(http://www.58bits.com/photos/p/vientiane-2009-gallery/k-h4ehifjg86b4/agb_8031/vientiane-xieng-khuan.jpeg)<br/><br/>Etienne carefully folds and refolds the map, doing his best to be sure that it is at no point fully unfolded and remains compact enough to be mistaken for part of the small sheaf of newsprint he was jotting on.<br/><br/>"There are too many of them, aren't there? Tunnels. Bridges. Roads. It is like a listing of every place, every spot. To take down all of it."<br/><br/>Etienne could be talking to the mist, for all the response he gets from Tou.<br/><br/>The Frenchman finally folds the newspaper again, half-rolling it in one hand. "It is astonishing how thorough they seem. And how thoroughly reported...Thank you." Etienne strolls on a few paces before looking to Moua Tou again. "How long have these 'demons' or men been doing this? When did the first reports begin? And where?"<br/><br/><div class="spoiler_container"><div class="spoiler_header" onclick="hideSecond (this);" role="button">Spoiler: Click to Show/Hide</div><div class="spoiler_body">Hopefully noone minds my image-archive raiding. Most Vietnam-era movies I have seen tend to focus on a lot of jungle or river, firebases or the denser parts of cities. One rarely sees local ruins or artworks so I thought I'd muddle along and pick particularly Laotian imagery as the game progressed. If it's a bother, just say so.</div></div>