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durom.2010.44 | 2010.44-d1.jpg | data/raw/images/oriental/2010 | Cream glazed dish with iron spot decoration in green and brown. | dishes | null | 60ceramic
| null | Vietnam | data/processed/OM_images_white/oriental/2010 |
|
eg782 | eg782 ff.jpg | data/raw/images/egyptian/eg | Small copper alloy pendant of a human headed triad. The features are poorly depicted, they appear to be in a mummified form and all three have headpieces. Whilst only the vaguest details remain it may represent Ptah-Sokar-Osiris. one figure appears to be bearded, possibly Serapis. All three figures are bound together by a serpent. The condition is reasonable, though extensive damage has occurred to the central figure. | Human Figurine | pendant | 51bronze
| Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2933 | eg2933-rr.jpg | data/raw/images/egyptian/eg | rectangular plaque amulet in a dull red stone, pierced horizontally for suspension. Incised on both sides: 1. Walking human headed lion (?) with feather in front and hieroglyphs above and behind; 2. Bird on neb-sign | amulets | plaque amulet | 95jasper
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2014.321 | 2014.321.jpg | data/raw/images/oriental/2014 | Carved wooden stool in the shape of an animal with a coin decoration inlaid into the centre and rattan weaving around the edges from the Sarawak regions of Borneo. The wood has been stained a dark brown almost black and has been carved into the shape of a dragon with the back of the dragon forming the seat. The mouth is displayed slightly open with the teeth bared and there is a small tail near to the other end of the seat. Near to the head of the dragon is a round brass coin with the words 'Nederlandsch Indie, 2 ½ cent' around a central image of a crest with a lion holding a sword, surmounted by a crown. Along the edges of the stool is a rattan border and four squat legs on the underside of the stool. | stools | null | 136rattan
| null | Bintulu | data/processed/OM_images_white/oriental/2014 |
|
eg1216 | eg1216.1-n1986-tt.jpg | data/raw/images/egyptian/eg | tall jackal headed canopic jar (Duamutef) inscribed for the general psamtek-wa. Part of a set with N1987, N1988, N1989 | canopic jars | Duamutef canopic jar | 171travertine
| 26th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1951.35 | 1951.35-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written on recto only | Ostraka | ostracon | 134pottery
| Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.1983.25 | durom.1983.25-d4.jpg | data/raw/images/oriental/1983 | Persian jar, tall straight neck, pronounced shoulder, double conical body with rounded waist, handle from body to top of rim, vertical vivet at top of handle, flaring base. Decorated black and red on turquoise, eight squat figures and horizontal bands of inscription. | jars | null | 60ceramic
| null | Iran | data/processed/OM_images_white/oriental/1983 |
|
durom.2013.85 | 2013.85-tt.jpg | data/raw/images/oriental/2013 | One pair of socks from a set of five pairs depicting members of Girls Generation star, Yoona. The socks are white cotton/synthetic mix and show Girls Generation member, Yoona as a cartoonised version of herself, with medium dark brown hair and a fringe. The socks are bound together with a cardboard tag which has manufacturer's information. | socks | null | 69cotton
| Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
eg4285 | eg4285-n1352-bb.jpg | data/raw/images/egyptian/eg | open work wedjat eye, identical both sides. Incised brade pattern for brow. Lateral hole for suspension. | amulets | wedjat eye amulet | 95jasper
| 23rd Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1840 | eg1840-n1783-ll.jpg | data/raw/images/egyptian/eg | green felspar heart scarab. Plain prothorax and elytra. Underside incised with 5 (possibly 6) lines of hieroglyphs, very hard to read. It may read, as Birch says, 'the Osiris, the god's father of Amun', and then either the name '[…]-khonsu' or 'in the estate/temple of khonsu'. CH. 30 BD most likely follows. | Heart Scarab | heart scarab | 17Microcline/Green Feldspar/Amazon-Stone
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1962.211.38 | 1962.211.38.jpg | data/raw/images/oriental/1962 | Temple drawing created by a professional Tibetan artist. This print depicts the Buddhist deity Padmasambhava. He is shown in the lotus position with both feet pointing upwards, both hands held together in a praying position but he is also holding the stems of two lotus flowers, one of which has a book wrapped up in the lotus foliage. He wears a coned headdress with material flaps going down past the shoulders, a long tunic going down to his feet and a shawl draped over one shoulder. He is seated upon a lotus pedestal, with a circle of light around his head and a larger oval circle around the pedestal, which is decorated with foliage around the edge. There are mountain scenes below the pedestal and a conch shell floating directly beneath him, which is one of the Eight Auspicious Symbols. There are two lines of text in a Tibetan script directly underneath the conch | Album Painting | null | 120paper
| 21st century | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.174 | 1962.174.jpg | data/raw/images/oriental/1962 | One of a set of 36 Indian mica paintings, entitled His Wife (Silk Weaver's, see 1962.173). | Mica Painting | null | 22Opaque Watercolour or Gouache on Mica
| null | Patna | data/processed/OM_images_white/oriental/1962 |
|
durom.1985.7 | 1985.7 d3.jpg | data/raw/images/oriental/1985 | Islamic ceramic handle and animal head decoration from a large lid. | handles | null | 60ceramic
| null | null | data/processed/OM_images_white/oriental/1985 |
|
durom.2014.82.1 | 2014.82.1 rr.jpg | data/raw/images/oriental/2014 | One of two Japanese cloisonné vases. The technique used on these vases is known as 'ginbari' - a type of cloisonné enamel decoration where clear enamel is applied over the top of a stippled silver layer applied to the copper sheet body. The vase is decorated with a floral and foliage scene with pale blue, green and pink flowers in a tight bunch at the top of a branch with vibrant green leaves surrounding the flowers. The lower bunch of flowers consists of blue, mauve and purple flowers directly underneath the upper bunch of flowers. The surface of the vase is a very dark navy, almost black in appearance with a scallop decoration at the neck in gold around the neck and around the foot of the vase in red. | vases | null | 151silver
| Edo Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.1986.44.98 | 1986.44.98.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Jin Wu Shu-The Eight Great Hammers. | paintings | null | 8Gouache on Paper
| null | China | data/processed/OM_images_white/oriental/1986 |
|
durom.1960.2984 | 1960.2984-tt.jpg | data/raw/images/oriental/1960 | Large piece of green nephrite carving in octangular shape, the wider side up and carved in the form of ears and horns of a monster; there is incision at the front depicting the face of the monster. Function unknown | tablets | 青玉兽面纹件 | 93jade
| Han dynasty | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2015.340.49 | durom.2015.340.49-ff.jpg | data/raw/images/oriental/2015 | Horizontal Japanese painted postcard with an image of Mount Fuji on it. Depicted as a circle just right to the centre with a red, brown and black painting of Mount Fuji with trees to the right on a bank by a river. The river appears to be flowing out from the circle and onto the left side of the postcard. There are two symbols in Japanese Kanji in the lower right corner with a red stamp seal impression beneath these. The rest of the background is blue in colour with the river depicted pink in colour. The reverse is plain with the title 'Carte Postale' in English, which is printed in blue text, which is much faded. | postcards | null | 55cards
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durma.2020.3.101 | durma.2020.3.101-ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy pin from a Bow brooch dating to the first to third centuries AD, part of the Piercebridge River Assemblage. At one end the pin is bent to form two coils of a spring mechanism. These coils are coated in corrosion products. At the other end, the circular-section pin tapers to a point. The pin is 41mm in length and weighs 1.1g. | brooches | Bow brooch | 67copper alloy
| Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2013.329.8 | 2013.329.8 ff.jpg | data/raw/images/oriental/2013 | Box set of ten volumes of The Legend of Zelda manga and a small promotional poster. This record is for the novel entitled 'The Legend of Zelda: The Minish Cap'. 192 page book containing black and white comic art and story. The text is in English with some special effects, sound effects and some written texts left in Japanese. The book reads from the back to front in the Japanese style. The cover is a glossy white card printed with a large colour image of the character Link who wears a green tunic, brown belt with gold buckle and brown boots. On his head he wears a magical hat called Ezlo, which is a long pointy green hat which ends in the shape of a bird's head. In his left hand he holds a sword known as the Picori Blade which he is holding up into the air. To the left and right of him are two Minish characters, which are small pixie like people in red hats, green capes or tunics, with brown hair, brown eyes, red cheeks and pointy ears. There is also a red and white feather attached to their clothing. The same image on the front is repeated on the spine. On the reverse is an image of Vaati, who has a dark purple hooded cloak wrapped around him secured by a gold button, lighter purple tunic visible underneath this, red trousers and red shoes that tie up around the calf. He has purple hair that goes across the face in a side fringe, at least one red eye and pointy ears. On his head he wears a gold diadem with a red stone in the centre. An introduction to the plot of the volume is printed to the left in brown ink on a background meant to resemble parchment. The inside pages of the book are black and white manga | books | Tankobon | 120paper
| Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1991.213 | 1991.213 d1.jpg | data/raw/images/oriental/1991 | green silk robe decorated with embroidered butterflies. Pink lining. | robes | null | 149silk
| Qing | China | data/processed/OM_images_white/oriental/1991 |
|
durom.1991.180 | 1991.180-uu.jpg | data/raw/images/oriental/1991 | Wooden base octangonal box with hinged lid, lacquered in black and painted with gold of various tea-producing scenes. Surface of lid, a scenery depicting a group of workers producing tea. The scene is set in an open pavilion behind which there are a few houses and trees. In the scene, figurines are seperated in five groups, each group undertaking a tea-processing step. On the left, three ladies sitting with a tray in their hands; they are picking up the good tea leaves from the lot. In the centre, three men standing by a pile of boxes, packing. A man is carrying two boxes with a pole. In the foreground, two men standing behind two bucket-shape stove, drying tea leaves. On the right, a few figures seated around a table; they are dressed in long robes and are holding fans; probably tea masters or owner of the workshop who are supervising the tea-processing. The same design in a different composition repeats at the front panel of the tea caddy. Other side panels and lid panels are also depicting the same subject although featuring different parts of the scene. Back panel of box,two men on a boat, transporting some tea boxes to a house. Inside the boxes, two pewter tea caddies with chiselled floral decoration. One of the caddy has a knobbed lid; the knob is made with ivory. There are remains of tea leaves in the containers. The four legs and shaped as a beast. Export ware. | tea caddies | 木胎黑漆描金制茶图八角盖盒连锡制茶叶罐 | 97lacquer
| Qing | China | data/processed/OM_images_white/oriental/1991 |
|
eg5588 | eg5588-tt.jpg | data/raw/images/egyptian/eg | squat stirrup jar with base ring, narrow spout chipped at the end, and the central opening blocked and peirced 5 times. The jar is decorated with a pale slip and purple-brown painted vine leaf decoration. | stirrup jars | stirrup jar | 134pottery
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg6966 | eg6966 bb.jpg | data/raw/images/egyptian/eg | Bronze stand or socket with two heads - possibly two males cast alongside each other. The figure on the p. left wears the white crown of Upper Egypt, whilst the other figure does wear a headdress but it has broken off. The wigs, facial features, and false beards are all depicted. These two characters are situated on a curved piece of metal with an inner socket or compartment for a shaft (possibly) to be inserted into | figurines | bronze figurine | 51bronze
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1962.96 | 1962.96-tt.jpg | data/raw/images/oriental/1962 | Daikoku, one of seven deities of good fortune. Hold a uchide no kozuchi (wishing mallet) and stands on a bag. Thought to derive from an Indian Buddhist deity. | netsukes | netsuke | 92ivory
| null | Japan (country) | data/processed/OM_images_white/oriental/1962 |
|
eg4411 | eg4411-3180-tt.jpg | data/raw/images/egyptian/eg | circular dish with foot. Rim chipped | dishes | 'tazza' dish | 171travertine
| New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1960.4.119 | 1960.4.119.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a small square building with a three tiered roof. | Slide | null | 83glass
| null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1971.55 | 1971.55.a.jpg | data/raw/images/oriental/1971 | "Earthquake Pictorial Edition", Part One, published by The Osaka Mainichi, 1923. Volume of black and white photographs recording the earthquake in Kanto on September 1st 1923. | books | null | 120paper
| Taisho | Japan (country) | data/processed/OM_images_white/oriental/1971 |
|
durma.2020.3.2304 | durma.2020.3.2304.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Roman gunmetal Trumpet brooch dating to the second century AD. The leg, acanthus leaf moulding and catchplate remain. The acanthus leaf moulding is finely executed and flanks a central disc; underneath are two moulded ribs with a panel between them which is incised with diagonal grooves; the leg is triangular in section and is marginally grooved, as well as possessing a vertical groove on either side of the apex; the catchplate is triangular and solid. The brooch is 25mm in length and the width of the foot is 11mm. The brooch appears to have been deliberately cut where the bow meets the acanthus leaf moulding and at the foot through the catchplate._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/55313 | brooches | null | 108metal
| Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
eg901 | eg901-rr.jpg | data/raw/images/egyptian/eg | Small green glass bottle with flat base, globular body and tall neck tapering towards the top. The top is broken off and there is a section missing from the body where the piece has broken and been repaired. | vases | bottle | 83glass
| Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1962.211.25 | 1962.211.25.jpg | data/raw/images/oriental/1962 | Temple drawing created by a professional Tibetan artist. This image depicts the tail part of a dragon with the body and head section depicted in DUROM.1962.211.23 & DUROM.1962.211.24. The tail ends in a jagged point with flame like shapes drawn around the tip. There are swirling clouds depicted around the body of the dragon, each with a Tibetan symbol marked in the centre. The dragon's paw, which has three visible claws, is clutching onto what appears to be a pearl. There is a single line of Tibetan script written underneath the dragon | Album Painting | null | 120paper
| 21st century | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1962 |
|
durom.1978.144.12 | 1978.144.12.2.jpg | data/raw/images/oriental/1978 | A page from a book printed with a one black and white photograph on either side. The photographs both have a caption underneath them and they have been printed landscape on the page. The first shows many people working together in the construction of a dyke. The photograph on the other side shows the breaching of a dam over a farm and village. This photograph has a handwritten label above it stating that it is a picture of the Yangtye Flood of 1931. | pages | null | 120paper
| null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1960.1019 | durom.1960.1019-q1.jpg | data/raw/images/oriental/1960 | Rock crystal carving of a dog, head raised and ears alert. | figures | 水晶犬 | 70crystal
| Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2001.147 | 2001.147-d3.jpg | data/raw/images/oriental/2001 | Ivory dice shaker | Dice Shaker | null | 92ivory
| null | India | data/processed/OM_images_white/oriental/2001 |
|
durom.1976.171 | 1976.171 bb.jpg | data/raw/images/oriental/1976 | Piece of Iban tapestry decorated with figures and animals. 150cm. x 53cm. | Panel | ikat | 104linen
| null | Sarawak State | data/processed/OM_images_white/oriental/1976 |
|
durom.1979.21a | 1979.21a.jpg | data/raw/images/oriental/1979 | Print of a big red-faced bearded figure, in front of whom are gathered a group of five smaller firgures. | prints | null | 120paper
| null | China | data/processed/OM_images_white/oriental/1979 |
|
durom.1960.1231 | 1960.1231-tt.jpg | data/raw/images/oriental/1960 | Coconut carving of a miniature teapot, decorated with carved figurine design. The teapot is carved out of a small coconut; the spout and the handle are carved seperatedly and adhered to the body. The exterior of the teapot is carved with figurines under pine trees: one side, a boy riding a bufalo, and two persons standing aside; the other side, a man sitting under a pine tree, caring for tw baskets, a man standing next to him, holding a bird, and there is a boy attendant standing behind the man. The lid of the teapot is carved with gourd vine. On the body there are two inscriptions of a company and a date. | teapots | 至洽公司款椰壳雕人物图壶 | 65coconut
| Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2015.365 | durom.2015.365-d2.jpg | data/raw/images/oriental/2015 | A medium sized maroon coloured saddlebag. There is a dark blue tassel at each corner, tied with purple thread, and with a lighter blue bead for decoration. One tassel has one bead, one has no beads, and the other two have two beads. The central area is decorated with nine dark blue kaikalak designs, each contained within a dark blue diamond. On either side are seventeen rope loops, which can be threaded through holes in the other face of the bag in order to tie it shut. The design is different on each exterior face of the bag, though they share similar elements. Both are bordered by a square containing maroon diamonds, and irregular teardrop shapes in maroon, green and dark blue, all outlined in orange. Within each square is a series of recessed bands. On one side, moving out from the centre, are: a row of blue and purple zig-zags; a row of nine multi-coloured diamonds (blue at the outside, then burgundy, then orange, and blue again at the centre); an orange looping wave pattern with blue dots down the centre; a row of stylised blue eight-pointed stars with orange outlines; a row of multi-coloured diamonds (blue at the outside, then orange, then green); a thin row of green and blue diamonds and lastly another row of purple and blue zig-zags. Each of these is separated from the next by a band containing purple parallelograms with blue outlines, each being hooked onto the next. The other face also begins with a band of purple and blue zig-zags; then a row of orange and blue diamonds; then a row of small orange diamonds separated by blue ram's horn or Kochak designs; then a row of blue hooked rhombuses with orange and green centres; then a row of blue and orange diamonds, and lastly a row of green, orange and blue diamonds separated by green arrowheads. The back is simply decorated with differently coloured stripes. | bags | null | 177wool
| 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
|
eg5979 | eg5979-tt.jpg | data/raw/images/egyptian/eg | blue green glazed steatite cowroid with base incised with three C-spirals and a neb-sign | scaraboids | scaraboid (cowroid) | 32Steatite/Soap Stone
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2006.53.57 | 2006.53.57-d2.jpg | data/raw/images/oriental/2006 | Small wooden table with a criss-cross pattern on it (there are also 4 dots on the pattern). From a model Japanese doll's house. | Part | null | 176wood
| Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.1956.yetts40.56 | 1956.yetts40.56.jpg | data/raw/images/oriental/1950s | An extra long photo made by a combination of 2 photos. A double eaved hip roofed building is built on the top of the large rectangular wall in front of a mountain. In front of the wall, there is a terrace with 2 small huts; while a few buildings with tiled roof can be seen on both sides of it. Ruins are shown in the front of the photo with 2 big lion stone statues on either side and 2 small towers among them. Text on photograph in copper plate handwriting on the mount: Ruins of The Emperors Palace Peking | photographs | null | 120paper
| null | China | data/processed/OM_images_white/oriental/1950s |
|
durom.1986.d27 | 1986.d27-ff.jpg | data/raw/images/oriental/1986 | Small, crude, seated female figure (Sarasvati or Chamunda) with flat disc in left hand and fish-shaped club in right hand. Wing-like protrusions from upper arms, pointed cap on head. On crudely shaped base. Hindu style | figurines | null | 51bronze
| null | India | data/processed/OM_images_white/oriental/1986 |
|
durom.1971.scott2.41.1 | durom.1971.scott2.41.1-ff.jpg | data/raw/images/oriental/1971 | It is a silver coin, round in shape. The obverse depicts the bust of the king. The edge of the coin are incomplete. part of the legend visible on the bottom of the bust is the date in Brahmi. The reverse side of the coin has brahmi legends and symbols, The symbols like the three archaed hill in the middle, the river on the bottom. The visible symbols are surrounded by the Brahmi script on their periphery. | coins | didrachm | 151silver
| null | Pakistan | data/processed/OM_images_white/oriental/1971 |
|
durom.1973.47 | 1973.47.76.jpg | data/raw/images/oriental/1973 | Bound volume of photographs of Japan, cover page and first page missing. Black and white photographs on numbered pages interleaved with pages with Japanese characters in red. | photograph albums | null | 120paper
| Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
eg1891 | eg1891-u534-ff.jpg | data/raw/images/egyptian/eg | small footed bowl with wide mouth. Red slip. | bowls | bowl | 134pottery
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2014.342.9 | durom.2014.342.9-bb.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 9. Khalkha winter cap "Makhus". Plain white background with central image of a cap. Plain light brown cap (cloth or leather) with faint decoration in "material", suggestion that strips of "material" sewn together, gathered into small hole at top of crown. Cap front facing left. Front edging in red, front flap folded back to show lining (probably sheepskin), green/blue edge, with black ribbon tying the folded-back flaps together at the back of the cap. | prints | null | 120paper
| null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.1979.16.28 | durom.1979.16.28-ss.jpg | data/raw/images/oriental/1979 | Loose page from a photograph album with three black and white photoraphs on showing scenes from the river Yangtze floods in 1931 possibly in Haukon, it shows the river, and then the harbour and people on harbour. Also showing detail of the boat. | photographs | null | 120paper
| null | Asia, East Asia, China, Haukon | data/processed/OM_images_white/oriental/1979 |
|
durom.1962.104 | 1962.104.jpg | data/raw/images/oriental/1962 | Chinese rank square embroidered in Pekin knots on a brown silk background. The design is bordered with gold thread counched into a geometric key motif. There is an undecorated stripe down the centre for the fabric to be cut for the front of a robe. The base of the square shows waves with a central rock. On the rock stands a creature with four paws, a green tail and mane. The sky is filled with clouds and the sun disc. Among the background are the eight Buddhist symbols. | Rank Square | null | 149silk
| null | China | data/processed/OM_images_white/oriental/1962 |
|
durma.2020.3.832 | durma.2020.3.832-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete copper-alloy bell-shaped stud of Allason-Jones Type 2 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud has a cylindrical base with an integrally cast circular-section stem extending from it. The base expands to form a circular dish-shaped plate with central cylindrical boss. The boss has a depression at its apex. The stud measures 26mm in length, has a thickness of 16mm and a weight of 15.9g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/107391 | studs | null | 67copper alloy
| Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1974.59 | 1974.59 d3.jpg | data/raw/images/oriental/1974 | Modern polychrome porcelain flower vase in underglaze enamels of green, violet and pink, yellow inglaze and gilding. It has a round opened rim, narrow neck with shoulder wider than the rim. Rim painted bright and dark gold in a Greek key type pattern. Neck decorated by flower based geometric pattern. Lower portion decorated with bamboo lattice and chrysanthamums on a gold background. Nagata mark. | vases | Kabin | 133porcelain
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1974 |
|
durom.1969.406 | 1969.406-d029.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar | data/processed/OM_images_white/oriental/1969 |
|
durma.2020.3.1355 | durma.2020.3.1355.ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman radiate or nummus dating to the period AD 260 to 402. Illegible obverse and reverse, part of the Piercebridge River Assemblage. Mint uncertain._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/517218_x000D__x000D_
| coins | null | 108metal
| Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
eg5258 | eg5258-13601-d4.jpg | data/raw/images/egyptian/eg | copper alloy composite deity figurine with four falcon heads wearing the sun disc and double plumes, two bodies back to back striding and winged. On the base is a crocodile with the sun disc. | deity figurine | four wings deity | 51bronze
| Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1999.93 | 1999.93.uu.jpg | data/raw/images/oriental/1999 | Buddha figure with legs fully crosses in front, right hand on right knee, left hand palm upwards and open in lap, seated on an integral plinth with a plain curved-front. In carved hardwood painted red brown with gilded highlights, and decorated with inset discs of coloured reflective glass. The eyes are white with black pupils. The hair is elaborately arranged with an inset flower of clear glass within a ring of pink mirror discs at the front, and has a border of pink mirrror discs inside a border of blue mirror discs. The figure has a carved garment over the left shoulder, decorated with a band of rosettes in green discs with pink centres. The plinth is decorated with a repeated swirl pattern intersperced with black dots below a border of green mirror discs, and in plan has a simple curve. There is an inscription in blue biro on the base, not in English. | figures | null | 87hardwood
| 18th - 19th century | Myanmar | data/processed/OM_images_white/oriental/1999 |
|
durom.1969.349 | 1969.349-d3.jpg | data/raw/images/oriental/1969 | Porcelain vase in the form of Firecracker Vase, covered with crazed yellowish-white glaze, rim bound with copper, imitation of Ding ware style. | vases | 仿定窑白釉铜扣鱼子纹爆竹瓶 | 160stoneware
| Kangxi | Anhui Province | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.426 | 1969.426-d3.jpg | data/raw/images/oriental/1969 | Porcelain vase in the shape of a Danping, decorated with purple enamels of flambe glaze effect in imitation of Song dynasty Jun ware. | vases | 胆瓶 | 133porcelain
| Qianlong | China | data/processed/OM_images_white/oriental/1969 |
|
durom.2015.20 | durom.2015.20-ss.jpg | data/raw/images/oriental/2015 | Ceramic jug. A ceramic jug with a handle from one side. From cylindrical central part with flat base rises a narrow neck with an opening. The decoration of the main body of the pitcher depicts wavy pattern including flowers, leaves (possibly) stripes and geometric figures painted under the glaze in green, yellow and brown on a faded yellow background. The surface of the jug is uneven repeating lines of the decoration. The interior of the jug is brown. Small, round violet paper sticker attached to the remains of an oblong paper label on the base. _x000D__x000D_
This ceramic jug is a part of the tableware set along with these museum objects: DUROM.2015.18; DUROM.2015.19; DUROM.2015.21. | jugs | null | 60ceramic
| 21st century | Russia | data/processed/OM_images_white/oriental/2015 |
|
durom.1961.71 | 1961.71-d4.jpg | data/raw/images/oriental/1961 | Thangka showing an astrological diagram, with the Yama, Lord of Death and image of Devouring Time in the centre, supporting a disc upon which are represented, among other things, the 8 Chinese trigrams of the I Ching. C: magic number square with all rows and diagonals adding up to 15. The rows are: the 8 trigrams of the I Ching, 12 animals of the 12 year cycle, centre element is supported by Uama. Flanking centre on 2 lotuses are seed syllables of the cosmos. Figure (top, L-R) are Vajrapani, Manjushri, Chenrezi/Avalokiteshvara. Monastry's filing ticket on top right corner. Black silk cover still attached to the thangka and wooden poles still present | Thangka | thangka | 69cotton
| Ming | Sakya Monastery | data/processed/OM_images_white/oriental/1961 |
|
eg3224 | eg3224-wel.418-tt.jpg | data/raw/images/egyptian/eg | apple green open work block throne. Front has Sekhmet with sun disc and moon crescent; one side has Horus with same headdress, the other has Amun-re with fan headdress. Along the top of the back is a row of ureai serpents with sun discs | amulets | throne amulet | 77faience
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1970.22 | 1970.22 ll.jpg | data/raw/images/oriental/1970 | Cobalt blue Islamic pottery ewer with decorative bird's head at the top. One handle. | ewers | null | 134pottery
| Seljuq-Ilkhan Dynasty | Iran | data/processed/OM_images_white/oriental/1970 |
|
durom.1979.16.15 | durom.1979.16.15-ff.jpg | data/raw/images/oriental/1979 | Black and white photograph showing a number of people standing behind a simple building around a bundle of wood. Notes on the back read "B7, same as B6) | photographs | null | 120paper
| null | China | data/processed/OM_images_white/oriental/1979 |
|
durom.1969.300 | 1969.300 uu.jpg | data/raw/images/oriental/1969 | Porcelain cup in the form of an archaic bronze Gong vessel, decorated with overglaze coloured enamels in Five-colours style (or famille verte by its French name with green as the dominant colour). The principle decoration on both sides is the Animal Mask motif, and the dragons are Chi dragons. | cups | 绿地五彩描金兽面纹螭耳觥 | 133porcelain
| Kangxi | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
eg4007 | eg4007 d8.jpg | data/raw/images/egyptian/eg | boxwood cosmetic container in the form of a statuette of a nubian servant girl carring an unguent vase with a lid attached to it by an ivory pivot. The eyes are inlaid in black, and there is a bes-pendant in black around her neck. Her pubic hair is painted black. She wears a girdle of ivory and gold. The left ear is pierced and there are socket holes on both sides of the head to hold a hairpiece, now lost. Her feet are set into a rectangular wooden base, which is not the original. The servant girl bends and turns to hold the weight of the vase, a natural pose unusual in Egyptian statuary. | statuettes | servant girl statuette | 48boxwood
| Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.495.62 | 1969.495.62-uu.jpg | data/raw/images/oriental/1969 | Oracle bone, 5-character inscription on one side, possibly real. | Oracle Bone | 甲骨残片 | 46bone
| Shang | China | data/processed/OM_images_white/oriental/1969 |
|
durom.2016.24 | 2016.24 ff.jpg | data/raw/images/castle/2016 | Japanese bowl in original presentation box. Deep, white porcelain bowl with vertical sided foot decorated with a band of red/brown swirls and a single line in the same colour. The exterior of the bowl is decorated with a young male figure dressed in blue trousers, a red shirt and brown waistcoat and carrying a bamboo stick. He is shown hailing two other boys playing on toy horses below a cherry blossom tree. The interior of the rim is decorated with a repeating green hexagonal pattern; a red/orange flower in the centre of each hexagon. The interior base features a pair of birds among flowering foliage in blue. Housed in original presentation box with two white paper labels (one handwritten in black and one printed in black) on either end of the box and a red stamp and 11 Japanese characters hand painted in black on the lid | bowls | null | 133porcelain
| Meiji Period | Japan (country) | data/processed/OM_images_white/castle/2016 |
|
eg1224 | eg1224.jpg | data/raw/images/egyptian/eg | child's braclet, loop open at bottom to be put on. | bracelets | bracelet | 51bronze
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2016.109 | 2016.109 d2.jpg | data/raw/images/oriental/2016 | Set of Japanese plates. Set of 5 celadon glazed plates with underglaze foliage decoration in the centre and a band of brown glaze around the foot. Maker's mark stamped into the base. The set is housed in a wooden presentation box (tomobako). | dishes | null | 60ceramic
| Edo | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.1973.47 | 1973.47.71.jpg | data/raw/images/oriental/1973 | Bound volume of photographs of Japan, cover page and first page missing. Black and white photographs on numbered pages interleaved with pages with Japanese characters in red. | photograph albums | null | 120paper
| Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
eg1802 | eg1802-u565-ff.jpg | data/raw/images/egyptian/eg | figurine of a king as a child, naked apart from a sash (incised with an inscription), necklace and crown. The left arm is missing. | Human Figurine | king figurine | 51bronze
| Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1964.373 | durom.1964.373-ll.jpg | data/raw/images/oriental/1964 | Stone spindle whorl, pale greyish colour. | whorls | null | 159stone
| null | Jericho | data/processed/OM_images_white/oriental/1964 |
|
durom.1971.49 | 1971.49.1-q3-d2.jpg | data/raw/images/oriental/1971 | Ivory casket hinged lid, handles and an ivory base tray, decorated with exquisite carvings of figurines in garden design. Surface of lid, a picture featuring two sections. On the right, a bearded mandarin dressed in Court Attire is seated in the centre of a garden, surrounded by attendants and other officials; behing him there is an arch with a panel saying "Yu Men" (Chinese:禹门, meaning the door of becoming a madarin). On the left, a woman , possibly the mandarin's wife, is seated in the centre of another garden, holding a folded fan; she is attended by a female servant; behind her there is another arch with a panel saying "Hong Ting"(Chinese:洪汀, meaning unknown). The mandarin's figure is exceptionally big comparing to all other figures on. Behind either archs there are pavilions and summer houses. In the foreground, a bridge connects the gardens and many people are walking on the bridge, carrying various belongings such as umbrella, fan, basket, flower, goods etc. By the side of the bridge there is a junk with several passengers and a boatman. In the background above the two gardens there are some other figures: on the right, five figures carrying fan or farming tool; centre, five figures resting near a pagoda; left. three figures sitting by a house. The whole picture is edged with various floral patterns and enclosed in a border of similar floral patterns. Apart from the surface of the lid, the other surfaces of the box provide 16 more panel sections, each bound and decorated with exquisite carvings: the 8 panels around the lid construct into a continuous picture, while the other 8 panels around the body of the casket construct into another continuous picture. The motives for either picture are much similar: they shouw figures in various activities, either boating, walking on a bridge, sitting in a garden or talking to each other. This is a common motif on ivory-carving artefacts produced in Guangzhou (Canton). On the left of the back panel there is a nicely decorated boat which is probably a Flower Boat, which is a type of floating entertainment hub in Guangzhou, see [Iconography]. The casket stands on four legs which are decorated with the head of a lion-like monster. The object is placed in a tray which is made of plain ivory plaques mount with fabrics. The casket has a pair of shinny golden handles (one missing), and the tray also has one. Made for export market. | toilet caskets | 骨雕人物庭院图八方盖匣 | 92ivory
| Qing | Guangzhou | data/processed/OM_images_white/oriental/1971 |
|
durom.1969.101 | 1969.101-uu.jpg | data/raw/images/oriental/1969 | Stoneware bowl, covered with meizi qing (plum blue-green) glaze on carved sides of lotus design, Longquan ware of Southern Song dynasty period. | bowls | 龙泉梅子青釉莲瓣碗 | 133porcelain
| Southern Song Dynasty | Longquan | data/processed/OM_images_white/oriental/1969 |
|
durom.1960.3917 | 1960.3917.2-d3.jpg | data/raw/images/oriental/1960 | Pair of jade beads of tubular shape, sides slightly curve inwards and narrow around waist. | beads | 管形玉饰 | 93jade
| Neolithic Period | China | data/processed/OM_images_white/oriental/1960 |
|
eg716 | eg716-n1998-ll.jpg | data/raw/images/egyptian/eg | ptah-sokar-osiris figure in mummified form on a modern base with headpiece and inscribed in hieratic to the front and rear. The headpiece is detachable and comes away freely, it is of a plumed feather design and does not have associated rams horns, and badly chipped on the right plume the decoration is badly faded and is only present on the front of the headpiece. The figure is wearing a nemes headdress, blue but badly worn at the back. Extensive damage to the facial decoration with chips to the left eye, cheek, nose and chin the squarish chip on the chin seems to indicate a beard now missing. The wrappings are terracotta in colour; there does not apear to be a collar of any kind. The inscriptions are black/dark blue on white extensive chipping has led to the inscription being illegible on the front however the inscription on the rear is good condition. The figure is mounted on a modern plinth and cannot be removed easily, not the height of the piece includes the plinth. The headpiece is badly chipped as is the paint on the body otherwise in reasonable condition. | deity figurine | ptah-sokar-osiris figure | 163sycamore
| Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1968.128.10 | 1968.128.10-ff.jpg | data/raw/images/oriental/1968 | Pith painting depicting the family life of four Han Chinese ladies. The painting features a woman sitting in the centre, breast-feeding to a baby. She is attended by a woman standing by her side; behind the standing woman there is a shelf and a cylinder. Another woman is watching from the other side while sitting on a shelf and drinking a cup of tea. A girl attendant is carrying a lidded box on the left. The three women are wearing elaborate hair buns which are decorated with green hairpins. The woman who is sitting and watching the feeding is probably the mistress of the household: she wears purple jacket with yellow edging and floral patterns at the sleeves; unlike the other three, she wears a pink skirt instead of trousers which had been considered low-class until late Qing dynasty, see [Notes]. The central woman and the sitting woman are both wearing Han Chinese bowed shoes, while the other two are wearing big shoes which indicate their status as low-class labour workers. Made for export. | Pith Painting | 通草画 | 139rice paper
| Qing | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1953.1 | 1953.1-tt.jpg | data/raw/images/egyptian/1953 | spouted lamp, in red pottery, with a small raised handle at the back. Decorated with raised ridges flaring from the central well. | lamps | lamp | 134pottery
| Coptic Period | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.2014.538 | durom.2014.538-ff.jpg | data/raw/images/oriental/2014 | Parang Chandong (a traditional chopping blade), that is used by the Dayak (Iban people) of the Baram River in Borneo. The blade's edge is convex, with the back being concave and curves towards the edge at the point and the centre of gravity lies near to the tip. There is a small notched section to the blade where the metal is at its thinnest near to the hilt. The wooden scabbard has been treated with a black stain and has been made from two wooden sections, which is traditionally held together by rattan strips but on this example there is only a single blue, plastic braid near to the top of the scabbard. The scabbard is decorated with a swirl or shell shaped design near to the opening on the side. There is a plastic pipe fragment around the hilt of the sword that joins the blade to the hilt. On the reverse a hole is drilled through a piece of wood attached to the back of the scabbard that has string or cord fragments within it - possibly used to suspend the or secure the sword to a belt | swords | Parang Chandong | 176wood
| null | Sarawak State | data/processed/OM_images_white/oriental/2014 |
|
durom.1976.14 | 1976.14-d3.jpg | data/raw/images/oriental/1976 | Porcelain bowl, glazed light grey with blue decoration. | bowls | null | 133porcelain
| null | Vietnam | data/processed/OM_images_white/oriental/1976 |
|
durom.1960.4.145 | 1960.4.145.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a massive snow-capped mountain range, on the plain below are a large collection of tents. | Slide | null | 83glass
| null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1978.101 | 1978.101-d3.jpg | data/raw/images/oriental/1978 | Bronze slender Ku shaped vase applied with two small dragons. Marked Yoshihiro. | vases | null | 51bronze
| Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1978 |
|
eg5075 | eg5075-ff.jpg | data/raw/images/egyptian/eg | miniature situla deep sunk relief decoration. Birch gives a long description of the decoration, but the object is currently in a case and needs to be removed to be examined. | situlae | situla | 51bronze
| Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1976.144 | 1976.144-d5.jpg | data/raw/images/oriental/1976 | Baton with silver top and ferrule. Length 49cm. Stick: Painted and varnished bamboo rood inserted into a decorative silver knob at one end and a plain ferrule knob at the other. The reousse silver knob has the tripe elephant symbol of Laos on top, and around the sides are worked two stags in a forest of flowers and leaves. The stick exposed between the knobs is decorated with a yellow paint varnish with a calender of auspicious and inauspicious days, below which are panels with a chinthe lion, a humped bull and a dog (or other predator), and a fair amount of Lao script. | Baton | null | 176wood
| null | Laos | data/processed/OM_images_white/oriental/1976 |
|
durom.1978.104 | durom.1978.104-rr.jpg | data/raw/images/oriental/1978 | Green jade vase with lid and loose ring handles. | vases | null | 93jade
| null | China | data/processed/OM_images_white/oriental/1978 |
|
eg2526 | eg2526-tt.jpg | data/raw/images/egyptian/eg | pale green faience red crown amulet | amulets | red crown amulet | 77faience
| 26th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.406 | 1969.406-d167.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar | data/processed/OM_images_white/oriental/1969 |
|
durom.2013.128 | 2013.128-uu.jpg | data/raw/images/oriental/2013 | Carved ivory brooch, in an oval / egg shape and depicted in the centre is a slightly openwork elephant facing to the left side and in a striding pose. Leaves depicted above the elephant as is the ground below it. Pierced with multiple small holes to the edge with a wavy line at the edge. A small ridged loop is present at the top to allow for suspension. Damage to the left side of the piece near to the elephants trunk | brooches | null | 92ivory
| null | Brunei | data/processed/OM_images_white/oriental/2013 |
|
durma.2020.3.2037 | durma.2020.3.2037-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman coin which is part of the Piercebridge assemblage, the coin was roduced at the Mint of Rome and its type is a sestertius of Trajan dating to the period AD 114 to 117 (Reece period 5). The coins reverse depicts Felicitas standing to the left holding caduceus and cornucopiae. The obverse side of the coin features the bust of Roman Emperor Trajan facing to the right. Trajan was a Roman Emperor who was known as one of the best and most succesful Roman Emperors. _x000D__x000D_
_x000D__x000D_
Possibly a SENATVS POPVLVSQVE ROMANVS S C reverse type, cf RIC II, p. 292, no. 672._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/103736 | coins | null | 108metal
| Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1969.483 | 1969.483 d1.jpg | data/raw/images/oriental/1969 | Islamic bronze stand with pierced and engraved decoration. Used as incense burner. It has three parts, the base, column and tray. This is the only known complete unit of this type in western collections, all other stands of comparable date seem to lack the tray. The base section is decroated with three roundels depicting a big cat, a sleeping hare and a startled hare. | incense burners | null | 67copper alloy
| Seljuq Dynasty | Iran | data/processed/OM_images_white/oriental/1969 |
|
durom.2015.279 | durom.2015.279-ff.jpg | data/raw/images/oriental/2015 | A child's dress made from red silk. It has two main sections, a top attached to a pleated skirt. Bands of gold fabric are sewn around the garment around the end of the long sleeves, and around the design on the front. There is a large patch of black fabric occupying the front of the garment, which has a colourful geometric design sewn into it. | dresses | null | 149silk
| 20th century | West Asia | data/processed/OM_images_white/oriental/2015 |
|
durom.2013.42 | 2013.42.4.jpg | data/raw/images/oriental/2013 | A six panel folding screen with silk embroidery on a silk panel, which is then backed onto a cotton background with a wooden frame around the edge of each panel and metal corners. The scene depicted is that of a lake with varying shades of blue dye representing the water, pink and yellow lily blossoms with multiple lily pads and reeds poking out from the water. On the third panel from the left are two ducks swimming next to each other. The drake is depicted with a white underbelly, brown and orange feathers, orange beak and black eye. The female is in the foreground with pink feathers around the neck, orange plumage near to the tail end of the bird, white body, black head and orange beak. On the far left panel there are three columns of Korean text embroidered in a navy blue thread, with a smaller column of text on the left and the central and right columns being longer. The reverse of the panels are plain | Screen | null | 149silk
| Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
eg1742 | eg1742-bb.jpg | data/raw/images/egyptian/eg | Seated Osiris. Tang for throne at bottom of back, and on feet. Hands crossed, crook and flail. Beard, atef crown. Quite corroded. Traces of gold leaf on crook, flail, face, ears and uraeus. Eyes were inset, now lost | Human Figurine | osiris figurine | 51bronze
| Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1960.3878 | 1960.3878-d2.jpg | data/raw/images/oriental/1960 | Jade scabbard chape, approximately trapezoidal in shape with two slightly curved sides, decorated with carved Sleeping Silk Worm patterns enclosed with linear borders on both sides; bottom, incised cloud patterns; there are two holes on the narrow end, to be mount for the bottom of sword scabbard. | Scabbard Chape | 卧蚕纹玉珌 | 93jade
| null | China | data/processed/OM_images_white/oriental/1960 |
|
durma.1986.59.1 | 1986.59.1 ff.jpg | data/raw/images/fulling_mill/1986 | Neck of flagon decorated with painted and moulded human female face. Fragment of a Romano-British face flagon, probably produced in the lower Nene Valley potteries. Found at Lanchester in 1938. | sherds | Anthropomorphic Sherd | 134pottery
| Roman | null | data/processed/OM_images_white/fulling_mill/1986 |
|
durom.1976.37.6 | 1976.37.6.jpg | data/raw/images/oriental/1976 | View of Jerusalem from the Mount of Olivers. | postcards | null | 120paper
| null | null | data/processed/OM_images_white/oriental/1976 |
|
durom.2015.62 | durom.2015.62-ff.jpg | data/raw/images/oriental/2015 | Kushan coin of Kanishka I AE tetradrachm with an image of the crowned, diademed king standing facing, holding a spear and sacrificing at an altar to the left. There is a Bactrian legend around him that reads 'þAO KA ... NηþKI (King Kanishka)'. On the obverse is a Shakyamuni Buddha standing facing with his left hand holding onto his robe and his right hand in the abhayamudra, "have no fear" position. Around the Buddha is the Bactrian legend at left and right 'CAKAMAN .. O BOYΔO', tamgha at left._x000D__x000D_
_x000D__x000D_
Göbl 786, Cribb die 5 | coins | null | 49brass
| Kushan Dynasty | India | data/processed/OM_images_white/oriental/2015 |
|
eg6788 | eg6788-qq66533.jpg | data/raw/images/egyptian/eg | Back: is a sherd of brownish pottery carrrying on the concave side a sticker featuring the word 'pure'. The significance of this sticker is a small riddle._x000D__x000D_
Front: is the convex side of the same sherd covered by a whitish / yellowish slip featuring an Egyptian hieroglyph (hence this may date from Pharaonic Egypt) and a pencilled numeral '45'. | Ostraka | ostraca | 134pottery
| null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durma.2020.3.2026 | durma.2020.3.2026-ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy sestertius of Hadrian dating to the period AD 117 to 138 (Reece period 6), part of the Piercebridge River Assemblage. Unclear reverse type depicting figure standing left. Mint of Rome._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/103787 | coins | null | 108metal
| Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1986.d75 | durom.1986.d75.1-tt.jpg | data/raw/images/oriental/1986 | Leather sheath sewn together with copper wire and 5 rivets along the seam edge. The flap by the hilt is rivetted down by two copper rivets. | knives | null | 158steel
| null | null | data/processed/OM_images_white/oriental/1986 |
|
durom.2013.266 | durom.2013.266-ff.jpg | data/raw/images/oriental/2013 | Poster for the animated fantasy film Spirited Away. The poster has an off white background. The central image is of the character Chihiro Ogino lying on the back seat of a car holding a bouquet of pink flowers with her feet up on a large cardboard box and surrounded by bags and rolls. She wears a green and white striped top, red shorts, pink socks and yellow trainers. Her expression is unhappy. At the top of the poster is a line of Japanese script in black with the film's title in Japanese beneath in large purple characters. There are two vertical lines of Japanese script in yellow in the centre of the image and two lines of small Japanese text in black at the bottom of the poster. The Studio Ghibli logo is in black in the top left hand corner. | posters | null | 120paper
| Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1969.152 | durom.1969.152.ll.jpg | data/raw/images/oriental/1969 | Porcelain jar, decorated with underglaze cobalt blue and overglaze colour enamels in Five-colours style of fish designs. The jar has a wide mouth, straight neck, wide shoulder and wide base decorated with four fish in iron red on a blue foamy wave background, with tops of waves picked out by green, around the body between a band of jui-I lappets with cloud collar around the shoulder, and a border of petals around the base, both reinforced with green and yellow. Hatched chevron band around the neck and lip in underglaze blue. Uneven glaze with a bluish tinge covers the white base and inside. The foot rim is unglazed. The rim has an area decorated to appear as though a chip has been repaired with gold lacquer. | jars | 青花五彩鱼纹罐 | 133porcelain
| Wanli | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.2015.239 | durom.2015.239-ff.jpg | data/raw/images/oriental/2015 | A child's cap, from Qashqai people in Iran, called koloch chey in Persian (farsi). A semi-circular cotton piece with a round crown and lining. Stripe pattern covers the cap in white, black, purple and orange with a blanket stitch in white thread around the black edge. The lining fabric in floral pattern consists of two cotton pieces: crown - purple pattern with black outline on white background; the sideband blue pattern with black outline on white background. | Cap | null | 69cotton
| 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
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