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durom.1969.356 | durom.1969.356-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the shape of a 'garlic vase', decorated with underglaze blue pattern in horse and floral design. Export ware. | vases | 青花什锦纹蒜头瓶 | 115porcelain
| Wanli | Zhangzhou | data/processed/OM_images_white/oriental/1969 |
|
durom.2014.1.55 | 2014.1.55 bb.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Dark grey, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | blades | null | 5Flint/Chert
| Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
duruc.2016.44 | duruc.2016.44-tt.jpg | data/raw/images/castle/2016 | A rose bowl with a wire mesh cover that sits on an internal lip. Rim is decorated with a gadrooned border. Inscribed along the base: ’A.I.F.S. 1972’. Two ring handles are attached in the mouth of lion head fittings. Mesh cover is separate from the main body. A.I.F.S. is the American Institute for Foreign Studies. | rose bowls | null | 93metal
| null | null | data/processed/OM_images_white/castle/2016 |
|
durom.1977.82 | durom.1977.82-ll.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | 150wood
| null | Japan (country) | data/processed/OM_images_white/oriental/1977 |
|
durma.2020.3.52 | durma.2020.3.52-bb.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy hinged Headstud (Mackreth's Headstud Type 4) bow brooch dating to the late first or second century AD, part of the Piercebridge River Assemblage. The brooch possesses an integral head loop and extends to flat, rectangular wings which conceal a cylindrical extension plates to secure an axis bar and hinged pin. The pin and axis bar are intact. The wings are decorated with vertical ribs and grooves. The bow is distorted but rectangular in plan, tapering slightly to a forward-facing foot. At the top of the bow is a headstud, with central circular knop. The remainder of the bow is separated into a series of rectangular cells. These are empty or filled with discoloured enamel. The catchplate is trapezoidal and runs nearly the full length of the bow. The brooch measures 55mm in length. The wings measure 19mm in width. The bow at its widest measures 8mm in width and the foot measures 7mm in width. Compare with Butcher and Bayley's Type 149 - a simple hinged Headstud brooch with a fixed headloop (Butcher and Bayley 2004, 165) and Mackreth 2011, Vol. II, 75, no. 11860. Mackreth notes that the 'dating runs from the last quarter of the first century into the second with little sign that any should be dated after 125.'This brooch is distorted and may have been subject to fire or intense heat. | brooches | Headstud (Mackreth's Headstud Type 4) bow brooch | 93metal
| Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2001.121.34 | 2001.121.34.jpg | data/raw/images/oriental/2001 | Colour printed playing card of the 2 in diamonds, with a photography showing a junk on sea in a beautiful background of sunset. | cards | 香港名胜图案扑克牌 | 47cards
| null | Hong Kong | data/processed/OM_images_white/oriental/2001 |
|
durom.1969.474 | 1969.474-bb.jpg | data/raw/images/oriental/1969 | Lacquer box with cover in the shape of a peach, richly decorated with carved patterns. Cover, a 'Chun' (春, spring) character in the centre of the box; the centre of the upper part of the character is decorated with the figure of Shou Xing (or Shou lao, Taoist god of longevity) sitting under a pine tree in a rockery scene, the scene is enclosed in a circle. The stroke of the Chun character is filled with repeating trellis patterns. On both sides of the Chun character, a five-claw dragon facing towards the character. Below the Chun character, there is a large basin containing the Eight Emblems. The emblems are a mixture of the Eight Buddhist Emblems, the Eight Precious Things, and some folk auspicious emblems, arranged in a symmetric order. Centred at the Entrails, the Chakra, and the Cash coin, the sequence of the emblems are: the Rhinoceros Horn, the Ruyi lappet, the Book (Scroll), the Coral, the Open Lozenge, another Ruyi Lappet and another Rhinoceros Horn, another two Cash Coins, and the Castanets. The background of the cover is carved with clouds, edged with a border of classic scroll patterns. On the sides of the cover and on the exterior sides of the box, sprays of peaches on a floral background. The body of the peaches are fillled with different trellis pattern grounds. The lacquer of the box has five coloured layers, the surface layer red and the followings are black, brown, purple, and the base layer is brownish-orange. The base layer on the cover is also carved with geometric, striation, and Swatiska patterns at different places. The interior of the box and cover and the base of the box are covered with black lacquer. The box is partly chipped. | Box | 剔彩锦地八宝纹春字桃形盖盒 | 84lacquer
| Qianlong | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1995.85 | 1995.85-uu.jpg | data/raw/images/oriental/1995 | Grey and brown nephrite jade in the shape of a crawling dog with a hole in the mouth. | Pendant | 白玉犬形佩 | 96nephrite
| early Song Dynasty | China | data/processed/OM_images_white/oriental/1995 |
|
durom.2014.317 | 2014.317 uu.jpg | data/raw/images/oriental/2014 | Modern Sarawak tall white ceramic vase with a moulded raised decoration. The vase shows a man squatting in front of a traditional long house holding a blow pipe to his mouth, a basket on his back, a head-hunter's sword at his hip and a small container for the darts near to the sword. He has elongated earlobes and the short crop hair that is typical of the Sarawak tribes. There is a slightly flared rim and the body tapers down into a flat base. There is a seam line running through the vase, possibly where two smaller vases have been stitched together to create this taller example | vases | null | 115porcelain
| null | Miri | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.467 | 2014.467-bb.jpg | data/raw/images/oriental/2014 | Red square shawl with a printed design on the surface. The decoration consists of a central cream coloured square with soft corners and a border of flowers and foliage. In the centre of the square are small yellow and red dots with radiating lines around the edges of the dots. Outside of this square is a plain section that leads to an inner border of elaborately stylised floral and foliage designs. The outer border consists of red ovals with interwoven and overlapping lines near to the edges. | shawls | null | 60cotton
| null | India | data/processed/OM_images_white/oriental/2014 |
|
durom.1968.74 | 1968.74.a-b-d2.jpg | data/raw/images/oriental/1968 | carved ivory two piece pocket shrine,one half showing a figure of Buddha, the other half showing a lotus flower.Exterior carved with flowers & chinese characters. | shrines | null | 80ivory
| Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
|
durom.1971.200 | 1971.200-bb.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 43bronze
| Late Period | Egypt | data/processed/OM_images_white/egyptian/1971 |
|
durom.1960.1129 | durom.1960.1129-bb.jpg | data/raw/images/oriental/1960 | Monkey on the back of a resting horse. | figures | null | 133soapstone
| null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1969.15 | 1969.15-d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl of Bo shape, decorated with yellowish green glaze, Yue-type ware. | bowls | 越窑系青釉钵 | 137stoneware
| Tang | Hengyang | data/processed/OM_images_white/oriental/1969 |
|
durom.1970.106.13 | 1970.106.13 tt.jpg | data/raw/images/oriental/1970 | Saucer from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the saucer have a ribbed design and a small foot on the base | saucers | null | 115porcelain
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1970 |
|
durom.2014.407 | 2014.407.jpg | data/raw/images/oriental/2014 | A metal pendant consisting of a sturdy metal ring. Attached to the metal ring there are six silver chains, at the end of each one there is a small silver engraved disc, similar to a coin. The engravings have worn away. On one of the discs, written in a white pen, is C9. | Pendant | null | 93metal
| null | West Asia | data/processed/OM_images_white/oriental/2014 |
|
durom.2003.1.2 | 2003.1.2 d1.jpg | data/raw/images/oriental/2003 | Detached section from silver belt (2003.1.1) consisting of two short sections made of links, joined by a longer plain solid section. | belts | null | 93metal
| null | Laos | data/processed/OM_images_white/oriental/2003 |
|
durom.1991.8 | 1991.8.1.jpg | data/raw/images/oriental/1991 | null | Screen | null | 150wood
| Joseon Dynasty | Korean peninsula | data/processed/OM_images_white/oriental/1991 |
|
eg732 | eg732-r159.1946-d2.jpg | data/raw/images/egyptian/eg | Cartonnage mummy mask, made from plaster soaked linen. Anthropoid in form, the mask comprises of a nemes headress, face, collar and some shoulder plates. The headress is higly decorated, the crown back and sides are decorated with a winged vulture design, possibly Mut but probably Nekhbet.The body is decorated with a bead netting design and the wings are of the usual polychrome variety. Beneath the vulture figure the rest of the wig is decorated with concentric rings of flowers, lotus and scarab designs.The headress continues down the face in a vertical striped pattern, consisting of alternating dark and light blue strips.The terminals of the wig are decorated by another flower motif. The face of the mask is gilded, the eyes and eyebrows are depicted in black (on white for eyes) and are in reasonable condition, the nose remains and is in good condition. The ears and lips are present also but are not highlighted in any way, the ears are perhaps a little crude. Beneath the face the neck is decorated with a bead collar, depicted in a blue, red and white isometric design. The collar also has two falcon terminals, both are distinct one represents Horus and the other Sokar. The remaining shoulder areas are covered in a bead netting design which is mirrored in the vulture figure. Overall the piece gives a sense of femininity, the size and design may well mean it was for a woman. Condition, the piece is very badly damaged and extremly fragile the rear of the piece was only briefly examined for this reason. A large part of the right hand side of the headress is missing. This has also led to a large crack in the face, again right side. The piece is also extensively chipped and in need of conservation. | masks | mummy mask | 90linen
| Ptolemaic Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.201 | durom.1969.201-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the form of Changjing ping (long-neck vase), covered with finely crazed greyish blue glaze or tianlan (sky-blue) glaze in imitation of the Song dynasty Ru ware. Under the base, a 6-character mark of Qianlong reign. | vases | 乾隆款仿汝釉撇口长颈瓶 | 115porcelain
| Qianlong | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1949.5 | 1949.5-tt.jpg | data/raw/images/oriental/1949 | pinkish pottery dish | dishes | null | 116pottery
| null | South Asia | data/processed/OM_images_white/oriental/1949 |
|
durma.2020.3.182 | durma.2020.3.182.ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy pin dating to the Roman period, part of the Piercebridge River Assemblage. The pin possesses a circular-section stem which tapers to a point at one end. At the other, the stem is decorated with five disc and groove mouldings, before terminating in a small, sub-conical head. The pin measures 118mm in length and has a maximum diameter of 4mm. The pin forms part of Cool's Group 5 (Simple Grooved heads) which have been found in contexts dating from the late first to the fourth century AD. However, its appears that their greatest period of popularity was the second century AD (Cool 1990, 157 and Fig. 4, no. 10). | pins | null | 58copper alloy
| Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
eg1605 | eg1605-d8.jpg | data/raw/images/egyptian/eg | Isis holding Infant Harpocrates. Seated on her lap. She wears crown of ureaus and sun disc. He has sidelock. Quite detailed for size. Seated on throne | Human Figurine | isis and horus figurine | 136stone
| Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1961.10 | 1961.10-d2.jpg | data/raw/images/oriental/1961 | Large porcelain punch bowl, decorated with overglaze enamel colours Wucai (five-colours) style, export ware. Inside, a border of trellis pattern under the rim; centre of well, a Chinese Rose. Exterior, a garden scene with two goats, a pine tree and a spray of Chinese Rose. Part of the glaze is torn off and the colour of paste is dull. | punch bowls | 五彩富贵吉祥纹碗 | 115porcelain
| Qing | Jingdezhen | data/processed/OM_images_white/oriental/1961 |
|
durom.1980.35 | 1980.35-ff.jpg | data/raw/images/oriental/1980 | Possibly Japanese. As the dragon decoration has three claws while Chinese dragons have been four or five claws since the Ming dynasty. Chineses three-claw dragon has been rarely seen since Ming dynasty. | Box | 玳瑁雕描金龙纹盒 | 129shell
| Qing | Japan (country) | data/processed/OM_images_white/oriental/1980 |
|
durom.2013.63 | 2013.63.6-uu.jpg | data/raw/images/oriental/2013 | PSY's 6th album EP CD in a cylindrical cardboard box with separate lid and art cards relating to each song._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.1: Box base. The box base is decorated with metallic foil paper in blues, reds, and silver. The base of the box is on a raised rim and has a cartoon image of artist PSY as a mermaid above a printed track list, authenticity sticker and credits. The outside rim of the base piece has the tracks listed again and two 'no fishing' signs along with cartoon bubbles. On the inside of this piece, there is a plastic holder for the CD which is sunken below the join line._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.2: Box Lid. The lid is also decorated in metallic silvers, blues and reds. The top of the box has a raised rim and in the centre has an image of the artist, PSY, as a cartoon mermaid in front of a large wave, there is also a small depiction of YG Entertainment CEO Yang Hyun Suk in the middle, floating in an inflatable ring. The side of the lid is decorated with portholes which reveal glimpses to male and female PSY mermaids. The inside of the box is matt white cardboard, with the top inside of the lid being decorated in a blue cardboard, a cartoon picture of PSY and the track list._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.3: CD. The CD has the motif of mermaid PSY with a wave design printed onto the disc. The album title and artist name: 싸이6 甲 is printed at the bottom centre. Along the circumference is the copyright and record label information._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.4: Cardboard artwork disc for the 1st track 'Blue Frog feat. G-Dragon'. The artwork is a cartoon representation of PSY wearing a bowtie as a sea monster shooting purple lasers from his eyes. In the background is a large wave with the CEO of YG entertainment in a rubber ring and in the foreground are skyscrapers and a character with red hair and a finger on fire (probably G-Dragon). The reverse is lyrics for the song [see inscriptions/marks]._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.5: Cardboard artwork disc for the 2nd track 'Passionate Goodbye feat. Sung Si-Kyung'. The artwork is a cartoon representation of PSY and Sung Si-Kyung in the foreground in front of a sunset over the sea. In the sea, the CEO of YG entertainment is floating on a rubber ring. The words 'Hot Goodbye' are in a bold yellow font. The reverse has lyrics for the song [see inscriptions/marks]._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.6: Cardboard artwork disc for the 3rd track 'Gangnam Style'. The artwork is a cartoon representation of PSY wearing white trousers and a brown low cut top at a gig with the words 'Gangnam Style' written in a bold yellow font above. One of the partiers depicted is CEO of YG entertainment and possibly G-Dragon. The reverse has lyrics for the songs [see inscriptions/marks]._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.7: Cardboard artwork disc for the 4th track 'Year of 77 feat. LEESANG and Kim Jin-Pyo'. The artwork is a cartoon representation of PSY (2nd from right) with kneeling on the floor with Members of LeeSsang (Kang Hee-gun left, and Gil Seong-joon second left) and Kim Jin-Pyo (right) all of which are wearing black suits and ties. Additionally, PSY is holding a red laser pen light, possibly referencing film 'Men in Black'. Above this image is the word '77' in bold yellow font. The reverse has the lyrics for the song [see inscriptions/marks]._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.8: Cardboard artwork disc for the 5th track 'What Would Have Been feat. Park Jung-Hyun'. The artwork is a cartoon representation of the two artists, with Park wearing a red dress and being held by PSY in front of a house fire. There is a small cartoon at the bottom which shows PSY on a horse and also the CEO of YG entertainment on a horse also. The reverse has the lyrics for the song [see inscriptions/marks]._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.9: Cardboard artwork disc for the 6th track 'Never Say Goodbye feat. Yoon Do-Hyun'. The artwork shows a cartoon of Yoon and PSY wearing red jumpsuits with initialled belts in front of a city-scape where CEO of YG entertainment is holding a parasol. There is a green glow around the two and they are positioned behind bold yellow letters which read 'Never Say Goodbye'. The reverse has lyrics to the song [see inscriptions/marks]._x000D__x000D_
_x000D__x000D_
DUROM.2013.63.10: Cardboard disc. The final cardboard disc lists the credits; one side is laminated, where the other is matt. On both sides are small cartoon drawings of PSY and the CEO of YG entertainment. | compact discs | null | 46cardboard
| Republic of Korea (period) | null | data/processed/OM_images_white/oriental/2013 |
|
durom.1960.2957 | 1960.2957 d1.jpg | data/raw/images/oriental/1960 | umbilic disc | Disc | null | 81jade
| null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1969.220 | 1969.220-d1.jpg | data/raw/images/oriental/1969 | Porcelain bowl, decorated with underglaze cobalt blue. Inside, two pairs of lonicera leaf forming a convex madallion, surrounded by a band of floral scrolls enclosed by double rings, surrounded by another band of heart-shape lonicera entwisted with clover; rim, a band of dangling grape clusters; reverse, a band of key fret, surrounded by rectangular pandels containing flowers; round the rim, classic scrolls intwisted with chysanthumas enclosed by double rings. | bowls | 青花卧足碗 | 115porcelain
| Yongle | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1971.232 | 1971.232.b-d2.jpg | data/raw/images/oriental/1971 | Rectangular sheet of plaited palm fibre, with network of fastenings of twisted palm-fibre rope at two opposite ends. Sheet is patterned with parallel dark bands. Previously catalogued as a Maori hammock, but the material and shape rule out that identification. Possibly a screen? | Screen | null | 101palm fiber
| null | Oceania | data/processed/OM_images_white/oriental/1971 |
|
durom.2014.342.72 | durom.2014.342.72-bb.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 72. Costume of the Bayit woman. Plain white background with central image of a standing woman wearing a purple robe, with white collar and long sleeves with cuffs, the cuffs with green edging covering the hands; the robe fastening in the middle of the front with four gold buttons and decorated with green trim; over the robe a sleeveless long garment in green with medallion pattern and an orange trim over all the edges; brown boots with green trim on the seams and up turned toes showing yellow soles; a cap with brown upturned brim and thin light blue edging, a violet pointed crown surmounted by a red bobble and an ornament; hair divided into two parts and covered with black cloth covers with gold ornaments and yellow trim at the bottom; earrings (probably silver) with rows of chains hanging down from the ears and connected between by two chains under the chin. | prints | null | 103paper
| null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
eg2804.1 | eg2804.1-ll.jpg | data/raw/images/egyptian/eg | Carved coptic cross. The horizontal and lower arms have been carved with scalloped edges and indented border. A diagonal X has been indented into the central body of the cross on both sides. | amulets | cross amulet | 38bone
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1956.yetts39 | durom.1956.yetts39-d1.jpg | data/raw/images/oriental/1956 | Rectangular cream sleeve cuff. Embroidered design of domestic scene, 2 boys, flowers and trefoil border. | cuffs | null | 130silk
| null | China | data/processed/OM_images_white/oriental/1956 |
|
durom.1961.41 | 1961.41-d4.jpg | data/raw/images/oriental/1961 | Small rectangular metal box for ink cakes, with incised peony design. The ink cake is gilt decorated with leaf patterns in low relief, and carved with inscriptions, probably Japanese. | Box | 刻花银盒连墨 | 93metal
| Qing | Japan (country) | data/processed/OM_images_white/oriental/1961 |
|
durom.1969.453 | 1969.453.q2.jpg | data/raw/images/oriental/1969 | Nepalese brass lamp with a figure of Shiva in the centre who appears to be standing on top of a figure of Ganesh. Lotus leaf decoration along the edge of the lamp base. The lamp itself has a fluted design leading up to the lamp bowl. | lamps | null | 41brass
| null | Nepal | data/processed/OM_images_white/oriental/1969 |
|
eg6136 | eg6136-ff.jpg | data/raw/images/egyptian/eg | A replica has been made of this object; the two are stored together in two plastazote cutouts. The replica has the same dimensions as the original object, but is shiny and copper-coloured, while the original is a dull greenish-blue colour. | hooks | hook | 43bronze
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1014 | eg1014-ff.jpg | data/raw/images/egyptian/eg | bone plaque with a curved top and straight bottom. Figure of a man possibly pretending to be a god, facing an image of a cat or dog. Rough surface at the back, with small projections of bone. Inscribed | null | inscribed plaque | 38bone
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
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durom.1960.4e.5 | 1960.4e.5.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a path or road curving away to the right, with a line of trees on both sides. Possibly two figures standing in the bend of the road. | Slide | null | 71glass
| null | England | data/processed/OM_images_white/oriental/1960 |
|
durma.1985.10.1 | 1985.10.1 ff.jpg | data/raw/images/fulling_mill/1985 | 40 x fragments of Pottery. Excavated from Corbridge, deaccessioned and returned to English Heritage in 2016. | sherds | Mixed | 116pottery
| Roman | null | data/processed/OM_images_white/fulling_mill/1985 |
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eg2493 | eg2493-stanton1921.23-bb.jpg | data/raw/images/egyptian/eg | Shu amulet, arms raised like 'ka' spirit. Kneeling, sun disc, beard. | amulets | shu amulet | 67faience
| 26th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
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durom.1960.3789 | 1960.3789 d2.jpg | data/raw/images/oriental/1960 | Flat round disc of brown stone with a central circular hole, one side carved with animals among foliage, the other with dots. | Disc | null | 81jade
| null | China | data/processed/OM_images_white/oriental/1960 |
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durom.1960.3601 | durom.1960.3601-uu.jpg | data/raw/images/oriental/1960 | Cylindrical jade container with detachable lid and a purple cord than runs through the centre of both objects. The side of the container has raised decoration and there are geometric designs inscribed on the sides of the lid and base. | containers | null | 81jade
| null | China | data/processed/OM_images_white/oriental/1960 |
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eg1449 | eg1449-n2053-uu-pc6.jpg | data/raw/images/egyptian/eg | travertine cylider vessel inscribed with name of pepi I/merire and recording his heb-sed festival. Flat base, flaring sides, wide flat rim. | jars | heb sed vessel | 146travertine
| Pepi I/Merire | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg535 | eg535-d2.jpg | data/raw/images/egyptian/eg | stick shabti: mummiform with bold, black details and a short haircut | ushabti | shabti | 139sycamore
| 17th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2013.201.2 | 2013.201.2.jpg | data/raw/images/oriental/2013 | Colourful, wooden chopsticks with a painted on squirrel design at the tips. Cream coloured tips with small squirrels, strawberries and flowers to decorate. | chopsticks | null | 150wood
| Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1960.902 | 1960.902-q1.jpg | data/raw/images/oriental/1960 | Warrior, seated, small, fierce-looking, with an attendant standing to his right. | figures | null | 133soapstone
| null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1969.197 | durom.1969.197-h2.jpg | data/raw/images/oriental/1969 | Porcelain plate, covered with yellow glaze. The base is inscribed with a 6-character Zhengde mark; one stroke of the character 'Ming' is missing; there are traces of brown enamels under the ring foot;possibly modern. | dishes | 正德款黄釉盘 | 137stoneware
| Zhengde | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
eg1802 | eg1802-u565-ff.jpg | data/raw/images/egyptian/eg | figurine of a king as a child, naked apart from a sash (incised with an inscription), necklace and crown. The left arm is missing. | Human Figurine | king figurine | 43bronze
| Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
duruc.2017.110.3 | duruc.2017.110.3ff.jpg | data/raw/images/castle/2017 | A turn of the century (2000) watercolour painting on paper of the Great Hall, by the artist Dennis Roxby Bott. In the foreground of the painting wooden tables with red-backed chairs are set in rows in perspective, from the far-left and far-right hand side of the painting, respectively. To the far-left of the painting, behind the tables and chairs, a large red fireplace is set against the wood-panelling on the walls. Above the fireplace is the wooden coat of arms of Lord Bishop Crewe. In the mid-ground of the painting there are three students sat around one of the tables in the centre. To the left-hand side there are three arched windows, set against the wall and the wood panelling. Above the Great Hall in the centre, the wooden beams and buttresses of the roof are visble. In the centre of the background of the painting is the north window, built to commemorate the fiftieth anniversary of the founding of the university. Surrounding the window on the left and right hand side there are 5 portraits hung on the wood panelling and walls. There are a futher 4 portraits hung on the left-hand side of the painting, and another 6 on the right-hand side; with 15 paintings in total. High table is just visible in the centre of the background, behind the rows of tables and below the north window. The painting is signed in the bottom left-hand corner. _x000D__x000D_
_x000D__x000D_
This painting is one of a set of three that were commissioned from Dennis Roxby Bott and painted in June 2000. They feature paintings of the Keep, the Courtyard and the Great Hall, and a limited run of 350 prints were made of each painting._x000D__x000D_
_x000D__x000D_
Dennis Roxby Bott was born in London 1948 and lives in Horsham, West Sussex. He studied at Colchester School of Art, Norwich School of Art and Keswick Hall, Norwich and uses watercolour to depict his wide range of subject matter. He was elected an Associate of the Royal Watercolour Society in 1981 and a full member in 1983._x000D__x000D_
Architecture and the man-made environment have been the inspiration for many of Dennis' paintings. He has had many exhibitions at galleries throughout England and is a regular exhibitor at the Royal Watercolour Society spring and autumn exhibitions at the Bankside Gallery, London. His work has been commissioned by the National Trust, the wardroom of the Royal Yacht Britannia and Sotheby's, as well as by many other private clients. His paintings are widely represented in public and private collections including the Towner Gallery, Eastbourne, Brighton Museum and Hove Museum. _x000D__x000D_
| paintings | null | 103paper
| 21st century | null | data/processed/OM_images_white/castle/2017 |
|
durom.1967.18.23 | durom.1967.18.23-bb.jpg | data/raw/images/oriental/1967 | A plate fragment, orange red in colour. Throwing lines are visible on both interior and exterior surfaces. | Plate | null | 116pottery
| Iron Age | Jerusalem | data/processed/OM_images_white/oriental/1967 |
|
durom.2006.53 | 2006.53-d22.jpg | data/raw/images/oriental/2006 | Model of a Japanese house with interior accessories including kitchen utensils, food and pictures. | houses | null | 150wood
| Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2015.175 | 2015.175 d1.jpg | data/raw/images/oriental/2015 | A garment, called riha (probably), a part of traditional Assamese dress, mekhela chador. One sided long scarf like garment of gold woven silk material with borders along the length of the object decorated with thin silk stripe in slightly different gold hue as the rest of the material. Edges along the width decorated with a wide line of pulled thread work between small woven sections, before finishing in a fringe of thread. Next to it is an embroidered pattern of cotton (probably) threads comprising of red lines running across the weave, between which is a pattern of orange, blue, yellow and green dashes. The riha is worn to cover the breast area, nowadays fitted blouses are used instead._x000D__x000D_
The garment is a part of Assamese dress together with other objects DUROM.2015.173, DUROM.2015.174 | clothing | null | 130silk
| null | Assam State | data/processed/OM_images_white/oriental/2015 |
|
durom.2013.43 | 2013.43.8.jpg | data/raw/images/oriental/2013 | Six panelled half height screen. The frame of the screen is made from a light-weight wooden frame which has been varnished in a dark brown. The outside / reverse backing of the end panels is a black material and the centre panels have a green material backing. The corners of the frame have silver metal cornices and silver pin heads are practical decoration on each piece. The inside/ front of the screens when opened are lined with a green fabric which acts as a border. Additionally, each panel has a thin yellow material border and there is also a cream material border around each individual image. The images are ink paintings on Hanji paper and each has an accompanying inscription which is probably a poem painted to the right alongside the images. With each inscription there are two red seal marks and an unusual seal in the shape of a feather. Although all the images are of a scholarly theme and set in nature, each is different, right to left these images are of:_x000D__x000D_
Rocks and a lakeside painted in green and brown ink_x000D__x000D_
Fishermen on boats with trees painted in blue, orange, and green_x000D__x000D_
Birds flying over mountains and the sea painted in black ink_x000D__x000D_
View of a misty hillside with trees painted in brown, black, and green_x000D__x000D_
A traditional 'Hanok' house on a mountain painted in orange and green_x000D__x000D_
A traditional 'Hanok' house on a lakeside painted in blue, green, and orange_x000D__x000D_
A monastery on top of a mountain with a sail boat in the foreground painted in blue, green and orange_x000D__x000D_
A pagoda and a sunset painted in blue and orange | Screen | null | 150wood
| Republic of Korea (period) | Korean peninsula | data/processed/OM_images_white/oriental/2013 |
|
durom.1981.45 | 1981.45.jpg | data/raw/images/oriental/1981 | Lantern slide of spring view of Arashiyama, near rapids, Hozu river (or Oi River?), Kyoto. | Slide | null | 71glass
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1981 |
|
durom.1974.132 | 1974.132 d1.jpg | data/raw/images/oriental/1974 | Ban-chieng vase, painted earthenware, low-fired neolithic ware. | vases | null | 116pottery
| Neolithic Period | Thailand | data/processed/OM_images_white/oriental/1974 |
|
durom.2013.204 | 2013.204 d2.jpg | data/raw/images/oriental/2013 | Red and blue plastic chopsticks within a clear plastic holder. At the end of the chopsticks there are some protrusions which allow the item to be clipped underneath the other chopstick - reminiscent of Lego. The item is within a sealed cellophane bag | chopsticks | null | 111plastic
| Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1969.207 | 1969.207-tt.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered on the exterior sides with Jihong glaze, which is brownish tinged where it runs thin under the rim, and is deep where it runs thick around the ring foot. The palm eyes are less obvious under the rim where the red glaze is thin. | bowls | 雍正款霁红釉撇口碗 | 115porcelain
| Yongzheng | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
eg2091 | eg2091-tt.jpg | data/raw/images/egyptian/eg | Striding Thoth, back against pillar, Ibis head. Feet lost. Turquoise faience discoloured brown, kilt, hands clenched by sides | Human Figurine | thoth as ibis figurine | 67faience
| Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg493 | eg493.ll.jpg | data/raw/images/egyptian/eg | excellent quality dyad of Amenhotep I and Queen Ahmose Nefertari in black steatite, head of Amenhotep I missing. Inscription giving names, titles and epithets on corresponding back pillars. A plaster head has been made from the original head which belongs to a private collection in Brussels | statuettes | dyad of Amnehotep I and Queen Ahmose Nefertari | 26Steatite/Soap Stone
| 19th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1972.6.17 | 1972.6.17.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. River rapids flowing past steeply sided mountains. | photographs | null | 103paper
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.1960.3198 | 1960.3198-d2.jpg | data/raw/images/oriental/1960 | snuff bottle,flattened and ovate, painted inside and white line round it, carved with a seascape. Pink amethyst stopper, with ivory and paper snuff spoon. Wooden stand. | snuff bottles | null | 29agate
| Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2002.7 | 2002.7 uu.jpg | data/raw/images/oriental/2002 | Celadon green ewer with fluting and floral displays, Mughal style. | ewers | null | 81jade
| Qing | Asia | data/processed/OM_images_white/oriental/2002 |
|
durom.1991.167 | 1991.167-ff.jpg | data/raw/images/oriental/1991 | Wooden sign board, carved and painted with three Chinese characters "Bi Xun Zhai", literally, Hall of Green Water, and a calligrapher's signature and seal. Probably used at the door of a shop, studio, or house etc. | signboards | 匾额 | 150wood
| null | Korean peninsula | data/processed/OM_images_white/oriental/1991 |
|
eg578 | eg578 ff.jpg | data/raw/images/egyptian/eg | Painted false door stela with raised relief representations and incised inscriptions, in three main registers. In the upper register there is a winged sun disc with pendent uraei over the cartouche of Senwosret III (Khakaure). On the left is Osiris and on the right is Wepwawet, both extending ankh-signs towards the cartouche. The middle register depicts the stela owner, the Hall Keeper of the Palace, Senwosret-ankh sitting on the left hand side, a child under the chair, facing his mother Kutep who also has a child under her chair. Between them is a loaded offering table and the offering formula above. The third register depicts members of Senwosret-ankh's family: a couple either side of an offering table, a kneeling man, and another man seated before an offering table. Smaller figures of family members have been added in sunken relief below, originally painted blue. | stelae | Funerary stela | 89limestone
| Senwosret III/Sesostris III/Khakaure | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2015.340.2 | durom.2015.340.2-uu.jpg | data/raw/images/oriental/2015 | This item is a cylindrical tube with a mottled black and cream decoration with a band of 3 Japanese Kanji symbols in the centre of the exterior. Within the tube are two documents and a wooden cylindrical stick to wrap the documents around. | tubes | null | 47cards
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durom.1960.1510 | 1960.1510 d2.jpg | data/raw/images/oriental/1960 | small disc, 2 dragons carved on one side and an inscription on the other, centre perforation. | Disc | bi | 81jade
| null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3099 | 1960.3099-d4.jpg | data/raw/images/oriental/1960 | Jade sword guard; the upper edge has square shoulders, the sides slope gently outwards, while the two lower edges turn inwards to a central point; both sides are decorated with incised pattern of Animal Mask motif. | Sword Guard | 兽面纹玉琫 | 81jade
| Warring States | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1953.50 | 1953.50-tt.jpg | data/raw/images/egyptian/1953 | Pale green faience frog on a round base with a heiroglyph on the underside. Pierced horizontally. | amulets | Frog amulet | 67faience
| null | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.1962.256 | 1962.256l.jpg | data/raw/images/oriental/1962 | Painting illustrating Jain mythology, showing the 12 yakṣīs or female deities corresponding to Jinas No. 1 to 12. Yakṣīs are the female counterparts of yakṣas (see 1962.246 and 1962.258). Each Jina is attended by one yakṣa and one yakṣī. The sheet is divided into 12 compartments each containing an image, with an inscription in devanagari script above each image, giving the name of the deity. The images show, from top left: An 8 armed goddess riding a green-skinned anthropomorphic, winged and bird-headed figure. A 4 armed goddess holding a snake seated cross-legged in front of a bolster on a mat. A 4 armed goddess riding a goat (?). A grey-skinned, 4 armed goddess sitting cross-legged in a lotus flower, holding a lotus flower and a snake. A yellow-skinned, 4 armed goddess sitting cross-legged in a lotus flower, holding weapons. A blue-skinned, 4 armed goddess riding on a man's back. A yellow-skinned, 4 armed goddess riding an elephant. A yellow-skinned, 4 armed goddess sitting cross-legged in a lotus flower, holding weapons. A 4 armed goddess riding a bull. A blue-skinned 4 armed goddess sitting cross-legged on a mat, holding a snake and weapons. A 4 armed goddess riding a tiger. A blue-skinned 4 armed goddess riding a horse. The figures are on backgrounds which vary in the detail but consist of a patterned area on which the figure is placed, with a balustrade behind, and a suggestion of a green landscape and clouds behind the balustrade. | Miniature Painting | null | 46cardboard
| 19th century | Jaipur District | data/processed/OM_images_white/oriental/1962 |
|
durom.2006.45.133 | 2006.45.133.jpg | data/raw/images/oriental/2006 | Black and white photograph of trees and bushes. | photographs | null | 107photographic paper
| null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
durom.1972.58 | 1972.58 tt.jpg | data/raw/images/oriental/1972 | slender pottery funerary jar | jars | null | 116pottery
| null | Syria | data/processed/OM_images_white/oriental/1972 |
|
durom.1960.3690 | 1960.3690-ff-1.jpg | data/raw/images/oriental/1960 | carved with 3 fishes in water on the front, inscription at the back. | Seal | null | 133soapstone
| Qing | China | data/processed/OM_images_white/oriental/1960 |
|
eg1282 | eg1282-587-ff.jpg | data/raw/images/egyptian/eg | figurine of sokar, memphite god of the dead, in the archaic hawk form, in plastered and painted wood, mounted on a modern wooden base (42 x45 x 130mm). The body is red, the head black, and the face and front white. Eyes and beak marked in black. Originally from a coffin or shabti box? | Animal Figurine | sokar or archaic hawk figurine | 150wood
| 3rd Intermediate Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1992.4 | 1992.4 d3.jpg | data/raw/images/oriental/1992 | Bronze ritual vessel in the form of Gui. On rim of body, a decorative band with an ox mask in the middle and Dragon pattern of Kui type on the sides; on the belly, Animal mask; on the ring foot, also Animal mask; top of the two handles are carved in the shape of a dragon head; inside bottom, inscripted with 36 characters. Probably late reproduction. | vessels | 兽面纹簋 | 43bronze
| early Western Zhou dynasty | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1960.4202 | 1960.4202-d6.jpg | data/raw/images/oriental/1960 | Xian seal, surmounted by a humped dragon. Relief legend " Get rid of diseases, be in good health, and have a long and peaceful life". This legend is after an early jade seal from Qin (221-207 BC), published in Jigu Yinpu, vol. 1, compiled by Gu Congde in 1575. | Seal | null | 44burnt jade
| late Ming dynasty | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2014.405 | 2014.405.jpg | data/raw/images/oriental/2014 | A silver coloured necklace, decorated with irregular shaped orange stones hanging from it. A pendant in the shape of an upside down teardrop also has the orange stones hanging off it, and small circular metal discs. In total there are eleven of the beads and nine metal discs. | necklaces | null | 93metal
| null | West Asia | data/processed/OM_images_white/oriental/2014 |
|
durom.2009.8 | 2009.8-u1.jpg | data/raw/images/oriental/2009 | Brass handwarmer . | Handwarmer | 铜手炉 | 41brass
| null | China | data/processed/OM_images_white/oriental/2009 |
|
durom.1965.32 | 1965.32 rr.jpg | data/raw/images/oriental/1965 | Repousse brass talisman box, card-case shaped. Inscribed with 10 Indian letters which formed a spell. Protection symbol. Once worked as a hinged object, but the hinge is now broken | Box | null | 41brass
| Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
|
durom.1960.1231 | 1960.1231-d2.jpg | data/raw/images/oriental/1960 | Coconut carving of a miniature teapot, decorated with carved figurine design. The teapot is carved out of a small coconut; the spout and the handle are carved seperatedly and adhered to the body. The exterior of the teapot is carved with figurines under pine trees: one side, a boy riding a bufalo, and two persons standing aside; the other side, a man sitting under a pine tree, caring for tw baskets, a man standing next to him, holding a bird, and there is a boy attendant standing behind the man. The lid of the teapot is carved with gourd vine. On the body there are two inscriptions of a company and a date. | teapots | 至洽公司款椰壳雕人物图壶 | 56coconut
| Qing | China | data/processed/OM_images_white/oriental/1960 |
|
eg179 | eg179-xray1.jpg | data/raw/images/egyptian/eg | This faience mummiform shabti wears a striated Tripartite wig and has a wesekh collar around the neck. The hands are crossed opposite, the right hand holds a hoe and a cord to a round bottomed seed bag with crossed fibres on the back. The left hand holds a pick. There is one vertical column of incised text down the front. There is a back pillar and there may have been a base but the foot is missing. The hands and part of the pick are chipped off, the hoe is rough, chin and nose are also chipped. The foot looks as though it had been previously mended but the foot piece is now missing. The face has been previously broken and fixed. The wig fits with Schneider's type 38, the hands type 30 and text position 7a. | ushabti | shabti | 67faience
| 26th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1973.47 | 1973.47.59.jpg | data/raw/images/oriental/1973 | Bound volume of photographs of Japan, cover page and first page missing. Black and white photographs on numbered pages interleaved with pages with Japanese characters in red. | photograph albums | null | 103paper
| Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.2014.67 | durom.2014.67.12.jpg | data/raw/images/oriental/2014 | A Japanese book of China's Traditional Festivals, which opens in the traditional Japanese way from the back to the front. The book is bound in a brown cotton cover with a column of Japanese text on the left side of the cover. The inside pages of the book have a mixture of Japanese script on the first half of the page, with an English translation underneath and the double pages have an illustration printed on paper with a silk backing adhered to the paper of the book. The introductory page is a summary of the books contents. The ten festivals are:_x000D__x000D_
_x000D__x000D_
1. Yuan-Tan (New Year) Greetings. Japanese text above an English translation on the right side and on the left is an image of four children lighting firecrackers in front of a traditional Chinese house which is decorated with red lanterns. There are two men bowing to each other in the centre of the image_x000D__x000D_
_x000D__x000D_
2. Lantern-show in Shang Yuan Festival. Japanese text above an English translation on the right side and on the left is an image of a procession of men carrying a blue dragon on sticks with a red face. Two men are in front of the dragon one holding a pink flag with Chinese script on and the other holding a pearl of wisdom_x000D__x000D_
_x000D__x000D_
3. Cleansing Tombs around Ching Ming Festival. Japanese text above an English translation on the right side and on the left is an image of a man praying in front of a white plaque or gravestone with Chinese text on. There are offering in front of the stone of food and candles with a red and yellow basket to the left of the man. There are two small children in the scene; a girl sweeping away leaves and a boy lighting a fire. The scene surrounding the people is mountainous with trees interspersed amongst the people and other tombs_x000D__x000D_
_x000D__x000D_
4. Dragon Boat racing in Tuan Yang Festival. Japanese text above an English translation on the right side and on the left is an image of two boats racing each other on a river with mountains in the background. There are two men stood at the front of each boat in front of the rowers; one man has a flag the other holds a yellow ball representing the pearl of wisdom. In the foreground are children and adults cheering on the boats_x000D__x000D_
_x000D__x000D_
5. Chung Yuan Festival in memory of deceased Family Members. Japanese text above an English translation on the right side and on the left is an image of a traditional Daoist shrine with five monks wearing yellow robes stood before an altar. In the foreground a child is burning paper clothing over a brazier and an adult is adding leaves to the flames._x000D__x000D_
_x000D__x000D_
6. 'Enjoying the Moonlight' at Mid-Autumn. Japanese text above an English translation on the right side and on the left is an image of a woman reading a text, whilst lounging on a white tatami couch. Stood next to her is a man wearing a red robe holding a tray of food in his hands. There are two men sat at a white table with writing equipment and books set before them. In the blue sky is a full yellow moon_x000D__x000D_
_x000D__x000D_
7. Going up to Hills on Double-ninth Day. Japanese text above an English translation on the right side and on the left is an image shows four children in brightly coloured clothing flying kites, which include butterfly and dragon designs. They are flying the kites high up on the side of a mountain with swirling clouds depicted around them. White stairs lead up to the terrace that the children are playing on_x000D__x000D_
_x000D__x000D_
8. Thanksgiving for Good Harvests. Japanese text above an English translation on the right side and on the left is an image of a house with traditional screen doors and elderly woman say at a table with two children, one of which is stood on a stool whilst the other stands on the floor next to her. They are kneading small white balls into rice dumplings on a yellow tray on the table. A woman stands on the grass outside the house and has her hands elbow deep in a bowl of white substance. A child is playing with a fishing rod next to her, with what looks like firecrackers attached to the pole. Swirling clouds are present just above the house_x000D__x000D_
_x000D__x000D_
9. Offering to the God of Kitchen for his Blessing. Japanese text above an English translation on the right side and on the left is an image shows a traditional house with screen doors. Inside the house are offerings of food, candles and flowers set out onto a table, with a small brazier just visible in front of the offerings. A man stands near to the entrance with an incense stick, a woman is stood next to him and a small child is kneeling and praying in front of the offering. Garden scene surrounds the outside of the house_x000D__x000D_
_x000D__x000D_
10. Thanks to Heaven in New Year's Eve. Japanese text above an English translation on the right side and on the left is an image of a man and woman bowing next to a small child holding his hands out to a man carrying a bamboo pole on his shoulders with food on trays at each end of the pole. The left of the pole looks to have fruit and the right of the pole looks to have meat and fish attached to the end. The family are stood in front of a house with Chinese text on a red background pasted outside of the doors. Walled off garden scene to the left of the house | books | null | 103paper
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.1964.111 | 1964.111a.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 764(H7-68) Broken flint flake tool, length 5.4 cm., width 1.8 cm., thickness 0.3 cm. Provenance: From debris of West Wall Street, near Block C, House H. | Domestic Equipment and Utensils | flint point | 5Flint/Chert
| null | Egypt | data/processed/OM_images_white/egyptian/1964 |
|
durom.1960.2844 | durom.1960.2844-ss.jpg | data/raw/images/oriental/1960 | surmounted by a tortoise | Seal | null | 81jade
| null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2014.285 | 2014.285 ll.jpg | data/raw/images/oriental/2014 | Tall and narrow bronze ewer with a handle in the form of a person climbing up the side of the piece. The mouth of the ewer is a squashed oval in shape with slightly raised edges at the rim and a pointed spout. The sides of the ewer are decorated with stylised cloud designs on the base, with upside down heart designs at the top of the panel. In the centre are three lines at the top and bottom of the panel with swirls at the base and floral designs at the top. At the upper panel are oval shapes with stylised swirls and foliage decorating the space around the ovals. The handle consists of a naked male with his arms on either side of the neck of the ewer, a bald head, elongated facial features and thin body. There is no maker's mark on the base | ewers | null | 43bronze
| null | Al Ain | data/processed/OM_images_white/oriental/2014 |
|
durom.2013.94.20 | 2013.94.20-ff.jpg | data/raw/images/oriental/2013 | CD of 2NE1's 'Mini Album 2'. In case, with 23 art cards and 2 business cards._x000D__x000D_
_x000D__x000D_
Art card. Image on front shows a large cartoon head of 2NE1 member CL with ginger hair in front of a purple background. The reverse has lyrics for the sixth song 'Don't stop the music' in Korean Hangul and the front image in miniature. | cards | null | 47cards
| Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.53 | 2013.53-2013.110-tt.jpg | data/raw/images/oriental/2013 | Stoneware espresso coffee cup with an elliptical oval shaped plate. The cup is white and has a slightly raised base; on the underside of which is a makers and sellers stamp [see inscriptions/marks]. The handle is divided into two parts, each of which is roughly triangular in shape, the handle tapers to a point at the top. On the outside of the cup is a printed design of a cartoon ram, this design is printed in reverse on either side of the cup. The saucer is decorated with a pink glaze and has a slightly raised, unglazed base. There is also a circular indentation in the top of the plate into which the cup fits. On the underside, there are makers and seller's stamps present [see inscriptions/marks] | Cup And Saucer | null | 137stoneware
| Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2006.45.180 | 2006.45.180.jpg | data/raw/images/oriental/2006 | Black and white photograph of a team of people working at a construction. The photograph was taken in Philippines. | photographs | null | 107photographic paper
| null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
durom.1965.54 | 1965.54 uu.jpg | data/raw/images/oriental/1965 | squat brass box vessel, decorated with key pattern and foliage. For ritual use. Dragon on lid. It would possibly be used to hold rice or blessed rice for use by a Lama or Vajron Master during ceremonies/prayers. | vessels | null | 41brass
| null | Nepal | data/processed/OM_images_white/oriental/1965 |
|
durom.1999.119 | 1999.119-d2.jpg | data/raw/images/oriental/1999 | figure of a dog, with head raised and ears pricked, standing on four legs, its tail curled over its back, wearing a strap harness terminating in a loop on its back, the red pottery covered with traces of an iridescent pale greenish glaze. | figures | 陶犬 | 116pottery
| Han dynasty | China | data/processed/OM_images_white/oriental/1999 |
|
durom.1969.141 | 1969.141-d8.jpg | data/raw/images/oriental/1969 | Porcelain stem cup, covered with Egg-white glaze (luanbai/卵白) on incised pattern of dragon design, Shufu ware (or Luanbai ware). | Stem Cup | 枢府式卵白釉锥花戏珠龙纹高足碗 | 115porcelain
| Yuan dynasty | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1971.232 | 1971.232.b ff ll d12.jpg | data/raw/images/oriental/1971 | Rectangular sheet of plaited palm fibre, with network of fastenings of twisted palm-fibre rope at two opposite ends. Sheet is patterned with parallel dark bands. Previously catalogued as a Maori hammock, but the material and shape rule out that identification. Possibly a screen? | Screen | null | 101palm fiber
| null | Oceania | data/processed/OM_images_white/oriental/1971 |
|
durom.1968.147 | 1968.147-d3.jpg | data/raw/images/oriental/1968 | Porcelain tea caddy with lid, covered in transparent glaze and decorated with underglaze blue colour of lion design. The jar is of a slightly-compressed octagonal shape with the front and back sides wider than the right and left sides. Front and back, a pair of Buddhist lions playing a ball; one lion is bigger and the other is smaller, forming the Tai Shi Shao Shi (太师少师) motif; there are flames around them. The rest of the jar body is decorated with clouds. The lid is round and has an octagonal canopy-shaped top, also decorated with flames and clouds. The base is covered with transparent glaze, whilte the foot is unglazed. | tea caddies | 青花太师少师纹茶叶罐 | 115porcelain
| null | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1974.29.58 | 1974.29.58 d1.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of Padmasambhava in the tantric Yab Yum position with his consort Mandarava. He is seated on top of a lotus throne in the diamond lotus position (the soles of the foot pointing upwards) with Mandarava's legs wrapped around his waist. She is holding a full skull cup in one hand and he is holding a vajra in either hand. The Himalayas are depicted in the background on the right and left of the throne | Woodblock Print | null | 103paper
| null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
eg934 | eg934-qq78206-bb.jpg | data/raw/images/egyptian/eg | miniature false door stela (?) in pale green faience. There is a recumbent lion on the cornice. The front has two registers moulded in raised relief. The upper register has an ankh, a feather and a scarab/khepery-beetle, the lower register a snake, an unidentified object and a blue lotus flower (Nypmphaea caerulea). There is a suspension loop through the cornice. Back and sides are plain. | pectorals | pectoral | 67faience
| Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2014.26 | durom.2014.26-bb.jpg | data/raw/images/oriental/2014 | Ivory figurine of Japanese origin showing a man sat on a rearing horse. The man is wearing a long kimono-style outfit, which has green decorated sleeves, black flower decorations on the leg of the trouser, a blue obi and blue flower decorations on the top half of the kimono. The man has a bald head on most of the scalp, with a black top knot towards the back of the head, His face ears and hands are all clearly depicted and there is a sword underneath his arm on the left side of the body. The horse is dressed in a saddle with green fringing and clearly incised, reigns and saddle bits at the sides. The horse is rearing slightly with one leg curled up in the air underneath the body. The tail and some of the main are painted black as are the eyes on both the man and the horse. The underside of the horse is also depicted, although not well defined. There are two marks painted on the base, which appear to be a makers mark | figurines | null | 80ivory
| Edo Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.1960.2092 | 1960.2092-ll.jpg | data/raw/images/oriental/1960 | Green jade carving in the form of a shoe, probably a brush tray?. | Brush Tray | 青玉鞋 | 81jade
| null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1964.534 | durom.1964.534-rr.jpg | data/raw/images/oriental/1964 | Plain rim sherd of a small shallow bowl, with a flattened base. Interior surface is buff in colour while exterior surface is light grey and buff in color. | bowls | null | 116pottery
| null | Jericho | data/processed/OM_images_white/oriental/1964 |
|
durom.1974.75 | 1974.75.jpg | data/raw/images/oriental/1974 | Tantric painting, one of a set of lingrams. White. | paintings | null | 9Ink and Colour on Paper
| null | India | data/processed/OM_images_white/oriental/1974 |
|
durma.1985.10.11 | 1985.10.11 ff.jpg | data/raw/images/fulling_mill/1985 | 10 x fragments of Pottery. Excavated from Corbridge, deaccessioned and returned to English Heritage in 2016. | sherds | Mixed | 116pottery
| Roman | null | data/processed/OM_images_white/fulling_mill/1985 |
|
durom.1969.145 | 1969.145-d1.jpg | data/raw/images/oriental/1969 | Porcelain spittoon, decorated with green and yellow colours on incised pattern of five-claw dragon design. Part of an imperial service made for the use of the emperor's concubine, see [Notes]. | spittoons | 正德款黄地绿彩锥花戏珠龙纹渣斗 | 115porcelain
| Zhengde | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
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