The plea for Cheszeth's positive treatment does seem to give some small comfort to Cheszeth and Divdor, but Micarla mostly seems unimpressed.  Her lips purse together for a moment and she gives a nod of understanding.  As she goes up the stairs she speaks back over her shoulder, "There is no harm in it, I am sure, Dignitary Frais.  We understand that the Overlands frequently are filled with strife, there is little in order I understand.  This is not an insult, I hope."  After explaining the setup and going off, Yula/Frais is left to her devices.<br/><br/>As she moves through the sitting room and admires the art and tomes, she begins to see familiar brush strokes and designs.  She is drawn in to one painting with a young noblewoman, a familiar faced woman named Lady Adrieldas being painted by Gilmarie dei lai Inrethi.  This is an exceptionally strange occurrence given that Gilmarie dei lai Inrethi has been missing for the past thirty years and Lady Adrieldas is only twenty-four.  How exactly this painting was even made is an oddity, beyond even the fact that Lady Malrefesh would have to somehow have access to either or both of them in order to have the painting made.<br/><br/>Yula moves in among the little statuettes and artifacts on raised plinths around the library.  A faint thruming in the air seems to be ever present, becoming stronger as she draws near a velvet bag.  She reaches out, gently touches the velvet, and it slips off of the orb, the legendary orb of Malrefesh.  The orb is all silvers and blues, shifting and spinning, moving gently as though tiny fish are stirring the apparent waters inside.  Then a throat clears behind her, one of the Pleasure Guard standing there with all four arms ready to grab at Yula should she attempt to run.  "That is not among the things to touch," she whispers out, her voice throaty and husky, "We will not be robbed by a curious Overlander.  Back to the room, Dignitary."