<div class="floatleft">(https://i.gyazo.com/a4ea4a242798a93947fab80e903c4375.jpg)</div>This young human has an awkward and unusual demeanor.  Not in the least bit feminine, her body language and carraige seem to imply a wild freedom and tomboyish upbringing not common to most girls, be they of city or country origin.  The trained eye might notice her stance and footwork betrays signs of training in the fighting arts of Tian-Xia.  Pretty in a tousled wildflower sort of way, Lee Li is typical for a country tomboy in this part of the Empire.  Despite her demeanor the appraising eye can tell even through her thick clothing that this young girl is the embodiment of classical Tian beauty.<br/><br/>Petite but sensual in build, she does not conform to the current fashionable Floating World standards of half-starved beauty.  Rather her curvy form and hourglass figure indicate a more earthy presence and are reminiscent of old visions of maiden goddesses of nature and fertility.<br/><br/>She is young, perhaps looking just out of her teens, and only now entering that state of ageless beauty that Tian women are so famed for.  Traces of baby fat are still on her face and body, and she has a girlish softness about her that accentuates the impression of an earth spirit like a classical nymph or naiad.<br/><br/>Her breasts are girlish and pert, standing proudly off her athletic shoulders and chest, while her abdomen and waist are well-toned and swell out into wide full hips, the kind that many old-fashioned folks joke about as 'child bearing hips'.  Her posterior is round and full, having a gentle swell and defined indentation like a ripened peach.<br/><br/>Strong thick thighs taper down to dimpled knees and shapely calves, ending with small cutely-flexed and arching feet.  Her arms are slender and willowy, being neither too skinny nor excessive fatty under the biceps.<br/><br/>Her sculpted porcelain-like facial features, particularly her pert button nose, give her a quiet sort of attractiveness, more akin to a wholesome 'cuteness' like a doll rather than the cosmopolitan beauty of a high-society girl.  Her eyes are large, almond-shaped, and are a deep verdant-jade hue giving the impression of an exotic sloe-eyed dreamer.  Her hair is a thich silky bob of rich auburn-red, cut just about even with the back of her neck.<br/><br/>Dressed in her native Tian robes and 'pajamas', she is a petite and graceful girl, favoring garments in soft earth-tones, giving her a subtle doe-like quality that enhances her beauty without seeming loud or bold.  They also blend in quite well with the dark when she needs to slip away from a situation.  Her seemingly only prized possessions are a handsomely carved pipa lute that she wears slung on her back, a humble bamboo flute tucked in her tunic, and a pair of weathered wind-fire wheels (star knives) wrapped in rayskin and bound with bronze fasteners, hanging from her waist sash.<br/><br/><strong>Character:</strong>Lee Li  (https://www.myth-weavers.com/sheet.html#id=1973747) Bard (Diva)/Human (Tian)/<em>"Jack-of-all-trades", with an emphasis on scouting &amp; information, as well as group buffing.</em><br/><br/><strong>Bio:</strong>Background:  A young mystic from the far lands of Tian-Xia, Lee Li grew up a frail and delicate boy born into a proud martial family of Lingshen.  Unsuited for the lessons of the sword and horse his father and brothers practiced, he was thrust under the tutelage of an eccentric hermit sorcerer named White Brows, meditating in the holy mountains of Quain.  However, his new master did not let the boy pursue a soft existence of studying scrolls, but rather forced him to perform repetitive tasks and chores, toughening him up and pushing the boy to feats of operatic kung-fu and acrobatics.  Lee's daily regimen became one of studying and reciting ancient lays and ballads while moving from the branches of bamboo trees and rocky crags of the rural mountains of Quain.  He grew into a slim but wiry young man, strong and quick, perhaps not the equal of his father and brothers, but a far cry from the weak boy that had been sent away.<br/><br/>Sent out into the world to refine and perfect his skills, to seek out and meditate upon what new knowledge and secrets he could find at beyond the boundaries of the Empire, Lee travelled for the last two years across both Tian and barbarian lands alike.  Fascinated by the lands of Golarion, especially the exotic beauty of the barbarian women he encountered, Lee began to hire himself out to merchant caravans that went further and further west, eventually transitioning from caravan guard to wandering adventurer, which is how he found himself with an unlikely company of female adventurers- gorgeous barbarian beauties, all of them.  Counting himself the luckiest man this side of the desert steppes, Lee agreed to help them breach a lost and forgotten ruin, rumored to be overflowing with magical treasures and exotic prizes.  What he found however was a dusty cave with a glowing portal...  and tentacles, LOTS of tentacles extruding from the portal.  Dragged into the portal alongside the his potential harem of bevy beauties, Lee lost consciousness in the murky ether of the realms beyond...<br/><br/><strong>Personality</strong>All of his life growing up, Lee has strived to please his family and to embody the qualities of the perfect chunshu, or wandering sword-poet.  Following in the path of those heroic wanderers who commit to no lord but instead help the people in their travels, Lee possesses a sense of fair play along with an ability to accept there are always those who are better than him, his modesty showing a definite strength of character that only adds his nobility and his grace.<br/><br/>However Lee also possesses a devil-may-care sense of adventure and mischief, showing little regard for societal inhibitions and restrain when it comes to the joyful aspects of life; such as song, women, and wine.  Like many of his folk heroes growing up, Lee enjoys the dramatic flair of the drunken swordsmen, the melancholy dreaminess of the moonlight poet, and the romantic appeal of the hero beset by too many women around him.  He adapts these behaviors almost as if expecting life to be governed by this sense of literary awareness, sometimes commenting out loud to an audience that isn't even there.<br/><br/>Now that Lee has become female, she's feeling very conflicting desires and impulses based upon her original behavior and nature.  She loves seeing all the female flesh around her, but it's frustrating for her because she is now part of that feminine display!  She still wants to enjoy herself, to feel the new sensations of this existence.  But there's almost a sense of 'phantom limb' she's being stymied with as a mental block, preventing her from fully enjoying herself with the ready access she now has as a girl, because her impulse is to 'penetrate', to give of her body in a fashion that is familiar to her male self, but totally alien to this femininity now infusing her.<br/><br/>In short, she's now very confused and horny...<br/><br/><strong>Can't handle:</strong>RL Religion & Parallels:  I'm an atheist IRL and I grew up in both poly and monotheistic households.  I can handle dealing with polytheism in fantasy, as it's part and parcel of the genre.  But every so often I encounter someone who thinks they're being clever by bringing in barely disguised Abrahamic religion into a story, and it tends to set me me off.  I don't want to deal with angels, Satan, God/Yahweh, or whatever.  I prefer to leave that shit in RL.<br/><br/><strong>Can't read:</strong>I'm not big on Gore/Blood/Meat-Splat.  It's weird because I like some Guro/Dolcett themes, but generally I tend to envision and read the bloodless fantastical elements over the Gory ones.  Similarly I'm not big on scat/piss/fluids-all-over.<br/><br/><strong>Not to my PC:</strong>I hate Anal.  Just hate it.  I know it it is some people's turn-on, I just don't want to have to deal with it.<br/><br/><strong>Offs:</strong>I am not big on body-mutilation or even tattooing beyond small functional marks like slave numbers or similar.   In a similar vein,  I can tolerate piercings of the ears and navel, and that's about it.  I am not a piercing fetishist, so for me it's a turn-off by and large.  I do like Slave-Brands like the way it's done in the stories of Gor though.<br/><br/><strong>Ons:</strong>I'm a huge sucker for bondage, slavery, and humiliation/submission.  Fantasy rape is likewise also something I love, especially in lieu of death in case of defeat.  I also am an avid TF-fetishist, loving pretty much nearly any fantastical transformation of hybrid-girl you can think of.  Ponygirl, check!   Puppy-girl, check!  Cowgirl, check!  Loss of manual dexterity or language functions are also neat to play with!  Although I've never been big on goo-girls, I think there's a cutoff point of not feeling human enough for me.  I do love mental transformation almost as much as physical, reduction of intellect, psyche, immersion of animal instincts, even the archetypical bimbo transformation can be fun if done right.<br/><br/>I also like/love using pregnancy as a threat, something that looms as a terrible fate to be "avoided"; but after labor and birth, I dislike actually handling in roleplay of the babies and children themselves.  Just neatly take them offscreen, have them stolen, sheltered by faerie godmothers, what-have-you.  :-)  I also think egg-laying is fascinatingly cool!   Like totally would be open to that!  :-D