Wendy Carlos: The brilliant but lonely life of an electronic music pioneer
I grew up in a very religiously conservative household and was raised to not think "well" of trans people. Simultaneously one of my favorite soundtracks of all time was the music to the original 1982 Tron. I had never heard anything quite like it compositionally, or sonically. Sweeping orchestras blended in with synthetic beeps, and bold vistas. It fit the aesthetic of the movie perfectly and was such a daring film production I can't believe it was even made.<p>One day I looked up the soundtrack at the local record store and bought it..."Composer Wendy Carlos" huh, never heard of her and couldn't find anything really other than contributions to Clockwork Orange and Hooked on Bach and not much else. I moved on.<p>Later, when there was more Internet to be had, I decided to look up Wendy and was shocked to learn she was trans. It started me down a journey of reflection, challenging my upbringing, and reexamining many "truths" that I had been taught. Along that journey I learned about the tragedy of Alan Turing and other stories.<p>Wendy's music planted a seed that significantly transformed my inner life, much for the better. It helped me develop significantly in my thoughts on freedom, empathy, justice and the kind of future world I'd like to live in and leave behind.<p>In 1982 it took a lot of daring for a Disney exec to green light bringing her music to their audience. This was during an age of great an unjust moral panic on a variety of topics.<p>for reference: I remember my mother receiving a letter from her pastor outlining why "Back to the Future Part II" was the work of Satan and they should never allow it in their household. The central argument was a table that counted the number of time the seven dirty swear words were mentioned in the movie, challenged its rating, and attributed the low rating (PG I think) to a conspiracy by Satan worshipers to corrupt God's youth. This was 1989.