Aria nodded; after Kass drew her sword and, grabbing the closest and center door's doorknob found it locked and so firm it didn't even rattle, the tiefling triggered her blink ring to try and pass through another as Kass had suggested. She figured if one was locked the others probably were, and since she'd seen Kass use both blink- and dimension-door magic the bardess would be able to follow through a wall if needed.<br/><br/>Aria vanished after a ghostly-green instant, phasing right through the wall next to the right door.<br/><br/>Mere moments after that came a rush of air around Kass, and the sounds of fabric snapping with punches and kicks delivered at her from those unseen.<br/><br/><br/>6 misses and 2 hits (I think?) against Kass<br/>atk 33 [vs her flat footed AC], dmg 32<br/>atk 30 dmg 20<br/><br/>After they vanished I rolled initiative:<br/>Kass 32<br/>Aria 30<br/>doormen 30 (tie to Aria)<br/><br/>hence us getting to do stuff next after they vanished (i.e. them not attacking right after). Kass drew her sword (move) and tried to open a door (move); Aria activated her ring (std) and moved through the wall (move), and obviously they each just full attacked, so back to you.<br/><br/>A = Aria (where she last was before going through wall)<br/>D = doormen (total concealment aka invisibility, but I believe when someone melee attacks you you know the direction; of course you don't always know when they've moved afterwards and weren't heard)<br/>K = Kass<br/><br/><span class="bbc_font" style="font-family: courier;"><br/>|. . . . . . ./<br/>|___ . . __./<br/>|. .|. .|. .|<br/>|___ . . ___|<br/>|. .|. .|. .|<br/>|___ . . ___|<br/>|. .|. .|. .|<br/>|. . . . . .|<br/>|___|. .|___|<br/>|. . . . . .|<br/>|___|. .|___|<br/>|. . . . . .|<br/>|___|. .|___|. . . . . . . . . . . . . . . . . . . . . . . . . . .|___|. .|___|<br/>|. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .|<br/>|. . . . .___________. . . . . . . . . . . . . . . . . . .___________. . . . .|<br/>|. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .|<br/>|. . . . . . .___________. . . . . . . . . . . . . . .___________. . . . . . .|<br/>  \. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ./<br/>    \. . . . . . .___________. . . . . . . . . . .___________. . . . . . ./<br/>      \. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ./<br/>        \. . . . . . . . . _________________________ . . . . . . . . ./<br/>          \. . . . . . . . . . . . . . . . . . . . . . . . . . . . ./<br/>            \. . . . . . . . . . . . . . . . . . . . . . . . . . ./<br/>              \. . . . . . . . . . . . . . . . . . . . . . . . ./<br/>                \. . . . . . . . . . D . D . . . . . . . . . ./<br/>                  \. . . . . A . . . . K . . . . . . . . . ./<br/>                    \_____ _ _________ _ _________ _ _____/<br/><br/><br/></span><br/>(The three pairs of gaps at the bottom are not gaps in the walls, just symbolic ways of marking the doors)<br/>