Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming
You can spend $700+ on his high end audio recommendations but 90% of home office style recording environments (even with acoustic panels) are going to have a noticeable amount of background hiss (computer fans, etc.) get picked up and his set up doesn&#x27;t account for that.<p>If you goto the OP&#x27;s Youtube channel and listen to his recordings, for example <a href="https:&#x2F;&#x2F;www.youtube.com&#x2F;watch?v=lh0sTxLs9VA" rel="nofollow">https:&#x2F;&#x2F;www.youtube.com&#x2F;watch?v=lh0sTxLs9VA</a>, there is a HUGE amount of hiss &#x2F; static in his audio, to the point where I would be uncomfortable listening to his voice for a long period of time at a medium volume. He&#x27;s using the $400 Shure mic in that video too.<p>The $100 for the dedicated 2nd pre-amp with the Triton seems pretty wasteful. As an alternative, for $299 you can pick up the DBX 286s pre-amp[0] which also acts as a noise gate (helps filter hiss &#x2F; static), de-esser, compressor and basic EQ together. It&#x27;s an awesome piece of hardware and offers way more bang for your buck.<p>Also the AT2005[1] mic is a solid upgrade from the AT2100 that he recommends, and both are about the same price. IMO the AT2005 is worth using as an end-game microphone. The AT2005 is one of those crazy mics where it almost feels like it&#x27;s mis-priced at $80 and the DBX 286 has enough knobs and buttons to make it sound good with a number of different types of voices.<p>Ultimately your real natural voice is going to play one of the biggest roles in how you sound in the end.<p>[0]: <a href="https:&#x2F;&#x2F;amzn.to&#x2F;2VPbmMc" rel="nofollow">https:&#x2F;&#x2F;amzn.to&#x2F;2VPbmMc</a><p>[1]: <a href="https:&#x2F;&#x2F;amzn.to&#x2F;39hyQwI" rel="nofollow">https:&#x2F;&#x2F;amzn.to&#x2F;39hyQwI</a><p>(Yes these are affiliate links, I&#x27;ve been using both pieces of hardware for years)