Felina and<strong>Marion</strong>had discussed extensively about the best way to bind Louise and the young assistant had the whole bondage scheme perfectly clear in her mind. It was a chance as Felina was now quite unable to provide any detailed instructions as she was straining in her unnaturally strict position. Trying to forget that thousands of eyes were directed at her, Marion then moved to Louise, carrying the five pieces of rope and twine they had selected beforehand from the show's stock.<br/><br/>She began by folding and contorting Louise's arms behind her back in the position known as the reverse-prayer: it is a very straining position where the forearms were pressed against each other and up-turned, so that the hands are next to the back of the neck while the elbows are pointing downward. Doubling a long finger-thick rope, she began by coiling its middle around Louise's wrists several time, making sure to make each coil skin-bulging tight, and ending them with a tight knot concealed between her forearms, on the side that was against her back. From there, she moved down the forearms, criss-crossing the two strands of rope, pulling them tighter and tighter as she approached the elbows, knotting them tightly whenever they crossed against her back. Progressively, Louise's forearms were pushed together until they were firmly pressed against each other from wrist to elbow. Marion deftly completed the bondage with a tight knot which she hid in the crease between her elbows, next to her back, in the place she judged would be the most difficult to reach. The rope was now cruelly digging in Louise's arms, causing her flesh to bulge between the narrow-spaced coils of rope.<br/><br/>Marion now turned to the second of the five restraints she was entitled to use. When tying the reverse-prayer, she had made sure that Louise's hands were facing away from each other. She now used a length of twine to bind her fingers together, back to back, each digit being tightly wrapped with the cruelly thing thread against its mate on the opposite hand. Tiny, tight knots at the base of each finger and at mid-height ensured that the coils would not slip. The very tightness of the wrapping was ensuring it too, causing the skin to bulge and turn slightly purple. She had used plastic-fibre string, of the type that tends dishevel itself when pulled on although each fibre is very strong, and whose knots become so impossibly small without offering the least crease to work on that they usually have to be cut rather than undone.<br/><br/><strong>"Pray sit down now,"</strong>Marion gently asked Louise, while lightly pressing on the artist's shoulders.<strong>"And I'm afraid those will have to go,"</strong>she added, removing Lou's pumps, leaving her feet naked.<br/><br/>She grabbed them firmly and pressed them together, sole to sole, forcing Louise to spread her knees wide. Then she began to repeat the work she had done on her prisoner's fingers: each toe was coiled with twine and cinched tight against the one in the opposite foot. Each toe had its own couple of tiny knots and the coils were so tight that the toes were already turning darker.<br/><br/>Now, Marion took a very long length of rope. Reaching into the front of Louise' corset, she pulled her breasts out and began to coil the rope around their bases, individually. She made sure the coils were as tight as possible, causing the breast meat to bulge out firmly and giving Louise magnificent boobs the look of strange, reddish mushrooms. Several knots ensured the coils would not budge. One long strand of rope was coming from the underside of each breast. She pulled them behind and made them cross over the cruelly folded arms, then coiled around them before coming back to the breast bondage. Marion repeated the operation four times, pulling hard the ropes, making sure Louise's arms were firmly pressed against her back. Each coil was tied with a knot where the ropes crossed each other above her arms and to the breast bondage. Finally, the two remaining strands of rope were pulled up over her shoulders and passed through the wrist rope and pulled back down to be tied in the middle of the "rope bra".<br/><br/>Marion took another length of rope and wrapped it cruelly tight around Louise's face, passing behind her neck under her black mane and between her teeth. She wrapped a dozen of coils, each parting the escape artist's jaws further apart and sawing into the corners of her mouth. The bondage assistant finished the work by tying a knot just under Louise's left ear.<br/><br/><strong>"And now for the finishing line!"</strong>Marion said, tantalizingly.<br/><br/>She had already placed all five of the allowed restraints but the rules were allowing her, for each restraint she placed, a 50-cm-long piece of twine that could be used to link that restraint to other ones already placed. Marion tied a slip knot around the the twine cinching Louise's big toes together, making sure the knot was safely hidden inside the entangled web of twine and out of reach. She then pressed on her back, forcing the supple escape artist to bend down at the waist until her face was pressed directly against her own bound feet. Then Marion passed the twine behind her neck, threaded it under the wrist rope a couple of times and then led it back to the big toes, going over the other shoulder. Before tying the knot, she made sure she had removed all the slack and that Louise's face was tightly pressed against her feet, with her nose securely nudged between her own soles.<br/><br/>Marion straightened herself, her fists on her hips, considering her rope work and comparing it to what had been done to her friend. She was rather satisfied with what she saw. Then she turned to Audrey and asked:<br/><br/><strong>"How do you want her to be suspended?"</strong>