<div class="floatleft">(http://i65.tinypic.com/2cxj6e0.jpg) <br/><span class="bbc_font" style="font-family: Georgia;"></span><div align="center"><strong><span class="bbc_size" style="font-size: 10pt;">Ari Warcaof</span></strong> <span class="bbc_font" style="font-family: Georgia;"></span><div align="center"><strong><span class="bbc_size" style="font-size: 10pt;">Brothers Warcaof<br/> – Entrepeneur - </span></strong><br/><br/>‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾</div></div></div>Jaclyn apparently lands on her feet when thrown into freefall.  That seems apparent from what she chooses to tell.  Personal tragedy does not stand in the way of amassing significant capital and assets.  Emotionless?  Hardened?  Cautious?<br/><br/>But the du Monde portion.  Breezy, casual.  I know Peter paid to eliminate the internet video of her with some girls in the Ladies.  Pornographic, especially after editing.  93% successful at getting rid of it.  Now around, still, but not common.  What did she say?  Not her monkeys, not her circus?  One could call the explicit film of her adventure monkey business, her monkeying as it were.  Does the gloss-over mean anything?  Probably not.<br/><br/>And the phone number.  Why is the number left in place?  Why did du Monde leave it with her?  Why has she not erased it?  Clearly a link if we need it to du Monde.  I do believe we may need it.<br/><br/><div class="floatleft">(http://i63.tinypic.com/2eqf9j4.jpg) <br/><span class="bbc_font" style="font-family: Georgia;"></span><div align="center"><strong><span class="bbc_size" style="font-size: 10pt;">Peter Warcaof</span></strong> <span class="bbc_font" style="font-family: Georgia;"></span><div align="center"><strong><span class="bbc_size" style="font-size: 10pt;">CGDA Benefactor</span></strong><br/>‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾</div></div></div><br/>Ari and etiquette do not mix.  He blurts out that he does want to hear the story.<br/><br/>Jaclyn offers a very proper rendition of the story.  At least from what I know.  I’ve known of Christina and in unpredictable ways it’s come up before.  Jaclyn’s mostly moved on, but there is the catch of wistfulness, then release and focus on the present—seems to be the pattern.  That’s how I view it.<br/><br/>I must say when she had entered the party, dressed as she says like a ‘slut’, I wanted to pull her dress down, to cover, but it was an impossible task.  She was not cool, calm or collected then.<br/><br/>I look at Ari, letting him know that there is no need for more.  Why is he so inquisitive, seeking to devour all data and puzzle with it?<br/>