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durom.1960.4.162 | 1960.4.162.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of an ornate but ruinous building with a tower-like structure at one corner. | 140Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.162 | 1960.4.162.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of an ornate but ruinous building with a tower-like structure at one corner. | 140Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.162 | 1960.4.162.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of an ornate but ruinous building with a tower-like structure at one corner. | 140Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.162 | 1960.4.162.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of an ornate but ruinous building with a tower-like structure at one corner. | 140Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.162 | 1960.4.162.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of an ornate but ruinous building with a tower-like structure at one corner. | 140Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1971.scott2.14.1 | durom.1971.scott2.14.1-ff.jpg | data/raw/images/oriental/1971 | It is a silver coin, round in shape. The Obverse depicts the bust of the king with the collar around the neck is prominent, part of the legend visible on the back of the bust possibly the date in Brahmi. The Reverse side depicts symbols like the chaitya (three arched hill) with a wavy line underneath that represents the river, above the chaitya is the crescent moon and the sun in the form of dots. These symbols are surrounded by the Brahmi script on their periphery which are very clear to identify. The coin is chipped near the edge | 246coins
| drachm | silver | null | Pakistan | data/processed/OM_images_white/oriental/1971 |
|
durom.1971.scott2.14.1 | durom.1971.scott2.14.1-ff.jpg | data/raw/images/oriental/1971 | It is a silver coin, round in shape. The Obverse depicts the bust of the king with the collar around the neck is prominent, part of the legend visible on the back of the bust possibly the date in Brahmi. The Reverse side depicts symbols like the chaitya (three arched hill) with a wavy line underneath that represents the river, above the chaitya is the crescent moon and the sun in the form of dots. These symbols are surrounded by the Brahmi script on their periphery which are very clear to identify. The coin is chipped near the edge | 246coins
| drachm | silver | null | Pakistan | data/processed/OM_images_white/oriental/1971 |
|
durom.1971.scott2.14.1 | durom.1971.scott2.14.1-ff.jpg | data/raw/images/oriental/1971 | It is a silver coin, round in shape. The Obverse depicts the bust of the king with the collar around the neck is prominent, part of the legend visible on the back of the bust possibly the date in Brahmi. The Reverse side depicts symbols like the chaitya (three arched hill) with a wavy line underneath that represents the river, above the chaitya is the crescent moon and the sun in the form of dots. These symbols are surrounded by the Brahmi script on their periphery which are very clear to identify. The coin is chipped near the edge | 246coins
| drachm | silver | null | Pakistan | data/processed/OM_images_white/oriental/1971 |
|
durom.1971.scott2.14.1 | durom.1971.scott2.14.1-ff.jpg | data/raw/images/oriental/1971 | It is a silver coin, round in shape. The Obverse depicts the bust of the king with the collar around the neck is prominent, part of the legend visible on the back of the bust possibly the date in Brahmi. The Reverse side depicts symbols like the chaitya (three arched hill) with a wavy line underneath that represents the river, above the chaitya is the crescent moon and the sun in the form of dots. These symbols are surrounded by the Brahmi script on their periphery which are very clear to identify. The coin is chipped near the edge | 246coins
| drachm | silver | null | Pakistan | data/processed/OM_images_white/oriental/1971 |
|
durom.1971.scott2.14.1 | durom.1971.scott2.14.1-ff.jpg | data/raw/images/oriental/1971 | It is a silver coin, round in shape. The Obverse depicts the bust of the king with the collar around the neck is prominent, part of the legend visible on the back of the bust possibly the date in Brahmi. The Reverse side depicts symbols like the chaitya (three arched hill) with a wavy line underneath that represents the river, above the chaitya is the crescent moon and the sun in the form of dots. These symbols are surrounded by the Brahmi script on their periphery which are very clear to identify. The coin is chipped near the edge | 246coins
| drachm | silver | null | Pakistan | data/processed/OM_images_white/oriental/1971 |
|
durom.1963.25 | durom.1963.25-tt.jpg | data/raw/images/oriental/1963 | Stone Votive stupa, eight-sided stupa with four images of Lord Buddha engraved into four sides. One position shows Buddha in the Dyhana meditation pose with both hands resting on his lap, two depict the Namaskara, greeting, pose where Buddha sits with both hands clasped in front of his chest, and the final pose shows Bhumisparsa, calling the Earth to witness - the gesture which Buddha used when he achieved enlightenment, this shows his right hand touching the ground and the left hand remaining on his knees. The Stupa is probably missing a stone or wooden decoration at the top. | 225carvings
| null | schist | Pala Period | Bihar State | data/processed/OM_images_white/oriental/1963 |
|
durom.1963.25 | durom.1963.25-tt.jpg | data/raw/images/oriental/1963 | Stone Votive stupa, eight-sided stupa with four images of Lord Buddha engraved into four sides. One position shows Buddha in the Dyhana meditation pose with both hands resting on his lap, two depict the Namaskara, greeting, pose where Buddha sits with both hands clasped in front of his chest, and the final pose shows Bhumisparsa, calling the Earth to witness - the gesture which Buddha used when he achieved enlightenment, this shows his right hand touching the ground and the left hand remaining on his knees. The Stupa is probably missing a stone or wooden decoration at the top. | 225carvings
| null | schist | Pala Period | Bihar State | data/processed/OM_images_white/oriental/1963 |
|
durom.1963.25 | durom.1963.25-tt.jpg | data/raw/images/oriental/1963 | Stone Votive stupa, eight-sided stupa with four images of Lord Buddha engraved into four sides. One position shows Buddha in the Dyhana meditation pose with both hands resting on his lap, two depict the Namaskara, greeting, pose where Buddha sits with both hands clasped in front of his chest, and the final pose shows Bhumisparsa, calling the Earth to witness - the gesture which Buddha used when he achieved enlightenment, this shows his right hand touching the ground and the left hand remaining on his knees. The Stupa is probably missing a stone or wooden decoration at the top. | 225carvings
| null | schist | Pala Period | Bihar State | data/processed/OM_images_white/oriental/1963 |
|
durom.1963.25 | durom.1963.25-tt.jpg | data/raw/images/oriental/1963 | Stone Votive stupa, eight-sided stupa with four images of Lord Buddha engraved into four sides. One position shows Buddha in the Dyhana meditation pose with both hands resting on his lap, two depict the Namaskara, greeting, pose where Buddha sits with both hands clasped in front of his chest, and the final pose shows Bhumisparsa, calling the Earth to witness - the gesture which Buddha used when he achieved enlightenment, this shows his right hand touching the ground and the left hand remaining on his knees. The Stupa is probably missing a stone or wooden decoration at the top. | 225carvings
| null | schist | Pala Period | Bihar State | data/processed/OM_images_white/oriental/1963 |
|
durom.1963.25 | durom.1963.25-tt.jpg | data/raw/images/oriental/1963 | Stone Votive stupa, eight-sided stupa with four images of Lord Buddha engraved into four sides. One position shows Buddha in the Dyhana meditation pose with both hands resting on his lap, two depict the Namaskara, greeting, pose where Buddha sits with both hands clasped in front of his chest, and the final pose shows Bhumisparsa, calling the Earth to witness - the gesture which Buddha used when he achieved enlightenment, this shows his right hand touching the ground and the left hand remaining on his knees. The Stupa is probably missing a stone or wooden decoration at the top. | 225carvings
| null | schist | Pala Period | Bihar State | data/processed/OM_images_white/oriental/1963 |
|
durom.1974.136 | durom.1974.136-d1.jpg | data/raw/images/oriental/1974 | Japanese Hime Daruma tumbler doll with hollow papier-mache body. Wears a woven brocade kimono of red and golden honeycomb and white chrysanthemums over white and silvery brocade. Red and white fabric collar. Synthetic black hair adhered to a painted face of bisque or plaster under a red and golden textile cap. A braided white cord frames the face, knotted into a bow at the center of the chest with two tassels hanging down. A woven textile of pink and golden metallic thread wraps the base. In an original cardboard box with pink pattern of Daruma dolls across box and lid. Lid has yellow rectangular sticker at its center with Japanese symbols reading:_x000D__x000D_
‘High quality (高级)_x000D__x000D_
Hime Daruma (姫 だるま)_x000D__x000D_
Issue’ | 264dolls
| null | synthetic fiber | null | Shikoku Island | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.136 | durom.1974.136-d1.jpg | data/raw/images/oriental/1974 | Japanese Hime Daruma tumbler doll with hollow papier-mache body. Wears a woven brocade kimono of red and golden honeycomb and white chrysanthemums over white and silvery brocade. Red and white fabric collar. Synthetic black hair adhered to a painted face of bisque or plaster under a red and golden textile cap. A braided white cord frames the face, knotted into a bow at the center of the chest with two tassels hanging down. A woven textile of pink and golden metallic thread wraps the base. In an original cardboard box with pink pattern of Daruma dolls across box and lid. Lid has yellow rectangular sticker at its center with Japanese symbols reading:_x000D__x000D_
‘High quality (高级)_x000D__x000D_
Hime Daruma (姫 だるま)_x000D__x000D_
Issue’ | 264dolls
| null | synthetic fiber | null | Shikoku Island | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.136 | durom.1974.136-d1.jpg | data/raw/images/oriental/1974 | Japanese Hime Daruma tumbler doll with hollow papier-mache body. Wears a woven brocade kimono of red and golden honeycomb and white chrysanthemums over white and silvery brocade. Red and white fabric collar. Synthetic black hair adhered to a painted face of bisque or plaster under a red and golden textile cap. A braided white cord frames the face, knotted into a bow at the center of the chest with two tassels hanging down. A woven textile of pink and golden metallic thread wraps the base. In an original cardboard box with pink pattern of Daruma dolls across box and lid. Lid has yellow rectangular sticker at its center with Japanese symbols reading:_x000D__x000D_
‘High quality (高级)_x000D__x000D_
Hime Daruma (姫 だるま)_x000D__x000D_
Issue’ | 264dolls
| null | synthetic fiber | null | Shikoku Island | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.136 | durom.1974.136-d1.jpg | data/raw/images/oriental/1974 | Japanese Hime Daruma tumbler doll with hollow papier-mache body. Wears a woven brocade kimono of red and golden honeycomb and white chrysanthemums over white and silvery brocade. Red and white fabric collar. Synthetic black hair adhered to a painted face of bisque or plaster under a red and golden textile cap. A braided white cord frames the face, knotted into a bow at the center of the chest with two tassels hanging down. A woven textile of pink and golden metallic thread wraps the base. In an original cardboard box with pink pattern of Daruma dolls across box and lid. Lid has yellow rectangular sticker at its center with Japanese symbols reading:_x000D__x000D_
‘High quality (高级)_x000D__x000D_
Hime Daruma (姫 だるま)_x000D__x000D_
Issue’ | 264dolls
| null | synthetic fiber | null | Shikoku Island | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.136 | durom.1974.136-d1.jpg | data/raw/images/oriental/1974 | Japanese Hime Daruma tumbler doll with hollow papier-mache body. Wears a woven brocade kimono of red and golden honeycomb and white chrysanthemums over white and silvery brocade. Red and white fabric collar. Synthetic black hair adhered to a painted face of bisque or plaster under a red and golden textile cap. A braided white cord frames the face, knotted into a bow at the center of the chest with two tassels hanging down. A woven textile of pink and golden metallic thread wraps the base. In an original cardboard box with pink pattern of Daruma dolls across box and lid. Lid has yellow rectangular sticker at its center with Japanese symbols reading:_x000D__x000D_
‘High quality (高级)_x000D__x000D_
Hime Daruma (姫 だるま)_x000D__x000D_
Issue’ | 264dolls
| null | synthetic fiber | null | Shikoku Island | data/processed/OM_images_white/oriental/1974 |
|
durom.2013.70.15 | 2013.70.15-bb.jpg | data/raw/images/oriental/2013 | Playing card. King of Diamonds. On the face of the card is an image of the Arch of Reunification. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.70.15 | 2013.70.15-bb.jpg | data/raw/images/oriental/2013 | Playing card. King of Diamonds. On the face of the card is an image of the Arch of Reunification. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.70.15 | 2013.70.15-bb.jpg | data/raw/images/oriental/2013 | Playing card. King of Diamonds. On the face of the card is an image of the Arch of Reunification. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.70.15 | 2013.70.15-bb.jpg | data/raw/images/oriental/2013 | Playing card. King of Diamonds. On the face of the card is an image of the Arch of Reunification. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.70.15 | 2013.70.15-bb.jpg | data/raw/images/oriental/2013 | Playing card. King of Diamonds. On the face of the card is an image of the Arch of Reunification. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China | data/processed/OM_images_white/oriental/2013 |
|
durom.2012.49 | 2012.49.jpg | data/raw/images/oriental/2012 | Mandarin square rank badge. Embroidered panel in cream, red, blue, green featuring silver pheasant and flowers; mounted with embroidered braid in blue on black onto mid-blue silk panel; fine cotton backing; a badge sewn onto uniform by Chinese state officials to denote rank; this badge with silver pheasant motif flying towards sun on left indicated fifth rank civil official; stitches are mainly satin stitch; some gold threads couched down. | 124Rank Square
| null | silk | null | China | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.49 | 2012.49.jpg | data/raw/images/oriental/2012 | Mandarin square rank badge. Embroidered panel in cream, red, blue, green featuring silver pheasant and flowers; mounted with embroidered braid in blue on black onto mid-blue silk panel; fine cotton backing; a badge sewn onto uniform by Chinese state officials to denote rank; this badge with silver pheasant motif flying towards sun on left indicated fifth rank civil official; stitches are mainly satin stitch; some gold threads couched down. | 124Rank Square
| null | silk | null | China | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.49 | 2012.49.jpg | data/raw/images/oriental/2012 | Mandarin square rank badge. Embroidered panel in cream, red, blue, green featuring silver pheasant and flowers; mounted with embroidered braid in blue on black onto mid-blue silk panel; fine cotton backing; a badge sewn onto uniform by Chinese state officials to denote rank; this badge with silver pheasant motif flying towards sun on left indicated fifth rank civil official; stitches are mainly satin stitch; some gold threads couched down. | 124Rank Square
| null | silk | null | China | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.49 | 2012.49.jpg | data/raw/images/oriental/2012 | Mandarin square rank badge. Embroidered panel in cream, red, blue, green featuring silver pheasant and flowers; mounted with embroidered braid in blue on black onto mid-blue silk panel; fine cotton backing; a badge sewn onto uniform by Chinese state officials to denote rank; this badge with silver pheasant motif flying towards sun on left indicated fifth rank civil official; stitches are mainly satin stitch; some gold threads couched down. | 124Rank Square
| null | silk | null | China | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.49 | 2012.49.jpg | data/raw/images/oriental/2012 | Mandarin square rank badge. Embroidered panel in cream, red, blue, green featuring silver pheasant and flowers; mounted with embroidered braid in blue on black onto mid-blue silk panel; fine cotton backing; a badge sewn onto uniform by Chinese state officials to denote rank; this badge with silver pheasant motif flying towards sun on left indicated fifth rank civil official; stitches are mainly satin stitch; some gold threads couched down. | 124Rank Square
| null | silk | null | China | data/processed/OM_images_white/oriental/2012 |
|
durma.2020.3.1473 | durma.2020.3.1473.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy as, possibly of Marcus Aurelius and dating to the period AD 161 to 180 (Reece period 8), part of the Piercebridge River Assemblage. Reverse laureate head facing right, legend illegible. Reverse unknown standing figure, legend illegible. _x000D__x000D_
_x000D__x000D_
Mint of Rome._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/516496_x000D__x000D_
| 246coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1473 | durma.2020.3.1473.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy as, possibly of Marcus Aurelius and dating to the period AD 161 to 180 (Reece period 8), part of the Piercebridge River Assemblage. Reverse laureate head facing right, legend illegible. Reverse unknown standing figure, legend illegible. _x000D__x000D_
_x000D__x000D_
Mint of Rome._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/516496_x000D__x000D_
| 246coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1473 | durma.2020.3.1473.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy as, possibly of Marcus Aurelius and dating to the period AD 161 to 180 (Reece period 8), part of the Piercebridge River Assemblage. Reverse laureate head facing right, legend illegible. Reverse unknown standing figure, legend illegible. _x000D__x000D_
_x000D__x000D_
Mint of Rome._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/516496_x000D__x000D_
| 246coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1473 | durma.2020.3.1473.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy as, possibly of Marcus Aurelius and dating to the period AD 161 to 180 (Reece period 8), part of the Piercebridge River Assemblage. Reverse laureate head facing right, legend illegible. Reverse unknown standing figure, legend illegible. _x000D__x000D_
_x000D__x000D_
Mint of Rome._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/516496_x000D__x000D_
| 246coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1473 | durma.2020.3.1473.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy as, possibly of Marcus Aurelius and dating to the period AD 161 to 180 (Reece period 8), part of the Piercebridge River Assemblage. Reverse laureate head facing right, legend illegible. Reverse unknown standing figure, legend illegible. _x000D__x000D_
_x000D__x000D_
Mint of Rome._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/516496_x000D__x000D_
| 246coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2017.35 | 2017.35 ff.jpg | data/raw/images/castle/2017 | A white marble plain bowl with smooth surface and marble markings. | 204bowls
| 明汉白玉碗 | Jade (Calcified) | Ming | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.35 | 2017.35 ff.jpg | data/raw/images/castle/2017 | A white marble plain bowl with smooth surface and marble markings. | 204bowls
| 明汉白玉碗 | Jade (Calcified) | Ming | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.35 | 2017.35 ff.jpg | data/raw/images/castle/2017 | A white marble plain bowl with smooth surface and marble markings. | 204bowls
| 明汉白玉碗 | Jade (Calcified) | Ming | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.35 | 2017.35 ff.jpg | data/raw/images/castle/2017 | A white marble plain bowl with smooth surface and marble markings. | 204bowls
| 明汉白玉碗 | Jade (Calcified) | Ming | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.35 | 2017.35 ff.jpg | data/raw/images/castle/2017 | A white marble plain bowl with smooth surface and marble markings. | 204bowls
| 明汉白玉碗 | Jade (Calcified) | Ming | China | data/processed/OM_images_white/castle/2017 |
|
eg3998 | eg3998-q4.jpg | data/raw/images/egyptian/eg | torso in green glazed faience of Amenhotep III. Only the beard, lips and part of the neck remain of the head. He wears a wesekh collar and gold chains, a kilt with front and side lappets and a panther's head. The king's name and titles are on the belt. The statue is inscribed on the sides of the obelisk shaped back pillar stating that this is Amenhotep III and that the statue is dedicated to the king's 'living image', a deified statue in his mortuary temple (hwt nebmaatre) at Thebes. | 456statues
| faience statue of Amenhotep III | faience | Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg3998 | eg3998-q4.jpg | data/raw/images/egyptian/eg | torso in green glazed faience of Amenhotep III. Only the beard, lips and part of the neck remain of the head. He wears a wesekh collar and gold chains, a kilt with front and side lappets and a panther's head. The king's name and titles are on the belt. The statue is inscribed on the sides of the obelisk shaped back pillar stating that this is Amenhotep III and that the statue is dedicated to the king's 'living image', a deified statue in his mortuary temple (hwt nebmaatre) at Thebes. | 456statues
| faience statue of Amenhotep III | faience | Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg3998 | eg3998-q4.jpg | data/raw/images/egyptian/eg | torso in green glazed faience of Amenhotep III. Only the beard, lips and part of the neck remain of the head. He wears a wesekh collar and gold chains, a kilt with front and side lappets and a panther's head. The king's name and titles are on the belt. The statue is inscribed on the sides of the obelisk shaped back pillar stating that this is Amenhotep III and that the statue is dedicated to the king's 'living image', a deified statue in his mortuary temple (hwt nebmaatre) at Thebes. | 456statues
| faience statue of Amenhotep III | faience | Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg3998 | eg3998-q4.jpg | data/raw/images/egyptian/eg | torso in green glazed faience of Amenhotep III. Only the beard, lips and part of the neck remain of the head. He wears a wesekh collar and gold chains, a kilt with front and side lappets and a panther's head. The king's name and titles are on the belt. The statue is inscribed on the sides of the obelisk shaped back pillar stating that this is Amenhotep III and that the statue is dedicated to the king's 'living image', a deified statue in his mortuary temple (hwt nebmaatre) at Thebes. | 456statues
| faience statue of Amenhotep III | faience | Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg3998 | eg3998-q4.jpg | data/raw/images/egyptian/eg | torso in green glazed faience of Amenhotep III. Only the beard, lips and part of the neck remain of the head. He wears a wesekh collar and gold chains, a kilt with front and side lappets and a panther's head. The king's name and titles are on the belt. The statue is inscribed on the sides of the obelisk shaped back pillar stating that this is Amenhotep III and that the statue is dedicated to the king's 'living image', a deified statue in his mortuary temple (hwt nebmaatre) at Thebes. | 456statues
| faience statue of Amenhotep III | faience | Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1999.104 | 1999.104.jpg | data/raw/images/oriental/1999 | Large painting on canvas depicting the activities at a village temple, where a shrine is decorated with umbrellas and streamers, and other shrines with tiered roofs are within the temple. A priest is receiving offerings from the laity. Other priests assemble offerings. Girls dance to the music of a gamelan orchestra, for the benefit of the gods, and providing spectacle for onlookers. On the far right a man plays a large suspended gong. Next to him another man plays a flute or pipe. Seated to the left of these figures are two men playing drums. All are wearing the traditional costume consisting of a cloth wrapped around the waist and a cloth ties around the chest over the top. Three other men are shown in the background but are obscured by dancing girls to their left. There are four dancing girls standing in two pairs, one set in front of the other. They are all wearing traditional costume of sarongs and scarves. They are all carrying offerings raised to head height in their right hands. In their left hands they hold a veil piece from their costumes. One man stands in front of them carrying a larger offering. They are all walking towards the shrine on the left hand side of the painting. In front of them to the left hand side are a group of five women and three men seated on a mat in front of an older man. Surrounding them are more offerings which they seem to be presenting to the old man. Two umbrellas represent their status and condition. At the bottom left hand corner a younger man sits, holding a stick in his left hand. A woman with a dish of offerings stands to his right and behind her a boy is sitting on the wall of a house. In front of the temple in the distance two figures, a man and a woman, are kneeling. They are holding offerings up to the temple. The painting uses a mixture of greys, blues and black to create a cool feel. No other colours are used. In a wooden frame. | 369paintings
| null | canvas | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.104 | 1999.104.jpg | data/raw/images/oriental/1999 | Large painting on canvas depicting the activities at a village temple, where a shrine is decorated with umbrellas and streamers, and other shrines with tiered roofs are within the temple. A priest is receiving offerings from the laity. Other priests assemble offerings. Girls dance to the music of a gamelan orchestra, for the benefit of the gods, and providing spectacle for onlookers. On the far right a man plays a large suspended gong. Next to him another man plays a flute or pipe. Seated to the left of these figures are two men playing drums. All are wearing the traditional costume consisting of a cloth wrapped around the waist and a cloth ties around the chest over the top. Three other men are shown in the background but are obscured by dancing girls to their left. There are four dancing girls standing in two pairs, one set in front of the other. They are all wearing traditional costume of sarongs and scarves. They are all carrying offerings raised to head height in their right hands. In their left hands they hold a veil piece from their costumes. One man stands in front of them carrying a larger offering. They are all walking towards the shrine on the left hand side of the painting. In front of them to the left hand side are a group of five women and three men seated on a mat in front of an older man. Surrounding them are more offerings which they seem to be presenting to the old man. Two umbrellas represent their status and condition. At the bottom left hand corner a younger man sits, holding a stick in his left hand. A woman with a dish of offerings stands to his right and behind her a boy is sitting on the wall of a house. In front of the temple in the distance two figures, a man and a woman, are kneeling. They are holding offerings up to the temple. The painting uses a mixture of greys, blues and black to create a cool feel. No other colours are used. In a wooden frame. | 369paintings
| null | canvas | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.104 | 1999.104.jpg | data/raw/images/oriental/1999 | Large painting on canvas depicting the activities at a village temple, where a shrine is decorated with umbrellas and streamers, and other shrines with tiered roofs are within the temple. A priest is receiving offerings from the laity. Other priests assemble offerings. Girls dance to the music of a gamelan orchestra, for the benefit of the gods, and providing spectacle for onlookers. On the far right a man plays a large suspended gong. Next to him another man plays a flute or pipe. Seated to the left of these figures are two men playing drums. All are wearing the traditional costume consisting of a cloth wrapped around the waist and a cloth ties around the chest over the top. Three other men are shown in the background but are obscured by dancing girls to their left. There are four dancing girls standing in two pairs, one set in front of the other. They are all wearing traditional costume of sarongs and scarves. They are all carrying offerings raised to head height in their right hands. In their left hands they hold a veil piece from their costumes. One man stands in front of them carrying a larger offering. They are all walking towards the shrine on the left hand side of the painting. In front of them to the left hand side are a group of five women and three men seated on a mat in front of an older man. Surrounding them are more offerings which they seem to be presenting to the old man. Two umbrellas represent their status and condition. At the bottom left hand corner a younger man sits, holding a stick in his left hand. A woman with a dish of offerings stands to his right and behind her a boy is sitting on the wall of a house. In front of the temple in the distance two figures, a man and a woman, are kneeling. They are holding offerings up to the temple. The painting uses a mixture of greys, blues and black to create a cool feel. No other colours are used. In a wooden frame. | 369paintings
| null | canvas | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.104 | 1999.104.jpg | data/raw/images/oriental/1999 | Large painting on canvas depicting the activities at a village temple, where a shrine is decorated with umbrellas and streamers, and other shrines with tiered roofs are within the temple. A priest is receiving offerings from the laity. Other priests assemble offerings. Girls dance to the music of a gamelan orchestra, for the benefit of the gods, and providing spectacle for onlookers. On the far right a man plays a large suspended gong. Next to him another man plays a flute or pipe. Seated to the left of these figures are two men playing drums. All are wearing the traditional costume consisting of a cloth wrapped around the waist and a cloth ties around the chest over the top. Three other men are shown in the background but are obscured by dancing girls to their left. There are four dancing girls standing in two pairs, one set in front of the other. They are all wearing traditional costume of sarongs and scarves. They are all carrying offerings raised to head height in their right hands. In their left hands they hold a veil piece from their costumes. One man stands in front of them carrying a larger offering. They are all walking towards the shrine on the left hand side of the painting. In front of them to the left hand side are a group of five women and three men seated on a mat in front of an older man. Surrounding them are more offerings which they seem to be presenting to the old man. Two umbrellas represent their status and condition. At the bottom left hand corner a younger man sits, holding a stick in his left hand. A woman with a dish of offerings stands to his right and behind her a boy is sitting on the wall of a house. In front of the temple in the distance two figures, a man and a woman, are kneeling. They are holding offerings up to the temple. The painting uses a mixture of greys, blues and black to create a cool feel. No other colours are used. In a wooden frame. | 369paintings
| null | canvas | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.104 | 1999.104.jpg | data/raw/images/oriental/1999 | Large painting on canvas depicting the activities at a village temple, where a shrine is decorated with umbrellas and streamers, and other shrines with tiered roofs are within the temple. A priest is receiving offerings from the laity. Other priests assemble offerings. Girls dance to the music of a gamelan orchestra, for the benefit of the gods, and providing spectacle for onlookers. On the far right a man plays a large suspended gong. Next to him another man plays a flute or pipe. Seated to the left of these figures are two men playing drums. All are wearing the traditional costume consisting of a cloth wrapped around the waist and a cloth ties around the chest over the top. Three other men are shown in the background but are obscured by dancing girls to their left. There are four dancing girls standing in two pairs, one set in front of the other. They are all wearing traditional costume of sarongs and scarves. They are all carrying offerings raised to head height in their right hands. In their left hands they hold a veil piece from their costumes. One man stands in front of them carrying a larger offering. They are all walking towards the shrine on the left hand side of the painting. In front of them to the left hand side are a group of five women and three men seated on a mat in front of an older man. Surrounding them are more offerings which they seem to be presenting to the old man. Two umbrellas represent their status and condition. At the bottom left hand corner a younger man sits, holding a stick in his left hand. A woman with a dish of offerings stands to his right and behind her a boy is sitting on the wall of a house. In front of the temple in the distance two figures, a man and a woman, are kneeling. They are holding offerings up to the temple. The painting uses a mixture of greys, blues and black to create a cool feel. No other colours are used. In a wooden frame. | 369paintings
| null | canvas | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.2006.44.3 | 2006.44.3.jpg | data/raw/images/oriental/2006 | Monochrome photograph of interior room with gong at far end and a line of 10 stools with boxes on top to the right. Marked with the number 532 in bottom right corner. | 379photographs
| null | photographic paper | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.44.3 | 2006.44.3.jpg | data/raw/images/oriental/2006 | Monochrome photograph of interior room with gong at far end and a line of 10 stools with boxes on top to the right. Marked with the number 532 in bottom right corner. | 379photographs
| null | photographic paper | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.44.3 | 2006.44.3.jpg | data/raw/images/oriental/2006 | Monochrome photograph of interior room with gong at far end and a line of 10 stools with boxes on top to the right. Marked with the number 532 in bottom right corner. | 379photographs
| null | photographic paper | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.44.3 | 2006.44.3.jpg | data/raw/images/oriental/2006 | Monochrome photograph of interior room with gong at far end and a line of 10 stools with boxes on top to the right. Marked with the number 532 in bottom right corner. | 379photographs
| null | photographic paper | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.44.3 | 2006.44.3.jpg | data/raw/images/oriental/2006 | Monochrome photograph of interior room with gong at far end and a line of 10 stools with boxes on top to the right. Marked with the number 532 in bottom right corner. | 379photographs
| null | photographic paper | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2013.300 | 2013.300.jpg | data/raw/images/oriental/2013 | Kazuo Shiraga "Chu" original abstract screen print in shades of orange brown, blue and red. The bottom layer of the image is composed of broad horizontal strokes of orange brown. Over this are thin vertical streaks of bright red and the top layer is of thinner, more curved horizontal strokes of a mid-blue. Underneath the image is the edition number, title and artist's signature handwritten in pencil. The bottom left hand corner of the paper is embossed with a triangular pattern. | 400prints
| null | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.300 | 2013.300.jpg | data/raw/images/oriental/2013 | Kazuo Shiraga "Chu" original abstract screen print in shades of orange brown, blue and red. The bottom layer of the image is composed of broad horizontal strokes of orange brown. Over this are thin vertical streaks of bright red and the top layer is of thinner, more curved horizontal strokes of a mid-blue. Underneath the image is the edition number, title and artist's signature handwritten in pencil. The bottom left hand corner of the paper is embossed with a triangular pattern. | 400prints
| null | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.300 | 2013.300.jpg | data/raw/images/oriental/2013 | Kazuo Shiraga "Chu" original abstract screen print in shades of orange brown, blue and red. The bottom layer of the image is composed of broad horizontal strokes of orange brown. Over this are thin vertical streaks of bright red and the top layer is of thinner, more curved horizontal strokes of a mid-blue. Underneath the image is the edition number, title and artist's signature handwritten in pencil. The bottom left hand corner of the paper is embossed with a triangular pattern. | 400prints
| null | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.300 | 2013.300.jpg | data/raw/images/oriental/2013 | Kazuo Shiraga "Chu" original abstract screen print in shades of orange brown, blue and red. The bottom layer of the image is composed of broad horizontal strokes of orange brown. Over this are thin vertical streaks of bright red and the top layer is of thinner, more curved horizontal strokes of a mid-blue. Underneath the image is the edition number, title and artist's signature handwritten in pencil. The bottom left hand corner of the paper is embossed with a triangular pattern. | 400prints
| null | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.300 | 2013.300.jpg | data/raw/images/oriental/2013 | Kazuo Shiraga "Chu" original abstract screen print in shades of orange brown, blue and red. The bottom layer of the image is composed of broad horizontal strokes of orange brown. Over this are thin vertical streaks of bright red and the top layer is of thinner, more curved horizontal strokes of a mid-blue. Underneath the image is the edition number, title and artist's signature handwritten in pencil. The bottom left hand corner of the paper is embossed with a triangular pattern. | 400prints
| null | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1998.1.1 | 1998.1.1 d2.jpg | data/raw/images/oriental/1998 | Metal container with lid, India or Tamil Nadu. Figures of Hindu deities probably 10 incarnations of Vishnu. One of a pair. | 250containers
| null | silver | null | India | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.1.1 | 1998.1.1 d2.jpg | data/raw/images/oriental/1998 | Metal container with lid, India or Tamil Nadu. Figures of Hindu deities probably 10 incarnations of Vishnu. One of a pair. | 250containers
| null | silver | null | India | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.1.1 | 1998.1.1 d2.jpg | data/raw/images/oriental/1998 | Metal container with lid, India or Tamil Nadu. Figures of Hindu deities probably 10 incarnations of Vishnu. One of a pair. | 250containers
| null | silver | null | India | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.1.1 | 1998.1.1 d2.jpg | data/raw/images/oriental/1998 | Metal container with lid, India or Tamil Nadu. Figures of Hindu deities probably 10 incarnations of Vishnu. One of a pair. | 250containers
| null | silver | null | India | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.1.1 | 1998.1.1 d2.jpg | data/raw/images/oriental/1998 | Metal container with lid, India or Tamil Nadu. Figures of Hindu deities probably 10 incarnations of Vishnu. One of a pair. | 250containers
| null | silver | null | India | data/processed/OM_images_white/oriental/1998 |
|
durom.1966.58 | 1966.58.jpg | data/raw/images/oriental/1966 | square, heavily embroidered covering in green with fine, green tassles along edges. | 251coverings
| null | textiles | Qing | China | data/processed/OM_images_white/oriental/1966 |
|
durom.1966.58 | 1966.58.jpg | data/raw/images/oriental/1966 | square, heavily embroidered covering in green with fine, green tassles along edges. | 251coverings
| null | textiles | Qing | China | data/processed/OM_images_white/oriental/1966 |
|
durom.1966.58 | 1966.58.jpg | data/raw/images/oriental/1966 | square, heavily embroidered covering in green with fine, green tassles along edges. | 251coverings
| null | textiles | Qing | China | data/processed/OM_images_white/oriental/1966 |
|
durom.1966.58 | 1966.58.jpg | data/raw/images/oriental/1966 | square, heavily embroidered covering in green with fine, green tassles along edges. | 251coverings
| null | textiles | Qing | China | data/processed/OM_images_white/oriental/1966 |
|
durom.1966.58 | 1966.58.jpg | data/raw/images/oriental/1966 | square, heavily embroidered covering in green with fine, green tassles along edges. | 251coverings
| null | textiles | Qing | China | data/processed/OM_images_white/oriental/1966 |
|
durom.1965.10 | 1965.10-ff.jpg | data/raw/images/oriental/1965 | thangka with central figure, Vairocana, with four heads, hands in dhyana mudra holding a cakra surrounded by flames. Eight supporting figures, the five Buddhas, vajrapani and Avalokitesvara. Bottom right-wrathful protector Kshetrapala rides on a black bear, carries skull cup (kapala) and chopper (dri-gug). Invoked against the threat of war. | 154Thangka
| thangka | silk | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
|
durom.1965.10 | 1965.10-ff.jpg | data/raw/images/oriental/1965 | thangka with central figure, Vairocana, with four heads, hands in dhyana mudra holding a cakra surrounded by flames. Eight supporting figures, the five Buddhas, vajrapani and Avalokitesvara. Bottom right-wrathful protector Kshetrapala rides on a black bear, carries skull cup (kapala) and chopper (dri-gug). Invoked against the threat of war. | 154Thangka
| thangka | silk | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
|
durom.1965.10 | 1965.10-ff.jpg | data/raw/images/oriental/1965 | thangka with central figure, Vairocana, with four heads, hands in dhyana mudra holding a cakra surrounded by flames. Eight supporting figures, the five Buddhas, vajrapani and Avalokitesvara. Bottom right-wrathful protector Kshetrapala rides on a black bear, carries skull cup (kapala) and chopper (dri-gug). Invoked against the threat of war. | 154Thangka
| thangka | silk | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
|
durom.1965.10 | 1965.10-ff.jpg | data/raw/images/oriental/1965 | thangka with central figure, Vairocana, with four heads, hands in dhyana mudra holding a cakra surrounded by flames. Eight supporting figures, the five Buddhas, vajrapani and Avalokitesvara. Bottom right-wrathful protector Kshetrapala rides on a black bear, carries skull cup (kapala) and chopper (dri-gug). Invoked against the threat of war. | 154Thangka
| thangka | silk | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
|
durom.1965.10 | 1965.10-ff.jpg | data/raw/images/oriental/1965 | thangka with central figure, Vairocana, with four heads, hands in dhyana mudra holding a cakra surrounded by flames. Eight supporting figures, the five Buddhas, vajrapani and Avalokitesvara. Bottom right-wrathful protector Kshetrapala rides on a black bear, carries skull cup (kapala) and chopper (dri-gug). Invoked against the threat of war. | 154Thangka
| thangka | silk | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
|
durom.2013.60 | 2013.60-bb.jpg | data/raw/images/oriental/2013 | Stoneware espresso coffee cup with an elliptical oval shaped plate. The cup is white and has a slightly raised base; on the underside of which is a makers and sellers stamp [see inscriptions/marks]. The handle is divided into two parts, each of which is roughly triangular in shape, the handle tapers to a point at the top. On the outside of the cup is a printed design of a cartoon horse, this design is printed in reverse on either side of the cup. The horse is brown with an orange mane and wears a saddle decorated with large orange and yellow flowers. The saucer is decorated with an orange glaze and has a slightly raised, unglazed base. There is also a circular indentation in the top of the plate into which the cup fits. On the underside, there are makers and seller's stamps present [see inscriptions/marks]. | 43Cup And Saucer
| null | stoneware | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.60 | 2013.60-bb.jpg | data/raw/images/oriental/2013 | Stoneware espresso coffee cup with an elliptical oval shaped plate. The cup is white and has a slightly raised base; on the underside of which is a makers and sellers stamp [see inscriptions/marks]. The handle is divided into two parts, each of which is roughly triangular in shape, the handle tapers to a point at the top. On the outside of the cup is a printed design of a cartoon horse, this design is printed in reverse on either side of the cup. The horse is brown with an orange mane and wears a saddle decorated with large orange and yellow flowers. The saucer is decorated with an orange glaze and has a slightly raised, unglazed base. There is also a circular indentation in the top of the plate into which the cup fits. On the underside, there are makers and seller's stamps present [see inscriptions/marks]. | 43Cup And Saucer
| null | stoneware | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.60 | 2013.60-bb.jpg | data/raw/images/oriental/2013 | Stoneware espresso coffee cup with an elliptical oval shaped plate. The cup is white and has a slightly raised base; on the underside of which is a makers and sellers stamp [see inscriptions/marks]. The handle is divided into two parts, each of which is roughly triangular in shape, the handle tapers to a point at the top. On the outside of the cup is a printed design of a cartoon horse, this design is printed in reverse on either side of the cup. The horse is brown with an orange mane and wears a saddle decorated with large orange and yellow flowers. The saucer is decorated with an orange glaze and has a slightly raised, unglazed base. There is also a circular indentation in the top of the plate into which the cup fits. On the underside, there are makers and seller's stamps present [see inscriptions/marks]. | 43Cup And Saucer
| null | stoneware | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.60 | 2013.60-bb.jpg | data/raw/images/oriental/2013 | Stoneware espresso coffee cup with an elliptical oval shaped plate. The cup is white and has a slightly raised base; on the underside of which is a makers and sellers stamp [see inscriptions/marks]. The handle is divided into two parts, each of which is roughly triangular in shape, the handle tapers to a point at the top. On the outside of the cup is a printed design of a cartoon horse, this design is printed in reverse on either side of the cup. The horse is brown with an orange mane and wears a saddle decorated with large orange and yellow flowers. The saucer is decorated with an orange glaze and has a slightly raised, unglazed base. There is also a circular indentation in the top of the plate into which the cup fits. On the underside, there are makers and seller's stamps present [see inscriptions/marks]. | 43Cup And Saucer
| null | stoneware | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.60 | 2013.60-bb.jpg | data/raw/images/oriental/2013 | Stoneware espresso coffee cup with an elliptical oval shaped plate. The cup is white and has a slightly raised base; on the underside of which is a makers and sellers stamp [see inscriptions/marks]. The handle is divided into two parts, each of which is roughly triangular in shape, the handle tapers to a point at the top. On the outside of the cup is a printed design of a cartoon horse, this design is printed in reverse on either side of the cup. The horse is brown with an orange mane and wears a saddle decorated with large orange and yellow flowers. The saucer is decorated with an orange glaze and has a slightly raised, unglazed base. There is also a circular indentation in the top of the plate into which the cup fits. On the underside, there are makers and seller's stamps present [see inscriptions/marks]. | 43Cup And Saucer
| null | stoneware | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.1960.1068 | durom.1960.1068-ff1.jpg | data/raw/images/oriental/1960 | dog | 281figures
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1068 | durom.1960.1068-ff1.jpg | data/raw/images/oriental/1960 | dog | 281figures
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1068 | durom.1960.1068-ff1.jpg | data/raw/images/oriental/1960 | dog | 281figures
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1068 | durom.1960.1068-ff1.jpg | data/raw/images/oriental/1960 | dog | 281figures
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1068 | durom.1960.1068-ff1.jpg | data/raw/images/oriental/1960 | dog | 281figures
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1991.63 | 1991.63-1991.64-ll.jpg | data/raw/images/oriental/1991 | Pale pink cotton underwear garments, these would be worn underneath a petticoat (dansokkot) and a skirt (chima). This sokbaji is made of double layered cotton, with tapered legs and an elasticated waist. | 496underwear
| sokbaji | textiles | Republic of Korea (period) | Korean peninsula | data/processed/OM_images_white/oriental/1991 |
|
durom.1991.63 | 1991.63-1991.64-ll.jpg | data/raw/images/oriental/1991 | Pale pink cotton underwear garments, these would be worn underneath a petticoat (dansokkot) and a skirt (chima). This sokbaji is made of double layered cotton, with tapered legs and an elasticated waist. | 496underwear
| sokbaji | textiles | Republic of Korea (period) | Korean peninsula | data/processed/OM_images_white/oriental/1991 |
|
durom.1991.63 | 1991.63-1991.64-ll.jpg | data/raw/images/oriental/1991 | Pale pink cotton underwear garments, these would be worn underneath a petticoat (dansokkot) and a skirt (chima). This sokbaji is made of double layered cotton, with tapered legs and an elasticated waist. | 496underwear
| sokbaji | textiles | Republic of Korea (period) | Korean peninsula | data/processed/OM_images_white/oriental/1991 |
|
durom.1991.63 | 1991.63-1991.64-ll.jpg | data/raw/images/oriental/1991 | Pale pink cotton underwear garments, these would be worn underneath a petticoat (dansokkot) and a skirt (chima). This sokbaji is made of double layered cotton, with tapered legs and an elasticated waist. | 496underwear
| sokbaji | textiles | Republic of Korea (period) | Korean peninsula | data/processed/OM_images_white/oriental/1991 |
|
durom.1991.63 | 1991.63-1991.64-ll.jpg | data/raw/images/oriental/1991 | Pale pink cotton underwear garments, these would be worn underneath a petticoat (dansokkot) and a skirt (chima). This sokbaji is made of double layered cotton, with tapered legs and an elasticated waist. | 496underwear
| sokbaji | textiles | Republic of Korea (period) | Korean peninsula | data/processed/OM_images_white/oriental/1991 |
|
durom.1970.18 | 1970.18b-tt.jpg | data/raw/images/oriental/1970 | Set of inlaid lacquer trays for sweetmeat dishes. Inlaid with mother of pearl over a thin wooden base smoothed with clay. The figures are each accompanied by a short poem, in some cases inscribed on the under-side of the dish. | 488trays
| null | lacquer | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1970 |
|
durom.1970.18 | 1970.18b-tt.jpg | data/raw/images/oriental/1970 | Set of inlaid lacquer trays for sweetmeat dishes. Inlaid with mother of pearl over a thin wooden base smoothed with clay. The figures are each accompanied by a short poem, in some cases inscribed on the under-side of the dish. | 488trays
| null | lacquer | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1970 |
|
durom.1970.18 | 1970.18b-tt.jpg | data/raw/images/oriental/1970 | Set of inlaid lacquer trays for sweetmeat dishes. Inlaid with mother of pearl over a thin wooden base smoothed with clay. The figures are each accompanied by a short poem, in some cases inscribed on the under-side of the dish. | 488trays
| null | lacquer | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1970 |
|
durom.1970.18 | 1970.18b-tt.jpg | data/raw/images/oriental/1970 | Set of inlaid lacquer trays for sweetmeat dishes. Inlaid with mother of pearl over a thin wooden base smoothed with clay. The figures are each accompanied by a short poem, in some cases inscribed on the under-side of the dish. | 488trays
| null | lacquer | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1970 |
|
durom.1970.18 | 1970.18b-tt.jpg | data/raw/images/oriental/1970 | Set of inlaid lacquer trays for sweetmeat dishes. Inlaid with mother of pearl over a thin wooden base smoothed with clay. The figures are each accompanied by a short poem, in some cases inscribed on the under-side of the dish. | 488trays
| null | lacquer | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1970 |
|
durma.2020.3.790 | durma.2020.3.790-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy tubular bead, probably a rein strengthener or harness fitting dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises an octagonal faceted tube which swells slightly towards its middle. The tube has a length of 25mm and a maximum diameter of 8mm. It weighs 4.7 grams.Similar faceted tubes have been found at Catterick (Wilson 2002, 109, 13-16) Old Penrith, Cumbria (Mould in Austen 1991, Fig. 97, 693-4), Vindolanda (Bidwell 1985, Fig 42, 57 and 58), Richborough (Bushe-Fox 1949, Pl. LV, 247) and the Saalburg (Jacobi 1897b, Taf LXVII, 4) suggesting that they may have a military association._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/109097 | 304harnesses
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.790 | durma.2020.3.790-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy tubular bead, probably a rein strengthener or harness fitting dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises an octagonal faceted tube which swells slightly towards its middle. The tube has a length of 25mm and a maximum diameter of 8mm. It weighs 4.7 grams.Similar faceted tubes have been found at Catterick (Wilson 2002, 109, 13-16) Old Penrith, Cumbria (Mould in Austen 1991, Fig. 97, 693-4), Vindolanda (Bidwell 1985, Fig 42, 57 and 58), Richborough (Bushe-Fox 1949, Pl. LV, 247) and the Saalburg (Jacobi 1897b, Taf LXVII, 4) suggesting that they may have a military association._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/109097 | 304harnesses
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.790 | durma.2020.3.790-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy tubular bead, probably a rein strengthener or harness fitting dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises an octagonal faceted tube which swells slightly towards its middle. The tube has a length of 25mm and a maximum diameter of 8mm. It weighs 4.7 grams.Similar faceted tubes have been found at Catterick (Wilson 2002, 109, 13-16) Old Penrith, Cumbria (Mould in Austen 1991, Fig. 97, 693-4), Vindolanda (Bidwell 1985, Fig 42, 57 and 58), Richborough (Bushe-Fox 1949, Pl. LV, 247) and the Saalburg (Jacobi 1897b, Taf LXVII, 4) suggesting that they may have a military association._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/109097 | 304harnesses
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.790 | durma.2020.3.790-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy tubular bead, probably a rein strengthener or harness fitting dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises an octagonal faceted tube which swells slightly towards its middle. The tube has a length of 25mm and a maximum diameter of 8mm. It weighs 4.7 grams.Similar faceted tubes have been found at Catterick (Wilson 2002, 109, 13-16) Old Penrith, Cumbria (Mould in Austen 1991, Fig. 97, 693-4), Vindolanda (Bidwell 1985, Fig 42, 57 and 58), Richborough (Bushe-Fox 1949, Pl. LV, 247) and the Saalburg (Jacobi 1897b, Taf LXVII, 4) suggesting that they may have a military association._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/109097 | 304harnesses
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.790 | durma.2020.3.790-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy tubular bead, probably a rein strengthener or harness fitting dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises an octagonal faceted tube which swells slightly towards its middle. The tube has a length of 25mm and a maximum diameter of 8mm. It weighs 4.7 grams.Similar faceted tubes have been found at Catterick (Wilson 2002, 109, 13-16) Old Penrith, Cumbria (Mould in Austen 1991, Fig. 97, 693-4), Vindolanda (Bidwell 1985, Fig 42, 57 and 58), Richborough (Bushe-Fox 1949, Pl. LV, 247) and the Saalburg (Jacobi 1897b, Taf LXVII, 4) suggesting that they may have a military association._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/109097 | 304harnesses
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |