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Lips are pressed as high as lovers
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climb, against the Sphinx’s ridiculous
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headdress, on the carved trumpet
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of fame, & on the cheeks of its voracious face
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of mindless passion flying with eyes pinched tight,
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that some farsighted lover tried to open
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with lines from a red pen, like a blepharoplasty,
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while others kissed its sybaritic mouth
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to make a poem a prophecy.
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So here is love alive
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surviving the wreckage it survives,
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a lipstick envelope of hearts on their flight
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to some other place, less aware,
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more receiving, a final Champ de Grâce.
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This is the poem of death.
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There is only one
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and no other.
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Enough now, enough has been said.
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The spinning leaf will spin
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like no other.
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Nothing can reach you now, not lead or steel,
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or what life itself eventually reveals.
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nothing can reach you now, not lead or steel
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or what life itself eventually reveals.
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Among physicians rich in their death watch
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In hallways crowded with locked wheelchairs,
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Cradles of a century’s platitudes,
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The stale air smelling of disinfectant
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And weeping wounds enough to stupefy nurses,
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Among the staring insomniacs of the day room,
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The stroke victims on their rented gurneys,
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Complaining orderlies and rattling carts
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At the end of every purpose, act and form
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I leave you here, my father, in perfect accord.
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Imagine half your face
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rubbed out yet
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you are suited up
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and walking
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to the office.
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How will your mates
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greet you?
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with heavy hearts,
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flowers,
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rosary beads?
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How shall we greet
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the orphan boy,
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the husband whose hand
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slipped, children
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and wife swept away?
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How to greet
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our new years
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and our birthdays?
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Shall we always
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light a candle?
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Do we remember
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that time erases
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the shore, grass
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grows, pain’s
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modified?
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At Hikkaduwa
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in 1980 I wrote a ditty,
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a sailor’s song
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about rain
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in sunny Ceylon.
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I don’t know
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what Calypsonians
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would compose
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about this monstrous
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wave, this blind hatchet man;
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don’t know
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the Baila singers’ reply;
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we are a “happy and
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go” people
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yet the fisherman’s wife
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knows
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that her grandfather
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was eaten by the ocean—
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