comes of _liking_ honey so much. Oh, help!\"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_\"</|quote|>\"Was that me?\" said Christopher Robin in an awed voice, hardly daring to believe it._ \"_That was you._\" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green",
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said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees. | No speaker | into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip | all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, | you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after | purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino | on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is | little babies from long experience in a district, and Gino soon ceased to give her directions, and only gave her thanks. "It is very kind of you," he murmured, "especially in your beautiful dress. He is nearly clean already. Why, I take the whole morning! There is so much more of a baby than one expects. And Perfetta washes him just as she washes clothes. Then he screams for hours. My wife is to have a light hand. Ah, how he kicks! Has he splashed you? I am very sorry." "I am ready for a soft towel now," said Miss Abbott, who was strangely exalted by the service. "Certainly! certainly!" He strode in a knowing way to a cupboard. But he had no idea where the soft towel was. Generally he dabbed the baby on the first dry thing he found. "And if you had any powder." He struck his forehead despairingly. Apparently the stock of powder was just exhausted. She sacrificed her own clean handkerchief. He put a chair for her on the loggia, which faced westward, and was still pleasant and cool. There she sat, with twenty miles of view behind her, and he placed the dripping baby on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is exasperating, she hasn t come here to betray us." "Then why has she come here? Answer me that." He made no answer. But fortunately his sister was too much agitated to wait for one. "Bursting in on me--crying and looking a disgusting sight--and says she has been to see the Italian. Couldn t even talk properly; pretended she had changed her opinions. What are her opinions to us? I was very calm. I said: Miss Abbott, I think there is a little misapprehension in this matter. My mother, Mrs. Herriton-- Oh, goodness, my head! Of course you ve failed--don t trouble to answer--I know you ve failed. Where s the baby, pray? Of course you haven t got it. Dear sweet Caroline won t let you. Oh, yes, and we re to go away at once and trouble the father no more. Those are her commands. Commands! COMMANDS!" And Harriet also burst into tears. Philip governed his temper. His sister was annoying, but quite reasonable in her indignation. Moreover, Miss Abbott had behaved even worse than she supposed. "I ve not got the baby, Harriet, but at the same time I haven t exactly failed. I and Signor Carella are | the baby, and, holding his cigar between his teeth, began to unwrap it. Miss Abbott turned to go. "But why are you going? Excuse me if I wash him while we talk." "I have nothing more to say," said Miss Abbott. All she could do now was to find Philip, confess her miserable defeat, and bid him go in her stead and prosper better. She cursed her feebleness; she longed to expose it, without apologies or tears. "Oh, but stop a moment!" he cried. "You have not seen him yet." "I have seen as much as I want, thank you." The last wrapping slid off. He held out to her in his two hands a little kicking image of bronze. "Take him!" She would not touch the child. "I must go at once," she cried; for the tears--the wrong tears--were hurrying to her eyes. "Who would have believed his mother was blonde? For he is brown all over--brown every inch of him. Ah, but how beautiful he is! And he is mine; mine for ever. Even if he hates me he will be mine. He cannot help it; he is made out of me; I am his father." It was too late to go. She could not tell why, but it was too late. She turned away her head when Gino lifted his son to his lips. This was something too remote from the prettiness of the nursery. The man was majestic; he was a part of Nature; in no ordinary love scene could he ever be so great. For a wonderful physical tie binds the parents to the children; and--by some sad, strange irony--it does not bind us children to our parents. For if it did, if we could answer their love not with gratitude but with equal love, life would lose much of its pathos and much of its squalor, and we might be wonderfully happy. Gino passionately embracing, Miss Abbott reverently averting her eyes--both of them had parents whom they did not love so very much. "May I help you to wash him?" she asked humbly. He gave her his son without speaking, and they knelt side by side, tucking up their sleeves. The child had stopped crying, and his arms and legs were agitated by some overpowering joy. Miss Abbott had a woman s pleasure in cleaning anything--more especially when the thing was human. She understood little babies from long experience in a district, and Gino soon ceased to give her directions, and only gave her thanks. "It is very kind of you," he murmured, "especially in your beautiful dress. He is nearly clean already. Why, I take the whole morning! There is so much more of a baby than one expects. And Perfetta washes him just as she washes clothes. Then he screams for hours. My wife is to have a light hand. Ah, how he kicks! Has he splashed you? I am very sorry." "I am ready for a soft towel now," said Miss Abbott, who was strangely exalted by the service. "Certainly! certainly!" He strode in a knowing way to a cupboard. But he had no idea where the soft towel was. Generally he dabbed the baby on the first dry thing he found. "And if you had any powder." He struck his forehead despairingly. Apparently the stock of powder was just exhausted. She sacrificed her own clean handkerchief. He put a chair for her on the loggia, which faced westward, and was still pleasant and cool. There she sat, with twenty miles of view behind her, and he placed the dripping baby on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is exasperating, she hasn t come here to betray us." "Then why has she come here? Answer me that." He made no answer. But fortunately his sister was too much agitated to wait for one. "Bursting in on me--crying and looking a disgusting sight--and says she has been to see the Italian. Couldn t even talk properly; pretended she had changed her opinions. What are her opinions to us? I was very calm. I said: Miss Abbott, I think there is a little misapprehension in this matter. My mother, Mrs. Herriton-- Oh, goodness, my head! Of course you ve failed--don t trouble to answer--I know you ve failed. Where s the baby, pray? Of course you haven t got it. Dear sweet Caroline won t let you. Oh, yes, and we re to go away at once and trouble the father no more. Those are her commands. Commands! COMMANDS!" And Harriet also burst into tears. Philip governed his temper. His sister was annoying, but quite reasonable in her indignation. Moreover, Miss Abbott had behaved even worse than she supposed. "I ve not got the baby, Harriet, but at the same time I haven t exactly failed. I and Signor Carella are to have another interview this afternoon, at the Caffe Garibaldi. He is perfectly reasonable and pleasant. Should you be disposed to come with me, you would find him quite willing to discuss things. He is desperately in want of money, and has no prospect of getting any. I discovered that. At the same time, he has a certain affection for the child." For Philip s insight, or perhaps his opportunities, had not been equal to Miss Abbott s. Harriet would only sob, and accuse her brother of insulting her; how could a lady speak to such a horrible man? That, and nothing else, was enough to stamp Caroline. Oh, poor Lilia! Philip drummed on the bedroom window-sill. He saw no escape from the deadlock. For though he spoke cheerfully about his second interview with Gino, he felt at the bottom of his heart that it would fail. Gino was too courteous: he would not break off negotiations by sharp denial; he loved this civil, half-humorous bargaining. And he loved fooling his opponent, and did it so nicely that his opponent did not mind being fooled. "Miss Abbott has behaved extraordinarily," he said at last; "but at the same time--" His sister would not hear him. She burst forth again on the madness, the interference, the intolerable duplicity of Caroline. "Harriet, you must listen. My dear, you must stop crying. I have something quite important to say." "I shall not stop crying," said she. But in time, finding that he would not speak to her, she did stop. "Remember that Miss Abbott has done us no harm. She said nothing to him about the matter. He assumes that she is working with us: I gathered that." "Well, she isn t." "Yes; but if you re careful she may be. I interpret her behaviour thus: She went to see him, honestly intending to get the child away. In the note she left me she says so, and I don t believe she d lie." "I do." "When she got there, there was some pretty domestic scene between him and the baby, and she has got swept off in a gush of sentimentalism. Before very long, if I know anything about psychology, there will be a reaction. She ll be swept back." "I don t understand your long words. Say plainly--" "When she s swept back, she ll be invaluable. For she has | had any powder." He struck his forehead despairingly. Apparently the stock of powder was just exhausted. She sacrificed her own clean handkerchief. He put a chair for her on the loggia, which faced westward, and was still pleasant and cool. There she sat, with twenty miles of view behind her, and he placed the dripping baby on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is exasperating, she hasn t come here | Where Angels Fear To Tread | you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after | {
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"content": "you re quite right. I really want you; I could never have done it alone.\" No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. \"Signorina, do stop a little--after all your kindness.\" She burst into tears. \"What is it?\"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>\"What is it?\" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. \"Well, your business,\" said Gino, after",
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his eyes wandered round the room | No speaker | There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more | have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did | was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently | it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. | is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He | That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?" "It might have been salt," replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He laughed with apparent enjoyment, raising his arms to heaven in mock despair, in what I could not but consider the worst possible taste. "And, anyway," I said, with increasing coldness, "as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!" Poirot was sobered at once. "Come, come, my friend," he said, slipping his arms through mine. "_Ne vous f chez pas!_ Allow me to interest myself in my coffee-cups, and I will respect your cocoa. There! Is it a bargain?" He was so quaintly humorous that I was forced to laugh; and we went together to the drawing-room, where the coffee-cups and tray remained undisturbed as we had left them. Poirot made me recapitulate the scene of the night before, listening very carefully, and verifying the position of the various cups. "So Mrs. Cavendish stood by the tray and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantelpiece, half drunk, that would be Mr. Lawrence Cavendish's. | "Seeing it on the tray, sir." "You saw some salt on the tray?" "Yes. Coarse kitchen salt, it looked. I never noticed it when I took the tray up, but when I came to take it into the mistress's room I saw it at once, and I suppose I ought to have taken it down again, and asked cook to make some fresh. But I was in a hurry, because Dorcas was out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So I dusted it off with my apron, and took it in." I had the utmost difficulty in controlling my excitement. Unknown to herself, Annie had provided us with an important piece of evidence. How she would have gaped if she had realized that her "coarse kitchen salt" was strychnine, one of the most deadly poisons known to mankind. I marvelled at Poirot's calm. His self-control was astonishing. I awaited his next question with impatience, but it disappointed me. "When you went into Mrs. Inglethorp's room, was the door leading into Miss Cynthia's room bolted?" "Oh! Yes, sir; it always was. It had never been opened." "And the door into Mr. Inglethorp's room? Did you notice if that was bolted too?" Annie hesitated. "I couldn't rightly say, sir; it was shut but I couldn't say whether it was bolted or not." "When you finally left the room, did Mrs. Inglethorp bolt the door after you?" "No, sir, not then, but I expect she did later. She usually did lock it at night. The door into the passage, that is." "Did you notice any candle grease on the floor when you did the room yesterday?" "Candle grease? Oh, no, sir. Mrs. Inglethorp didn't have a candle, only a reading-lamp." "Then, if there had been a large patch of candle grease on the floor, you think you would have been sure to have seen it?" "Yes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron." Then Poirot repeated the question he had put to Dorcas: "Did your mistress ever have a green dress?" "No, sir." "Nor a mantle, nor a cape, nor a how do you call it? a sports coat?" "Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?" "It might have been salt," replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He laughed with apparent enjoyment, raising his arms to heaven in mock despair, in what I could not but consider the worst possible taste. "And, anyway," I said, with increasing coldness, "as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!" Poirot was sobered at once. "Come, come, my friend," he said, slipping his arms through mine. "_Ne vous f chez pas!_ Allow me to interest myself in my coffee-cups, and I will respect your cocoa. There! Is it a bargain?" He was so quaintly humorous that I was forced to laugh; and we went together to the drawing-room, where the coffee-cups and tray remained undisturbed as we had left them. Poirot made me recapitulate the scene of the night before, listening very carefully, and verifying the position of the various cups. "So Mrs. Cavendish stood by the tray and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantelpiece, half drunk, that would be Mr. Lawrence Cavendish's. And the one on the tray?" "John Cavendish's. I saw him put it down there." "Good. One, two, three, four, five but where, then, is the cup of Mr. Inglethorp?" "He does not take coffee." "Then all are accounted for. One moment, my friend." With infinite care, he took a drop or two from the grounds in each cup, sealing them up in separate test tubes, tasting each in turn as he did so. His physiognomy underwent a curious change. An expression gathered there that I can only describe as half puzzled, and half relieved. "_Bien!_" he said at last. "It is evident! I had an idea but clearly I was mistaken. Yes, altogether I was mistaken. Yet it is strange. But no matter!" And, with a characteristic shrug, he dismissed whatever it was that was worrying him from his mind. I could have told him from the beginning that this obsession of his over the coffee was bound to end in a blind alley, but I restrained my tongue. After all, though he was old, Poirot had been a great man in his day. "Breakfast is ready," said John Cavendish, coming in from the hall. "You will breakfast with us, Monsieur Poirot?" Poirot acquiesced. I observed John. Already he was almost restored to his normal self. The shock of the events of the last night had upset him temporarily, but his equable poise soon swung back to the normal. He was a man of very little imagination, in sharp contrast with his brother, who had, perhaps, too much. Ever since the early hours of the morning, John had been hard at work, sending telegrams one of the first had gone to Evelyn Howard writing notices for the papers, and generally occupying himself with the melancholy duties that a death entails. "May I ask how things are proceeding?" he said. "Do your investigations point to my mother having died a natural death or or must we prepare ourselves for the worst?" "I think, Mr. Cavendish," said Poirot gravely, "that you would do well not to buoy yourself up with any false hopes. Can you tell me the views of the other members of the family?" "My brother Lawrence is convinced that we are making a fuss over nothing. He says that everything points to its being a simple case of heart failure." "He does, does he? That is very interesting | "Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?" "It might have been salt," replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He laughed with apparent enjoyment, raising his arms to heaven in mock despair, in what I could not but consider the worst possible taste. "And, anyway," I said, with increasing coldness, "as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!" Poirot was sobered at once. "Come, come, my friend," he said, slipping his arms through mine. "_Ne vous f chez pas!_ Allow me to interest myself in my coffee-cups, and I will respect your cocoa. There! Is it a bargain?" He was so quaintly humorous that I was forced to laugh; and we went | The Mysterious Affair At Styles | was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently | {
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"content": "was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: \"There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes\"<|quote|>his eyes wandered round the room</|quote|>\"this boudoir has nothing more to tell us. It did not yield much. Only this.\" He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently",
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was the answer, | No speaker | the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my | done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I | barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew | time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." | rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long | him, and he wondered if the ruin of that young life was really to be laid at his door, as Basil Hallward had said to him with such infamy of insult. He bit his lip, and for a few seconds his eyes grew sad. Yet, after all, what did it matter to him? One s days were too brief to take the burden of another s errors on one s shoulders. Each man lived his own life and paid his own price for living it. The only pity was one had to pay so often for a single fault. One had to pay over and over again, indeed. In her dealings with man, destiny never closed her accounts. There are moments, psychologists tell us, when the passion for sin, or for what the world calls sin, so dominates a nature that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he cried, "and I would have murdered you!" Dorian Gray drew a long breath. "You have been on the brink of committing a terrible crime, my | his shoulders. "I am sick of women who love one. Women who hate one are much more interesting. Besides, the stuff is better." "Much the same." "I like it better. Come and have something to drink. I must have something." "I don t want anything," murmured the young man. "Never mind." Adrian Singleton rose up wearily and followed Dorian to the bar. A half-caste, in a ragged turban and a shabby ulster, grinned a hideous greeting as he thrust a bottle of brandy and two tumblers in front of them. The women sidled up and began to chatter. Dorian turned his back on them and said something in a low voice to Adrian Singleton. A crooked smile, like a Malay crease, writhed across the face of one of the women. "We are very proud to-night," she sneered. "For God s sake don t talk to me," cried Dorian, stamping his foot on the ground. "What do you want? Money? Here it is. Don t ever talk to me again." Two red sparks flashed for a moment in the woman s sodden eyes, then flickered out and left them dull and glazed. She tossed her head and raked the coins off the counter with greedy fingers. Her companion watched her enviously. "It s no use," sighed Adrian Singleton. "I don t care to go back. What does it matter? I am quite happy here." "You will write to me if you want anything, won t you?" said Dorian, after a pause. "Perhaps." "Good night, then." "Good night," answered the young man, passing up the steps and wiping his parched mouth with a handkerchief. Dorian walked to the door with a look of pain in his face. As he drew the curtain aside, a hideous laugh broke from the painted lips of the woman who had taken his money. "There goes the devil s bargain!" she hiccoughed, in a hoarse voice. "Curse you!" he answered, "don t call me that." She snapped her fingers. "Prince Charming is what you like to be called, ain t it?" she yelled after him. The drowsy sailor leaped to his feet as she spoke, and looked wildly round. The sound of the shutting of the hall door fell on his ear. He rushed out as if in pursuit. Dorian Gray hurried along the quay through the drizzling rain. His meeting with Adrian Singleton had strangely moved him, and he wondered if the ruin of that young life was really to be laid at his door, as Basil Hallward had said to him with such infamy of insult. He bit his lip, and for a few seconds his eyes grew sad. Yet, after all, what did it matter to him? One s days were too brief to take the burden of another s errors on one s shoulders. Each man lived his own life and paid his own price for living it. The only pity was one had to pay so often for a single fault. One had to pay over and over again, indeed. In her dealings with man, destiny never closed her accounts. There are moments, psychologists tell us, when the passion for sin, or for what the world calls sin, so dominates a nature that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he cried, "and I would have murdered you!" Dorian Gray drew a long breath. "You have been on the brink of committing a terrible crime, my man," he said, looking at him sternly. "Let this be a warning to you not to take vengeance into your own hands." "Forgive me, sir," muttered James Vane. "I was deceived. A chance word I heard in that damned den set me on the wrong track." "You had better go home and put that pistol away, or you may get into trouble," said Dorian, turning on his heel and going slowly down the street. James Vane stood on the pavement in horror. He was trembling from head to foot. After a little while, a black shadow that had been creeping along the dripping wall moved out into the light and came close to him with stealthy footsteps. He felt a hand laid on his arm and looked round with a start. It was one of the women who had been drinking at the bar. "Why didn t you kill him?" she hissed out, putting haggard face quite close to his. "I knew you were following him when you rushed out from Daly s. You fool! You should have killed him. He has lots of money, and he s as bad as bad." "He is not the man I am looking for," he answered, "and I want no man s money. I want a man s life. The man whose life I want must be nearly forty now. This one is little more than a boy. Thank God, I have not got his blood upon my hands." The woman gave a bitter laugh. "Little more than a boy!" she sneered. "Why, man, it s nigh on eighteen years since Prince Charming made me what I am." "You lie!" cried James Vane. She raised her hand up to heaven. "Before God I am telling the truth," she cried. "Before God?" "Strike me dumb if it ain t so. He is the worst one that comes here. They say he has sold himself to the devil for a pretty face. It s nigh on eighteen years since I met him. He hasn t changed much since then. I have, though," she added, with a sickly leer. "You swear this?" "I swear it," came in hoarse echo from her flat mouth. "But don t give me away to him," she whined; "I am afraid of him. Let me have some money for my night s lodging." He broke from her with an oath and | as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he cried, "and I would have murdered you!" Dorian Gray drew a long breath. "You have been on the brink of committing a terrible crime, my man," he said, looking at him sternly. "Let this be a warning to you not to take vengeance into | The Picture Of Dorian Gray | barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew | {
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"content": "barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. \"What do you want?\" he gasped. \"Keep quiet,\" said the man. \"If you stir, I shoot you.\" \"You are mad. What have I done to you?\" \"You wrecked the life of Sibyl Vane,\"<|quote|>was the answer,</|quote|>\"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew",
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he was raving. | No speaker | "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. | listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred | sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! ... Patience! Patience indeed! ... Fool! fool!" There was a noise of hobnails on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the | to spread it over the table. "If you re satisfied, of course" He turned and sat down, with his coat-collar toward her. All the afternoon he worked with the door locked and, as Mrs. Hall testifies, for the most part in silence. But once there was a concussion and a sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! ... Patience! Patience indeed! ... Fool! fool!" There was a noise of hobnails on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the rest of his soliloquy. When she returned the room was silent again, save for the faint crepitation of his chair and the occasional clink of a bottle. It was all over; the stranger had resumed work. When she took in his tea she saw broken glass in the corner of | "This stror, sir, if I might make so bold as to remark" "Don t. If the straw makes trouble put it down in the bill." And he mumbled at her words suspiciously like curses. He was so odd, standing there, so aggressive and explosive, bottle in one hand and test-tube in the other, that Mrs. Hall was quite alarmed. But she was a resolute woman. "In which case, I should like to know, sir, what you consider" "A shilling put down a shilling. Surely a shilling s enough?" "So be it," said Mrs. Hall, taking up the table-cloth and beginning to spread it over the table. "If you re satisfied, of course" He turned and sat down, with his coat-collar toward her. All the afternoon he worked with the door locked and, as Mrs. Hall testifies, for the most part in silence. But once there was a concussion and a sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! ... Patience! Patience indeed! ... Fool! fool!" There was a noise of hobnails on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the rest of his soliloquy. When she returned the room was silent again, save for the faint crepitation of his chair and the occasional clink of a bottle. It was all over; the stranger had resumed work. When she took in his tea she saw broken glass in the corner of the room under the concave mirror, and a golden stain that had been carelessly wiped. She called attention to it. "Put it down in the bill," snapped her visitor. "For God s sake don t worry me. If there s damage done, put it down in the bill," and he went on ticking a list in the exercise book before him. "I ll tell you something," said Fearenside, mysteriously. It was late in the afternoon, and they were in the little beer-shop of Iping Hanger. "Well?" said Teddy Henfrey. "This chap you re speaking of, what my dog bit. Well | his dinner in to him, he was already so absorbed in his work, pouring little drops out of the bottles into test-tubes, that he did not hear her until she had swept away the bulk of the straw and put the tray on the table, with some little emphasis perhaps, seeing the state that the floor was in. Then he half turned his head and immediately turned it away again. But she saw he had removed his glasses; they were beside him on the table, and it seemed to her that his eye sockets were extraordinarily hollow. He put on his spectacles again, and then turned and faced her. She was about to complain of the straw on the floor when he anticipated her. "I wish you wouldn t come in without knocking," he said in the tone of abnormal exasperation that seemed so characteristic of him. "I knocked, but seemingly" "Perhaps you did. But in my investigations my really very urgent and necessary investigations the slightest disturbance, the jar of a door I must ask you" "Certainly, sir. You can turn the lock if you re like that, you know. Any time." "A very good idea," said the stranger. "This stror, sir, if I might make so bold as to remark" "Don t. If the straw makes trouble put it down in the bill." And he mumbled at her words suspiciously like curses. He was so odd, standing there, so aggressive and explosive, bottle in one hand and test-tube in the other, that Mrs. Hall was quite alarmed. But she was a resolute woman. "In which case, I should like to know, sir, what you consider" "A shilling put down a shilling. Surely a shilling s enough?" "So be it," said Mrs. Hall, taking up the table-cloth and beginning to spread it over the table. "If you re satisfied, of course" He turned and sat down, with his coat-collar toward her. All the afternoon he worked with the door locked and, as Mrs. Hall testifies, for the most part in silence. But once there was a concussion and a sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! ... Patience! Patience indeed! ... Fool! fool!" There was a noise of hobnails on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the rest of his soliloquy. When she returned the room was silent again, save for the faint crepitation of his chair and the occasional clink of a bottle. It was all over; the stranger had resumed work. When she took in his tea she saw broken glass in the corner of the room under the concave mirror, and a golden stain that had been carelessly wiped. She called attention to it. "Put it down in the bill," snapped her visitor. "For God s sake don t worry me. If there s damage done, put it down in the bill," and he went on ticking a list in the exercise book before him. "I ll tell you something," said Fearenside, mysteriously. It was late in the afternoon, and they were in the little beer-shop of Iping Hanger. "Well?" said Teddy Henfrey. "This chap you re speaking of, what my dog bit. Well he s black. Leastways, his legs are. I seed through the tear of his trousers and the tear of his glove. You d have expected a sort of pinky to show, wouldn t you? Well there wasn t none. Just blackness. I tell you, he s as black as my hat." "My sakes!" said Henfrey. "It s a rummy case altogether. Why, his nose is as pink as paint!" "That s true," said Fearenside. "I knows that. And I tell ee what I m thinking. That marn s a piebald, Teddy. Black here and white there in patches. And he s ashamed of it. He s a kind of half-breed, and the colour s come off patchy instead of mixing. I ve heard of such things before. And it s the common way with horses, as any one can see." CHAPTER IV. >MR. CUSS INTERVIEWS THE STRANGER I have told the circumstances of the stranger s arrival in Iping with a certain fulness of detail, in order that the curious impression he created may be understood by the reader. But excepting two odd incidents, the circumstances of his stay until the extraordinary day of the club festival may be passed | happen upstairs. Besides, his vocabulary was altogether too limited to express his impressions. "He don t want no help, he says," he said in answer to his wife s inquiry. "We d better be a-takin of his luggage in." "He ought to have it cauterised at once," said Mr. Huxter; "especially if it s at all inflamed." "I d shoot en, that s what I d do," said a lady in the group. Suddenly the dog began growling again. "Come along," cried an angry voice in the doorway, and there stood the muffled stranger with his collar turned up, and his hat-brim bent down. "The sooner you get those things in the better I ll be pleased." It is stated by an anonymous bystander that his trousers and gloves had been changed. "Was you hurt, sir?" said Fearenside. "I m rare sorry the darg" "Not a bit," said the stranger. "Never broke the skin. Hurry up with those things." He then swore to himself, so Mr. Hall asserts. Directly the first crate was, in accordance with his directions, carried into the parlour, the stranger flung himself upon it with extraordinary eagerness, and began to unpack it, scattering the straw with an utter disregard of Mrs. Hall s carpet. And from it he began to produce bottles little fat bottles containing powders, small and slender bottles containing coloured and white fluids, fluted blue bottles labeled Poison, bottles with round bodies and slender necks, large green-glass bottles, large white-glass bottles, bottles with glass stoppers and frosted labels, bottles with fine corks, bottles with bungs, bottles with wooden caps, wine bottles, salad-oil bottles putting them in rows on the chiffonnier, on the mantel, on the table under the window, round the floor, on the bookshelf everywhere. The chemist s shop in Bramblehurst could not boast half so many. Quite a sight it was. Crate after crate yielded bottles, until all six were empty and the table high with straw; the only things that came out of these crates besides the bottles were a number of test-tubes and a carefully packed balance. And directly the crates were unpacked, the stranger went to the window and set to work, not troubling in the least about the litter of straw, the fire which had gone out, the box of books outside, nor for the trunks and other luggage that had gone upstairs. When Mrs. Hall took his dinner in to him, he was already so absorbed in his work, pouring little drops out of the bottles into test-tubes, that he did not hear her until she had swept away the bulk of the straw and put the tray on the table, with some little emphasis perhaps, seeing the state that the floor was in. Then he half turned his head and immediately turned it away again. But she saw he had removed his glasses; they were beside him on the table, and it seemed to her that his eye sockets were extraordinarily hollow. He put on his spectacles again, and then turned and faced her. She was about to complain of the straw on the floor when he anticipated her. "I wish you wouldn t come in without knocking," he said in the tone of abnormal exasperation that seemed so characteristic of him. "I knocked, but seemingly" "Perhaps you did. But in my investigations my really very urgent and necessary investigations the slightest disturbance, the jar of a door I must ask you" "Certainly, sir. You can turn the lock if you re like that, you know. Any time." "A very good idea," said the stranger. "This stror, sir, if I might make so bold as to remark" "Don t. If the straw makes trouble put it down in the bill." And he mumbled at her words suspiciously like curses. He was so odd, standing there, so aggressive and explosive, bottle in one hand and test-tube in the other, that Mrs. Hall was quite alarmed. But she was a resolute woman. "In which case, I should like to know, sir, what you consider" "A shilling put down a shilling. Surely a shilling s enough?" "So be it," said Mrs. Hall, taking up the table-cloth and beginning to spread it over the table. "If you re satisfied, of course" He turned and sat down, with his coat-collar toward her. All the afternoon he worked with the door locked and, as Mrs. Hall testifies, for the most part in silence. But once there was a concussion and a sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! ... Patience! Patience indeed! ... Fool! fool!" There was a noise of hobnails on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the rest of his soliloquy. When she returned the room was silent again, save for the faint crepitation of his chair and the occasional clink of a bottle. It was all over; the stranger had resumed work. When she took in his tea she saw broken glass in the corner of the room under the concave mirror, and a golden stain that had been carelessly wiped. She called attention to it. "Put it down in the bill," snapped her visitor. "For God s sake don t worry me. If there s damage done, put it down in the bill," and he went on ticking a list in the exercise book before him. "I ll tell you something," said Fearenside, mysteriously. It was late in the afternoon, and they were in the little beer-shop of Iping Hanger. "Well?" said Teddy Henfrey. "This chap you re speaking of, what my dog bit. Well he s black. Leastways, his legs are. I seed through the tear of his trousers and the tear of his glove. You d have expected a sort of pinky to show, wouldn t you? Well there wasn t none. Just blackness. I tell you, he s as black as my hat." "My sakes!" said Henfrey. "It s a rummy case altogether. Why, his nose is as pink as paint!" "That s true," said Fearenside. "I knows that. And I tell ee what I m thinking. That marn s a piebald, Teddy. Black here and white there in patches. And he s ashamed of it. He s a kind of half-breed, and the colour s come off patchy instead of mixing. I ve heard of such things before. And it s the common way with horses, as any one can see." CHAPTER IV. >MR. CUSS INTERVIEWS THE STRANGER I have told the circumstances of the stranger s arrival in Iping with a certain fulness of detail, in order that the curious impression he created may be understood by the reader. But excepting two odd incidents, the circumstances of his stay until the extraordinary day of the club festival may be passed over very cursorily. There were a number of skirmishes with Mrs. Hall on matters of domestic discipline, but in every case until late April, when the first signs of penury began, he over-rode her by the easy expedient of an extra payment. Hall did not like him, and whenever he dared he talked of the advisability of getting rid of him; but he showed his dislike chiefly by concealing it ostentatiously, and avoiding his visitor as much as possible. "Wait till the summer," said Mrs. Hall sagely, "when the artisks are beginning to come. Then we ll see. He may be a bit overbearing, but bills settled punctual is bills settled punctual, whatever you d like to say." The stranger did not go to church, and indeed made no difference between Sunday and the irreligious days, even in costume. He worked, as Mrs. Hall thought, very fitfully. Some days he would come down early and be continuously busy. On others he would rise late, pace his room, fretting audibly for hours together, smoke, sleep in the armchair by the fire. Communication with the world beyond the village he had none. His temper continued very uncertain; for the most part his manner was that of a man suffering under almost unendurable provocation, and once or twice things were snapped, torn, crushed, or broken in spasmodic gusts of violence. He seemed under a chronic irritation of the greatest intensity. His habit of talking to himself in a low voice grew steadily upon him, but though Mrs. Hall listened conscientiously she could make neither head nor tail of what she heard. He rarely went abroad by daylight, but at twilight he would go out muffled up invisibly, whether the weather were cold or not, and he chose the loneliest paths and those most overshadowed by trees and banks. His goggling spectacles and ghastly bandaged face under the penthouse of his hat, came with a disagreeable suddenness out of the darkness upon one or two home-going labourers, and Teddy Henfrey, tumbling out of the "Scarlet Coat" one night, at half-past nine, was scared shamefully by the stranger s skull-like head (he was walking hat in hand) lit by the sudden light of the opened inn door. Such children as saw him at nightfall dreamt of bogies, and it seemed doubtful whether he disliked boys more than they disliked him, or the reverse; but there | investigations my really very urgent and necessary investigations the slightest disturbance, the jar of a door I must ask you" "Certainly, sir. You can turn the lock if you re like that, you know. Any time." "A very good idea," said the stranger. "This stror, sir, if I might make so bold as to remark" "Don t. If the straw makes trouble put it down in the bill." And he mumbled at her words suspiciously like curses. He was so odd, standing there, so aggressive and explosive, bottle in one hand and test-tube in the other, that Mrs. Hall was quite alarmed. But she was a resolute woman. "In which case, I should like to know, sir, what you consider" "A shilling put down a shilling. Surely a shilling s enough?" "So be it," said Mrs. Hall, taking up the table-cloth and beginning to spread it over the table. "If you re satisfied, of course" He turned and sat down, with his coat-collar toward her. All the afternoon he worked with the door locked and, as Mrs. Hall testifies, for the most part in silence. But once there was a concussion and a sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! ... Patience! Patience indeed! ... Fool! fool!" There was a noise of hobnails on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the rest of his soliloquy. When she returned the room was silent again, save for the faint crepitation of his chair and the occasional clink of a bottle. It was all over; the stranger had resumed work. When she took in his tea she saw broken glass in the corner of the room under the concave mirror, and a golden stain that had been carelessly wiped. She called attention to it. "Put it down in the bill," snapped her visitor. "For God s sake don t worry me. If there s damage done, put it down in the bill," and he went on ticking a list in the exercise book before him. "I ll tell you something," said Fearenside, mysteriously. It was late in the afternoon, and they were in the little beer-shop of Iping Hanger. "Well?" said Teddy Henfrey. "This chap you re speaking of, what my dog bit. Well he s black. Leastways, his legs are. I seed through the tear of his trousers and the tear of his glove. You d have expected a sort of pinky to show, wouldn t you? Well there wasn t none. Just blackness. I tell you, he s as black as my hat." "My sakes!" said Henfrey. "It s a rummy case altogether. Why, his nose is as pink as paint!" "That s true," said Fearenside. "I knows that. And I tell ee what I m thinking. That marn s a piebald, Teddy. Black here and white there in patches. And he s ashamed of it. He s a kind of half-breed, and the colour s come off patchy instead of mixing. I ve heard of such things before. And it s the common way with horses, as any one can see." CHAPTER IV. >MR. CUSS INTERVIEWS THE STRANGER I have told the circumstances of the stranger s arrival in Iping with a certain fulness of detail, in order that the curious impression he created may be understood by the reader. But excepting two odd incidents, the circumstances of his stay until the extraordinary day of the club festival may be passed over very cursorily. There were a number of skirmishes with Mrs. Hall on matters of domestic discipline, but in every case until late April, when the first signs of penury began, he over-rode her by the easy expedient of an extra payment. Hall did not like him, and whenever he dared he talked of the advisability of getting rid of him; but he showed his dislike chiefly by concealing it ostentatiously, and avoiding his visitor as much as possible. "Wait till the summer," said Mrs. Hall sagely, "when the artisks are | The Invisible Man | sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock. "I can t go on,"<|quote|>he was raving.</|quote|>"I _can t_ go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! ... Patience! Patience indeed! ... Fool! fool!" There was a noise of hobnails on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the | {
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“If we were young we’d rise and dance.” | Daisy | “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. | jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” | gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He | get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other | compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to | Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately | we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately from one to the other. “You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!” At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. “Sit down, Daisy,” Tom’s voice groped unsuccessfully for the paternal note. “What’s been going on? I want to hear all about it.” “I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.” Tom turned to Daisy sharply. “You’ve been seeing this fellow for five years?” “Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes” | Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying | The Great Gatsby | gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He | {
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"content": "gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy.<|quote|>“If we were young we’d rise and dance.”</|quote|>“Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He",
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} | Daisy |
“you’ll reach it from the saloon, but I’ll see you again first.” | Theign | Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with | your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of | me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As | my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite | meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see | one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, | “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John, “go into it.” “Hanged if I won’t!” his friend broke out after a moment. “It _would_ suit me. I mean” --the explanation came after a brief intensity of thought-- “the possible size of his cheque would.” “Oh,” said Lord John gaily, “I guess there’s no limit to the possible size of his cheque!” “Yes, it would suit me, it would suit me!” the elder man, standing there, audibly mused. But his air changed and a lighter question came up to him as he saw his daughter reappear at the door from the terrace. “Well, the infant horde?” he immediately put to her. Lady Grace came in, dutifully accounting for them. “They’ve marched off--in a huge procession.” “Thank goodness! And our friends?” “All playing tennis,” she said-- “save those who are sitting it out.” To which she added, as to explain her return: “Mr. Crimble has gone?” Lord John took upon him to say. “He’s in the library, to which you addressed him--making discoveries.” “Not then, I hope,” she smiled, “to our disadvantage!” “To your very great honour and glory.” Lord John clearly valued the effect he might produce. “Your Moretto of Brescia--do you know what it really and spendidly is?” And then as the girl, in her surprise, but wondered: “A Mantovano, neither more nor less. Ever so much more swagger.” “A Mantovano?” Lady Grace echoed. “Why, how tremendously jolly!” Her father was struck. “Do you know the artist--of whom I had never heard?” “Yes, something of the little that _is_ known.” And she rejoiced as her knowledge came to her. “He’s a tremendous swell, because, great as he was, there are but seven proved examples----” “With this of yours,” Lord John broke in, “there are eight.” “Then why haven’t I known about him?” Lord Theign put it as if so many other people were guilty for this. His daughter was the first to plead for the vague body. “Why, I suppose in order that you should have exactly this pleasure, father.” “Oh, pleasures not desired are like acquaintances not sought--they rather bore one!” Lord Theign sighed. With which he moved away from her. Her eyes followed him an instant--then she smiled at their guest. “Is he bored at having the higher prize--if | Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John, “go into it.” “Hanged if I won’t!” his friend broke out after a moment. “It _would_ suit me. I mean” --the explanation came after a brief intensity of thought-- “the possible size of his cheque would.” “Oh,” said Lord John gaily, “I guess there’s no limit to the possible size of his cheque!” “Yes, it would suit me, it would suit me!” the elder man, standing there, audibly mused. But his air changed and a lighter question came up to him as he saw his daughter reappear at the door from the terrace. “Well, the infant horde?” he immediately put to her. Lady Grace came in, dutifully accounting for them. “They’ve marched | The Outcry | me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this;<|quote|>“you’ll reach it from the saloon, but I’ll see you again first.”</|quote|>Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As | {
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he asked. | No speaker | you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of | and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am | Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am quite well, Harry. I am tired. That is all." "You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby." "She has promised to come on the twentieth." "Is | talk in a loud voice about the situation in the House of Commons. He guffawed at his adversaries. The word _doctrinaire_ word full of terror to the British mind reappeared from time to time between his explosions. An alliterative prefix served as an ornament of oratory. He hoisted the Union Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am quite well, Harry. I am tired. That is all." "You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby." "She has promised to come on the twentieth." "Is Monmouth to be there, too?" "Oh, yes, Harry." "He bores me dreadfully, almost as much as he bores her. She is very clever, too clever for a woman. She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious. Her | as a feast." Lady Ruxton glanced at him curiously. "You must come and explain that to me some afternoon, Lord Henry. It sounds a fascinating theory," she murmured, as she swept out of the room. "Now, mind you don t stay too long over your politics and scandal," cried Lady Narborough from the door. "If you do, we are sure to squabble upstairs." The men laughed, and Mr. Chapman got up solemnly from the foot of the table and came up to the top. Dorian Gray changed his seat and went and sat by Lord Henry. Mr. Chapman began to talk in a loud voice about the situation in the House of Commons. He guffawed at his adversaries. The word _doctrinaire_ word full of terror to the British mind reappeared from time to time between his explosions. An alliterative prefix served as an ornament of oratory. He hoisted the Union Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am quite well, Harry. I am tired. That is all." "You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby." "She has promised to come on the twentieth." "Is Monmouth to be there, too?" "Oh, yes, Harry." "He bores me dreadfully, almost as much as he bores her. She is very clever, too clever for a woman. She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious. Her feet are very pretty, but they are not feet of clay. White porcelain feet, if you like. They have been through the fire, and what fire does not destroy, it hardens. She has had experiences." "How long has she been married?" asked Dorian. "An eternity, she tells me. I believe, according to the peerage, it is ten years, but ten years with Monmouth must have been like eternity, with time thrown in. Who else is coming?" "Oh, the Willoughbys, Lord Rugby and his wife, our hostess, Geoffrey Clouston, the usual set. I have asked Lord Grotrian." "I like him," said | suitable alliance, and I want you both to be happy." "What nonsense people talk about happy marriages!" exclaimed Lord Henry. "A man can be happy with any woman, as long as he does not love her." "Ah! what a cynic you are!" cried the old lady, pushing back her chair and nodding to Lady Ruxton. "You must come and dine with me soon again. You are really an admirable tonic, much better than what Sir Andrew prescribes for me. You must tell me what people you would like to meet, though. I want it to be a delightful gathering." "I like men who have a future and women who have a past," he answered. "Or do you think that would make it a petticoat party?" "I fear so," she said, laughing, as she stood up. "A thousand pardons, my dear Lady Ruxton," she added, "I didn t see you hadn t finished your cigarette." "Never mind, Lady Narborough. I smoke a great deal too much. I am going to limit myself, for the future." "Pray don t, Lady Ruxton," said Lord Henry. "Moderation is a fatal thing. Enough is as bad as a meal. More than enough is as good as a feast." Lady Ruxton glanced at him curiously. "You must come and explain that to me some afternoon, Lord Henry. It sounds a fascinating theory," she murmured, as she swept out of the room. "Now, mind you don t stay too long over your politics and scandal," cried Lady Narborough from the door. "If you do, we are sure to squabble upstairs." The men laughed, and Mr. Chapman got up solemnly from the foot of the table and came up to the top. Dorian Gray changed his seat and went and sat by Lord Henry. Mr. Chapman began to talk in a loud voice about the situation in the House of Commons. He guffawed at his adversaries. The word _doctrinaire_ word full of terror to the British mind reappeared from time to time between his explosions. An alliterative prefix served as an ornament of oratory. He hoisted the Union Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am quite well, Harry. I am tired. That is all." "You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby." "She has promised to come on the twentieth." "Is Monmouth to be there, too?" "Oh, yes, Harry." "He bores me dreadfully, almost as much as he bores her. She is very clever, too clever for a woman. She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious. Her feet are very pretty, but they are not feet of clay. White porcelain feet, if you like. They have been through the fire, and what fire does not destroy, it hardens. She has had experiences." "How long has she been married?" asked Dorian. "An eternity, she tells me. I believe, according to the peerage, it is ten years, but ten years with Monmouth must have been like eternity, with time thrown in. Who else is coming?" "Oh, the Willoughbys, Lord Rugby and his wife, our hostess, Geoffrey Clouston, the usual set. I have asked Lord Grotrian." "I like him," said Lord Henry. "A great many people don t, but I find him charming. He atones for being occasionally somewhat overdressed by being always absolutely over-educated. He is a very modern type." "I don t know if he will be able to come, Harry. He may have to go to Monte Carlo with his father." "Ah! what a nuisance people s people are! Try and make him come. By the way, Dorian, you ran off very early last night. You left before eleven. What did you do afterwards? Did you go straight home?" Dorian glanced at him hurriedly and frowned. "No, Harry," he said at last, "I did not get home till nearly three." "Did you go to the club?" "Yes," he answered. Then he bit his lip. "No, I don t mean that. I didn t go to the club. I walked about. I forget what I did.... How inquisitive you are, Harry! You always want to know what one has been doing. I always want to forget what I have been doing. I came in at half-past two, if you wish to know the exact time. I had left my latch-key at home, and my servant had to let | true." "Isn t he incorrigible?" cried Dorian, leaning forward in his chair. "I hope so," said his hostess, laughing. "But really, if you all worship Madame de Ferrol in this ridiculous way, I shall have to marry again so as to be in the fashion." "You will never marry again, Lady Narborough," broke in Lord Henry. "You were far too happy. When a woman marries again, it is because she detested her first husband. When a man marries again, it is because he adored his first wife. Women try their luck; men risk theirs." "Narborough wasn t perfect," cried the old lady. "If he had been, you would not have loved him, my dear lady," was the rejoinder. "Women love us for our defects. If we have enough of them, they will forgive us everything, even our intellects. You will never ask me to dinner again after saying this, I am afraid, Lady Narborough, but it is quite true." "Of course it is true, Lord Henry. If we women did not love you for your defects, where would you all be? Not one of you would ever be married. You would be a set of unfortunate bachelors. Not, however, that that would alter you much. Nowadays all the married men live like bachelors, and all the bachelors like married men." "_Fin de si cle_," murmured Lord Henry. "_Fin du globe_," answered his hostess. "I wish it were _fin du globe_," said Dorian with a sigh. "Life is a great disappointment." "Ah, my dear," cried Lady Narborough, putting on her gloves, "don t tell me that you have exhausted life. When a man says that one knows that life has exhausted him. Lord Henry is very wicked, and I sometimes wish that I had been; but you are made to be good you look so good. I must find you a nice wife. Lord Henry, don t you think that Mr. Gray should get married?" "I am always telling him so, Lady Narborough," said Lord Henry with a bow. "Well, we must look out for a suitable match for him. I shall go through Debrett carefully to-night and draw out a list of all the eligible young ladies." "With their ages, Lady Narborough?" asked Dorian. "Of course, with their ages, slightly edited. But nothing must be done in a hurry. I want it to be what _The Morning Post_ calls a suitable alliance, and I want you both to be happy." "What nonsense people talk about happy marriages!" exclaimed Lord Henry. "A man can be happy with any woman, as long as he does not love her." "Ah! what a cynic you are!" cried the old lady, pushing back her chair and nodding to Lady Ruxton. "You must come and dine with me soon again. You are really an admirable tonic, much better than what Sir Andrew prescribes for me. You must tell me what people you would like to meet, though. I want it to be a delightful gathering." "I like men who have a future and women who have a past," he answered. "Or do you think that would make it a petticoat party?" "I fear so," she said, laughing, as she stood up. "A thousand pardons, my dear Lady Ruxton," she added, "I didn t see you hadn t finished your cigarette." "Never mind, Lady Narborough. I smoke a great deal too much. I am going to limit myself, for the future." "Pray don t, Lady Ruxton," said Lord Henry. "Moderation is a fatal thing. Enough is as bad as a meal. More than enough is as good as a feast." Lady Ruxton glanced at him curiously. "You must come and explain that to me some afternoon, Lord Henry. It sounds a fascinating theory," she murmured, as she swept out of the room. "Now, mind you don t stay too long over your politics and scandal," cried Lady Narborough from the door. "If you do, we are sure to squabble upstairs." The men laughed, and Mr. Chapman got up solemnly from the foot of the table and came up to the top. Dorian Gray changed his seat and went and sat by Lord Henry. Mr. Chapman began to talk in a loud voice about the situation in the House of Commons. He guffawed at his adversaries. The word _doctrinaire_ word full of terror to the British mind reappeared from time to time between his explosions. An alliterative prefix served as an ornament of oratory. He hoisted the Union Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am quite well, Harry. I am tired. That is all." "You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby." "She has promised to come on the twentieth." "Is Monmouth to be there, too?" "Oh, yes, Harry." "He bores me dreadfully, almost as much as he bores her. She is very clever, too clever for a woman. She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious. Her feet are very pretty, but they are not feet of clay. White porcelain feet, if you like. They have been through the fire, and what fire does not destroy, it hardens. She has had experiences." "How long has she been married?" asked Dorian. "An eternity, she tells me. I believe, according to the peerage, it is ten years, but ten years with Monmouth must have been like eternity, with time thrown in. Who else is coming?" "Oh, the Willoughbys, Lord Rugby and his wife, our hostess, Geoffrey Clouston, the usual set. I have asked Lord Grotrian." "I like him," said Lord Henry. "A great many people don t, but I find him charming. He atones for being occasionally somewhat overdressed by being always absolutely over-educated. He is a very modern type." "I don t know if he will be able to come, Harry. He may have to go to Monte Carlo with his father." "Ah! what a nuisance people s people are! Try and make him come. By the way, Dorian, you ran off very early last night. You left before eleven. What did you do afterwards? Did you go straight home?" Dorian glanced at him hurriedly and frowned. "No, Harry," he said at last, "I did not get home till nearly three." "Did you go to the club?" "Yes," he answered. Then he bit his lip. "No, I don t mean that. I didn t go to the club. I walked about. I forget what I did.... How inquisitive you are, Harry! You always want to know what one has been doing. I always want to forget what I have been doing. I came in at half-past two, if you wish to know the exact time. I had left my latch-key at home, and my servant had to let me in. If you want any corroborative evidence on the subject, you can ask him." Lord Henry shrugged his shoulders. "My dear fellow, as if I cared! Let us go up to the drawing-room. No sherry, thank you, Mr. Chapman. Something has happened to you, Dorian. Tell me what it is. You are not yourself to-night." "Don t mind me, Harry. I am irritable, and out of temper. I shall come round and see you to-morrow, or next day. Make my excuses to Lady Narborough. I shan t go upstairs. I shall go home. I must go home." "All right, Dorian. I dare say I shall see you to-morrow at tea-time. The duchess is coming." "I will try to be there, Harry," he said, leaving the room. As he drove back to his own house, he was conscious that the sense of terror he thought he had strangled had come back to him. Lord Henry s casual questioning had made him lose his nerve for the moment, and he wanted his nerve still. Things that were dangerous had to be destroyed. He winced. He hated the idea of even touching them. Yet it had to be done. He realized that, and when he had locked the door of his library, he opened the secret press into which he had thrust Basil Hallward s coat and bag. A huge fire was blazing. He piled another log on it. The smell of the singeing clothes and burning leather was horrible. It took him three-quarters of an hour to consume everything. At the end he felt faint and sick, and having lit some Algerian pastilles in a pierced copper brazier, he bathed his hands and forehead with a cool musk-scented vinegar. Suddenly he started. His eyes grew strangely bright, and he gnawed nervously at his underlip. Between two of the windows stood a large Florentine cabinet, made out of ebony and inlaid with ivory and blue lapis. He watched it as though it were a thing that could fascinate and make afraid, as though it held something that he longed for and yet almost loathed. His breath quickened. A mad craving came over him. He lit a cigarette and then threw it away. His eyelids drooped till the long fringed lashes almost touched his cheek. But he still watched the cabinet. At last he got up from the sofa on which he had | to-night and draw out a list of all the eligible young ladies." "With their ages, Lady Narborough?" asked Dorian. "Of course, with their ages, slightly edited. But nothing must be done in a hurry. I want it to be what _The Morning Post_ calls a suitable alliance, and I want you both to be happy." "What nonsense people talk about happy marriages!" exclaimed Lord Henry. "A man can be happy with any woman, as long as he does not love her." "Ah! what a cynic you are!" cried the old lady, pushing back her chair and nodding to Lady Ruxton. "You must come and dine with me soon again. You are really an admirable tonic, much better than what Sir Andrew prescribes for me. You must tell me what people you would like to meet, though. I want it to be a delightful gathering." "I like men who have a future and women who have a past," he answered. "Or do you think that would make it a petticoat party?" "I fear so," she said, laughing, as she stood up. "A thousand pardons, my dear Lady Ruxton," she added, "I didn t see you hadn t finished your cigarette." "Never mind, Lady Narborough. I smoke a great deal too much. I am going to limit myself, for the future." "Pray don t, Lady Ruxton," said Lord Henry. "Moderation is a fatal thing. Enough is as bad as a meal. More than enough is as good as a feast." Lady Ruxton glanced at him curiously. "You must come and explain that to me some afternoon, Lord Henry. It sounds a fascinating theory," she murmured, as she swept out of the room. "Now, mind you don t stay too long over your politics and scandal," cried Lady Narborough from the door. "If you do, we are sure to squabble upstairs." The men laughed, and Mr. Chapman got up solemnly from the foot of the table and came up to the top. Dorian Gray changed his seat and went and sat by Lord Henry. Mr. Chapman began to talk in a loud voice about the situation in the House of Commons. He guffawed at his adversaries. The word _doctrinaire_ word full of terror to the British mind reappeared from time to time between his explosions. An alliterative prefix served as an ornament of oratory. He hoisted the Union Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am quite well, Harry. I am tired. That is all." "You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby." "She has promised to come on the twentieth." "Is Monmouth to be there, too?" "Oh, yes, Harry." "He bores me dreadfully, almost as much as he bores her. She is very clever, too clever for a woman. She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious. Her feet are very pretty, but they are not feet of clay. White porcelain feet, if you like. They have been through the fire, and what fire does not destroy, it hardens. She has had experiences." "How long has she been married?" asked Dorian. "An eternity, she tells me. I believe, according to the peerage, it is ten years, but ten years with Monmouth must have been like eternity, with time thrown in. Who else is coming?" "Oh, the Willoughbys, Lord Rugby and his wife, our hostess, Geoffrey Clouston, the usual set. I have asked Lord Grotrian." "I like him," said Lord Henry. "A great many people don t, but I find him charming. He atones for being occasionally somewhat overdressed by being always absolutely over-educated. He is a very modern type." "I don t know if he will be able to come, Harry. He may have to go to Monte Carlo with his father." "Ah! what a nuisance people s people are! Try and make him come. By the way, Dorian, you ran off very early last night. You left before eleven. What did you do afterwards? Did you go straight home?" Dorian glanced at him hurriedly and frowned. "No, Harry," he said at last, "I did not get home till nearly three." "Did you go to the | The Picture Of Dorian Gray | Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. "Are you better, my dear fellow?"<|quote|>he asked.</|quote|>"You seemed rather out of sorts at dinner." "I am quite well, Harry. I am tired. That is all." "You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby." "She has promised to come on the twentieth." "Is | {
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"content": "Jack on the pinnacles of thought. The inherited stupidity of the race sound English common sense he jovially termed it was shown to be the proper bulwark for society. A smile curved Lord Henry s lips, and he turned round and looked at Dorian. \"Are you better, my dear fellow?\"<|quote|>he asked.</|quote|>\"You seemed rather out of sorts at dinner.\" \"I am quite well, Harry. I am tired. That is all.\" \"You were charming last night. The little duchess is quite devoted to you. She tells me she is going down to Selby.\" \"She has promised to come on the twentieth.\" \"Is",
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“that I think I had best leave it to you!” | Crimble | yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him | Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit | will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the | think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, | brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second thoughts, giving the owner of the great work away: “Then why are you--as if you were a banished Romeo--so keen for news from Verona?” To this odd mixture of business and literature Mr. Bender made no reply, contenting himself with but a large vague blandness that wore in him somehow the mark of tested utility; so that Hugh put him another question: “Aren’t you here, sir, on the chance of the Mantovano?” “I’m here,” he then imperturbably said, “because Lord Theign has wired me to meet him. Ain’t you here | this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,” said Lady Grace at once. “I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second thoughts, giving the owner of the great work away: “Then why are you--as if you were a banished Romeo--so keen for news from Verona?” To this odd mixture of business and literature Mr. Bender made no reply, contenting himself with but a large vague blandness that wore in him somehow the mark of tested utility; so that Hugh put him another question: “Aren’t you here, sir, on the chance of the Mantovano?” “I’m here,” he then imperturbably said, “because Lord Theign has wired me to meet him. Ain’t you here for that yourself?” Hugh betrayed for a moment his enjoyment of a “big” choice of answers. “Dear, no! I’ve but been in, by Lady Sandgate’s leave, to see that grand Lawrence.” “Ah yes, she’s very kind about it--one does go ‘in.’” After which Mr. Bender had, even in the atmosphere of his danger, a throb of curiosity. “Is any one _after_ that grand Lawrence?” “Oh, I hope not,” Hugh laughed, “unless you again dreadfully are: wonderful thing as it is and so just in its right place there.” “You call it,” Mr. Bender impartially inquired, “a _very_ wonderful thing?” “Well, as a Lawrence, it has quite bowled me over” --Hugh spoke as for the strictly aesthetic awkwardness of that. “But you know I take my pictures hard.” He gave a punch to his hat, pressed for time in this connection as he was glad truly to appear to his friend. “I must make my little _rapport_.” Yet before it he did seek briefly to explain. “We’re a band of young men who care--and we watch the great things. Also--for I must give you the real truth about myself--we watch the great people.” “Well, I guess I’m used to being watched--if | “But how will such talk strike _him_?” the girl asked. Hugh meanwhile, visibly, had not only followed his train of thought, he had let it lead him to certainty. “It will have moved Mr. Bender to absolute rapture.” “Rather,” Lady Grace wondered, “than have put him off?” “It will have put him prodigiously _on!_ Mr. Bender--as he said to me at Dedborough of his noble host there,” Hugh pursued-- “is ‘a very nice man’; but he’s a product of the world of advertisment, and advertisement is all he sees and aims at. He lives in it as a saint in glory or a fish in water.” She took it from him as half doubting. “But mayn’t advertisement, in so special a case, turn, on the whole, against him?” Hugh shook a negative forefinger with an expression he might have caught from foreign comrades. “He rides the biggest whirlwind--he has got it saddled and bitted.” She faced the image, but cast about “Then where does our success come in?” “In our making the beast, all the same, bolt with him and throw him.” And Hugh further pointed the moral. “If in such proceedings all he knows is publicity the thing is to give him publicity, and it’s only a question of giving him enough. By the time he has enough for himself, you see, he’ll have too much for every one else--so that we shall ‘up’ in a body and slay him.” The girl’s eyebrows, in her wondering face, rose to a question. “But if he has meanwhile got the picture?” “We’ll slay him before he gets it!” He revelled in the breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!” “Well,” she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,” said Lady Grace at once. “I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second thoughts, giving the owner of the great work away: “Then why are you--as if you were a banished Romeo--so keen for news from Verona?” To this odd mixture of business and literature Mr. Bender made no reply, contenting himself with but a large vague blandness that wore in him somehow the mark of tested utility; so that Hugh put him another question: “Aren’t you here, sir, on the chance of the Mantovano?” “I’m here,” he then imperturbably said, “because Lord Theign has wired me to meet him. Ain’t you here for that yourself?” Hugh betrayed for a moment his enjoyment of a “big” choice of answers. “Dear, no! I’ve but been in, by Lady Sandgate’s leave, to see that grand Lawrence.” “Ah yes, she’s very kind about it--one does go ‘in.’” After which Mr. Bender had, even in the atmosphere of his danger, a throb of curiosity. “Is any one _after_ that grand Lawrence?” “Oh, I hope not,” Hugh laughed, “unless you again dreadfully are: wonderful thing as it is and so just in its right place there.” “You call it,” Mr. Bender impartially inquired, “a _very_ wonderful thing?” “Well, as a Lawrence, it has quite bowled me over” --Hugh spoke as for the strictly aesthetic awkwardness of that. “But you know I take my pictures hard.” He gave a punch to his hat, pressed for time in this connection as he was glad truly to appear to his friend. “I must make my little _rapport_.” Yet before it he did seek briefly to explain. “We’re a band of young men who care--and we watch the great things. Also--for I must give you the real truth about myself--we watch the great people.” “Well, I guess I’m used to being watched--if that’s the worst you can do.” To which Mr. Bender added in his homely way: “But you know, Mr. Crimble, what I’m _really_ after.” Hugh’s strategy on this would again have peeped out for us. “The man in this morning’s ‘Journal’ appears at least to have discovered.” “Yes, the man in this morning’s ‘Journal’ has discovered three or four weeks--as it appears to take you here for everything--after my beginning to talk. Why, they knew I was talking _that_ time ago on the other side.” “Oh, they know things in the States,” Hugh cheerfully agreed, “so independently of their happening! But you must have talked loud.” “Well, I haven’t so much talked as raved,” Mr. Bender conceded-- “for I’m afraid that when I do want a thing I rave till I get it. You heard me at Ded-borough, and your enterprising daily press has at last caught the echo.” “Then they’ll make up for lost time! But have you done it,” Hugh asked, “to prepare an alibi?” “An alibi?” “By ‘raving,’ as you say, the saddle on the wrong horse. I don’t think you at all believe you’ll get the Sir Joshua--but meanwhile we shall have cleared up the question of the Moretto.” Mr. Bender, imperturbable, didn’t speak till he had done justice to this picture of his subtlety. “Then, why on earth do you want to boom the Moretto?” “You ask that,” said Hugh, “because it’s the boomed thing that’s most in peril.” “Well, it’s the big, the bigger, the biggest things, and if you drag their value to the light why shouldn’t we want to grab them and carry them off--the same as all of _you_ originally did?” “Ah, not quite the same,” Hugh smiled-- “that I _will_ say for you!” “Yes, you stick it on now--you _have_ got an eye for the rise in values. But I grant you your unearned increment, and you ought to be mighty glad that, to such a time, I’ll pay it you.” Our young man kept, during a moment’s thought, his eyes on his companion, and then resumed with all intensity and candour: “You may easily, Mr. Bender, be too much for me--as you appear too much for far greater people. But may I ask you, very earnestly, for your word on _this_, as to any case in which that happens--that when precious things, things we are to lose here, _are_ | as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second thoughts, giving the owner of the great work away: “Then why are you--as if you were a banished Romeo--so keen for news from Verona?” To this odd mixture of business and literature Mr. Bender made no reply, contenting himself with but a large vague blandness that wore in him somehow the mark of tested utility; so that Hugh put him another question: “Aren’t you here, sir, on the chance of the Mantovano?” “I’m here,” he then imperturbably said, “because Lord Theign has wired me to meet him. Ain’t you here for that yourself?” Hugh betrayed for a moment his enjoyment of a “big” choice of answers. “Dear, no! I’ve but been in, by Lady Sandgate’s leave, to see that grand Lawrence.” “Ah yes, she’s very kind about it--one does go ‘in.’” After which Mr. Bender had, even in the atmosphere of his danger, a throb of curiosity. “Is any one _after_ that grand Lawrence?” “Oh, I hope not,” Hugh laughed, “unless you again dreadfully are: wonderful thing as it is and so just in its right place there.” “You call it,” Mr. Bender impartially inquired, “a _very_ wonderful thing?” “Well, as a Lawrence, it has quite bowled me over” --Hugh spoke as for the strictly aesthetic awkwardness of that. “But you know I take my pictures hard.” He gave a punch to his hat, pressed for time in this connection as he was glad truly to appear to his friend. “I must make my little _rapport_.” Yet before it he did seek briefly to explain. “We’re a band of young men who care--and we watch the great things. Also--for I must give you the real truth about myself--we watch the great people.” “Well, I guess I’m used to being watched--if that’s the worst you can do.” To which Mr. Bender added in his homely way: “But you know, Mr. Crimble, what I’m _really_ after.” Hugh’s strategy on this would again have peeped out for us. “The man in this morning’s ‘Journal’ appears at least to have discovered.” “Yes, the man in this morning’s ‘Journal’ has discovered three or four weeks--as it appears to take you here for everything--after my beginning to talk. Why, they knew I was talking _that_ time ago on the other side.” “Oh, they know things in the States,” Hugh cheerfully agreed, “so independently of their happening! But you must have talked loud.” “Well, I haven’t so much talked as raved,” Mr. Bender conceded-- “for I’m afraid that when I do want a thing I rave till I get it. You heard me at Ded-borough, and your enterprising daily press has at last caught the echo.” “Then they’ll make up for lost time! But have you done it,” Hugh asked, “to prepare an alibi?” “An alibi?” “By ‘raving,’ as you say, the saddle | The Outcry | will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed,<|quote|>“that I think I had best leave it to you!”</|quote|>His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the | {
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And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion, | No speaker | a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." | "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation | your case," counselled the Magistrate. "I am not defending a case, nor are you trying one. We are both of us slaves." "Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority." "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled. | the onslaught had startled him. "Imprisoned by you there because she knew the truth." He was almost out of his mind, and could be heard saying above the tumult: "I ruin my career, no matter; we are all to be ruined one by one." "This is no way to defend your case," counselled the Magistrate. "I am not defending a case, nor are you trying one. We are both of us slaves." "Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority." "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled. Until the magic exhausted itself, he was powerless. "Unexpected," remarked Mr. Turton. Ronny furnished the explanation. Before she sailed, his mother had taken to talk about the Marabar in her sleep, especially in the afternoon when servants were on the verandah, and her disjointed remarks on Aziz had doubtless been | quote her as evidence." "She was kept from us until too late I learn too late this is English justice, here is your British Raj. Give us back Mrs. Moore for five minutes only, and she will save my friend, she will save the name of his sons; don't rule her out, Mr. Das; take back those words as you yourself are a father; tell me where they have put her, oh, Mrs. Moore. . . ." "If the point is of any interest, my mother should have reached Aden," said Ronny dryly; he ought not to have intervened, but the onslaught had startled him. "Imprisoned by you there because she knew the truth." He was almost out of his mind, and could be heard saying above the tumult: "I ruin my career, no matter; we are all to be ruined one by one." "This is no way to defend your case," counselled the Magistrate. "I am not defending a case, nor are you trying one. We are both of us slaves." "Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority." "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled. Until the magic exhausted itself, he was powerless. "Unexpected," remarked Mr. Turton. Ronny furnished the explanation. Before she sailed, his mother had taken to talk about the Marabar in her sleep, especially in the afternoon when servants were on the verandah, and her disjointed remarks on Aziz had doubtless been sold to Mahmoud Ali for a few annas: that kind of thing never ceases in the East. "I thought they'd try something of the sort. Ingenious." He looked into their wide-open mouths. "They get just like over their religion," he added calmly. "Start and can't stop. I'm sorry for your old Das, he's not getting much of a show." "Mr. Heaslop, how disgraceful dragging in your dear mother," said Miss Derek, bending forward. "It's just a trick, and they happened to pull it off. Now one sees why they had Mahmoud Ali just to make a scene on the chance. | life. I dare say his degeneracy gained upon him gradually. He has been very cunning at concealing, as is usual with the type, and pretending to be a respectable member of society, getting a Government position even. He is now entirely vicious and beyond redemption, I am afraid. He behaved most cruelly, most brutally, to another of his guests, another English lady. In order to get rid of her, and leave him free for his crime, he crushed her into a cave among his servants. However, that is by the way." But his last words brought on another storm, and suddenly a new name, Mrs. Moore, burst on the court like a whirlwind. Mahmoud Ali had been enraged, his nerves snapped; he shrieked like a maniac, and asked whether his client was charged with murder as well as rape, and who was this second English lady. "I don't propose to call her." "You don't because you can't, you have smuggled her out of the country; she is Mrs. Moore, she would have proved his innocence, she was on our side, she was poor Indians' friend." "You could have called her yourself," cried the Magistrate. "Neither side called her, neither must quote her as evidence." "She was kept from us until too late I learn too late this is English justice, here is your British Raj. Give us back Mrs. Moore for five minutes only, and she will save my friend, she will save the name of his sons; don't rule her out, Mr. Das; take back those words as you yourself are a father; tell me where they have put her, oh, Mrs. Moore. . . ." "If the point is of any interest, my mother should have reached Aden," said Ronny dryly; he ought not to have intervened, but the onslaught had startled him. "Imprisoned by you there because she knew the truth." He was almost out of his mind, and could be heard saying above the tumult: "I ruin my career, no matter; we are all to be ruined one by one." "This is no way to defend your case," counselled the Magistrate. "I am not defending a case, nor are you trying one. We are both of us slaves." "Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority." "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled. Until the magic exhausted itself, he was powerless. "Unexpected," remarked Mr. Turton. Ronny furnished the explanation. Before she sailed, his mother had taken to talk about the Marabar in her sleep, especially in the afternoon when servants were on the verandah, and her disjointed remarks on Aziz had doubtless been sold to Mahmoud Ali for a few annas: that kind of thing never ceases in the East. "I thought they'd try something of the sort. Ingenious." He looked into their wide-open mouths. "They get just like over their religion," he added calmly. "Start and can't stop. I'm sorry for your old Das, he's not getting much of a show." "Mr. Heaslop, how disgraceful dragging in your dear mother," said Miss Derek, bending forward. "It's just a trick, and they happened to pull it off. Now one sees why they had Mahmoud Ali just to make a scene on the chance. It is his speciality." But he disliked it more than he showed. It was revolting to hear his mother travestied into Esmiss Esmoor, a Hindu goddess. "Esmiss Esmoor Esmiss Esmoor Esmiss Esmoor Esmiss Esmoor. . . ." "Ronny" "Yes, old girl?" "Isn't it all queer." "I'm afraid it's very upsetting for you." "Not the least. I don't mind it." "Well, that's good." She had spoken more naturally and healthily than usual. Bending into the middle of her friends, she said: "Don't worry about me, I'm much better than I was; I don't feel the least faint; I shall be all right, and thank you all, thank you, thank you for your kindness." She had to shout her gratitude, for the chant, Esmiss Esmoor, went on. Suddenly it stopped. It was as if the prayer had been heard, and the relics exhibited. "I apologize for my colleague," said Mr. Amritrao, rather to everyone's surprise. "He is an intimate friend of our client, and his feelings have carried him away." "Mr. Mahmoud Ali will have to apologize in person," the Magistrate said. "Exactly, sir, he must. But we had just learnt that Mrs. Moore had important evidence which she desired to give. | and impartial, he continued to listen to the evidence, and tried to forget that later on he should have to pronounce a verdict in accordance with it. The Superintendent trundled steadily forward: he had expected these outbursts of insolence they are the natural gestures of an inferior race, and he betrayed no hatred of Aziz, merely an abysmal contempt. The speech dealt at length with the "prisoner's dupes," as they were called Fielding, the servant Antony, the Nawab Bahadur. This aspect of the case had always seemed dubious to Miss Quested, and she had asked the police not to develop it. But they were playing for a heavy sentence, and wanted to prove that the assault was premeditated. And in order to illustrate the strategy, they produced a plan of the Marabar Hills, showing the route that the party had taken, and the "Tank of the Dagger" where they had camped. The Magistrate displayed interest in arch ology. An elevation of a specimen cave was produced; it was lettered "Buddhist Cave." "Not Buddhist, I think, Jain. . . ." "In which cave is the offence alleged, the Buddhist or the Jain?" asked Mahmoud Ali, with the air of unmasking a conspiracy. "All the Marabar caves are Jain." "Yes, sir; then in which Jain cave?" "You will have an opportunity of putting such questions later." Mr. McBryde smiled faintly at their fatuity. Indians invariably collapse over some such point as this. He knew that the defence had some wild hope of establishing an alibi, that they had tried (unsuccessfully) to identify the guide, and that Fielding and Hamidullah had gone out to the Kawa Dol and paced and measured all one moonlit night. "Mr. Lesley says they're Buddhist, and he ought to know if anyone does. But may I call attention to the shape?" And he described what had occurred there. Then he spoke of Miss Derek's arrival, of the scramble down the gully, of the return of the two ladies to Chandrapore, and of the document Miss Quested signed on her arrival, in which mention was made of the field-glasses. And then came the culminating evidence: the discovery of the field-glasses on the prisoner. "I have nothing to add at present," he concluded, removing his spectacles. "I will now call my witnesses. The facts will speak for themselves. The prisoner is one of those individuals who have led a double life. I dare say his degeneracy gained upon him gradually. He has been very cunning at concealing, as is usual with the type, and pretending to be a respectable member of society, getting a Government position even. He is now entirely vicious and beyond redemption, I am afraid. He behaved most cruelly, most brutally, to another of his guests, another English lady. In order to get rid of her, and leave him free for his crime, he crushed her into a cave among his servants. However, that is by the way." But his last words brought on another storm, and suddenly a new name, Mrs. Moore, burst on the court like a whirlwind. Mahmoud Ali had been enraged, his nerves snapped; he shrieked like a maniac, and asked whether his client was charged with murder as well as rape, and who was this second English lady. "I don't propose to call her." "You don't because you can't, you have smuggled her out of the country; she is Mrs. Moore, she would have proved his innocence, she was on our side, she was poor Indians' friend." "You could have called her yourself," cried the Magistrate. "Neither side called her, neither must quote her as evidence." "She was kept from us until too late I learn too late this is English justice, here is your British Raj. Give us back Mrs. Moore for five minutes only, and she will save my friend, she will save the name of his sons; don't rule her out, Mr. Das; take back those words as you yourself are a father; tell me where they have put her, oh, Mrs. Moore. . . ." "If the point is of any interest, my mother should have reached Aden," said Ronny dryly; he ought not to have intervened, but the onslaught had startled him. "Imprisoned by you there because she knew the truth." He was almost out of his mind, and could be heard saying above the tumult: "I ruin my career, no matter; we are all to be ruined one by one." "This is no way to defend your case," counselled the Magistrate. "I am not defending a case, nor are you trying one. We are both of us slaves." "Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority." "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled. Until the magic exhausted itself, he was powerless. "Unexpected," remarked Mr. Turton. Ronny furnished the explanation. Before she sailed, his mother had taken to talk about the Marabar in her sleep, especially in the afternoon when servants were on the verandah, and her disjointed remarks on Aziz had doubtless been sold to Mahmoud Ali for a few annas: that kind of thing never ceases in the East. "I thought they'd try something of the sort. Ingenious." He looked into their wide-open mouths. "They get just like over their religion," he added calmly. "Start and can't stop. I'm sorry for your old Das, he's not getting much of a show." "Mr. Heaslop, how disgraceful dragging in your dear mother," said Miss Derek, bending forward. "It's just a trick, and they happened to pull it off. Now one sees why they had Mahmoud Ali just to make a scene on the chance. It is his speciality." But he disliked it more than he showed. It was revolting to hear his mother travestied into Esmiss Esmoor, a Hindu goddess. "Esmiss Esmoor Esmiss Esmoor Esmiss Esmoor Esmiss Esmoor. . . ." "Ronny" "Yes, old girl?" "Isn't it all queer." "I'm afraid it's very upsetting for you." "Not the least. I don't mind it." "Well, that's good." She had spoken more naturally and healthily than usual. Bending into the middle of her friends, she said: "Don't worry about me, I'm much better than I was; I don't feel the least faint; I shall be all right, and thank you all, thank you, thank you for your kindness." She had to shout her gratitude, for the chant, Esmiss Esmoor, went on. Suddenly it stopped. It was as if the prayer had been heard, and the relics exhibited. "I apologize for my colleague," said Mr. Amritrao, rather to everyone's surprise. "He is an intimate friend of our client, and his feelings have carried him away." "Mr. Mahmoud Ali will have to apologize in person," the Magistrate said. "Exactly, sir, he must. But we had just learnt that Mrs. Moore had important evidence which she desired to give. She was hurried out of the country by her son before she could give it; and this unhinged Mr. Mahmoud Ali coming as it does upon an attempt to intimidate our only other European witness, Mr. Fielding. Mr. Mahmoud Ali would have said nothing had not Mrs. Moore been claimed as a witness by the police." He sat down. "An extraneous element is being introduced into the case," said the Magistrate. "I must repeat that as a witness Mrs. Moore does not exist. Neither you, Mr. Amritrao, nor, Mr. McBryde, you, have any right to surmise what that lady would have said. She is not here, and consequently she can say nothing." "Well, I withdraw my reference," said the Superintendent wearily. "I would have done so fifteen minutes ago if I had been given the chance. She is not of the least importance to me." "I have already withdrawn it for the defence." He added with forensic humour: "Perhaps you can persuade the gentlemen outside to withdraw it too," for the refrain in the street continued. "I am afraid my powers do not extend so far," said Das, smiling. So peace was restored, and when Adela came to give her evidence the atmosphere was quieter than it had been since the beginning of the trial. Experts were not surprised. There is no stay in your native. He blazes up over a minor point, and has nothing left for the crisis. What he seeks is a grievance, and this he had found in the supposed abduction of an old lady. He would now be less aggrieved when Aziz was deported. But the crisis was still to come. Adela had always meant to tell the truth and nothing but the truth, and she had rehearsed this as a difficult task difficult, because her disaster in the cave was connected, though by a thread, with another part of her life, her engagement to Ronny. She had thought of love just before she went in, and had innocently asked Aziz what marriage was like, and she supposed that her question had roused evil in him. To recount this would have been incredibly painful, it was the one point she wanted to keep obscure; she was willing to give details that would have distressed other girls, but this story of her private failure she dared not allude to, and she dreaded being examined in public | out to the Kawa Dol and paced and measured all one moonlit night. "Mr. Lesley says they're Buddhist, and he ought to know if anyone does. But may I call attention to the shape?" And he described what had occurred there. Then he spoke of Miss Derek's arrival, of the scramble down the gully, of the return of the two ladies to Chandrapore, and of the document Miss Quested signed on her arrival, in which mention was made of the field-glasses. And then came the culminating evidence: the discovery of the field-glasses on the prisoner. "I have nothing to add at present," he concluded, removing his spectacles. "I will now call my witnesses. The facts will speak for themselves. The prisoner is one of those individuals who have led a double life. I dare say his degeneracy gained upon him gradually. He has been very cunning at concealing, as is usual with the type, and pretending to be a respectable member of society, getting a Government position even. He is now entirely vicious and beyond redemption, I am afraid. He behaved most cruelly, most brutally, to another of his guests, another English lady. In order to get rid of her, and leave him free for his crime, he crushed her into a cave among his servants. However, that is by the way." But his last words brought on another storm, and suddenly a new name, Mrs. Moore, burst on the court like a whirlwind. Mahmoud Ali had been enraged, his nerves snapped; he shrieked like a maniac, and asked whether his client was charged with murder as well as rape, and who was this second English lady. "I don't propose to call her." "You don't because you can't, you have smuggled her out of the country; she is Mrs. Moore, she would have proved his innocence, she was on our side, she was poor Indians' friend." "You could have called her yourself," cried the Magistrate. "Neither side called her, neither must quote her as evidence." "She was kept from us until too late I learn too late this is English justice, here is your British Raj. Give us back Mrs. Moore for five minutes only, and she will save my friend, she will save the name of his sons; don't rule her out, Mr. Das; take back those words as you yourself are a father; tell me where they have put her, oh, Mrs. Moore. . . ." "If the point is of any interest, my mother should have reached Aden," said Ronny dryly; he ought not to have intervened, but the onslaught had startled him. "Imprisoned by you there because she knew the truth." He was almost out of his mind, and could be heard saying above the tumult: "I ruin my career, no matter; we are all to be ruined one by one." "This is no way to defend your case," counselled the Magistrate. "I am not defending a case, nor are you trying one. We are both of us slaves." "Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority." "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled. Until the magic exhausted itself, he was powerless. "Unexpected," remarked Mr. Turton. Ronny furnished the explanation. Before she sailed, his mother had taken to talk about the Marabar in her sleep, especially in the afternoon when servants were on the verandah, and her disjointed remarks on Aziz had doubtless been sold to Mahmoud Ali for a few annas: that kind of thing never ceases in the East. "I thought they'd try something of the sort. Ingenious." He looked into their wide-open mouths. "They get just like over their religion," he added calmly. "Start and can't stop. I'm sorry for your old Das, he's not getting much of a show." "Mr. Heaslop, how disgraceful dragging in your dear mother," said Miss Derek, bending forward. "It's just a trick, and they happened to pull it off. Now one sees why they had Mahmoud Ali just to make a scene on the chance. It is his speciality." But he disliked it more than he showed. It was revolting to hear his mother travestied into Esmiss Esmoor, a Hindu goddess. "Esmiss Esmoor Esmiss Esmoor Esmiss Esmoor Esmiss Esmoor. . . ." "Ronny" "Yes, old girl?" "Isn't it all queer." "I'm afraid it's very upsetting for you." "Not the least. I don't mind it." "Well, that's good." She had spoken more naturally and healthily than usual. Bending into the middle of her friends, she said: "Don't worry about me, I'm much better than I was; I don't feel the least faint; I shall be all right, and thank you all, thank you, thank you for your kindness." She had to shout her gratitude, for the chant, Esmiss Esmoor, went on. Suddenly it stopped. It was as if the prayer had been heard, and the relics exhibited. "I apologize for my colleague," said Mr. Amritrao, rather to everyone's surprise. "He is an intimate friend of our client, and his feelings have carried him away." "Mr. Mahmoud Ali will have to apologize in person," the Magistrate said. "Exactly, sir, he must. But we had just learnt that Mrs. Moore had important evidence which she desired to give. She was hurried out of the country by her son before she could give it; and this unhinged Mr. Mahmoud Ali coming as it does upon an attempt to intimidate our only other European witness, Mr. Fielding. Mr. Mahmoud Ali would have said nothing had not Mrs. Moore been claimed as a witness by the police." He sat down. "An extraneous element is being introduced into the case," said the Magistrate. "I must repeat that as a witness Mrs. Moore does not exist. Neither you, Mr. Amritrao, nor, Mr. McBryde, you, have any right to surmise what that lady would have said. She is not here, and consequently she can say nothing." "Well, I withdraw my reference," said the Superintendent wearily. "I would have done so fifteen minutes ago if I had been given the chance. She is not of the least importance to me." "I have already withdrawn it for the defence." He added with forensic humour: "Perhaps you can persuade the gentlemen outside to withdraw it | A Passage To India | your case," counselled the Magistrate. "I am not defending a case, nor are you trying one. We are both of us slaves." "Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority." "Do so; this trial is a farce, I am going."<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>"Aziz, Aziz farewell for ever." The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled. | {
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"content": "your case,\" counselled the Magistrate. \"I am not defending a case, nor are you trying one. We are both of us slaves.\" \"Mr. Mahmoud Ali, I have already warned you, and unless you sit down I shall exercise my authority.\" \"Do so; this trial is a farce, I am going.\"<|quote|>And he handed his papers to Amritrao and left, calling from the door histrionically yet with intense passion,</|quote|>\"Aziz, Aziz farewell for ever.\" The tumult increased, the invocation of Mrs. Moore continued, and people who did not know what the syllables meant repeated them like a charm. They became Indianized into Esmiss Esmoor, they were taken up in the street outside. In vain the Magistrate threatened and expelled.",
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"Ask him to come in at once, Francis." | Dorian Gray | came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was | parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of | to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. "Mr. Campbell, sir," said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. "Alan! This is kind of you. | pain, danced like some foul puppet on a stand and grinned through moving masks. Then, suddenly, time stopped for him. Yes: that blind, slow-breathing thing crawled no more, and horrible thoughts, time being dead, raced nimbly on in front, and dragged a hideous future from its grave, and showed it to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. "Mr. Campbell, sir," said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. "Alan! This is kind of you. I thank you for coming." "I had intended never to enter your house again, Gray. But you said it was a matter of life and death." His voice was hard and cold. He spoke with slow deliberation. There was a look of contempt in the steady searching gaze that he | The suspense became unbearable. Time seemed to him to be crawling with feet of lead, while he by monstrous winds was being swept towards the jagged edge of some black cleft of precipice. He knew what was waiting for him there; saw it, indeed, and, shuddering, crushed with dank hands his burning lids as though he would have robbed the very brain of sight and driven the eyeballs back into their cave. It was useless. The brain had its own food on which it battened, and the imagination, made grotesque by terror, twisted and distorted as a living thing by pain, danced like some foul puppet on a stand and grinned through moving masks. Then, suddenly, time stopped for him. Yes: that blind, slow-breathing thing crawled no more, and horrible thoughts, time being dead, raced nimbly on in front, and dragged a hideous future from its grave, and showed it to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. "Mr. Campbell, sir," said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. "Alan! This is kind of you. I thank you for coming." "I had intended never to enter your house again, Gray. But you said it was a matter of life and death." His voice was hard and cold. He spoke with slow deliberation. There was a look of contempt in the steady searching gaze that he turned on Dorian. He kept his hands in the pockets of his Astrakhan coat, and seemed not to have noticed the gesture with which he had been greeted. "Yes: it is a matter of life and death, Alan, and to more than one person. Sit down." Campbell took a chair by the table, and Dorian sat opposite to him. The two men s eyes met. In Dorian s there was infinite pity. He knew that what he was going to do was dreadful. After a strained moment of silence, he leaned across and said, very quietly, but watching the effect | Square. To him, as to many others, Dorian Gray was the type of everything that is wonderful and fascinating in life. Whether or not a quarrel had taken place between them no one ever knew. But suddenly people remarked that they scarcely spoke when they met and that Campbell seemed always to go away early from any party at which Dorian Gray was present. He had changed, too was strangely melancholy at times, appeared almost to dislike hearing music, and would never himself play, giving as his excuse, when he was called upon, that he was so absorbed in science that he had no time left in which to practise. And this was certainly true. Every day he seemed to become more interested in biology, and his name appeared once or twice in some of the scientific reviews in connection with certain curious experiments. This was the man Dorian Gray was waiting for. Every second he kept glancing at the clock. As the minutes went by he became horribly agitated. At last he got up and began to pace up and down the room, looking like a beautiful caged thing. He took long stealthy strides. His hands were curiously cold. The suspense became unbearable. Time seemed to him to be crawling with feet of lead, while he by monstrous winds was being swept towards the jagged edge of some black cleft of precipice. He knew what was waiting for him there; saw it, indeed, and, shuddering, crushed with dank hands his burning lids as though he would have robbed the very brain of sight and driven the eyeballs back into their cave. It was useless. The brain had its own food on which it battened, and the imagination, made grotesque by terror, twisted and distorted as a living thing by pain, danced like some foul puppet on a stand and grinned through moving masks. Then, suddenly, time stopped for him. Yes: that blind, slow-breathing thing crawled no more, and horrible thoughts, time being dead, raced nimbly on in front, and dragged a hideous future from its grave, and showed it to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. "Mr. Campbell, sir," said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. "Alan! This is kind of you. I thank you for coming." "I had intended never to enter your house again, Gray. But you said it was a matter of life and death." His voice was hard and cold. He spoke with slow deliberation. There was a look of contempt in the steady searching gaze that he turned on Dorian. He kept his hands in the pockets of his Astrakhan coat, and seemed not to have noticed the gesture with which he had been greeted. "Yes: it is a matter of life and death, Alan, and to more than one person. Sit down." Campbell took a chair by the table, and Dorian sat opposite to him. The two men s eyes met. In Dorian s there was infinite pity. He knew that what he was going to do was dreadful. After a strained moment of silence, he leaned across and said, very quietly, but watching the effect of each word upon the face of him he had sent for, "Alan, in a locked room at the top of this house, a room to which nobody but myself has access, a dead man is seated at a table. He has been dead ten hours now. Don t stir, and don t look at me like that. Who the man is, why he died, how he died, are matters that do not concern you. What you have to do is this" "Stop, Gray. I don t want to know anything further. Whether what you have told me is true or not true doesn t concern me. I entirely decline to be mixed up in your life. Keep your horrible secrets to yourself. They don t interest me any more." "Alan, they will have to interest you. This one will have to interest you. I am awfully sorry for you, Alan. But I can t help myself. You are the one man who is able to save me. I am forced to bring you into the matter. I have no option. Alan, you are scientific. You know about chemistry and things of that kind. You have made experiments. What you | be back by the hot, lotus-covered Nile, where there are Sphinxes, and rose-red ibises, and white vultures with gilded claws, and crocodiles with small beryl eyes that crawl over the green steaming mud; he began to brood over those verses which, drawing music from kiss-stained marble, tell of that curious statue that Gautier compares to a contralto voice, the "_monstre charmant_" that couches in the porphyry-room of the Louvre. But after a time the book fell from his hand. He grew nervous, and a horrible fit of terror came over him. What if Alan Campbell should be out of England? Days would elapse before he could come back. Perhaps he might refuse to come. What could he do then? Every moment was of vital importance. They had been great friends once, five years before almost inseparable, indeed. Then the intimacy had come suddenly to an end. When they met in society now, it was only Dorian Gray who smiled: Alan Campbell never did. He was an extremely clever young man, though he had no real appreciation of the visible arts, and whatever little sense of the beauty of poetry he possessed he had gained entirely from Dorian. His dominant intellectual passion was for science. At Cambridge he had spent a great deal of his time working in the laboratory, and had taken a good class in the Natural Science Tripos of his year. Indeed, he was still devoted to the study of chemistry, and had a laboratory of his own in which he used to shut himself up all day long, greatly to the annoyance of his mother, who had set her heart on his standing for Parliament and had a vague idea that a chemist was a person who made up prescriptions. He was an excellent musician, however, as well, and played both the violin and the piano better than most amateurs. In fact, it was music that had first brought him and Dorian Gray together music and that indefinable attraction that Dorian seemed to be able to exercise whenever he wished and, indeed, exercised often without being conscious of it. They had met at Lady Berkshire s the night that Rubinstein played there, and after that used to be always seen together at the opera and wherever good music was going on. For eighteen months their intimacy lasted. Campbell was always either at Selby Royal or in Grosvenor Square. To him, as to many others, Dorian Gray was the type of everything that is wonderful and fascinating in life. Whether or not a quarrel had taken place between them no one ever knew. But suddenly people remarked that they scarcely spoke when they met and that Campbell seemed always to go away early from any party at which Dorian Gray was present. He had changed, too was strangely melancholy at times, appeared almost to dislike hearing music, and would never himself play, giving as his excuse, when he was called upon, that he was so absorbed in science that he had no time left in which to practise. And this was certainly true. Every day he seemed to become more interested in biology, and his name appeared once or twice in some of the scientific reviews in connection with certain curious experiments. This was the man Dorian Gray was waiting for. Every second he kept glancing at the clock. As the minutes went by he became horribly agitated. At last he got up and began to pace up and down the room, looking like a beautiful caged thing. He took long stealthy strides. His hands were curiously cold. The suspense became unbearable. Time seemed to him to be crawling with feet of lead, while he by monstrous winds was being swept towards the jagged edge of some black cleft of precipice. He knew what was waiting for him there; saw it, indeed, and, shuddering, crushed with dank hands his burning lids as though he would have robbed the very brain of sight and driven the eyeballs back into their cave. It was useless. The brain had its own food on which it battened, and the imagination, made grotesque by terror, twisted and distorted as a living thing by pain, danced like some foul puppet on a stand and grinned through moving masks. Then, suddenly, time stopped for him. Yes: that blind, slow-breathing thing crawled no more, and horrible thoughts, time being dead, raced nimbly on in front, and dragged a hideous future from its grave, and showed it to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. "Mr. Campbell, sir," said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. "Alan! This is kind of you. I thank you for coming." "I had intended never to enter your house again, Gray. But you said it was a matter of life and death." His voice was hard and cold. He spoke with slow deliberation. There was a look of contempt in the steady searching gaze that he turned on Dorian. He kept his hands in the pockets of his Astrakhan coat, and seemed not to have noticed the gesture with which he had been greeted. "Yes: it is a matter of life and death, Alan, and to more than one person. Sit down." Campbell took a chair by the table, and Dorian sat opposite to him. The two men s eyes met. In Dorian s there was infinite pity. He knew that what he was going to do was dreadful. After a strained moment of silence, he leaned across and said, very quietly, but watching the effect of each word upon the face of him he had sent for, "Alan, in a locked room at the top of this house, a room to which nobody but myself has access, a dead man is seated at a table. He has been dead ten hours now. Don t stir, and don t look at me like that. Who the man is, why he died, how he died, are matters that do not concern you. What you have to do is this" "Stop, Gray. I don t want to know anything further. Whether what you have told me is true or not true doesn t concern me. I entirely decline to be mixed up in your life. Keep your horrible secrets to yourself. They don t interest me any more." "Alan, they will have to interest you. This one will have to interest you. I am awfully sorry for you, Alan. But I can t help myself. You are the one man who is able to save me. I am forced to bring you into the matter. I have no option. Alan, you are scientific. You know about chemistry and things of that kind. You have made experiments. What you have got to do is to destroy the thing that is upstairs to destroy it so that not a vestige of it will be left. Nobody saw this person come into the house. Indeed, at the present moment he is supposed to be in Paris. He will not be missed for months. When he is missed, there must be no trace of him found here. You, Alan, you must change him, and everything that belongs to him, into a handful of ashes that I may scatter in the air." "You are mad, Dorian." "Ah! I was waiting for you to call me Dorian." "You are mad, I tell you mad to imagine that I would raise a finger to help you, mad to make this monstrous confession. I will have nothing to do with this matter, whatever it is. Do you think I am going to peril my reputation for you? What is it to me what devil s work you are up to?" "It was suicide, Alan." "I am glad of that. But who drove him to it? You, I should fancy." "Do you still refuse to do this for me?" "Of course I refuse. I will have absolutely nothing to do with it. I don t care what shame comes on you. You deserve it all. I should not be sorry to see you disgraced, publicly disgraced. How dare you ask me, of all men in the world, to mix myself up in this horror? I should have thought you knew more about people s characters. Your friend Lord Henry Wotton can t have taught you much about psychology, whatever else he has taught you. Nothing will induce me to stir a step to help you. You have come to the wrong man. Go to some of your friends. Don t come to me." "Alan, it was murder. I killed him. You don t know what he had made me suffer. Whatever my life is, he had more to do with the making or the marring of it than poor Harry has had. He may not have intended it, the result was the same." "Murder! Good God, Dorian, is that what you have come to? I shall not inform upon you. It is not my business. Besides, without my stirring in the matter, you are certain to be arrested. Nobody ever commits a crime without doing something stupid. | his name appeared once or twice in some of the scientific reviews in connection with certain curious experiments. This was the man Dorian Gray was waiting for. Every second he kept glancing at the clock. As the minutes went by he became horribly agitated. At last he got up and began to pace up and down the room, looking like a beautiful caged thing. He took long stealthy strides. His hands were curiously cold. The suspense became unbearable. Time seemed to him to be crawling with feet of lead, while he by monstrous winds was being swept towards the jagged edge of some black cleft of precipice. He knew what was waiting for him there; saw it, indeed, and, shuddering, crushed with dank hands his burning lids as though he would have robbed the very brain of sight and driven the eyeballs back into their cave. It was useless. The brain had its own food on which it battened, and the imagination, made grotesque by terror, twisted and distorted as a living thing by pain, danced like some foul puppet on a stand and grinned through moving masks. Then, suddenly, time stopped for him. Yes: that blind, slow-breathing thing crawled no more, and horrible thoughts, time being dead, raced nimbly on in front, and dragged a hideous future from its grave, and showed it to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. "Mr. Campbell, sir," said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. "Alan! This is kind of you. I thank you for coming." "I had intended never to enter your house again, Gray. But you said it was a matter of life and death." His voice was hard and cold. He spoke with slow deliberation. There was a look of contempt in the steady searching gaze that he turned on Dorian. He kept his hands in the pockets of his Astrakhan coat, and seemed not to have noticed the gesture with which he had been greeted. "Yes: it is a matter of life and death, Alan, and to more than one person. Sit down." Campbell took a chair by the table, and Dorian sat opposite to him. The two men s eyes met. In Dorian s there was infinite pity. He knew that what he was going to do was dreadful. After a strained moment of silence, he leaned across and said, very quietly, but watching the effect of each word upon the face of him he had sent for, "Alan, in a locked room at the top of this house, a room to which nobody but myself has access, a dead man is seated at a table. He has been dead ten hours now. Don t stir, and don t look at me like that. Who the man is, why he died, how he died, are matters that do not concern you. What you have to do is this" "Stop, Gray. I don t want to know anything further. Whether what you have told me is true or not true doesn t concern me. I entirely decline to be mixed up in your | The Picture Of Dorian Gray | to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. "Mr. Campbell, sir," said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>"Ask him to come in at once, Francis."</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. "Alan! This is kind of you. | {
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"content": "to him. He stared at it. Its very horror made him stone. At last the door opened and his servant entered. He turned glazed eyes upon him. \"Mr. Campbell, sir,\" said the man. A sigh of relief broke from his parched lips, and the colour came back to his cheeks.<|quote|>\"Ask him to come in at once, Francis.\"</|quote|>He felt that he was himself again. His mood of cowardice had passed away. The man bowed and retired. In a few moments, Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows. \"Alan! This is kind of you.",
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]
} | Dorian Gray |
he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence. | No speaker | Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as | to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is | fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is really her business," she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her | "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is really her business," she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her to notice particularly if a fine linen handkerchief of Monsieur Ratignolle's, which was missing last week, had been returned; and to be sure to set to one side such pieces as required mending and darning. Then placing an arm around Edna's waist, she led her to the front of the | little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is really her business," she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her to notice particularly if a fine linen handkerchief of Monsieur Ratignolle's, which was missing last week, had been returned; and to be sure to set to one side such pieces as required mending and darning. Then placing an arm around Edna's waist, she led her to the front of the house, to the salon, where it was cool and sweet with the odor of great roses that stood upon the hearth in jars. Madame Ratignolle looked more beautiful than ever there at home, in a neglig which left her arms almost wholly bare and exposed the rich, melting curves of her white throat. "Perhaps I shall be able to paint your picture some day," said Edna with a smile when they were seated. She produced the roll of sketches and started to unfold them. "I believe I ought to work again. I feel as if I wanted to be doing | It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is really her business," she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her to notice particularly if a fine linen handkerchief of Monsieur Ratignolle's, which was missing last week, had been returned; and to be sure to set to one side such pieces as required mending and darning. Then placing an arm around Edna's waist, she led her to the front of the house, to the salon, where it was cool and sweet with the odor of great roses that stood upon the hearth in jars. Madame Ratignolle looked more beautiful than ever there at home, in a neglig which left her arms almost wholly bare and exposed the rich, melting curves of her white throat. "Perhaps I shall be able to paint your picture some day," said Edna with a smile when they were seated. She produced the roll of sketches and started to unfold them. "I believe I ought to work again. I feel as if I wanted to be doing something. What do you think of them? Do you think it worth while to take it up again and study some more? I might study for a while with Laidpore." She knew that Madame Ratignolle's opinion in such a matter would be next to valueless, that she herself had not alone decided, but determined; but she sought the words of praise and encouragement that would help her to put heart into her venture. "Your talent is immense, dear!" "Nonsense!" protested Edna, well pleased. "Immense, I tell you," persisted Madame Ratignolle, surveying the sketches one by one, at close range, then holding them at arm's length, narrowing her eyes, and dropping her head on one side. "Surely, this Bavarian peasant is worthy of framing; and this basket of apples! never have I seen anything more lifelike. One might almost be tempted to reach out a hand and take one." Edna could not control a feeling which bordered upon complacency at her friend's praise, even realizing, as she did, its true worth. She retained a few of the sketches, and gave all the rest to Madame Ratignolle, who appreciated the gift far beyond its value and proudly exhibited the pictures to her | with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect." "You used to think the cook was a treasure," returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is really her business," she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her to notice particularly if a fine linen handkerchief of Monsieur Ratignolle's, which was missing last week, had been returned; and to be sure to set to one side such pieces as required mending and darning. Then placing an arm around Edna's waist, she led her to the front of the house, to the salon, where it was cool and sweet with the odor of great roses that stood upon the hearth in jars. Madame Ratignolle looked more beautiful than ever there at home, in a neglig which left her arms almost wholly bare and exposed the rich, melting curves of her white throat. "Perhaps I shall be able to paint your picture some day," said Edna with a smile when they were seated. She produced the roll of sketches and started to unfold them. "I believe I ought to work again. I feel as if I wanted to be doing something. What do you think of them? Do you think it worth while to take it up again and study some more? I might study for a while with Laidpore." She knew that Madame Ratignolle's opinion in such a matter would be next to valueless, that she herself had not alone decided, but determined; but she sought the words of praise and encouragement that would help her to put heart into her venture. "Your talent is immense, dear!" "Nonsense!" protested Edna, well pleased. "Immense, I tell you," persisted Madame Ratignolle, surveying the sketches one by one, at close range, then holding them at arm's length, narrowing her eyes, and dropping her head on one side. "Surely, this Bavarian peasant is worthy of framing; and this basket of apples! never have I seen anything more lifelike. One might almost be tempted to reach out a hand and take one." Edna could not control a feeling which bordered upon complacency at her friend's praise, even realizing, as she did, its true worth. She retained a few of the sketches, and gave all the rest to Madame Ratignolle, who appreciated the gift far beyond its value and proudly exhibited the pictures to her husband when he came up from the store a little later for his midday dinner. Mr. Ratignolle was one of those men who are called the salt of the earth. His cheerfulness was unbounded, and it was matched by his goodness of heart, his broad charity, and common sense. He and his wife spoke English with an accent which was only discernible through its un-English emphasis and a certain carefulness and deliberation. Edna's husband spoke English with no accent whatever. The Ratignolles understood each other perfectly. If ever the fusion of two human beings into one has been accomplished on this sphere it was surely in their union. As Edna seated herself at table with them she thought, "Better a dinner of herbs," though it did not take her long to discover that it was no dinner of herbs, but a delicious repast, simple, choice, and in every way satisfying. Monsieur Ratignolle was delighted to see her, though he found her looking not so well as at Grand Isle, and he advised a tonic. He talked a good deal on various topics, a little politics, some city news and neighborhood gossip. He spoke with an animation and earnestness that gave an exaggerated importance to every syllable he uttered. His wife was keenly interested in everything he said, laying down her fork the better to listen, chiming in, taking the words out of his mouth. Edna felt depressed rather than soothed after leaving them. The little glimpse of domestic harmony which had been offered her, gave her no regret, no longing. It was not a condition of life which fitted her, and she could see in it but an appalling and hopeless ennui. She was moved by a kind of commiseration for Madame Ratignolle, a pity for that colorless existence which never uplifted its possessor beyond the region of blind contentment, in which no moment of anguish ever visited her soul, in which she would never have the taste of life's delirium. Edna vaguely wondered what she meant by "life's delirium." It had crossed her thought like some unsought, extraneous impression. XIX Edna could not help but think that it was very foolish, very childish, to have stamped upon her wedding ring and smashed the crystal vase upon the tiles. She was visited by no more outbursts, moving her to such futile expedients. She began to do as she liked and | without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night." He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. "A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is really her business," she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her to notice particularly if a fine linen handkerchief of Monsieur Ratignolle's, which was missing last week, had been returned; and to be sure to set to one side such pieces as required mending and darning. Then placing an arm around Edna's waist, she led her to the front of the house, to the salon, where it was cool and sweet with the odor of great roses that stood upon the hearth in jars. Madame Ratignolle looked more beautiful than ever there at home, in a neglig which left her arms almost wholly bare and exposed the rich, melting curves of her white throat. "Perhaps I shall be able to paint your picture some day," said Edna with a smile when they were seated. She produced the roll of sketches and started to unfold them. "I believe I ought to work again. I feel as if I wanted to be doing something. What do you think of them? Do you think it worth while to take it up again and study some more? I might study for a while with Laidpore." She knew that Madame Ratignolle's opinion in such a matter would be next to valueless, that she herself had not alone decided, but determined; but she sought the words of praise and encouragement that would help her to put heart into her venture. "Your talent is immense, dear!" "Nonsense!" protested Edna, well pleased. "Immense, I tell you," persisted Madame Ratignolle, surveying the sketches one by one, at close range, then holding them at arm's length, narrowing her eyes, and dropping her head on one side. "Surely, this Bavarian peasant is worthy of framing; and this basket of apples! never have I seen anything more lifelike. One might almost be tempted to reach out a hand and take one." Edna could not control a feeling which bordered upon complacency at her friend's praise, even realizing, as she did, its true worth. She retained a few of the sketches, and gave all the rest to Madame Ratignolle, who appreciated the gift far beyond its value and proudly exhibited the pictures to her husband when he came up from the store a little later for his midday dinner. Mr. Ratignolle was one of those men who are called the salt of the earth. His cheerfulness was unbounded, and it was matched by his goodness of heart, his broad charity, and common sense. He and his wife spoke English with an accent which was only discernible through its un-English emphasis and a certain carefulness and deliberation. Edna's husband spoke English with no accent whatever. The Ratignolles understood each other perfectly. If ever the fusion of two human beings into one has been accomplished on this sphere it was surely in their union. As Edna seated herself at table with them she thought, "Better a dinner of herbs," though it did not take her long to discover that it was no dinner of herbs, but a delicious repast, simple, choice, and in every way satisfying. Monsieur Ratignolle was delighted to see her, though he found her looking not so well as at Grand Isle, and he advised a tonic. He talked a good deal on various topics, a little politics, some city news | The Awakening | fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it,"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>"'Cit can do it as well as I; it is really her business," she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her | {
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"content": "fixtures for the library. \"I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by.\" \"The way to become rich is to make money, my dear Edna, not to save it,\"<|quote|>he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small \"express wagon,\" which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. One brought his flute and another his violin, while there were some who sang and a number who performed upon the piano with various degrees of taste and agility. The Ratignolles' _soir es musicales_ were widely known, and it was considered a privilege to be invited to them. Edna found her friend engaged in assorting the clothes which had returned that morning from the laundry. She at once abandoned her occupation upon seeing Edna, who had been ushered without ceremony into her presence.</|quote|>\"'Cit can do it as well as I; it is really her business,\" she explained to Edna, who apologized for interrupting her. And she summoned a young black woman, whom she instructed, in French, to be very careful in checking off the list which she handed her. She told her",
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"I have heard," | Lucy | her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told | was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose | cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all." He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so." "Friends of mine?" | he called, and leant out of the smoking-room window. He seemed in high spirits. "I was hoping you'd come. I heard you all bear-gardening, but there's better fun up here. I, even I, have won a great victory for the Comic Muse. George Meredith's right--the cause of Comedy and the cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all." He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so." "Friends of mine?" he laughed. "But, Lucy, the whole joke is to come! Come here." But she remained standing where she was. "Do you know where I met these desirable tenants? In the National Gallery, when I was up to see my mother last week." "What an odd place to meet people!" she | her mother's shout of "Harris!" shivered the tranquil air, and reminded her that she had told a lie and had never put it right. Such a senseless lie, too, yet it shattered her nerves and made her connect these Emersons, friends of Cecil's, with a pair of nondescript tourists. Hitherto truth had come to her naturally. She saw that for the future she must be more vigilant, and be--absolutely truthful? Well, at all events, she must not tell lies. She hurried up the garden, still flushed with shame. A word from Cecil would soothe her, she was sure. "Cecil!" "Hullo!" he called, and leant out of the smoking-room window. He seemed in high spirits. "I was hoping you'd come. I heard you all bear-gardening, but there's better fun up here. I, even I, have won a great victory for the Comic Muse. George Meredith's right--the cause of Comedy and the cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all." He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so." "Friends of mine?" he laughed. "But, Lucy, the whole joke is to come! Come here." But she remained standing where she was. "Do you know where I met these desirable tenants? In the National Gallery, when I was up to see my mother last week." "What an odd place to meet people!" she said nervously. "I don't quite understand." "In the Umbrian Room. Absolute strangers. They were admiring Luca Signorelli--of course, quite stupidly. However, we got talking, and they refreshed me not a little. They had been to Italy." "But, Cecil--" proceeded hilariously. "In the course of conversation they said that they wanted a country cottage--the father to live there, the son to run down for week-ends. I thought, 'What a chance of scoring off Sir Harry!' and I took their address and a London reference, found they weren't actual blackguards--it was great sport--and wrote to him, making out--" "Cecil! No, it's not | a sentimental darling, and people declared he had murdered his wife." In his normal state Mr. Beebe would never have repeated such gossip, but he was trying to shelter Lucy in her little trouble. He repeated any rubbish that came into his head. "Murdered his wife?" said Mrs. Honeychurch. "Lucy, don't desert us--go on playing bumble-puppy. Really, the Pension Bertolini must have been the oddest place. That's the second murderer I've heard of as being there. Whatever was Charlotte doing to stop? By-the-by, we really must ask Charlotte here some time." Mr. Beebe could recall no second murderer. He suggested that his hostess was mistaken. At the hint of opposition she warmed. She was perfectly sure that there had been a second tourist of whom the same story had been told. The name escaped her. What was the name? Oh, what was the name? She clasped her knees for the name. Something in Thackeray. She struck her matronly forehead. Lucy asked her brother whether Cecil was in. "Oh, don't go!" he cried, and tried to catch her by the ankles. "I must go," she said gravely. "Don't be silly. You always overdo it when you play." As she left them her mother's shout of "Harris!" shivered the tranquil air, and reminded her that she had told a lie and had never put it right. Such a senseless lie, too, yet it shattered her nerves and made her connect these Emersons, friends of Cecil's, with a pair of nondescript tourists. Hitherto truth had come to her naturally. She saw that for the future she must be more vigilant, and be--absolutely truthful? Well, at all events, she must not tell lies. She hurried up the garden, still flushed with shame. A word from Cecil would soothe her, she was sure. "Cecil!" "Hullo!" he called, and leant out of the smoking-room window. He seemed in high spirits. "I was hoping you'd come. I heard you all bear-gardening, but there's better fun up here. I, even I, have won a great victory for the Comic Muse. George Meredith's right--the cause of Comedy and the cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all." He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so." "Friends of mine?" he laughed. "But, Lucy, the whole joke is to come! Come here." But she remained standing where she was. "Do you know where I met these desirable tenants? In the National Gallery, when I was up to see my mother last week." "What an odd place to meet people!" she said nervously. "I don't quite understand." "In the Umbrian Room. Absolute strangers. They were admiring Luca Signorelli--of course, quite stupidly. However, we got talking, and they refreshed me not a little. They had been to Italy." "But, Cecil--" proceeded hilariously. "In the course of conversation they said that they wanted a country cottage--the father to live there, the son to run down for week-ends. I thought, 'What a chance of scoring off Sir Harry!' and I took their address and a London reference, found they weren't actual blackguards--it was great sport--and wrote to him, making out--" "Cecil! No, it's not fair. I've probably met them before--" He bore her down. "Perfectly fair. Anything is fair that punishes a snob. That old man will do the neighbourhood a world of good. Sir Harry is too disgusting with his 'decayed gentlewomen.' I meant to read him a lesson some time. No, Lucy, the classes ought to mix, and before long you'll agree with me. There ought to be intermarriage--all sorts of things. I believe in democracy--" "No, you don't," she snapped. "You don't know what the word means." He stared at her, and felt again that she had failed to be Leonardesque. "No, you don't!" Her face was inartistic--that of a peevish virago. "It isn't fair, Cecil. I blame you--I blame you very much indeed. You had no business to undo my work about the Miss Alans, and make me look ridiculous. You call it scoring off Sir Harry, but do you realize that it is all at my expense? I consider it most disloyal of you." She left him. "Temper!" he thought, raising his eyebrows. No, it was worse than temper--snobbishness. As long as Lucy thought that his own smart friends were supplanting the Miss Alans, she had not minded. He | Cecil; so" "--elaborate irony--" "you and the other country families will be able to call in perfect safety." "CECIL?" exclaimed Lucy. "Don't be rude, dear," said his mother placidly. "Lucy, don't screech. It's a new bad habit you're getting into." "But has Cecil--" "Friends of Cecil's," he repeated, "'and so really dee-sire-rebel. Ahem! Honeychurch, I have just telegraphed to them.'" She got up from the grass. It was hard on Lucy. Mr. Beebe sympathized with her very much. While she believed that her snub about the Miss Alans came from Sir Harry Otway, she had borne it like a good girl. She might well "screech" when she heard that it came partly from her lover. Mr. Vyse was a tease--something worse than a tease: he took a malicious pleasure in thwarting people. The clergyman, knowing this, looked at Miss Honeychurch with more than his usual kindness. When she exclaimed, "But Cecil's Emersons--they can't possibly be the same ones--there is that--" he did not consider that the exclamation was strange, but saw in it an opportunity of diverting the conversation while she recovered her composure. He diverted it as follows: "The Emersons who were at Florence, do you mean? No, I don't suppose it will prove to be them. It is probably a long cry from them to friends of Mr. Vyse's. Oh, Mrs. Honeychurch, the oddest people! The queerest people! For our part we liked them, didn't we?" He appealed to Lucy. "There was a great scene over some violets. They picked violets and filled all the vases in the room of these very Miss Alans who have failed to come to Cissie Villa. Poor little ladies! So shocked and so pleased. It used to be one of Miss Catharine's great stories." 'My dear sister loves flowers,' "it began. They found the whole room a mass of blue--vases and jugs--and the story ends with" 'So ungentlemanly and yet so beautiful.' "It is all very difficult. Yes, I always connect those Florentine Emersons with violets." "Fiasco's done you this time," remarked Freddy, not seeing that his sister's face was very red. She could not recover herself. Mr. Beebe saw it, and continued to divert the conversation. "These particular Emersons consisted of a father and a son--the son a goodly, if not a good young man; not a fool, I fancy, but very immature--pessimism, et cetera. Our special joy was the father--such a sentimental darling, and people declared he had murdered his wife." In his normal state Mr. Beebe would never have repeated such gossip, but he was trying to shelter Lucy in her little trouble. He repeated any rubbish that came into his head. "Murdered his wife?" said Mrs. Honeychurch. "Lucy, don't desert us--go on playing bumble-puppy. Really, the Pension Bertolini must have been the oddest place. That's the second murderer I've heard of as being there. Whatever was Charlotte doing to stop? By-the-by, we really must ask Charlotte here some time." Mr. Beebe could recall no second murderer. He suggested that his hostess was mistaken. At the hint of opposition she warmed. She was perfectly sure that there had been a second tourist of whom the same story had been told. The name escaped her. What was the name? Oh, what was the name? She clasped her knees for the name. Something in Thackeray. She struck her matronly forehead. Lucy asked her brother whether Cecil was in. "Oh, don't go!" he cried, and tried to catch her by the ankles. "I must go," she said gravely. "Don't be silly. You always overdo it when you play." As she left them her mother's shout of "Harris!" shivered the tranquil air, and reminded her that she had told a lie and had never put it right. Such a senseless lie, too, yet it shattered her nerves and made her connect these Emersons, friends of Cecil's, with a pair of nondescript tourists. Hitherto truth had come to her naturally. She saw that for the future she must be more vigilant, and be--absolutely truthful? Well, at all events, she must not tell lies. She hurried up the garden, still flushed with shame. A word from Cecil would soothe her, she was sure. "Cecil!" "Hullo!" he called, and leant out of the smoking-room window. He seemed in high spirits. "I was hoping you'd come. I heard you all bear-gardening, but there's better fun up here. I, even I, have won a great victory for the Comic Muse. George Meredith's right--the cause of Comedy and the cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all." He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so." "Friends of mine?" he laughed. "But, Lucy, the whole joke is to come! Come here." But she remained standing where she was. "Do you know where I met these desirable tenants? In the National Gallery, when I was up to see my mother last week." "What an odd place to meet people!" she said nervously. "I don't quite understand." "In the Umbrian Room. Absolute strangers. They were admiring Luca Signorelli--of course, quite stupidly. However, we got talking, and they refreshed me not a little. They had been to Italy." "But, Cecil--" proceeded hilariously. "In the course of conversation they said that they wanted a country cottage--the father to live there, the son to run down for week-ends. I thought, 'What a chance of scoring off Sir Harry!' and I took their address and a London reference, found they weren't actual blackguards--it was great sport--and wrote to him, making out--" "Cecil! No, it's not fair. I've probably met them before--" He bore her down. "Perfectly fair. Anything is fair that punishes a snob. That old man will do the neighbourhood a world of good. Sir Harry is too disgusting with his 'decayed gentlewomen.' I meant to read him a lesson some time. No, Lucy, the classes ought to mix, and before long you'll agree with me. There ought to be intermarriage--all sorts of things. I believe in democracy--" "No, you don't," she snapped. "You don't know what the word means." He stared at her, and felt again that she had failed to be Leonardesque. "No, you don't!" Her face was inartistic--that of a peevish virago. "It isn't fair, Cecil. I blame you--I blame you very much indeed. You had no business to undo my work about the Miss Alans, and make me look ridiculous. You call it scoring off Sir Harry, but do you realize that it is all at my expense? I consider it most disloyal of you." She left him. "Temper!" he thought, raising his eyebrows. No, it was worse than temper--snobbishness. As long as Lucy thought that his own smart friends were supplanting the Miss Alans, she had not minded. He perceived that these new tenants might be of value educationally. He would tolerate the father and draw out the son, who was silent. In the interests of the Comic Muse and of Truth, he would bring them to Windy Corner. Chapter XI: In Mrs. Vyse's Well-Appointed Flat The Comic Muse, though able to look after her own interests, did not disdain the assistance of Mr. Vyse. His idea of bringing the Emersons to Windy Corner struck her as decidedly good, and she carried through the negotiations without a hitch. Sir Harry Otway signed the agreement, met Mr. Emerson, who was duly disillusioned. The Miss Alans were duly offended, and wrote a dignified letter to Lucy, whom they held responsible for the failure. Mr. Beebe planned pleasant moments for the new-comers, and told Mrs. Honeychurch that Freddy must call on them as soon as they arrived. Indeed, so ample was the Muse's equipment that she permitted Mr. Harris, never a very robust criminal, to droop his head, to be forgotten, and to die. Lucy--to descend from bright heaven to earth, whereon there are shadows because there are hills--Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least. Now that she was engaged, the Emersons would scarcely insult her and were welcome into the neighbourhood. And Cecil was welcome to bring whom he would into the neighbourhood. Therefore Cecil was welcome to bring the Emersons into the neighbourhood. But, as I say, this took a little thinking, and--so illogical are girls--the event remained rather greater and rather more dreadful than it should have done. She was glad that a visit to Mrs. Vyse now fell due; the tenants moved into Cissie Villa while she was safe in the London flat. "Cecil--Cecil darling," she whispered the evening she arrived, and crept into his arms. Cecil, too, became demonstrative. He saw that the needful fire had been kindled in Lucy. At last she longed for attention, as a woman should, and looked up to him because he was a man. "So you do love me, little thing?" he murmured. "Oh, Cecil, I do, I do! I don't know what I should do without you." Several days passed. Then she had a letter from Miss Bartlett. A coolness had sprung up between the two cousins, and they had not corresponded since they parted in | She was perfectly sure that there had been a second tourist of whom the same story had been told. The name escaped her. What was the name? Oh, what was the name? She clasped her knees for the name. Something in Thackeray. She struck her matronly forehead. Lucy asked her brother whether Cecil was in. "Oh, don't go!" he cried, and tried to catch her by the ankles. "I must go," she said gravely. "Don't be silly. You always overdo it when you play." As she left them her mother's shout of "Harris!" shivered the tranquil air, and reminded her that she had told a lie and had never put it right. Such a senseless lie, too, yet it shattered her nerves and made her connect these Emersons, friends of Cecil's, with a pair of nondescript tourists. Hitherto truth had come to her naturally. She saw that for the future she must be more vigilant, and be--absolutely truthful? Well, at all events, she must not tell lies. She hurried up the garden, still flushed with shame. A word from Cecil would soothe her, she was sure. "Cecil!" "Hullo!" he called, and leant out of the smoking-room window. He seemed in high spirits. "I was hoping you'd come. I heard you all bear-gardening, but there's better fun up here. I, even I, have won a great victory for the Comic Muse. George Meredith's right--the cause of Comedy and the cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all." He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so." "Friends of mine?" he laughed. "But, Lucy, the whole joke is to come! Come here." But she remained standing where she was. "Do you know where I met these desirable tenants? In the National Gallery, when I was up to see my mother last week." "What an odd place to meet people!" she said nervously. "I don't quite understand." "In the Umbrian Room. Absolute strangers. They were admiring Luca Signorelli--of course, quite stupidly. However, we got talking, and they refreshed me not a little. They had been to Italy." "But, Cecil--" proceeded hilariously. "In the course of conversation they said that they wanted a country cottage--the father to live there, the son to run down for week-ends. I thought, 'What a chance of scoring off Sir Harry!' and I took their address and a London reference, found they weren't actual blackguards--it was great sport--and wrote to him, making out--" "Cecil! No, it's not fair. I've probably met them before--" He bore her down. "Perfectly fair. Anything is fair that punishes a snob. That old man will do the neighbourhood a world of good. Sir Harry is too disgusting with his 'decayed gentlewomen.' I meant to read him a lesson some time. No, Lucy, the classes ought to mix, and before long you'll agree with me. There ought to be intermarriage--all sorts of things. I believe in democracy--" "No, you don't," she snapped. "You don't know what the word means." He stared at her, and felt again that she had failed to be Leonardesque. "No, you don't!" Her face was inartistic--that of a peevish virago. "It isn't fair, Cecil. I blame you--I blame you very much indeed. You had no business to undo my work about the Miss Alans, and make me look ridiculous. You call it scoring off Sir Harry, but do you realize that it is all at my expense? I consider it most disloyal of you." She left him. "Temper!" he thought, raising his eyebrows. No, it was worse than temper--snobbishness. As long as Lucy thought that his own smart friends were supplanting the Miss Alans, she had not minded. He perceived that these new tenants might be of value educationally. He would tolerate the father and draw out the son, who was silent. In the interests of the Comic Muse and of Truth, he would bring them to Windy Corner. Chapter XI: In Mrs. Vyse's Well-Appointed Flat The Comic Muse, though able to look | A Room With A View | cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all." He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>"I have heard,"</|quote|>she said. "Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so." "Friends of mine?" | {
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"content": "cause of Truth are really the same; and I, even I, have found tenants for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll forgive me when you hear it all.\" He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at once.<|quote|>\"I have heard,\"</|quote|>she said. \"Freddy has told us. Naughty Cecil! I suppose I must forgive you. Just think of all the trouble I took for nothing! Certainly the Miss Alans are a little tiresome, and I'd rather have nice friends of yours. But you oughtn't to tease one so.\" \"Friends of mine?\"",
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But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal. | No speaker | at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom | of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I | gentleman who lived a few years back at Monkford. Bless me! what was his name? At this moment I cannot recollect his name, though I have heard it so lately. Penelope, my dear, can you help me to the name of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I remember no gentleman resident at Monkford since the time of old Governor Trent." "Bless me! how very odd! I shall forget my own name soon, I suppose. A name that I am so very well acquainted with; knew the gentleman | himself, and seemed more conversant with business; and moreover, Sir Walter, I found she was not quite unconnected in this country, any more than her husband; that is to say, she is sister to a gentleman who did live amongst us once; she told me so herself: sister to the gentleman who lived a few years back at Monkford. Bless me! what was his name? At this moment I cannot recollect his name, though I have heard it so lately. Penelope, my dear, can you help me to the name of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I remember no gentleman resident at Monkford since the time of old Governor Trent." "Bless me! how very odd! I shall forget my own name soon, I suppose. A name that I am so very well acquainted with; knew the gentleman so well by sight; seen him a hundred times; came to consult me once, I remember, about a trespass of one of his neighbours; farmer's man breaking into his orchard; wall torn down; apples stolen; caught in the fact; and afterwards, contrary to my judgement, submitted to an amicable compromise. | Mr Shepherd observed, without a lady: he did not know, whether furniture might not be in danger of suffering as much where there was no lady, as where there were many children. A lady, without a family, was the very best preserver of furniture in the world. He had seen Mrs Croft, too; she was at Taunton with the admiral, and had been present almost all the time they were talking the matter over. "And a very well-spoken, genteel, shrewd lady, she seemed to be," continued he; "asked more questions about the house, and terms, and taxes, than the Admiral himself, and seemed more conversant with business; and moreover, Sir Walter, I found she was not quite unconnected in this country, any more than her husband; that is to say, she is sister to a gentleman who did live amongst us once; she told me so herself: sister to the gentleman who lived a few years back at Monkford. Bless me! what was his name? At this moment I cannot recollect his name, though I have heard it so lately. Penelope, my dear, can you help me to the name of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I remember no gentleman resident at Monkford since the time of old Governor Trent." "Bless me! how very odd! I shall forget my own name soon, I suppose. A name that I am so very well acquainted with; knew the gentleman so well by sight; seen him a hundred times; came to consult me once, I remember, about a trespass of one of his neighbours; farmer's man breaking into his orchard; wall torn down; apples stolen; caught in the fact; and afterwards, contrary to my judgement, submitted to an amicable compromise. Very odd indeed!" After waiting another moment-- "You mean Mr Wentworth, I suppose?" said Anne. Mr Shepherd was all gratitude. "Wentworth was the very name! Mr Wentworth was the very man. He had the curacy of Monkford, you know, Sir Walter, some time back, for two or three years. Came there about the year ---5, I take it. You remember him, I am sure." "Wentworth? Oh! ay,--Mr Wentworth, the curate of Monkford. You misled me by the term gentleman. I thought you were speaking of some man of property: Mr Wentworth was nobody, I remember; quite unconnected; nothing to do | Indies since; he was stationed there, I believe, several years." "Then I take it for granted," observed Sir Walter, "that his face is about as orange as the cuffs and capes of my livery." Mr Shepherd hastened to assure him, that Admiral Croft was a very hale, hearty, well-looking man, a little weather-beaten, to be sure, but not much, and quite the gentleman in all his notions and behaviour; not likely to make the smallest difficulty about terms, only wanted a comfortable home, and to get into it as soon as possible; knew he must pay for his convenience; knew what rent a ready-furnished house of that consequence might fetch; should not have been surprised if Sir Walter had asked more; had inquired about the manor; would be glad of the deputation, certainly, but made no great point of it; said he sometimes took out a gun, but never killed; quite the gentleman. Mr Shepherd was eloquent on the subject; pointing out all the circumstances of the Admiral's family, which made him peculiarly desirable as a tenant. He was a married man, and without children; the very state to be wished for. A house was never taken good care of, Mr Shepherd observed, without a lady: he did not know, whether furniture might not be in danger of suffering as much where there was no lady, as where there were many children. A lady, without a family, was the very best preserver of furniture in the world. He had seen Mrs Croft, too; she was at Taunton with the admiral, and had been present almost all the time they were talking the matter over. "And a very well-spoken, genteel, shrewd lady, she seemed to be," continued he; "asked more questions about the house, and terms, and taxes, than the Admiral himself, and seemed more conversant with business; and moreover, Sir Walter, I found she was not quite unconnected in this country, any more than her husband; that is to say, she is sister to a gentleman who did live amongst us once; she told me so herself: sister to the gentleman who lived a few years back at Monkford. Bless me! what was his name? At this moment I cannot recollect his name, though I have heard it so lately. Penelope, my dear, can you help me to the name of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I remember no gentleman resident at Monkford since the time of old Governor Trent." "Bless me! how very odd! I shall forget my own name soon, I suppose. A name that I am so very well acquainted with; knew the gentleman so well by sight; seen him a hundred times; came to consult me once, I remember, about a trespass of one of his neighbours; farmer's man breaking into his orchard; wall torn down; apples stolen; caught in the fact; and afterwards, contrary to my judgement, submitted to an amicable compromise. Very odd indeed!" After waiting another moment-- "You mean Mr Wentworth, I suppose?" said Anne. Mr Shepherd was all gratitude. "Wentworth was the very name! Mr Wentworth was the very man. He had the curacy of Monkford, you know, Sir Walter, some time back, for two or three years. Came there about the year ---5, I take it. You remember him, I am sure." "Wentworth? Oh! ay,--Mr Wentworth, the curate of Monkford. You misled me by the term gentleman. I thought you were speaking of some man of property: Mr Wentworth was nobody, I remember; quite unconnected; nothing to do with the Strafford family. One wonders how the names of many of our nobility become so common." As Mr Shepherd perceived that this connexion of the Crofts did them no service with Sir Walter, he mentioned it no more; returning, with all his zeal, to dwell on the circumstances more indisputably in their favour; their age, and number, and fortune; the high idea they had formed of Kellynch Hall, and extreme solicitude for the advantage of renting it; making it appear as if they ranked nothing beyond the happiness of being the tenants of Sir Walter Elliot: an extraordinary taste, certainly, could they have been supposed in the secret of Sir Walter's estimate of the dues of a tenant. It succeeded, however; and though Sir Walter must ever look with an evil eye on anyone intending to inhabit that house, and think them infinitely too well off in being permitted to rent it on the highest terms, he was talked into allowing Mr Shepherd to proceed in the treaty, and authorising him to wait on Admiral Croft, who still remained at Taunton, and fix a day for the house being seen. Sir Walter was not very wise; but still he | infected rooms, and expose his health and looks to all the injury of a poisonous atmosphere. In fact, as I have long been convinced, though every profession is necessary and honourable in its turn, it is only the lot of those who are not obliged to follow any, who can live in a regular way, in the country, choosing their own hours, following their own pursuits, and living on their own property, without the torment of trying for more; it is only their lot, I say, to hold the blessings of health and a good appearance to the utmost: I know no other set of men but what lose something of their personableness when they cease to be quite young." It seemed as if Mr Shepherd, in this anxiety to bespeak Sir Walter's good will towards a naval officer as tenant, had been gifted with foresight; for the very first application for the house was from an Admiral Croft, with whom he shortly afterwards fell into company in attending the quarter sessions at Taunton; and indeed, he had received a hint of the Admiral from a London correspondent. By the report which he hastened over to Kellynch to make, Admiral Croft was a native of Somersetshire, who having acquired a very handsome fortune, was wishing to settle in his own country, and had come down to Taunton in order to look at some advertised places in that immediate neighbourhood, which, however, had not suited him; that accidentally hearing--(it was just as he had foretold, Mr Shepherd observed, Sir Walter's concerns could not be kept a secret,)--accidentally hearing of the possibility of Kellynch Hall being to let, and understanding his (Mr Shepherd's) connection with the owner, he had introduced himself to him in order to make particular inquiries, and had, in the course of a pretty long conference, expressed as strong an inclination for the place as a man who knew it only by description could feel; and given Mr Shepherd, in his explicit account of himself, every proof of his being a most responsible, eligible tenant. "And who is Admiral Croft?" was Sir Walter's cold suspicious inquiry. Mr Shepherd answered for his being of a gentleman's family, and mentioned a place; and Anne, after the little pause which followed, added-- "He is a rear admiral of the white. He was in the Trafalgar action, and has been in the East Indies since; he was stationed there, I believe, several years." "Then I take it for granted," observed Sir Walter, "that his face is about as orange as the cuffs and capes of my livery." Mr Shepherd hastened to assure him, that Admiral Croft was a very hale, hearty, well-looking man, a little weather-beaten, to be sure, but not much, and quite the gentleman in all his notions and behaviour; not likely to make the smallest difficulty about terms, only wanted a comfortable home, and to get into it as soon as possible; knew he must pay for his convenience; knew what rent a ready-furnished house of that consequence might fetch; should not have been surprised if Sir Walter had asked more; had inquired about the manor; would be glad of the deputation, certainly, but made no great point of it; said he sometimes took out a gun, but never killed; quite the gentleman. Mr Shepherd was eloquent on the subject; pointing out all the circumstances of the Admiral's family, which made him peculiarly desirable as a tenant. He was a married man, and without children; the very state to be wished for. A house was never taken good care of, Mr Shepherd observed, without a lady: he did not know, whether furniture might not be in danger of suffering as much where there was no lady, as where there were many children. A lady, without a family, was the very best preserver of furniture in the world. He had seen Mrs Croft, too; she was at Taunton with the admiral, and had been present almost all the time they were talking the matter over. "And a very well-spoken, genteel, shrewd lady, she seemed to be," continued he; "asked more questions about the house, and terms, and taxes, than the Admiral himself, and seemed more conversant with business; and moreover, Sir Walter, I found she was not quite unconnected in this country, any more than her husband; that is to say, she is sister to a gentleman who did live amongst us once; she told me so herself: sister to the gentleman who lived a few years back at Monkford. Bless me! what was his name? At this moment I cannot recollect his name, though I have heard it so lately. Penelope, my dear, can you help me to the name of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I remember no gentleman resident at Monkford since the time of old Governor Trent." "Bless me! how very odd! I shall forget my own name soon, I suppose. A name that I am so very well acquainted with; knew the gentleman so well by sight; seen him a hundred times; came to consult me once, I remember, about a trespass of one of his neighbours; farmer's man breaking into his orchard; wall torn down; apples stolen; caught in the fact; and afterwards, contrary to my judgement, submitted to an amicable compromise. Very odd indeed!" After waiting another moment-- "You mean Mr Wentworth, I suppose?" said Anne. Mr Shepherd was all gratitude. "Wentworth was the very name! Mr Wentworth was the very man. He had the curacy of Monkford, you know, Sir Walter, some time back, for two or three years. Came there about the year ---5, I take it. You remember him, I am sure." "Wentworth? Oh! ay,--Mr Wentworth, the curate of Monkford. You misled me by the term gentleman. I thought you were speaking of some man of property: Mr Wentworth was nobody, I remember; quite unconnected; nothing to do with the Strafford family. One wonders how the names of many of our nobility become so common." As Mr Shepherd perceived that this connexion of the Crofts did them no service with Sir Walter, he mentioned it no more; returning, with all his zeal, to dwell on the circumstances more indisputably in their favour; their age, and number, and fortune; the high idea they had formed of Kellynch Hall, and extreme solicitude for the advantage of renting it; making it appear as if they ranked nothing beyond the happiness of being the tenants of Sir Walter Elliot: an extraordinary taste, certainly, could they have been supposed in the secret of Sir Walter's estimate of the dues of a tenant. It succeeded, however; and though Sir Walter must ever look with an evil eye on anyone intending to inhabit that house, and think them infinitely too well off in being permitted to rent it on the highest terms, he was talked into allowing Mr Shepherd to proceed in the treaty, and authorising him to wait on Admiral Croft, who still remained at Taunton, and fix a day for the house being seen. Sir Walter was not very wise; but still he had experience enough of the world to feel, that a more unobjectionable tenant, in all essentials, than Admiral Croft bid fair to be, could hardly offer. So far went his understanding; and his vanity supplied a little additional soothing, in the Admiral's situation in life, which was just high enough, and not too high. "I have let my house to Admiral Croft," would sound extremely well; very much better than to any mere Mr--; a Mr (save, perhaps, some half dozen in the nation,) always needs a note of explanation. An admiral speaks his own consequence, and, at the same time, can never make a baronet look small. In all their dealings and intercourse, Sir Walter Elliot must ever have the precedence. Nothing could be done without a reference to Elizabeth: but her inclination was growing so strong for a removal, that she was happy to have it fixed and expedited by a tenant at hand; and not a word to suspend decision was uttered by her. Mr Shepherd was completely empowered to act; and no sooner had such an end been reached, than Anne, who had been a most attentive listener to the whole, left the room, to seek the comfort of cool air for her flushed cheeks; and as she walked along a favourite grove, said, with a gentle sigh, "A few months more, and he, perhaps, may be walking here." Chapter 4 He was not Mr Wentworth, the former curate of Monkford, however suspicious appearances may be, but a Captain Frederick Wentworth, his brother, who being made commander in consequence of the action off St Domingo, and not immediately employed, had come into Somersetshire, in the summer of 1806; and having no parent living, found a home for half a year at Monkford. He was, at that time, a remarkably fine young man, with a great deal of intelligence, spirit, and brilliancy; and Anne an extremely pretty girl, with gentleness, modesty, taste, and feeling. Half the sum of attraction, on either side, might have been enough, for he had nothing to do, and she had hardly anybody to love; but the encounter of such lavish recommendations could not fail. They were gradually acquainted, and when acquainted, rapidly and deeply in love. It would be difficult to say which had seen highest perfection in the other, or which had been the happiest: she, in receiving his declarations and | tenant. "And who is Admiral Croft?" was Sir Walter's cold suspicious inquiry. Mr Shepherd answered for his being of a gentleman's family, and mentioned a place; and Anne, after the little pause which followed, added-- "He is a rear admiral of the white. He was in the Trafalgar action, and has been in the East Indies since; he was stationed there, I believe, several years." "Then I take it for granted," observed Sir Walter, "that his face is about as orange as the cuffs and capes of my livery." Mr Shepherd hastened to assure him, that Admiral Croft was a very hale, hearty, well-looking man, a little weather-beaten, to be sure, but not much, and quite the gentleman in all his notions and behaviour; not likely to make the smallest difficulty about terms, only wanted a comfortable home, and to get into it as soon as possible; knew he must pay for his convenience; knew what rent a ready-furnished house of that consequence might fetch; should not have been surprised if Sir Walter had asked more; had inquired about the manor; would be glad of the deputation, certainly, but made no great point of it; said he sometimes took out a gun, but never killed; quite the gentleman. Mr Shepherd was eloquent on the subject; pointing out all the circumstances of the Admiral's family, which made him peculiarly desirable as a tenant. He was a married man, and without children; the very state to be wished for. A house was never taken good care of, Mr Shepherd observed, without a lady: he did not know, whether furniture might not be in danger of suffering as much where there was no lady, as where there were many children. A lady, without a family, was the very best preserver of furniture in the world. He had seen Mrs Croft, too; she was at Taunton with the admiral, and had been present almost all the time they were talking the matter over. "And a very well-spoken, genteel, shrewd lady, she seemed to be," continued he; "asked more questions about the house, and terms, and taxes, than the Admiral himself, and seemed more conversant with business; and moreover, Sir Walter, I found she was not quite unconnected in this country, any more than her husband; that is to say, she is sister to a gentleman who did live amongst us once; she told me so herself: sister to the gentleman who lived a few years back at Monkford. Bless me! what was his name? At this moment I cannot recollect his name, though I have heard it so lately. Penelope, my dear, can you help me to the name of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I remember no gentleman resident at Monkford since the time of old Governor Trent." "Bless me! how very odd! I shall forget my own name soon, I suppose. A name that I am so very well acquainted with; knew the gentleman so well by sight; seen him a hundred times; came to consult me once, I remember, about a trespass of one of his neighbours; farmer's man breaking into his orchard; wall torn down; apples stolen; caught in the fact; and afterwards, contrary to my judgement, submitted to an amicable compromise. Very odd indeed!" After waiting another moment-- "You mean Mr Wentworth, I suppose?" said Anne. Mr Shepherd was all gratitude. "Wentworth was the very name! Mr Wentworth was the very man. He had the curacy of Monkford, you know, Sir Walter, some time back, for two or three years. Came there about the year ---5, I take it. You remember him, I am sure." "Wentworth? Oh! ay,--Mr Wentworth, the curate of Monkford. You misled me by the term gentleman. I thought you were speaking of some man of property: Mr Wentworth was nobody, I remember; quite unconnected; nothing to do with the Strafford family. One wonders how the names of many of our nobility become so common." As Mr Shepherd perceived that this connexion of the Crofts did them no service with Sir Walter, he mentioned it no more; returning, with all his zeal, to dwell on the circumstances more indisputably in their favour; their age, and number, and fortune; the high idea they had formed of Kellynch Hall, and extreme solicitude for the advantage of renting it; making it appear as if they ranked nothing beyond the happiness of being the tenants of Sir Walter Elliot: an extraordinary taste, certainly, could they have been supposed in the secret of Sir Walter's estimate of the dues of a tenant. It succeeded, however; and though Sir Walter must ever look with an evil eye on anyone intending to inhabit that house, and think them infinitely too well off in being permitted to rent it on the highest terms, he was talked into allowing Mr Shepherd to | Persuasion | gentleman who lived a few years back at Monkford. Bless me! what was his name? At this moment I cannot recollect his name, though I have heard it so lately. Penelope, my dear, can you help me to the name of the gentleman who lived at Monkford: Mrs Croft's brother?"<|quote|>But Mrs Clay was talking so eagerly with Miss Elliot, that she did not hear the appeal.</|quote|>"I have no conception whom you can mean, Shepherd; I remember no gentleman resident at Monkford since the time of old Governor Trent." "Bless me! how very odd! I shall forget my own name soon, I suppose. A name that I am so very well acquainted with; knew the gentleman | {
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"To the Italian. Go." | Harriet | was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si | bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don | bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable "Go!" "Go where?" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don t be a goose. I m not going now. You re in the way, too.) "Vorrei due camere--" "Go. This instant. Now. I ll stand it no longer. Go!" "I m damned if I ll go. I want my tea." | Santa Deodata was better company than Harriet, and she kept Philip in a pleasant dream until the legno drew up at the hotel. Every one there was asleep, for it was still the hour when only idiots were moving. There were not even any beggars about. The cabman put their bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable "Go!" "Go where?" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don t be a goose. I m not going now. You re in the way, too.) "Vorrei due camere--" "Go. This instant. Now. I ll stand it no longer. Go!" "I m damned if I ll go. I want my tea." "Swear if you like!" she cried. "Blaspheme! Abuse me! But understand, I m in earnest." "Harriet, don t act. Or act better." "We ve come here to get the baby back, and for nothing else. I ll not have this levity and slackness, and talk about pictures and churches. Think | in the left transept, and the arch into the choir, and there are scraps in the choir itself. There the decoration stopped, till in the full spring of the Renaissance a great painter came to pay a few weeks visit to his friend the Lord of Monteriano. In the intervals between the banquets and the discussions on Latin etymology and the dancing, he would stroll over to the church, and there in the fifth chapel to the right he has painted two frescoes of the death and burial of Santa Deodata. That is why Baedeker gives the place a star. Santa Deodata was better company than Harriet, and she kept Philip in a pleasant dream until the legno drew up at the hotel. Every one there was asleep, for it was still the hour when only idiots were moving. There were not even any beggars about. The cabman put their bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable "Go!" "Go where?" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don t be a goose. I m not going now. You re in the way, too.) "Vorrei due camere--" "Go. This instant. Now. I ll stand it no longer. Go!" "I m damned if I ll go. I want my tea." "Swear if you like!" she cried. "Blaspheme! Abuse me! But understand, I m in earnest." "Harriet, don t act. Or act better." "We ve come here to get the baby back, and for nothing else. I ll not have this levity and slackness, and talk about pictures and churches. Think of mother; did she send you out for THEM?" "Think of mother and don t straddle across the stairs. Let the cabman and the landlady come down, and let me go up and choose rooms." "I shan t." "Harriet, are you mad?" "If you like. But you will not come up till you have seen the Italian." "La signorina si sente male," said Philip, "C e il sole." "Poveretta!" cried the landlady and the cabman. "Leave me alone!" said Harriet, snarling round at them. "I don t care for the lot of you. I m English, and neither you ll | to eat, refusing to play, refusing to work. The devil, envious of such sanctity, tempted her in various ways. He dangled grapes above her, he showed her fascinating toys, he pushed soft pillows beneath her aching head. When all proved vain he tripped up the mother and flung her downstairs before her very eyes. But so holy was the saint that she never picked her mother up, but lay upon her back through all, and thus assured her throne in Paradise. She was only fifteen when she died, which shows how much is within the reach of any school-girl. Those who think her life was unpractical need only think of the victories upon Poggibonsi, San Gemignano, Volterra, Siena itself--all gained through the invocation of her name; they need only look at the church which rose over her grave. The grand schemes for a marble facade were never carried out, and it is brown unfinished stone until this day. But for the inside Giotto was summoned to decorate the walls of the nave. Giotto came--that is to say, he did not come, German research having decisively proved--but at all events the nave is covered with frescoes, and so are two chapels in the left transept, and the arch into the choir, and there are scraps in the choir itself. There the decoration stopped, till in the full spring of the Renaissance a great painter came to pay a few weeks visit to his friend the Lord of Monteriano. In the intervals between the banquets and the discussions on Latin etymology and the dancing, he would stroll over to the church, and there in the fifth chapel to the right he has painted two frescoes of the death and burial of Santa Deodata. That is why Baedeker gives the place a star. Santa Deodata was better company than Harriet, and she kept Philip in a pleasant dream until the legno drew up at the hotel. Every one there was asleep, for it was still the hour when only idiots were moving. There were not even any beggars about. The cabman put their bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable "Go!" "Go where?" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don t be a goose. I m not going now. You re in the way, too.) "Vorrei due camere--" "Go. This instant. Now. I ll stand it no longer. Go!" "I m damned if I ll go. I want my tea." "Swear if you like!" she cried. "Blaspheme! Abuse me! But understand, I m in earnest." "Harriet, don t act. Or act better." "We ve come here to get the baby back, and for nothing else. I ll not have this levity and slackness, and talk about pictures and churches. Think of mother; did she send you out for THEM?" "Think of mother and don t straddle across the stairs. Let the cabman and the landlady come down, and let me go up and choose rooms." "I shan t." "Harriet, are you mad?" "If you like. But you will not come up till you have seen the Italian." "La signorina si sente male," said Philip, "C e il sole." "Poveretta!" cried the landlady and the cabman. "Leave me alone!" said Harriet, snarling round at them. "I don t care for the lot of you. I m English, and neither you ll come down nor he up till he goes for the baby." "La prego-piano-piano-c e un altra signorina che dorme--" "We shall probably be arrested for brawling, Harriet. Have you the very slightest sense of the ludicrous?" Harriet had not; that was why she could be so powerful. She had concocted this scene in the carriage, and nothing should baulk her of it. To the abuse in front and the coaxing behind she was equally indifferent. How long she would have stood like a glorified Horatius, keeping the staircase at both ends, was never to be known. For the young lady, whose sleep they were disturbing, awoke and opened her bedroom door, and came out on to the landing. She was Miss Abbott. Philip s first coherent feeling was one of indignation. To be run by his mother and hectored by his sister was as much as he could stand. The intervention of a third female drove him suddenly beyond politeness. He was about to say exactly what he thought about the thing from beginning to end. But before he could do so Harriet also had seen Miss Abbott. She uttered a shrill cry of joy. "You, Caroline, here of all | he s absolutely vile." He looked at the city. It seemed to approve his remark. "It s the supreme test. The man who is unchivalrous to a woman--" "Oh, stow it! Take it to the Back Kitchen. It s no more a supreme test than anything else. The Italians never were chivalrous from the first. If you condemn him for that, you ll condemn the whole lot." "I condemn the whole lot." "And the French as well?" "And the French as well." "Things aren t so jolly easy," said Philip, more to himself than to her. But for Harriet things were easy, though not jolly, and she turned upon her brother yet again. "What about the baby, pray? You ve said a lot of smart things and whittled away morality and religion and I don t know what; but what about the baby? You think me a fool, but I ve been noticing you all today, and you haven t mentioned the baby once. You haven t thought about it, even. You don t care. Philip! I shall not speak to you. You are intolerable." She kept her promise, and never opened her lips all the rest of the way. But her eyes glowed with anger and resolution. For she was a straight, brave woman, as well as a peevish one. Philip acknowledged her reproof to be true. He did not care about the baby one straw. Nevertheless, he meant to do his duty, and he was fairly confident of success. If Gino would have sold his wife for a thousand lire, for how much less would he not sell his child? It was just a commercial transaction. Why should it interfere with other things? His eyes were fixed on the towers again, just as they had been fixed when he drove with Miss Abbott. But this time his thoughts were pleasanter, for he had no such grave business on his mind. It was in the spirit of the cultivated tourist that he approached his destination. One of the towers, rough as any other, was topped by a cross--the tower of the Collegiate Church of Santa Deodata. She was a holy maiden of the Dark Ages, the city s patron saint, and sweetness and barbarity mingle strangely in her story. So holy was she that all her life she lay upon her back in the house of her mother, refusing to eat, refusing to play, refusing to work. The devil, envious of such sanctity, tempted her in various ways. He dangled grapes above her, he showed her fascinating toys, he pushed soft pillows beneath her aching head. When all proved vain he tripped up the mother and flung her downstairs before her very eyes. But so holy was the saint that she never picked her mother up, but lay upon her back through all, and thus assured her throne in Paradise. She was only fifteen when she died, which shows how much is within the reach of any school-girl. Those who think her life was unpractical need only think of the victories upon Poggibonsi, San Gemignano, Volterra, Siena itself--all gained through the invocation of her name; they need only look at the church which rose over her grave. The grand schemes for a marble facade were never carried out, and it is brown unfinished stone until this day. But for the inside Giotto was summoned to decorate the walls of the nave. Giotto came--that is to say, he did not come, German research having decisively proved--but at all events the nave is covered with frescoes, and so are two chapels in the left transept, and the arch into the choir, and there are scraps in the choir itself. There the decoration stopped, till in the full spring of the Renaissance a great painter came to pay a few weeks visit to his friend the Lord of Monteriano. In the intervals between the banquets and the discussions on Latin etymology and the dancing, he would stroll over to the church, and there in the fifth chapel to the right he has painted two frescoes of the death and burial of Santa Deodata. That is why Baedeker gives the place a star. Santa Deodata was better company than Harriet, and she kept Philip in a pleasant dream until the legno drew up at the hotel. Every one there was asleep, for it was still the hour when only idiots were moving. There were not even any beggars about. The cabman put their bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable "Go!" "Go where?" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don t be a goose. I m not going now. You re in the way, too.) "Vorrei due camere--" "Go. This instant. Now. I ll stand it no longer. Go!" "I m damned if I ll go. I want my tea." "Swear if you like!" she cried. "Blaspheme! Abuse me! But understand, I m in earnest." "Harriet, don t act. Or act better." "We ve come here to get the baby back, and for nothing else. I ll not have this levity and slackness, and talk about pictures and churches. Think of mother; did she send you out for THEM?" "Think of mother and don t straddle across the stairs. Let the cabman and the landlady come down, and let me go up and choose rooms." "I shan t." "Harriet, are you mad?" "If you like. But you will not come up till you have seen the Italian." "La signorina si sente male," said Philip, "C e il sole." "Poveretta!" cried the landlady and the cabman. "Leave me alone!" said Harriet, snarling round at them. "I don t care for the lot of you. I m English, and neither you ll come down nor he up till he goes for the baby." "La prego-piano-piano-c e un altra signorina che dorme--" "We shall probably be arrested for brawling, Harriet. Have you the very slightest sense of the ludicrous?" Harriet had not; that was why she could be so powerful. She had concocted this scene in the carriage, and nothing should baulk her of it. To the abuse in front and the coaxing behind she was equally indifferent. How long she would have stood like a glorified Horatius, keeping the staircase at both ends, was never to be known. For the young lady, whose sleep they were disturbing, awoke and opened her bedroom door, and came out on to the landing. She was Miss Abbott. Philip s first coherent feeling was one of indignation. To be run by his mother and hectored by his sister was as much as he could stand. The intervention of a third female drove him suddenly beyond politeness. He was about to say exactly what he thought about the thing from beginning to end. But before he could do so Harriet also had seen Miss Abbott. She uttered a shrill cry of joy. "You, Caroline, here of all people!" And in spite of the heat she darted up the stairs and imprinted an affectionate kiss upon her friend. Philip had an inspiration. "You will have a lot to tell Miss Abbott, Harriet, and she may have as much to tell you. So I ll pay my call on Signor Carella, as you suggested, and see how things stand." Miss Abbott uttered some noise of greeting or alarm. He did not reply to it or approach nearer to her. Without even paying the cabman, he escaped into the street. "Tear each other s eyes out!" he cried, gesticulating at the facade of the hotel. "Give it to her, Harriet! Teach her to leave us alone. Give it to her, Caroline! Teach her to be grateful to you. Go it, ladies; go it!" Such people as observed him were interested, but did not conclude that he was mad. This aftermath of conversation is not unknown in Italy. He tried to think how amusing it was; but it would not do--Miss Abbott s presence affected him too personally. Either she suspected him of dishonesty, or else she was being dishonest herself. He preferred to suppose the latter. Perhaps she had seen Gino, and they had prepared some elaborate mortification for the Herritons. Perhaps Gino had sold the baby cheap to her for a joke: it was just the kind of joke that would appeal to him. Philip still remembered the laughter that had greeted his fruitless journey, and the uncouth push that had toppled him on to the bed. And whatever it might mean, Miss Abbott s presence spoilt the comedy: she would do nothing funny. During this short meditation he had walked through the city, and was out on the other side. "Where does Signor Carella live?" he asked the men at the Dogana. "I ll show you," said a little girl, springing out of the ground as Italian children will. "She will show you," said the Dogana men, nodding reassuringly. "Follow her always, always, and you will come to no harm. She is a trustworthy guide. She is my daughter." cousin." sister." Philip knew these relatives well: they ramify, if need be, all over the peninsula. "Do you chance to know whether Signor Carella is in?" he asked her. She had just seen him go in. Philip nodded. He was looking forward to the interview this time: it would | Nevertheless, he meant to do his duty, and he was fairly confident of success. If Gino would have sold his wife for a thousand lire, for how much less would he not sell his child? It was just a commercial transaction. Why should it interfere with other things? His eyes were fixed on the towers again, just as they had been fixed when he drove with Miss Abbott. But this time his thoughts were pleasanter, for he had no such grave business on his mind. It was in the spirit of the cultivated tourist that he approached his destination. One of the towers, rough as any other, was topped by a cross--the tower of the Collegiate Church of Santa Deodata. She was a holy maiden of the Dark Ages, the city s patron saint, and sweetness and barbarity mingle strangely in her story. So holy was she that all her life she lay upon her back in the house of her mother, refusing to eat, refusing to play, refusing to work. The devil, envious of such sanctity, tempted her in various ways. He dangled grapes above her, he showed her fascinating toys, he pushed soft pillows beneath her aching head. When all proved vain he tripped up the mother and flung her downstairs before her very eyes. But so holy was the saint that she never picked her mother up, but lay upon her back through all, and thus assured her throne in Paradise. She was only fifteen when she died, which shows how much is within the reach of any school-girl. Those who think her life was unpractical need only think of the victories upon Poggibonsi, San Gemignano, Volterra, Siena itself--all gained through the invocation of her name; they need only look at the church which rose over her grave. The grand schemes for a marble facade were never carried out, and it is brown unfinished stone until this day. But for the inside Giotto was summoned to decorate the walls of the nave. Giotto came--that is to say, he did not come, German research having decisively proved--but at all events the nave is covered with frescoes, and so are two chapels in the left transept, and the arch into the choir, and there are scraps in the choir itself. There the decoration stopped, till in the full spring of the Renaissance a great painter came to pay a few weeks visit to his friend the Lord of Monteriano. In the intervals between the banquets and the discussions on Latin etymology and the dancing, he would stroll over to the church, and there in the fifth chapel to the right he has painted two frescoes of the death and burial of Santa Deodata. That is why Baedeker gives the place a star. Santa Deodata was better company than Harriet, and she kept Philip in a pleasant dream until the legno drew up at the hotel. Every one there was asleep, for it was still the hour when only idiots were moving. There were not even any beggars about. The cabman put their bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable "Go!" "Go where?" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don t be a goose. I m not going now. You re in the way, too.) "Vorrei due camere--" "Go. This instant. Now. I ll stand it no longer. Go!" "I m damned if I ll go. I want my tea." "Swear if you like!" she cried. "Blaspheme! Abuse me! But understand, I m in earnest." "Harriet, don t act. Or act better." "We ve come here to get the baby back, and for nothing else. I ll not have this levity and slackness, and talk about pictures and churches. Think of mother; did she send you out for THEM?" "Think of mother and don t straddle across the stairs. Let the cabman and the landlady come down, and let me go up and choose rooms." "I shan t." "Harriet, are you mad?" "If you like. But you will not come up till you have seen the Italian." "La signorina si sente male," said Philip, "C e il sole." "Poveretta!" cried the landlady and the cabman. "Leave me alone!" said Harriet, snarling round at them. "I don t care for the lot of you. I m English, and neither you ll come down nor he up till he goes for the baby." "La prego-piano-piano-c e un altra signorina che dorme--" "We shall probably be arrested for brawling, Harriet. Have you the very slightest sense of the ludicrous?" Harriet had not; that was why she could be so powerful. She had concocted this scene in the carriage, and nothing should baulk her of it. To the abuse in front and the coaxing behind she was equally indifferent. How long she would have stood like a glorified Horatius, keeping the staircase at both ends, was never to be known. For the young lady, whose sleep they were disturbing, awoke and opened her bedroom door, and came out on to the landing. She was Miss Abbott. Philip s first coherent feeling was one of indignation. To be run by his mother and hectored by his sister was as much as he could stand. The intervention of a third female drove him suddenly beyond politeness. He was about to say exactly what he thought about the thing from beginning to end. But before he could do so Harriet also had seen Miss Abbott. She uttered a shrill cry of joy. "You, Caroline, here of all people!" And in spite of the heat she darted up the stairs and imprinted an affectionate kiss upon her friend. Philip had an inspiration. "You will have a lot to tell Miss Abbott, Harriet, and she may have as much to tell you. So I ll pay my call on Signor Carella, as you suggested, and see how things stand." Miss Abbott uttered some noise of greeting or alarm. He did not reply to it or approach nearer to her. Without even paying the cabman, he escaped into the street. "Tear each other s eyes out!" he cried, gesticulating at the facade of the hotel. "Give it to her, Harriet! Teach her to leave us alone. Give it to her, Caroline! Teach her to be grateful to you. Go it, ladies; go it!" Such people as observed him were interested, but did not conclude that he was mad. This aftermath of conversation is not unknown in Italy. He tried to think how amusing it was; but it would not do--Miss Abbott s presence affected him too personally. Either she suspected him of dishonesty, or else she was being dishonest herself. He | Where Angels Fear To Tread | bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable "Go!" "Go where?" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>"To the Italian. Go."</|quote|>"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!" (Don t be a goose. I m not going now. You re in the way, too.) "Vorrei due camere--" "Go. This instant. Now. I ll stand it no longer. Go!" "I m damned if I ll go. I want my tea." | {
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"content": "bags down in the passage--they had left heavy luggage at the station--and strolled about till he came on the landlady s room and woke her, and sent her to them. Then Harriet pronounced the monosyllable \"Go!\" \"Go where?\" asked Philip, bowing to the landlady, who was swimming down the stairs.<|quote|>\"To the Italian. Go.\"</|quote|>\"Buona sera, signora padrona. Si ritorna volontieri a Monteriano!\" (Don t be a goose. I m not going now. You re in the way, too.) \"Vorrei due camere--\" \"Go. This instant. Now. I ll stand it no longer. Go!\" \"I m damned if I ll go. I want my tea.\"",
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"Oh, take care--!" | Margaret | the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the | in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and | very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My | ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won t be a movement, because it will rest on the earth. All the signs are against it now, but I can t help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My father has asked for you," he said with hostility. She took her work and followed him. "We have been talking business," he continued, "but I dare say you knew all about it beforehand." "Yes, I did." Clumsy of movement--for he had spent all his life in the saddle--Paul drove his | Surrey and even Hampshire now," she continued. "I can see it from the Purbeck Downs. And London is only part of something else, I m afraid. Life s going to be melted down, all over the world." Margaret knew that her sister spoke truly. Howards End, Oniton, the Purbeck Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One s hope was in the weakness of logic. Were they possibly the earth beating time? "Because a thing is going strong now, it need not go strong for ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won t be a movement, because it will rest on the earth. All the signs are against it now, but I can t help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My father has asked for you," he said with hostility. She took her work and followed him. "We have been talking business," he continued, "but I dare say you knew all about it beforehand." "Yes, I did." Clumsy of movement--for he had spent all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of | plan--I wanted you; he wanted you; and everyone said it was impossible, but you knew. Just think of our lives without you, Meg--I and baby with Monica, revolting by theory, he handed about from Dolly to Evie. But you picked up the pieces, and made us a home. Can t it strike you--even for a moment--that your life has been heroic? Can t you remember the two months after Charles s arrest, when you began to act, and did all?" "You were both ill at the time," said Margaret. "I did the obvious things. I had two invalids to nurse. Here was a house, ready furnished and empty. It was obvious. I didn t know myself it would turn into a permanent home. No doubt I have done a little towards straightening the tangle, but things that I can t phrase have helped me." "I hope it will be permanent," said Helen, drifting away to other thoughts. "I think so. There are moments when I feel Howards End peculiarly our own." "All the same, London s creeping." She pointed over the meadow--over eight or nine meadows, but at the end of them was a red rust. "You see that in Surrey and even Hampshire now," she continued. "I can see it from the Purbeck Downs. And London is only part of something else, I m afraid. Life s going to be melted down, all over the world." Margaret knew that her sister spoke truly. Howards End, Oniton, the Purbeck Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One s hope was in the weakness of logic. Were they possibly the earth beating time? "Because a thing is going strong now, it need not go strong for ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won t be a movement, because it will rest on the earth. All the signs are against it now, but I can t help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My father has asked for you," he said with hostility. She took her work and followed him. "We have been talking business," he continued, "but I dare say you knew all about it beforehand." "Yes, I did." Clumsy of movement--for he had spent all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six. "Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him | please?" "Baby s not to try and stand.--There s something wanting in me. I see you loving Henry, and understanding him better daily, and I know that death wouldn t part you in the least. But I--Is it some awful, appalling, criminal defect?" Margaret silenced her. She said: "It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don t fret yourself, Helen. Develop what you have; love your child. I do not love children. I am thankful to have none. I can play with their beauty and charm, but that is all--nothing real, not one scrap of what there ought to be. And others--others go farther still, and move outside humanity altogether. A place, as well as a person, may catch the glow. Don t you see that all this leads to comfort in the end? It is part of the battle against sameness. Differences, eternal differences, planted by God in a single family, so that there may always be colour; sorrow perhaps, but colour in the daily grey. Then I can t have you worrying about Leonard. Don t drag in the personal when it will not come. Forget him." "Yes, yes, but what has Leonard got out of life?" "Perhaps an adventure." "Is that enough?" "Not for us. But for him." Helen took up a bunch of grass. She looked at the sorrel, and the red and white and yellow clover, and the quaker grass, and the daisies, and the bents that composed it. She raised it to her face. "Is it sweetening yet?" asked Margaret. "No, only withered." "It will sweeten to-morrow." Helen smiled. "Oh, Meg, you are a person," she said. "Think of the racket and torture this time last year. But now I couldn t stop unhappy if I tried. What a change--and all through you!" "Oh, we merely settled down. You and Henry learnt to understand one another and to forgive, all through the autumn and the winter." "Yes, but who settled us down?" Margaret did not reply. The scything had begun, and she took off her pince-nez to watch it. "You!" cried Helen. "You did it all, sweetest, though you re too stupid to see. Living here was your plan--I wanted you; he wanted you; and everyone said it was impossible, but you knew. Just think of our lives without you, Meg--I and baby with Monica, revolting by theory, he handed about from Dolly to Evie. But you picked up the pieces, and made us a home. Can t it strike you--even for a moment--that your life has been heroic? Can t you remember the two months after Charles s arrest, when you began to act, and did all?" "You were both ill at the time," said Margaret. "I did the obvious things. I had two invalids to nurse. Here was a house, ready furnished and empty. It was obvious. I didn t know myself it would turn into a permanent home. No doubt I have done a little towards straightening the tangle, but things that I can t phrase have helped me." "I hope it will be permanent," said Helen, drifting away to other thoughts. "I think so. There are moments when I feel Howards End peculiarly our own." "All the same, London s creeping." She pointed over the meadow--over eight or nine meadows, but at the end of them was a red rust. "You see that in Surrey and even Hampshire now," she continued. "I can see it from the Purbeck Downs. And London is only part of something else, I m afraid. Life s going to be melted down, all over the world." Margaret knew that her sister spoke truly. Howards End, Oniton, the Purbeck Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One s hope was in the weakness of logic. Were they possibly the earth beating time? "Because a thing is going strong now, it need not go strong for ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won t be a movement, because it will rest on the earth. All the signs are against it now, but I can t help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My father has asked for you," he said with hostility. She took her work and followed him. "We have been talking business," he continued, "but I dare say you knew all about it beforehand." "Yes, I did." Clumsy of movement--for he had spent all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six. "Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise." Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives. "In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?" Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said: "Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included." Mrs. Cahill whispered: "Don t, Paul. You promised you d take care." Feeling a woman of the world, she rose and prepared to take her leave. Her father kissed her. "Good-bye, old girl," he said; "don t you worry about me." "Good-bye, dad." Then it was Dolly s turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all." From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her. And again and again fell the word, like the ebb of a dying sea. "Good-bye." "Good-bye, Dolly." "So long, father." "Good-bye, my boy; always take care of yourself." "Good-bye, Mrs. Wilcox." "Good-bye." Margaret saw their visitors to the gate. Then she returned to | have helped me." "I hope it will be permanent," said Helen, drifting away to other thoughts. "I think so. There are moments when I feel Howards End peculiarly our own." "All the same, London s creeping." She pointed over the meadow--over eight or nine meadows, but at the end of them was a red rust. "You see that in Surrey and even Hampshire now," she continued. "I can see it from the Purbeck Downs. And London is only part of something else, I m afraid. Life s going to be melted down, all over the world." Margaret knew that her sister spoke truly. Howards End, Oniton, the Purbeck Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One s hope was in the weakness of logic. Were they possibly the earth beating time? "Because a thing is going strong now, it need not go strong for ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won t be a movement, because it will rest on the earth. All the signs are against it now, but I can t help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My father has asked for you," he said with hostility. She took her work and followed him. "We have been talking business," he continued, "but I dare say you knew all about it beforehand." "Yes, I did." Clumsy of movement--for he had spent all his life in the saddle--Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly s boa and gloves out of a vase. Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six. "Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don t want you all coming here later on and complaining that I have been unfair." "It s apparently got to suit us," said Paul. "I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead." Paul frowned ill-temperedly, and began scratching at his arm. "As I ve given up the outdoor life that suited me, and I have come home to look after the business, it s no good my settling down here," he said at last. "It s not really the country, and it s not the town." "Very well. Does my arrangement suit you, Evie?" "Of course, father." "And you, Dolly?" Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can t think of any other name." There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm. "Then I leave Howards End | Howards End | very early in the morning in the garden I feel that our house is the future as well as the past." They turned and looked at it. Their own memories coloured it now, for Helen s child had been born in the central room of the nine. Then Margaret said,<|quote|>"Oh, take care--!"</|quote|>for something moved behind the window of the hall, and the door opened. "The conclave s breaking at last. I ll go." It was Paul. Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache. "My | {
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"Nothing" | Margaret | the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a | at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, | though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the | Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said | die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham | about. She made a false start with the Wilcoxes, and she ll be as willing as we are to have nothing more to do with them." "For a clever girl, dear, how very oddly you do talk. Helen ll HAVE to have something more to do with them, now that they re all opposite. She may meet that Paul in the street. She cannot very well not bow." "Of course she must bow. But look here; let s do the flowers. I was going to say, the will to be interested in him has died, and what else matters? I look on that disastrous episode (over which you were so kind) as the killing of a nerve in Helen. It s dead, and she ll never be troubled with it again. The only things that matter are the things that interest one. Bowing, even calling and leaving cards, even a dinner-party--we can do all those things to the Wilcoxes, if they find it agreeable; but the other thing, the one important thing--never again. Don t you see?" Mrs. Munt did not see, and indeed Margaret was making a most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said: "Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson." "Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor | "Len?" "You in bed?" he asked, his forehead twitching. "All right." Presently she called him again. "I must clean my boots ready for the morning," he answered. Presently she called him again. "I rather want to get this chapter done." "What?" He closed his ears against her. "What s that?" "All right, Jacky, nothing; I m reading a book." "What?" "What?" he answered, catching her degraded deafness. Presently she called him again. Ruskin had visited Torcello by this time, and was ordering his gondoliers to take him to Murano. It occurred to him, as he glided over the whispering lagoons, that the power of Nature could not be shortened by the folly, nor her beauty altogether saddened by the misery of such as Leonard. CHAPTER VII "Oh, Margaret," cried her aunt next morning, "such a most unfortunate thing has happened. I could not get you alone." The most unfortunate thing was not very serious. One of the flats in the ornate block opposite had been taken furnished by the Wilcox family, "coming up, no doubt, in the hope of getting into London society." That Mrs. Munt should be the first to discover the misfortune was not remarkable, for she was so interested in the flats, that she watched their every mutation with unwearying care. In theory she despised them--they took away that old-world look--they cut off the sun--flats house a flashy type of person. But if the truth had been known, she found her visits to Wickham Place twice as amusing since Wickham Mansions had arisen, and would in a couple of days learn more about them than her nieces in a couple of months, or her nephew in a couple of years. She would stroll across and make friends with the porters, and inquire what the rents were, exclaiming for example: "What! a hundred and twenty for a basement? You ll never get it!" And they would answer: "One can but try, madam." The passenger lifts, the arrangement for coals (a great temptation for a dishonest porter), were all familiar matters to her, and perhaps a relief from the politico-economical-esthetic atmosphere that reigned at the Schlegels. Margaret received the information calmly, and did not agree that it would throw a cloud over poor Helen s life. "Oh, but Helen isn t a girl with no interests," she explained. "She has plenty of other things and other people to think about. She made a false start with the Wilcoxes, and she ll be as willing as we are to have nothing more to do with them." "For a clever girl, dear, how very oddly you do talk. Helen ll HAVE to have something more to do with them, now that they re all opposite. She may meet that Paul in the street. She cannot very well not bow." "Of course she must bow. But look here; let s do the flowers. I was going to say, the will to be interested in him has died, and what else matters? I look on that disastrous episode (over which you were so kind) as the killing of a nerve in Helen. It s dead, and she ll never be troubled with it again. The only things that matter are the things that interest one. Bowing, even calling and leaving cards, even a dinner-party--we can do all those things to the Wilcoxes, if they find it agreeable; but the other thing, the one important thing--never again. Don t you see?" Mrs. Munt did not see, and indeed Margaret was making a most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said: "Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson." "Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d have reached the house a perfect wreck. Oh, Margaret, you don t know what you are in for! They re all bottled up against the drawing-room window. There s Mrs. Wilcox--I ve seen her. There s Paul. There s Evie, who is a minx. There s Charles--I saw him to start with. And who would an elderly man with a moustache and a copper-coloured face be?" "Mr. Wilcox, possibly." "I knew it. And there s Mr. Wilcox." "It s a shame to call his face copper colour," complained Margaret. "He has a remarkably good complexion for a man of his age." Mrs. Munt, triumphant elsewhere, could afford to concede Mr. Wilcox his complexion. She passed on from it to the plan of campaign that her nieces should pursue in the future. Margaret tried to stop her. "Helen did not take the news quite as I expected, but the Wilcox nerve is dead in her really, so there s no need for plans." "It s as well to be prepared." "No--it s as well not to be prepared." "Why?" "Because--" Her thought drew being from the obscure borderland. She could not explain in so many words, but she felt that those who prepare for all the emergencies of life beforehand may equip themselves at the expense of joy. It is necessary to prepare for an examination, or a dinner-party, or a possible fall in the price of stock: those who attempt human relations must adopt another method, or fail. "Because I d sooner risk it," was her lame conclusion. "But imagine the evenings," exclaimed her aunt, pointing to the Mansions with the spout of the watering can. "Turn the electric light on here or there, and it s almost the same room. One evening they may forget to draw their blinds down, and you ll see them; and the next, you yours, and they ll see you. Impossible to sit out on the balconies. Impossible to water the plants, or even speak. Imagine going out of the front-door, and they come out opposite at the same moment. And yet you tell me that plans are unnecessary, and you d rather risk it." "I hope to risk things all my life." "Oh, Margaret, most dangerous." "But after all," she continued with a smile, "there s never any great risk as long as you have money." "Oh, shame! What a | are to have nothing more to do with them." "For a clever girl, dear, how very oddly you do talk. Helen ll HAVE to have something more to do with them, now that they re all opposite. She may meet that Paul in the street. She cannot very well not bow." "Of course she must bow. But look here; let s do the flowers. I was going to say, the will to be interested in him has died, and what else matters? I look on that disastrous episode (over which you were so kind) as the killing of a nerve in Helen. It s dead, and she ll never be troubled with it again. The only things that matter are the things that interest one. Bowing, even calling and leaving cards, even a dinner-party--we can do all those things to the Wilcoxes, if they find it agreeable; but the other thing, the one important thing--never again. Don t you see?" Mrs. Munt did not see, and indeed Margaret was making a most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He | Howards End | though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin.<|quote|>"Nothing"</|quote|>said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the | {
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"I put it to this gentleman. I ask you, sir, am I to have my brain picked?" | Leonard | He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret | want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous | "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take | with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, | Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More | a veil. "How much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I | tell your friend," he said, "that he s quite wrong." "Oh, good!" The young man coloured a little. In his circle to be wrong was fatal. The Miss Schlegels did not mind being wrong. They were genuinely glad that they had been misinformed. To them nothing was fatal but evil. "Wrong, so to speak," he added. "How so to speak ?" "I mean I wouldn t say he s right altogether." But this was a blunder. "Then he is right partly," said the elder woman, quick as lightning. Leonard replied that every one was right partly, if it came to that. "Mr. Bast, I don t understand business, and I dare say my questions are stupid, but can you tell me what makes a concern right or wrong ?" Leonard sat back with a sigh. "Our friend, who is also a business man, was so positive. He said before Christmas--" "And advised you to clear out of it," concluded Helen. "But I don t see why he should know better than you do." Leonard rubbed his hands. He was tempted to say that he knew nothing about the thing at all. But a commercial training was too strong for him. Nor could he say it was a bad thing, for this would be giving it away; nor yet that it was good, for this would be giving it away equally. He attempted to suggest that it was something between the two, with vast possibilities in either direction, but broke down under the gaze of four sincere eyes. And yet he scarcely distinguished between the two sisters. One was more beautiful and more lively, but "the Miss Schlegels" still remained a composite Indian god, whose waving arms and contradictory speeches were the product of a single mind. "One can but see," he remarked, adding, "as Ibsen says, things happen." He was itching to talk about books and make the most of his romantic hour. Minute after minute slipped away, while the ladies, with imperfect skill, discussed the subject of reinsurance or praised their anonymous friend. Leonard grew annoyed--perhaps rightly. He made vague remarks about not being one of those who minded their affairs being talked over by others, but they did not take the hint. Men might have shown more tact. Women, however tactful elsewhere, are heavy-handed here. They cannot see why we should shroud our incomes and our prospects in a veil. "How much exactly have you, and how much do you expect to have next June?" And these were women with a theory, who held that reticence about money matters is absurd, and that life would be truer if each would state the exact size of the golden island upon which he stands, the exact stretch of warp over which he throws the woof that is not money. How can we do justice to the pattern otherwise? And the precious minutes slipped away, and Jacky and squalor came nearer. At last he could bear it no longer, and broke in, reciting the names of books feverishly. There was a moment of piercing joy when Margaret said, "So YOU like Carlyle" and then the door opened, and "Mr. Wilcox, Miss Wilcox" entered, preceded by two prancing puppies. "Oh, the dears! Oh, Evie, how too impossibly sweet!" screamed Helen, falling on her hands and knees. "We brought the little fellows round," said Mr. Wilcox. "I bred em myself." "Oh, really! Mr. Bast, come and play with puppies." "I ve got to be going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the | going now," said Leonard sourly. "But play with puppies a little first." "This is Ahab, that s Jezebel," said Evie, who was one of those who name animals after the less successful characters of Old Testament history. "I ve got to be going." Helen was too much occupied with puppies to notice him. "Mr. Wilcox, Mr. Ba--Must you be really? Good-bye!" "Come again," said Helen from the floor. Then Leonard s gorge arose. Why should he come again? What was the good of it? He said roundly: "No, I shan t; I knew it would be a failure." Most people would have let him go. "A little mistake. We tried knowing another class--impossible." But the Schlegels had never played with life. They had attempted friendship, and they would take the consequences. Helen retorted, "I call that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted | Howards End | "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox.<|quote|>"I put it to this gentleman. I ask you, sir, am I to have my brain picked?"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take | {
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"content": "\"What do you want to have me here for?\" \"To help you, you silly boy!\" cried Helen. \"And don t shout.\" \"I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?\" He turned to Mr. Wilcox.<|quote|>\"I put it to this gentleman. I ask you, sir, am I to have my brain picked?\"</|quote|>Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. \"Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?\" But Margaret ignored him. \"I m connected with a leading insurance company, sir. I receive what I take",
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said Lady Grace at once. | No speaker | Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh | mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to | Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand | _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it | Then _we_ shall have to want it more!” “Well,” she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, | does our success come in?” “In our making the beast, all the same, bolt with him and throw him.” And Hugh further pointed the moral. “If in such proceedings all he knows is publicity the thing is to give him publicity, and it’s only a question of giving him enough. By the time he has enough for himself, you see, he’ll have too much for every one else--so that we shall ‘up’ in a body and slay him.” The girl’s eyebrows, in her wondering face, rose to a question. “But if he has meanwhile got the picture?” “We’ll slay him before he gets it!” He revelled in the breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!” “Well,” she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed, “that I think I had best leave it to you!” His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second thoughts, giving the owner of the great work away: “Then why are you--as if you were a banished Romeo--so keen for news from Verona?” To this odd mixture of business and literature Mr. Bender made no reply, contenting himself with but a large vague blandness that wore in | intelligent--and the great thing is that it immensely ‘marks,’ as they say. It will have made a big public difference--from this day; though it’s of course aimed not so much at persons as at conditions; which it calls upon us all somehow to tackle.” “Exactly” --she was full of the saving vision; “but as the conditions are directly embodied in persons----” “Oh, of course it here and there bells the cat; which means that it bells three or four.” “Yes,” she richly brooded-- “Lady Lappington _is_ a cat!” “She will have been ‘belled,’ at any rate, with your father,” Hugh amusedly went on, “to the certainty of a row; and a row can only be good for us--I mean for _us_ in particular.” Yet he had to bethink himself. “The case depends a good deal of course on how your father _takes_ such a resounding rap.” “Oh, I know how he’ll take it!” --her perception went all the way. “In the very highest and properest spirit?” “Well, you’ll see.” She was as brave as she was clear. “Or at least I shall!” Struck with all this in her he renewed his homage. “You _are_, yes, splendid!” “I even,” she laughed, “surprise myself.” But he was already back at his calculations. “How early do the papers get to you?” “At Dedborough? Oh, quite for breakfast--which isn’t, however, very early.” “Then that’s what has caused his wire to Bender.” “But how will such talk strike _him_?” the girl asked. Hugh meanwhile, visibly, had not only followed his train of thought, he had let it lead him to certainty. “It will have moved Mr. Bender to absolute rapture.” “Rather,” Lady Grace wondered, “than have put him off?” “It will have put him prodigiously _on!_ Mr. Bender--as he said to me at Dedborough of his noble host there,” Hugh pursued-- “is ‘a very nice man’; but he’s a product of the world of advertisment, and advertisement is all he sees and aims at. He lives in it as a saint in glory or a fish in water.” She took it from him as half doubting. “But mayn’t advertisement, in so special a case, turn, on the whole, against him?” Hugh shook a negative forefinger with an expression he might have caught from foreign comrades. “He rides the biggest whirlwind--he has got it saddled and bitted.” She faced the image, but cast about “Then where does our success come in?” “In our making the beast, all the same, bolt with him and throw him.” And Hugh further pointed the moral. “If in such proceedings all he knows is publicity the thing is to give him publicity, and it’s only a question of giving him enough. By the time he has enough for himself, you see, he’ll have too much for every one else--so that we shall ‘up’ in a body and slay him.” The girl’s eyebrows, in her wondering face, rose to a question. “But if he has meanwhile got the picture?” “We’ll slay him before he gets it!” He revelled in the breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!” “Well,” she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed, “that I think I had best leave it to you!” His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second thoughts, giving the owner of the great work away: “Then why are you--as if you were a banished Romeo--so keen for news from Verona?” To this odd mixture of business and literature Mr. Bender made no reply, contenting himself with but a large vague blandness that wore in him somehow the mark of tested utility; so that Hugh put him another question: “Aren’t you here, sir, on the chance of the Mantovano?” “I’m here,” he then imperturbably said, “because Lord Theign has wired me to meet him. Ain’t you here for that yourself?” Hugh betrayed for a moment his enjoyment of a “big” choice of answers. “Dear, no! I’ve but been in, by Lady Sandgate’s leave, to see that grand Lawrence.” “Ah yes, she’s very kind about it--one does go ‘in.’” After which Mr. Bender had, even in the atmosphere of his danger, a throb of curiosity. “Is any one _after_ that grand Lawrence?” “Oh, I hope not,” Hugh laughed, “unless you again dreadfully are: wonderful thing as it is and so just in its right place there.” “You call it,” Mr. Bender impartially inquired, “a _very_ wonderful thing?” “Well, as a Lawrence, it has quite bowled me over” --Hugh spoke as for the strictly aesthetic awkwardness of that. “But you know I take my pictures hard.” He gave a punch to his hat, pressed for time in this connection as he was glad truly to appear to his friend. “I must make my little _rapport_.” Yet before it he did seek briefly to explain. “We’re a band of young men who care--and we watch the great things. Also--for I must give you the real truth about myself--we watch the great people.” “Well, I guess I’m used to being watched--if that’s the worst you can do.” To which Mr. Bender added in his homely way: “But you know, Mr. Crimble, what I’m _really_ after.” Hugh’s strategy on this would again have peeped out for us. “The man in this morning’s ‘Journal’ appears at least to have discovered.” “Yes, the man in this morning’s ‘Journal’ has discovered three or four weeks--as it appears to take you here for everything--after my beginning to talk. Why, they knew I was talking _that_ time ago on the other side.” “Oh, they know things in the States,” Hugh cheerfully agreed, “so independently of their happening! But you must have talked loud.” “Well, I haven’t so much talked as raved,” Mr. Bender conceded-- “for I’m afraid that when I do want a thing I rave till I get it. You heard me at Ded-borough, and your enterprising daily press has at last caught the echo.” “Then they’ll make up for lost time! But have | much. Then _we_ shall have to want it more!” “Well,” she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed, “that I think I had best leave it to you!” His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second | The Outcry | Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand | {
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"content": "Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,”<|quote|>said Lady Grace at once.</|quote|>“I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand",
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"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general." | Henry Tilney | dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, | satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that | of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit." "Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. | out an explanation as you can? No I will be noble. I will prove myself a man, no less by the generosity of my soul than the clearness of my head. I have no patience with such of my sex as disdain to let themselves sometimes down to the comprehension of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit." "Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell | London yesterday. It is to be uncommonly dreadful. I shall expect murder and everything of the kind." "You speak with astonishing composure! But I hope your friend s accounts have been exaggerated; and if such a design is known beforehand, proper measures will undoubtedly be taken by government to prevent its coming to effect." "Government," said Henry, endeavouring not to smile, "neither desires nor dares to interfere in such matters. There must be murder; and government cares not how much." The ladies stared. He laughed, and added, "Come, shall I make you understand each other, or leave you to puzzle out an explanation as you can? No I will be noble. I will prove myself a man, no less by the generosity of my soul than the clearness of my head. I have no patience with such of my sex as disdain to let themselves sometimes down to the comprehension of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit." "Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in | as unworthy to make part of a landscape. Delighted with her progress, and fearful of wearying her with too much wisdom at once, Henry suffered the subject to decline, and by an easy transition from a piece of rocky fragment and the withered oak which he had placed near its summit, to oaks in general, to forests, the enclosure of them, waste lands, crown lands and government, he shortly found himself arrived at politics; and from politics, it was an easy step to silence. The general pause which succeeded his short disquisition on the state of the nation was put an end to by Catherine, who, in rather a solemn tone of voice, uttered these words, "I have heard that something very shocking indeed will soon come out in London." Miss Tilney, to whom this was chiefly addressed, was startled, and hastily replied, "Indeed! And of what nature?" "That I do not know, nor who is the author. I have only heard that it is to be more horrible than anything we have met with yet." "Good heaven! Where could you hear of such a thing?" "A particular friend of mine had an account of it in a letter from London yesterday. It is to be uncommonly dreadful. I shall expect murder and everything of the kind." "You speak with astonishing composure! But I hope your friend s accounts have been exaggerated; and if such a design is known beforehand, proper measures will undoubtedly be taken by government to prevent its coming to effect." "Government," said Henry, endeavouring not to smile, "neither desires nor dares to interfere in such matters. There must be murder; and government cares not how much." The ladies stared. He laughed, and added, "Come, shall I make you understand each other, or leave you to puzzle out an explanation as you can? No I will be noble. I will prove myself a man, no less by the generosity of my soul than the clearness of my head. I have no patience with such of my sex as disdain to let themselves sometimes down to the comprehension of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit." "Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in a sober mood. But I do assure you that he must be entirely misunderstood, if he can ever appear to say an unjust thing of any woman at all, or an unkind one of me." It was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she | formed into pictures, with all the eagerness of real taste. Here Catherine was quite lost. She knew nothing of drawing nothing of taste: and she listened to them with an attention which brought her little profit, for they talked in phrases which conveyed scarcely any idea to her. The little which she could understand, however, appeared to contradict the very few notions she had entertained on the matter before. It seemed as if a good view were no longer to be taken from the top of an high hill, and that a clear blue sky was no longer a proof of a fine day. She was heartily ashamed of her ignorance. A misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well-informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can. The advantages of natural folly in a beautiful girl have been already set forth by the capital pen of a sister author; and to her treatment of the subject I will only add, in justice to men, that though to the larger and more trifling part of the sex, imbecility in females is a great enhancement of their personal charms, there is a portion of them too reasonable and too well informed themselves to desire anything more in woman than ignorance. But Catherine did not know her own advantages did not know that a good-looking girl, with an affectionate heart and a very ignorant mind, cannot fail of attracting a clever young man, unless circumstances are particularly untoward. In the present instance, she confessed and lamented her want of knowledge, declared that she would give anything in the world to be able to draw; and a lecture on the picturesque immediately followed, in which his instructions were so clear that she soon began to see beauty in everything admired by him, and her attention was so earnest that he became perfectly satisfied of her having a great deal of natural taste. He talked of foregrounds, distances, and second distances side-screens and perspectives lights and shades; and Catherine was so hopeful a scholar that when they gained the top of Beechen Cliff, she voluntarily rejected the whole city of Bath as unworthy to make part of a landscape. Delighted with her progress, and fearful of wearying her with too much wisdom at once, Henry suffered the subject to decline, and by an easy transition from a piece of rocky fragment and the withered oak which he had placed near its summit, to oaks in general, to forests, the enclosure of them, waste lands, crown lands and government, he shortly found himself arrived at politics; and from politics, it was an easy step to silence. The general pause which succeeded his short disquisition on the state of the nation was put an end to by Catherine, who, in rather a solemn tone of voice, uttered these words, "I have heard that something very shocking indeed will soon come out in London." Miss Tilney, to whom this was chiefly addressed, was startled, and hastily replied, "Indeed! And of what nature?" "That I do not know, nor who is the author. I have only heard that it is to be more horrible than anything we have met with yet." "Good heaven! Where could you hear of such a thing?" "A particular friend of mine had an account of it in a letter from London yesterday. It is to be uncommonly dreadful. I shall expect murder and everything of the kind." "You speak with astonishing composure! But I hope your friend s accounts have been exaggerated; and if such a design is known beforehand, proper measures will undoubtedly be taken by government to prevent its coming to effect." "Government," said Henry, endeavouring not to smile, "neither desires nor dares to interfere in such matters. There must be murder; and government cares not how much." The ladies stared. He laughed, and added, "Come, shall I make you understand each other, or leave you to puzzle out an explanation as you can? No I will be noble. I will prove myself a man, no less by the generosity of my soul than the clearness of my head. I have no patience with such of my sex as disdain to let themselves sometimes down to the comprehension of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit." "Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in a sober mood. But I do assure you that he must be entirely misunderstood, if he can ever appear to say an unjust thing of any woman at all, or an unkind one of me." It was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much." Catherine, a little doubtful of this, could not help answering, "I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state | perspectives lights and shades; and Catherine was so hopeful a scholar that when they gained the top of Beechen Cliff, she voluntarily rejected the whole city of Bath as unworthy to make part of a landscape. Delighted with her progress, and fearful of wearying her with too much wisdom at once, Henry suffered the subject to decline, and by an easy transition from a piece of rocky fragment and the withered oak which he had placed near its summit, to oaks in general, to forests, the enclosure of them, waste lands, crown lands and government, he shortly found himself arrived at politics; and from politics, it was an easy step to silence. The general pause which succeeded his short disquisition on the state of the nation was put an end to by Catherine, who, in rather a solemn tone of voice, uttered these words, "I have heard that something very shocking indeed will soon come out in London." Miss Tilney, to whom this was chiefly addressed, was startled, and hastily replied, "Indeed! And of what nature?" "That I do not know, nor who is the author. I have only heard that it is to be more horrible than anything we have met with yet." "Good heaven! Where could you hear of such a thing?" "A particular friend of mine had an account of it in a letter from London yesterday. It is to be uncommonly dreadful. I shall expect murder and everything of the kind." "You speak with astonishing composure! But I hope your friend s accounts have been exaggerated; and if such a design is known beforehand, proper measures will undoubtedly be taken by government to prevent its coming to effect." "Government," said Henry, endeavouring not to smile, "neither desires nor dares to interfere in such matters. There must be murder; and government cares not how much." The ladies stared. He laughed, and added, "Come, shall I make you understand each other, or leave you to puzzle out an explanation as you can? No I will be noble. I will prove myself a man, no less by the generosity of my soul than the clearness of my head. I have no patience with such of my sex as disdain to let themselves sometimes down to the comprehension of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit." "Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in a sober mood. But I do assure you that he must be entirely misunderstood, if he can ever appear to say an unjust thing of any woman at all, or an unkind one of me." It was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am | Northanger Abbey | of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit." "Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot." "Riot! What riot?"<|quote|>"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general."</|quote|>Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. | {
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"content": "of yours. Perhaps the abilities of women are neither sound nor acute neither vigorous nor keen. Perhaps they may want observation, discernment, judgment, fire, genius, and wit.\" \"Miss Morland, do not mind what he says; but have the goodness to satisfy me as to this dreadful riot.\" \"Riot! What riot?\"<|quote|>\"My dear Eleanor, the riot is only in your own brain. The confusion there is scandalous. Miss Morland has been talking of nothing more dreadful than a new publication which is shortly to come out, in three duodecimo volumes, two hundred and seventy-six pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general.\"</|quote|>Catherine looked grave. \"And now, Henry,\" said Miss Tilney, \"that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general.",
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"Is there no one to help me?" | Captain Wentworth | and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which | Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in | screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. "Go to him, go to him," cried Anne, "for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her | her face was like death. The horror of the moment to all who stood around! Captain Wentworth, who had caught her up, knelt with her in his arms, looking on her with a face as pallid as her own, in an agony of silence. "She is dead! she is dead!" screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. "Go to him, go to him," cried Anne, "for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her hands, rub her temples; here are salts; take them, take them." Captain Benwick obeyed, and Charles at the same moment, disengaging himself from his wife, they were both with him; and Louisa was raised up and supported more firmly between them, and everything was done that Anne had prompted, but | less willing upon the present occasion; he did it, however. She was safely down, and instantly, to show her enjoyment, ran up the steps to be jumped down again. He advised her against it, thought the jar too great; but no, he reasoned and talked in vain, she smiled and said, "I am determined I will:" he put out his hands; she was too precipitate by half a second, she fell on the pavement on the Lower Cobb, and was taken up lifeless! There was no wound, no blood, no visible bruise; but her eyes were closed, she breathed not, her face was like death. The horror of the moment to all who stood around! Captain Wentworth, who had caught her up, knelt with her in his arms, looking on her with a face as pallid as her own, in an agony of silence. "She is dead! she is dead!" screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. "Go to him, go to him," cried Anne, "for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her hands, rub her temples; here are salts; take them, take them." Captain Benwick obeyed, and Charles at the same moment, disengaging himself from his wife, they were both with him; and Louisa was raised up and supported more firmly between them, and everything was done that Anne had prompted, but in vain; while Captain Wentworth, staggering against the wall for his support, exclaimed in the bitterest agony-- "Oh God! her father and mother!" "A surgeon!" said Anne. He caught the word; it seemed to rouse him at once, and saying only-- "True, true, a surgeon this instant," was darting away, when Anne eagerly suggested-- "Captain Benwick, would not it be better for Captain Benwick? He knows where a surgeon is to be found." Every one capable of thinking felt the advantage of the idea, and in a moment (it was all done in rapid moments) Captain Benwick had resigned the | determined, that the difference of a quarter of an hour, it was found, would be no difference at all; so with all the kind leave-taking, and all the kind interchange of invitations and promises which may be imagined, they parted from Captain and Mrs Harville at their own door, and still accompanied by Captain Benwick, who seemed to cling to them to the last, proceeded to make the proper adieus to the Cobb. Anne found Captain Benwick again drawing near her. Lord Byron's "dark blue seas" could not fail of being brought forward by their present view, and she gladly gave him all her attention as long as attention was possible. It was soon drawn, perforce another way. There was too much wind to make the high part of the new Cobb pleasant for the ladies, and they agreed to get down the steps to the lower, and all were contented to pass quietly and carefully down the steep flight, excepting Louisa; she must be jumped down them by Captain Wentworth. In all their walks, he had had to jump her from the stiles; the sensation was delightful to her. The hardness of the pavement for her feet, made him less willing upon the present occasion; he did it, however. She was safely down, and instantly, to show her enjoyment, ran up the steps to be jumped down again. He advised her against it, thought the jar too great; but no, he reasoned and talked in vain, she smiled and said, "I am determined I will:" he put out his hands; she was too precipitate by half a second, she fell on the pavement on the Lower Cobb, and was taken up lifeless! There was no wound, no blood, no visible bruise; but her eyes were closed, she breathed not, her face was like death. The horror of the moment to all who stood around! Captain Wentworth, who had caught her up, knelt with her in his arms, looking on her with a face as pallid as her own, in an agony of silence. "She is dead! she is dead!" screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. "Go to him, go to him," cried Anne, "for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her hands, rub her temples; here are salts; take them, take them." Captain Benwick obeyed, and Charles at the same moment, disengaging himself from his wife, they were both with him; and Louisa was raised up and supported more firmly between them, and everything was done that Anne had prompted, but in vain; while Captain Wentworth, staggering against the wall for his support, exclaimed in the bitterest agony-- "Oh God! her father and mother!" "A surgeon!" said Anne. He caught the word; it seemed to rouse him at once, and saying only-- "True, true, a surgeon this instant," was darting away, when Anne eagerly suggested-- "Captain Benwick, would not it be better for Captain Benwick? He knows where a surgeon is to be found." Every one capable of thinking felt the advantage of the idea, and in a moment (it was all done in rapid moments) Captain Benwick had resigned the poor corpse-like figure entirely to the brother's care, and was off for the town with the utmost rapidity. As to the wretched party left behind, it could scarcely be said which of the three, who were completely rational, was suffering most: Captain Wentworth, Anne, or Charles, who, really a very affectionate brother, hung over Louisa with sobs of grief, and could only turn his eyes from one sister, to see the other in a state as insensible, or to witness the hysterical agitations of his wife, calling on him for help which he could not give. Anne, attending with all the strength and zeal, and thought, which instinct supplied, to Henrietta, still tried, at intervals, to suggest comfort to the others, tried to quiet Mary, to animate Charles, to assuage the feelings of Captain Wentworth. Both seemed to look to her for directions. "Anne, Anne," cried Charles, "What is to be done next? What, in heaven's name, is to be done next?" Captain Wentworth's eyes were also turned towards her. "Had not she better be carried to the inn? Yes, I am sure: carry her gently to the inn." "Yes, yes, to the inn," repeated Captain Wentworth, comparatively collected, and | a good deed in making that poor fellow talk so much. I wish he could have such company oftener. It is bad for him, I know, to be shut up as he is; but what can we do? We cannot part." "No," said Anne, "that I can easily believe to be impossible; but in time, perhaps--we know what time does in every case of affliction, and you must remember, Captain Harville, that your friend may yet be called a young mourner--only last summer, I understand." "Ay, true enough," (with a deep sigh) "only June." "And not known to him, perhaps, so soon." "Not till the first week of August, when he came home from the Cape, just made into the Grappler. I was at Plymouth dreading to hear of him; he sent in letters, but the Grappler was under orders for Portsmouth. There the news must follow him, but who was to tell it? not I. I would as soon have been run up to the yard-arm. Nobody could do it, but that good fellow" (pointing to Captain Wentworth.) "The Laconia had come into Plymouth the week before; no danger of her being sent to sea again. He stood his chance for the rest; wrote up for leave of absence, but without waiting the return, travelled night and day till he got to Portsmouth, rowed off to the Grappler that instant, and never left the poor fellow for a week. That's what he did, and nobody else could have saved poor James. You may think, Miss Elliot, whether he is dear to us!" Anne did think on the question with perfect decision, and said as much in reply as her own feeling could accomplish, or as his seemed able to bear, for he was too much affected to renew the subject, and when he spoke again, it was of something totally different. Mrs Harville's giving it as her opinion that her husband would have quite walking enough by the time he reached home, determined the direction of all the party in what was to be their last walk; they would accompany them to their door, and then return and set off themselves. By all their calculations there was just time for this; but as they drew near the Cobb, there was such a general wish to walk along it once more, all were so inclined, and Louisa soon grew so determined, that the difference of a quarter of an hour, it was found, would be no difference at all; so with all the kind leave-taking, and all the kind interchange of invitations and promises which may be imagined, they parted from Captain and Mrs Harville at their own door, and still accompanied by Captain Benwick, who seemed to cling to them to the last, proceeded to make the proper adieus to the Cobb. Anne found Captain Benwick again drawing near her. Lord Byron's "dark blue seas" could not fail of being brought forward by their present view, and she gladly gave him all her attention as long as attention was possible. It was soon drawn, perforce another way. There was too much wind to make the high part of the new Cobb pleasant for the ladies, and they agreed to get down the steps to the lower, and all were contented to pass quietly and carefully down the steep flight, excepting Louisa; she must be jumped down them by Captain Wentworth. In all their walks, he had had to jump her from the stiles; the sensation was delightful to her. The hardness of the pavement for her feet, made him less willing upon the present occasion; he did it, however. She was safely down, and instantly, to show her enjoyment, ran up the steps to be jumped down again. He advised her against it, thought the jar too great; but no, he reasoned and talked in vain, she smiled and said, "I am determined I will:" he put out his hands; she was too precipitate by half a second, she fell on the pavement on the Lower Cobb, and was taken up lifeless! There was no wound, no blood, no visible bruise; but her eyes were closed, she breathed not, her face was like death. The horror of the moment to all who stood around! Captain Wentworth, who had caught her up, knelt with her in his arms, looking on her with a face as pallid as her own, in an agony of silence. "She is dead! she is dead!" screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. "Go to him, go to him," cried Anne, "for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her hands, rub her temples; here are salts; take them, take them." Captain Benwick obeyed, and Charles at the same moment, disengaging himself from his wife, they were both with him; and Louisa was raised up and supported more firmly between them, and everything was done that Anne had prompted, but in vain; while Captain Wentworth, staggering against the wall for his support, exclaimed in the bitterest agony-- "Oh God! her father and mother!" "A surgeon!" said Anne. He caught the word; it seemed to rouse him at once, and saying only-- "True, true, a surgeon this instant," was darting away, when Anne eagerly suggested-- "Captain Benwick, would not it be better for Captain Benwick? He knows where a surgeon is to be found." Every one capable of thinking felt the advantage of the idea, and in a moment (it was all done in rapid moments) Captain Benwick had resigned the poor corpse-like figure entirely to the brother's care, and was off for the town with the utmost rapidity. As to the wretched party left behind, it could scarcely be said which of the three, who were completely rational, was suffering most: Captain Wentworth, Anne, or Charles, who, really a very affectionate brother, hung over Louisa with sobs of grief, and could only turn his eyes from one sister, to see the other in a state as insensible, or to witness the hysterical agitations of his wife, calling on him for help which he could not give. Anne, attending with all the strength and zeal, and thought, which instinct supplied, to Henrietta, still tried, at intervals, to suggest comfort to the others, tried to quiet Mary, to animate Charles, to assuage the feelings of Captain Wentworth. Both seemed to look to her for directions. "Anne, Anne," cried Charles, "What is to be done next? What, in heaven's name, is to be done next?" Captain Wentworth's eyes were also turned towards her. "Had not she better be carried to the inn? Yes, I am sure: carry her gently to the inn." "Yes, yes, to the inn," repeated Captain Wentworth, comparatively collected, and eager to be doing something. "I will carry her myself. Musgrove, take care of the others." By this time the report of the accident had spread among the workmen and boatmen about the Cobb, and many were collected near them, to be useful if wanted, at any rate, to enjoy the sight of a dead young lady, nay, two dead young ladies, for it proved twice as fine as the first report. To some of the best-looking of these good people Henrietta was consigned, for, though partially revived, she was quite helpless; and in this manner, Anne walking by her side, and Charles attending to his wife, they set forward, treading back with feelings unutterable, the ground, which so lately, so very lately, and so light of heart, they had passed along. They were not off the Cobb, before the Harvilles met them. Captain Benwick had been seen flying by their house, with a countenance which showed something to be wrong; and they had set off immediately, informed and directed as they passed, towards the spot. Shocked as Captain Harville was, he brought senses and nerves that could be instantly useful; and a look between him and his wife decided what was to be done. She must be taken to their house; all must go to their house; and await the surgeon's arrival there. They would not listen to scruples: he was obeyed; they were all beneath his roof; and while Louisa, under Mrs Harville's direction, was conveyed up stairs, and given possession of her own bed, assistance, cordials, restoratives were supplied by her husband to all who needed them. Louisa had once opened her eyes, but soon closed them again, without apparent consciousness. This had been a proof of life, however, of service to her sister; and Henrietta, though perfectly incapable of being in the same room with Louisa, was kept, by the agitation of hope and fear, from a return of her own insensibility. Mary, too, was growing calmer. The surgeon was with them almost before it had seemed possible. They were sick with horror, while he examined; but he was not hopeless. The head had received a severe contusion, but he had seen greater injuries recovered from: he was by no means hopeless; he spoke cheerfully. That he did not regard it as a desperate case, that he did not say a few hours must end it, | calculations there was just time for this; but as they drew near the Cobb, there was such a general wish to walk along it once more, all were so inclined, and Louisa soon grew so determined, that the difference of a quarter of an hour, it was found, would be no difference at all; so with all the kind leave-taking, and all the kind interchange of invitations and promises which may be imagined, they parted from Captain and Mrs Harville at their own door, and still accompanied by Captain Benwick, who seemed to cling to them to the last, proceeded to make the proper adieus to the Cobb. Anne found Captain Benwick again drawing near her. Lord Byron's "dark blue seas" could not fail of being brought forward by their present view, and she gladly gave him all her attention as long as attention was possible. It was soon drawn, perforce another way. There was too much wind to make the high part of the new Cobb pleasant for the ladies, and they agreed to get down the steps to the lower, and all were contented to pass quietly and carefully down the steep flight, excepting Louisa; she must be jumped down them by Captain Wentworth. In all their walks, he had had to jump her from the stiles; the sensation was delightful to her. The hardness of the pavement for her feet, made him less willing upon the present occasion; he did it, however. She was safely down, and instantly, to show her enjoyment, ran up the steps to be jumped down again. He advised her against it, thought the jar too great; but no, he reasoned and talked in vain, she smiled and said, "I am determined I will:" he put out his hands; she was too precipitate by half a second, she fell on the pavement on the Lower Cobb, and was taken up lifeless! There was no wound, no blood, no visible bruise; but her eyes were closed, she breathed not, her face was like death. The horror of the moment to all who stood around! Captain Wentworth, who had caught her up, knelt with her in his arms, looking on her with a face as pallid as her own, in an agony of silence. "She is dead! she is dead!" screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. "Go to him, go to him," cried Anne, "for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her hands, rub her temples; here are salts; take them, take them." Captain Benwick obeyed, and Charles at the same moment, disengaging himself from his wife, they were both with him; and Louisa was raised up and supported more firmly between them, and everything was done that Anne had prompted, but in vain; while Captain Wentworth, staggering against the wall for his support, exclaimed in the bitterest agony-- "Oh God! her father and mother!" "A surgeon!" said Anne. He caught the word; it seemed to rouse him at once, and saying only-- "True, true, a surgeon this instant," was darting away, when Anne eagerly suggested-- "Captain Benwick, would not it be better for Captain Benwick? He knows where a surgeon is to be found." Every one capable of thinking felt the advantage of the idea, and in a moment (it was all done in rapid moments) Captain Benwick had resigned the poor corpse-like figure entirely to the brother's care, and was off for the town with the utmost rapidity. As to the wretched party left behind, it could scarcely be said which of the three, who were completely rational, was suffering most: Captain Wentworth, Anne, or Charles, who, really a very affectionate brother, hung over Louisa with sobs of grief, and could only turn his eyes from one sister, to see the other in a state as insensible, or to witness the hysterical agitations of his wife, calling on him for help which he could not give. Anne, attending with all the strength and zeal, and thought, which | Persuasion | screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>"Is there no one to help me?"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. "Go to him, go to him," cried Anne, "for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her | {
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"content": "screamed Mary, catching hold of her husband, and contributing with his own horror to make him immoveable; and in another moment, Henrietta, sinking under the conviction, lost her senses too, and would have fallen on the steps, but for Captain Benwick and Anne, who caught and supported her between them.<|quote|>\"Is there no one to help me?\"</|quote|>were the first words which burst from Captain Wentworth, in a tone of despair, and as if all his own strength were gone. \"Go to him, go to him,\" cried Anne, \"for heaven's sake go to him. I can support her myself. Leave me, and go to him. Rub her",
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asked Henfrey. | No speaker | "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," | Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear | Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The sounds within indistinct and perplexing. "Sounds like throwing the table-cloth about," said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. "What yer listenin there | voice answered with a curious jerking intonation: "Quite ri-right. Please don t interrupt." "Odd!" said Mr. Henfrey. "Odd!" said Mr. Hall. "Says, Don t interrupt," said Henfrey. "I heerd n," said Hall. "And a sniff," said Henfrey. They remained listening. The conversation was rapid and subdued. "I _can t_," said Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The sounds within indistinct and perplexing. "Sounds like throwing the table-cloth about," said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. "What yer listenin there for, Hall?" she asked. "Ain t you nothin better to do busy day like this?" Hall tried to convey everything by grimaces and dumb show, but Mrs. Hall was obdurate. She raised her voice. So Hall and Henfrey, rather crestfallen, tiptoed back to the bar, gesticulating to explain to her. | Their eyes considered. "Summat wrong," said Hall, and Henfrey nodded agreement. Whiffs of an unpleasant chemical odour met them, and there was a muffled sound of conversation, very rapid and subdued. "You all right thur?" asked Hall, rapping. The muttered conversation ceased abruptly, for a moment silence, then the conversation was resumed, in hissing whispers, then a sharp cry of "No! no, you don t!" There came a sudden motion and the oversetting of a chair, a brief struggle. Silence again. "What the dooce?" exclaimed Henfrey, _sotto voce_. "You all right thur?" asked Mr. Hall, sharply, again. The Vicar s voice answered with a curious jerking intonation: "Quite ri-right. Please don t interrupt." "Odd!" said Mr. Henfrey. "Odd!" said Mr. Hall. "Says, Don t interrupt," said Henfrey. "I heerd n," said Hall. "And a sniff," said Henfrey. They remained listening. The conversation was rapid and subdued. "I _can t_," said Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The sounds within indistinct and perplexing. "Sounds like throwing the table-cloth about," said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. "What yer listenin there for, Hall?" she asked. "Ain t you nothin better to do busy day like this?" Hall tried to convey everything by grimaces and dumb show, but Mrs. Hall was obdurate. She raised her voice. So Hall and Henfrey, rather crestfallen, tiptoed back to the bar, gesticulating to explain to her. At first she refused to see anything in what they had heard at all. Then she insisted on Hall keeping silence, while Henfrey told her his story. She was inclined to think the whole business nonsense perhaps they were just moving the furniture about. "I heerd n say" disgraceful ; "_that_ I did," said Hall. "_I_ heerd that, Mrs. Hall," said Henfrey. "Like as not" began Mrs. Hall. "Hsh!" said Mr. Teddy Henfrey. "Didn t I hear the window?" "What window?" asked Mrs. Hall. "Parlour window," said Henfrey. Everyone stood listening intently. Mrs. Hall s eyes, directed straight before her, | in addition to my books of memoranda, an outfit of clothing. Where is it? No don t rise. I can see it s gone. Now, just at present, though the days are quite warm enough for an invisible man to run about stark, the evenings are quite chilly. I want clothing and other accommodation; and I must also have those three books." CHAPTER XII. THE INVISIBLE MAN LOSES HIS TEMPER It is unavoidable that at this point the narrative should break off again, for a certain very painful reason that will presently be apparent. While these things were going on in the parlour, and while Mr. Huxter was watching Mr. Marvel smoking his pipe against the gate, not a dozen yards away were Mr. Hall and Teddy Henfrey discussing in a state of cloudy puzzlement the one Iping topic. Suddenly there came a violent thud against the door of the parlour, a sharp cry, and then silence. "Hul-lo!" said Teddy Henfrey. "Hul-lo!" from the Tap. Mr. Hall took things in slowly but surely. "That ain t right," he said, and came round from behind the bar towards the parlour door. He and Teddy approached the door together, with intent faces. Their eyes considered. "Summat wrong," said Hall, and Henfrey nodded agreement. Whiffs of an unpleasant chemical odour met them, and there was a muffled sound of conversation, very rapid and subdued. "You all right thur?" asked Hall, rapping. The muttered conversation ceased abruptly, for a moment silence, then the conversation was resumed, in hissing whispers, then a sharp cry of "No! no, you don t!" There came a sudden motion and the oversetting of a chair, a brief struggle. Silence again. "What the dooce?" exclaimed Henfrey, _sotto voce_. "You all right thur?" asked Mr. Hall, sharply, again. The Vicar s voice answered with a curious jerking intonation: "Quite ri-right. Please don t interrupt." "Odd!" said Mr. Henfrey. "Odd!" said Mr. Hall. "Says, Don t interrupt," said Henfrey. "I heerd n," said Hall. "And a sniff," said Henfrey. They remained listening. The conversation was rapid and subdued. "I _can t_," said Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The sounds within indistinct and perplexing. "Sounds like throwing the table-cloth about," said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. "What yer listenin there for, Hall?" she asked. "Ain t you nothin better to do busy day like this?" Hall tried to convey everything by grimaces and dumb show, but Mrs. Hall was obdurate. She raised her voice. So Hall and Henfrey, rather crestfallen, tiptoed back to the bar, gesticulating to explain to her. At first she refused to see anything in what they had heard at all. Then she insisted on Hall keeping silence, while Henfrey told her his story. She was inclined to think the whole business nonsense perhaps they were just moving the furniture about. "I heerd n say" disgraceful ; "_that_ I did," said Hall. "_I_ heerd that, Mrs. Hall," said Henfrey. "Like as not" began Mrs. Hall. "Hsh!" said Mr. Teddy Henfrey. "Didn t I hear the window?" "What window?" asked Mrs. Hall. "Parlour window," said Henfrey. Everyone stood listening intently. Mrs. Hall s eyes, directed straight before her, saw without seeing the brilliant oblong of the inn door, the road white and vivid, and Huxter s shop-front blistering in the June sun. Abruptly Huxter s door opened and Huxter appeared, eyes staring with excitement, arms gesticulating. "Yap!" cried Huxter. "Stop thief!" and he ran obliquely across the oblong towards the yard gates, and vanished. Simultaneously came a tumult from the parlour, and a sound of windows being closed. Hall, Henfrey, and the human contents of the tap rushed out at once pell-mell into the street. They saw someone whisk round the corner towards the road, and Mr. Huxter executing a complicated leap in the air that ended on his face and shoulder. Down the street people were standing astonished or running towards them. Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall and the two labourers from the Tap rushed at once to the corner, shouting incoherent things, and saw Mr. Marvel vanishing by the corner of the church wall. They appear to have jumped to the impossible conclusion that this was the Invisible Man suddenly become visible, and set off at once along the lane in pursuit. But Hall had hardly run a dozen yards | you have ever seen a really good conjuror" "I won t argue again," said Cuss. "We ve thrashed that out, Bunting. And just now there s these books Ah! here s some of what I take to be Greek! Greek letters certainly." He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his glasses. Suddenly he became aware of a strange feeling at the nape of his neck. He tried to raise his head, and encountered an immovable resistance. The feeling was a curious pressure, the grip of a heavy, firm hand, and it bore his chin irresistibly to the table. "Don t move, little men," whispered a voice, "or I ll brain you both!" He looked into the face of Cuss, close to his own, and each saw a horrified reflection of his own sickly astonishment. "I m sorry to handle you so roughly," said the Voice, "but it s unavoidable." "Since when did you learn to pry into an investigator s private memoranda," said the Voice; and two chins struck the table simultaneously, and two sets of teeth rattled. "Since when did you learn to invade the private rooms of a man in misfortune?" and the concussion was repeated. "Where have they put my clothes?" "Listen," said the Voice. "The windows are fastened and I ve taken the key out of the door. I am a fairly strong man, and I have the poker handy besides being invisible. There s not the slightest doubt that I could kill you both and get away quite easily if I wanted to do you understand? Very well. If I let you go will you promise not to try any nonsense and do what I tell you?" The vicar and the doctor looked at one another, and the doctor pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it. Then the pressure on the necks relaxed, and the doctor and the vicar sat up, both very red in the face and wriggling their heads. "Please keep sitting where you are," said the Invisible Man. "Here s the poker, you see." "When I came into this room," continued the Invisible Man, after presenting the poker to the tip of the nose of each of his visitors, "I did not expect to find it occupied, and I expected to find, in addition to my books of memoranda, an outfit of clothing. Where is it? No don t rise. I can see it s gone. Now, just at present, though the days are quite warm enough for an invisible man to run about stark, the evenings are quite chilly. I want clothing and other accommodation; and I must also have those three books." CHAPTER XII. THE INVISIBLE MAN LOSES HIS TEMPER It is unavoidable that at this point the narrative should break off again, for a certain very painful reason that will presently be apparent. While these things were going on in the parlour, and while Mr. Huxter was watching Mr. Marvel smoking his pipe against the gate, not a dozen yards away were Mr. Hall and Teddy Henfrey discussing in a state of cloudy puzzlement the one Iping topic. Suddenly there came a violent thud against the door of the parlour, a sharp cry, and then silence. "Hul-lo!" said Teddy Henfrey. "Hul-lo!" from the Tap. Mr. Hall took things in slowly but surely. "That ain t right," he said, and came round from behind the bar towards the parlour door. He and Teddy approached the door together, with intent faces. Their eyes considered. "Summat wrong," said Hall, and Henfrey nodded agreement. Whiffs of an unpleasant chemical odour met them, and there was a muffled sound of conversation, very rapid and subdued. "You all right thur?" asked Hall, rapping. The muttered conversation ceased abruptly, for a moment silence, then the conversation was resumed, in hissing whispers, then a sharp cry of "No! no, you don t!" There came a sudden motion and the oversetting of a chair, a brief struggle. Silence again. "What the dooce?" exclaimed Henfrey, _sotto voce_. "You all right thur?" asked Mr. Hall, sharply, again. The Vicar s voice answered with a curious jerking intonation: "Quite ri-right. Please don t interrupt." "Odd!" said Mr. Henfrey. "Odd!" said Mr. Hall. "Says, Don t interrupt," said Henfrey. "I heerd n," said Hall. "And a sniff," said Henfrey. They remained listening. The conversation was rapid and subdued. "I _can t_," said Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The sounds within indistinct and perplexing. "Sounds like throwing the table-cloth about," said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. "What yer listenin there for, Hall?" she asked. "Ain t you nothin better to do busy day like this?" Hall tried to convey everything by grimaces and dumb show, but Mrs. Hall was obdurate. She raised her voice. So Hall and Henfrey, rather crestfallen, tiptoed back to the bar, gesticulating to explain to her. At first she refused to see anything in what they had heard at all. Then she insisted on Hall keeping silence, while Henfrey told her his story. She was inclined to think the whole business nonsense perhaps they were just moving the furniture about. "I heerd n say" disgraceful ; "_that_ I did," said Hall. "_I_ heerd that, Mrs. Hall," said Henfrey. "Like as not" began Mrs. Hall. "Hsh!" said Mr. Teddy Henfrey. "Didn t I hear the window?" "What window?" asked Mrs. Hall. "Parlour window," said Henfrey. Everyone stood listening intently. Mrs. Hall s eyes, directed straight before her, saw without seeing the brilliant oblong of the inn door, the road white and vivid, and Huxter s shop-front blistering in the June sun. Abruptly Huxter s door opened and Huxter appeared, eyes staring with excitement, arms gesticulating. "Yap!" cried Huxter. "Stop thief!" and he ran obliquely across the oblong towards the yard gates, and vanished. Simultaneously came a tumult from the parlour, and a sound of windows being closed. Hall, Henfrey, and the human contents of the tap rushed out at once pell-mell into the street. They saw someone whisk round the corner towards the road, and Mr. Huxter executing a complicated leap in the air that ended on his face and shoulder. Down the street people were standing astonished or running towards them. Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall and the two labourers from the Tap rushed at once to the corner, shouting incoherent things, and saw Mr. Marvel vanishing by the corner of the church wall. They appear to have jumped to the impossible conclusion that this was the Invisible Man suddenly become visible, and set off at once along the lane in pursuit. But Hall had hardly run a dozen yards before he gave a loud shout of astonishment and went flying headlong sideways, clutching one of the labourers and bringing him to the ground. He had been charged just as one charges a man at football. The second labourer came round in a circle, stared, and conceiving that Hall had tumbled over of his own accord, turned to resume the pursuit, only to be tripped by the ankle just as Huxter had been. Then, as the first labourer struggled to his feet, he was kicked sideways by a blow that might have felled an ox. As he went down, the rush from the direction of the village green came round the corner. The first to appear was the proprietor of the cocoanut shy, a burly man in a blue jersey. He was astonished to see the lane empty save for three men sprawling absurdly on the ground. And then something happened to his rear-most foot, and he went headlong and rolled sideways just in time to graze the feet of his brother and partner, following headlong. The two were then kicked, knelt on, fallen over, and cursed by quite a number of over-hasty people. Now when Hall and Henfrey and the labourers ran out of the house, Mrs. Hall, who had been disciplined by years of experience, remained in the bar next the till. And suddenly the parlour door was opened, and Mr. Cuss appeared, and without glancing at her rushed at once down the steps toward the corner. "Hold him!" he cried. "Don t let him drop that parcel." He knew nothing of the existence of Marvel. For the Invisible Man had handed over the books and bundle in the yard. The face of Mr. Cuss was angry and resolute, but his costume was defective, a sort of limp white kilt that could only have passed muster in Greece. "Hold him!" he bawled. "He s got my trousers! And every stitch of the Vicar s clothes!" "Tend to him in a minute!" he cried to Henfrey as he passed the prostrate Huxter, and, coming round the corner to join the tumult, was promptly knocked off his feet into an indecorous sprawl. Somebody in full flight trod heavily on his finger. He yelled, struggled to regain his feet, was knocked against and thrown on all fours again, and became aware that he was involved not in a capture, but a | strong man, and I have the poker handy besides being invisible. There s not the slightest doubt that I could kill you both and get away quite easily if I wanted to do you understand? Very well. If I let you go will you promise not to try any nonsense and do what I tell you?" The vicar and the doctor looked at one another, and the doctor pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it. Then the pressure on the necks relaxed, and the doctor and the vicar sat up, both very red in the face and wriggling their heads. "Please keep sitting where you are," said the Invisible Man. "Here s the poker, you see." "When I came into this room," continued the Invisible Man, after presenting the poker to the tip of the nose of each of his visitors, "I did not expect to find it occupied, and I expected to find, in addition to my books of memoranda, an outfit of clothing. Where is it? No don t rise. I can see it s gone. Now, just at present, though the days are quite warm enough for an invisible man to run about stark, the evenings are quite chilly. I want clothing and other accommodation; and I must also have those three books." CHAPTER XII. THE INVISIBLE MAN LOSES HIS TEMPER It is unavoidable that at this point the narrative should break off again, for a certain very painful reason that will presently be apparent. While these things were going on in the parlour, and while Mr. Huxter was watching Mr. Marvel smoking his pipe against the gate, not a dozen yards away were Mr. Hall and Teddy Henfrey discussing in a state of cloudy puzzlement the one Iping topic. Suddenly there came a violent thud against the door of the parlour, a sharp cry, and then silence. "Hul-lo!" said Teddy Henfrey. "Hul-lo!" from the Tap. Mr. Hall took things in slowly but surely. "That ain t right," he said, and came round from behind the bar towards the parlour door. He and Teddy approached the door together, with intent faces. Their eyes considered. "Summat wrong," said Hall, and Henfrey nodded agreement. Whiffs of an unpleasant chemical odour met them, and there was a muffled sound of conversation, very rapid and subdued. "You all right thur?" asked Hall, rapping. The muttered conversation ceased abruptly, for a moment silence, then the conversation was resumed, in hissing whispers, then a sharp cry of "No! no, you don t!" There came a sudden motion and the oversetting of a chair, a brief struggle. Silence again. "What the dooce?" exclaimed Henfrey, _sotto voce_. "You all right thur?" asked Mr. Hall, sharply, again. The Vicar s voice answered with a curious jerking intonation: "Quite ri-right. Please don t interrupt." "Odd!" said Mr. Henfrey. "Odd!" said Mr. Hall. "Says, Don t interrupt," said Henfrey. "I heerd n," said Hall. "And a sniff," said Henfrey. They remained listening. The conversation was rapid and subdued. "I _can t_," said Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The sounds within indistinct and perplexing. "Sounds like throwing the table-cloth about," said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. "What yer listenin there for, Hall?" she asked. "Ain t you nothin better to do busy day like this?" Hall tried to convey everything by grimaces and dumb show, but Mrs. Hall was obdurate. She raised her voice. So Hall and Henfrey, rather crestfallen, tiptoed back to the bar, gesticulating to explain to her. At first she refused to see anything in what they had heard at all. Then she insisted on Hall keeping silence, while Henfrey told her his story. She was inclined to think the whole business nonsense perhaps they were just moving the furniture about. "I heerd n say" disgraceful ; "_that_ I did," said Hall. "_I_ heerd that, Mrs. Hall," said Henfrey. "Like as not" began Mrs. Hall. "Hsh!" said Mr. Teddy Henfrey. "Didn t I hear the window?" "What window?" asked Mrs. Hall. "Parlour window," said Henfrey. Everyone stood listening intently. Mrs. Hall s eyes, directed straight before her, saw without seeing the brilliant oblong of the inn door, the road white and vivid, and Huxter s shop-front blistering in the June sun. Abruptly Huxter s door opened and Huxter appeared, eyes staring with excitement, arms gesticulating. "Yap!" cried Huxter. "Stop thief!" and he ran obliquely across the oblong towards the yard gates, and vanished. Simultaneously came a tumult from the parlour, and a sound of windows being closed. Hall, Henfrey, and the human contents of the tap rushed out at once pell-mell into the street. They saw someone whisk round the corner towards the road, and Mr. Huxter executing a complicated leap in the air that ended on his face and shoulder. Down the street people were standing astonished or running towards them. Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall and the two labourers from the Tap rushed at once to the corner, shouting incoherent things, and saw Mr. Marvel vanishing by the corner of the church wall. They appear to have jumped to the impossible conclusion that this was the Invisible Man suddenly become visible, and set off at once along the lane in pursuit. But Hall had hardly run a dozen yards before he gave a loud shout of astonishment and went flying headlong sideways, clutching one of the labourers and bringing him to the ground. He had been charged just as one charges a man at football. The second labourer came round in a circle, stared, and conceiving that Hall had tumbled over of his own accord, turned to resume the pursuit, only to | The Invisible Man | Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?"<|quote|>asked Henfrey.</|quote|>"Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The sounds within indistinct and perplexing. "Sounds like throwing the table-cloth about," said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. "What yer listenin there | {
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"content": "Mr. Bunting, his voice rising; \"I tell you, sir, I _will_ not.\" \"What was that?\" asked Henfrey. \"Says he wi nart,\" said Hall. \"Warn t speaking to us, wuz he?\" \"Disgraceful!\" said Mr. Bunting, within. \" Disgraceful, \" said Mr. Henfrey. \"I heard it distinct.\" \"Who s that speaking now?\"<|quote|>asked Henfrey.</|quote|>\"Mr. Cuss, I s pose,\" said Hall. \"Can you hear anything?\" Silence. The sounds within indistinct and perplexing. \"Sounds like throwing the table-cloth about,\" said Hall. Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This aroused Mrs. Hall s wifely opposition. \"What yer listenin there",
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"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice." | Hercule Poirot | Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas | that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, | a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, | sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a | shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You | few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' "Again I didn't hear what he said, but she went on:" Nothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea nothing to eat to the boudoir. She was looking dreadful so white and upset." Dorcas,' "she says," I've had a great shock.' I'm sorry for that, m'm,' "I says." You'll feel better after a nice hot cup of tea, m'm.' "She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring | was carrying it. But he was very upset. He seemed to see something over here" I indicated the mantelpiece "that absolutely paralysed him." "That is interesting," said Poirot quickly. "Yes, it is suggestive" his eye sweeping the whole length of the wall "but it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrence's candle, which is still on the dressing-table, is pink. On the other hand, Mrs. Inglethorp had no candlestick in the room, only a reading-lamp." "Then," I said, "what do you deduce?" To which my friend only made a rather irritating reply, urging me to use my own natural faculties. "And the sixth point?" I asked. "I suppose it is the sample of cocoa." "No," said Poirot thoughtfully. "I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present." He looked quickly round the room. "There is nothing more to be done here, I think, unless" he stared earnestly and long at the dead ashes in the grate. "The fire burns and it destroys. But by chance there might be let us see!" Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation. "The forceps, Hastings!" I quickly handed them to him, and with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me. "Poirot!" I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' "Again I didn't hear what he said, but she went on:" Nothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea nothing to eat to the boudoir. She was looking dreadful so white and upset." Dorcas,' "she says," I've had a great shock.' I'm sorry for that, m'm,' "I says." You'll feel better after a nice hot cup of tea, m'm.' "She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldn't believe what was written there. She whispered to herself, as though she had forgotten I was there:" These few words and everything's changed.' "And then she says to me:" Never trust a man, Dorcas, they're not worth it!' "I hurried off, and got her a good strong cup of tea, and she thanked me, and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' "Mrs. Cavendish came in just then, so she didn't say any more." "She still had the letter, or whatever it was, in her hand?" "Yes, sir." "What would she be likely to do with it afterwards?" "Well, I don't know, sir, I expect she would lock it up in that purple case of hers." "Is that where she usually kept important papers?" "Yes, sir. She brought it down with her every morning, and took it up every night." "When did she lose the key of it?" "She missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it." "But she had a duplicate key?" "Oh, yes, sir." Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled. "Never mind, Dorcas, it is my business to know things. Is this the key that was lost?" He drew from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?" Dorcas was rather startled by the unexpected question. "No, sir." "Are you quite sure?" "Oh, yes, sir." "Has anyone else in the house got a green dress?" Dorcas reflected. "Miss Cynthia has a green evening dress." "Light or dark green?" "A light green, sir; a sort of chiffon, they call it." "Ah, that is not what I want. And nobody else has anything green?" "No, sir | not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' "Again I didn't hear what he said, but she went on:" Nothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea nothing to eat to the boudoir. She was looking dreadful so white and upset." Dorcas,' "she says," I've had a great shock.' I'm sorry for that, m'm,' "I says." You'll feel better after a nice hot cup of tea, m'm.' "She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldn't believe what was written there. She whispered to herself, as though she had forgotten I was there:" These few words and everything's changed.' "And then she says to me:" Never trust a man, Dorcas, they're not worth it!' "I hurried off, and got her a good strong cup of tea, and she thanked me, and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' "Mrs. Cavendish came in just then, so she didn't say any more." "She still had the letter, or whatever it was, in her hand?" "Yes, sir." "What would she be likely to do with it afterwards?" "Well, I don't know, sir, I expect she would lock it up in that purple case of hers." "Is that where she usually kept | The Mysterious Affair At Styles | a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly.<|quote|>"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."</|quote|>"Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, | {
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"content": "a few questions. I put them to you with Mr. Cavendish's full approval.\" \"Oh, certainly, sir.\" \"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?\" \"Yes, sir. But I don't know that I ought\" Dorcas hesitated. Poirot looked at her keenly.<|quote|>\"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice.\"</|quote|>\"Amen to that,\" said Dorcas fiercely. \"And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold.\" Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: \"Now,",
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} | Hercule Poirot |
"Will she sign that?" | Dr. Aziz | it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, | an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to | and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition." " Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to sleep, after that." "Good night, I suppose it is." "Oh, I wish you wouldn't make that kind of remark," he continued after a pause. "It is the one thing in you I can't put up with." "I put up with | like one of your six Mogul Emperors, or all the six rolled into one." "Not even Mogul Emperors showed mercy until they received an apology." "She'll apologize if that's the trouble," he cried, sitting up. "Look, I'll make you an offer. Dictate to me whatever form of words you like, and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition." " Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to sleep, after that." "Good night, I suppose it is." "Oh, I wish you wouldn't make that kind of remark," he continued after a pause. "It is the one thing in you I can't put up with." "I put up with all things in you, so what is to be done?" "Well, you hurt me by saying it; good night." There was silence, then dreamily but with deep feeling the voice said: "Cyril, I have had an idea which will satisfy your tender mind: I shall consult Mrs. Moore." Opening his | said so. I want you to realize what that means. All her friends around her, the entire British Raj pushing her forward. She stops, sends the whole thing to smithereens. In her place I should have funked it. But she stopped, and almost did she become a national heroine, but my students ran us down a side street before the crowd caught flame. Do treat her considerately. She really mustn't get the worst of both worlds. I know what all these" he indicated the shrouded forms on the roof "will want, but you mustn't listen to them. Be merciful. Act like one of your six Mogul Emperors, or all the six rolled into one." "Not even Mogul Emperors showed mercy until they received an apology." "She'll apologize if that's the trouble," he cried, sitting up. "Look, I'll make you an offer. Dictate to me whatever form of words you like, and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition." " Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to sleep, after that." "Good night, I suppose it is." "Oh, I wish you wouldn't make that kind of remark," he continued after a pause. "It is the one thing in you I can't put up with." "I put up with all things in you, so what is to be done?" "Well, you hurt me by saying it; good night." There was silence, then dreamily but with deep feeling the voice said: "Cyril, I have had an idea which will satisfy your tender mind: I shall consult Mrs. Moore." Opening his eyes, and beholding thousands of stars, he could not reply, they silenced him. "Her opinion will solve everything; I can trust her so absolutely. If she advises me to pardon this girl, I shall do so. She will counsel me nothing against my real and true honour, as you might." "Let us discuss that to-morrow morning." "Is it not strange? I keep on forgetting she has left India. During the shouting of her name in court I fancied she was present. I had shut my eyes, I confused myself on purpose to deaden the pain. Now this very instant I | sums mentioned at dinner when you all got so excited they would ruin her, they are perfectly preposterous. Look here . . ." "I am looking, though it gets a bit dark. I see Cyril Fielding to be a very nice chap indeed and my best friend, but in some ways a fool. You think that by letting Miss Quested off easily I shall make a better reputation for myself and Indians generally. No, no. It will be put down to weakness and the attempt to gain promotion officially. I have decided to have nothing more to do with British India, as a matter of fact. I shall seek service in some Moslem State, such as Hyderabad, Bhopal, where Englishmen cannot insult me any more. Don't counsel me otherwise." "In the course of a long talk with Miss Quested . . ." "I don't want to hear your long talks." "Be quiet. In the course of a long talk with Miss Quested I have begun to understand her character. It's not an easy one, she being a prig. But she is perfectly genuine and very brave. When she saw she was wrong, she pulled herself up with a jerk and said so. I want you to realize what that means. All her friends around her, the entire British Raj pushing her forward. She stops, sends the whole thing to smithereens. In her place I should have funked it. But she stopped, and almost did she become a national heroine, but my students ran us down a side street before the crowd caught flame. Do treat her considerately. She really mustn't get the worst of both worlds. I know what all these" he indicated the shrouded forms on the roof "will want, but you mustn't listen to them. Be merciful. Act like one of your six Mogul Emperors, or all the six rolled into one." "Not even Mogul Emperors showed mercy until they received an apology." "She'll apologize if that's the trouble," he cried, sitting up. "Look, I'll make you an offer. Dictate to me whatever form of words you like, and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition." " Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to sleep, after that." "Good night, I suppose it is." "Oh, I wish you wouldn't make that kind of remark," he continued after a pause. "It is the one thing in you I can't put up with." "I put up with all things in you, so what is to be done?" "Well, you hurt me by saying it; good night." There was silence, then dreamily but with deep feeling the voice said: "Cyril, I have had an idea which will satisfy your tender mind: I shall consult Mrs. Moore." Opening his eyes, and beholding thousands of stars, he could not reply, they silenced him. "Her opinion will solve everything; I can trust her so absolutely. If she advises me to pardon this girl, I shall do so. She will counsel me nothing against my real and true honour, as you might." "Let us discuss that to-morrow morning." "Is it not strange? I keep on forgetting she has left India. During the shouting of her name in court I fancied she was present. I had shut my eyes, I confused myself on purpose to deaden the pain. Now this very instant I forgot again. I shall be obliged to write. She is now far away, well on her way towards Ralph and Stella." "To whom?" "To those other children." "I have not heard of other children." "Just as I have two boys and a girl, so has Mrs. Moore. She told me in the mosque." "I knew her so slightly." "I have seen her but three times, but I know she is an Oriental." "You are so fantastic. . . . Miss Quested, you won't treat her generously; while over Mrs. Moore there is this elaborate chivalry. Miss Quested anyhow behaved decently this morning, whereas the old lady never did anything for you at all, and it's pure conjecture that she would have come forward in your favour, it only rests on servants' gossip. Your emotions never seem in proportion to their objects, Aziz." "Is emotion a sack of potatoes, so much the pound, to be measured out? Am I a machine? I shall be told I can use up my emotions by using them, next." "I should have thought you could. It sounds common sense. You can't eat your cake and have it, even in the world of the spirit." "If | misfortunes it has come." "You have won a great victory . . ." began Fielding. "I know, my dear chap, I know; your voice need not become so solemn and anxious. I know what you are going to say next: Let, oh let Miss Quested off paying, so that the English may say," Here is a native who has actually behaved like a gentleman; if it was not for his black face we would almost allow him to join our club.' "The approval of your compatriots no longer interests me, I have become anti-British, and ought to have done so sooner, it would have saved me numerous misfortunes." "Including knowing me." "I say, shall we go and pour water on to Mohammed Latif's face? He is so funny when this is done to him asleep." The remark was not a question but a full-stop. Fielding accepted it as such and there was a pause, pleasantly filled by a little wind which managed to brush the top of the house. The banquet, though riotous, had been agreeable, and now the blessings of leisure unknown to the West, which either works or idles descended on the motley company. Civilization strays about like a ghost here, revisiting the ruins of empire, and is to be found not in great works of art or mighty deeds, but in the gestures well-bred Indians make when they sit or lie down. Fielding, who had dressed up in native costume, learnt from his excessive awkwardness in it that all his motions were makeshifts, whereas when the Nawab Bahadur stretched out his hand for food or Nureddin applauded a song, something beautiful had been accomplished which needed no development. This restfulness of gesture it is the Peace that passeth Understanding, after all, it is the social equivalent of Yoga. When the whirring of action ceases, it becomes visible, and reveals a civilization which the West can disturb but will never acquire. The hand stretches out for ever, the lifted knee has the eternity though not the sadness of the grave. Aziz was full of civilization this evening, complete, dignified, rather hard, and it was with diffidence that the other said: "Yes, certainly you must let off Miss Quested easily. She must pay all your costs, that is only fair, but do not treat her like a conquered enemy." "Is she wealthy? I depute you to find out." "The sums mentioned at dinner when you all got so excited they would ruin her, they are perfectly preposterous. Look here . . ." "I am looking, though it gets a bit dark. I see Cyril Fielding to be a very nice chap indeed and my best friend, but in some ways a fool. You think that by letting Miss Quested off easily I shall make a better reputation for myself and Indians generally. No, no. It will be put down to weakness and the attempt to gain promotion officially. I have decided to have nothing more to do with British India, as a matter of fact. I shall seek service in some Moslem State, such as Hyderabad, Bhopal, where Englishmen cannot insult me any more. Don't counsel me otherwise." "In the course of a long talk with Miss Quested . . ." "I don't want to hear your long talks." "Be quiet. In the course of a long talk with Miss Quested I have begun to understand her character. It's not an easy one, she being a prig. But she is perfectly genuine and very brave. When she saw she was wrong, she pulled herself up with a jerk and said so. I want you to realize what that means. All her friends around her, the entire British Raj pushing her forward. She stops, sends the whole thing to smithereens. In her place I should have funked it. But she stopped, and almost did she become a national heroine, but my students ran us down a side street before the crowd caught flame. Do treat her considerately. She really mustn't get the worst of both worlds. I know what all these" he indicated the shrouded forms on the roof "will want, but you mustn't listen to them. Be merciful. Act like one of your six Mogul Emperors, or all the six rolled into one." "Not even Mogul Emperors showed mercy until they received an apology." "She'll apologize if that's the trouble," he cried, sitting up. "Look, I'll make you an offer. Dictate to me whatever form of words you like, and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition." " Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to sleep, after that." "Good night, I suppose it is." "Oh, I wish you wouldn't make that kind of remark," he continued after a pause. "It is the one thing in you I can't put up with." "I put up with all things in you, so what is to be done?" "Well, you hurt me by saying it; good night." There was silence, then dreamily but with deep feeling the voice said: "Cyril, I have had an idea which will satisfy your tender mind: I shall consult Mrs. Moore." Opening his eyes, and beholding thousands of stars, he could not reply, they silenced him. "Her opinion will solve everything; I can trust her so absolutely. If she advises me to pardon this girl, I shall do so. She will counsel me nothing against my real and true honour, as you might." "Let us discuss that to-morrow morning." "Is it not strange? I keep on forgetting she has left India. During the shouting of her name in court I fancied she was present. I had shut my eyes, I confused myself on purpose to deaden the pain. Now this very instant I forgot again. I shall be obliged to write. She is now far away, well on her way towards Ralph and Stella." "To whom?" "To those other children." "I have not heard of other children." "Just as I have two boys and a girl, so has Mrs. Moore. She told me in the mosque." "I knew her so slightly." "I have seen her but three times, but I know she is an Oriental." "You are so fantastic. . . . Miss Quested, you won't treat her generously; while over Mrs. Moore there is this elaborate chivalry. Miss Quested anyhow behaved decently this morning, whereas the old lady never did anything for you at all, and it's pure conjecture that she would have come forward in your favour, it only rests on servants' gossip. Your emotions never seem in proportion to their objects, Aziz." "Is emotion a sack of potatoes, so much the pound, to be measured out? Am I a machine? I shall be told I can use up my emotions by using them, next." "I should have thought you could. It sounds common sense. You can't eat your cake and have it, even in the world of the spirit." "If you are right, there is no point in any friendship; it all comes down to give and take, or give and return, which is disgusting, and we had better all leap over this parapet and kill ourselves. Is anything wrong with you this evening that you grow so materialistic?" "Your unfairness is worse than my materialism." "I see. Anything further to complain of?" He was good-tempered and affectionate but a little formidable. Imprisonment had made channels for his character, which would never fluctuate as widely now as in the past. "Because it is far better you put all your difficulties before me, if we are to be friends for ever. You do not like Mrs. Moore, and are annoyed because I do; however, you will like her in time." When a person, really dead, is supposed to be alive, an unhealthiness infects the conversation. Fielding could not stand the tension any longer and blurted out: "I'm sorry to say Mrs. Moore's dead." But Hamidullah, who had been listening to all their talk, and did not want the festive evening spoilt, cried from the adjoining bed: "Aziz, he is trying to pull your leg; don't believe him, the villain." "I do not believe him," said Aziz; he was inured to practical jokes, even of this type. Fielding said no more. Facts are facts, and everyone would learn of Mrs. Moore's death in the morning. But it struck him that people are not really dead until they are felt to be dead. As long as there is some misunderstanding about them, they possess a sort of immortality. An experience of his own confirmed this. Many years ago he had lost a great friend, a woman, who believed in the Christian heaven, and assured him that after the changes and chances of this mortal life they would meet in it again. Fielding was a blank, frank atheist, but he respected every opinion his friend held: to do this is essential in friendship. And it seemed to him for a time that the dead awaited him, and when the illusion faded it left behind it an emptiness that was almost guilt: "This really is the end," he thought, "and I gave her the final blow." He had tried to kill Mrs. Moore this evening, on the roof of the Nawab Bahadur's house; but she still eluded him, and the atmosphere remained tranquil. Presently the | Quested I have begun to understand her character. It's not an easy one, she being a prig. But she is perfectly genuine and very brave. When she saw she was wrong, she pulled herself up with a jerk and said so. I want you to realize what that means. All her friends around her, the entire British Raj pushing her forward. She stops, sends the whole thing to smithereens. In her place I should have funked it. But she stopped, and almost did she become a national heroine, but my students ran us down a side street before the crowd caught flame. Do treat her considerately. She really mustn't get the worst of both worlds. I know what all these" he indicated the shrouded forms on the roof "will want, but you mustn't listen to them. Be merciful. Act like one of your six Mogul Emperors, or all the six rolled into one." "Not even Mogul Emperors showed mercy until they received an apology." "She'll apologize if that's the trouble," he cried, sitting up. "Look, I'll make you an offer. Dictate to me whatever form of words you like, and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition." " Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to sleep, after that." "Good night, I suppose it is." "Oh, I wish you wouldn't make that kind of remark," he continued after a pause. "It is the one thing in you I can't put up with." "I put up with all things in you, so what is to be done?" "Well, you hurt me by saying it; good night." There was silence, then dreamily but with deep feeling the voice said: "Cyril, I have had an idea which will satisfy your tender mind: I shall consult Mrs. Moore." Opening his eyes, and beholding thousands of stars, he could not reply, they silenced him. "Her opinion will solve everything; I can trust her so absolutely. If she advises me to pardon this girl, I shall do so. She will counsel me nothing against my real and true honour, as you might." "Let us discuss that to-morrow morning." "Is it not strange? I keep on forgetting she has left India. During the shouting of her name in court I fancied she was present. I had shut my eyes, I confused myself on purpose to deaden the pain. Now this very instant I forgot again. I shall be obliged to write. She is now far away, well on her way towards Ralph and Stella." "To whom?" "To those other children." "I have not heard of other children." "Just as I have two boys and a girl, so has Mrs. Moore. She told me in the mosque." "I knew her so slightly." "I have seen her but three times, but I know she is an Oriental." "You are so fantastic. . . . Miss Quested, you won't treat her generously; while over Mrs. Moore there is this elaborate chivalry. Miss Quested anyhow behaved decently this | A Passage To India | and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition." " Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>"Will she sign that?"</|quote|>"Well good night, good night, it's time to go to sleep, after that." "Good night, I suppose it is." "Oh, I wish you wouldn't make that kind of remark," he continued after a pause. "It is the one thing in you I can't put up with." "I put up with | {
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"content": "and this time to-morrow I'll bring it back signed. This is not instead of any public apology she may make you in law. It's an addition.\" \" Dear Dr. Aziz, I wish you had come into the cave; I am an awful old hag, and it is my last chance.'<|quote|>\"Will she sign that?\"</|quote|>\"Well good night, good night, it's time to go to sleep, after that.\" \"Good night, I suppose it is.\" \"Oh, I wish you wouldn't make that kind of remark,\" he continued after a pause. \"It is the one thing in you I can't put up with.\" \"I put up with",
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} | Dr. Aziz |
"We shall be all Moslems together now, as you promised." | Mrs. Moore | said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, | Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All | of his voice. "Mrs. Moore, Miss Quested, our expedition is a ruin." He swung himself along the footboard, almost in tears. "Get in, get in; you'll kill yourself as well as Mr. Fielding. I see no ruin." "How is that? Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All the love for her he had felt at the mosque welled up again, the fresher for forgetfulness. There was nothing he would not do for her. He would die to make her happy. "Get in, Dr. Aziz, you make us | to, he'll kill himself," Mrs. Moore protested. He jumped, he failed, missed his friend's hand, and fell back on to the line. The train rumbled past. He scrambled on to his feet, and bawled after them, "I'm all right, you're all right, don't worry," and then they passed beyond range of his voice. "Mrs. Moore, Miss Quested, our expedition is a ruin." He swung himself along the footboard, almost in tears. "Get in, get in; you'll kill yourself as well as Mr. Fielding. I see no ruin." "How is that? Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All the love for her he had felt at the mosque welled up again, the fresher for forgetfulness. There was nothing he would not do for her. He would die to make her happy. "Get in, Dr. Aziz, you make us giddy," the other lady called. "If they're so foolish as to miss the train, that's their loss, not ours." "I am to blame. I am the host." "Nonsense, go to your carriage. We're going to have a delightful time without them." Not perfect like Mrs. Moore, but very sincere and | Fielding and old Godbole, held up at the level-crossing. Appalling catastrophe! The gates had been closed earlier than usual. They leapt from their tonga; they gesticulated, but what was the good. So near and yet so far! As the train joggled past over the points, there was time for agonized words. "Bad, bad, you have destroyed me." "Godbole's pujah did it," cried the Englishman. The Brahman lowered his eyes, ashamed of religion. For it was so: he had miscalculated the length of a prayer. "Jump on, I must have you," screamed Aziz, beside himself. "Right, give a hand." "He's not to, he'll kill himself," Mrs. Moore protested. He jumped, he failed, missed his friend's hand, and fell back on to the line. The train rumbled past. He scrambled on to his feet, and bawled after them, "I'm all right, you're all right, don't worry," and then they passed beyond range of his voice. "Mrs. Moore, Miss Quested, our expedition is a ruin." He swung himself along the footboard, almost in tears. "Get in, get in; you'll kill yourself as well as Mr. Fielding. I see no ruin." "How is that? Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All the love for her he had felt at the mosque welled up again, the fresher for forgetfulness. There was nothing he would not do for her. He would die to make her happy. "Get in, Dr. Aziz, you make us giddy," the other lady called. "If they're so foolish as to miss the train, that's their loss, not ours." "I am to blame. I am the host." "Nonsense, go to your carriage. We're going to have a delightful time without them." Not perfect like Mrs. Moore, but very sincere and kind. Wonderful ladies, both of them, and for one precious morning his guests. He felt important and competent. Fielding was a loss personally, being a friend, increasingly dear, yet if Fielding had come, he himself would have remained in leading-strings. "Indians are incapable of responsibility," said the officials, and Hamidullah sometimes said so too. He would show those pessimists that they were wrong. Smiling proudly, he glanced outward at the country, which was still invisible except as a dark movement in the darkness; then upwards at the sky, where the stars of the sprawling Scorpion had begun to pale. Then | The old man assented with slight sideway motions of the head: he was always willing to be ridiculed, and he bade Aziz not spare him. Elated by his importance, he began an indecent anecdote. "Tell me another time, brother, when I have more leisure, for now, as I have already explained, we have to give pleasure to non-Moslems. Three will be Europeans, one a Hindu, which must not be forgotten. Every attention must be paid to Professor Godbole, lest he feel that he is inferior to my other guests." "I will discuss philosophy with him." "That will be kind of you; but the servants are even more important. We must not convey an impression of disorganization. It can be done, and I expect you to do it . . ." A shriek from the purdah carriage. The train had started. "Merciful God!" cried Mohammed Latif. He flung himself at the train, and leapt on to the footboard of a carriage. Aziz did likewise. It was an easy feat, for a branch-line train is slow to assume special airs. "We're monkeys, don't worry," he called, hanging on to a bar and laughing. Then he howled, "Mr. Fielding! Mr. Fielding!" There were Fielding and old Godbole, held up at the level-crossing. Appalling catastrophe! The gates had been closed earlier than usual. They leapt from their tonga; they gesticulated, but what was the good. So near and yet so far! As the train joggled past over the points, there was time for agonized words. "Bad, bad, you have destroyed me." "Godbole's pujah did it," cried the Englishman. The Brahman lowered his eyes, ashamed of religion. For it was so: he had miscalculated the length of a prayer. "Jump on, I must have you," screamed Aziz, beside himself. "Right, give a hand." "He's not to, he'll kill himself," Mrs. Moore protested. He jumped, he failed, missed his friend's hand, and fell back on to the line. The train rumbled past. He scrambled on to his feet, and bawled after them, "I'm all right, you're all right, don't worry," and then they passed beyond range of his voice. "Mrs. Moore, Miss Quested, our expedition is a ruin." He swung himself along the footboard, almost in tears. "Get in, get in; you'll kill yourself as well as Mr. Fielding. I see no ruin." "How is that? Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All the love for her he had felt at the mosque welled up again, the fresher for forgetfulness. There was nothing he would not do for her. He would die to make her happy. "Get in, Dr. Aziz, you make us giddy," the other lady called. "If they're so foolish as to miss the train, that's their loss, not ours." "I am to blame. I am the host." "Nonsense, go to your carriage. We're going to have a delightful time without them." Not perfect like Mrs. Moore, but very sincere and kind. Wonderful ladies, both of them, and for one precious morning his guests. He felt important and competent. Fielding was a loss personally, being a friend, increasingly dear, yet if Fielding had come, he himself would have remained in leading-strings. "Indians are incapable of responsibility," said the officials, and Hamidullah sometimes said so too. He would show those pessimists that they were wrong. Smiling proudly, he glanced outward at the country, which was still invisible except as a dark movement in the darkness; then upwards at the sky, where the stars of the sprawling Scorpion had begun to pale. Then he dived through a window into a second-class carriage. "Mohammed Latif, by the way, what is in these caves, brother? Why are we all going to see them?" Such a question was beyond the poor relative's scope. He could only reply that God and the local villagers knew, and that the latter would gladly act as guides. CHAPTER XIV Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim, "I do enjoy myself," or, "I am horrified," we are insincere. "As far as I feel anything, it is enjoyment, horror" it's no more than that really, and a perfectly adjusted organism would be silent. It so happened that Mrs. Moore and Miss Quested had felt nothing acutely for a fortnight. Ever since Professor | was too old, Miss Quested too new and they behaved to Aziz as to any young man who had been kind to them in the country. This moved him deeply. He had expected them to arrive with Mr. Fielding, instead of which they trusted themselves to be with him a few moments alone. "Send back your servant," he suggested. "He is unnecessary. Then we shall all be Moslems together." "And he is such a horrible servant. Antony, you can go; we don't want you," said the girl impatiently. "Master told me to come." "Mistress tells you to go." "Master says, keep near the ladies all the morning." "Well, your ladies won't have you." She turned to the host. "Do get rid of him, Dr. Aziz!" "Mohammed Latif!" he called. The poor relative exchanged fezzes with the melon, and peeped out of the window of the railway carriage, whose confusion he was superintending. "Here is my cousin, Mr. Mohammed Latif. Oh no, don't shake hands. He is an Indian of the old-fashioned sort, he prefers to salaam. There, I told you so. Mohammed Latif, how beautifully you salaam. See, he hasn't understood; he knows no English." "You spick lie," said the old man gently. "I spick a lie! Oh, jolly good. Isn't he a funny old man? We will have great jokes with him later. He does all sorts of little things. He is not nearly as stupid as you think, and awfully poor. It's lucky ours is a large family." He flung an arm round the grubby neck. "But you get inside, make yourselves at home; yes, you lie down." The celebrated Oriental confusion appeared at last to be at an end. "Excuse me, now I must meet our other two guests!" He was getting nervous again, for it was ten minutes to the time. Still, Fielding was an Englishman, and they never do miss trains, and Godbole was a Hindu and did not count, and, soothed by this logic, he grew calmer as the hour of departure approached. Mohammed Latif had bribed Antony not to come. They walked up and down the platform, talking usefully. They agreed that they had overdone the servants, and must leave two or three behind at Marabar station. And Aziz explained that he might be playing one or two practical jokes at the caves not out of unkindness, but to make the guests laugh. The old man assented with slight sideway motions of the head: he was always willing to be ridiculed, and he bade Aziz not spare him. Elated by his importance, he began an indecent anecdote. "Tell me another time, brother, when I have more leisure, for now, as I have already explained, we have to give pleasure to non-Moslems. Three will be Europeans, one a Hindu, which must not be forgotten. Every attention must be paid to Professor Godbole, lest he feel that he is inferior to my other guests." "I will discuss philosophy with him." "That will be kind of you; but the servants are even more important. We must not convey an impression of disorganization. It can be done, and I expect you to do it . . ." A shriek from the purdah carriage. The train had started. "Merciful God!" cried Mohammed Latif. He flung himself at the train, and leapt on to the footboard of a carriage. Aziz did likewise. It was an easy feat, for a branch-line train is slow to assume special airs. "We're monkeys, don't worry," he called, hanging on to a bar and laughing. Then he howled, "Mr. Fielding! Mr. Fielding!" There were Fielding and old Godbole, held up at the level-crossing. Appalling catastrophe! The gates had been closed earlier than usual. They leapt from their tonga; they gesticulated, but what was the good. So near and yet so far! As the train joggled past over the points, there was time for agonized words. "Bad, bad, you have destroyed me." "Godbole's pujah did it," cried the Englishman. The Brahman lowered his eyes, ashamed of religion. For it was so: he had miscalculated the length of a prayer. "Jump on, I must have you," screamed Aziz, beside himself. "Right, give a hand." "He's not to, he'll kill himself," Mrs. Moore protested. He jumped, he failed, missed his friend's hand, and fell back on to the line. The train rumbled past. He scrambled on to his feet, and bawled after them, "I'm all right, you're all right, don't worry," and then they passed beyond range of his voice. "Mrs. Moore, Miss Quested, our expedition is a ruin." He swung himself along the footboard, almost in tears. "Get in, get in; you'll kill yourself as well as Mr. Fielding. I see no ruin." "How is that? Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All the love for her he had felt at the mosque welled up again, the fresher for forgetfulness. There was nothing he would not do for her. He would die to make her happy. "Get in, Dr. Aziz, you make us giddy," the other lady called. "If they're so foolish as to miss the train, that's their loss, not ours." "I am to blame. I am the host." "Nonsense, go to your carriage. We're going to have a delightful time without them." Not perfect like Mrs. Moore, but very sincere and kind. Wonderful ladies, both of them, and for one precious morning his guests. He felt important and competent. Fielding was a loss personally, being a friend, increasingly dear, yet if Fielding had come, he himself would have remained in leading-strings. "Indians are incapable of responsibility," said the officials, and Hamidullah sometimes said so too. He would show those pessimists that they were wrong. Smiling proudly, he glanced outward at the country, which was still invisible except as a dark movement in the darkness; then upwards at the sky, where the stars of the sprawling Scorpion had begun to pale. Then he dived through a window into a second-class carriage. "Mohammed Latif, by the way, what is in these caves, brother? Why are we all going to see them?" Such a question was beyond the poor relative's scope. He could only reply that God and the local villagers knew, and that the latter would gladly act as guides. CHAPTER XIV Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim, "I do enjoy myself," or, "I am horrified," we are insincere. "As far as I feel anything, it is enjoyment, horror" it's no more than that really, and a perfectly adjusted organism would be silent. It so happened that Mrs. Moore and Miss Quested had felt nothing acutely for a fortnight. Ever since Professor Godbole had sung his queer little song, they had lived more or less inside cocoons, and the difference between them was that the elder lady accepted her own apathy, while the younger resented hers. It was Adela's faith that the whole stream of events is important and interesting, and if she grew bored she blamed herself severely and compelled her lips to utter enthusiasms. This was the only insincerity in a character otherwise sincere, and it was indeed the intellectual protest of her youth. She was particularly vexed now because she was both in India and engaged to be married, which double event should have made every instant sublime. India was certainly dim this morning, though seen under the auspices of Indians. Her wish had been granted, but too late. She could not get excited over Aziz and his arrangements. She was not the least unhappy or depressed, and the various odd objects that surrounded her the comic "purdah" carriage, the piles of rugs and bolsters, the rolling melons, the scent of sweet oils, the ladder, the brass-bound box, the sudden irruption of Mahmoud Ali's butler from the lavatory with tea and poached eggs upon a tray they were all new and amusing, and led her to comment appropriately, but they wouldn't bite into her mind. So she tried to find comfort by reflecting that her main interest would henceforward be Ronny. "What a nice cheerful servant! What a relief after Antony!" "They startle one rather. A strange place to make tea in," said Mrs. Moore, who had hoped for a nap. "I want to sack Antony. His behaviour on the platform has decided me." Mrs. Moore thought that Antony's better self would come to the front at Simla. Miss Quested was to be married at Simla; some cousins, with a house looking straight on to Thibet, had invited her. "Anyhow, we must get a second servant, because at Simla you will be at the hotel, and I don't think Ronny's Baldeo . . ." She loved plans. "Very well, you get another servant, and I'll keep Antony with me. I am used to his unappetizing ways. He will see me through the Hot Weather." "I don't believe in the Hot Weather. People like Major Callendar who always talk about it it's in the hope of making one feel inexperienced and small, like their everlasting, I've been twenty years in | did not count, and, soothed by this logic, he grew calmer as the hour of departure approached. Mohammed Latif had bribed Antony not to come. They walked up and down the platform, talking usefully. They agreed that they had overdone the servants, and must leave two or three behind at Marabar station. And Aziz explained that he might be playing one or two practical jokes at the caves not out of unkindness, but to make the guests laugh. The old man assented with slight sideway motions of the head: he was always willing to be ridiculed, and he bade Aziz not spare him. Elated by his importance, he began an indecent anecdote. "Tell me another time, brother, when I have more leisure, for now, as I have already explained, we have to give pleasure to non-Moslems. Three will be Europeans, one a Hindu, which must not be forgotten. Every attention must be paid to Professor Godbole, lest he feel that he is inferior to my other guests." "I will discuss philosophy with him." "That will be kind of you; but the servants are even more important. We must not convey an impression of disorganization. It can be done, and I expect you to do it . . ." A shriek from the purdah carriage. The train had started. "Merciful God!" cried Mohammed Latif. He flung himself at the train, and leapt on to the footboard of a carriage. Aziz did likewise. It was an easy feat, for a branch-line train is slow to assume special airs. "We're monkeys, don't worry," he called, hanging on to a bar and laughing. Then he howled, "Mr. Fielding! Mr. Fielding!" There were Fielding and old Godbole, held up at the level-crossing. Appalling catastrophe! The gates had been closed earlier than usual. They leapt from their tonga; they gesticulated, but what was the good. So near and yet so far! As the train joggled past over the points, there was time for agonized words. "Bad, bad, you have destroyed me." "Godbole's pujah did it," cried the Englishman. The Brahman lowered his eyes, ashamed of religion. For it was so: he had miscalculated the length of a prayer. "Jump on, I must have you," screamed Aziz, beside himself. "Right, give a hand." "He's not to, he'll kill himself," Mrs. Moore protested. He jumped, he failed, missed his friend's hand, and fell back on to the line. The train rumbled past. He scrambled on to his feet, and bawled after them, "I'm all right, you're all right, don't worry," and then they passed beyond range of his voice. "Mrs. Moore, Miss Quested, our expedition is a ruin." He swung himself along the footboard, almost in tears. "Get in, get in; you'll kill yourself as well as Mr. Fielding. I see no ruin." "How is that? Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All the love for her he had felt at the mosque welled up again, the fresher for forgetfulness. There was nothing he would not do for her. He would die to make her happy. "Get in, Dr. Aziz, you make us giddy," the other lady called. "If they're so foolish as to miss the train, that's their loss, not ours." "I am to blame. I am the host." "Nonsense, go to your carriage. We're going to have a delightful time without them." Not perfect like Mrs. Moore, but very sincere and kind. Wonderful ladies, both of them, and for one precious morning his guests. He felt important and competent. Fielding was a loss personally, being a friend, increasingly dear, yet if Fielding had come, he himself would have remained in leading-strings. "Indians are incapable of responsibility," said the officials, and Hamidullah sometimes said so too. He would show those pessimists that they were wrong. Smiling proudly, he glanced outward at the country, which was still invisible except as a dark movement in the darkness; then upwards at the sky, where the stars of the sprawling Scorpion had begun to pale. Then he dived through a window into a second-class carriage. "Mohammed Latif, by the way, what is in these caves, brother? Why are we all going to see them?" Such a question was beyond the poor relative's scope. He could only reply that God and the local villagers knew, and that the latter would gladly act as guides. CHAPTER XIV Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human | A Passage To India | of his voice. "Mrs. Moore, Miss Quested, our expedition is a ruin." He swung himself along the footboard, almost in tears. "Get in, get in; you'll kill yourself as well as Mr. Fielding. I see no ruin." "How is that? Oh, explain to me!" he said piteously, like a child.<|quote|>"We shall be all Moslems together now, as you promised."</|quote|>She was perfect as always, his dear Mrs. Moore. All the love for her he had felt at the mosque welled up again, the fresher for forgetfulness. There was nothing he would not do for her. He would die to make her happy. "Get in, Dr. Aziz, you make us | {
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"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it." | Basil Hallward | too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the | it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A | looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my | you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any | her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel | felt strangely moved. The lad was infinitely dear to him, and his personality had been the great turning point in his art. He could not bear the idea of reproaching him any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his | passed away. I cannot repeat an emotion. No one can, except sentimentalists. And you are awfully unjust, Basil. You come down here to console me. That is charming of you. You find me consoled, and you are furious. How like a sympathetic person! You remind me of a story Harry told me about a certain philanthropist who spent twenty years of his life in trying to get some grievance redressed, or some unjust law altered I forget exactly what it was. Finally he succeeded, and nothing could exceed his disappointment. He had absolutely nothing to do, almost died of _ennui_, and became a confirmed misanthrope. And besides, my dear old Basil, if you really want to console me, teach me rather to forget what has happened, or to see it from a proper artistic point of view. Was it not Gautier who used to write about _la consolation des arts_? I remember picking up a little vellum-covered book in your studio one day and chancing on that delightful phrase. Well, I am not like that young man you told me of when we were down at Marlow together, the young man who used to say that yellow satin could console one for all the miseries of life. I love beautiful things that one can touch and handle. Old brocades, green bronzes, lacquer-work, carved ivories, exquisite surroundings, luxury, pomp there is much to be got from all these. But the artistic temperament that they create, or at any rate reveal, is still more to me. To become the spectator of one s own life, as Harry says, is to escape the suffering of life. I know you are surprised at my talking to you like this. You have not realized how I have developed. I was a schoolboy when you knew me. I am a man now. I have new passions, new thoughts, new ideas. I am different, but you must not like me less. I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger you are too much afraid of life but you are better. And how happy we used to be together! Don t leave me, Basil, and don t quarrel with me. I am what I am. There is nothing more to be said." The painter felt strangely moved. The lad was infinitely dear to him, and his personality had been the great turning point in his art. He could not bear the idea of reproaching him any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing." He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously and half in jest, "If you want to have a strange quarter of an hour, get Basil to tell you why he won t exhibit your picture. He told me why he wouldn t, and it was a revelation to me." Yes, perhaps Basil, too, had his secret. He would ask him and try. "Basil," he said, coming over quite close and looking him straight in the face, "we have each of us a secret. Let me know yours, and I shall tell you mine. What was your reason for refusing to exhibit my picture?" The painter shuddered in spite of himself. "Dorian, if I told you, you might like me less than you do, and you would certainly laugh at me. I could not bear your doing either of those two things. If you wish me never to look at your picture again, I am content. I have always you to look at. If you wish the best work I have ever done to be hidden from the world, I am satisfied. Your friendship is dearer to me than any fame or reputation." "No, Basil, you must tell me," insisted Dorian Gray. "I think I have a right to know." His feeling of terror had passed away, and curiosity had taken its place. He was determined to find out Basil Hallward s mystery. "Let us sit down, Dorian," said the painter, looking troubled. "Let us sit down. And just answer me one question. Have you noticed in the picture something curious? something that probably at first did not strike you, but that revealed itself to you suddenly?" "Basil!" cried the lad, clutching the arms of his chair with | don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your | The Picture Of Dorian Gray | looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait."<|quote|>"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. "Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my | {
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"content": "looked different as I came in.\" \"My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait.\"<|quote|>\"Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it.\"</|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. \"Basil,\" he said, looking very pale, \"you must not look at it. I don t wish you to.\" \"Not look at my",
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} | Basil Hallward |
"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose." | William Rodney | his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering | her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, | along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. "Yes, I like Mary; I don t see how one could help liking her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. "Who s taken you in now?" he asked. "Katharine Hilbery?" | the eagerness with which his mind returned to these interests, and fretted him with the old trivial anxieties. He sank in his own esteem. Reason bade him break from Rodney, who clearly tended to become confidential, before he had utterly lost touch with the problems of high philosophy. He looked along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. "Yes, I like Mary; I don t see how one could help liking her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. "Who s taken you in now?" he asked. "Katharine Hilbery?" Rodney stopped and once more began beating a kind of rhythm, as if he were marking a phrase in a symphony, upon the smooth stone balustrade of the Embankment. "Katharine Hilbery," he repeated, with a curious little chuckle. "No, Denham, I have no illusions about that young woman. I think | if one trusts them one invariably has cause to repent. Not that I have any reason at this moment," he added hastily, "to complain of them. It s a subject that crops up now and again for no particular reason. Miss Datchet, I dare say, is one of the exceptions. Do you like Miss Datchet?" These remarks indicated clearly enough that Rodney s nerves were in a state of irritation, and Denham speedily woke to the situation of the world as it had been one hour ago. He had last seen Rodney walking with Katharine. He could not help regretting the eagerness with which his mind returned to these interests, and fretted him with the old trivial anxieties. He sank in his own esteem. Reason bade him break from Rodney, who clearly tended to become confidential, before he had utterly lost touch with the problems of high philosophy. He looked along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. "Yes, I like Mary; I don t see how one could help liking her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. "Who s taken you in now?" he asked. "Katharine Hilbery?" Rodney stopped and once more began beating a kind of rhythm, as if he were marking a phrase in a symphony, upon the smooth stone balustrade of the Embankment. "Katharine Hilbery," he repeated, with a curious little chuckle. "No, Denham, I have no illusions about that young woman. I think I made that plain to her to-night. But don t run away with a false impression," he continued eagerly, turning and linking his arm through Denham s, as though to prevent him from escaping; and, thus compelled, Denham passed the monitory lamp-post, to which, in passing, he breathed an excuse, for how could he break away when Rodney s arm was actually linked in his? "You must not think that I have any bitterness against her far from it. It s not altogether her fault, poor girl. She lives, you know, one of those odious, self-centered lives at least, I | had suggested. He had forgotten the meeting at Mary Datchet s rooms, he had forgotten Rodney, and metaphors and Elizabethan drama, and could have sworn that he had forgotten Katharine Hilbery, too, although that was more disputable. His mind was scaling the highest pinnacles of its alps, where there was only starlight and the untrodden snow. He cast strange eyes upon Rodney, as they encountered each other beneath a lamp-post. "Ha!" Rodney exclaimed. If he had been in full possession of his mind, Denham would probably have passed on with a salutation. But the shock of the interruption made him stand still, and before he knew what he was doing, he had turned and was walking with Rodney in obedience to Rodney s invitation to come to his rooms and have something to drink. Denham had no wish to drink with Rodney, but he followed him passively enough. Rodney was gratified by this obedience. He felt inclined to be communicative with this silent man, who possessed so obviously all the good masculine qualities in which Katharine now seemed lamentably deficient. "You do well, Denham," he began impulsively, "to have nothing to do with young women. I offer you my experience if one trusts them one invariably has cause to repent. Not that I have any reason at this moment," he added hastily, "to complain of them. It s a subject that crops up now and again for no particular reason. Miss Datchet, I dare say, is one of the exceptions. Do you like Miss Datchet?" These remarks indicated clearly enough that Rodney s nerves were in a state of irritation, and Denham speedily woke to the situation of the world as it had been one hour ago. He had last seen Rodney walking with Katharine. He could not help regretting the eagerness with which his mind returned to these interests, and fretted him with the old trivial anxieties. He sank in his own esteem. Reason bade him break from Rodney, who clearly tended to become confidential, before he had utterly lost touch with the problems of high philosophy. He looked along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. "Yes, I like Mary; I don t see how one could help liking her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. "Who s taken you in now?" he asked. "Katharine Hilbery?" Rodney stopped and once more began beating a kind of rhythm, as if he were marking a phrase in a symphony, upon the smooth stone balustrade of the Embankment. "Katharine Hilbery," he repeated, with a curious little chuckle. "No, Denham, I have no illusions about that young woman. I think I made that plain to her to-night. But don t run away with a false impression," he continued eagerly, turning and linking his arm through Denham s, as though to prevent him from escaping; and, thus compelled, Denham passed the monitory lamp-post, to which, in passing, he breathed an excuse, for how could he break away when Rodney s arm was actually linked in his? "You must not think that I have any bitterness against her far from it. It s not altogether her fault, poor girl. She lives, you know, one of those odious, self-centered lives at least, I think them odious for a woman feeding her wits upon everything, having control of everything, getting far too much her own way at home spoilt, in a sense, feeling that every one is at her feet, and so not realizing how she hurts that is, how rudely she behaves to people who haven t all her advantages. Still, to do her justice, she s no fool," he added, as if to warn Denham not to take any liberties. "She has taste. She has sense. She can understand you when you talk to her. But she s a woman, and there s an end of it," he added, with another little chuckle, and dropped Denham s arm. "And did you tell her all this to-night?" Denham asked. "Oh dear me, no. I should never think of telling Katharine the truth about herself. That wouldn t do at all. One has to be in an attitude of adoration in order to get on with Katharine." "Now I ve learnt that she s refused to marry him why don t I go home?" Denham thought to himself. But he went on walking beside Rodney, and for a time they did not speak, though | and exclaimed: "Don t call that cab for me, William. I shall walk." "Nonsense, Katharine; you ll do nothing of the kind. It s nearly twelve o clock, and we ve walked too far as it is." Katharine laughed and walked on so quickly that both Rodney and the taxicab had to increase their pace to keep up with her. "Now, William," she said, "if people see me racing along the Embankment like this they _will_ talk. You had far better say good-night, if you don t want people to talk." At this William beckoned, with a despotic gesture, to the cab with one hand, and with the other he brought Katharine to a standstill. "Don t let the man see us struggling, for God s sake!" he murmured. Katharine stood for a moment quite still. "There s more of the old maid in you than the poet," she observed briefly. William shut the door sharply, gave the address to the driver, and turned away, lifting his hat punctiliously high in farewell to the invisible lady. He looked back after the cab twice, suspiciously, half expecting that she would stop it and dismount; but it bore her swiftly on, and was soon out of sight. William felt in the mood for a short soliloquy of indignation, for Katharine had contrived to exasperate him in more ways than one. "Of all the unreasonable, inconsiderate creatures I ve ever known, she s the worst!" he exclaimed to himself, striding back along the Embankment. "Heaven forbid that I should ever make a fool of myself with her again. Why, I d sooner marry the daughter of my landlady than Katharine Hilbery! She d leave me not a moment s peace and she d never understand me never, never, never!" Uttered aloud and with vehemence so that the stars of Heaven might hear, for there was no human being at hand, these sentiments sounded satisfactorily irrefutable. Rodney quieted down, and walked on in silence, until he perceived some one approaching him, who had something, either in his walk or his dress, which proclaimed that he was one of William s acquaintances before it was possible to tell which of them he was. It was Denham who, having parted from Sandys at the bottom of his staircase, was now walking to the Tube at Charing Cross, deep in the thoughts which his talk with Sandys had suggested. He had forgotten the meeting at Mary Datchet s rooms, he had forgotten Rodney, and metaphors and Elizabethan drama, and could have sworn that he had forgotten Katharine Hilbery, too, although that was more disputable. His mind was scaling the highest pinnacles of its alps, where there was only starlight and the untrodden snow. He cast strange eyes upon Rodney, as they encountered each other beneath a lamp-post. "Ha!" Rodney exclaimed. If he had been in full possession of his mind, Denham would probably have passed on with a salutation. But the shock of the interruption made him stand still, and before he knew what he was doing, he had turned and was walking with Rodney in obedience to Rodney s invitation to come to his rooms and have something to drink. Denham had no wish to drink with Rodney, but he followed him passively enough. Rodney was gratified by this obedience. He felt inclined to be communicative with this silent man, who possessed so obviously all the good masculine qualities in which Katharine now seemed lamentably deficient. "You do well, Denham," he began impulsively, "to have nothing to do with young women. I offer you my experience if one trusts them one invariably has cause to repent. Not that I have any reason at this moment," he added hastily, "to complain of them. It s a subject that crops up now and again for no particular reason. Miss Datchet, I dare say, is one of the exceptions. Do you like Miss Datchet?" These remarks indicated clearly enough that Rodney s nerves were in a state of irritation, and Denham speedily woke to the situation of the world as it had been one hour ago. He had last seen Rodney walking with Katharine. He could not help regretting the eagerness with which his mind returned to these interests, and fretted him with the old trivial anxieties. He sank in his own esteem. Reason bade him break from Rodney, who clearly tended to become confidential, before he had utterly lost touch with the problems of high philosophy. He looked along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. "Yes, I like Mary; I don t see how one could help liking her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. "Who s taken you in now?" he asked. "Katharine Hilbery?" Rodney stopped and once more began beating a kind of rhythm, as if he were marking a phrase in a symphony, upon the smooth stone balustrade of the Embankment. "Katharine Hilbery," he repeated, with a curious little chuckle. "No, Denham, I have no illusions about that young woman. I think I made that plain to her to-night. But don t run away with a false impression," he continued eagerly, turning and linking his arm through Denham s, as though to prevent him from escaping; and, thus compelled, Denham passed the monitory lamp-post, to which, in passing, he breathed an excuse, for how could he break away when Rodney s arm was actually linked in his? "You must not think that I have any bitterness against her far from it. It s not altogether her fault, poor girl. She lives, you know, one of those odious, self-centered lives at least, I think them odious for a woman feeding her wits upon everything, having control of everything, getting far too much her own way at home spoilt, in a sense, feeling that every one is at her feet, and so not realizing how she hurts that is, how rudely she behaves to people who haven t all her advantages. Still, to do her justice, she s no fool," he added, as if to warn Denham not to take any liberties. "She has taste. She has sense. She can understand you when you talk to her. But she s a woman, and there s an end of it," he added, with another little chuckle, and dropped Denham s arm. "And did you tell her all this to-night?" Denham asked. "Oh dear me, no. I should never think of telling Katharine the truth about herself. That wouldn t do at all. One has to be in an attitude of adoration in order to get on with Katharine." "Now I ve learnt that she s refused to marry him why don t I go home?" Denham thought to himself. But he went on walking beside Rodney, and for a time they did not speak, though Rodney hummed snatches of a tune out of an opera by Mozart. A feeling of contempt and liking combine very naturally in the mind of one to whom another has just spoken unpremeditatedly, revealing rather more of his private feelings than he intended to reveal. Denham began to wonder what sort of person Rodney was, and at the same time Rodney began to think about Denham. "You re a slave like me, I suppose?" he asked. "A solicitor, yes." "I sometimes wonder why we don t chuck it. Why don t you emigrate, Denham? I should have thought that would suit you." "I ve a family." "I m often on the point of going myself. And then I know I couldn t live without this" and he waved his hand towards the City of London, which wore, at this moment, the appearance of a town cut out of gray-blue cardboard, and pasted flat against the sky, which was of a deeper blue. "There are one or two people I m fond of, and there s a little good music, and a few pictures, now and then just enough to keep one dangling about here. Ah, but I couldn t live with savages! Are you fond of books? Music? Pictures? D you care at all for first editions? I ve got a few nice things up here, things I pick up cheap, for I can t afford to give what they ask." They had reached a small court of high eighteenth-century houses, in one of which Rodney had his rooms. They climbed a very steep staircase, through whose uncurtained windows the moonlight fell, illuminating the banisters with their twisted pillars, and the piles of plates set on the window-sills, and jars half-full of milk. Rodney s rooms were small, but the sitting-room window looked out into a courtyard, with its flagged pavement, and its single tree, and across to the flat red-brick fronts of the opposite houses, which would not have surprised Dr. Johnson, if he had come out of his grave for a turn in the moonlight. Rodney lit his lamp, pulled his curtains, offered Denham a chair, and, flinging the manuscript of his paper on the Elizabethan use of Metaphor on to the table, exclaimed: "Oh dear me, what a waste of time! But it s over now, and so we may think no more about it." He then | known, she s the worst!" he exclaimed to himself, striding back along the Embankment. "Heaven forbid that I should ever make a fool of myself with her again. Why, I d sooner marry the daughter of my landlady than Katharine Hilbery! She d leave me not a moment s peace and she d never understand me never, never, never!" Uttered aloud and with vehemence so that the stars of Heaven might hear, for there was no human being at hand, these sentiments sounded satisfactorily irrefutable. Rodney quieted down, and walked on in silence, until he perceived some one approaching him, who had something, either in his walk or his dress, which proclaimed that he was one of William s acquaintances before it was possible to tell which of them he was. It was Denham who, having parted from Sandys at the bottom of his staircase, was now walking to the Tube at Charing Cross, deep in the thoughts which his talk with Sandys had suggested. He had forgotten the meeting at Mary Datchet s rooms, he had forgotten Rodney, and metaphors and Elizabethan drama, and could have sworn that he had forgotten Katharine Hilbery, too, although that was more disputable. His mind was scaling the highest pinnacles of its alps, where there was only starlight and the untrodden snow. He cast strange eyes upon Rodney, as they encountered each other beneath a lamp-post. "Ha!" Rodney exclaimed. If he had been in full possession of his mind, Denham would probably have passed on with a salutation. But the shock of the interruption made him stand still, and before he knew what he was doing, he had turned and was walking with Rodney in obedience to Rodney s invitation to come to his rooms and have something to drink. Denham had no wish to drink with Rodney, but he followed him passively enough. Rodney was gratified by this obedience. He felt inclined to be communicative with this silent man, who possessed so obviously all the good masculine qualities in which Katharine now seemed lamentably deficient. "You do well, Denham," he began impulsively, "to have nothing to do with young women. I offer you my experience if one trusts them one invariably has cause to repent. Not that I have any reason at this moment," he added hastily, "to complain of them. It s a subject that crops up now and again for no particular reason. Miss Datchet, I dare say, is one of the exceptions. Do you like Miss Datchet?" These remarks indicated clearly enough that Rodney s nerves were in a state of irritation, and Denham speedily woke to the situation of the world as it had been one hour ago. He had last seen Rodney walking with Katharine. He could not help regretting the eagerness with which his mind returned to these interests, and fretted him with the old trivial anxieties. He sank in his own esteem. Reason bade him break from Rodney, who clearly tended to become confidential, before he had utterly lost touch with the problems of high philosophy. He looked along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. "Yes, I like Mary; I don t see how one could help liking her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. "Who s taken you in now?" he asked. "Katharine Hilbery?" Rodney stopped and once more began beating a kind of rhythm, as if he were marking a phrase in a symphony, upon the smooth stone balustrade of the Embankment. "Katharine Hilbery," he repeated, with a curious little chuckle. "No, Denham, I have no illusions about that young woman. I think I made that plain to her to-night. But don t run away with a false impression," he continued eagerly, turning and linking his arm through Denham s, as though to prevent him from escaping; and, thus compelled, Denham passed the monitory lamp-post, to which, in passing, he breathed an excuse, for how could he break away when Rodney s arm was actually linked in his? "You must not think that I have any bitterness against her far from it. It s not altogether her fault, poor girl. She lives, you know, one of those odious, self-centered lives at least, I think them odious for a woman feeding her wits upon everything, having control of everything, getting far too much her own way at home spoilt, in a sense, feeling that every one is at her feet, and so not realizing how she hurts that is, how rudely she behaves to people who haven t all her advantages. Still, to do her justice, she s no fool," he added, as if to warn Denham not to take any liberties. "She has taste. She has sense. She can understand you when you talk to her. But she s a woman, and there s an end of it," he added, with another little chuckle, and dropped Denham s arm. "And did you tell her all this to-night?" Denham asked. "Oh dear me, no. I should never think of telling Katharine the truth about herself. That wouldn t do at all. One has to be in an attitude of adoration in order to get on with Katharine." "Now I ve learnt that she s refused to marry him why don t I go home?" Denham thought to himself. But he went on walking beside Rodney, and for a time they did not speak, though Rodney hummed snatches of a tune out of an opera | Night And Day | along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. "Yes, I like Mary; I don t see how one could help liking her," he remarked cautiously, with his eye on the lamp-post.<|quote|>"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose."</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. "Who s taken you in now?" he asked. "Katharine Hilbery?" | {
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"content": "along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point. \"Yes, I like Mary; I don t see how one could help liking her,\" he remarked cautiously, with his eye on the lamp-post.<|quote|>\"Ah, Denham, you re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I m talking to. That s why I m always being taken in, I suppose.\"</|quote|>Denham seemed to be pondering this statement of Rodney s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post. \"Who s taken you in now?\" he asked. \"Katharine Hilbery?\"",
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} | William Rodney |
"But how" | Cyril Fielding | indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a | Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks | the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow." Fielding could see nothing but the crease. Everywhere else | apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow." Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth. "But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a | after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow." Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth. "But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss | yawn. "He has taken endless trouble to make a success of our picnic." They knew one another very little, and felt rather awkward at being drawn together by an Indian. The racial problem can take subtle forms. In their case it had induced a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow." Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth. "But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, | picnic, after a nasty shock or two, had developed into something beyond his dreams, for Fielding had not only come, but brought an uninvited guest. "Oh, she's all right," he said; "she went down to see Miss Derek. Well, here's luck! Chin-chin!" "Here's luck, but chin-chin I do refuse," laughed Fielding, who detested the phrase. "Here's to India!" "Here's luck, and here's to England!" Miss Derek's chauffeur stopped the cavalcade which was starting to escort his mistress up, and informed it that she had gone back with the other young lady to Chandrapore; she had sent him to say so. She was driving herself. "Oh yes, that's quite likely," said Aziz. "I knew they'd gone for a spin." "Chandrapore? The man's made a mistake," Fielding exclaimed. "Oh no, why?" He was disappointed, but made light of it; no doubt the two young ladies were great friends. He would prefer to give breakfast to all four; still, guests must do as they wish, or they become prisoners. He went away cheerfully to inspect the porridge and the ice. "What's happened?" asked Fielding, who felt at once that something had gone queer. All the way out Miss Derek had chattered about the picnic, called it an unexpected treat, and said that she preferred Indians who didn't invite her to their entertainments to those who did it. Mrs. Moore sat swinging her foot, and appeared sulky and stupid. She said: "Miss Derek is most unsatisfactory and restless, always in a hurry, always wanting something new; she will do anything in the world except go back to the Indian lady who pays her." Fielding, who didn't dislike Miss Derek, replied: "She wasn't in a hurry when I left her. There was no question of returning to Chandrapore. It looks to me as if Miss Quested's in the hurry." "Adela? she's never been in a hurry in her life," said the old lady sharply. "I say it'll prove to be Miss Quested's wish, in fact I know it is," persisted the schoolmaster. He was annoyed chiefly with himself. He had begun by missing a train a sin he was never guilty of and now that he did arrive it was to upset Aziz' arrangements for the second time. He wanted someone to share the blame, and frowned at Mrs. Moore rather magisterially. "Aziz is a charming fellow," he announced. "I know," she answered, with a yawn. "He has taken endless trouble to make a success of our picnic." They knew one another very little, and felt rather awkward at being drawn together by an Indian. The racial problem can take subtle forms. In their case it had induced a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow." Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth. "But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned countrymen, certainly; but if they'll let me get on with my profession and not be too rude to me officially, I really don't ask for more." "But you do; you take them to a picnic." "This picnic is nothing to do with English or Indian; it is an expedition of friends." So the cavalcade ended, partly pleasant, partly not; the Brahman cook was picked up, the train arrived, pushing its burning throat over the plain, and the twentieth century took over from the sixteenth. Mrs. Moore entered her carriage, the three men went to theirs, adjusted the shutters, turned on the electric fan and tried to get some sleep. In the twilight, all resembled corpses, and the train itself seemed dead though it moved a coffin from the scientific north which troubled the scenery four times a day. As it left the Marabars, their nasty little cosmos disappeared, and gave place to the Marabars seen from a distance, finite and rather romantic. The train halted once under a pump, to drench the stock of coal in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector | was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow." Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth. "But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I | A Passage To India | the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully.<|quote|>"But how"</|quote|>A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow." Fielding could see nothing but the crease. Everywhere else | {
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she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone. | No speaker | nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up | was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, | is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart." "All this is clear enough," I commented. "Surely you did not expect aught else from him?" Somehow I was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance." Here Polina halted for a moment, and stood biting her lips. "So | position to recover of him what you have lost, by suing him in legal fashion. I trust, therefore, that, as matters now stand, this action of mine may bring you some advantage. I trust also that this same action leaves me in the position of having fulfilled every obligation which is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart." "All this is clear enough," I commented. "Surely you did not expect aught else from him?" Somehow I was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance." Here Polina halted for a moment, and stood biting her lips. "So of set purpose I redoubled my contemptuous treatment of him, and waited to see what he would do. If a telegram to say that we had become legatees had arrived from, St. Petersburg, I should have flung at him a quittance for my foolish stepfather s debts, and then dismissed | gentleman and a man of honour. Having lost, however, almost the whole of my money in debts incurred by your stepfather, I find myself driven to the necessity of saving the remainder; wherefore, I have instructed certain friends of mine in St. Petersburg to arrange for the sale of all the property which has been mortgaged to myself. At the same time, knowing that, in addition, your frivolous stepfather has squandered money which is exclusively yours, I have decided to absolve him from a certain moiety of the mortgages on his property, in order that you may be in a position to recover of him what you have lost, by suing him in legal fashion. I trust, therefore, that, as matters now stand, this action of mine may bring you some advantage. I trust also that this same action leaves me in the position of having fulfilled every obligation which is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart." "All this is clear enough," I commented. "Surely you did not expect aught else from him?" Somehow I was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance." Here Polina halted for a moment, and stood biting her lips. "So of set purpose I redoubled my contemptuous treatment of him, and waited to see what he would do. If a telegram to say that we had become legatees had arrived from, St. Petersburg, I should have flung at him a quittance for my foolish stepfather s debts, and then dismissed him. For a long time I have hated him. Even in earlier days he was not a man; and now! Oh, how gladly I could throw those fifty thousand roubles in his face, and spit in it, and then rub the spittle in!" "But the document returning the fifty-thousand rouble mortgage has the General got it? If so, possess yourself of it, and send it to De Griers." "No, no; the General has not got it." "Just as I expected! Well, what is the General going to do?" Then an idea suddenly occurred to me. "What about the Grandmother?" I | did so; whereupon she rose, approached the table, and laid upon it an open letter. "Read it," she added. "It is De Griers handwriting!" I cried as I seized the document. My hands were so tremulous that the lines on the pages danced before my eyes. Although, at this distance of time, I have forgotten the exact phraseology of the missive, I append, if not the precise words, at all events the general sense. "Mademoiselle," the document ran, "certain untoward circumstances compel me to depart in haste. Of course, you have of yourself remarked that hitherto I have always refrained from having any final explanation with you, for the reason that I could not well state the whole circumstances; and now to my difficulties the advent of the aged Grandmother, coupled with her subsequent proceedings, has put the final touch. Also, the involved state of my affairs forbids me to write with any finality concerning those hopes of ultimate bliss upon which, for a long while past, I have permitted myself to feed. I regret the past, but at the same time hope that in my conduct you have never been able to detect anything that was unworthy of a gentleman and a man of honour. Having lost, however, almost the whole of my money in debts incurred by your stepfather, I find myself driven to the necessity of saving the remainder; wherefore, I have instructed certain friends of mine in St. Petersburg to arrange for the sale of all the property which has been mortgaged to myself. At the same time, knowing that, in addition, your frivolous stepfather has squandered money which is exclusively yours, I have decided to absolve him from a certain moiety of the mortgages on his property, in order that you may be in a position to recover of him what you have lost, by suing him in legal fashion. I trust, therefore, that, as matters now stand, this action of mine may bring you some advantage. I trust also that this same action leaves me in the position of having fulfilled every obligation which is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart." "All this is clear enough," I commented. "Surely you did not expect aught else from him?" Somehow I was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance." Here Polina halted for a moment, and stood biting her lips. "So of set purpose I redoubled my contemptuous treatment of him, and waited to see what he would do. If a telegram to say that we had become legatees had arrived from, St. Petersburg, I should have flung at him a quittance for my foolish stepfather s debts, and then dismissed him. For a long time I have hated him. Even in earlier days he was not a man; and now! Oh, how gladly I could throw those fifty thousand roubles in his face, and spit in it, and then rub the spittle in!" "But the document returning the fifty-thousand rouble mortgage has the General got it? If so, possess yourself of it, and send it to De Griers." "No, no; the General has not got it." "Just as I expected! Well, what is the General going to do?" Then an idea suddenly occurred to me. "What about the Grandmother?" I asked. Polina looked at me with impatience and bewilderment. "What makes you speak of _her?_" was her irritable inquiry. "I cannot go and live with her. Nor," she added hotly, "will I go down upon my knees to _any one_." "Why should you?" I cried. "Yet to think that you should have loved De Griers! The villain, the villain! But I will kill him in a duel. Where is he now?" "In Frankfort, where he will be staying for the next three days." "Well, bid me do so, and I will go to him by the first train tomorrow," I exclaimed with enthusiasm. She smiled. "If you were to do that," she said, "he would merely tell you to be so good as first to return him the fifty thousand francs. What, then, would be the use of having a quarrel with him? You talk sheer nonsense." I ground my teeth. "The question," I went on, "is how to raise the fifty thousand francs. We cannot expect to find them lying about on the floor. Listen. What of Mr. Astley?" Even as I spoke a new and strange idea formed itself in my brain. Her eyes flashed fire. "What? _you | do so. How could it have been otherwise? Towards the hour of the train s departure I hastened to the station, and put the Grandmother into her compartment she and her party occupying a reserved family saloon. "Thanks for your disinterested assistance," she said at parting. "Oh, and please remind Prascovia of what I said to her last night. I expect soon to see her." Then I returned home. As I was passing the door of the General s suite, I met the nursemaid, and inquired after her master. "There is nothing new to report, sir," she replied quietly. Nevertheless I decided to enter, and was just doing so when I halted thunderstruck on the threshold. For before me I beheld the General and Mlle. Blanche laughing gaily at one another! while beside them, on the sofa, there was seated her mother. Clearly the General was almost out of his mind with joy, for he was talking all sorts of nonsense, and bubbling over with a long-drawn, nervous laugh a laugh which twisted his face into innumerable wrinkles, and caused his eyes almost to disappear. Afterwards I learnt from Mlle. Blanche herself that, after dismissing the Prince and hearing of the General s tears, she bethought her of going to comfort the old man, and had just arrived for the purpose when I entered. Fortunately, the poor General did not know that his fate had been decided that Mlle. had long ago packed her trunks in readiness for the first morning train to Paris! Hesitating a moment on the threshold I changed my mind as to entering, and departed unnoticed. Ascending to my own room, and opening the door, I perceived in the semi-darkness a figure seated on a chair in the corner by the window. The figure did not rise when I entered, so I approached it swiftly, peered at it closely, and felt my heart almost stop beating. The figure was Polina! XIV The shock made me utter an exclamation. "What is the matter? What is the matter?" she asked in a strange voice. She was looking pale, and her eyes were dim. "What is the matter?" I re-echoed. "Why, the fact that you are _here!_" "If I am here, I have come with all that I have to bring," she said. "Such has always been my way, as you shall presently see. Please light a candle." I did so; whereupon she rose, approached the table, and laid upon it an open letter. "Read it," she added. "It is De Griers handwriting!" I cried as I seized the document. My hands were so tremulous that the lines on the pages danced before my eyes. Although, at this distance of time, I have forgotten the exact phraseology of the missive, I append, if not the precise words, at all events the general sense. "Mademoiselle," the document ran, "certain untoward circumstances compel me to depart in haste. Of course, you have of yourself remarked that hitherto I have always refrained from having any final explanation with you, for the reason that I could not well state the whole circumstances; and now to my difficulties the advent of the aged Grandmother, coupled with her subsequent proceedings, has put the final touch. Also, the involved state of my affairs forbids me to write with any finality concerning those hopes of ultimate bliss upon which, for a long while past, I have permitted myself to feed. I regret the past, but at the same time hope that in my conduct you have never been able to detect anything that was unworthy of a gentleman and a man of honour. Having lost, however, almost the whole of my money in debts incurred by your stepfather, I find myself driven to the necessity of saving the remainder; wherefore, I have instructed certain friends of mine in St. Petersburg to arrange for the sale of all the property which has been mortgaged to myself. At the same time, knowing that, in addition, your frivolous stepfather has squandered money which is exclusively yours, I have decided to absolve him from a certain moiety of the mortgages on his property, in order that you may be in a position to recover of him what you have lost, by suing him in legal fashion. I trust, therefore, that, as matters now stand, this action of mine may bring you some advantage. I trust also that this same action leaves me in the position of having fulfilled every obligation which is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart." "All this is clear enough," I commented. "Surely you did not expect aught else from him?" Somehow I was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance." Here Polina halted for a moment, and stood biting her lips. "So of set purpose I redoubled my contemptuous treatment of him, and waited to see what he would do. If a telegram to say that we had become legatees had arrived from, St. Petersburg, I should have flung at him a quittance for my foolish stepfather s debts, and then dismissed him. For a long time I have hated him. Even in earlier days he was not a man; and now! Oh, how gladly I could throw those fifty thousand roubles in his face, and spit in it, and then rub the spittle in!" "But the document returning the fifty-thousand rouble mortgage has the General got it? If so, possess yourself of it, and send it to De Griers." "No, no; the General has not got it." "Just as I expected! Well, what is the General going to do?" Then an idea suddenly occurred to me. "What about the Grandmother?" I asked. Polina looked at me with impatience and bewilderment. "What makes you speak of _her?_" was her irritable inquiry. "I cannot go and live with her. Nor," she added hotly, "will I go down upon my knees to _any one_." "Why should you?" I cried. "Yet to think that you should have loved De Griers! The villain, the villain! But I will kill him in a duel. Where is he now?" "In Frankfort, where he will be staying for the next three days." "Well, bid me do so, and I will go to him by the first train tomorrow," I exclaimed with enthusiasm. She smiled. "If you were to do that," she said, "he would merely tell you to be so good as first to return him the fifty thousand francs. What, then, would be the use of having a quarrel with him? You talk sheer nonsense." I ground my teeth. "The question," I went on, "is how to raise the fifty thousand francs. We cannot expect to find them lying about on the floor. Listen. What of Mr. Astley?" Even as I spoke a new and strange idea formed itself in my brain. Her eyes flashed fire. "What? _you yourself_ wish me to leave you for him?" she cried with a scornful look and a proud smile. Never before had she addressed me thus. Then her head must have turned dizzy with emotion, for suddenly she seated herself upon the sofa, as though she were powerless any longer to stand. A flash of lightning seemed to strike me as I stood there. I could scarcely believe my eyes or my ears. She _did_ love me, then! It _was_ to me, and not to Mr. Astley, that she had turned! Although she, an unprotected girl, had come to me in my room in an hotel room and had probably compromised herself thereby, I had not understood! Then a second mad idea flashed into my brain. "Polina," I said, "give me but an hour. Wait here just one hour until I return. Yes, you MUST do so. Do you not see what I mean? Just stay here for that time." And I rushed from the room without so much as answering her look of inquiry. She called something after me, but I did not return. Sometimes it happens that the most insane thought, the most impossible conception, will become so fixed in one s head that at length one believes the thought or the conception to be reality. Moreover, if with the thought or the conception there is combined a strong, a passionate, desire, one will come to look upon the said thought or conception as something fated, inevitable, and foreordained something bound to happen. Whether by this there is connoted something in the nature of a combination of presentiments, or a great effort of will, or a self-annulment of one s true expectations, and so on, I do not know; but, at all events that night saw happen to me (a night which I shall never forget) something in the nature of the miraculous. Although the occurrence can easily be explained by arithmetic, I still believe it to have been a miracle. Yet why did this conviction take such a hold upon me at the time, and remain with me ever since? Previously, I had thought of the idea, not as an occurrence which was ever likely to come about, but as something which _never_ could come about. The time was a quarter past eleven o clock when I entered the Casino in such a state of hope (though, at | eyes. Although, at this distance of time, I have forgotten the exact phraseology of the missive, I append, if not the precise words, at all events the general sense. "Mademoiselle," the document ran, "certain untoward circumstances compel me to depart in haste. Of course, you have of yourself remarked that hitherto I have always refrained from having any final explanation with you, for the reason that I could not well state the whole circumstances; and now to my difficulties the advent of the aged Grandmother, coupled with her subsequent proceedings, has put the final touch. Also, the involved state of my affairs forbids me to write with any finality concerning those hopes of ultimate bliss upon which, for a long while past, I have permitted myself to feed. I regret the past, but at the same time hope that in my conduct you have never been able to detect anything that was unworthy of a gentleman and a man of honour. Having lost, however, almost the whole of my money in debts incurred by your stepfather, I find myself driven to the necessity of saving the remainder; wherefore, I have instructed certain friends of mine in St. Petersburg to arrange for the sale of all the property which has been mortgaged to myself. At the same time, knowing that, in addition, your frivolous stepfather has squandered money which is exclusively yours, I have decided to absolve him from a certain moiety of the mortgages on his property, in order that you may be in a position to recover of him what you have lost, by suing him in legal fashion. I trust, therefore, that, as matters now stand, this action of mine may bring you some advantage. I trust also that this same action leaves me in the position of having fulfilled every obligation which is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart." "All this is clear enough," I commented. "Surely you did not expect aught else from him?" Somehow I was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance." Here Polina halted for a moment, and stood biting her lips. "So of set purpose I redoubled my contemptuous treatment of him, and waited to see what he would do. If a telegram to say that we had become legatees had arrived from, St. Petersburg, I should have flung at him a quittance for my foolish stepfather s debts, and then dismissed him. For a long time I have hated him. Even in earlier days he was not a man; and now! Oh, how gladly I could throw those fifty thousand roubles in his face, and spit in it, and then rub the spittle in!" "But the document returning the fifty-thousand rouble mortgage has the General got it? If so, possess yourself of it, and send it to De Griers." "No, no; the General has not got it." "Just as I expected! Well, what is the General going to do?" Then an idea suddenly occurred to me. "What about the Grandmother?" I asked. Polina looked at me with impatience and bewilderment. "What makes you speak of _her?_" was her irritable inquiry. "I cannot go and live with her. Nor," she added hotly, "will I go down upon my knees to _any one_." "Why should you?" I cried. "Yet to think that you should have loved De Griers! The villain, the villain! But I will kill him in a duel. Where is he now?" "In Frankfort, where he will be staying for the next three days." "Well, bid me do so, and I will go to him by the first train tomorrow," I exclaimed with enthusiasm. She smiled. "If you were to do that," she said, "he would merely tell you to be so good as first to return him the fifty thousand francs. What, then, | The Gambler | is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart." "All this is clear enough," I commented. "Surely you did not expect aught else from him?" Somehow I was feeling annoyed. "I expected nothing at all from him,"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance." Here Polina halted for a moment, and stood biting her lips. "So | {
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"content": "is incumbent upon a man of honour and refinement. Rest assured that your memory will for ever remain graven in my heart.\" \"All this is clear enough,\" I commented. \"Surely you did not expect aught else from him?\" Somehow I was feeling annoyed. \"I expected nothing at all from him,\"<|quote|>she replied quietly enough, to all outward seeming, yet with a note of irritation in her tone.</|quote|>\"Long ago I made up my mind on the subject, for I could read his thoughts, and knew what he was thinking. He thought that possibly I should sue him that one day I might become a nuisance.\" Here Polina halted for a moment, and stood biting her lips. \"So",
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"Yes, yes, yes," | William Rodney | was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, | she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For | the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William | the look of terror in her face, and without understanding its origin, took her hand in his. With the sense of companionship returned a desire, like that of a child for shelter, to accept what he had to offer her and at that moment it seemed that he offered her the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The | over, Katharine. It was a dream an hallucination. We were both equally to blame, but no harm s done if you believe how truly I care for you. Say you believe me!" He stood over her, as if in readiness to seize the first sign of her assent. Precisely at that moment, owing, perhaps, to her vicissitudes of feeling, all sense of love left her, as in a moment a mist lifts from the earth. And when the mist departed a skeleton world and blankness alone remained a terrible prospect for the eyes of the living to behold. He saw the look of terror in her face, and without understanding its origin, took her hand in his. With the sense of companionship returned a desire, like that of a child for shelter, to accept what he had to offer her and at that moment it seemed that he offered her the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels | his mind. And ultimately, Katharine s dominion over him was of the sort that the fevers of the night cannot exorcise. "I was as much to blame as you were yesterday," she said gently, disregarding his question. "I confess, William, the sight of you and Cassandra together made me jealous, and I couldn t control myself. I laughed at you, I know." "You jealous!" William exclaimed. "I assure you, Katharine, you ve not the slightest reason to be jealous. Cassandra dislikes me, so far as she feels about me at all. I was foolish enough to try to explain the nature of our relationship. I couldn t resist telling her what I supposed myself to feel for her. She refused to listen, very rightly. But she left me in no doubt of her scorn." Katharine hesitated. She was confused, agitated, physically tired, and had already to reckon with the violent feeling of dislike aroused by her aunt which still vibrated through all the rest of her feelings. She sank into a chair and dropped her flowers upon her lap. "She charmed me," Rodney continued. "I thought I loved her. But that s a thing of the past. It s all over, Katharine. It was a dream an hallucination. We were both equally to blame, but no harm s done if you believe how truly I care for you. Say you believe me!" He stood over her, as if in readiness to seize the first sign of her assent. Precisely at that moment, owing, perhaps, to her vicissitudes of feeling, all sense of love left her, as in a moment a mist lifts from the earth. And when the mist departed a skeleton world and blankness alone remained a terrible prospect for the eyes of the living to behold. He saw the look of terror in her face, and without understanding its origin, took her hand in his. With the sense of companionship returned a desire, like that of a child for shelter, to accept what he had to offer her and at that moment it seemed that he offered her the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra. "You re right," he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door | spying upon us," she said, "following us about London, overhearing what people are saying" "Mrs. Milvain?" Rodney exclaimed. "What has she told you?" His air of open confidence entirely vanished. "Oh, people are saying that you re in love with Cassandra, and that you don t care for me." "They have seen us?" he asked. "Everything we ve done for a fortnight has been seen." "I told you that would happen!" he exclaimed. He walked to the window in evident perturbation. Katharine was too indignant to attend to him. She was swept away by the force of her own anger. Clasping Rodney s flowers, she stood upright and motionless. Rodney turned away from the window. "It s all been a mistake," he said. "I blame myself for it. I should have known better. I let you persuade me in a moment of madness. I beg you to forget my insanity, Katharine." "She wished even to persecute Cassandra!" Katharine burst out, not listening to him. "She threatened to speak to her. She s capable of it she s capable of anything!" "Mrs. Milvain is not tactful, I know, but you exaggerate, Katharine. People are talking about us. She was right to tell us. It only confirms my own feeling the position is monstrous." At length Katharine realized some part of what he meant. "You don t mean that this influences you, William?" she asked in amazement. "It does," he said, flushing. "It s intensely disagreeable to me. I can t endure that people should gossip about us. And then there s your cousin Cassandra" He paused in embarrassment. "I came here this morning, Katharine," he resumed, with a change of voice, "to ask you to forget my folly, my bad temper, my inconceivable behavior. I came, Katharine, to ask whether we can t return to the position we were in before this this season of lunacy. Will you take me back, Katharine, once more and for ever?" No doubt her beauty, intensified by emotion and enhanced by the flowers of bright color and strange shape which she carried wrought upon Rodney, and had its share in bestowing upon her the old romance. But a less noble passion worked in him, too; he was inflamed by jealousy. His tentative offer of affection had been rudely and, as he thought, completely repulsed by Cassandra on the preceding day. Denham s confession was in his mind. And ultimately, Katharine s dominion over him was of the sort that the fevers of the night cannot exorcise. "I was as much to blame as you were yesterday," she said gently, disregarding his question. "I confess, William, the sight of you and Cassandra together made me jealous, and I couldn t control myself. I laughed at you, I know." "You jealous!" William exclaimed. "I assure you, Katharine, you ve not the slightest reason to be jealous. Cassandra dislikes me, so far as she feels about me at all. I was foolish enough to try to explain the nature of our relationship. I couldn t resist telling her what I supposed myself to feel for her. She refused to listen, very rightly. But she left me in no doubt of her scorn." Katharine hesitated. She was confused, agitated, physically tired, and had already to reckon with the violent feeling of dislike aroused by her aunt which still vibrated through all the rest of her feelings. She sank into a chair and dropped her flowers upon her lap. "She charmed me," Rodney continued. "I thought I loved her. But that s a thing of the past. It s all over, Katharine. It was a dream an hallucination. We were both equally to blame, but no harm s done if you believe how truly I care for you. Say you believe me!" He stood over her, as if in readiness to seize the first sign of her assent. Precisely at that moment, owing, perhaps, to her vicissitudes of feeling, all sense of love left her, as in a moment a mist lifts from the earth. And when the mist departed a skeleton world and blankness alone remained a terrible prospect for the eyes of the living to behold. He saw the look of terror in her face, and without understanding its origin, took her hand in his. With the sense of companionship returned a desire, like that of a child for shelter, to accept what he had to offer her and at that moment it seemed that he offered her the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra. "You re right," he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled up in Cassandra s heart. Had she done wrong in listening? Why did Aunt Celia blame her? Did Katharine think her right? Above all, did William really love her, for ever and ever, better than any one? "I must be first with him, Katharine!" she exclaimed. "I can t share him even with you." "I shall never ask that," said Katharine. She moved a little away from where they sat and began half-consciously sorting her flowers. "But you ve shared with me," Cassandra said. "Why can t I share with you? Why am I so mean? I know why it is," she added. "We understand each other, William and I. You ve never understood each other. You re too different." "I ve never admired anybody more," William interposed. "It s not that" Cassandra tried to enlighten him "it s understanding." "Have I never understood you, Katharine? Have I been very selfish?" "Yes," Cassandra interposed. "You ve asked her for sympathy, and she s not sympathetic; you ve wanted her to be practical, and she s not practical. You ve been selfish; you ve been exacting and so has Katharine but it wasn t anybody s fault." Katharine had listened to this attempt at analysis with keen attention. Cassandra s words seemed to rub the old blurred image of life and freshen it so marvelously that it looked new again. She turned to | intensified by emotion and enhanced by the flowers of bright color and strange shape which she carried wrought upon Rodney, and had its share in bestowing upon her the old romance. But a less noble passion worked in him, too; he was inflamed by jealousy. His tentative offer of affection had been rudely and, as he thought, completely repulsed by Cassandra on the preceding day. Denham s confession was in his mind. And ultimately, Katharine s dominion over him was of the sort that the fevers of the night cannot exorcise. "I was as much to blame as you were yesterday," she said gently, disregarding his question. "I confess, William, the sight of you and Cassandra together made me jealous, and I couldn t control myself. I laughed at you, I know." "You jealous!" William exclaimed. "I assure you, Katharine, you ve not the slightest reason to be jealous. Cassandra dislikes me, so far as she feels about me at all. I was foolish enough to try to explain the nature of our relationship. I couldn t resist telling her what I supposed myself to feel for her. She refused to listen, very rightly. But she left me in no doubt of her scorn." Katharine hesitated. She was confused, agitated, physically tired, and had already to reckon with the violent feeling of dislike aroused by her aunt which still vibrated through all the rest of her feelings. She sank into a chair and dropped her flowers upon her lap. "She charmed me," Rodney continued. "I thought I loved her. But that s a thing of the past. It s all over, Katharine. It was a dream an hallucination. We were both equally to blame, but no harm s done if you believe how truly I care for you. Say you believe me!" He stood over her, as if in readiness to seize the first sign of her assent. Precisely at that moment, owing, perhaps, to her vicissitudes of feeling, all sense of love left her, as in a moment a mist lifts from the earth. And when the mist departed a skeleton world and blankness alone remained a terrible prospect for the eyes of the living to behold. He saw the look of terror in her face, and without understanding its origin, took her hand in his. With the sense of companionship returned a desire, like that of a child for shelter, to accept what he had to offer her and at that moment it seemed that he offered her the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure | Night And Day | the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>"Yes, yes, yes,"</|quote|>he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William | {
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"content": "the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection.<|quote|>\"Yes, yes, yes,\"</|quote|>he murmured, \"you accept me, Katharine. You love me.\" For a moment she remained silent. He then heard her murmur: \"Cassandra loves you more than I do.\" \"Cassandra?\" he whispered. \"She loves you,\" Katharine repeated. She raised herself and repeated the sentence yet a third time. \"She loves you.\" William",
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"You'll take my message?" | Don Lavington | trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the | the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, | a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, | do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said. "Rum game, arn't it?" "Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard | No," said Don. "I can't eat." "Better. Keep you going, my lad." "Will you take my message?" "No, I won't." "You shall have two guineas." "Where are they?" "My mother will gladly give them to you." "Dessay she will." "And you will go?" "Do you know what a bosun's mate is, my lad?" "I? No. I know nothing about the sea." "You will afore long. Well, I'll tell you; bosun's mate's a gentleman kep' aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said. "Rum game, arn't it?" "Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore | he said sharply. "Who are you? I--where--was--to me. Have I been a-dreaming? No: we're pressed!" "Pressed you are, my lads; and Bosun Jones has sent you up some hot slops and soft tack. There you are. Find your own tablecloth and silliver spoons." He placed a large blue jug before them, in which was some steaming compound, covered by a large breakfast cup, stuck in the mouth of the jug, while on a plate was a fair-sized pile of bread and butter. "There you are, messmates; say your grace and fall to." "Look here," said Don quickly. "You know we were taken by the press-gang last night?" "Do I know? Why, didn't I help?" "Oh!" ejaculated Don, with a look of revulsion, which he tried to conceal. "Look here," he said; "if you will take a message for me to my mother, in Jamaica Street, you shall have a guinea." "Well, that's handsome, anyhow," said the man, laughing. "What am I to say to the old lady?" "That we have been seized by the press-gang, and my uncle is to try and get us away." "That all?" "Yes, that's all. Will you go?" "Hadn't you better have your breakfuss?" "Breakfast? No," said Don. "I can't eat." "Better. Keep you going, my lad." "Will you take my message?" "No, I won't." "You shall have two guineas." "Where are they?" "My mother will gladly give them to you." "Dessay she will." "And you will go?" "Do you know what a bosun's mate is, my lad?" "I? No. I know nothing about the sea." "You will afore long. Well, I'll tell you; bosun's mate's a gentleman kep' aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said. "Rum game, arn't it?" "Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore this morning as if they'd been rolling casks all over me. But a man must eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he spoke he refilled the mug and handed it to Don, who took it mechanically, and placed it to his lips, one drop suggesting another till he had finished the cup. "Now a bit o' bread and butter, Mas' Don?" Don shook his head, but took the top piece, and began mechanically to eat, while Jem partook of another cup, there being a liberal allowance of some three pints. "That's the way, sir. Wonderful what a difference breakfuss makes in a man. Eat away, sir; and if they don't look out we'll give them press-gang." "Yes, but how, Jem? How?" "Lots o' ways, sir. We'll get away, for one thing, or fasten that there trap-door down; and then they'll be the prisoners, not us. 'Nother cup, sir? | and lie down." "No, Jem, no; I'm not sleepy." "Then I must," muttered Jem; and after a little more scuffling noise all was still for a few minutes, after which there was a regular heavy breathing, which told that the great trouble he was in had not been sufficient to keep Jem Wimble awake. Don stood for some time in the darkness, but by degrees a wretched feeling of weariness came over him, and he sat down painfully upon the floor, drawing his knees up to his chin, embracing them, and laying his head upon them. He wanted to think of his position, of his folly, and of the trouble which it had brought upon him. Jem's heavy breathing came regularly from somewhere to his left, and he found himself, as he crouched together there in the darkness, envying the poor fellow, much as he was injured. "But then he has not so much on his mind as I have," thought Don. "Once let me get clear away from here, how different I will be." CHAPTER THIRTEEN. HOW TO ESCAPE? _Rumble_! _Bump_! Don started and stared, for something had shaken him as if a sudden blow had been given against the floor. What did it all mean? Where was he? What window was that through which the sun shone brightly, and why was he in that rough loft, in company with a man lying asleep on some sacks? Memory filled up the vacuum directly, and he knew that his head was aching, and that he had been fast asleep. _Crash_! That was a bolt shot back, and the noise which awakened him must have been the big step ladder placed against the beam beneath the trap-door. As Don watched he saw the trap, like a square piece of the floor, rise up slowly, and a rough, red face appear, framed in hair. "Ship ahoy!" shouted the owner of the face. "What cheer, messmates? Want your hot water?" Just then the man, whose hands were out of sight, and who had kept on pushing up the trap-door with his head, gave it a final thrust, and the door fell over with a loud _flap_, which made Jem Wimble sit up, with his face so swollen and bruised that his eyes were half-closed; and this and his dirty face gave him an aspect that was more ludicrous than strange. "What's the matter?" he said sharply. "Who are you? I--where--was--to me. Have I been a-dreaming? No: we're pressed!" "Pressed you are, my lads; and Bosun Jones has sent you up some hot slops and soft tack. There you are. Find your own tablecloth and silliver spoons." He placed a large blue jug before them, in which was some steaming compound, covered by a large breakfast cup, stuck in the mouth of the jug, while on a plate was a fair-sized pile of bread and butter. "There you are, messmates; say your grace and fall to." "Look here," said Don quickly. "You know we were taken by the press-gang last night?" "Do I know? Why, didn't I help?" "Oh!" ejaculated Don, with a look of revulsion, which he tried to conceal. "Look here," he said; "if you will take a message for me to my mother, in Jamaica Street, you shall have a guinea." "Well, that's handsome, anyhow," said the man, laughing. "What am I to say to the old lady?" "That we have been seized by the press-gang, and my uncle is to try and get us away." "That all?" "Yes, that's all. Will you go?" "Hadn't you better have your breakfuss?" "Breakfast? No," said Don. "I can't eat." "Better. Keep you going, my lad." "Will you take my message?" "No, I won't." "You shall have two guineas." "Where are they?" "My mother will gladly give them to you." "Dessay she will." "And you will go?" "Do you know what a bosun's mate is, my lad?" "I? No. I know nothing about the sea." "You will afore long. Well, I'll tell you; bosun's mate's a gentleman kep' aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said. "Rum game, arn't it?" "Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore this morning as if they'd been rolling casks all over me. But a man must eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he spoke he refilled the mug and handed it to Don, who took it mechanically, and placed it to his lips, one drop suggesting another till he had finished the cup. "Now a bit o' bread and butter, Mas' Don?" Don shook his head, but took the top piece, and began mechanically to eat, while Jem partook of another cup, there being a liberal allowance of some three pints. "That's the way, sir. Wonderful what a difference breakfuss makes in a man. Eat away, sir; and if they don't look out we'll give them press-gang." "Yes, but how, Jem? How?" "Lots o' ways, sir. We'll get away, for one thing, or fasten that there trap-door down; and then they'll be the prisoners, not us. 'Nother cup, sir? Go on with the bread and butter. I say, sir, do I look lively?" "Lively?" "I mean much knocked about? My face feels as if the skin was too tight, and as if I couldn't get on my hat." "It does not matter, Jem," said Don, quietly. "You have no hat." "More I haven't. I remember feeling it come off, and it wasn't half wore out. Have some more coffee, Mas' Don. 'Tarnt so good as my Sally makes. I'd forgot all about her just then. Wonder whether she's eating her breakfast?" Don sighed and went on eating. He was horribly low-spirited, but his youthful appetite once started, he felt the need of food, and kept on in silence, passing and receiving the cup till all was gone. "That job's done," said Jem, placing the jug on the plate, and the cup in the mouth of the jug. "Now then, I'm ready, Mas' Don. You said escape, didn't you, sir?" "Yes. What shall we do?" "Well, we can't go down that way, sir, because the trap-door's bolted." "There is the window, Jem." "Skylights, you mean, sir," said Jem, looking up at the sloping panes in the roof. "Well, let's have a look. Will you get a-top o' my shoulders, or shall I get a-top o' yourn?" "I couldn't bear you, Jem." "Then up you gets, my lad, like the tumblers do at the fair." It seemed easy enough to get up and stand on the sturdy fellow's shoulders, but upon putting it to the test, Don found it very hard, and after a couple of failures he gave up, and they stood together looking up at the sloping window, which was far beyond their reach. "Dessay it's fastened, so that we couldn't open it," said Jem. "The fox said the grapes were sour when he could not get at them, Jem." "That's true, Mas' Don. Well, how are we to get up?" They looked round the loft, but, with the exception of the old sacking lying at one end, the place was bare. "Here, come to the end, Jem, and let me have another try," said Don. "Right, sir; come on," cried Jem; and going right to the end of the loft, he bent his body a little and leaned his hands against the wall. This simplified matters. "Stand fast, Jem," cried Don, and taking a spring, he landed upon | here," said Don quickly. "You know we were taken by the press-gang last night?" "Do I know? Why, didn't I help?" "Oh!" ejaculated Don, with a look of revulsion, which he tried to conceal. "Look here," he said; "if you will take a message for me to my mother, in Jamaica Street, you shall have a guinea." "Well, that's handsome, anyhow," said the man, laughing. "What am I to say to the old lady?" "That we have been seized by the press-gang, and my uncle is to try and get us away." "That all?" "Yes, that's all. Will you go?" "Hadn't you better have your breakfuss?" "Breakfast? No," said Don. "I can't eat." "Better. Keep you going, my lad." "Will you take my message?" "No, I won't." "You shall have two guineas." "Where are they?" "My mother will gladly give them to you." "Dessay she will." "And you will go?" "Do you know what a bosun's mate is, my lad?" "I? No. I know nothing about the sea." "You will afore long. Well, I'll tell you; bosun's mate's a gentleman kep' aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said. "Rum game, arn't it?" "Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore this morning as if they'd been rolling casks all over me. But a man must eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he spoke he refilled the mug and handed it to Don, who took it mechanically, and placed it to his lips, one drop suggesting another till he had finished the cup. "Now a bit o' bread and butter, Mas' Don?" Don shook his head, but took the top piece, and began mechanically to eat, while Jem partook of another cup, there being a liberal allowance of some three pints. "That's the way, | Don Lavington | a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend.<|quote|>"You'll take my message?"</|quote|>"Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, | {
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"content": "a pressed man, and look at me.\" \"Main-top ahoy! Are you coming down?\" came from below. \"Ay, ay, sir!\" shouted the sailor. \"Wasn't that the man who had us shut up here?\" cried Don. \"To be sure: Bosun Jones,\" said the man, running to the trap and beginning to descend.<|quote|>\"You'll take my message?\"</|quote|>\"Nay, not I,\" said the man, shaking his head. \"There, eat your breakfuss, and keep your head to the wind, my lads.\" _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below,",
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Bill said. | No speaker | me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over | them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. | in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take | his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. | all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. There were some people that had known Mike at Cannes. What's the matter with Mike?" "Probably he owes them money" I said. "That's what people usually get bitter about." In front of the ticket-booths out in the square there were two lines of people waiting. They were sitting on chairs or crouched on the ground with blankets and newspapers around them. They were waiting for the wickets to open in the morning to buy tickets for the bull-fight. The night was clearing and the moon was out. Some of the people in the line were sleeping. At the Caf Suizo | find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me." Bill's face was red. "Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. There were some people that had known Mike at Cannes. What's the matter with Mike?" "Probably he owes them money" I said. "That's what people usually get bitter about." In front of the ticket-booths out in the square there were two lines of people waiting. They were sitting on chairs or crouched on the ground with blankets and newspapers around them. They were waiting for the wickets to open in the morning to buy tickets for the bull-fight. The night was clearing and the moon was out. Some of the people in the line were sleeping. At the Caf Suizo we had just sat down and ordered Fundador when Robert Cohn came up. "Where's Brett?" he asked. "I don't know." "She was with you." "She must have gone to bed." "She's not." "I don't know where she is." His face was sallow under the light. He was standing up. "Tell me where she is." "Sit down," I said. "I don't know where she is." "The hell you don't!" "You can shut your face." "Tell me where Brett is." "I'll not tell you a damn thing." "You know where she is." "If I did I wouldn't tell you." "Oh, go to hell, Cohn," Mike called from the table. "Brett's gone off with the bull-fighter chap. They're on their honeymoon." "You shut up." "Oh, go to hell!" Mike said languidly. "Is that where she is?" Cohn turned to me. "Go to hell!" "She was with you. Is that where she is?" "Go to hell!" "I'll make you tell me" "--he stepped forward--" "you damned pimp." I swung at him and he ducked. I saw his face duck sideways in the light. He hit me and I sat down on the pavement. As I started to get on my feet he hit me | to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me." Bill's face was red. "Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. There were some people that had known Mike at Cannes. What's the matter with Mike?" "Probably he owes them money" I said. "That's what people usually get bitter about." In front of the ticket-booths out in the square there were two lines of people waiting. They were sitting on chairs or crouched on the ground with blankets and newspapers around them. They were waiting for the wickets to open in the morning to buy tickets for the bull-fight. The night was clearing and the moon was out. Some of the people in the line were sleeping. At the Caf Suizo we had just sat down and ordered Fundador when Robert Cohn came up. "Where's Brett?" he asked. "I don't know." "She was with you." "She must have gone to bed." "She's not." "I don't know where she is." His face was sallow under the light. He was standing up. "Tell me where she is." "Sit down," I said. "I don't know where she is." "The hell you don't!" "You can shut your face." "Tell me where Brett is." "I'll not tell you a damn thing." "You know where she is." "If I did I wouldn't tell you." "Oh, go to hell, Cohn," Mike called from the table. "Brett's gone off with the bull-fighter chap. They're on their honeymoon." "You shut up." "Oh, go to hell!" Mike said languidly. "Is that where she is?" Cohn turned to me. "Go to hell!" "She was with you. Is that where she is?" "Go to hell!" "I'll make you tell me" "--he stepped forward--" "you damned pimp." I swung at him and he ducked. I saw his face duck sideways in the light. He hit me and I sat down on the pavement. As I started to get on my feet he hit me twice. I went down backward under a table. I tried to get up and felt I did not have any legs. I felt I must get on my feet and try and hit him. Mike helped me up. Some one poured a carafe of water on my head. Mike had an arm around me, and I found I was sitting on a chair. Mike was pulling at my ears. "I say, you were cold," Mike said. "Where the hell were you?" "Oh, I was around." "You didn't want to mix in it?" "He knocked Mike down, too," Edna said. "He didn't knock me out," Mike said. "I just lay there." "Does this happen every night at your fiestas?" Edna asked. "Wasn't that Mr. Cohn?" "I'm all right," I said. "My head's a little wobbly." There were several waiters and a crowd of people standing around. "Vaya!" said Mike. "Get away. Go on." The waiters moved the people away. "It was quite a thing to watch," Edna said. "He must be a boxer." "He is." "I wish Bill had been here," Edna said. "I'd like to have seen Bill knocked down, too. I've always wanted to see Bill knocked down. He's so big." "I was hoping he would knock down a waiter," Mike said, "and get arrested. I'd like to see Mr. Robert Cohn in jail." "No," I said. "Oh, no," said Edna. "You don't mean that." "I do, though," Mike said. "I'm not one of these chaps likes being knocked about. I never play games, even." Mike took a drink. "I never liked to hunt, you know. There was always the danger of having a horse fall on you. How do you feel, Jake?" "All right." "You're nice," Edna said to Mike. "Are you really a bankrupt?" "I'm a tremendous bankrupt," Mike said. "I owe money to everybody. Don't you owe any money?" "Tons." "I owe everybody money," Mike said. "I borrowed a hundred pesetas from Montoya to-night." "The hell you did," I said. "I'll pay it back," Mike said. "I always pay everything back." "That's why you're a bankrupt, isn't it?" Edna said. I stood up. I had heard them talking from a long way away. It all seemed like some bad play. "I'm going over to the hotel," I said. Then I heard them talking about me. "Is he all right?" Edna asked. "We'd better walk with him." | table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me." Bill's face was red. "Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. There were some people that had known Mike at Cannes. What's the matter with Mike?" "Probably he owes them money" I said. "That's what people usually get bitter about." In front of the ticket-booths out in the square there were two lines of people waiting. They were sitting on chairs or crouched on the ground with blankets and newspapers around them. They were waiting for the wickets to open in the morning to buy tickets for the bull-fight. The night was clearing and the moon was out. Some of the people in the line were sleeping. At the Caf Suizo we had just sat down and ordered Fundador when Robert Cohn came up. "Where's Brett?" he asked. "I don't know." "She was with you." "She must have gone to bed." "She's not." "I don't know where she is." His face was sallow under the light. He was standing up. "Tell me where she is." "Sit down," I said. "I don't know where she is." "The hell you don't!" "You can shut your face." "Tell me where Brett is." "I'll not tell you a damn thing." "You know where she is." "If I did I wouldn't tell you." "Oh, go to hell, Cohn," Mike called from the table. "Brett's gone off with the bull-fighter chap. They're on their honeymoon." "You shut up." "Oh, go to hell!" Mike said languidly. "Is that where she is?" Cohn turned to me. "Go to hell!" "She was with you. Is that where she is?" "Go to hell!" "I'll make you tell me" "--he stepped forward--" "you damned pimp." I swung at him and he ducked. I saw his face duck sideways in the light. He hit me and I sat down on the pavement. As I started to get on my feet he hit me twice. I went down backward under a table. I tried to get up and felt I did not have any legs. I felt I must get on my feet and try and hit him. Mike helped me up. Some one poured a carafe of water on my head. Mike had an arm around me, and I found I was sitting on a chair. Mike was pulling at my | The Sun Also Rises | in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it,"<|quote|>Bill said.</|quote|>"Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take | {
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"content": "in again, Bill. They're so stupid.\" \"That's it,\" said Mike. \"They're stupid. I knew that was what it was.\" \"They can't say things like that about Mike,\" Bill said. \"Do you know them?\" I asked Mike. \"No. I never saw them. They say they know me.\" \"I won't stand it,\"<|quote|>Bill said.</|quote|>\"Come on. Let's go over to the Suizo,\" I said. \"They're a bunch of Edna's friends from Biarritz,\" Bill said. \"They're simply stupid,\" Edna said. \"One of them's Charley Blackman, from Chicago,\" Bill said. \"I was never in Chicago,\" Mike said. Edna started to laugh and could not stop. \"Take",
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Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made. | No speaker | thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! | use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ | but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble | that while I talk Mr. Bender mayn’t be pulling us to pieces?” Hugh Crimble had a shudder of remembrance. “Mr. Bender?” “The rich American who’s going round.” It gave him a sharper shock. “The wretch who bagged Lady Lappington’s Longhi?” Lady Grace showed surprise. “Is he a wretch?” Her visitor but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble cried, “that’s what deprives me of my rest and, as a lover of our vast and beneficent art-wealth, poisons my waking hours. That art-wealth is at the mercy of a leak there appears no means of stopping.” She had tapped a spring in him, clearly, and the consequent flood might | of the place and its charm--of the number of objects, treasures of art, that pressed for appreciation of their importance. “Certainly,” he said, “no one can ever have scored much on sacred spots of _this_ order--which express so the grand impunity of their pride, their claims, their assurance!” “We’ve had great luck,” she granted-- “as I’ve just been reminded; but ever since those terrible things you told me in town--about the tremendous tricks of the whirligig of time and the aesthetic fools’ paradise in which so many of us live--I’ve gone about with my heart in my mouth. Who knows that while I talk Mr. Bender mayn’t be pulling us to pieces?” Hugh Crimble had a shudder of remembrance. “Mr. Bender?” “The rich American who’s going round.” It gave him a sharper shock. “The wretch who bagged Lady Lappington’s Longhi?” Lady Grace showed surprise. “Is he a wretch?” Her visitor but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble cried, “that’s what deprives me of my rest and, as a lover of our vast and beneficent art-wealth, poisons my waking hours. That art-wealth is at the mercy of a leak there appears no means of stopping.” She had tapped a spring in him, clearly, and the consequent flood might almost at any moment become copious. “Precious things are going out of our distracted country at a quicker rate than the very quickest--a century and more ago--of their ever coming in.” She was sharply struck, but was also unmistakably a person in whom stirred thought soon found connections and relations. “Well, I suppose our art-wealth came in--save for those awkward Elgin Marbles!--mainly by purchase too, didn’t it? We ourselves largely took it away from somewhere, didn’t we? We didn’t _grow_ it all.” “We grew some of the loveliest flowers--and on the whole to-day the most exposed.” He had been pulled | your ride? If the other, that is--for there has been an ogre before you--has left any.” “Some tea, with pleasure” --he looked all his longing; “though when you talk of a fellow-feaster I should have supposed that, on such a day as this especially, you’d find yourselves running a continuous _table d’hôte_.” “Ah, we can’t work sports in our gallery and saloon--the banging or whacking and shoving amusements that are all most people care for; unless, perhaps,” Lady Grace went on, “your own peculiar one, as I understand you, of playing football with the old benighted traditions and attributions you everywhere meet: in fact I think you said the old idiotic superstitions.” Hugh Crimble went more than half-way to meet this description of his fondest activity; he indeed even beckoned it on. “The names and stories and styles--the so often vain legend, not to be too invidious--of author or subject or school?” But he had a drop, no less, as from the sense of a cause sometimes lost. “Ah, that’s a game at which we _all_ can play!” “Though scarcely,” Lady Grace suggested, “at which we all can score.” The words appeared indeed to take meaning from his growing impression of the place and its charm--of the number of objects, treasures of art, that pressed for appreciation of their importance. “Certainly,” he said, “no one can ever have scored much on sacred spots of _this_ order--which express so the grand impunity of their pride, their claims, their assurance!” “We’ve had great luck,” she granted-- “as I’ve just been reminded; but ever since those terrible things you told me in town--about the tremendous tricks of the whirligig of time and the aesthetic fools’ paradise in which so many of us live--I’ve gone about with my heart in my mouth. Who knows that while I talk Mr. Bender mayn’t be pulling us to pieces?” Hugh Crimble had a shudder of remembrance. “Mr. Bender?” “The rich American who’s going round.” It gave him a sharper shock. “The wretch who bagged Lady Lappington’s Longhi?” Lady Grace showed surprise. “Is he a wretch?” Her visitor but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble cried, “that’s what deprives me of my rest and, as a lover of our vast and beneficent art-wealth, poisons my waking hours. That art-wealth is at the mercy of a leak there appears no means of stopping.” She had tapped a spring in him, clearly, and the consequent flood might almost at any moment become copious. “Precious things are going out of our distracted country at a quicker rate than the very quickest--a century and more ago--of their ever coming in.” She was sharply struck, but was also unmistakably a person in whom stirred thought soon found connections and relations. “Well, I suppose our art-wealth came in--save for those awkward Elgin Marbles!--mainly by purchase too, didn’t it? We ourselves largely took it away from somewhere, didn’t we? We didn’t _grow_ it all.” “We grew some of the loveliest flowers--and on the whole to-day the most exposed.” He had been pulled up but for an instant. “Great Gainsboroughs and Sir Joshuas and Romneys and Sargents, great Turners and Constables and old Cromes and Brabazons, form, you’ll recognise, a vast garden in themselves. What have we ever for instance more successfully grown than your splendid ‘Duchess of Waterbridge’?” The girl showed herself ready at once to recognise under his eloquence anything he would. “Yes--it’s our Sir Joshua, I believe, that Mr. Bender has proclaimed himself particularly ‘after.’” It brought a cloud to her friend’s face. “Then he’ll be capable of anything.” “Of anything, no doubt, but of making my father capable--! And you haven’t at any rate,” she said, “so much as seen the picture.” “I beg your pardon--I saw it at the Guildhall three years ago; and am almost afraid of getting again, with a fresh sense of its beauty, a livelier sense of its danger.” Lady Grace, however, was so far from fear that she could even afford pity. “Poor baffled Mr. Bender!” “Oh, rich and confident Mr. Bender!” Crimble cried. “Once given his money, his confidence is a horrid engine in itself--there’s the rub! I dare say” --the young man saw it all-- “he has brought his poisonous cheque.” | at the same time decidedly inquisitive) young nose. She must, however, also have embraced in this contemplation, she must more or less again have interpreted, his main physiognomic mark, the degree to which his clean jaw was underhung and his lower lip protruded; a lapse of regularity made evident by a suppression of beard and moustache as complete as that practised by Mr. Bender--though without the appearance consequent in the latter’s case, that of the flagrantly vain appeal in the countenance for some other exhibition of a history, of a process of production, than this so superficial one. With the interested and interesting girl sufficiently under our attention while we thus try to evoke her, we may even make out some wonder in her as to why the so perceptibly protrusive lower lip of this acquaintance of an hour or two should positively have contributed to his being handsome instead of much more logically interfering with it. We might in fact in such a case even have followed her into another and no less refined a speculation--the question of whether the surest seat of his good looks mightn’t after all be his high, fair, if somewhat narrow, forehead, crowned with short crisp brown hair and which, after a fashion of its own, predominated without overhanging. He spoke after they had stood just face to face almost long enough for awkwardness. “I haven’t forgotten one item of your kindness to me on that rather bleak occasion.” “Bleak do you call it?” she laughed. “Why I found it, rather, tropical--‘lush.’ My neighbour on the other side wanted to talk to me of the White City.” “Then you made it doubtless bleak for _him_, let us say. _I_ couldn’t let you alone, I remember, about _this_--it was like a shipwrecked signal to a sail on the horizon.” “This” obviously meant for the young man exactly what surrounded him; he had begun, like Mr. Bender, to be conscious of a thick solicitation of the eye--and much more than he, doubtless, of a tug at the imagination; and he broke--characteristically, you would have been sure--into a great free gaiety of recognition. “Oh, we’ve nothing particular in the hall,” Lady Grace amiably objected. “Nothing, I see, but Claudes and Cuyps! I’m an ogre,” he said-- “before a new and rare feast!” She happily took up his figure. “Then won’t you begin--as a first course--with tea after your ride? If the other, that is--for there has been an ogre before you--has left any.” “Some tea, with pleasure” --he looked all his longing; “though when you talk of a fellow-feaster I should have supposed that, on such a day as this especially, you’d find yourselves running a continuous _table d’hôte_.” “Ah, we can’t work sports in our gallery and saloon--the banging or whacking and shoving amusements that are all most people care for; unless, perhaps,” Lady Grace went on, “your own peculiar one, as I understand you, of playing football with the old benighted traditions and attributions you everywhere meet: in fact I think you said the old idiotic superstitions.” Hugh Crimble went more than half-way to meet this description of his fondest activity; he indeed even beckoned it on. “The names and stories and styles--the so often vain legend, not to be too invidious--of author or subject or school?” But he had a drop, no less, as from the sense of a cause sometimes lost. “Ah, that’s a game at which we _all_ can play!” “Though scarcely,” Lady Grace suggested, “at which we all can score.” The words appeared indeed to take meaning from his growing impression of the place and its charm--of the number of objects, treasures of art, that pressed for appreciation of their importance. “Certainly,” he said, “no one can ever have scored much on sacred spots of _this_ order--which express so the grand impunity of their pride, their claims, their assurance!” “We’ve had great luck,” she granted-- “as I’ve just been reminded; but ever since those terrible things you told me in town--about the tremendous tricks of the whirligig of time and the aesthetic fools’ paradise in which so many of us live--I’ve gone about with my heart in my mouth. Who knows that while I talk Mr. Bender mayn’t be pulling us to pieces?” Hugh Crimble had a shudder of remembrance. “Mr. Bender?” “The rich American who’s going round.” It gave him a sharper shock. “The wretch who bagged Lady Lappington’s Longhi?” Lady Grace showed surprise. “Is he a wretch?” Her visitor but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble cried, “that’s what deprives me of my rest and, as a lover of our vast and beneficent art-wealth, poisons my waking hours. That art-wealth is at the mercy of a leak there appears no means of stopping.” She had tapped a spring in him, clearly, and the consequent flood might almost at any moment become copious. “Precious things are going out of our distracted country at a quicker rate than the very quickest--a century and more ago--of their ever coming in.” She was sharply struck, but was also unmistakably a person in whom stirred thought soon found connections and relations. “Well, I suppose our art-wealth came in--save for those awkward Elgin Marbles!--mainly by purchase too, didn’t it? We ourselves largely took it away from somewhere, didn’t we? We didn’t _grow_ it all.” “We grew some of the loveliest flowers--and on the whole to-day the most exposed.” He had been pulled up but for an instant. “Great Gainsboroughs and Sir Joshuas and Romneys and Sargents, great Turners and Constables and old Cromes and Brabazons, form, you’ll recognise, a vast garden in themselves. What have we ever for instance more successfully grown than your splendid ‘Duchess of Waterbridge’?” The girl showed herself ready at once to recognise under his eloquence anything he would. “Yes--it’s our Sir Joshua, I believe, that Mr. Bender has proclaimed himself particularly ‘after.’” It brought a cloud to her friend’s face. “Then he’ll be capable of anything.” “Of anything, no doubt, but of making my father capable--! And you haven’t at any rate,” she said, “so much as seen the picture.” “I beg your pardon--I saw it at the Guildhall three years ago; and am almost afraid of getting again, with a fresh sense of its beauty, a livelier sense of its danger.” Lady Grace, however, was so far from fear that she could even afford pity. “Poor baffled Mr. Bender!” “Oh, rich and confident Mr. Bender!” Crimble cried. “Once given his money, his confidence is a horrid engine in itself--there’s the rub! I dare say” --the young man saw it all-- “he has brought his poisonous cheque.” She gave it her less exasperated wonder. “One has heard of that, but only in the case of some particularly pushing dealer.” “And Mr. Bender, to do him justice, isn’t a particularly pushing dealer?” “No,” Lady Grace judiciously returned; “I think he’s not a dealer at all, but just what you a moment ago spoke of yourself as being.” He gave a glance at his possibly wild recent past. “A fond true lover?” “As we _all_ were in our lucky time--when we rum-aged Italy and Spain.” He appeared to recognise this complication--of Bender’s voracious integrity; but only to push it away. “Well, I don’t know whether the best lovers are, or ever were, the best buyers--but I feel to-day that they’re the best keepers.” The breath of his emphasis blew, as her eyes showed, on the girl’s dimmer fire. “It’s as if it were suddenly in the air that you’ve brought us some light or some help--that you may do something really good for us.” “Do you mean ‘mark down,’ as they say at the shops, all your greatest claims?” His chord of sensibility had trembled all gratefully into derision, and not to seem to swagger he had put his possible virtue at its lowest. This she beautifully showed that she beautifully saw. “I dare say that if you did even that we should have to take it from you.” “Then it may very well be,” he laughed back, “the reason why I feel, under my delightful, wonderful impression, a bit anxious and nervous and afraid.” “That shows,” she returned, “that you suspect us of horrors hiding from justice, and that your natural kindness yet shrinks from handing us over!” Well, clearly, she might put it as she liked--it all came back to his being more charmed. “Heaven knows I’ve wanted a chance at you, but what should you say if, having then at last just taken you in in your so apparent perfection, I should feel it the better part of valour simply to mount my ‘bike’ again and spin away?” “I should be sure that at the end of the avenue you’d turn right round and come back. You’d think again of Mr. Bender.” “Whom I don’t, however, you see--if he’s prowling off there--in the least want to meet.” Crimble made the point with gaiety. “I don’t know what I mightn’t do to him--and yet it’s not of | fact I think you said the old idiotic superstitions.” Hugh Crimble went more than half-way to meet this description of his fondest activity; he indeed even beckoned it on. “The names and stories and styles--the so often vain legend, not to be too invidious--of author or subject or school?” But he had a drop, no less, as from the sense of a cause sometimes lost. “Ah, that’s a game at which we _all_ can play!” “Though scarcely,” Lady Grace suggested, “at which we all can score.” The words appeared indeed to take meaning from his growing impression of the place and its charm--of the number of objects, treasures of art, that pressed for appreciation of their importance. “Certainly,” he said, “no one can ever have scored much on sacred spots of _this_ order--which express so the grand impunity of their pride, their claims, their assurance!” “We’ve had great luck,” she granted-- “as I’ve just been reminded; but ever since those terrible things you told me in town--about the tremendous tricks of the whirligig of time and the aesthetic fools’ paradise in which so many of us live--I’ve gone about with my heart in my mouth. Who knows that while I talk Mr. Bender mayn’t be pulling us to pieces?” Hugh Crimble had a shudder of remembrance. “Mr. Bender?” “The rich American who’s going round.” It gave him a sharper shock. “The wretch who bagged Lady Lappington’s Longhi?” Lady Grace showed surprise. “Is he a wretch?” Her visitor but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble cried, “that’s what deprives me of my rest and, as a lover of our vast and beneficent art-wealth, poisons my waking hours. That art-wealth is at the mercy of a leak there appears no means of stopping.” She had tapped a spring in him, clearly, and the consequent flood might almost at any moment become copious. “Precious things are going out of our distracted country at a quicker rate than the very quickest--a century and more ago--of their ever coming in.” She was sharply struck, but was also unmistakably a person in whom stirred thought soon found connections and relations. “Well, I suppose our art-wealth came in--save for those awkward Elgin Marbles!--mainly by purchase too, didn’t it? We ourselves largely took it away from somewhere, didn’t we? We didn’t _grow_ it all.” “We grew some of the loveliest flowers--and on the whole to-day the most exposed.” He had been pulled up but for an instant. “Great Gainsboroughs and Sir Joshuas and Romneys and Sargents, great Turners and Constables and old Cromes and Brabazons, form, you’ll recognise, a vast garden in themselves. What have we ever for instance more successfully grown than your splendid ‘Duchess of Waterbridge’?” The girl showed herself ready at once to recognise under his eloquence anything he would. “Yes--it’s our Sir | The Outcry | but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble | {
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"content": "but asked to be extravagant. “Rather--the scoundrel. He offered his infernal eight thousand down.” “Oh, I thought you meant he had played some trick!” “I wish he had--he could then have been collared.” “Well,” Lady Grace peacefully smiled, “it’s no use his offering _us_ eight thousand--or eighteen or even eighty!”<|quote|>Hugh Crimble stared as at the odd superfluity of this reassurance, almost crude on exquisite lips and contradicting an imputation no one would have indecently made.</|quote|>“Gracious goodness, I hope not! The man surely doesn’t _suppose_ you’d traffic.” She might, while she still smiled at him, have been fairly enjoying the friendly horror she produced. “I don’t quite know what he supposes. But people _have_ trafficked; people do; people are trafficking all round.” “Ah,” Hugh Crimble",
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"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you." | Bosun Jones | arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one | of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as | "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden | up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand and | a drink o' this, mate," said one of the men, and Ramsden swallowed some water with avidity. "Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand and waistbelt, and felt as if he should like to hurl them away. "He must have dropped them inside. Here, one of you come with me and get them." Don shrank back into the stony passage as a man volunteered, but the boatswain hesitated. "No," he said, to Don's great relief; "I can't afford to run risks for the sake of a pair of pistols." "Let me go in," said the man. "I'm not going to send men where I'm afraid to go myself," said the boatswain bluntly. "Come on down." The boatswain led the way, and Ramsden was helped down, | boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate," said one of the men, and Ramsden swallowed some water with avidity. "Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand and waistbelt, and felt as if he should like to hurl them away. "He must have dropped them inside. Here, one of you come with me and get them." Don shrank back into the stony passage as a man volunteered, but the boatswain hesitated. "No," he said, to Don's great relief; "I can't afford to run risks for the sake of a pair of pistols." "Let me go in," said the man. "I'm not going to send men where I'm afraid to go myself," said the boatswain bluntly. "Come on down." The boatswain led the way, and Ramsden was helped down, the man who had volunteered to go in the cavern to fetch the pistols manoeuvring so as to be last, and as soon as the party had disappeared over the shelf he gave a glance after them, and turned sharply. "Foul air won't hurt me," he said; and he dived right in rapidly to regain the pistols and cutlass, so as to have the laugh of his messmates when they returned on board. CHAPTER THIRTY THREE. ANOTHER ALARM. "It's all over," thought Don, as the man came on, with discovery inevitable if he continued at his present rate. They were about fifty feet from the entrance, and they felt that if they moved they would be heard; and, as if urged by the same impulse, they stood fast, save that Jem doubled his fist and drew back his arm ready to strike. All at once the man stopped short. "He sees us," said Don, mentally. But he was wrong, for the sailor thrust his fingers into his mouth and gave a shrill whistle, which ran echoing through the place in a curiously hollow way. "That's a rum un," he said, with a laugh. "Blow some o' the foul air out. | meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate," said one of the men, and Ramsden swallowed some water with avidity. "Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand and waistbelt, and felt as if he should like to hurl them away. "He must have dropped them inside. Here, one of you come with me and get them." Don shrank back into the stony passage as a man volunteered, but the boatswain hesitated. "No," he said, to Don's great relief; "I can't afford to run risks for the sake of a pair of pistols." "Let me go in," said the man. "I'm not going to send men where I'm afraid to go myself," said the boatswain bluntly. "Come on down." The boatswain led the way, and Ramsden was helped down, the man who had volunteered to go in the cavern to fetch the pistols manoeuvring so as to be last, and as soon as the party had disappeared over the shelf he gave a glance after them, and turned sharply. "Foul air won't hurt me," he said; and he dived right in rapidly to regain the pistols and cutlass, so as to have the laugh of his messmates when they returned on board. CHAPTER THIRTY THREE. ANOTHER ALARM. "It's all over," thought Don, as the man came on, with discovery inevitable if he continued at his present rate. They were about fifty feet from the entrance, and they felt that if they moved they would be heard; and, as if urged by the same impulse, they stood fast, save that Jem doubled his fist and drew back his arm ready to strike. All at once the man stopped short. "He sees us," said Don, mentally. But he was wrong, for the sailor thrust his fingers into his mouth and gave a shrill whistle, which ran echoing through the place in a curiously hollow way. "That's a rum un," he said, with a laugh. "Blow some o' the foul air out. Wonder how far he went in?" He walked on slowly, and then stopped short as if he saw the hiding pair; but there was no gesture made, and of course his face was invisible to the fugitives, to whom he seemed to be nothing but a black figure. "Plaguey dark!" ejaculated the man aloud. _Hiss-s-s-s_! A tremendously loud sibillation came out of the darkness--such a noise as a mythical dragon might have made when a stranger had invaded his home. The effect was instantaneous. The young sailor spun round and darted back to the mouth of the cave, where he half lowered himself down over the shelf facing toward the entry, and supporting himself with one hand, shook his fist. "You wait till I come back with a lanthorn!" he cried. "I'll just show you. Don't you think I'm scared." _Whos-s-s-s-s_ came that hissing again, in a loud deep tone this time, and the sailor's head disappeared, for he dropped down and hastily descended after his messmates, flushed and excited, but trying hard to look perfectly unconcerned, and thoroughly determined to keep his own counsel as to what he had heard, from a perfect faith in the effect of the disclosure--to wit, that his companions would laugh at him. Inside the cave Jem was leaning up against the wall, making strange noises and lifting up first one foot and then the other. He seemed to be suffering agonies, for he puffed and gasped. "Jem, be quiet!" whispered Don, shaking him sharply. "Oh, dear! Oh, dear!" groaned Jem, lifting up his bare feet alternately, and setting them down again with a loud pat on the rock. "Be quiet! They may hear you." "Hit me then! Give it me. Ho, ho, ho!" "Jem, we are safe now, and you'll undo it all if you're not quiet." "Knock me then, Mas' Don. Oh, dear! Oh, dear! Hi: me; a good un, dear lad. Ho, ho, ho, ho!" "Oh, do be quiet! How can you be such an ass?" "I dunno! Oh, dear! Oh, dear! Did you see him run, Mas' Don? I--oh dear, I can't help it. Do knock me down and sit on me, dear lad--I never--oh dear me!" Jem laughed till Don grew angry, and then the sturdy little fellow stopped short and stood wiping his eyes with the back of his hands. "I couldn't help it, Mas' Don," he said. | words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate," said one of the men, and Ramsden swallowed some water with avidity. "Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand and waistbelt, and felt as if he should like to hurl them away. "He must have dropped them inside. Here, one of you come with me and get them." Don shrank back into the stony passage as a man volunteered, but the boatswain hesitated. "No," he said, to Don's great relief; "I can't afford to run risks for the sake of a pair of pistols." "Let me go in," said the man. "I'm not going to send men where I'm afraid to go myself," said the boatswain bluntly. "Come on down." The boatswain led the way, and Ramsden was helped down, the man who had volunteered to go in the cavern to fetch the pistols manoeuvring so as to be last, and as soon as the party had disappeared over the shelf he gave a glance after them, and turned sharply. "Foul air won't hurt me," he said; and he dived right in rapidly to regain the pistols and cutlass, so as to have the laugh of his messmates when they returned on | Don Lavington | "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can."<|quote|>"Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you."</|quote|>"But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden | {
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"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?" | Mrs. Bennet | a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself | that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. | cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it." "What should not you mind?" "I should not mind any thing at all." "Let us be thankful that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of "Sense and Sensibility." VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss | place in it!" "My dear, do not give way to such gloomy thoughts. Let us hope for better things. Let us flatter ourselves that _I_ may be the survivor." This was not very consoling to Mrs. Bennet, and, therefore, instead of making any answer, she went on as before, "I cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it." "What should not you mind?" "I should not mind any thing at all." "Let us be thankful that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of "Sense and Sensibility." VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss Bingley's letter arrived, and put an end to doubt. The very first sentence conveyed the assurance of their being all settled in London for the winter, and concluded with her brother's regret at not having had time to pay his respects to his friends in Hertfordshire before he left the | to see them she concluded her to be anticipating the hour of possession; and whenever she spoke in a low voice to Mr. Collins, was convinced that they were talking of the Longbourn estate, and resolving to turn herself and her daughters out of the house, as soon as Mr. Bennet were dead. She complained bitterly of all this to her husband. "Indeed, Mr. Bennet," said she, "it is very hard to think that Charlotte Lucas should ever be mistress of this house, that I should be forced to make way for _her_, and live to see her take my place in it!" "My dear, do not give way to such gloomy thoughts. Let us hope for better things. Let us flatter ourselves that _I_ may be the survivor." This was not very consoling to Mrs. Bennet, and, therefore, instead of making any answer, she went on as before, "I cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it." "What should not you mind?" "I should not mind any thing at all." "Let us be thankful that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of "Sense and Sensibility." VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss Bingley's letter arrived, and put an end to doubt. The very first sentence conveyed the assurance of their being all settled in London for the winter, and concluded with her brother's regret at not having had time to pay his respects to his friends in Hertfordshire before he left the country. Hope was over, entirely over; and when Jane could attend to the rest of the letter, she found little, except the professed affection of the writer, that could give her any comfort. Miss Darcy's praise occupied the chief of it. Her many attractions were again dwelt on, and Caroline boasted joyfully of their increasing intimacy, and ventured to predict the accomplishment of the wishes which had been unfolded in her former letter. She wrote also with great pleasure of her brother's being an inmate of Mr. Darcy's house, and mentioned with raptures, some plans of the latter with regard | hour seldom passed in which she did not talk of Bingley, express her impatience for his arrival, or even require Jane to confess that if he did not come back, she should think herself very ill used. It needed all Jane's steady mildness to bear these attacks with tolerable tranquillity. Mr. Collins returned most punctually on the Monday fortnight, but his reception at Longbourn was not quite so gracious as it had been on his first introduction. He was too happy, however, to need much attention; and luckily for the others, the business of love-making relieved them from a great deal of his company. The chief of every day was spent by him at Lucas Lodge, and he sometimes returned to Longbourn only in time to make an apology for his absence before the family went to bed. Mrs. Bennet was really in a most pitiable state. The very mention of any thing concerning the match threw her into an agony of ill humour, and wherever she went she was sure of hearing it talked of. The sight of Miss Lucas was odious to her. As her successor in that house, she regarded her with jealous abhorrence. Whenever Charlotte came to see them she concluded her to be anticipating the hour of possession; and whenever she spoke in a low voice to Mr. Collins, was convinced that they were talking of the Longbourn estate, and resolving to turn herself and her daughters out of the house, as soon as Mr. Bennet were dead. She complained bitterly of all this to her husband. "Indeed, Mr. Bennet," said she, "it is very hard to think that Charlotte Lucas should ever be mistress of this house, that I should be forced to make way for _her_, and live to see her take my place in it!" "My dear, do not give way to such gloomy thoughts. Let us hope for better things. Let us flatter ourselves that _I_ may be the survivor." This was not very consoling to Mrs. Bennet, and, therefore, instead of making any answer, she went on as before, "I cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it." "What should not you mind?" "I should not mind any thing at all." "Let us be thankful that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of "Sense and Sensibility." VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss Bingley's letter arrived, and put an end to doubt. The very first sentence conveyed the assurance of their being all settled in London for the winter, and concluded with her brother's regret at not having had time to pay his respects to his friends in Hertfordshire before he left the country. Hope was over, entirely over; and when Jane could attend to the rest of the letter, she found little, except the professed affection of the writer, that could give her any comfort. Miss Darcy's praise occupied the chief of it. Her many attractions were again dwelt on, and Caroline boasted joyfully of their increasing intimacy, and ventured to predict the accomplishment of the wishes which had been unfolded in her former letter. She wrote also with great pleasure of her brother's being an inmate of Mr. Darcy's house, and mentioned with raptures, some plans of the latter with regard to new furniture. Elizabeth, to whom Jane very soon communicated the chief of all this, heard it in silent indignation. Her heart was divided between concern for her sister, and resentment against all the others. To Caroline's assertion of her brother's being partial to Miss Darcy she paid no credit. That he was really fond of Jane, she doubted no more than she had ever done; and much as she had always been disposed to like him, she could not think without anger, hardly without contempt, on that easiness of temper, that want of proper resolution which now made him the slave of his designing friends, and led him to sacrifice his own happiness to the caprice of their inclinations. Had his own happiness, however, been the only sacrifice, he might have been allowed to sport with it in what ever manner he thought best; but her sister's was involved in it, as she thought he must be sensible himself. It was a subject, in short, on which reflection would be long indulged, and must be unavailing. She could think of nothing else, and yet whether Bingley's regard had really died away, or were suppressed by his friends' interference; whether | discharging his conscience on that head, he proceeded to inform them, with many rapturous expressions, of his happiness in having obtained the affection of their amiable neighbour, Miss Lucas, and then explained that it was merely with the view of enjoying her society that he had been so ready to close with their kind wish of seeing him again at Longbourn, whither he hoped to be able to return on Monday fortnight; for Lady Catherine, he added, so heartily approved his marriage, that she wished it to take place as soon as possible, which he trusted would be an unanswerable argument with his amiable Charlotte to name an early day for making him the happiest of men. Mr. Collins's return into Hertfordshire was no longer a matter of pleasure to Mrs. Bennet. On the contrary she was as much disposed to complain of it as her husband.--It was very strange that he should come to Longbourn instead of to Lucas Lodge; it was also very inconvenient and exceedingly troublesome.--She hated having visitors in the house while her health was so indifferent, and lovers were of all people the most disagreeable. Such were the gentle murmurs of Mrs. Bennet, and they gave way only to the greater distress of Mr. Bingley's continued absence. Neither Jane nor Elizabeth were comfortable on this subject. Day after day passed away without bringing any other tidings of him than the report which shortly prevailed in Meryton of his coming no more to Netherfield the whole winter; a report which highly incensed Mrs. Bennet, and which she never failed to contradict as a most scandalous falsehood. Even Elizabeth began to fear--not that Bingley was indifferent--but that his sisters would be successful in keeping him away. Unwilling as she was to admit an idea so destructive of Jane's happiness, and so dishonourable to the stability of her lover, she could not prevent its frequently recurring. The united efforts of his two unfeeling sisters and of his overpowering friend, assisted by the attractions of Miss Darcy and the amusements of London, might be too much, she feared, for the strength of his attachment. As for Jane, _her_ anxiety under this suspence was, of course, more painful than Elizabeth's; but whatever she felt she was desirous of concealing, and between herself and Elizabeth, therefore, the subject was never alluded to. But as no such delicacy restrained her mother, an hour seldom passed in which she did not talk of Bingley, express her impatience for his arrival, or even require Jane to confess that if he did not come back, she should think herself very ill used. It needed all Jane's steady mildness to bear these attacks with tolerable tranquillity. Mr. Collins returned most punctually on the Monday fortnight, but his reception at Longbourn was not quite so gracious as it had been on his first introduction. He was too happy, however, to need much attention; and luckily for the others, the business of love-making relieved them from a great deal of his company. The chief of every day was spent by him at Lucas Lodge, and he sometimes returned to Longbourn only in time to make an apology for his absence before the family went to bed. Mrs. Bennet was really in a most pitiable state. The very mention of any thing concerning the match threw her into an agony of ill humour, and wherever she went she was sure of hearing it talked of. The sight of Miss Lucas was odious to her. As her successor in that house, she regarded her with jealous abhorrence. Whenever Charlotte came to see them she concluded her to be anticipating the hour of possession; and whenever she spoke in a low voice to Mr. Collins, was convinced that they were talking of the Longbourn estate, and resolving to turn herself and her daughters out of the house, as soon as Mr. Bennet were dead. She complained bitterly of all this to her husband. "Indeed, Mr. Bennet," said she, "it is very hard to think that Charlotte Lucas should ever be mistress of this house, that I should be forced to make way for _her_, and live to see her take my place in it!" "My dear, do not give way to such gloomy thoughts. Let us hope for better things. Let us flatter ourselves that _I_ may be the survivor." This was not very consoling to Mrs. Bennet, and, therefore, instead of making any answer, she went on as before, "I cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it." "What should not you mind?" "I should not mind any thing at all." "Let us be thankful that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of "Sense and Sensibility." VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss Bingley's letter arrived, and put an end to doubt. The very first sentence conveyed the assurance of their being all settled in London for the winter, and concluded with her brother's regret at not having had time to pay his respects to his friends in Hertfordshire before he left the country. Hope was over, entirely over; and when Jane could attend to the rest of the letter, she found little, except the professed affection of the writer, that could give her any comfort. Miss Darcy's praise occupied the chief of it. Her many attractions were again dwelt on, and Caroline boasted joyfully of their increasing intimacy, and ventured to predict the accomplishment of the wishes which had been unfolded in her former letter. She wrote also with great pleasure of her brother's being an inmate of Mr. Darcy's house, and mentioned with raptures, some plans of the latter with regard to new furniture. Elizabeth, to whom Jane very soon communicated the chief of all this, heard it in silent indignation. Her heart was divided between concern for her sister, and resentment against all the others. To Caroline's assertion of her brother's being partial to Miss Darcy she paid no credit. That he was really fond of Jane, she doubted no more than she had ever done; and much as she had always been disposed to like him, she could not think without anger, hardly without contempt, on that easiness of temper, that want of proper resolution which now made him the slave of his designing friends, and led him to sacrifice his own happiness to the caprice of their inclinations. Had his own happiness, however, been the only sacrifice, he might have been allowed to sport with it in what ever manner he thought best; but her sister's was involved in it, as she thought he must be sensible himself. It was a subject, in short, on which reflection would be long indulged, and must be unavailing. She could think of nothing else, and yet whether Bingley's regard had really died away, or were suppressed by his friends' interference; whether he had been aware of Jane's attachment, or whether it had escaped his observation; whichever were the case, though her opinion of him must be materially affected by the difference, her sister's situation remained the same, her peace equally wounded. A day or two passed before Jane had courage to speak of her feelings to Elizabeth; but at last on Mrs. Bennet's leaving them together, after a longer irritation than usual about Netherfield and its master, she could not help saying, "Oh! that my dear mother had more command over herself; she can have no idea of the pain she gives me by her continual reflections on him. But I will not repine. It cannot last long. He will be forgot, and we shall all be as we were before." Elizabeth looked at her sister with incredulous solicitude, but said nothing. "You doubt me," cried Jane, slightly colouring; "indeed you have no reason. He may live in my memory as the most amiable man of my acquaintance, but that is all. I have nothing either to hope or fear, and nothing to reproach him with. Thank God! I have not _that_ pain. A little time therefore.--I shall certainly try to get the better." With a stronger voice she soon added, "I have this comfort immediately, that it has not been more than an error of fancy on my side, and that it has done no harm to any one but myself." "My dear Jane!" exclaimed Elizabeth, "you are too good. Your sweetness and disinterestedness are really angelic; I do not know what to say to you. I feel as if I had never done you justice, or loved you as you deserve." Miss Bennet eagerly disclaimed all extraordinary merit, and threw back the praise on her sister's warm affection. "Nay," said Elizabeth, "this is not fair. _You_ wish to think all the world respectable, and are hurt if I speak ill of any body. _I_ only want to think _you_ perfect, and you set yourself against it. Do not be afraid of my running into any excess, of my encroaching on your privilege of universal good will. You need not. There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it; and every day confirms my belief of the inconsistency of | he sometimes returned to Longbourn only in time to make an apology for his absence before the family went to bed. Mrs. Bennet was really in a most pitiable state. The very mention of any thing concerning the match threw her into an agony of ill humour, and wherever she went she was sure of hearing it talked of. The sight of Miss Lucas was odious to her. As her successor in that house, she regarded her with jealous abhorrence. Whenever Charlotte came to see them she concluded her to be anticipating the hour of possession; and whenever she spoke in a low voice to Mr. Collins, was convinced that they were talking of the Longbourn estate, and resolving to turn herself and her daughters out of the house, as soon as Mr. Bennet were dead. She complained bitterly of all this to her husband. "Indeed, Mr. Bennet," said she, "it is very hard to think that Charlotte Lucas should ever be mistress of this house, that I should be forced to make way for _her_, and live to see her take my place in it!" "My dear, do not give way to such gloomy thoughts. Let us hope for better things. Let us flatter ourselves that _I_ may be the survivor." This was not very consoling to Mrs. Bennet, and, therefore, instead of making any answer, she went on as before, "I cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it." "What should not you mind?" "I should not mind any thing at all." "Let us be thankful that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of "Sense and Sensibility." VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss Bingley's letter arrived, and put an end to doubt. The very first sentence conveyed the assurance of their being all settled in London for the winter, and concluded with her brother's regret at not having had time to pay his respects to his friends in Hertfordshire before he left the country. Hope was over, entirely over; and when Jane could attend to the rest of the letter, she found little, except the professed affection of the writer, that could give her any comfort. Miss Darcy's praise occupied the chief of it. Her many attractions were again dwelt on, and Caroline boasted joyfully of their increasing intimacy, and ventured to predict the accomplishment of the wishes which had been unfolded in her former letter. She wrote also with great pleasure of her brother's being an inmate of Mr. Darcy's house, and mentioned with raptures, some plans of the latter with regard to new furniture. Elizabeth, to whom Jane very soon communicated the chief of all this, | Pride And Prejudice | cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it." "What should not you mind?" "I should not mind any thing at all." "Let us be thankful that you are preserved from a state of such insensibility."<|quote|>"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?"</|quote|>"I leave it to yourself to determine," said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of "Sense and Sensibility." VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss | {
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"content": "cannot bear to think that they should have all this estate. If it was not for the entail I should not mind it.\" \"What should not you mind?\" \"I should not mind any thing at all.\" \"Let us be thankful that you are preserved from a state of such insensibility.\"<|quote|>\"I never can be thankful, Mr. Bennet, for any thing about the entail. How any one could have the conscience to entail away an estate from one's own daughters I cannot understand; and all for the sake of Mr. Collins too!--Why should _he_ have it more than anybody else?\"</|quote|>\"I leave it to yourself to determine,\" said Mr. Bennet. END OF VOL. I. [Illustration: A VICARAGE HOUSE.] PRIDE AND PREJUDICE: A Novel. In Three Volumes. By the Author of \"Sense and Sensibility.\" VOL. II. London: Printed for T. Egerton, Military Library, Whitehall. 1813. PRIDE & PREJUDICE. CHAPTER I. Miss",
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