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durom.1960.3316 | 1960.3316-d1.jpg | data/raw/images/oriental/1960 | square seal of a personal name, surmounted by a deer and a crane, representing 'six harmonies sharing the spring' by their homophones. The six harmonies are of the East, West, South, North, Heaven and Earth. Seal lengend: 'Wang Ziyi'. Old display label says it is surmounted by a hare, stag and rock. | 146Seal
| null | jade | Qing | China |
|
durom.1960.3316 | 1960.3316-d1.jpg | data/raw/images/oriental/1960 | square seal of a personal name, surmounted by a deer and a crane, representing 'six harmonies sharing the spring' by their homophones. The six harmonies are of the East, West, South, North, Heaven and Earth. Seal lengend: 'Wang Ziyi'. Old display label says it is surmounted by a hare, stag and rock. | 146Seal
| null | jade | Qing | China |
|
durom.1960.3316 | 1960.3316-d1.jpg | data/raw/images/oriental/1960 | square seal of a personal name, surmounted by a deer and a crane, representing 'six harmonies sharing the spring' by their homophones. The six harmonies are of the East, West, South, North, Heaven and Earth. Seal lengend: 'Wang Ziyi'. Old display label says it is surmounted by a hare, stag and rock. | 146Seal
| null | jade | Qing | China |
|
durom.1960.3316 | 1960.3316-d1.jpg | data/raw/images/oriental/1960 | square seal of a personal name, surmounted by a deer and a crane, representing 'six harmonies sharing the spring' by their homophones. The six harmonies are of the East, West, South, North, Heaven and Earth. Seal lengend: 'Wang Ziyi'. Old display label says it is surmounted by a hare, stag and rock. | 146Seal
| null | jade | Qing | China |
|
durom.1960.3316 | 1960.3316-d1.jpg | data/raw/images/oriental/1960 | square seal of a personal name, surmounted by a deer and a crane, representing 'six harmonies sharing the spring' by their homophones. The six harmonies are of the East, West, South, North, Heaven and Earth. Seal lengend: 'Wang Ziyi'. Old display label says it is surmounted by a hare, stag and rock. | 146Seal
| null | jade | Qing | China |
|
durma.2020.3.2227 | durma.2020.3.2227-ff.jpg | data/raw/images/fulling_mill/2020 | A complete iron staple dating to the Roman or medieval period. Rectangular-sectioned bar, both ends of which are bent inwards at slightly more than a right angle, creading a U-shape with slightly bent tapering tangs.Measurements: L 24 mm ; W 23 mm ; max W (bar) 6 mm ; max T (bar) 4 mm ; Wt 5 g ;Large iron staples were used to join timbers together. Blunt-ended examples could also be used as cramps to hold masonry together (Manning, 1985, p. 131). Eight possible staples were found at Piercebridge, representing both of the major types identified by Manning (1985, p. 131). STA02 is of the more slender U-shaped variety. Both types were also used in the middle ages (Goodall, 1980, figs. 66-9). | 501staples
| null | null | Roman | null |
|
durma.2020.3.2227 | durma.2020.3.2227-ff.jpg | data/raw/images/fulling_mill/2020 | A complete iron staple dating to the Roman or medieval period. Rectangular-sectioned bar, both ends of which are bent inwards at slightly more than a right angle, creading a U-shape with slightly bent tapering tangs.Measurements: L 24 mm ; W 23 mm ; max W (bar) 6 mm ; max T (bar) 4 mm ; Wt 5 g ;Large iron staples were used to join timbers together. Blunt-ended examples could also be used as cramps to hold masonry together (Manning, 1985, p. 131). Eight possible staples were found at Piercebridge, representing both of the major types identified by Manning (1985, p. 131). STA02 is of the more slender U-shaped variety. Both types were also used in the middle ages (Goodall, 1980, figs. 66-9). | 501staples
| null | null | Roman | null |
|
durma.2020.3.2227 | durma.2020.3.2227-ff.jpg | data/raw/images/fulling_mill/2020 | A complete iron staple dating to the Roman or medieval period. Rectangular-sectioned bar, both ends of which are bent inwards at slightly more than a right angle, creading a U-shape with slightly bent tapering tangs.Measurements: L 24 mm ; W 23 mm ; max W (bar) 6 mm ; max T (bar) 4 mm ; Wt 5 g ;Large iron staples were used to join timbers together. Blunt-ended examples could also be used as cramps to hold masonry together (Manning, 1985, p. 131). Eight possible staples were found at Piercebridge, representing both of the major types identified by Manning (1985, p. 131). STA02 is of the more slender U-shaped variety. Both types were also used in the middle ages (Goodall, 1980, figs. 66-9). | 501staples
| null | null | Roman | null |
|
durma.2020.3.2227 | durma.2020.3.2227-ff.jpg | data/raw/images/fulling_mill/2020 | A complete iron staple dating to the Roman or medieval period. Rectangular-sectioned bar, both ends of which are bent inwards at slightly more than a right angle, creading a U-shape with slightly bent tapering tangs.Measurements: L 24 mm ; W 23 mm ; max W (bar) 6 mm ; max T (bar) 4 mm ; Wt 5 g ;Large iron staples were used to join timbers together. Blunt-ended examples could also be used as cramps to hold masonry together (Manning, 1985, p. 131). Eight possible staples were found at Piercebridge, representing both of the major types identified by Manning (1985, p. 131). STA02 is of the more slender U-shaped variety. Both types were also used in the middle ages (Goodall, 1980, figs. 66-9). | 501staples
| null | null | Roman | null |
|
durma.2020.3.2227 | durma.2020.3.2227-ff.jpg | data/raw/images/fulling_mill/2020 | A complete iron staple dating to the Roman or medieval period. Rectangular-sectioned bar, both ends of which are bent inwards at slightly more than a right angle, creading a U-shape with slightly bent tapering tangs.Measurements: L 24 mm ; W 23 mm ; max W (bar) 6 mm ; max T (bar) 4 mm ; Wt 5 g ;Large iron staples were used to join timbers together. Blunt-ended examples could also be used as cramps to hold masonry together (Manning, 1985, p. 131). Eight possible staples were found at Piercebridge, representing both of the major types identified by Manning (1985, p. 131). STA02 is of the more slender U-shaped variety. Both types were also used in the middle ages (Goodall, 1980, figs. 66-9). | 501staples
| null | null | Roman | null |
|
durom.1960.1765 | 1960.1765 bb.jpg | data/raw/images/oriental/1960 | necklace with five pieces, all different in shape, engraved with verses from Quran. | 397necklaces
| null | bowenite | Ottoman dynasty | West Asia |
|
durom.1960.1765 | 1960.1765 bb.jpg | data/raw/images/oriental/1960 | necklace with five pieces, all different in shape, engraved with verses from Quran. | 397necklaces
| null | bowenite | Ottoman dynasty | West Asia |
|
durom.1960.1765 | 1960.1765 bb.jpg | data/raw/images/oriental/1960 | necklace with five pieces, all different in shape, engraved with verses from Quran. | 397necklaces
| null | bowenite | Ottoman dynasty | West Asia |
|
durom.1960.1765 | 1960.1765 bb.jpg | data/raw/images/oriental/1960 | necklace with five pieces, all different in shape, engraved with verses from Quran. | 397necklaces
| null | bowenite | Ottoman dynasty | West Asia |
|
durom.1960.1765 | 1960.1765 bb.jpg | data/raw/images/oriental/1960 | necklace with five pieces, all different in shape, engraved with verses from Quran. | 397necklaces
| null | bowenite | Ottoman dynasty | West Asia |
|
eg5324 | eg5324-tt.jpg | data/raw/images/egyptian/eg | large pear shaped mace head red and white limestone breccia. Diam. of central piercing: 12 mm | 380maces
| mace head | limestone | Naqada II | Egypt |
|
eg5324 | eg5324-tt.jpg | data/raw/images/egyptian/eg | large pear shaped mace head red and white limestone breccia. Diam. of central piercing: 12 mm | 380maces
| mace head | limestone | Naqada II | Egypt |
|
eg5324 | eg5324-tt.jpg | data/raw/images/egyptian/eg | large pear shaped mace head red and white limestone breccia. Diam. of central piercing: 12 mm | 380maces
| mace head | limestone | Naqada II | Egypt |
|
eg5324 | eg5324-tt.jpg | data/raw/images/egyptian/eg | large pear shaped mace head red and white limestone breccia. Diam. of central piercing: 12 mm | 380maces
| mace head | limestone | Naqada II | Egypt |
|
eg5324 | eg5324-tt.jpg | data/raw/images/egyptian/eg | large pear shaped mace head red and white limestone breccia. Diam. of central piercing: 12 mm | 380maces
| mace head | limestone | Naqada II | Egypt |
|
durom.2001.32.90 | 2001.32.90-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 246cards
| ganjifa | Colour on Paper | Modern Period | India |
|
durom.2001.32.90 | 2001.32.90-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 246cards
| ganjifa | Colour on Paper | Modern Period | India |
|
durom.2001.32.90 | 2001.32.90-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 246cards
| ganjifa | Colour on Paper | Modern Period | India |
|
durom.2001.32.90 | 2001.32.90-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 246cards
| ganjifa | Colour on Paper | Modern Period | India |
|
durom.2001.32.90 | 2001.32.90-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 246cards
| ganjifa | Colour on Paper | Modern Period | India |
|
eg4567 | eg4567-n1481-uu.jpg | data/raw/images/egyptian/eg | small knife with narrow blade and handle ending in a lotus flower. This knife may have been used as a razor. | 370knives
| knife | bronze | 18th Dynasty | Egypt |
|
eg4567 | eg4567-n1481-uu.jpg | data/raw/images/egyptian/eg | small knife with narrow blade and handle ending in a lotus flower. This knife may have been used as a razor. | 370knives
| knife | bronze | 18th Dynasty | Egypt |
|
eg4567 | eg4567-n1481-uu.jpg | data/raw/images/egyptian/eg | small knife with narrow blade and handle ending in a lotus flower. This knife may have been used as a razor. | 370knives
| knife | bronze | 18th Dynasty | Egypt |
|
eg4567 | eg4567-n1481-uu.jpg | data/raw/images/egyptian/eg | small knife with narrow blade and handle ending in a lotus flower. This knife may have been used as a razor. | 370knives
| knife | bronze | 18th Dynasty | Egypt |
|
eg4567 | eg4567-n1481-uu.jpg | data/raw/images/egyptian/eg | small knife with narrow blade and handle ending in a lotus flower. This knife may have been used as a razor. | 370knives
| knife | bronze | 18th Dynasty | Egypt |
|
durom.1977.45 | 1977.45-q4.jpg | data/raw/images/oriental/1977 | Porcelain group figures, covered with white glaze, Dehua ware. The subject is 'Governor Duff' - a European gentleman with his wife, and 2 younger boy and girl, possibly the couple's attendants. The couples are seated around a Chinese style tea table with a Weiqi/围棋 (Go) board and 2 tea cups (or Go stone boxes) on top; the governor is looking at his wife, his right hand missing. The boy attendant is standing on one side holding a folded fan. The governor's wife dresses a long skirt and wears a talk hat, her face looks oriental. The girl attendant is standing by her side holding a plate in her hand. There is a plant basin at the front of the scene. Export ware. | 310figures
| 德化白釉西洋人物群像 | porcelain | Qing | Dehua Xian |
|
durom.1977.45 | 1977.45-q4.jpg | data/raw/images/oriental/1977 | Porcelain group figures, covered with white glaze, Dehua ware. The subject is 'Governor Duff' - a European gentleman with his wife, and 2 younger boy and girl, possibly the couple's attendants. The couples are seated around a Chinese style tea table with a Weiqi/围棋 (Go) board and 2 tea cups (or Go stone boxes) on top; the governor is looking at his wife, his right hand missing. The boy attendant is standing on one side holding a folded fan. The governor's wife dresses a long skirt and wears a talk hat, her face looks oriental. The girl attendant is standing by her side holding a plate in her hand. There is a plant basin at the front of the scene. Export ware. | 310figures
| 德化白釉西洋人物群像 | porcelain | Qing | Dehua Xian |
|
durom.1977.45 | 1977.45-q4.jpg | data/raw/images/oriental/1977 | Porcelain group figures, covered with white glaze, Dehua ware. The subject is 'Governor Duff' - a European gentleman with his wife, and 2 younger boy and girl, possibly the couple's attendants. The couples are seated around a Chinese style tea table with a Weiqi/围棋 (Go) board and 2 tea cups (or Go stone boxes) on top; the governor is looking at his wife, his right hand missing. The boy attendant is standing on one side holding a folded fan. The governor's wife dresses a long skirt and wears a talk hat, her face looks oriental. The girl attendant is standing by her side holding a plate in her hand. There is a plant basin at the front of the scene. Export ware. | 310figures
| 德化白釉西洋人物群像 | porcelain | Qing | Dehua Xian |
|
durom.1977.45 | 1977.45-q4.jpg | data/raw/images/oriental/1977 | Porcelain group figures, covered with white glaze, Dehua ware. The subject is 'Governor Duff' - a European gentleman with his wife, and 2 younger boy and girl, possibly the couple's attendants. The couples are seated around a Chinese style tea table with a Weiqi/围棋 (Go) board and 2 tea cups (or Go stone boxes) on top; the governor is looking at his wife, his right hand missing. The boy attendant is standing on one side holding a folded fan. The governor's wife dresses a long skirt and wears a talk hat, her face looks oriental. The girl attendant is standing by her side holding a plate in her hand. There is a plant basin at the front of the scene. Export ware. | 310figures
| 德化白釉西洋人物群像 | porcelain | Qing | Dehua Xian |
|
durom.1977.45 | 1977.45-q4.jpg | data/raw/images/oriental/1977 | Porcelain group figures, covered with white glaze, Dehua ware. The subject is 'Governor Duff' - a European gentleman with his wife, and 2 younger boy and girl, possibly the couple's attendants. The couples are seated around a Chinese style tea table with a Weiqi/围棋 (Go) board and 2 tea cups (or Go stone boxes) on top; the governor is looking at his wife, his right hand missing. The boy attendant is standing on one side holding a folded fan. The governor's wife dresses a long skirt and wears a talk hat, her face looks oriental. The girl attendant is standing by her side holding a plate in her hand. There is a plant basin at the front of the scene. Export ware. | 310figures
| 德化白釉西洋人物群像 | porcelain | Qing | Dehua Xian |
|
eg4966 | eg4966-d2.jpg | data/raw/images/egyptian/eg | ivory cone shaped gaming piece | 323gaming counters
| gaming piece | ivory | null | Egypt |
|
eg4966 | eg4966-d2.jpg | data/raw/images/egyptian/eg | ivory cone shaped gaming piece | 323gaming counters
| gaming piece | ivory | null | Egypt |
|
eg4966 | eg4966-d2.jpg | data/raw/images/egyptian/eg | ivory cone shaped gaming piece | 323gaming counters
| gaming piece | ivory | null | Egypt |
|
eg4966 | eg4966-d2.jpg | data/raw/images/egyptian/eg | ivory cone shaped gaming piece | 323gaming counters
| gaming piece | ivory | null | Egypt |
|
eg4966 | eg4966-d2.jpg | data/raw/images/egyptian/eg | ivory cone shaped gaming piece | 323gaming counters
| gaming piece | ivory | null | Egypt |
|
durom.1992.11 | 1992.11-d6.jpg | data/raw/images/oriental/1992 | Bronze cross-bow lock/trigger | 44Cross-bow Lock
| 弩弓 | bronze | late Zhou Dynasty | China |
|
durom.1992.11 | 1992.11-d6.jpg | data/raw/images/oriental/1992 | Bronze cross-bow lock/trigger | 44Cross-bow Lock
| 弩弓 | bronze | late Zhou Dynasty | China |
|
durom.1992.11 | 1992.11-d6.jpg | data/raw/images/oriental/1992 | Bronze cross-bow lock/trigger | 44Cross-bow Lock
| 弩弓 | bronze | late Zhou Dynasty | China |
|
durom.1992.11 | 1992.11-d6.jpg | data/raw/images/oriental/1992 | Bronze cross-bow lock/trigger | 44Cross-bow Lock
| 弩弓 | bronze | late Zhou Dynasty | China |
|
durom.1992.11 | 1992.11-d6.jpg | data/raw/images/oriental/1992 | Bronze cross-bow lock/trigger | 44Cross-bow Lock
| 弩弓 | bronze | late Zhou Dynasty | China |
|
durom.1999.52 | 1999.52.2-d8.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt |
|
durom.1999.52 | 1999.52.2-d8.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt |
|
durom.1999.52 | 1999.52.2-d8.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt |
|
durom.1999.52 | 1999.52.2-d8.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt |
|
durom.1999.52 | 1999.52.2-d8.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt |
|
durom.1969.497 | 1969.497-tt.jpg | data/raw/images/oriental/1969 | Pottery teapot with lid, decorated with a 16-character inscription on one side, a 4-character trade mark under the base, and a 3-character production mark inside the lid, Yixing ware. | 528teapots
| 铁画轩款宜兴紫砂茶壶 | clay | Republic of China | Yixing |
|
durom.1969.497 | 1969.497-tt.jpg | data/raw/images/oriental/1969 | Pottery teapot with lid, decorated with a 16-character inscription on one side, a 4-character trade mark under the base, and a 3-character production mark inside the lid, Yixing ware. | 528teapots
| 铁画轩款宜兴紫砂茶壶 | clay | Republic of China | Yixing |
|
durom.1969.497 | 1969.497-tt.jpg | data/raw/images/oriental/1969 | Pottery teapot with lid, decorated with a 16-character inscription on one side, a 4-character trade mark under the base, and a 3-character production mark inside the lid, Yixing ware. | 528teapots
| 铁画轩款宜兴紫砂茶壶 | clay | Republic of China | Yixing |
|
durom.1969.497 | 1969.497-tt.jpg | data/raw/images/oriental/1969 | Pottery teapot with lid, decorated with a 16-character inscription on one side, a 4-character trade mark under the base, and a 3-character production mark inside the lid, Yixing ware. | 528teapots
| 铁画轩款宜兴紫砂茶壶 | clay | Republic of China | Yixing |
|
durom.1969.497 | 1969.497-tt.jpg | data/raw/images/oriental/1969 | Pottery teapot with lid, decorated with a 16-character inscription on one side, a 4-character trade mark under the base, and a 3-character production mark inside the lid, Yixing ware. | 528teapots
| 铁画轩款宜兴紫砂茶壶 | clay | Republic of China | Yixing |
|
durom.1960.1657 | 1960.1657.1-bb.jpg | data/raw/images/oriental/1960 | Table screen, carved and pierced soapstone in two pieces. Circular screen with a dragon, support with a butterfly. Also a wooden stand. | 145Screen
| null | soapstone | null | China |
|
durom.1960.1657 | 1960.1657.1-bb.jpg | data/raw/images/oriental/1960 | Table screen, carved and pierced soapstone in two pieces. Circular screen with a dragon, support with a butterfly. Also a wooden stand. | 145Screen
| null | soapstone | null | China |
|
durom.1960.1657 | 1960.1657.1-bb.jpg | data/raw/images/oriental/1960 | Table screen, carved and pierced soapstone in two pieces. Circular screen with a dragon, support with a butterfly. Also a wooden stand. | 145Screen
| null | soapstone | null | China |
|
durom.1960.1657 | 1960.1657.1-bb.jpg | data/raw/images/oriental/1960 | Table screen, carved and pierced soapstone in two pieces. Circular screen with a dragon, support with a butterfly. Also a wooden stand. | 145Screen
| null | soapstone | null | China |
|
durom.1960.1657 | 1960.1657.1-bb.jpg | data/raw/images/oriental/1960 | Table screen, carved and pierced soapstone in two pieces. Circular screen with a dragon, support with a butterfly. Also a wooden stand. | 145Screen
| null | soapstone | null | China |
|
durom.2015.142 | durom.2015.142-d1.jpg | data/raw/images/oriental/2015 | A traditional sarong from Manipur called phanek. The cotton sarong is sewn at the top of one side into a tube like garment with a long slit running the remaining length. The main field of the sarong has thin light brown, pale pink and black horizontal stripes woven down the length of the garment with borders at the top and at the bottom decorated with intricate embroidered designs, called khoi-mayek (probably). The embroidered pattern in several hues of purple, black, pink and blue consisting of repeating medallion like ornaments (black circles containing a purple diamond) framed by sets of stripe patterns. In the middle of material the garment is stitched with white thread connecting two woven pieces of fabric into one. The edges along the length of the phanek are stitched with white thread with long threads left hanging in the middle. Next to it is another stitch in thick brown thread forming a double braid pattern with threads left hanging in the middle. | 464sarongs
| phanek | cotton | null | Manipur State |
|
durom.2015.142 | durom.2015.142-d1.jpg | data/raw/images/oriental/2015 | A traditional sarong from Manipur called phanek. The cotton sarong is sewn at the top of one side into a tube like garment with a long slit running the remaining length. The main field of the sarong has thin light brown, pale pink and black horizontal stripes woven down the length of the garment with borders at the top and at the bottom decorated with intricate embroidered designs, called khoi-mayek (probably). The embroidered pattern in several hues of purple, black, pink and blue consisting of repeating medallion like ornaments (black circles containing a purple diamond) framed by sets of stripe patterns. In the middle of material the garment is stitched with white thread connecting two woven pieces of fabric into one. The edges along the length of the phanek are stitched with white thread with long threads left hanging in the middle. Next to it is another stitch in thick brown thread forming a double braid pattern with threads left hanging in the middle. | 464sarongs
| phanek | cotton | null | Manipur State |
|
durom.2015.142 | durom.2015.142-d1.jpg | data/raw/images/oriental/2015 | A traditional sarong from Manipur called phanek. The cotton sarong is sewn at the top of one side into a tube like garment with a long slit running the remaining length. The main field of the sarong has thin light brown, pale pink and black horizontal stripes woven down the length of the garment with borders at the top and at the bottom decorated with intricate embroidered designs, called khoi-mayek (probably). The embroidered pattern in several hues of purple, black, pink and blue consisting of repeating medallion like ornaments (black circles containing a purple diamond) framed by sets of stripe patterns. In the middle of material the garment is stitched with white thread connecting two woven pieces of fabric into one. The edges along the length of the phanek are stitched with white thread with long threads left hanging in the middle. Next to it is another stitch in thick brown thread forming a double braid pattern with threads left hanging in the middle. | 464sarongs
| phanek | cotton | null | Manipur State |
|
durom.2015.142 | durom.2015.142-d1.jpg | data/raw/images/oriental/2015 | A traditional sarong from Manipur called phanek. The cotton sarong is sewn at the top of one side into a tube like garment with a long slit running the remaining length. The main field of the sarong has thin light brown, pale pink and black horizontal stripes woven down the length of the garment with borders at the top and at the bottom decorated with intricate embroidered designs, called khoi-mayek (probably). The embroidered pattern in several hues of purple, black, pink and blue consisting of repeating medallion like ornaments (black circles containing a purple diamond) framed by sets of stripe patterns. In the middle of material the garment is stitched with white thread connecting two woven pieces of fabric into one. The edges along the length of the phanek are stitched with white thread with long threads left hanging in the middle. Next to it is another stitch in thick brown thread forming a double braid pattern with threads left hanging in the middle. | 464sarongs
| phanek | cotton | null | Manipur State |
|
durom.2015.142 | durom.2015.142-d1.jpg | data/raw/images/oriental/2015 | A traditional sarong from Manipur called phanek. The cotton sarong is sewn at the top of one side into a tube like garment with a long slit running the remaining length. The main field of the sarong has thin light brown, pale pink and black horizontal stripes woven down the length of the garment with borders at the top and at the bottom decorated with intricate embroidered designs, called khoi-mayek (probably). The embroidered pattern in several hues of purple, black, pink and blue consisting of repeating medallion like ornaments (black circles containing a purple diamond) framed by sets of stripe patterns. In the middle of material the garment is stitched with white thread connecting two woven pieces of fabric into one. The edges along the length of the phanek are stitched with white thread with long threads left hanging in the middle. Next to it is another stitch in thick brown thread forming a double braid pattern with threads left hanging in the middle. | 464sarongs
| phanek | cotton | null | Manipur State |
|
durom.1960.1755 | 1960.1755-tt.jpg | data/raw/images/oriental/1960 | The circle and spiral combination is probably a simplified version of cicada pattern. | 405ornaments
| 白玉蝉纹饰 | jade | null | China |
|
durom.1960.1755 | 1960.1755-tt.jpg | data/raw/images/oriental/1960 | The circle and spiral combination is probably a simplified version of cicada pattern. | 405ornaments
| 白玉蝉纹饰 | jade | null | China |
|
durom.1960.1755 | 1960.1755-tt.jpg | data/raw/images/oriental/1960 | The circle and spiral combination is probably a simplified version of cicada pattern. | 405ornaments
| 白玉蝉纹饰 | jade | null | China |
|
durom.1960.1755 | 1960.1755-tt.jpg | data/raw/images/oriental/1960 | The circle and spiral combination is probably a simplified version of cicada pattern. | 405ornaments
| 白玉蝉纹饰 | jade | null | China |
|
durom.1960.1755 | 1960.1755-tt.jpg | data/raw/images/oriental/1960 | The circle and spiral combination is probably a simplified version of cicada pattern. | 405ornaments
| 白玉蝉纹饰 | jade | null | China |
|
eg2918 | eg2918-ff.jpg | data/raw/images/egyptian/eg | small Isis, throne on head, standing. | 188amulets
| isis amulet | faience | null | Egypt |
|
eg2918 | eg2918-ff.jpg | data/raw/images/egyptian/eg | small Isis, throne on head, standing. | 188amulets
| isis amulet | faience | null | Egypt |
|
eg2918 | eg2918-ff.jpg | data/raw/images/egyptian/eg | small Isis, throne on head, standing. | 188amulets
| isis amulet | faience | null | Egypt |
|
eg2918 | eg2918-ff.jpg | data/raw/images/egyptian/eg | small Isis, throne on head, standing. | 188amulets
| isis amulet | faience | null | Egypt |
|
eg2918 | eg2918-ff.jpg | data/raw/images/egyptian/eg | small Isis, throne on head, standing. | 188amulets
| isis amulet | faience | null | Egypt |
|
durom.1960.3654 | durom.1960.3654-ff.jpg | data/raw/images/oriental/1960 | A pair of carved greyish green hardstone, one of the pair set on a separate wooden stand. Both figures are carved in the form of seated tigers in mirror image of each other._x000D__x000D_
_x000D__x000D_
The tiger set on the separate wooden stand is in a seated position with outstretched front paws, head facing forward. It has worn carved facial features, including ridges between the eyes and on the mouse. There is a worn carved line across the tiger's forehead. Two protruding ears are carved on the top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the right hind quarter of the tiger. Carved details on the underside denote the two hind legs. Sits on a separate wooden stand._x000D__x000D_
_x000D__x000D_
The second tiger does not have a wooden stand. It is in a seated position with outstretched front paws, head facing forward. It has more complete facial features, including ridges on the nose, between the eyes and above the eyes. On the top of the head is carved the character 'wang' (王). Two protruding ears are carved on top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the left hind quarter of the tiger. Carved details on the underside denote two hind legs. Does not have a wooden stand. | 310figures
| null | Actinolite | null | China |
|
durom.1960.3654 | durom.1960.3654-ff.jpg | data/raw/images/oriental/1960 | A pair of carved greyish green hardstone, one of the pair set on a separate wooden stand. Both figures are carved in the form of seated tigers in mirror image of each other._x000D__x000D_
_x000D__x000D_
The tiger set on the separate wooden stand is in a seated position with outstretched front paws, head facing forward. It has worn carved facial features, including ridges between the eyes and on the mouse. There is a worn carved line across the tiger's forehead. Two protruding ears are carved on the top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the right hind quarter of the tiger. Carved details on the underside denote the two hind legs. Sits on a separate wooden stand._x000D__x000D_
_x000D__x000D_
The second tiger does not have a wooden stand. It is in a seated position with outstretched front paws, head facing forward. It has more complete facial features, including ridges on the nose, between the eyes and above the eyes. On the top of the head is carved the character 'wang' (王). Two protruding ears are carved on top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the left hind quarter of the tiger. Carved details on the underside denote two hind legs. Does not have a wooden stand. | 310figures
| null | Actinolite | null | China |
|
durom.1960.3654 | durom.1960.3654-ff.jpg | data/raw/images/oriental/1960 | A pair of carved greyish green hardstone, one of the pair set on a separate wooden stand. Both figures are carved in the form of seated tigers in mirror image of each other._x000D__x000D_
_x000D__x000D_
The tiger set on the separate wooden stand is in a seated position with outstretched front paws, head facing forward. It has worn carved facial features, including ridges between the eyes and on the mouse. There is a worn carved line across the tiger's forehead. Two protruding ears are carved on the top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the right hind quarter of the tiger. Carved details on the underside denote the two hind legs. Sits on a separate wooden stand._x000D__x000D_
_x000D__x000D_
The second tiger does not have a wooden stand. It is in a seated position with outstretched front paws, head facing forward. It has more complete facial features, including ridges on the nose, between the eyes and above the eyes. On the top of the head is carved the character 'wang' (王). Two protruding ears are carved on top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the left hind quarter of the tiger. Carved details on the underside denote two hind legs. Does not have a wooden stand. | 310figures
| null | Actinolite | null | China |
|
durom.1960.3654 | durom.1960.3654-ff.jpg | data/raw/images/oriental/1960 | A pair of carved greyish green hardstone, one of the pair set on a separate wooden stand. Both figures are carved in the form of seated tigers in mirror image of each other._x000D__x000D_
_x000D__x000D_
The tiger set on the separate wooden stand is in a seated position with outstretched front paws, head facing forward. It has worn carved facial features, including ridges between the eyes and on the mouse. There is a worn carved line across the tiger's forehead. Two protruding ears are carved on the top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the right hind quarter of the tiger. Carved details on the underside denote the two hind legs. Sits on a separate wooden stand._x000D__x000D_
_x000D__x000D_
The second tiger does not have a wooden stand. It is in a seated position with outstretched front paws, head facing forward. It has more complete facial features, including ridges on the nose, between the eyes and above the eyes. On the top of the head is carved the character 'wang' (王). Two protruding ears are carved on top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the left hind quarter of the tiger. Carved details on the underside denote two hind legs. Does not have a wooden stand. | 310figures
| null | Actinolite | null | China |
|
durom.1960.3654 | durom.1960.3654-ff.jpg | data/raw/images/oriental/1960 | A pair of carved greyish green hardstone, one of the pair set on a separate wooden stand. Both figures are carved in the form of seated tigers in mirror image of each other._x000D__x000D_
_x000D__x000D_
The tiger set on the separate wooden stand is in a seated position with outstretched front paws, head facing forward. It has worn carved facial features, including ridges between the eyes and on the mouse. There is a worn carved line across the tiger's forehead. Two protruding ears are carved on the top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the right hind quarter of the tiger. Carved details on the underside denote the two hind legs. Sits on a separate wooden stand._x000D__x000D_
_x000D__x000D_
The second tiger does not have a wooden stand. It is in a seated position with outstretched front paws, head facing forward. It has more complete facial features, including ridges on the nose, between the eyes and above the eyes. On the top of the head is carved the character 'wang' (王). Two protruding ears are carved on top of the tiger's head. A carved ridge runs down the back of the figure, and a curved tail is carved up the left hind quarter of the tiger. Carved details on the underside denote two hind legs. Does not have a wooden stand. | 310figures
| null | Actinolite | null | China |
|
durom.2014.250 | 2014.250 d5.jpg | data/raw/images/oriental/2014 | Silver kohl pot in the shape of a cylinder with lid and then applicator attached via a small metal chain. The pot is decorated with flowers, leaves and circular shapes around the edges. The applicator is decorated with diagonal lines at the top of the pin that then go half way down the applicator itself. | 88Kohl Pot
| null | silver | null | Muscat |
|
durom.2014.250 | 2014.250 d5.jpg | data/raw/images/oriental/2014 | Silver kohl pot in the shape of a cylinder with lid and then applicator attached via a small metal chain. The pot is decorated with flowers, leaves and circular shapes around the edges. The applicator is decorated with diagonal lines at the top of the pin that then go half way down the applicator itself. | 88Kohl Pot
| null | silver | null | Muscat |
|
durom.2014.250 | 2014.250 d5.jpg | data/raw/images/oriental/2014 | Silver kohl pot in the shape of a cylinder with lid and then applicator attached via a small metal chain. The pot is decorated with flowers, leaves and circular shapes around the edges. The applicator is decorated with diagonal lines at the top of the pin that then go half way down the applicator itself. | 88Kohl Pot
| null | silver | null | Muscat |
|
durom.2014.250 | 2014.250 d5.jpg | data/raw/images/oriental/2014 | Silver kohl pot in the shape of a cylinder with lid and then applicator attached via a small metal chain. The pot is decorated with flowers, leaves and circular shapes around the edges. The applicator is decorated with diagonal lines at the top of the pin that then go half way down the applicator itself. | 88Kohl Pot
| null | silver | null | Muscat |
|
durom.2014.250 | 2014.250 d5.jpg | data/raw/images/oriental/2014 | Silver kohl pot in the shape of a cylinder with lid and then applicator attached via a small metal chain. The pot is decorated with flowers, leaves and circular shapes around the edges. The applicator is decorated with diagonal lines at the top of the pin that then go half way down the applicator itself. | 88Kohl Pot
| null | silver | null | Muscat |
|
durom.1980.68 | 1980.68-d1-bb.jpg | data/raw/images/oriental/1980 | Japanese screen, paper in wooden frame. Niji ni yoru Kosei by San-u Aoyama. 2 panels of black characters on a cream background. | 145Screen
| null | Ink on Paper | Meiji Period | Japan (country) |
|
durom.1980.68 | 1980.68-d1-bb.jpg | data/raw/images/oriental/1980 | Japanese screen, paper in wooden frame. Niji ni yoru Kosei by San-u Aoyama. 2 panels of black characters on a cream background. | 145Screen
| null | Ink on Paper | Meiji Period | Japan (country) |
|
durom.1980.68 | 1980.68-d1-bb.jpg | data/raw/images/oriental/1980 | Japanese screen, paper in wooden frame. Niji ni yoru Kosei by San-u Aoyama. 2 panels of black characters on a cream background. | 145Screen
| null | Ink on Paper | Meiji Period | Japan (country) |
|
durom.1980.68 | 1980.68-d1-bb.jpg | data/raw/images/oriental/1980 | Japanese screen, paper in wooden frame. Niji ni yoru Kosei by San-u Aoyama. 2 panels of black characters on a cream background. | 145Screen
| null | Ink on Paper | Meiji Period | Japan (country) |
|
durom.1980.68 | 1980.68-d1-bb.jpg | data/raw/images/oriental/1980 | Japanese screen, paper in wooden frame. Niji ni yoru Kosei by San-u Aoyama. 2 panels of black characters on a cream background. | 145Screen
| null | Ink on Paper | Meiji Period | Japan (country) |
|
durom.1964.392 | durom.1964.392-ll.jpg | data/raw/images/oriental/1964 | Grey stone pestle. | 416pestles
| null | stone | Neolithic Period | Jericho |
|
durom.1964.392 | durom.1964.392-ll.jpg | data/raw/images/oriental/1964 | Grey stone pestle. | 416pestles
| null | stone | Neolithic Period | Jericho |
|
durom.1964.392 | durom.1964.392-ll.jpg | data/raw/images/oriental/1964 | Grey stone pestle. | 416pestles
| null | stone | Neolithic Period | Jericho |
|
durom.1964.392 | durom.1964.392-ll.jpg | data/raw/images/oriental/1964 | Grey stone pestle. | 416pestles
| null | stone | Neolithic Period | Jericho |
|
durom.1964.392 | durom.1964.392-ll.jpg | data/raw/images/oriental/1964 | Grey stone pestle. | 416pestles
| null | stone | Neolithic Period | Jericho |
|
durom.1964.131 | 1964.131d.jpg | data/raw/images/egyptian/1964 | Serrated edged knife blade in a beige colour with lines running through the flint | 53Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.131 | 1964.131d.jpg | data/raw/images/egyptian/1964 | Serrated edged knife blade in a beige colour with lines running through the flint | 53Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.131 | 1964.131d.jpg | data/raw/images/egyptian/1964 | Serrated edged knife blade in a beige colour with lines running through the flint | 53Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.131 | 1964.131d.jpg | data/raw/images/egyptian/1964 | Serrated edged knife blade in a beige colour with lines running through the flint | 53Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.131 | 1964.131d.jpg | data/raw/images/egyptian/1964 | Serrated edged knife blade in a beige colour with lines running through the flint | 53Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |