The story fairly closely follows his adventures, though the scenes alternate between him and his party, and the many members of the Red Hand. Since the majority of the actors are the children, and they consist entirely of half-red dragons and hobgoblins, the villains are, in fact, portrayed in an almost positive light; while still barbaric and rough, the significant players are portrayed more as tragic heroes than actual villains. Most of the combat scenes are done against illusory creatures, giving the children a chance to practice some fighting, while onstage and acting, letting them show off some of their combat ability, thanks to the program that allows one to emulate another's skills, and make the play a little more unpredictable.<br/><br/>Some of the other casting choices are quite inspired, such as Mordin playing as the Ghostlord, though the play downplays his Beyonder connection, and merely portrays him as a mad old lich. The whelps playing the full dragons are clearly enjoying their roles, using everything they've learned in his trainings to make them as scary and threatening as possible, though Tyra plays as herself, when that scene comes, and each of Tiamat's five heads are played by a different whelp, giving it a truly 'random' battle plan, and making that final fight truly chaotic. The play ends with him completely remaking Tiamat's temple in his image, the music playing another verse as the lights go dark, before swelling into a different song, as the entire cast comes out on stage, to give their bows.