<div class="floatleft">(https://i.imgur.com/9EwU4iX.jpg)<br/><span class="bbc_font" style="font-family: Georgia;"> </span><div align="center"><strong> <span class="bbc_size" style="font-size: 12pt;">Steffy – CC</span></strong> </div></div><span class="bbc_size" style="font-size: 11pt;">And that’s why heels or whatever—on—the—ground is invaluable.  I was not oriented on our location.  So hotel watch, not mansion watch.  Thank you Cute Girl.  “Yes, do that.  The essential point is du Monde is wily, determined and harsh.  I need say no more.”  (I hope this takes away any view of bravado by the newish operatives).<br/><br/>I turn my attention to the twins.  How do I tell the difference between the two?  One body—two personas—Jaclyn and Vajayjay.  The voices are different, but who controls?  Is there a difference in facial expression, a difference in body presentation?  To be determined.<br/><br/>O’Grady hearing that we’re in a no-trust situation, makes sure the wrists are secured.<br/><br/>I wonder what Jaclyn/Vajayjay’s wanted-for sheet looks like.  For those purposes, my friend is one person.  <br/><br/>As O’Grady makes sure of the binding, the other twins offer their own suggestion, twin mountains saying they would appreciate attention.  A silent invitation of catch (caught) and release?   <br/><br/>A paused moment by O’Grady allows me to slip in the ‘next’, to slowly steer things the way that might be best for Jaclyn.  At least the way I would think best: no arrest, and Peter.<br/><br/>After making note of the body language, “I’ll text Peter about a location.  That will be our step one.”  I wink at Jaclyn and hopefully not Vajayjay. <br/></span>