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|---|---|---|---|---|---|---|---|---|---|
640durom.1971.76
| durom.1971.76-uu.jpg | data/raw/images/egyptian/1971 | isis and horus figurine. Isis has uraeus in centre of horns and sun-disk headdress, left hand on chest, right hand supports infant on her lap, wears dress, infant has side lock of youth; flat | Human Figurine | isis and horus figurine | bronze | Late Period | Egypt |
|
640durom.1971.76
| durom.1971.76-uu.jpg | data/raw/images/egyptian/1971 | isis and horus figurine. Isis has uraeus in centre of horns and sun-disk headdress, left hand on chest, right hand supports infant on her lap, wears dress, infant has side lock of youth; flat | Human Figurine | isis and horus figurine | bronze | Late Period | Egypt |
|
640durom.1971.76
| durom.1971.76-uu.jpg | data/raw/images/egyptian/1971 | isis and horus figurine. Isis has uraeus in centre of horns and sun-disk headdress, left hand on chest, right hand supports infant on her lap, wears dress, infant has side lock of youth; flat | Human Figurine | isis and horus figurine | bronze | Late Period | Egypt |
|
640durom.1971.76
| durom.1971.76-uu.jpg | data/raw/images/egyptian/1971 | isis and horus figurine. Isis has uraeus in centre of horns and sun-disk headdress, left hand on chest, right hand supports infant on her lap, wears dress, infant has side lock of youth; flat | Human Figurine | isis and horus figurine | bronze | Late Period | Egypt |
|
640durom.1971.76
| durom.1971.76-uu.jpg | data/raw/images/egyptian/1971 | isis and horus figurine. Isis has uraeus in centre of horns and sun-disk headdress, left hand on chest, right hand supports infant on her lap, wears dress, infant has side lock of youth; flat | Human Figurine | isis and horus figurine | bronze | Late Period | Egypt |
|
431durom.1966.11
| 1966.11-d5.jpg | data/raw/images/oriental/1966 | The teapot is small and rounded, with a flared, hollow handle which sits at a right angle to the spout. The spout itself is fairly short and where it enters the interior of the teapot there is a bowl-shaped sieve formed with ceramic. The lid and body of the teapot are both decorated with a pattern of banana leaves in blue glaze. The lid also has a thin brown border around its edge and a Grecian-style geometric border around the handle. To the side of the handle is a small hole which pierces through to the other side of the lid. | teapots | null | porcelain | null | Japan (country) |
|
431durom.1966.11
| 1966.11-d5.jpg | data/raw/images/oriental/1966 | The teapot is small and rounded, with a flared, hollow handle which sits at a right angle to the spout. The spout itself is fairly short and where it enters the interior of the teapot there is a bowl-shaped sieve formed with ceramic. The lid and body of the teapot are both decorated with a pattern of banana leaves in blue glaze. The lid also has a thin brown border around its edge and a Grecian-style geometric border around the handle. To the side of the handle is a small hole which pierces through to the other side of the lid. | teapots | null | porcelain | null | Japan (country) |
|
431durom.1966.11
| 1966.11-d5.jpg | data/raw/images/oriental/1966 | The teapot is small and rounded, with a flared, hollow handle which sits at a right angle to the spout. The spout itself is fairly short and where it enters the interior of the teapot there is a bowl-shaped sieve formed with ceramic. The lid and body of the teapot are both decorated with a pattern of banana leaves in blue glaze. The lid also has a thin brown border around its edge and a Grecian-style geometric border around the handle. To the side of the handle is a small hole which pierces through to the other side of the lid. | teapots | null | porcelain | null | Japan (country) |
|
431durom.1966.11
| 1966.11-d5.jpg | data/raw/images/oriental/1966 | The teapot is small and rounded, with a flared, hollow handle which sits at a right angle to the spout. The spout itself is fairly short and where it enters the interior of the teapot there is a bowl-shaped sieve formed with ceramic. The lid and body of the teapot are both decorated with a pattern of banana leaves in blue glaze. The lid also has a thin brown border around its edge and a Grecian-style geometric border around the handle. To the side of the handle is a small hole which pierces through to the other side of the lid. | teapots | null | porcelain | null | Japan (country) |
|
431durom.1966.11
| 1966.11-d5.jpg | data/raw/images/oriental/1966 | The teapot is small and rounded, with a flared, hollow handle which sits at a right angle to the spout. The spout itself is fairly short and where it enters the interior of the teapot there is a bowl-shaped sieve formed with ceramic. The lid and body of the teapot are both decorated with a pattern of banana leaves in blue glaze. The lid also has a thin brown border around its edge and a Grecian-style geometric border around the handle. To the side of the handle is a small hole which pierces through to the other side of the lid. | teapots | null | porcelain | null | Japan (country) |
|
421durom.1965.48
| 1965.48 d2.jpg | data/raw/images/oriental/1965 | Beer can. Large circular body with ornate brass rivets and a circular geometric design. Neck with circular stopper with swirl design. | bottles | baylep | copper | null | Tibet Autonomous Region (China) |
|
421durom.1965.48
| 1965.48 d2.jpg | data/raw/images/oriental/1965 | Beer can. Large circular body with ornate brass rivets and a circular geometric design. Neck with circular stopper with swirl design. | bottles | baylep | copper | null | Tibet Autonomous Region (China) |
|
421durom.1965.48
| 1965.48 d2.jpg | data/raw/images/oriental/1965 | Beer can. Large circular body with ornate brass rivets and a circular geometric design. Neck with circular stopper with swirl design. | bottles | baylep | copper | null | Tibet Autonomous Region (China) |
|
421durom.1965.48
| 1965.48 d2.jpg | data/raw/images/oriental/1965 | Beer can. Large circular body with ornate brass rivets and a circular geometric design. Neck with circular stopper with swirl design. | bottles | baylep | copper | null | Tibet Autonomous Region (China) |
|
421durom.1965.48
| 1965.48 d2.jpg | data/raw/images/oriental/1965 | Beer can. Large circular body with ornate brass rivets and a circular geometric design. Neck with circular stopper with swirl design. | bottles | baylep | copper | null | Tibet Autonomous Region (China) |
|
279durom.1960.3437
| durom.1960.3437-ll.jpg | data/raw/images/oriental/1960 | Vase, square rim, with ring handles. | vases | null | jade | null | China |
|
279durom.1960.3437
| durom.1960.3437-ll.jpg | data/raw/images/oriental/1960 | Vase, square rim, with ring handles. | vases | null | jade | null | China |
|
279durom.1960.3437
| durom.1960.3437-ll.jpg | data/raw/images/oriental/1960 | Vase, square rim, with ring handles. | vases | null | jade | null | China |
|
279durom.1960.3437
| durom.1960.3437-ll.jpg | data/raw/images/oriental/1960 | Vase, square rim, with ring handles. | vases | null | jade | null | China |
|
279durom.1960.3437
| durom.1960.3437-ll.jpg | data/raw/images/oriental/1960 | Vase, square rim, with ring handles. | vases | null | jade | null | China |
|
558durom.1969.391
| 1969.391-tt.jpg | data/raw/images/oriental/1969 | Porcelain teapot decorated with floral designs in san cai (three colours) enamels on biscuit. | teapots | null | porcelain | Kangxi | China |
|
558durom.1969.391
| 1969.391-tt.jpg | data/raw/images/oriental/1969 | Porcelain teapot decorated with floral designs in san cai (three colours) enamels on biscuit. | teapots | null | porcelain | Kangxi | China |
|
558durom.1969.391
| 1969.391-tt.jpg | data/raw/images/oriental/1969 | Porcelain teapot decorated with floral designs in san cai (three colours) enamels on biscuit. | teapots | null | porcelain | Kangxi | China |
|
558durom.1969.391
| 1969.391-tt.jpg | data/raw/images/oriental/1969 | Porcelain teapot decorated with floral designs in san cai (three colours) enamels on biscuit. | teapots | null | porcelain | Kangxi | China |
|
558durom.1969.391
| 1969.391-tt.jpg | data/raw/images/oriental/1969 | Porcelain teapot decorated with floral designs in san cai (three colours) enamels on biscuit. | teapots | null | porcelain | Kangxi | China |
|
782durom.1993.96
| durom.1993.96-rr.jpg | data/raw/images/oriental/1993 | wooden Buddhist 'block' stamp with raised lettering of Budhhist charms, in Chinese characters. Painted black. | Stamp | null | wood | null | China |
|
782durom.1993.96
| durom.1993.96-rr.jpg | data/raw/images/oriental/1993 | wooden Buddhist 'block' stamp with raised lettering of Budhhist charms, in Chinese characters. Painted black. | Stamp | null | wood | null | China |
|
782durom.1993.96
| durom.1993.96-rr.jpg | data/raw/images/oriental/1993 | wooden Buddhist 'block' stamp with raised lettering of Budhhist charms, in Chinese characters. Painted black. | Stamp | null | wood | null | China |
|
782durom.1993.96
| durom.1993.96-rr.jpg | data/raw/images/oriental/1993 | wooden Buddhist 'block' stamp with raised lettering of Budhhist charms, in Chinese characters. Painted black. | Stamp | null | wood | null | China |
|
782durom.1993.96
| durom.1993.96-rr.jpg | data/raw/images/oriental/1993 | wooden Buddhist 'block' stamp with raised lettering of Budhhist charms, in Chinese characters. Painted black. | Stamp | null | wood | null | China |
|
916durom.2013.304
| 2013.304-q3.jpg | data/raw/images/oriental/2013 | Multipurpose piece of acrylic furniture created by Japanese artist Ueno Fukutoshi working in collaboration with kimono designer Akira Isogawa. The piece is designed to be used as a stool, table or storage (multiple units can be stacked together for this purpose). Three slabs of clear acrylic form the top and two sides of the inner section, these are joined by two base pieces to the three larger pieces that form the top and sides of the outer section. The three outer pieces have slots cut in them to reveal a slice of the inner section on each side. Each piece of acrylic is decorated with a bold floral pattern in blue, orange, red, yellow and green which has been printed onto the inner surfaces. The signatures of the two artists are written on the outer piece of one side in black. | stools | null | acrylic | Heisei Period | Australia |
|
916durom.2013.304
| 2013.304-q3.jpg | data/raw/images/oriental/2013 | Multipurpose piece of acrylic furniture created by Japanese artist Ueno Fukutoshi working in collaboration with kimono designer Akira Isogawa. The piece is designed to be used as a stool, table or storage (multiple units can be stacked together for this purpose). Three slabs of clear acrylic form the top and two sides of the inner section, these are joined by two base pieces to the three larger pieces that form the top and sides of the outer section. The three outer pieces have slots cut in them to reveal a slice of the inner section on each side. Each piece of acrylic is decorated with a bold floral pattern in blue, orange, red, yellow and green which has been printed onto the inner surfaces. The signatures of the two artists are written on the outer piece of one side in black. | stools | null | acrylic | Heisei Period | Australia |
|
916durom.2013.304
| 2013.304-q3.jpg | data/raw/images/oriental/2013 | Multipurpose piece of acrylic furniture created by Japanese artist Ueno Fukutoshi working in collaboration with kimono designer Akira Isogawa. The piece is designed to be used as a stool, table or storage (multiple units can be stacked together for this purpose). Three slabs of clear acrylic form the top and two sides of the inner section, these are joined by two base pieces to the three larger pieces that form the top and sides of the outer section. The three outer pieces have slots cut in them to reveal a slice of the inner section on each side. Each piece of acrylic is decorated with a bold floral pattern in blue, orange, red, yellow and green which has been printed onto the inner surfaces. The signatures of the two artists are written on the outer piece of one side in black. | stools | null | acrylic | Heisei Period | Australia |
|
916durom.2013.304
| 2013.304-q3.jpg | data/raw/images/oriental/2013 | Multipurpose piece of acrylic furniture created by Japanese artist Ueno Fukutoshi working in collaboration with kimono designer Akira Isogawa. The piece is designed to be used as a stool, table or storage (multiple units can be stacked together for this purpose). Three slabs of clear acrylic form the top and two sides of the inner section, these are joined by two base pieces to the three larger pieces that form the top and sides of the outer section. The three outer pieces have slots cut in them to reveal a slice of the inner section on each side. Each piece of acrylic is decorated with a bold floral pattern in blue, orange, red, yellow and green which has been printed onto the inner surfaces. The signatures of the two artists are written on the outer piece of one side in black. | stools | null | acrylic | Heisei Period | Australia |
|
916durom.2013.304
| 2013.304-q3.jpg | data/raw/images/oriental/2013 | Multipurpose piece of acrylic furniture created by Japanese artist Ueno Fukutoshi working in collaboration with kimono designer Akira Isogawa. The piece is designed to be used as a stool, table or storage (multiple units can be stacked together for this purpose). Three slabs of clear acrylic form the top and two sides of the inner section, these are joined by two base pieces to the three larger pieces that form the top and sides of the outer section. The three outer pieces have slots cut in them to reveal a slice of the inner section on each side. Each piece of acrylic is decorated with a bold floral pattern in blue, orange, red, yellow and green which has been printed onto the inner surfaces. The signatures of the two artists are written on the outer piece of one side in black. | stools | null | acrylic | Heisei Period | Australia |
|
1,114eg1790
| eg1790-n2003-bb.jpg | data/raw/images/egyptian/eg | wooden, plastered and painted archaic hawk figurine. Eyes are red with black outlines, black beak. Green markings outlined in black around the eyes. Rest of bird is brownish. Plaster is falking off. | Animal Figurine | sokar or archaic hawk figurine | wood | 3rd Intermediate Period | Egypt |
|
1,114eg1790
| eg1790-n2003-bb.jpg | data/raw/images/egyptian/eg | wooden, plastered and painted archaic hawk figurine. Eyes are red with black outlines, black beak. Green markings outlined in black around the eyes. Rest of bird is brownish. Plaster is falking off. | Animal Figurine | sokar or archaic hawk figurine | wood | 3rd Intermediate Period | Egypt |
|
1,114eg1790
| eg1790-n2003-bb.jpg | data/raw/images/egyptian/eg | wooden, plastered and painted archaic hawk figurine. Eyes are red with black outlines, black beak. Green markings outlined in black around the eyes. Rest of bird is brownish. Plaster is falking off. | Animal Figurine | sokar or archaic hawk figurine | wood | 3rd Intermediate Period | Egypt |
|
1,114eg1790
| eg1790-n2003-bb.jpg | data/raw/images/egyptian/eg | wooden, plastered and painted archaic hawk figurine. Eyes are red with black outlines, black beak. Green markings outlined in black around the eyes. Rest of bird is brownish. Plaster is falking off. | Animal Figurine | sokar or archaic hawk figurine | wood | 3rd Intermediate Period | Egypt |
|
1,114eg1790
| eg1790-n2003-bb.jpg | data/raw/images/egyptian/eg | wooden, plastered and painted archaic hawk figurine. Eyes are red with black outlines, black beak. Green markings outlined in black around the eyes. Rest of bird is brownish. Plaster is falking off. | Animal Figurine | sokar or archaic hawk figurine | wood | 3rd Intermediate Period | Egypt |
|
639durom.1971.49
| 1971.49.1-q2.jpg | data/raw/images/oriental/1971 | Ivory casket hinged lid, handles and an ivory base tray, decorated with exquisite carvings of figurines in garden design. Surface of lid, a picture featuring two sections. On the right, a bearded mandarin dressed in Court Attire is seated in the centre of a garden, surrounded by attendants and other officials; behing him there is an arch with a panel saying "Yu Men" (Chinese:禹门, meaning the door of becoming a madarin). On the left, a woman , possibly the mandarin's wife, is seated in the centre of another garden, holding a folded fan; she is attended by a female servant; behind her there is another arch with a panel saying "Hong Ting"(Chinese:洪汀, meaning unknown). The mandarin's figure is exceptionally big comparing to all other figures on. Behind either archs there are pavilions and summer houses. In the foreground, a bridge connects the gardens and many people are walking on the bridge, carrying various belongings such as umbrella, fan, basket, flower, goods etc. By the side of the bridge there is a junk with several passengers and a boatman. In the background above the two gardens there are some other figures: on the right, five figures carrying fan or farming tool; centre, five figures resting near a pagoda; left. three figures sitting by a house. The whole picture is edged with various floral patterns and enclosed in a border of similar floral patterns. Apart from the surface of the lid, the other surfaces of the box provide 16 more panel sections, each bound and decorated with exquisite carvings: the 8 panels around the lid construct into a continuous picture, while the other 8 panels around the body of the casket construct into another continuous picture. The motives for either picture are much similar: they shouw figures in various activities, either boating, walking on a bridge, sitting in a garden or talking to each other. This is a common motif on ivory-carving artefacts produced in Guangzhou (Canton). On the left of the back panel there is a nicely decorated boat which is probably a Flower Boat, which is a type of floating entertainment hub in Guangzhou, see [Iconography]. The casket stands on four legs which are decorated with the head of a lion-like monster. The object is placed in a tray which is made of plain ivory plaques mount with fabrics. The casket has a pair of shinny golden handles (one missing), and the tray also has one. Made for export market. | toilet caskets | 骨雕人物庭院图八方盖匣 | ivory | Qing | Guangzhou |
|
639durom.1971.49
| 1971.49.1-q2.jpg | data/raw/images/oriental/1971 | Ivory casket hinged lid, handles and an ivory base tray, decorated with exquisite carvings of figurines in garden design. Surface of lid, a picture featuring two sections. On the right, a bearded mandarin dressed in Court Attire is seated in the centre of a garden, surrounded by attendants and other officials; behing him there is an arch with a panel saying "Yu Men" (Chinese:禹门, meaning the door of becoming a madarin). On the left, a woman , possibly the mandarin's wife, is seated in the centre of another garden, holding a folded fan; she is attended by a female servant; behind her there is another arch with a panel saying "Hong Ting"(Chinese:洪汀, meaning unknown). The mandarin's figure is exceptionally big comparing to all other figures on. Behind either archs there are pavilions and summer houses. In the foreground, a bridge connects the gardens and many people are walking on the bridge, carrying various belongings such as umbrella, fan, basket, flower, goods etc. By the side of the bridge there is a junk with several passengers and a boatman. In the background above the two gardens there are some other figures: on the right, five figures carrying fan or farming tool; centre, five figures resting near a pagoda; left. three figures sitting by a house. The whole picture is edged with various floral patterns and enclosed in a border of similar floral patterns. Apart from the surface of the lid, the other surfaces of the box provide 16 more panel sections, each bound and decorated with exquisite carvings: the 8 panels around the lid construct into a continuous picture, while the other 8 panels around the body of the casket construct into another continuous picture. The motives for either picture are much similar: they shouw figures in various activities, either boating, walking on a bridge, sitting in a garden or talking to each other. This is a common motif on ivory-carving artefacts produced in Guangzhou (Canton). On the left of the back panel there is a nicely decorated boat which is probably a Flower Boat, which is a type of floating entertainment hub in Guangzhou, see [Iconography]. The casket stands on four legs which are decorated with the head of a lion-like monster. The object is placed in a tray which is made of plain ivory plaques mount with fabrics. The casket has a pair of shinny golden handles (one missing), and the tray also has one. Made for export market. | toilet caskets | 骨雕人物庭院图八方盖匣 | ivory | Qing | Guangzhou |
|
639durom.1971.49
| 1971.49.1-q2.jpg | data/raw/images/oriental/1971 | Ivory casket hinged lid, handles and an ivory base tray, decorated with exquisite carvings of figurines in garden design. Surface of lid, a picture featuring two sections. On the right, a bearded mandarin dressed in Court Attire is seated in the centre of a garden, surrounded by attendants and other officials; behing him there is an arch with a panel saying "Yu Men" (Chinese:禹门, meaning the door of becoming a madarin). On the left, a woman , possibly the mandarin's wife, is seated in the centre of another garden, holding a folded fan; she is attended by a female servant; behind her there is another arch with a panel saying "Hong Ting"(Chinese:洪汀, meaning unknown). The mandarin's figure is exceptionally big comparing to all other figures on. Behind either archs there are pavilions and summer houses. In the foreground, a bridge connects the gardens and many people are walking on the bridge, carrying various belongings such as umbrella, fan, basket, flower, goods etc. By the side of the bridge there is a junk with several passengers and a boatman. In the background above the two gardens there are some other figures: on the right, five figures carrying fan or farming tool; centre, five figures resting near a pagoda; left. three figures sitting by a house. The whole picture is edged with various floral patterns and enclosed in a border of similar floral patterns. Apart from the surface of the lid, the other surfaces of the box provide 16 more panel sections, each bound and decorated with exquisite carvings: the 8 panels around the lid construct into a continuous picture, while the other 8 panels around the body of the casket construct into another continuous picture. The motives for either picture are much similar: they shouw figures in various activities, either boating, walking on a bridge, sitting in a garden or talking to each other. This is a common motif on ivory-carving artefacts produced in Guangzhou (Canton). On the left of the back panel there is a nicely decorated boat which is probably a Flower Boat, which is a type of floating entertainment hub in Guangzhou, see [Iconography]. The casket stands on four legs which are decorated with the head of a lion-like monster. The object is placed in a tray which is made of plain ivory plaques mount with fabrics. The casket has a pair of shinny golden handles (one missing), and the tray also has one. Made for export market. | toilet caskets | 骨雕人物庭院图八方盖匣 | ivory | Qing | Guangzhou |
|
639durom.1971.49
| 1971.49.1-q2.jpg | data/raw/images/oriental/1971 | Ivory casket hinged lid, handles and an ivory base tray, decorated with exquisite carvings of figurines in garden design. Surface of lid, a picture featuring two sections. On the right, a bearded mandarin dressed in Court Attire is seated in the centre of a garden, surrounded by attendants and other officials; behing him there is an arch with a panel saying "Yu Men" (Chinese:禹门, meaning the door of becoming a madarin). On the left, a woman , possibly the mandarin's wife, is seated in the centre of another garden, holding a folded fan; she is attended by a female servant; behind her there is another arch with a panel saying "Hong Ting"(Chinese:洪汀, meaning unknown). The mandarin's figure is exceptionally big comparing to all other figures on. Behind either archs there are pavilions and summer houses. In the foreground, a bridge connects the gardens and many people are walking on the bridge, carrying various belongings such as umbrella, fan, basket, flower, goods etc. By the side of the bridge there is a junk with several passengers and a boatman. In the background above the two gardens there are some other figures: on the right, five figures carrying fan or farming tool; centre, five figures resting near a pagoda; left. three figures sitting by a house. The whole picture is edged with various floral patterns and enclosed in a border of similar floral patterns. Apart from the surface of the lid, the other surfaces of the box provide 16 more panel sections, each bound and decorated with exquisite carvings: the 8 panels around the lid construct into a continuous picture, while the other 8 panels around the body of the casket construct into another continuous picture. The motives for either picture are much similar: they shouw figures in various activities, either boating, walking on a bridge, sitting in a garden or talking to each other. This is a common motif on ivory-carving artefacts produced in Guangzhou (Canton). On the left of the back panel there is a nicely decorated boat which is probably a Flower Boat, which is a type of floating entertainment hub in Guangzhou, see [Iconography]. The casket stands on four legs which are decorated with the head of a lion-like monster. The object is placed in a tray which is made of plain ivory plaques mount with fabrics. The casket has a pair of shinny golden handles (one missing), and the tray also has one. Made for export market. | toilet caskets | 骨雕人物庭院图八方盖匣 | ivory | Qing | Guangzhou |
|
639durom.1971.49
| 1971.49.1-q2.jpg | data/raw/images/oriental/1971 | Ivory casket hinged lid, handles and an ivory base tray, decorated with exquisite carvings of figurines in garden design. Surface of lid, a picture featuring two sections. On the right, a bearded mandarin dressed in Court Attire is seated in the centre of a garden, surrounded by attendants and other officials; behing him there is an arch with a panel saying "Yu Men" (Chinese:禹门, meaning the door of becoming a madarin). On the left, a woman , possibly the mandarin's wife, is seated in the centre of another garden, holding a folded fan; she is attended by a female servant; behind her there is another arch with a panel saying "Hong Ting"(Chinese:洪汀, meaning unknown). The mandarin's figure is exceptionally big comparing to all other figures on. Behind either archs there are pavilions and summer houses. In the foreground, a bridge connects the gardens and many people are walking on the bridge, carrying various belongings such as umbrella, fan, basket, flower, goods etc. By the side of the bridge there is a junk with several passengers and a boatman. In the background above the two gardens there are some other figures: on the right, five figures carrying fan or farming tool; centre, five figures resting near a pagoda; left. three figures sitting by a house. The whole picture is edged with various floral patterns and enclosed in a border of similar floral patterns. Apart from the surface of the lid, the other surfaces of the box provide 16 more panel sections, each bound and decorated with exquisite carvings: the 8 panels around the lid construct into a continuous picture, while the other 8 panels around the body of the casket construct into another continuous picture. The motives for either picture are much similar: they shouw figures in various activities, either boating, walking on a bridge, sitting in a garden or talking to each other. This is a common motif on ivory-carving artefacts produced in Guangzhou (Canton). On the left of the back panel there is a nicely decorated boat which is probably a Flower Boat, which is a type of floating entertainment hub in Guangzhou, see [Iconography]. The casket stands on four legs which are decorated with the head of a lion-like monster. The object is placed in a tray which is made of plain ivory plaques mount with fabrics. The casket has a pair of shinny golden handles (one missing), and the tray also has one. Made for export market. | toilet caskets | 骨雕人物庭院图八方盖匣 | ivory | Qing | Guangzhou |
|
128durma.2014.6.2
| 2014.6.2.e.jpg | data/raw/images/fulling_mill/2014 | Various butchered animal bones, possibly sheep | Animal bone | null | null | Post-Medieval | null |
|
128durma.2014.6.2
| 2014.6.2.e.jpg | data/raw/images/fulling_mill/2014 | Various butchered animal bones, possibly sheep | Animal bone | null | null | Post-Medieval | null |
|
128durma.2014.6.2
| 2014.6.2.e.jpg | data/raw/images/fulling_mill/2014 | Various butchered animal bones, possibly sheep | Animal bone | null | null | Post-Medieval | null |
|
128durma.2014.6.2
| 2014.6.2.e.jpg | data/raw/images/fulling_mill/2014 | Various butchered animal bones, possibly sheep | Animal bone | null | null | Post-Medieval | null |
|
128durma.2014.6.2
| 2014.6.2.e.jpg | data/raw/images/fulling_mill/2014 | Various butchered animal bones, possibly sheep | Animal bone | null | null | Post-Medieval | null |
|
609durom.1970.106.7
| 1970.106.7-12 q2.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | porcelain | Meiji Period | Japan (country) |
|
609durom.1970.106.7
| 1970.106.7-12 q2.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | porcelain | Meiji Period | Japan (country) |
|
609durom.1970.106.7
| 1970.106.7-12 q2.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | porcelain | Meiji Period | Japan (country) |
|
609durom.1970.106.7
| 1970.106.7-12 q2.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | porcelain | Meiji Period | Japan (country) |
|
609durom.1970.106.7
| 1970.106.7-12 q2.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | porcelain | Meiji Period | Japan (country) |
|
827durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
827durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
827durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
827durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
827durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
883durom.2012.11
| 2012.11-d5.jpg | data/raw/images/oriental/2012 | Bottle vase, stoneware, tenmoku with nuka glaze and finger-wipe repeated design. Square shaped bottle with a short sloped neck with a square lip. The sides are covered in a very dark brown glaze with about 6 lighter brown finger marks on the two large sides. The top has a pale blue grey glaze. | bottles | null | ceramic | Showa Period | Japan (country) |
|
883durom.2012.11
| 2012.11-d5.jpg | data/raw/images/oriental/2012 | Bottle vase, stoneware, tenmoku with nuka glaze and finger-wipe repeated design. Square shaped bottle with a short sloped neck with a square lip. The sides are covered in a very dark brown glaze with about 6 lighter brown finger marks on the two large sides. The top has a pale blue grey glaze. | bottles | null | ceramic | Showa Period | Japan (country) |
|
883durom.2012.11
| 2012.11-d5.jpg | data/raw/images/oriental/2012 | Bottle vase, stoneware, tenmoku with nuka glaze and finger-wipe repeated design. Square shaped bottle with a short sloped neck with a square lip. The sides are covered in a very dark brown glaze with about 6 lighter brown finger marks on the two large sides. The top has a pale blue grey glaze. | bottles | null | ceramic | Showa Period | Japan (country) |
|
883durom.2012.11
| 2012.11-d5.jpg | data/raw/images/oriental/2012 | Bottle vase, stoneware, tenmoku with nuka glaze and finger-wipe repeated design. Square shaped bottle with a short sloped neck with a square lip. The sides are covered in a very dark brown glaze with about 6 lighter brown finger marks on the two large sides. The top has a pale blue grey glaze. | bottles | null | ceramic | Showa Period | Japan (country) |
|
883durom.2012.11
| 2012.11-d5.jpg | data/raw/images/oriental/2012 | Bottle vase, stoneware, tenmoku with nuka glaze and finger-wipe repeated design. Square shaped bottle with a short sloped neck with a square lip. The sides are covered in a very dark brown glaze with about 6 lighter brown finger marks on the two large sides. The top has a pale blue grey glaze. | bottles | null | ceramic | Showa Period | Japan (country) |
|
557durom.1969.39
| 1969.39-d1.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | clay | Eastern Han Dynasty | North China |
|
557durom.1969.39
| 1969.39-d1.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | clay | Eastern Han Dynasty | North China |
|
557durom.1969.39
| 1969.39-d1.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | clay | Eastern Han Dynasty | North China |
|
557durom.1969.39
| 1969.39-d1.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | clay | Eastern Han Dynasty | North China |
|
557durom.1969.39
| 1969.39-d1.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | clay | Eastern Han Dynasty | North China |
|
1,019durom.2015.71
| durom.2015.71-rr.jpg | data/raw/images/oriental/2015 | Wooden toy - frog. The figure of a frog is cut out of a solid piece of wood. It stands on four legs, has a massive long body and a small head with slightly opened mouth. The left front leg is carved of two pieces ending with semicircle shaped one. The frog is fastened to an oblong base with nails under a trunk. Under the bottom of the base metal parts are attached to the both ends of the base probably to connect the wheels which are missing. A small round purple paper sticker is glued to the bottom of the base. A small metal hook is placed at the back side of the base._x000D__x000D_
The toy is painted, frog in dark green with red eyes and yellow chest, the base in dark brown. It is carved in a rough manner and lacks details. | toys | null | wood | 20th century | Russia |
|
1,019durom.2015.71
| durom.2015.71-rr.jpg | data/raw/images/oriental/2015 | Wooden toy - frog. The figure of a frog is cut out of a solid piece of wood. It stands on four legs, has a massive long body and a small head with slightly opened mouth. The left front leg is carved of two pieces ending with semicircle shaped one. The frog is fastened to an oblong base with nails under a trunk. Under the bottom of the base metal parts are attached to the both ends of the base probably to connect the wheels which are missing. A small round purple paper sticker is glued to the bottom of the base. A small metal hook is placed at the back side of the base._x000D__x000D_
The toy is painted, frog in dark green with red eyes and yellow chest, the base in dark brown. It is carved in a rough manner and lacks details. | toys | null | wood | 20th century | Russia |
|
1,019durom.2015.71
| durom.2015.71-rr.jpg | data/raw/images/oriental/2015 | Wooden toy - frog. The figure of a frog is cut out of a solid piece of wood. It stands on four legs, has a massive long body and a small head with slightly opened mouth. The left front leg is carved of two pieces ending with semicircle shaped one. The frog is fastened to an oblong base with nails under a trunk. Under the bottom of the base metal parts are attached to the both ends of the base probably to connect the wheels which are missing. A small round purple paper sticker is glued to the bottom of the base. A small metal hook is placed at the back side of the base._x000D__x000D_
The toy is painted, frog in dark green with red eyes and yellow chest, the base in dark brown. It is carved in a rough manner and lacks details. | toys | null | wood | 20th century | Russia |
|
1,019durom.2015.71
| durom.2015.71-rr.jpg | data/raw/images/oriental/2015 | Wooden toy - frog. The figure of a frog is cut out of a solid piece of wood. It stands on four legs, has a massive long body and a small head with slightly opened mouth. The left front leg is carved of two pieces ending with semicircle shaped one. The frog is fastened to an oblong base with nails under a trunk. Under the bottom of the base metal parts are attached to the both ends of the base probably to connect the wheels which are missing. A small round purple paper sticker is glued to the bottom of the base. A small metal hook is placed at the back side of the base._x000D__x000D_
The toy is painted, frog in dark green with red eyes and yellow chest, the base in dark brown. It is carved in a rough manner and lacks details. | toys | null | wood | 20th century | Russia |
|
1,019durom.2015.71
| durom.2015.71-rr.jpg | data/raw/images/oriental/2015 | Wooden toy - frog. The figure of a frog is cut out of a solid piece of wood. It stands on four legs, has a massive long body and a small head with slightly opened mouth. The left front leg is carved of two pieces ending with semicircle shaped one. The frog is fastened to an oblong base with nails under a trunk. Under the bottom of the base metal parts are attached to the both ends of the base probably to connect the wheels which are missing. A small round purple paper sticker is glued to the bottom of the base. A small metal hook is placed at the back side of the base._x000D__x000D_
The toy is painted, frog in dark green with red eyes and yellow chest, the base in dark brown. It is carved in a rough manner and lacks details. | toys | null | wood | 20th century | Russia |
|
1,244eg6883
| eg6883-bb.jpg | data/raw/images/egyptian/eg | Terracotta lantern thought to be from the Roman period. Large bowl shape for the oil to rest in which then goes into an elongatedspout for the oil to be inserted and the smoke to come out of a second hole in the top. Decorated with 7 dots on along the edge of the spout, four cross shaped decorations with four trangular arms and a dot in the center and 3 flower shape two of which are on the outside with 5 petals and a stalk and the central flower has 5 petals a short stalk and two dots next to it. There is a raised line in the centre seperating the pattern from the inner section. The base is plain | lanterns | oil lamp | terracotta | Graeco-Roman Period | Egypt |
|
1,244eg6883
| eg6883-bb.jpg | data/raw/images/egyptian/eg | Terracotta lantern thought to be from the Roman period. Large bowl shape for the oil to rest in which then goes into an elongatedspout for the oil to be inserted and the smoke to come out of a second hole in the top. Decorated with 7 dots on along the edge of the spout, four cross shaped decorations with four trangular arms and a dot in the center and 3 flower shape two of which are on the outside with 5 petals and a stalk and the central flower has 5 petals a short stalk and two dots next to it. There is a raised line in the centre seperating the pattern from the inner section. The base is plain | lanterns | oil lamp | terracotta | Graeco-Roman Period | Egypt |
|
1,244eg6883
| eg6883-bb.jpg | data/raw/images/egyptian/eg | Terracotta lantern thought to be from the Roman period. Large bowl shape for the oil to rest in which then goes into an elongatedspout for the oil to be inserted and the smoke to come out of a second hole in the top. Decorated with 7 dots on along the edge of the spout, four cross shaped decorations with four trangular arms and a dot in the center and 3 flower shape two of which are on the outside with 5 petals and a stalk and the central flower has 5 petals a short stalk and two dots next to it. There is a raised line in the centre seperating the pattern from the inner section. The base is plain | lanterns | oil lamp | terracotta | Graeco-Roman Period | Egypt |
|
1,244eg6883
| eg6883-bb.jpg | data/raw/images/egyptian/eg | Terracotta lantern thought to be from the Roman period. Large bowl shape for the oil to rest in which then goes into an elongatedspout for the oil to be inserted and the smoke to come out of a second hole in the top. Decorated with 7 dots on along the edge of the spout, four cross shaped decorations with four trangular arms and a dot in the center and 3 flower shape two of which are on the outside with 5 petals and a stalk and the central flower has 5 petals a short stalk and two dots next to it. There is a raised line in the centre seperating the pattern from the inner section. The base is plain | lanterns | oil lamp | terracotta | Graeco-Roman Period | Egypt |
|
1,244eg6883
| eg6883-bb.jpg | data/raw/images/egyptian/eg | Terracotta lantern thought to be from the Roman period. Large bowl shape for the oil to rest in which then goes into an elongatedspout for the oil to be inserted and the smoke to come out of a second hole in the top. Decorated with 7 dots on along the edge of the spout, four cross shaped decorations with four trangular arms and a dot in the center and 3 flower shape two of which are on the outside with 5 petals and a stalk and the central flower has 5 petals a short stalk and two dots next to it. There is a raised line in the centre seperating the pattern from the inner section. The base is plain | lanterns | oil lamp | terracotta | Graeco-Roman Period | Egypt |
|
937durom.2013.69
| 2013.69.1-ll.jpg | data/raw/images/oriental/2013 | Kim Jong Un bobblehead figurine in box._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.1 Box. Cardboard box with top opening lid. On the front of the box is an image of the bobblehead doll of Kim Jong-un positioned in front of the North Korean flag. On the sides of the box is information about North Korea and Kim Jong-un, on one side is an advertisement for the Kim Jong-il bobblehead doll (DUROM.2013.68) and a map of North Korea. The back of the box has information about the company which made the doll. The lid of the box has the star of the North Korean flag pictured._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.2 Figure. Figure is made from cultured marble (a mix of marble dust and resin) and depicts a caricature of North Korean leader Kim Jong-un. He is wearing his trademark all black suit and is standing on a white, round plinth which is decorated with the star of the north Korean flag and has words painted which says 'Great Successor, Wise General' - his official title, painted in black. On the underside are three stickers, one has the makers information, one has a warning and one indicates that it was made in china. | figurines | null | artificial stone | null | United States of America |
|
937durom.2013.69
| 2013.69.1-ll.jpg | data/raw/images/oriental/2013 | Kim Jong Un bobblehead figurine in box._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.1 Box. Cardboard box with top opening lid. On the front of the box is an image of the bobblehead doll of Kim Jong-un positioned in front of the North Korean flag. On the sides of the box is information about North Korea and Kim Jong-un, on one side is an advertisement for the Kim Jong-il bobblehead doll (DUROM.2013.68) and a map of North Korea. The back of the box has information about the company which made the doll. The lid of the box has the star of the North Korean flag pictured._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.2 Figure. Figure is made from cultured marble (a mix of marble dust and resin) and depicts a caricature of North Korean leader Kim Jong-un. He is wearing his trademark all black suit and is standing on a white, round plinth which is decorated with the star of the north Korean flag and has words painted which says 'Great Successor, Wise General' - his official title, painted in black. On the underside are three stickers, one has the makers information, one has a warning and one indicates that it was made in china. | figurines | null | artificial stone | null | United States of America |
|
937durom.2013.69
| 2013.69.1-ll.jpg | data/raw/images/oriental/2013 | Kim Jong Un bobblehead figurine in box._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.1 Box. Cardboard box with top opening lid. On the front of the box is an image of the bobblehead doll of Kim Jong-un positioned in front of the North Korean flag. On the sides of the box is information about North Korea and Kim Jong-un, on one side is an advertisement for the Kim Jong-il bobblehead doll (DUROM.2013.68) and a map of North Korea. The back of the box has information about the company which made the doll. The lid of the box has the star of the North Korean flag pictured._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.2 Figure. Figure is made from cultured marble (a mix of marble dust and resin) and depicts a caricature of North Korean leader Kim Jong-un. He is wearing his trademark all black suit and is standing on a white, round plinth which is decorated with the star of the north Korean flag and has words painted which says 'Great Successor, Wise General' - his official title, painted in black. On the underside are three stickers, one has the makers information, one has a warning and one indicates that it was made in china. | figurines | null | artificial stone | null | United States of America |
|
937durom.2013.69
| 2013.69.1-ll.jpg | data/raw/images/oriental/2013 | Kim Jong Un bobblehead figurine in box._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.1 Box. Cardboard box with top opening lid. On the front of the box is an image of the bobblehead doll of Kim Jong-un positioned in front of the North Korean flag. On the sides of the box is information about North Korea and Kim Jong-un, on one side is an advertisement for the Kim Jong-il bobblehead doll (DUROM.2013.68) and a map of North Korea. The back of the box has information about the company which made the doll. The lid of the box has the star of the North Korean flag pictured._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.2 Figure. Figure is made from cultured marble (a mix of marble dust and resin) and depicts a caricature of North Korean leader Kim Jong-un. He is wearing his trademark all black suit and is standing on a white, round plinth which is decorated with the star of the north Korean flag and has words painted which says 'Great Successor, Wise General' - his official title, painted in black. On the underside are three stickers, one has the makers information, one has a warning and one indicates that it was made in china. | figurines | null | artificial stone | null | United States of America |
|
937durom.2013.69
| 2013.69.1-ll.jpg | data/raw/images/oriental/2013 | Kim Jong Un bobblehead figurine in box._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.1 Box. Cardboard box with top opening lid. On the front of the box is an image of the bobblehead doll of Kim Jong-un positioned in front of the North Korean flag. On the sides of the box is information about North Korea and Kim Jong-un, on one side is an advertisement for the Kim Jong-il bobblehead doll (DUROM.2013.68) and a map of North Korea. The back of the box has information about the company which made the doll. The lid of the box has the star of the North Korean flag pictured._x000D__x000D_
_x000D__x000D_
DUROM.2013.69.2 Figure. Figure is made from cultured marble (a mix of marble dust and resin) and depicts a caricature of North Korean leader Kim Jong-un. He is wearing his trademark all black suit and is standing on a white, round plinth which is decorated with the star of the north Korean flag and has words painted which says 'Great Successor, Wise General' - his official title, painted in black. On the underside are three stickers, one has the makers information, one has a warning and one indicates that it was made in china. | figurines | null | artificial stone | null | United States of America |
|
630durom.1971.223
| durom.1971.223-ss.jpg | data/raw/images/oriental/1971 | Chimu blackware vessel. Jar with large globular body, decorated with a human torso and head; the bent arms resting on the main body of the vessel. The figure wears earrings and a necklace, with the spout in the form of a tall cylindrical hat or headdress. | containers | null | pottery | null | Peru |
|
630durom.1971.223
| durom.1971.223-ss.jpg | data/raw/images/oriental/1971 | Chimu blackware vessel. Jar with large globular body, decorated with a human torso and head; the bent arms resting on the main body of the vessel. The figure wears earrings and a necklace, with the spout in the form of a tall cylindrical hat or headdress. | containers | null | pottery | null | Peru |
|
630durom.1971.223
| durom.1971.223-ss.jpg | data/raw/images/oriental/1971 | Chimu blackware vessel. Jar with large globular body, decorated with a human torso and head; the bent arms resting on the main body of the vessel. The figure wears earrings and a necklace, with the spout in the form of a tall cylindrical hat or headdress. | containers | null | pottery | null | Peru |
|
630durom.1971.223
| durom.1971.223-ss.jpg | data/raw/images/oriental/1971 | Chimu blackware vessel. Jar with large globular body, decorated with a human torso and head; the bent arms resting on the main body of the vessel. The figure wears earrings and a necklace, with the spout in the form of a tall cylindrical hat or headdress. | containers | null | pottery | null | Peru |
|
630durom.1971.223
| durom.1971.223-ss.jpg | data/raw/images/oriental/1971 | Chimu blackware vessel. Jar with large globular body, decorated with a human torso and head; the bent arms resting on the main body of the vessel. The figure wears earrings and a necklace, with the spout in the form of a tall cylindrical hat or headdress. | containers | null | pottery | null | Peru |
|
746durom.1986.d33
| durom.1986.d33-uu.jpg | data/raw/images/oriental/1986 | Figurine of Buddha seated, covered with a sheet of gilt metal. Base is 'waisted' and marked with vertical petals. Incised markings and very pointed headpiece/top-kont. Inscription on base: Pegu (nr. Rangoon, Burma) 1825. | figures | null | metal | null | Bago |
|
746durom.1986.d33
| durom.1986.d33-uu.jpg | data/raw/images/oriental/1986 | Figurine of Buddha seated, covered with a sheet of gilt metal. Base is 'waisted' and marked with vertical petals. Incised markings and very pointed headpiece/top-kont. Inscription on base: Pegu (nr. Rangoon, Burma) 1825. | figures | null | metal | null | Bago |
|
746durom.1986.d33
| durom.1986.d33-uu.jpg | data/raw/images/oriental/1986 | Figurine of Buddha seated, covered with a sheet of gilt metal. Base is 'waisted' and marked with vertical petals. Incised markings and very pointed headpiece/top-kont. Inscription on base: Pegu (nr. Rangoon, Burma) 1825. | figures | null | metal | null | Bago |
|
746durom.1986.d33
| durom.1986.d33-uu.jpg | data/raw/images/oriental/1986 | Figurine of Buddha seated, covered with a sheet of gilt metal. Base is 'waisted' and marked with vertical petals. Incised markings and very pointed headpiece/top-kont. Inscription on base: Pegu (nr. Rangoon, Burma) 1825. | figures | null | metal | null | Bago |
|
746durom.1986.d33
| durom.1986.d33-uu.jpg | data/raw/images/oriental/1986 | Figurine of Buddha seated, covered with a sheet of gilt metal. Base is 'waisted' and marked with vertical petals. Incised markings and very pointed headpiece/top-kont. Inscription on base: Pegu (nr. Rangoon, Burma) 1825. | figures | null | metal | null | Bago |
|
44DUROM.1969.194.a-b
| 1969.194-bb.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null |
|
44DUROM.1969.194.a-b
| 1969.194-bb.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null |
|
44DUROM.1969.194.a-b
| 1969.194-bb.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null |
|
44DUROM.1969.194.a-b
| 1969.194-bb.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null |
|
44DUROM.1969.194.a-b
| 1969.194-bb.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null |
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