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45DUROM.1968.43.d-e
| 1968.43.a.cu1.jpg | data/raw/images/oriental/1968 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1968 |
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1,118durom.1977.104
| durom.1977.104.1-ss.jpg | data/raw/images/oriental/1977 | Islamic wooden writing tablet. | tablets | null | wood | null | Africa, North Africa | data/processed/OM_images_white/oriental/1977 |
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1,446durom.2011.7
| 2011.7-d5.jpg | data/raw/images/oriental/2011 | The inscription on the velvet cover means ‘medals for the XXIX Olympic Games’. According to the paper certificate, the set is no.1836 out of a limited edition of 2008. Also according to the certificate, the jade material on the gold medal is white nephrite; the one on the silver medal is pale green nephrite, while the one on the bronze medal is green nephrite. | medals | 第29届奥林匹克运动会奖牌 | metal | null | China | data/processed/OM_images_white/oriental/2011 |
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1,377durom.2001.22
| durom.2001.22-ss.jpg | data/raw/images/oriental/2001 | Ivory chess piece, this piece represents the King in chess. The King piece depicts three men riding atop of an elephant, two of which are sat underneath a veranda, which has been highly decorated in relief carving. The man sitting at the front of the elephant may have originally been holding a spear or something similar, but this has since broken away. The elephant is well carved from one piece of ivory, the elephant is depicted as wearing full regalia and is seen walking forwards. The elephant is mounted on a flat ivory base which stands on four legs. Mounted on the base are four ivory soldier/guard figurines. These are wearing long coats and three of which hold spears (the fourth has detached). Only one is securely fixed to the base of the piece and the other three are seperate. There are traces of glue around the base of the soldiers and the elephant indicating that previous reconstruction may have taken place. | chessmen | null | ivory | null | India | data/processed/OM_images_white/oriental/2001 |
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1,404durom.2004.9
| 2004.9.jpg | data/raw/images/oriental/2004 | Porcelain punch bowl, decorated with overglaze enamel colours of figurine design partly gilt, Canton Enamels ware. Inside, a band of oval decoration under the rim, followed by a band of scalloped border. Centre of well, a peony spray. Exterior, two large Opening design panels on trellis background. One, two ladies playing Go (Weiqi) on a table, and a young boy is watching the game behind the table whilst a female attendant is offering tea; a couple sits along a desk on the right side next to a summer house. The other panel, a couple sits on a rock in a garden setting, the lady sits on the lap of the man, and a female attendant is carrying tea nearby; two boys playing on the right side and a woman carrying a basket is watching them play. Outside the large panels, two small medallions decorated with flowers and birds; above each of the medallions there are two small fan-shaped panels decorated with flowers. The mouth rim and part of the decorations are gilt. Export ware. | punch bowls | 广彩锦地开光人物故事图大碗 | pottery | Qing | Guangzhou | data/processed/OM_images_white/oriental/2004 |
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1,222durom.1986.d186
| 1986.d186-d13.jpg | data/raw/images/oriental/1986 | Greek dagger. Well engraved single edged blade. Two piece bone grips of 'eared' type, mounted in silver, hilt pommel fitted with a pair of tweezers. Head of tweezers is made of bone encrusted with a red jewel. Sheath is wooden covered with green leather stitched with wire. Steel at opening and protected steel point terminating with an elephants head. | Dagger | null | steel | null | Greece | data/processed/OM_images_white/oriental/1986 |
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458durom.1960.3526
| durom.1960.3526-ll.jpg | data/raw/images/oriental/1960 | Brown with orange and buff markings. There is an incision of a word 'Lisch' under the belly of the rhinoceros, meaning unknown. | figures | 玉石犀牛 | jasper | null | China | data/processed/OM_images_white/oriental/1960 |
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473durom.1960.3659
| 1960.3659 d4.jpg | data/raw/images/oriental/1960 | Unidentified stone object with two openings along the top edge, on a wooden stand | unidentified | null | soapstone | null | null | data/processed/OM_images_white/oriental/1960 |
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1,218durom.1986.d154
| 1986.d154-d4.jpg | data/raw/images/oriental/1986 | single-edged steel blade, typical construction with elaborate silver covered bolster and grip, the blade having an ornate gilt plate fitted in a groove each side. handle is wooden, carved with decorative silver placing leading down into the hilt. | knives | pia kietta | steel | null | Sri Lanka | data/processed/OM_images_white/oriental/1986 |
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1,613durom.2014.95
| durom.2014.95-ll.jpg | data/raw/images/oriental/2014 | Yellow ceramic incense holder in the form of a Japanese origami crane. The body of the bird is yellow with red flowers decorating the sides along with stylised white and green flowers on the wings. The bird has a hole in the centre of the body to allow an incense stick to be placed here. There is an unglazed square on the base. | Incense Holder | null | porcelain | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
557durom.1962.225
| 1962.225-uu.jpg | data/raw/images/oriental/1962 | The script along the neck looks like the mantra 'Om Mani Padme Hum', which translates as Jewel of the Lotus flower, which is particularly associated with the four-armed Shadakshari form of Avalokiteśvara, the bodhisattva of compassion | vessels | null | copper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1962 |
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1,532durom.2013.90
| 2013.90.1-bb.jpg | data/raw/images/oriental/2013 | CD album 'One of a Kind' by Korean artist, G Dragon. The CD is presented in case, with eight artwork cards and one sheet of information._x000D__x000D_
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DUROM.2013.90.1 Box. Box is in the shape of a book and opens as a book would. The outside is covered in a black imitation leather plastic, with gold metal cornices. On the front and back, gold detail is printed onto the black plastic, on the front this depicts a cross with 'GD One of a Kind' written within a gold border, and the reverse has information about the production of the CD, the 'spine' of the book is black synthetic leather and has a gold printed design to further imitate a book. The sides of the box and the inside are lined in a metallic gold paper and there is a box structure inside where the art cards and CD is stored. The outside of this box is made from cardboard covered in metallic gold paper; the inside has a clear plastic CD holder with the monogram GD engraved. On top of the art cards is a paper frame which slots into the interior box, this is white with gold print along the edges._x000D__x000D_
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DUROM.2013.90.2 CD. CD is gold on one side with a central design of a white and black cross with thorns and the monogram 'GD' depicted. Around the edges are track names._x000D__x000D_
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DUROM.2013.90.3 Artwork Card. Card is a photograph of artist G Dragon emerging from foliage. He is dressed in studded trousers and wears a black coat with a large white bow. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.4 Artwork Card. Card is a photograph of artist G Dragon look directly at the camera, he is in a field in front of a fence. He wears black and white sleeveless top and black eyeliner. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.5 Artwork Card. Card is a photograph of artist G Dragon; here he is wearing a high necked black coat, Chanel necklaces and holds two large crucifixes, one white, one black. His hair is styled in a quiff. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.6 Artwork Card. Card is a photograph of artist G Dragon, he is shown wearing an all-black outfit with several artificial black flowers attached and has black netting over his heavily made-up eyes. He stands in a field. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.7 Artwork Card. Card is a photograph of artist G Dragon standing in a warehouse wearing a green and pink suit with stud details. Inside the front of his trousers a white fluffy object is placed and he holds a black and white dog on a lead. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.8 Artwork Card. Card is a photograph of artist G Dragon; he is shown here wearing a large purple fur hat and green leather gloves. He is holding a lime green skateboard which has the crosses marked in gold. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.9 Artwork Card. Card is a photograph of artist G Dragon he is shown here in an empty industrial yard. He is wearing a multi-coloured outfit which is comprised of silver Dr. Marten's boots, silver sequined trousers, a multi-coloured jacket and a black, cage-like hat. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.10 Artwork Card. Card is a photograph of artist G Dragon in a stylised military uniform which is comprised of a navy jacket, black and red hat and gold accessories. The reverse of the card has the artist and album information printed on it and has two bible quotes printed [see inscriptions/marks]._x000D__x000D_
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DUROM.2013.90.11 Booklet. Booklet is made from black paper which has muted gold details. It opens to show details of the album's songs including lyrics and has information about entertainment company YG, including application details, both written and in QR code format. | compact discs | null | cards | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
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573durom.1962.95
| 1962.95-ll.jpg | data/raw/images/oriental/1962 | Fukurokuju, one of seven deities of good fortune. Has a long cranium. | netsukes | netsuke | ivory | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1962 |
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3DUROM.1954.Spalding29.W
| 1954.spalding29.m ll.jpg | data/raw/images/oriental/1950s | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1950s |
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1,445durom.2011.64
| 2011.64.12-d1.jpg | data/raw/images/oriental/2011 | Ceramic artwork "All things are visible". Comprising 81 small narrow necked pottery containers. Each piece is stamped on the base and has the artist's signature written in black ink in Chinese on the base. Each container has had scented oil dripped into the neck to give a smell of medicinal herbs. | sculpture | null | ceramic | null | China | data/processed/OM_images_white/oriental/2011 |
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1,262durom.1992.100
| durom.1992.100-q1.jpg | data/raw/images/oriental/1992 | Tomb figure of a seated dog. Pottery with cream coloured glaze. | figures | 白釉陶狗 | pottery | Tang | China | data/processed/OM_images_white/oriental/1992 |
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1,514durom.2013.5
| 2013.5-bb.jpg | data/raw/images/oriental/2013 | Skelanimals Jack Rabbit tote bag in bright pink and black strips, canvas-style synthetic fabric with appliqued skelanimals on the front. The handles in black and pink diagonal striped design are attached to the bag by metal buckles. Zig-zag pink stitching around top of the bag. Skelanimals outlines machine embroidered on the front and back. Also some crosses and lozenge shapes machined embroidered at bottom on the front of the bag. The lining inside of the bag is a black cloth with pink diaonal stripes and has a zippered pocket on it. A coffin-shaped Skelanimals label tag is attached to the metal buckle on the front left side. | bags | null | canvas | Heisei Period | United States of America | data/processed/OM_images_white/oriental/2013 |
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490durom.1960.3853
| 1960.3853-d3.jpg | data/raw/images/oriental/1960 | Porcelain snuff bottle, painted with black and brown enamel colours; the stopper is made with copper and inlaid with green stone. | snuff bottles | 瓷胎西洋钟纹鼻烟壶 | porcelain | Qing | China | data/processed/OM_images_white/oriental/1960 |
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1,262durom.1992.100
| durom.1992.100-bb.jpg | data/raw/images/oriental/1992 | Tomb figure of a seated dog. Pottery with cream coloured glaze. | figures | 白釉陶狗 | pottery | Tang | China | data/processed/OM_images_white/oriental/1992 |
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534durom.1960.994
| durom.1960.994-ss.jpg | data/raw/images/oriental/1960 | brown soapstone seal with a mountain scene on one side and 'Red Cliff' poem on other side. It is carved in the style of Shen Chou (1427-1509), head of the Wu School. Poem is written by Su Tung Po in 1082 in memory of his famous outing to the Red Cliff, a famous beauty spot in the Yangtse. This poem was later to be a symbol of nature consciousness in Chinese art. | Seal | null | soapstone | Ming | China | data/processed/OM_images_white/oriental/1960 |
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1,308durom.1995.89
| 1995.89-tt.jpg | data/raw/images/oriental/1995 | cream and brown nephrite jade vessell in the form of a Cong | Brush Pot | 琮式玉笔筒 | nephrite | Ming-Qing dynasty | China | data/processed/OM_images_white/oriental/1995 |
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1,354durom.2000.26
| 2000.26 ff.jpg | data/raw/images/oriental/2000 | Japanese cloisonne teapot. Small and round in shape with curved handle and spout. The interior of the pot is covered with a layer of green enamel. On the exterior there is a freize around the base of red curls on a green background. Above this the main body of the pot is covered in swirling pattern in red, white, yellow and dark blue on a lighter blue background. Among the swirls on one side are two vases holding flowers, on the other side is a table with a pot sitting on it. Around the neck is a pattern in green. The handle and spout are covered in a pattern of gold curls on a light blue background. The lid is round and missing its top knob. The inner surface is covered in a layer of green enamel. The outer surface has a blue background a swirling pattern in red, white, yellow and dark blue as on the body of the pot. Base of the pothas 'Fuku' makers mark. | teapots | null | metal | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/2000 |
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1,567durom.2014.137
| 2014.137 ll.jpg | data/raw/images/oriental/2014 | Copper alloy gourd shaped vessel with a curved neck that bends almost all the way down to the body. The design on the side is Chinoiserie in style with scenes of traditional Chinese buildings. A group of people are stood on a terrace overlooking a body of water with mountains in the background. In the foreground on the other side of the piece are warriors fighting with at least one sword in their hands, wearing traditional dress. Stood next to the warriors is an old man with a long beard, holding a staff. There is a deer with large antlers next to him and a heron above his head. The rest of the image depicts a natural scene with stylised clouds in the sky. There is a hole drilled into the base which is crudely carved with a white residue inside the hole | vessels | null | copper alloy | null | Peshawar | data/processed/OM_images_white/oriental/2014 |
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1,003durom.1970.82
| durom.1970.82-ff1.jpg | data/raw/images/oriental/1970 | red soapstone carving of two figures and an animal, possibly a cat, on top of a black pedestal. one figure is holding a beaded necklace and the other is holding a flower. behind the two figures is a plant. the tip of one plant is in a separate bag. | figures | null | coral | null | China | data/processed/OM_images_white/oriental/1970 |
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641durom.1964.392
| durom.1964.392-ll.jpg | data/raw/images/oriental/1964 | Grey stone pestle. | pestles | null | stone | Neolithic Period | Jericho | data/processed/OM_images_white/oriental/1964 |
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1,834eg2173
| eg2173-tt.jpg | data/raw/images/egyptian/eg | tall narrow vase or phial with narrow flat foot, high shouldered body, narrow neck and flaring rim. red slip. | vases | glass phial | pottery | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
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1,787eg1605
| eg1605-d8.jpg | data/raw/images/egyptian/eg | Isis holding Infant Harpocrates. Seated on her lap. She wears crown of ureaus and sun disc. He has sidelock. Quite detailed for size. Seated on throne | Human Figurine | isis and horus figurine | stone | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
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1,590durom.2014.348
| 2014.348 d12.jpg | data/raw/images/oriental/2014 | Sculptural art piece consisting of three white porcelain moon jars [see notes] arranged on top of a black unglazed, roughly circular base. In three pieces: DUROM.2014.348 the main piece consisting of the moon jars, DUROM.2014.348.2 is the small broken additional piece of black clay base, DUROM.2014.348.3 is the black clay base that was originally attached to DUROM.2014.348._x000D__x000D_
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The moon jars were attached to the top of the base with glaze and did not move as separate pieces. The jars are now no longer attached to the base with glaze. The base has its own record at: DUROM.2014.348.3. _x000D__x000D_
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The jars themselves are arranged as two resting on the base and one on top of these. They all have an irregular appearance which is the result of the pressure from each other and the firing process. The insides of the two lower moon jars have been glazed with a white glaze, as have the outer base rims of these two. The larger of the two lower moon jars has experienced a large crack during firing; this has been filled with a gold leaf/adhesive lacquer mixture hand painted into the crack on the exterior of the moon jar. The crack and the damage to the structure of the moon jar are more apparent on the inside where there is an almost circular crack which corresponds to the outer mark. The gold leaf lacquer runs from the top of the jar where the lower one meets the upper jar and curves downwards to a point where it connects with the other lower moon jar. The uppermost jar also has gold leaf adhesive lacquer on the underside of the base; this is a curved, thick line of gold and is visible on the inside of the base of this moon jar as well. Next to the gold lacquer on the upper moon jar is the artist's signature engraved into the clay before firing._x000D__x000D_
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The upper moon jar has largely retained its shape. This moon jar has been glazed on the inside and outside. There is a section of the glaze near the rim of the moon jar on the same side where the gold lacquer mark is on the lower moon jar where the glaze has turned an off-white, creamy colour. The flat surface of the rim of this moon jar has been left unglazed._x000D__x000D_
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On all three of the moon jars the join line around the central circumference where the top and bottom hemispheres of the jar would have been joined is clearly visible. This reveals the traditional methods used to create this piece. In the inside of the larger, lower jar and also on the black base of the moon jar, there is a fine layer of small particles of porcelain and the black, fired clay._x000D__x000D_
| sculpture | Moon Jar | porcelain | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2014 |
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717durom.1964.9
| 1964.9.02-ff.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | albums | null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
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592durom.1964.18
| 1964.18.d1.jpg | data/raw/images/oriental/1964 | figure of the seated Buddha. | figures | null | silver | null | Myanmar | data/processed/OM_images_white/oriental/1964 |
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903durom.1969.399
| durom.1969.399_d4.jpg | data/raw/images/oriental/1969 | Stoneware lantern in the shape of a summerhouse, covered with blue-green glaze, Longquan ware. | lanterns | 龙泉窑青釉凉亭式灯罩 | celadon | Yuan dynasty | Zhejiang Province | data/processed/OM_images_white/oriental/1969 |
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1,705durom.75
| 75 ll.jpg | data/raw/images/oriental/0000 | Wooden female fertility deity called 'Song Zi Niang Niang' who is depicted holding a baby in her p. right arm, She wears a gold tunic with a raised spiral pattern down the front and cream undertunic on the lower half. The back of the tunic is red and the collar is black. Her hair is tied into a knot at the back of the head and the baby is wrapped in a painted red blanket. The plinth is painted red at the front and left plain at the back | figures | null | wood | null | China | data/processed/OM_images_white/oriental/0000 |
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1,103durom.1976.197
| 1976.197-q2.jpg | data/raw/images/oriental/1976 | fine seal-shape netsuke carved with a dragon resting from waves. | netsukes | netsuke | wood | null | Japan (country) | data/processed/OM_images_white/oriental/1976 |
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65DUROM.1969.226.c
| durom.1969.226.a-d3.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1969 |
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1,048durom.1973.36
| 1973.36.a-ll.jpg | data/raw/images/oriental/1973 | 8 Indian clay figures, 7 men and 1 woman, perhaps illustrating occupations. | figures | null | clay | null | India | data/processed/OM_images_white/oriental/1973 |
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1,602durom.2014.477
| durom.2014.477-uu.jpg | data/raw/images/oriental/2014 | Wirework brass floral spray from China. This piece would be placed within the hair to create an elaborate head piece that would quiver with the wearer's movements. There is a central stem that is bent in the centre at a right angle to give the appearance of a branch. There are wirework attachments going off at all angles with small brass flowers attached in various states of blooming, with the closed ones nearer to the top of the spray. There is a blue butterfly near to the base of the piece that is decorated with blue thread upon a brass base to provide it with colour. Some of the branches are fragile | hair ornaments | spray | brass | null | China | data/processed/OM_images_white/oriental/2014 |
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2,098eg881
| eg881 n767-bb.jpg | data/raw/images/egyptian/eg | pale green faince new year flask: circular flask with convex sides, pale green, moulded with incised decoration, the central band having a double billet, inscriptions to the shoulders on each side, wishes of a happy new year to the owner to be granted by ptah and sekhmet. The neck decorated with rows of drop beads and lotus flowers with radiating pattern | flasks | new year flask | faience | 26th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
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939durom.1969.544
| 1969.544 tt.jpg | data/raw/images/oriental/1969 | Islamic footed metal bowl. The outside is decorated with floral designs and figures. | bowls | null | metal | 19th century | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1969 |
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1,942eg4009
| eg4009-ll.jpg | data/raw/images/egyptian/eg | Statue of the Vizier Idi with opening of the mouth equipment. The statue is carved from alabaster and set into the base which is carved from a block of limestone with gypsum finish. The vessels and other equipment for the opening of the mouth ceremony are carved from the limestone base or from alabaster or quartz crystal and set into the base. Idi is shown standing with his hands by his side and left foot forward. The statue is believed to be part of a group which date from the First Intermediate Period rather than the time of Idi's death and relate to his veneration as a local hero or saint in the Abydos region at that time. | statuettes | pss-kf model set | stone | 1st Intermediate Period | Egypt | data/processed/OM_images_white/egyptian/eg |
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736durom.1965.64
| 1965.64 d5.jpg | data/raw/images/oriental/1965 | Circular brass pot with lid. Swirl pattern in centre of lid. Mostly brass but rims of both lid and body are copper. | Box | tszmpa | brass | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
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1,315durom.1997.146
| 1997.146 d2.jpg | data/raw/images/oriental/1997 | Storage vessel, slightly hollow base, splayed foot tapering spherical body, ridge about 2 cm from top, wide open mouth with out turned rim. Brown glaze outside from below rim to 2 cm from base. Concrete adhesions and traces of seashells and marine life. | jars | null | pottery | null | South East Asia | data/processed/OM_images_white/oriental/1997 |
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1,643durom.2015.364
| durom.2015.364.1-bb.jpg | data/raw/images/oriental/2015 | A large orange and red saddlebag made by the Bachtiari tribe. The saddlebag is held closed by a series of eleven rope loops down each side of the centre, which can be fed through slots in the opposite face. At one end there is a rope loop. Each of the two bag faces contains the same design, with some minor differences. On one side moving out from the centre: a row of blue and red, the borders between these forming the slots for the rope loops. After this is a pattern of black and orange horizontal stripes. The short edges of the face instead have blue and red diagonal stipes. This is followed by an irregularly shaped border that runs around the whole side, mostly rectangular but with turns to accommodate additional designs in the corners. The border contains alternating patterns of brown squares with a white quincunx, followed by either a green square with an orange dot in the centre, or a red square with a green dot in the centre - occasionally the green squares have a red dot rather than an orange dot, but there is no pattern to the deviation. Inside is a red border forming a rectangle, with two corners cut where the previous border makes its turns; this border features a repeating pattern. Firstly, four arrow shapes in dark blue all facing towards each other to form a cross, outlined in cream; followed by two burgundy arrowheads facing each other outlined in blue; then the same arrow pattern, outlined in orange instead of cream, then a repeat of the burgundy arrowheads, and then the pattern repeats. This border has a sequence of orange and red rectangles bordered within two blue lines running around both the outside and the inside. After this is a rectangular repeat of the cream quincunx and red/green square border, and inside this is a dark blue field with five medallions, in either cream, red and navy or blue, red, orange and cream. There are also smaller orange and cream diamonds decorating the field. The other side is similar, except the field also contains two smaller diamonds, one orange and one cream, each made up of two opposed squares of red and two opposed squares of blue. At either end, and wrapping onto the back of the saddlebag, is a small irregular band of a much deeper, uncut pile; this contains a geometric pattern in dark blue repeated on orange, cream and red fields. The rear of the saddlebag is decorated with red and blue lines, the blue becoming paler on one half. At the top, on each half there is a cream rectangle with triangles at the edge pointing down; this is decorated with diagonal lines of red and blue, with hollow triangles for additional decoration. | bags | Saddlebag | wool | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
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840durom.1969.19
| 1969.19-q3.jpg | data/raw/images/oriental/1969 | Earthenware figure of a Bactrian camel, decorated with cream clay slip and splashes of green and yellow lead glaze on buff glaze ground, Three-colour ware. | figures | 三彩骆驼 | earthenware | Tang | North China | data/processed/OM_images_white/oriental/1969 |
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1,462durom.2012.47
| 2012.47-bb.jpg | data/raw/images/oriental/2012 | Chinese embroidery on cream silk and goldwork design. Figure of an old man, the god Shou, holding the peach of longevity in his hand. His robe is decorated with the symbols of longevity and he sits on a tiger skin. | embroidery | null | silk | null | China | data/processed/OM_images_white/oriental/2012 |
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3DUROM.1954.Spalding29.W
| 1954.spalding29.j tt.jpg | data/raw/images/oriental/1950s | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1950s |
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1,429durom.2006.53.40.8
| 2006.53.40.8-d3.jpg | data/raw/images/oriental/2006 | 3 items. One drawer from a chest of drawers. The draw has two semi-circular black handles at either side and a circular brown metal piece attached in the centre. One handle and a hinge has detached from the drawer. From a model Japanese doll's house. | Part | null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
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13DUROM.1960.2224.a-b
| durom.1960.2224-ll.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1960 |
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850durom.1969.230
| 1969.230-d2.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with underglaze blue of entwining floral designs; neck, a border of leaves above two lines; shoulder, a band of twining morning glory enclosed with two lines, there are two handles on the sides, each moulded as a crowned elephant dangling a large ring with its ivory; beneath the morning glory band there is a ring of stylised Ruyi lappets; belly, entwining Flowers of the Four Seasons above another ring of stylised Ruyi lappets; around the foot, two lines enclosing four floral designs. | vases | 青花缠枝四季花卉纹象首衔环耳瓶 | porcelain | Qianlong | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
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1,465durom.2012.8
| 2012.8 ff d2.jpg | data/raw/images/oriental/2012 | Hanging using traditional tent-making and hand appliqué techniques, called khayamiya. Depicted is Hany's personal account of what he saw happening on the streets of Cairo in the early months of the Arab Spring uprising. Cream cotton background with black border. Circular central motif showing protestors and tanks, outlined by the colours of the Egyptian flag. This is surrounded by various scenes from the uprising - protestors, police with batons, groups with banners in both Arabic and English. At the top is a large red banner with an Arabic inscription. Backed on cream canvas with a horizontal seam across the midpoint and a blue cotton sleeve for hanging along the top edge. Some of the hand stitches are visible on the reverse. There is an Arabic inscription embroidered in blue thread on the bottom right hand corner. On the bottom left hand corner on the back a label is attached of blue cotton with an embroidered inscription in English. | Hanging | null | textiles | null | Egypt | data/processed/OM_images_white/oriental/2012 |
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201durom.1952.1.1
| 1952.1.1-bb.jpg | data/raw/images/oriental/1952 | Relief fragment depicting the birth of the Buddha. Maya is the central figure of the relief but she is broken across both thighs. She wears a draped garment over the left shoulder and a scarf is placed over both upper arms and around her back. She is adorned with a plain necklace which hangs between her breasts. To her left is a fragmentary figure with only the head remaining. In similar pieces this figure has been identified as Mahaprajipati, Maya's sister. The hand placed just below Maya's left breast may be from the broken figure of Mahaprajipati. Maya's right arm is raised at a right angle and she holds the branches of a tree above her head. On this arm she wears two plain bangles on her wrist. The haloed infant Buddha emerges from Maya's right side with both of his arms resting on the large swaddling cloth held by Indra. Indra wears a cylindrical tiara or cap and earrings a leans forward to receive the infant. Behind Indra’s right shoulder stands another figure who in similar pieces is identified as Brahma. Brahma wears a robe over the left shoulder and is broken at the waist. | reliefs | null | schist | Gandhara Period | Asia, Indian Subcontinent, India, Gandhara | data/processed/OM_images_white/oriental/1952 |
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1,489durom.2013.176
| 2013.176.1-14 ff.jpg | data/raw/images/oriental/2013 | Plastic toy food set, which is the size and type to suit a doll's house, all of which are hand-painted. The set consists of a clear plastic bowl with meat and vegetables used as dumpling filling, (both separate parts), a red and black frying pan with lid, black and silver spatula, two sauces which are oil and a chilli sauce bottle to be placed separately on an orange and white sauce stand, white plate with blue floral border and to be placed on top of this are two separate rows of dumplings, a small blue and white bowl with dipping sauce in it (separate components), dumpling pancake stack with one loose pancake and two uncooked loose dumplings. There are 3 other sets within this series - all with different themed meals. There is also a cooking booklet with the set that contains images of the other sets in the collection alongside Japanese text, which possibly displays recipes._x000D__x000D_
_x000D__x000D_
This record consists of the packaging only (all of the other items are in part records), which consists of orange cardboard box with an image of the above food on the front with Japanese text on the upper third along with a large '2' in green. On the side is a more detailed description of the plastic food inside with the parallel side showing the other themed sets available too. On the reverse is the company information written mostly in Japanese and some English. | toys | null | cardboard | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
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417durom.1960.2846
| durom.1960.2846-rr.jpg | data/raw/images/oriental/1960 | “Burnt jade” pendant carved on both sides in the shape of a butterfly/moth with scrolling vegetal designs. Attached suspension wire comprised of warped, green threaded knotwork at the centre with two larger flax knots surmounting the top and bottom of this central knot. Both the flax and green thread have thin metal wiring inside. Protruding from the top flax knot is a bent copper hook. | ornaments | null | burnt jade | null | null | data/processed/OM_images_white/oriental/1960 |
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5DUROM.1960.1012.a-b
| 1960.1012-uu.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1960 |
|
70DUROM.1969.305.b
| durom.1969.305.a-tt.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1969 |
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1,155durom.1979.27
| durom.1979.27-tt.jpg | data/raw/images/oriental/1979 | Bronze dagger, extremely thin and heavily rusted with patina, broken into three pieces at the blade and the handle. Traces of inscription in relief at the handle. | Dagger | 青铜匕 | bronze | null | China | data/processed/OM_images_white/oriental/1979 |
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1,253durom.1991.177
| durom.1991.177.5-uu.jpg | data/raw/images/oriental/1991 | Tall box in 3 fitted layers with fitted lid. Sides and top have a fan and three quarter circular patterns on plain black background. Lid and top two layers have gold mottled effect inside, bottom layer metal inside. Edges of second layer broken in 3 places. | Box | null | wood | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1991 |
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1,572durom.2014.249
| 2014.249 ff.jpg | data/raw/images/oriental/2014 | Apprentice piece consisting of a miniature bone dagger handle. The handle is inset with multiple silver rods and bound with thin embossed silver strip decorated with flowers, leaves and scrollwork decoration | handles | null | ivory | null | Muscat | data/processed/OM_images_white/oriental/2014 |
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1,688durom.2017.87
| 2017.87.1bb.jpg | data/raw/images/castle/2017 | Brown rhinoceros libation cup in oval shape, gnarled with a plum blossom spray to the interior, with relief inscriptions both on the outside and at the bottom. The inscription at the bottom is ‘戊子寒日制’ which gives the production date. The inscription on the outside is ‘仙子晴开石上酌, 玉楼香暖画中春’. _x000D__x000D_
_x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | cups | 犀角雕梅花杯 | Rhinoceros Horn | null | China | data/processed/OM_images_white/castle/2017 |
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829durom.1969.141
| 1969.141-d3.jpg | data/raw/images/oriental/1969 | Porcelain stem cup, covered with Egg-white glaze (luanbai/卵白) on incised pattern of dragon design, Shufu ware (or Luanbai ware). | Stem Cup | 枢府式卵白釉锥花戏珠龙纹高足碗 | porcelain | Yuan dynasty | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
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1,130durom.1978.101
| 1978.101-d2.jpg | data/raw/images/oriental/1978 | Bronze slender Ku shaped vase applied with two small dragons. Marked Yoshihiro. | vases | null | bronze | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1978 |
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1,381durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
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260durom.1953.54
| 1953.54-bb.jpg | data/raw/images/egyptian/1953 | pale green faience amulet of bes, face and headdress only moulded onto a rectangle of faience. The reverse has an incised cross. Pierced for suspension. | amulets | bes amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/1953 |
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374durom.1960.2211
| durom.1960.2211-ff.jpg | data/raw/images/oriental/1960 | Woman, standing and lifting up her dress, left hand is clenched with a complete hole which appears that she may have carried something. | figures | null | crystal | null | China | data/processed/OM_images_white/oriental/1960 |
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1,827eg2076
| eg2076-n1435b.3-uu.jpg | data/raw/images/egyptian/eg | pieces of barley bread - five fragments. | bread | barley bread | organic material | null | Egypt | data/processed/OM_images_white/egyptian/eg |
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867durom.1969.31
| 1969.31-tt.jpg | data/raw/images/oriental/1969 | Covered with cream clay slip and brown and blue glazes in Three-colour style; the head and centre of body unglazed. Although the facial features are strong, not neccessary Turfan or Central Asia. Not neccessary Christian. | models | 三彩胡人俑 | earthenware | Middle Tang dynasty | Henan Province | data/processed/OM_images_white/oriental/1969 |
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1,029durom.1971.49
| 1971.49.1-3-d2.jpg | data/raw/images/oriental/1971 | Ivory casket hinged lid, handles and an ivory base tray, decorated with exquisite carvings of figurines in garden design. Surface of lid, a picture featuring two sections. On the right, a bearded mandarin dressed in Court Attire is seated in the centre of a garden, surrounded by attendants and other officials; behing him there is an arch with a panel saying "Yu Men" (Chinese:禹门, meaning the door of becoming a madarin). On the left, a woman , possibly the mandarin's wife, is seated in the centre of another garden, holding a folded fan; she is attended by a female servant; behind her there is another arch with a panel saying "Hong Ting"(Chinese:洪汀, meaning unknown). The mandarin's figure is exceptionally big comparing to all other figures on. Behind either archs there are pavilions and summer houses. In the foreground, a bridge connects the gardens and many people are walking on the bridge, carrying various belongings such as umbrella, fan, basket, flower, goods etc. By the side of the bridge there is a junk with several passengers and a boatman. In the background above the two gardens there are some other figures: on the right, five figures carrying fan or farming tool; centre, five figures resting near a pagoda; left. three figures sitting by a house. The whole picture is edged with various floral patterns and enclosed in a border of similar floral patterns. Apart from the surface of the lid, the other surfaces of the box provide 16 more panel sections, each bound and decorated with exquisite carvings: the 8 panels around the lid construct into a continuous picture, while the other 8 panels around the body of the casket construct into another continuous picture. The motives for either picture are much similar: they shouw figures in various activities, either boating, walking on a bridge, sitting in a garden or talking to each other. This is a common motif on ivory-carving artefacts produced in Guangzhou (Canton). On the left of the back panel there is a nicely decorated boat which is probably a Flower Boat, which is a type of floating entertainment hub in Guangzhou, see [Iconography]. The casket stands on four legs which are decorated with the head of a lion-like monster. The object is placed in a tray which is made of plain ivory plaques mount with fabrics. The casket has a pair of shinny golden handles (one missing), and the tray also has one. Made for export market. | toilet caskets | 骨雕人物庭院图八方盖匣 | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/1971 |
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1,184durom.1983.20
| durom.1983.20-tt.jpg | data/raw/images/oriental/1983 | Persian bowl, slightly flaming sides on straight base, in blue and black on white ground, interlaced medallion in centre, palm and formal foliage on inside walls, Kufic inscription round rim. Seljug ware. | bowls | null | ceramic | Seljuq-Ilkhan Dynasty | Iran | data/processed/OM_images_white/oriental/1983 |
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1,543durom.2014.108
| 2014.108 d2.jpg | data/raw/images/oriental/2014 | Red terracotta bowl, decorated with an internal swastika design in the centre of the bowl and a red line near to the border with three triangles on top of each other spaced out at intervals between this painted line and the rim. Lattice design around the exterior. The base is flat with evidence of where it was wheel thrown. The bowl is unglazed | bowls | null | terracotta | Indus Valley Civilisation | Pakistan | data/processed/OM_images_white/oriental/2014 |
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593durom.1964.19
| durom.1964.19-bb.jpg | data/raw/images/egyptian/1964 | long and thin fragment of a base of a thick middle kingdom 'fish dish' with deeply incised designs to represent fish scales | bowls | bowl | pottery | Middle Kingdom | Egypt | data/processed/OM_images_white/egyptian/1964 |
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1,081durom.1975.55
| 1975.55-uu.jpg | data/raw/images/oriental/1975 | Water vessel incised with floral designs. | Water Pot | null | brass | null | India | data/processed/OM_images_white/oriental/1975 |
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1,470durom.2013.112
| 2013.112-ll.jpg | data/raw/images/oriental/2013 | Korean wooden wedding duck, painted. The duck is carved from wood, has a flat base and an independently movable head which turns from side to side. The duck is completely painted aside from the base which has a column of Korean hanja stamped in blue ink which describes the makers details. The main part of the wing is painted in red, indicating that this is a female duck, the duck has a red/brown head with a red band around the neck, the front of the body is also brown/red with red dots, its side is black with red, white, and crimson dots and the tail is black with white circles, on the front of the wing is the 'five colour pattern, which is often used in marriage ceremonies to protect the couple from evil. Around the beak of the duck are two pieces of cord, one is red and one is blue, this symbolises the self-restraint and respect that she must show towards her husband. | figures | Wedding Duck | wood | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
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1,443durom.2011.6
| 2011.6-d2.jpg | data/raw/images/oriental/2011 | Nepalese engraved white metal mounted copper folding mountain horn in three parts. Large copper horn with overall floral decoration. The smaller part slots inside and pulls out to full extention. The third piece is a brass mounting that sits in the mouthpiece and may well be an adaption to use the horn as an electric lamp. | dung-chen | null | brass | null | Nepal | data/processed/OM_images_white/oriental/2011 |
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1,266durom.1992.154
| 1992.154.a-b-d2.jpg | data/raw/images/oriental/1992 | Silla or Unified Silla grey pottery plate with a domed lid, both have etched decorations of triangles and circles arranged in lines around the piece. The plate sits on a raised base and has a raised rim to fit the lid, inside the dish is a large crack and some dust (probably from the excavation site). The large domed cover has a donut shaped knob which acts as a handle, on the inside of the lid the clay swirls in the centre and faint finger indentations from the maker are visible. There are some chips to the base stand and one crack on the side of the lid. The quality of the piece implies that this was probably for ceremonial use rather than domestic purposes. | bowls | null | stoneware | Silla Dynasty | Korean peninsula | data/processed/OM_images_white/oriental/1992 |
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947durom.1969.578
| 1969.578.2-d4.jpg | data/raw/images/oriental/1969 | Large brass lantern in 5 parts. The base is hexagonal, each side has a panel incised with a foliage background and an applied figure of a mythical animal. Above is an irregular leaf shaped moulding with a large shallow bowl above. The bowl has incised decoration around the side, and four upright attachments of a probable original 6. The central part which fits above this is a hexagonal hollow box, the side panels of lattice work, and one with a catch and hinge to open as a door. The top part has a lower circular section with openwork around its top, then an upper section which is a large metal dome with a hexagonal lower edge. Each of the six ribs terminates in a dragon's head with a large curved tongue. Bells hang from loops below three of the heads, although it appears there would originally have been six bells. The finial is a separate piece which has an open lower section mounting a wooden pole on which a metal ball is fixed. | lanterns | null | iron | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1969 |
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1,101durom.1976.195
| 1976.195-rr.jpg | data/raw/images/oriental/1976 | netsuke: early figure of a foreigner blowing a trumpet. | netsukes | netsuke | ivory | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1976 |
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1,727duruc.2018.6
| duruc.2018.6-bb.jpg | data/raw/images/castle/2018 | A University College Boat Club Rowing Cap, belonging to Geoffrey Harrison Grimshaw, a Castle Undergraduate who entered University College in the Autumn of 1913. The cap is maroon in colour, made from wool, with two embroidered white crossed oars across the front of the cap, with the letters 'UC BC' on either side of the oars, also embroidered in white. The cap has a small peak, and inside is lined with a gold silk lining, and a paper label with '7' printed on it is stuck inside the cap, indicating the size. Geoffrey Grimshaw became an officer cadet in the 'Durham University Officers Training Corps' between 1913-1914, who then fought in WWI and died on the Somme on July 10th 1916._x000D__x000D_
_x000D__x000D_
This style of cap has no specific name, but are often called ‘cricket caps’ in Britain, as this is the last remaining sport in which they are in common use. The ‘cricket cap’ was in common use from late Victorian times until the Second World War in many sports: cricket, rowing, football and rugby. Embodied ‘honours caps’ were given to men chosen to represent their school, club or country and we still refer to the number of times a football or rugby player has played for England, Ireland, Scotland or Wales as the number of times they have been ‘capped’. Less fancy (though still colourful) caps were for everyday sporting use. Cricketers have retained their caps the longest as cricket was the only sport where it was practical and indeed sometimes necessary to wear headgear while playing. Until the 1960s they were also a common part of the school uniform for boys from both private and state schools, and so they are sometimes called ‘schoolboy caps'. | hats | null | wool | 20th century | null | data/processed/OM_images_white/castle/2018 |
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1,876eg2991
| eg2991-uu.jpg | data/raw/images/egyptian/eg | Cow/bull tied up for slaughter. Light brown stone. | amulets | trussed ox amulet | Steatite/Soap Stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
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104DUROM.1973.12.b
| durom.1973.12.a-bb.jpg | data/raw/images/oriental/1973 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1973 |
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1,031durom.1971.scott2
| durom.1971.scott2.22-ff.jpg | data/raw/images/oriental/1971 | 2 boxes of coins | coins | null | metal | null | India | data/processed/OM_images_white/oriental/1971 |
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384durom.1960.2323
| durom.1960.2323-tt.jpg | data/raw/images/oriental/1960 | Ceremonial jui carved with 5 bats, with lingzhi fungus and two sacred jewels. | figures | jui | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
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1,453durom.2012.136
| durom.2012.136.3-bb.jpg | data/raw/images/oriental/2012 | Black Butler Ranmao cosplay female costume ensemble in 5 parts. It comprises:_x000D__x000D_
DUROM.2012.136.1 Sleeved bolero jacket in royal blue polyester satin with military style gold braid trimmed black cuffs and black edging._x000D__x000D_
DUROM.2012.136.2 Pale lavender polyester satin cheongsam edged in black with a mock diagonal front fastening. Zip down the back. Decorated on the front with three butterflies in dark lavender and gold. Lined with white polyester satin._x000D__x000D_
DUROM.2012.136.3 Black polyester taffeta basque belt with narrow white mock lacing at the back and side Velcro fastening._x000D__x000D_
DUROM.2012.136.4 Hair decoration of a pink net rosette with yellow tassel_x000D__x000D_
DUROM.2012.136.5 Narrow white polyester ribbon tie for basque | ensembles | null | polyester | Heisei Period | Shanghai | data/processed/OM_images_white/oriental/2012 |
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771durom.1968.172
| 1968.172.a-d3.jpg | data/raw/images/oriental/1968 | Pair of porcelain bowls, decorated with overglaze coloured enamels of figurine design, Canton Enamels wares. Both bowls bear two Opening designs on trellis pattern ground, painted inside the reserved panels with figures in domestic or landscape setting. Both bowls have a diaper band inside the bowl under the rim; one has a small red flower in the centre of well, while the other has lobed sides and rim, badly broken and repaired. | bowls | 广彩人物庭院图碗 | porcelain | Qianlong | China | data/processed/OM_images_white/oriental/1968 |
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1,465durom.2012.8
| 2012.8-p18.jpg | data/raw/images/oriental/2012 | Hanging using traditional tent-making and hand appliqué techniques, called khayamiya. Depicted is Hany's personal account of what he saw happening on the streets of Cairo in the early months of the Arab Spring uprising. Cream cotton background with black border. Circular central motif showing protestors and tanks, outlined by the colours of the Egyptian flag. This is surrounded by various scenes from the uprising - protestors, police with batons, groups with banners in both Arabic and English. At the top is a large red banner with an Arabic inscription. Backed on cream canvas with a horizontal seam across the midpoint and a blue cotton sleeve for hanging along the top edge. Some of the hand stitches are visible on the reverse. There is an Arabic inscription embroidered in blue thread on the bottom right hand corner. On the bottom left hand corner on the back a label is attached of blue cotton with an embroidered inscription in English. | Hanging | null | textiles | null | Egypt | data/processed/OM_images_white/oriental/2012 |
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1,465durom.2012.8
| 2012.8-d14.jpg | data/raw/images/oriental/2012 | Hanging using traditional tent-making and hand appliqué techniques, called khayamiya. Depicted is Hany's personal account of what he saw happening on the streets of Cairo in the early months of the Arab Spring uprising. Cream cotton background with black border. Circular central motif showing protestors and tanks, outlined by the colours of the Egyptian flag. This is surrounded by various scenes from the uprising - protestors, police with batons, groups with banners in both Arabic and English. At the top is a large red banner with an Arabic inscription. Backed on cream canvas with a horizontal seam across the midpoint and a blue cotton sleeve for hanging along the top edge. Some of the hand stitches are visible on the reverse. There is an Arabic inscription embroidered in blue thread on the bottom right hand corner. On the bottom left hand corner on the back a label is attached of blue cotton with an embroidered inscription in English. | Hanging | null | textiles | null | Egypt | data/processed/OM_images_white/oriental/2012 |
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1,080durom.1975.54
| 1975.54-d1.jpg | data/raw/images/oriental/1975 | Water vessel incised with Hindu figures including Hayagriva, Durga, Krishna, Narasimha and Ganesh | Water Pot | null | brass | null | India | data/processed/OM_images_white/oriental/1975 |
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529durom.1960.961
| durom.1960.961-tt.jpg | data/raw/images/oriental/1960 | duck with red eyes, with a wooden stand. | figures | null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
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130DUROM.1981.12.A-B
| durom.1981.12-tt.jpg | data/raw/images/oriental/1981 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1981 |
|
1,307durom.1995.88
| 1995.88-d2.jpg | data/raw/images/oriental/1995 | cream nephrite jade cup, its base slightly raised (3mm) | cups | 白玉杯 | nephrite | Ming | China | data/processed/OM_images_white/oriental/1995 |
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1,454durom.2012.137
| 2012.137-bb.jpg | data/raw/images/oriental/2012 | Rozen maiden Shinku (Reiner Rubin) cosplay female costume ensemble._x000D__x000D_
DUROM.2012.137.1 Red cotton and spandex velvet long sleeved calf length dress, with gathered frills at waist and hem. Nylon zip in the right hand side, the ends of a sash attached in the two side seams at the waist._x000D__x000D_
DUROM.2012.137.2 Red plush velvet short cape with a frilled edge, stand up collar and a pink polyester satin ribbon rose trim._x000D__x000D_
DUROM.2012.137.3 Red stretch velvet headdress, pleated onto a broad green polyester satin ribbon tie. 2 pink fabric roses attached at the neck._x000D__x000D_
DUROM.2012.137.4 and 5 Pair of black shoes, possibly leather, possibly plastic, with red fabric roses attached near the toe and a shiny black leather or plastic bow at each heel. Size 38, maker Zingshan._x000D__x000D_
DUROM.2012.137.6 and 7 Pair of black patent leather or plastic ankle straps with Velcro fastenings._x000D__x000D_
DUROM.2012.137.8 White cotton poplin bloomers with tightly elasticated waist and frilled cuffs._x000D__x000D_
DUROM.2012.137.9 White nylon petticoat with a nylon zip in the back centre seam and a lace trim along the hem. | ensembles | null | cotton | Heisei Period | Shanghai | data/processed/OM_images_white/oriental/2012 |
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813durom.1969.100
| durom.1969.100-rr.jpg | data/raw/images/oriental/1969 | Stoneware bowl, covered with blue-green glaze on carved decoration of lotus design, Longquan ware of Yuan dynasty period. Exterior of the bowl, carved encircling lotus petals in low relief. | bowls | 龙泉窑青釉刻莲瓣纹碗 | porcelain | Yuan dynasty | Longquan | data/processed/OM_images_white/oriental/1969 |
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18DUROM.1960.3200.h
| 1960.3200f-ff.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1960 |
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1,770eg1427
| eg1427-tt.jpg | data/raw/images/egyptian/eg | necked jar, round bottomed, in hard pink ware, not coated or polished. Decorated with 'S' pattern and dots over whole exterior, in red paint. Two tubular lug handles | jars | predynastic pot | pottery | Naqada II | Egypt | data/processed/OM_images_white/egyptian/eg |
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63DUROM.1969.217.a-b
| 1969.217.b-d1.jpg | data/raw/images/oriental/1969 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1969 |
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1,525durom.2013.67
| 2013.67-rr.jpg | data/raw/images/oriental/2013 | Miniature moon jar. A small, round white porcelain jar with a light blue glaze and a dark blue Waun Llodi clay inclusion. The jar has an unevenly rounded body, a slightly raised base and a slightly raised rim around an opening roughly half the width of the jar, both of the latter is unglazed. The artist mark 'AB' for Adam Buick is stamped into the side near the base. The jar is Welsh although the artist's inspiration is Korean moon jar, from which he has taken the form and applied a Welsh glaze. The lip of the jar is slightly uneven, and this is intentional. | jars | null | porcelain | null | Wales | data/processed/OM_images_white/oriental/2013 |
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121DUROM.1978.19.E
| 1978.19.d.1.jpg | data/raw/images/oriental/1978 | null | null | null | null | null | null | data/processed/OM_images_white/oriental/1978 |
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2,000eg5149
| eg5149-wel38-uu.jpg | data/raw/images/egyptian/eg | Shallow saucer with handmade flat base, covered in white slip. Wheel turned. Like 12 from Abydos (Keeley 1976:plate 4.1) | dishes | saucer | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
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1,411durom.2006.28
| 2006.28.2.jpg | data/raw/images/oriental/2006 | A moulded plastic model head showing four kinds of acupuncture points. Also a paper booklet in English and Chinese, a wooden stand, and a card box. | models | null | plastic | null | Shanghai | data/processed/OM_images_white/oriental/2006 |
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542durom.1961.26
| 1961.26 ll.jpg | data/raw/images/oriental/1961 | Made with redwood and bound with brass. The tiles are made with ivory at the front and with bamboo at the back. The tiles decorated with rustic scenes also carved with a character on each piece; the characters make a sentence: Qingshan bu lao, lvshui liu chang /青山不老，绿水流长 (literally, 'the green mountains do not grow old, and the blue waters flow eternally'). The characters and patterns on the tiles are carved from the ivory and filled with coloured pigments afterward. Made for export. | Majiang set | 象牙竹丝麻将连红木五层盒 | wood | late Qing dynasty | China | data/processed/OM_images_white/oriental/1961 |
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1,647durom.2015.39
| durom.2015.39-ss.jpg | data/raw/images/oriental/2015 | Clay toy. This example of Russian folk handicraft of moulded painted clay figures depicts a horse. The figure is moulded in proportional manner. The horse figure stands on four widely spread (especially in the back) long legs. It has a long neck and broad long tail. The toy is painted in grey with white dot pattern of circles possibly imitating dapple grey coat colour of horse. The horsehair on a crest and tail are painted in white. The harness bands on the head are also white. The inside of the muzzle is painted in red. The ears had been snapped off (especially left ear)._x000D__x000D_
This clay toy could be probably classified as Kargopol toy. Kargopol toy (Russian: Каргопольская игрушка). Kargopol toys are moulded painted clay figures of people and animals. This is one of the old Russian folk handicrafts, which is common in and around the town of Kargopol in Arkhangelsk Oblast, North Russia. According to historical sources seasonal pottery of red clay in the villages around Kargopolsk developed around late 19th/beginning 20th century. Craftsmen were making toys out of the clay remnants. | toys | null | clay | 21st century | Russia | data/processed/OM_images_white/oriental/2015 |
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668durom.1964.505
| durom.1964.505-ll.jpg | data/raw/images/oriental/1964 | A sherd with part of the rim and neck, attached with a complete handle. Orange red in colour, with little white and grey grits. Smooth exterior surface, with some throwing lines around the neck. Interior surface is rough. | vessels | null | pottery | null | Jericho | data/processed/OM_images_white/oriental/1964 |
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