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|---|---|---|---|---|---|---|---|---|---|---|
eg5331 | eg5331-n2116-rr.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5331 | eg5331-n2116-rr.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5331 | eg5331-n2116-rr.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5331 | eg5331-n2116-rr.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5331 | eg5331-n2116-rr.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2001.32.50 | 2001.32.50-uu.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 216cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.50 | 2001.32.50-uu.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 216cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.50 | 2001.32.50-uu.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 216cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.50 | 2001.32.50-uu.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 216cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.50 | 2001.32.50-uu.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 216cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
duruc.2017.136 | duruc.2017.136ff.jpg | data/raw/images/castle/2017 | A 19th century hand colour engraving depicting a cricket scene by the river in front of the Cathedral entitled 'Grand Cricket Match' cut out from a newspaper. Black and white lined print with hand painted colour detail, particularly green and white detail. From the London Illustrated News, it may relate to some of the first county matches which were first introduced in 1874, however, some of the books published on the back in the newspaper date to around 1849. The cricket match is taking place in a field down by the River Wear, which is highlighted through white ink. The pitch is crowded and the boundary to the field is fenced off with a scene. The bridge over the river is visible on the right hand side. The Cathedral is at the top centre of the engraving with the Castle on the right which has its flag flying, both have white highlighted areas. _x000D__x000D_
_x000D__x000D_
Edward Bradley was an English clergyman and novelist, who was educated at University College, Durham University (1845). He graduated B.A. in 1848, and took his licentiateship of theology in 1849. From his time at the University he took his pen name Cuthbert M. Bede, B.A. His most popular book was The Adventures of Mr. Verdant Green, on the experiences of an Oxford undergraduate. Bradley drew his own illustrations as well as writing the text, and contributed to magazines such as Punch as well as producing other books. | 425sketches
| null | paper | 19th century | null | data/processed/OM_images_white/castle/2017 |
|
duruc.2017.136 | duruc.2017.136ff.jpg | data/raw/images/castle/2017 | A 19th century hand colour engraving depicting a cricket scene by the river in front of the Cathedral entitled 'Grand Cricket Match' cut out from a newspaper. Black and white lined print with hand painted colour detail, particularly green and white detail. From the London Illustrated News, it may relate to some of the first county matches which were first introduced in 1874, however, some of the books published on the back in the newspaper date to around 1849. The cricket match is taking place in a field down by the River Wear, which is highlighted through white ink. The pitch is crowded and the boundary to the field is fenced off with a scene. The bridge over the river is visible on the right hand side. The Cathedral is at the top centre of the engraving with the Castle on the right which has its flag flying, both have white highlighted areas. _x000D__x000D_
_x000D__x000D_
Edward Bradley was an English clergyman and novelist, who was educated at University College, Durham University (1845). He graduated B.A. in 1848, and took his licentiateship of theology in 1849. From his time at the University he took his pen name Cuthbert M. Bede, B.A. His most popular book was The Adventures of Mr. Verdant Green, on the experiences of an Oxford undergraduate. Bradley drew his own illustrations as well as writing the text, and contributed to magazines such as Punch as well as producing other books. | 425sketches
| null | paper | 19th century | null | data/processed/OM_images_white/castle/2017 |
|
duruc.2017.136 | duruc.2017.136ff.jpg | data/raw/images/castle/2017 | A 19th century hand colour engraving depicting a cricket scene by the river in front of the Cathedral entitled 'Grand Cricket Match' cut out from a newspaper. Black and white lined print with hand painted colour detail, particularly green and white detail. From the London Illustrated News, it may relate to some of the first county matches which were first introduced in 1874, however, some of the books published on the back in the newspaper date to around 1849. The cricket match is taking place in a field down by the River Wear, which is highlighted through white ink. The pitch is crowded and the boundary to the field is fenced off with a scene. The bridge over the river is visible on the right hand side. The Cathedral is at the top centre of the engraving with the Castle on the right which has its flag flying, both have white highlighted areas. _x000D__x000D_
_x000D__x000D_
Edward Bradley was an English clergyman and novelist, who was educated at University College, Durham University (1845). He graduated B.A. in 1848, and took his licentiateship of theology in 1849. From his time at the University he took his pen name Cuthbert M. Bede, B.A. His most popular book was The Adventures of Mr. Verdant Green, on the experiences of an Oxford undergraduate. Bradley drew his own illustrations as well as writing the text, and contributed to magazines such as Punch as well as producing other books. | 425sketches
| null | paper | 19th century | null | data/processed/OM_images_white/castle/2017 |
|
duruc.2017.136 | duruc.2017.136ff.jpg | data/raw/images/castle/2017 | A 19th century hand colour engraving depicting a cricket scene by the river in front of the Cathedral entitled 'Grand Cricket Match' cut out from a newspaper. Black and white lined print with hand painted colour detail, particularly green and white detail. From the London Illustrated News, it may relate to some of the first county matches which were first introduced in 1874, however, some of the books published on the back in the newspaper date to around 1849. The cricket match is taking place in a field down by the River Wear, which is highlighted through white ink. The pitch is crowded and the boundary to the field is fenced off with a scene. The bridge over the river is visible on the right hand side. The Cathedral is at the top centre of the engraving with the Castle on the right which has its flag flying, both have white highlighted areas. _x000D__x000D_
_x000D__x000D_
Edward Bradley was an English clergyman and novelist, who was educated at University College, Durham University (1845). He graduated B.A. in 1848, and took his licentiateship of theology in 1849. From his time at the University he took his pen name Cuthbert M. Bede, B.A. His most popular book was The Adventures of Mr. Verdant Green, on the experiences of an Oxford undergraduate. Bradley drew his own illustrations as well as writing the text, and contributed to magazines such as Punch as well as producing other books. | 425sketches
| null | paper | 19th century | null | data/processed/OM_images_white/castle/2017 |
|
duruc.2017.136 | duruc.2017.136ff.jpg | data/raw/images/castle/2017 | A 19th century hand colour engraving depicting a cricket scene by the river in front of the Cathedral entitled 'Grand Cricket Match' cut out from a newspaper. Black and white lined print with hand painted colour detail, particularly green and white detail. From the London Illustrated News, it may relate to some of the first county matches which were first introduced in 1874, however, some of the books published on the back in the newspaper date to around 1849. The cricket match is taking place in a field down by the River Wear, which is highlighted through white ink. The pitch is crowded and the boundary to the field is fenced off with a scene. The bridge over the river is visible on the right hand side. The Cathedral is at the top centre of the engraving with the Castle on the right which has its flag flying, both have white highlighted areas. _x000D__x000D_
_x000D__x000D_
Edward Bradley was an English clergyman and novelist, who was educated at University College, Durham University (1845). He graduated B.A. in 1848, and took his licentiateship of theology in 1849. From his time at the University he took his pen name Cuthbert M. Bede, B.A. His most popular book was The Adventures of Mr. Verdant Green, on the experiences of an Oxford undergraduate. Bradley drew his own illustrations as well as writing the text, and contributed to magazines such as Punch as well as producing other books. | 425sketches
| null | paper | 19th century | null | data/processed/OM_images_white/castle/2017 |
|
durma.1985.52.37 | 1985.52.37.sf2.jpg | data/raw/images/fulling_mill/1985 | Reconstructed small vessel (many pieces with some missing) in dark grey fabric, unglazed. Marked on base with 'Bin QR Mc Coll' Was formerly on display in Old Fulling Mill Museum, Lower Gallery, Roman Case, but removed from display on 1/12/14 and placed in storage. Probably from Binchester excavations. | 377pottery
| Pottery | pottery | Roman | null | data/processed/OM_images_white/fulling_mill/1985 |
|
durma.1985.52.37 | 1985.52.37.sf2.jpg | data/raw/images/fulling_mill/1985 | Reconstructed small vessel (many pieces with some missing) in dark grey fabric, unglazed. Marked on base with 'Bin QR Mc Coll' Was formerly on display in Old Fulling Mill Museum, Lower Gallery, Roman Case, but removed from display on 1/12/14 and placed in storage. Probably from Binchester excavations. | 377pottery
| Pottery | pottery | Roman | null | data/processed/OM_images_white/fulling_mill/1985 |
|
durma.1985.52.37 | 1985.52.37.sf2.jpg | data/raw/images/fulling_mill/1985 | Reconstructed small vessel (many pieces with some missing) in dark grey fabric, unglazed. Marked on base with 'Bin QR Mc Coll' Was formerly on display in Old Fulling Mill Museum, Lower Gallery, Roman Case, but removed from display on 1/12/14 and placed in storage. Probably from Binchester excavations. | 377pottery
| Pottery | pottery | Roman | null | data/processed/OM_images_white/fulling_mill/1985 |
|
durma.1985.52.37 | 1985.52.37.sf2.jpg | data/raw/images/fulling_mill/1985 | Reconstructed small vessel (many pieces with some missing) in dark grey fabric, unglazed. Marked on base with 'Bin QR Mc Coll' Was formerly on display in Old Fulling Mill Museum, Lower Gallery, Roman Case, but removed from display on 1/12/14 and placed in storage. Probably from Binchester excavations. | 377pottery
| Pottery | pottery | Roman | null | data/processed/OM_images_white/fulling_mill/1985 |
|
durma.1985.52.37 | 1985.52.37.sf2.jpg | data/raw/images/fulling_mill/1985 | Reconstructed small vessel (many pieces with some missing) in dark grey fabric, unglazed. Marked on base with 'Bin QR Mc Coll' Was formerly on display in Old Fulling Mill Museum, Lower Gallery, Roman Case, but removed from display on 1/12/14 and placed in storage. Probably from Binchester excavations. | 377pottery
| Pottery | pottery | Roman | null | data/processed/OM_images_white/fulling_mill/1985 |
|
durom.2013.166 | 2013.166-d1.jpg | data/raw/images/oriental/2013 | Greeting card with a blue background. The front and back sides of the card are covered with horizontal lines of the image of a crawling pink bear cub. In the centre is a tall adult pink bear with claws. He is facing the opposite direction of the cubs._x000D__x000D_
A close up image of the adult bear's head is superimposed in light pink on the inside of the card._x000D__x000D_
On the front side in the bottom left corner is text, "GLOOMY The Naughty Grizzly" | 216cards
| null | cards | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.166 | 2013.166-d1.jpg | data/raw/images/oriental/2013 | Greeting card with a blue background. The front and back sides of the card are covered with horizontal lines of the image of a crawling pink bear cub. In the centre is a tall adult pink bear with claws. He is facing the opposite direction of the cubs._x000D__x000D_
A close up image of the adult bear's head is superimposed in light pink on the inside of the card._x000D__x000D_
On the front side in the bottom left corner is text, "GLOOMY The Naughty Grizzly" | 216cards
| null | cards | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.166 | 2013.166-d1.jpg | data/raw/images/oriental/2013 | Greeting card with a blue background. The front and back sides of the card are covered with horizontal lines of the image of a crawling pink bear cub. In the centre is a tall adult pink bear with claws. He is facing the opposite direction of the cubs._x000D__x000D_
A close up image of the adult bear's head is superimposed in light pink on the inside of the card._x000D__x000D_
On the front side in the bottom left corner is text, "GLOOMY The Naughty Grizzly" | 216cards
| null | cards | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.166 | 2013.166-d1.jpg | data/raw/images/oriental/2013 | Greeting card with a blue background. The front and back sides of the card are covered with horizontal lines of the image of a crawling pink bear cub. In the centre is a tall adult pink bear with claws. He is facing the opposite direction of the cubs._x000D__x000D_
A close up image of the adult bear's head is superimposed in light pink on the inside of the card._x000D__x000D_
On the front side in the bottom left corner is text, "GLOOMY The Naughty Grizzly" | 216cards
| null | cards | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.166 | 2013.166-d1.jpg | data/raw/images/oriental/2013 | Greeting card with a blue background. The front and back sides of the card are covered with horizontal lines of the image of a crawling pink bear cub. In the centre is a tall adult pink bear with claws. He is facing the opposite direction of the cubs._x000D__x000D_
A close up image of the adult bear's head is superimposed in light pink on the inside of the card._x000D__x000D_
On the front side in the bottom left corner is text, "GLOOMY The Naughty Grizzly" | 216cards
| null | cards | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1968.6 | 1968.6-d2.jpg | data/raw/images/oriental/1968 | Wooden print block of a page in Selective Works of Suwei gong (Suwei gong wenji/苏魏公文集), see [Notes], characters in Standard Script. | 489wood blocks
| 《苏魏公文集》木刻印版 | wood | Qing | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.6 | 1968.6-d2.jpg | data/raw/images/oriental/1968 | Wooden print block of a page in Selective Works of Suwei gong (Suwei gong wenji/苏魏公文集), see [Notes], characters in Standard Script. | 489wood blocks
| 《苏魏公文集》木刻印版 | wood | Qing | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.6 | 1968.6-d2.jpg | data/raw/images/oriental/1968 | Wooden print block of a page in Selective Works of Suwei gong (Suwei gong wenji/苏魏公文集), see [Notes], characters in Standard Script. | 489wood blocks
| 《苏魏公文集》木刻印版 | wood | Qing | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.6 | 1968.6-d2.jpg | data/raw/images/oriental/1968 | Wooden print block of a page in Selective Works of Suwei gong (Suwei gong wenji/苏魏公文集), see [Notes], characters in Standard Script. | 489wood blocks
| 《苏魏公文集》木刻印版 | wood | Qing | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.6 | 1968.6-d2.jpg | data/raw/images/oriental/1968 | Wooden print block of a page in Selective Works of Suwei gong (Suwei gong wenji/苏魏公文集), see [Notes], characters in Standard Script. | 489wood blocks
| 《苏魏公文集》木刻印版 | wood | Qing | China | data/processed/OM_images_white/oriental/1968 |
|
durom.2014.484 | 2014.484-d1.jpg | data/raw/images/oriental/2014 | Two silk bands (possibly for a sleeve) for a Chinese garment with blue and white satin stitch embroidery across the surface. Depicted within the design are flowers, foliage and on one of the strips is a butterfly. There is a gold embroidered thread at the edge of each band | 12Band
| null | silk | null | China | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.484 | 2014.484-d1.jpg | data/raw/images/oriental/2014 | Two silk bands (possibly for a sleeve) for a Chinese garment with blue and white satin stitch embroidery across the surface. Depicted within the design are flowers, foliage and on one of the strips is a butterfly. There is a gold embroidered thread at the edge of each band | 12Band
| null | silk | null | China | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.484 | 2014.484-d1.jpg | data/raw/images/oriental/2014 | Two silk bands (possibly for a sleeve) for a Chinese garment with blue and white satin stitch embroidery across the surface. Depicted within the design are flowers, foliage and on one of the strips is a butterfly. There is a gold embroidered thread at the edge of each band | 12Band
| null | silk | null | China | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.484 | 2014.484-d1.jpg | data/raw/images/oriental/2014 | Two silk bands (possibly for a sleeve) for a Chinese garment with blue and white satin stitch embroidery across the surface. Depicted within the design are flowers, foliage and on one of the strips is a butterfly. There is a gold embroidered thread at the edge of each band | 12Band
| null | silk | null | China | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.484 | 2014.484-d1.jpg | data/raw/images/oriental/2014 | Two silk bands (possibly for a sleeve) for a Chinese garment with blue and white satin stitch embroidery across the surface. Depicted within the design are flowers, foliage and on one of the strips is a butterfly. There is a gold embroidered thread at the edge of each band | 12Band
| null | silk | null | China | data/processed/OM_images_white/oriental/2014 |
|
durma.2014.2.97 | durma.2014.2.97.ff.jpg | data/raw/images/fulling_mill/2014 | 17 broken pieces of bone that may be parts of a sheep's skull. | 6Animal bone
| null | bone | Post-Medieval | null | data/processed/OM_images_white/fulling_mill/2014 |
|
durma.2014.2.97 | durma.2014.2.97.ff.jpg | data/raw/images/fulling_mill/2014 | 17 broken pieces of bone that may be parts of a sheep's skull. | 6Animal bone
| null | bone | Post-Medieval | null | data/processed/OM_images_white/fulling_mill/2014 |
|
durma.2014.2.97 | durma.2014.2.97.ff.jpg | data/raw/images/fulling_mill/2014 | 17 broken pieces of bone that may be parts of a sheep's skull. | 6Animal bone
| null | bone | Post-Medieval | null | data/processed/OM_images_white/fulling_mill/2014 |
|
durma.2014.2.97 | durma.2014.2.97.ff.jpg | data/raw/images/fulling_mill/2014 | 17 broken pieces of bone that may be parts of a sheep's skull. | 6Animal bone
| null | bone | Post-Medieval | null | data/processed/OM_images_white/fulling_mill/2014 |
|
durma.2014.2.97 | durma.2014.2.97.ff.jpg | data/raw/images/fulling_mill/2014 | 17 broken pieces of bone that may be parts of a sheep's skull. | 6Animal bone
| null | bone | Post-Medieval | null | data/processed/OM_images_white/fulling_mill/2014 |
|
eg2592 | eg2592-bb.jpg | data/raw/images/egyptian/eg | sherd with 4 lines of Greek in black ink. obverse red slip, reverse black. | 99Ostraka
| ostracon | pottery | Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2592 | eg2592-bb.jpg | data/raw/images/egyptian/eg | sherd with 4 lines of Greek in black ink. obverse red slip, reverse black. | 99Ostraka
| ostracon | pottery | Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2592 | eg2592-bb.jpg | data/raw/images/egyptian/eg | sherd with 4 lines of Greek in black ink. obverse red slip, reverse black. | 99Ostraka
| ostracon | pottery | Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2592 | eg2592-bb.jpg | data/raw/images/egyptian/eg | sherd with 4 lines of Greek in black ink. obverse red slip, reverse black. | 99Ostraka
| ostracon | pottery | Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2592 | eg2592-bb.jpg | data/raw/images/egyptian/eg | sherd with 4 lines of Greek in black ink. obverse red slip, reverse black. | 99Ostraka
| ostracon | pottery | Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1999.52 | 1999.52.2-d1.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 338mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.2-d1.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 338mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.2-d1.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 338mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.2-d1.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 338mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.2-d1.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 338mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.2014.110 | 2014.110 uu.jpg | data/raw/images/oriental/2014 | Small ceramic cup with external geometric decorations of hatched squares. The border above and below the squares is dark brown in colour with an internal red line. This same design breaks up the squares on the side. The bowl has heavy soil deposits. Flat base with evidence of where the piece was wheel made. The cup is unglazed | 244cups
| null | ceramic | Indus Valley Civilisation | Pakistan | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.110 | 2014.110 uu.jpg | data/raw/images/oriental/2014 | Small ceramic cup with external geometric decorations of hatched squares. The border above and below the squares is dark brown in colour with an internal red line. This same design breaks up the squares on the side. The bowl has heavy soil deposits. Flat base with evidence of where the piece was wheel made. The cup is unglazed | 244cups
| null | ceramic | Indus Valley Civilisation | Pakistan | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.110 | 2014.110 uu.jpg | data/raw/images/oriental/2014 | Small ceramic cup with external geometric decorations of hatched squares. The border above and below the squares is dark brown in colour with an internal red line. This same design breaks up the squares on the side. The bowl has heavy soil deposits. Flat base with evidence of where the piece was wheel made. The cup is unglazed | 244cups
| null | ceramic | Indus Valley Civilisation | Pakistan | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.110 | 2014.110 uu.jpg | data/raw/images/oriental/2014 | Small ceramic cup with external geometric decorations of hatched squares. The border above and below the squares is dark brown in colour with an internal red line. This same design breaks up the squares on the side. The bowl has heavy soil deposits. Flat base with evidence of where the piece was wheel made. The cup is unglazed | 244cups
| null | ceramic | Indus Valley Civilisation | Pakistan | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.110 | 2014.110 uu.jpg | data/raw/images/oriental/2014 | Small ceramic cup with external geometric decorations of hatched squares. The border above and below the squares is dark brown in colour with an internal red line. This same design breaks up the squares on the side. The bowl has heavy soil deposits. Flat base with evidence of where the piece was wheel made. The cup is unglazed | 244cups
| null | ceramic | Indus Valley Civilisation | Pakistan | data/processed/OM_images_white/oriental/2014 |
|
durom.1960.4183 | durom.1960.4183-ss.jpg | data/raw/images/oriental/1960 | round base, surmounted by a tortoise. | 127Seal
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4183 | durom.1960.4183-ss.jpg | data/raw/images/oriental/1960 | round base, surmounted by a tortoise. | 127Seal
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4183 | durom.1960.4183-ss.jpg | data/raw/images/oriental/1960 | round base, surmounted by a tortoise. | 127Seal
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4183 | durom.1960.4183-ss.jpg | data/raw/images/oriental/1960 | round base, surmounted by a tortoise. | 127Seal
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4183 | durom.1960.4183-ss.jpg | data/raw/images/oriental/1960 | round base, surmounted by a tortoise. | 127Seal
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2014.506 | durom.2014.506.jpg | data/raw/images/oriental/2014 | Two antler fragments used by members of the Iban tribe (located in Sarawak, Borneo) as a lucky or auspicious charm. One of the antlers is a full antler with a hooked tip at the end of the piece. The other is the tip fragment of a larger antler with a smooth blunt edge where a hole has been drilled into the surface. | 223charms
| null | bone | null | Sarawak State | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.506 | durom.2014.506.jpg | data/raw/images/oriental/2014 | Two antler fragments used by members of the Iban tribe (located in Sarawak, Borneo) as a lucky or auspicious charm. One of the antlers is a full antler with a hooked tip at the end of the piece. The other is the tip fragment of a larger antler with a smooth blunt edge where a hole has been drilled into the surface. | 223charms
| null | bone | null | Sarawak State | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.506 | durom.2014.506.jpg | data/raw/images/oriental/2014 | Two antler fragments used by members of the Iban tribe (located in Sarawak, Borneo) as a lucky or auspicious charm. One of the antlers is a full antler with a hooked tip at the end of the piece. The other is the tip fragment of a larger antler with a smooth blunt edge where a hole has been drilled into the surface. | 223charms
| null | bone | null | Sarawak State | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.506 | durom.2014.506.jpg | data/raw/images/oriental/2014 | Two antler fragments used by members of the Iban tribe (located in Sarawak, Borneo) as a lucky or auspicious charm. One of the antlers is a full antler with a hooked tip at the end of the piece. The other is the tip fragment of a larger antler with a smooth blunt edge where a hole has been drilled into the surface. | 223charms
| null | bone | null | Sarawak State | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.506 | durom.2014.506.jpg | data/raw/images/oriental/2014 | Two antler fragments used by members of the Iban tribe (located in Sarawak, Borneo) as a lucky or auspicious charm. One of the antlers is a full antler with a hooked tip at the end of the piece. The other is the tip fragment of a larger antler with a smooth blunt edge where a hole has been drilled into the surface. | 223charms
| null | bone | null | Sarawak State | data/processed/OM_images_white/oriental/2014 |
|
durom.1968.34.2.4 | 1968.34.2.4-d1.jpg | data/raw/images/oriental/1968 | Both men in the photograph wear the Manchu Queue and their queue is tied into a knot at the back. The photograph is originally black and white and the colour is applied on afterwards. Photo taken by Scottish photographer John Thomson (1837-1921) around 1868-72 or 1880 (ca). Postcard produced by M.Sternberg, postcard dealer based in Hong Kong. | 374postcards
| 晚清社会风俗摄影明信片 | paper | late Qing dynasty - Republic of China | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.34.2.4 | 1968.34.2.4-d1.jpg | data/raw/images/oriental/1968 | Both men in the photograph wear the Manchu Queue and their queue is tied into a knot at the back. The photograph is originally black and white and the colour is applied on afterwards. Photo taken by Scottish photographer John Thomson (1837-1921) around 1868-72 or 1880 (ca). Postcard produced by M.Sternberg, postcard dealer based in Hong Kong. | 374postcards
| 晚清社会风俗摄影明信片 | paper | late Qing dynasty - Republic of China | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.34.2.4 | 1968.34.2.4-d1.jpg | data/raw/images/oriental/1968 | Both men in the photograph wear the Manchu Queue and their queue is tied into a knot at the back. The photograph is originally black and white and the colour is applied on afterwards. Photo taken by Scottish photographer John Thomson (1837-1921) around 1868-72 or 1880 (ca). Postcard produced by M.Sternberg, postcard dealer based in Hong Kong. | 374postcards
| 晚清社会风俗摄影明信片 | paper | late Qing dynasty - Republic of China | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.34.2.4 | 1968.34.2.4-d1.jpg | data/raw/images/oriental/1968 | Both men in the photograph wear the Manchu Queue and their queue is tied into a knot at the back. The photograph is originally black and white and the colour is applied on afterwards. Photo taken by Scottish photographer John Thomson (1837-1921) around 1868-72 or 1880 (ca). Postcard produced by M.Sternberg, postcard dealer based in Hong Kong. | 374postcards
| 晚清社会风俗摄影明信片 | paper | late Qing dynasty - Republic of China | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.34.2.4 | 1968.34.2.4-d1.jpg | data/raw/images/oriental/1968 | Both men in the photograph wear the Manchu Queue and their queue is tied into a knot at the back. The photograph is originally black and white and the colour is applied on afterwards. Photo taken by Scottish photographer John Thomson (1837-1921) around 1868-72 or 1880 (ca). Postcard produced by M.Sternberg, postcard dealer based in Hong Kong. | 374postcards
| 晚清社会风俗摄影明信片 | paper | late Qing dynasty - Republic of China | China | data/processed/OM_images_white/oriental/1968 |
|
eg2305 | eg2305-n1665-ll.jpg | data/raw/images/egyptian/eg | stone (steatite?) heart, glazed green on one side. This side has the benu (heron) bird on it. The other side has 5 lines of incised inscription for the royal scribe Amenmose | 163amulets
| heart amulet | Steatite/Soap Stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2305 | eg2305-n1665-ll.jpg | data/raw/images/egyptian/eg | stone (steatite?) heart, glazed green on one side. This side has the benu (heron) bird on it. The other side has 5 lines of incised inscription for the royal scribe Amenmose | 163amulets
| heart amulet | Steatite/Soap Stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2305 | eg2305-n1665-ll.jpg | data/raw/images/egyptian/eg | stone (steatite?) heart, glazed green on one side. This side has the benu (heron) bird on it. The other side has 5 lines of incised inscription for the royal scribe Amenmose | 163amulets
| heart amulet | Steatite/Soap Stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2305 | eg2305-n1665-ll.jpg | data/raw/images/egyptian/eg | stone (steatite?) heart, glazed green on one side. This side has the benu (heron) bird on it. The other side has 5 lines of incised inscription for the royal scribe Amenmose | 163amulets
| heart amulet | Steatite/Soap Stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2305 | eg2305-n1665-ll.jpg | data/raw/images/egyptian/eg | stone (steatite?) heart, glazed green on one side. This side has the benu (heron) bird on it. The other side has 5 lines of incised inscription for the royal scribe Amenmose | 163amulets
| heart amulet | Steatite/Soap Stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1968.129.24 | 1968.129.24.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image of a body of water with buildings in the foreground, a large collection of boats and ships of various sizes, and a mountain range in the background of the picture. | 361photographs
| null | photographic paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.129.24 | 1968.129.24.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image of a body of water with buildings in the foreground, a large collection of boats and ships of various sizes, and a mountain range in the background of the picture. | 361photographs
| null | photographic paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.129.24 | 1968.129.24.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image of a body of water with buildings in the foreground, a large collection of boats and ships of various sizes, and a mountain range in the background of the picture. | 361photographs
| null | photographic paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.129.24 | 1968.129.24.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image of a body of water with buildings in the foreground, a large collection of boats and ships of various sizes, and a mountain range in the background of the picture. | 361photographs
| null | photographic paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.129.24 | 1968.129.24.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Coloured/tinted image of a body of water with buildings in the foreground, a large collection of boats and ships of various sizes, and a mountain range in the background of the picture. | 361photographs
| null | photographic paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
|
durom.2014.244 | durom.2014.244-d1.jpg | data/raw/images/oriental/2014 | Small silver ring with central bezel of silver spheres (like a stylised flower), fitted with twine around the bezel to allow it to fit a smaller finger size. This type of ring is found commonly in Dhofar, normally worn on the smallest finger. They can also come in sets of toe rings too | 391rings
| haisa or shodabiya | silver | null | Dhofar Governorate | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.244 | durom.2014.244-d1.jpg | data/raw/images/oriental/2014 | Small silver ring with central bezel of silver spheres (like a stylised flower), fitted with twine around the bezel to allow it to fit a smaller finger size. This type of ring is found commonly in Dhofar, normally worn on the smallest finger. They can also come in sets of toe rings too | 391rings
| haisa or shodabiya | silver | null | Dhofar Governorate | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.244 | durom.2014.244-d1.jpg | data/raw/images/oriental/2014 | Small silver ring with central bezel of silver spheres (like a stylised flower), fitted with twine around the bezel to allow it to fit a smaller finger size. This type of ring is found commonly in Dhofar, normally worn on the smallest finger. They can also come in sets of toe rings too | 391rings
| haisa or shodabiya | silver | null | Dhofar Governorate | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.244 | durom.2014.244-d1.jpg | data/raw/images/oriental/2014 | Small silver ring with central bezel of silver spheres (like a stylised flower), fitted with twine around the bezel to allow it to fit a smaller finger size. This type of ring is found commonly in Dhofar, normally worn on the smallest finger. They can also come in sets of toe rings too | 391rings
| haisa or shodabiya | silver | null | Dhofar Governorate | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.244 | durom.2014.244-d1.jpg | data/raw/images/oriental/2014 | Small silver ring with central bezel of silver spheres (like a stylised flower), fitted with twine around the bezel to allow it to fit a smaller finger size. This type of ring is found commonly in Dhofar, normally worn on the smallest finger. They can also come in sets of toe rings too | 391rings
| haisa or shodabiya | silver | null | Dhofar Governorate | data/processed/OM_images_white/oriental/2014 |
|
durom.1964.9 | 1964.9.21-bb.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 160albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.21-bb.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 160albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.21-bb.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 160albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.21-bb.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 160albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.21-bb.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 160albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
eg4380 | eg4380-d2.jpg | data/raw/images/egyptian/eg | deep blue glass pennanular earring with yellow band around the outer edge | 54Earring
| pennanular earring | glass | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4380 | eg4380-d2.jpg | data/raw/images/egyptian/eg | deep blue glass pennanular earring with yellow band around the outer edge | 54Earring
| pennanular earring | glass | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4380 | eg4380-d2.jpg | data/raw/images/egyptian/eg | deep blue glass pennanular earring with yellow band around the outer edge | 54Earring
| pennanular earring | glass | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4380 | eg4380-d2.jpg | data/raw/images/egyptian/eg | deep blue glass pennanular earring with yellow band around the outer edge | 54Earring
| pennanular earring | glass | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4380 | eg4380-d2.jpg | data/raw/images/egyptian/eg | deep blue glass pennanular earring with yellow band around the outer edge | 54Earring
| pennanular earring | glass | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1968.44 | 1968.44-uu.jpg | data/raw/images/oriental/1968 | Porcelain jar, covered in transparent glaze and decorated with underglaze blue colour. The jar is globular and has a conical neck. Neck, sprays of plum blossom. Shoulder, a band painted with the Eight Taoist Emblems on a blue ground, there are cloud patterns as secondary decoration on the band; the band is enclosed in double lines. The main body, the Hundred Antiquities motif consists of various objects and emblems, including a Ruyi sceptre, some of the Eight Precious Things, an archaic tripod Jia with a Qilin monster, vases, flower bowl, scholar's table etc. Below the main section, a border of lotus-petal pattern. The base is glazed and under the base there is a 6-character Guangxu mark. The foot and the narrow space around the foot is unglazed. | 313jars
| 光绪款青花博古图罐 | porcelain | Guangxu reign | Jingdezhen | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.44 | 1968.44-uu.jpg | data/raw/images/oriental/1968 | Porcelain jar, covered in transparent glaze and decorated with underglaze blue colour. The jar is globular and has a conical neck. Neck, sprays of plum blossom. Shoulder, a band painted with the Eight Taoist Emblems on a blue ground, there are cloud patterns as secondary decoration on the band; the band is enclosed in double lines. The main body, the Hundred Antiquities motif consists of various objects and emblems, including a Ruyi sceptre, some of the Eight Precious Things, an archaic tripod Jia with a Qilin monster, vases, flower bowl, scholar's table etc. Below the main section, a border of lotus-petal pattern. The base is glazed and under the base there is a 6-character Guangxu mark. The foot and the narrow space around the foot is unglazed. | 313jars
| 光绪款青花博古图罐 | porcelain | Guangxu reign | Jingdezhen | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.44 | 1968.44-uu.jpg | data/raw/images/oriental/1968 | Porcelain jar, covered in transparent glaze and decorated with underglaze blue colour. The jar is globular and has a conical neck. Neck, sprays of plum blossom. Shoulder, a band painted with the Eight Taoist Emblems on a blue ground, there are cloud patterns as secondary decoration on the band; the band is enclosed in double lines. The main body, the Hundred Antiquities motif consists of various objects and emblems, including a Ruyi sceptre, some of the Eight Precious Things, an archaic tripod Jia with a Qilin monster, vases, flower bowl, scholar's table etc. Below the main section, a border of lotus-petal pattern. The base is glazed and under the base there is a 6-character Guangxu mark. The foot and the narrow space around the foot is unglazed. | 313jars
| 光绪款青花博古图罐 | porcelain | Guangxu reign | Jingdezhen | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.44 | 1968.44-uu.jpg | data/raw/images/oriental/1968 | Porcelain jar, covered in transparent glaze and decorated with underglaze blue colour. The jar is globular and has a conical neck. Neck, sprays of plum blossom. Shoulder, a band painted with the Eight Taoist Emblems on a blue ground, there are cloud patterns as secondary decoration on the band; the band is enclosed in double lines. The main body, the Hundred Antiquities motif consists of various objects and emblems, including a Ruyi sceptre, some of the Eight Precious Things, an archaic tripod Jia with a Qilin monster, vases, flower bowl, scholar's table etc. Below the main section, a border of lotus-petal pattern. The base is glazed and under the base there is a 6-character Guangxu mark. The foot and the narrow space around the foot is unglazed. | 313jars
| 光绪款青花博古图罐 | porcelain | Guangxu reign | Jingdezhen | data/processed/OM_images_white/oriental/1968 |
|
durom.1968.44 | 1968.44-uu.jpg | data/raw/images/oriental/1968 | Porcelain jar, covered in transparent glaze and decorated with underglaze blue colour. The jar is globular and has a conical neck. Neck, sprays of plum blossom. Shoulder, a band painted with the Eight Taoist Emblems on a blue ground, there are cloud patterns as secondary decoration on the band; the band is enclosed in double lines. The main body, the Hundred Antiquities motif consists of various objects and emblems, including a Ruyi sceptre, some of the Eight Precious Things, an archaic tripod Jia with a Qilin monster, vases, flower bowl, scholar's table etc. Below the main section, a border of lotus-petal pattern. The base is glazed and under the base there is a 6-character Guangxu mark. The foot and the narrow space around the foot is unglazed. | 313jars
| 光绪款青花博古图罐 | porcelain | Guangxu reign | Jingdezhen | data/processed/OM_images_white/oriental/1968 |