Real-time, in-camera background compositing in The Mandalorian
Hi all, really cool that you have taken an interest in this project, a lot of your comments below are very insightful and interesting. I work on the team that deploys this tech on set. We focus on how the video signals get from the video output servers to the LED surfaces, coordinating how we deal with tracking methods, photogrammetry, signal delivery, operator controls and the infrastructure that supports all of this. As noted in some of the comments, the VFX industry solved tracking with mocap suits a long time ago for the post-production process. What we are exploring now is how we can leverage new technology, hardware, and workflows to move some of the post-production processes into the pre-production and production (main/secondary unit photography) stages.<p>If you are interested in checking out another LED volume setup, my team also worked on First Man last year. This clip shows a little more of how we assemble these LED surfaces as well as a bit of how we use custom integrations to interface with mechanical automation systems. [<a href="https://vimeo.com/309382367" rel="nofollow">https://vimeo.com/309382367</a>]