Dataset Viewer
id
stringclasses 6
values | url
null | title
stringclasses 6
values | text
stringclasses 6
values | revid
stringclasses 6
values | description
stringclasses 5
values | categories
sequencelengths 5
36
|
|---|---|---|---|---|---|---|
15394015
| null |
Willis Ward
|
# Willis Ward
Willis Franklin Ward (December 28, 1912 – December 30, 1983) was a track and field athlete and American football player who was inducted into the University of Michigan Athletic Hall of Honor in 1981.
Ward was the Michigan High School Athlete of the Year, after setting a national prep record in the high jump. At the University of Michigan, he was a collegiate champion in the high jump, the long jump, the 100-yard dash, and the 440-yard dash, and finished second in the voting for the Associated Press Big Ten Athlete of the Year award in 1933. In track and field he was a three-time All-American and eight-time Big Ten champion.
In football, Ward was only the second African-American to win a varsity letter for the Michigan Wolverines football team, lettering in 1932, 1933, and 1934. In 1934, a controversy developed when Georgia Tech refused to play if Ward took the field, and university officials opted to keep Ward out of the game. Teammate Gerald R. Ford reportedly threatened to quit the team in response to the university's decision. After being excluded from the Georgia Tech game, Ward went on to score all 12 of Michigan's points that year outside of the Georgia Tech game, without another Wolverine even having an extra point or a field goal.
Ward later became a lawyer in Detroit and up through World War 2 he worked for Ford Motor Company in the Service Division as a voice for black workers, but also helping Ford oppose labor unions; later he was a member of the Michigan Public Service Commission from 1966 to 1973, serving as chairman from 1969 to 1973. He also served as a probate court judge in Wayne County, Michigan.
## Early years
Ward was born in Alabama in 1913. His father, Henry R. Ward, was an Alabama native who moved to Detroit and worked there in a Ford Motor Company factory. His mother, Bessie, was a Georgia native.
Ward attended Detroit's Northwestern High School where he excelled in both track and football. As a high school junior, he was named Michigan High School Athlete of the Year, after setting a national prep record in the high jump at 6–4.5. He was city champion in the low hurdles (with a time of 13.0) and the high hurdles (with a time of 15.8). Ward also won the 220 hurdles at Ann Arbor (with a time of 25.9) and Class A (with a time of 26.1).
## University of Michigan
### Freshman track star
Ward attended the University of Michigan from 1931 to 1935, where he became one of the most successful track athletes in the school's history. As a freshman in 1932, Ward's specialty was the high jump. Ward won the NCAA high jump championship in June 1932 with a jump of 6–7 1/3. He jumped as high as 6-7-1/2 in his freshman year. Ward's best jump in 1932 was two inches above the mark that won the gold medal at the 1932 Summer Olympics (Canada's Duncan McNaughton won the gold with a jump of 6 feet, 51⁄2 inches), but Ward did not qualify for the team.
Ward's accomplishments were not limited to the high jump. An Associated Press article in 1932 noted: "His specialty is the high jump for which he has a mark of 6 feet 71⁄2 inches. He can run the high hurdles and the low hurdles. He has broad jumped 22 feet without training in that event. He put the 16-pound shot over 43 feet without prior experience, and it believed he might be developed into a world champion weight man. He unquestionably could be trained to do the springs. He is only 19. Ward has an ideal build for a track man, six feet, one inch tall, 185 pounds of well-distributed weight, good legs, natural co-ordination. He is quiet and unassuming, and popular with coaches and fellow members of the squad."
When Ward decided to try out for the football team as a sophomore, Michigan track fans worried that Ward would be injured. The Associated Press reported: "University of Michigan track fans do a lot of worrying these days because a Negro boy from Detroit insists on playing football. Willis Ward, they believe, will be the greatest track man ever to compete for the Maize and Blue—if he doesn't get hurt. ... Ward is a good football player and loves the game. . . . Well wishers even have told him about the advantages of competing only in track and staying away from the gridiron, but he is determined to play on the eleven, and he is good enough to make the grade." Michigan's track coach, Chuck Hoyt, noted that "Ward is his own boss and football is his recreation."
### First African-American football player in 40 years
In addition to the concerns of track fans, Ward's decision to try out for the football team raised issues of race. Though George Jewett had broken the race barrier as Michigan's first African-American football player in 1890, Michigan had not played another African-American in the 40 years after Jewett. During Fielding Yost's tenure as coach several African-American students joined the football team, but records indicate that none of them ever saw game action and only one earned even a "reserve letter". Some reports attribute the de facto segregation of the football team to racism on the part of Yost, who was the son of a Confederate soldier.
While in high school, Ward had decided to attend Dartmouth College. With head coach Harry Kipke's assurance that he would be given full opportunity to play football, Ward enrolled at Michigan. Kipke had played with African-American athletes in high school and was eager to have Ward on his team. According to John Behee, the author of a book on the history of African-American athletes at Michigan, Kipke "threatened to fight, physically fight, those alumni and fellow coaches who opposed his playing Ward." Behee wrote that "on several occasions Kipke took off his coat and was prepared to fight with those who bitterly opposed having a Negro play for Michigan."
Ward got the opportunity to prove himself in spring football practice in May 1932. According to one account, Kipke ordered his veterans to pound Ward "without mercy" during practice. "If, at the end of the week", said Kipke, "he doesn't turn in his uniform, then I know I've got a great player." The United Press reported on the results of spring practice: "Three young freshmen at the University of Michigan—Jerry Ford, of Grand Rapids; Russell Oliver, of Pontiac, and Willis Ward, Detroit Negro—displayed such brilliance during spring football practice that they are expected to become important cogs next fall in the Wolverine varsity eleven." Another report in July 1932 described Ward, the "giant negro," as being "the outstanding athlete becoming eligible for play."
Ward made the team in 1932 and started four games at end. Ivy Williamson, captain of the 1932 football team, greeted Ward at the field house and told him, "If you have any problems with anybody, let me know because we're prepared to take care of them." Reporting on his decision to play football and risk injury, the Associated Press noted: "Ward would rather win an 'M' on the gridiron than be an Olympic champion."
The 1932 Michigan Wolverines football team went 8–0, outscored its opponents 123–13, and won the national championship.
### 1933 track season
During the 1933 track season, Ward was so dominant that he was dubbed Michigan's "one-man track team" and became a national sensation. He led Michigan to Big Ten championships in both indoor and outdoor track. Going into the Big Ten track meet in May 1933, Ward was expected to dominate. Coach Hoyt described Ward as "a good 'un," and praised him for his unassuming character and tolerance of the spotlight of publicity. One report noted: "He is altogether likeable, for he always speaks without raising his voice and never protests a decision. ... Ward is a star now, but he is just finishing his first year of competition. Unless injuries hamper him it is likely he will be as great an attraction or possibly even greater than the two Negro track stars who preceded him here, DeHart Hubbard and Eddie Tolan."
Michigan won the Big Ten meet with 601⁄2 points, with Ward individually accounting for 18 points. One writer noted that the Wolverines would have finished in second place "without the huge, versatile negro." At the meet, Ward won the 100-yard dash and the high jump and placed second in the 120 yard high hurdles and the broad jump. His performance at the Big Ten meet was described as "the greatest individual performance since Carl Johnson scored 20 points for Michigan in 1918."
Even TIME magazine took note of Ward's dominating performance. Time noted: "The other entrants in the Intercollegiates last week had reason to consider with awe another athlete who—until he helped Michigan win the Western Conference title last week, with 601⁄2 points to Indiana's 471⁄2 had not often been heard of outside the Midwest, except as a member of Michigan's football team. He was Willis Ward, 196-lb. Negro sophomore. At the Big Ten meet in Evanston last week. Willis Ward won the 100-yd. dash in 9.6 sec. He won the high jump, placed second in the broad jump. In the 120-yd. high hurdles, he forced Ohio State's Jack Keller to world's record time of 14.1 sec., finished a close second. The 18 points he won were what enabled Michigan to beat Indiana. They made his the most efficient individual performance in a Big Ten meet since Carl Johnson scored 20 points for Michigan in 1918. Quiet, unassuming, an above-average student of literature, Ward was the first Negro ever elected to Sphinx, Michigan's junior honor society."
At the Drake Relay Carnival in April 1933, he finished second in the 100-yard dash, narrowly losing to Ralph Metcalfe. The 1934 Michigan yearbook, the Michiganensian, noted: "Michigan climaxed a successful season by winning the Annual Butler Relays and taking the title from Indiana. Willis Ward won the meet almost single-handed when he scored thirteen of the team's 183⁄4 points. In winning the 60 yard dash, the Flashy negro star equaled the recognized world mark of 6.2 seconds." At the Big Ten indoor track championship, the Michiganensian noted that Ward, "Michigan's all around athlete, was easily the outstanding star of the meet." Ward won the 60-yard dash, the 70-yard high hurdles and the high jump.
### 1933 football season
In 1933, Ward started all eight games for Michigan at right end and was a key player in Michigan's second consecutive undefeated football season and national championship. Time magazine credited the work of Ward and halfback Herman Everhardus: "Michigan came perilously close to slipping from the top of the Big Ten, where it has been for three years. That it did not slip was largely due to a crack halfback named Herman Everhardus and to Willis Ward, a rangy Negro end. It was Ward who, after hard-fighting Illinois had marched to a touchdown in the first period, shot through and blocked the place kick which would have given Illinois a seventh point." After the season was over, Coach Kipke also credited the play of Everhardus and his ends for the undefeated season: "Our ends, Ward and Petoskey, were near perfection." Michigan's left end, Ted Petoskey was named a first-team All-American in 1933, and Ward earned honorable mention All-American honors at right end.
### Runner up for 1933 Big Ten athlete of the year
In December 1933, Ward finished second in close balloting for the Associated Press Big Ten Athlete of the Year award. The AP reported that Duane Purvis of Purdue beat Ward "by the slender margin of two votes." In the AP's polling of conference coaches and sports writers, 55 votes were cast, with Purvis receiving 17 votes to 15 for Ward, described by the AP as "Michigan's 'one-man track team.'" The AP pointed to Ward's dual contributions in football and track: "Ward, in addition to his feats in track, was one of the bright stars of Michigan's championship football team this fall. Fast and rangy, he was classed as one of the finest wingmen in football. In track, he has run the century in 9.6, high jumped 6 feet 71⁄2 inches, leaped 24 feet in the broad jump and won his share of glory in the high hurdles."
### 1934 track season
In 1934, Ward won the Big Ten long jump championship with a distance of 23–21⁄4.
### 1934 football season
The 1934 football season proved to be one of the low points in the school's history, both because of the team's 1–7 record, and the ugly racial incident that kept Ward out of the game against Georgia Tech. Though excluded from the Georgia Tech game, Willis started every other game—five games at right end, and two games at halfback. Michigan scored only 21 points in the entire 1934 season, and Ward scored 12 of those points. In fact, Michigan scored nine points against Georgia Tech and Ward's 12 points were the only points scored by the Wolverines in the seven games in which Ward played. Michigan was shut out in the first two games, before beating Georgia Tech in the season's third game. The following week, Michigan lost to Illinois, 7–6, as Ward scored Michigan's only touchdown from the line of scrimmage of the entire 1934 season. (The season's only other touchdown came on a punt return against Georgia Tech.) Ward's touchdown came on a trick play, as fullback Johnny Regeczi passed the ball to end Mike Savage who lateraled to Ward. According to the Chicago Tribune, the lateral "enabled the fleet Negro to outfoot the Illinois secondary." After being shut out in three games after the Illinois match, Michigan closed the season with a 13–6 loss to Northwestern. Michigan's only points against Northwestern came on two field goals by Ward. Thus, all 12 of Michigan's 1934 points outside the Georgia Tech game were scored by Ward, without another Wolverine even having an extra point or a field goal.
### 1934 Georgia Tech game
Despite his many accomplishments, the event for which Ward is most remembered is the game he did not play. In 1934, Michigan had scheduled Georgia Tech as the third game of the season. After learning that Michigan had an African-American player, Georgia Tech football coach and athletic director W. A. "Bill" Alexander refused to allow his team to take the field if Ward played. As early as the fall of 1933, Alexander wrote to Yost asking what was going to be done about Ward, asserting that his team would not take the field if Ward played.
As the game approached, word spread that Georgia Tech was insisting that Ward not play, and that the administration might capitulate to the demand. Ward's right to play became a major controversy on the campus. Mass meetings and demonstrations were held. Some students and faculty demanded that either Ward must play or the game should be canceled. Petitions were circulated, and formal protests were lodged with the university by the Ann Arbor Ministerial Association, the NAACP, the National Student League and many other groups. The student newspaper, The Michigan Daily, opined: "If the athletic department forgot it had Ward on its football team when it scheduled a game with Georgia Tech, it was astonishingly forgetful; ... if it was conscious of Ward's being on the team but scheduled the game anyway, it was extraordinarily stupid."
Time magazine ran a story about the uproar on Michigan's campus: "Fifteen hundred Michigan students and faculty members signed a petition asking that the team's star end, Negro Willis Ward, be allowed to play against Georgia Tech." According to Time, 200 "campus radicals" threatened to prevent the game from being played by standing in the middle of the field. Rumors of a sit-down protest on the 50-yard line during the game spread across campus in the week before the game. One alumnus recalled that, the night before the game, "bonfires lit all over the campus echoed with screams of student anger, and 'Kill Georgia Tech' was heard throughout Ann Arbor." In an attempt to thwart any attempt to disrupt the game, Yost hired a Pinkerton agent to infiltrate "The United Front Committee on Ward", a conglomerate of student organizations that supported Ward's right to play.
Athletic authorities argued that Ward should not play because it would be discourteous to Georgia Tech, and he might be injured. There was fear that if Ward played, he would be injured by malicious blows after the play had ended. Playwright Arthur Miller, then a writer for Michigan's student newspaper, learned first-hand about the strong resistance among the Georgia Tech team to playing on the same field with an African-American athlete. In his biography of Miller, Enoch Brater noted that Miller had friends from Arkansas who knew one of the Georgia Tech players. Brater described Miller's involvement this way: "Remmel [Miller's friend from Arkansas] took Miller with them to meet with members of the team, to protest but also to appeal to the athletes' sense of fair play. 'Miller was right in the middle of this', Remmel recalls. Not only did the visiting team rebuff 'the Yankee' Miller 'in salty language', but they told him they would actually kill Ward if he set one foot on the Michigan gridiron. 'The Georgia Tech team was wild.' Miller was furious. He 'went immediately to the office of the Michigan Daily and wrote an article about it, but it was not published.' . . . Remmel said that Miller 'could not believe that the Georgia Tech team would have tried to destroy Willis Ward—but, I am sure they would have.'"
In the end, Ward was not allowed to play. But in exchange, Georgia Tech agreed to reciprocate by benching their own star end, Hoot Gibson. As his teammates faced Georgia Tech, there are conflicting reports as to Ward's whereabouts. According to Time, Ward "sat calmly in a radio booth, watched his teammates defeat the Southerners, 9-to-2, earning what turned out to be their only win of the season." According to Behee, Ward was not even allowed to watch the game from the press box, or even from the bench of his own stadium. Instead, he spent the afternoon in a fraternity house. A third account states that Kipke "quietly sent Willis Ward off to scout another Michigan game in Wisconsin." The day after the Georgia Tech game was played, an editorial ran in The Michigan Daily stating "that everyone who touched (the Ward affair) did so only to lose in respect and esteem." In Georgia, some sports journalists and fans blamed the player exchange for the loss. Journalist Ralph McGill said "Willis Ward won the football game," arguing the loss of Gibson hurt Georgia Tech more than the loss of Ward hurt Michigan.
### Gerald Ford's role in the Georgia Tech controversy
The school's refusal to play Ward in the Georgia Tech game later became part of the public legacy of President Gerald R. Ford. Ward recalled that he met "my man Jerry" during freshman orientation in 1932, and the two became friends and roommates when the football team traveled for road games. When Ford learned that the school had capitulated to Georgia Tech, some accounts indicate that he "quit the team" or threatened to quit in order "to make a statement and take a stand because Willis Ward was his friend." Ford wrote about the Georgia Tech incident in his autobiography, recalling that he felt the decision to keep Willis out of the game was "morally wrong." "I went to Willis himself. He urged me to play. 'Look,' he said, 'the team's having a bad year. We've lost two games already and we probably won't win any more. You've got to play Saturday. You owe it to the team.' I decided he was right. That Saturday afternoon, we hit like never before and beat Georgia Tech 9–2." Years later, Ford wrote that the Ward incident had influenced his thinking about race. Ford noted: "His sacrifice led me to question how educational administrators could capitulate to raw prejudice." Ford used the story to voice his support for U-M's affirmative action admissions policy saying, "Do we really want to risk turning back the clock to an era when the Willis Wards were isolated and penalized for the color of their skin, their economic standing or national ancestry?"
In 1976, Ward, then a probate court judge in Wayne County, said that Ford never mentioned the incident to him, but that Ford's brother later told him about it. "Jerry was very concerned," Ward recalled. "His brother told me, 'Jerry was so upset he wrote father asking him if he should quit the team. He was that angry.'" At Ford's funeral, President George W. Bush also spoke about the Willis Ward incident. Bush said: "Long before he was known in Washington, Gerald Ford showed his character and his leadership. As a star football player for the University of Michigan, he came face to face with racial prejudice when Georgia Tech came to Ann Arbor for a football game. One of Michigan's best players was an African American student named Willis Ward. Georgia Tech said they would not take the field if a black man were allowed to play. Gerald Ford was furious at Georgia Tech for making the demand, and for the University of Michigan for caving in. He agreed to play only after Willis Ward personally asked him to. The stand Gerald Ford took that day was never forgotten by his friend. And Gerald Ford never forgot that day either and three decades later, he proudly supported the Civil Rights Act and the Voting Rights Act in the United States Congress."
### Impact of Racism on Ward
Ward proved to be one of the most successful athletes in the history of the University of Michigan. He earned six varsity letters in football and track. In track, he won Big Ten titles in the 100-yard dash in 1933; in the high jump in 1933 and 1935; in the 400 meter dash in 1933; and in the long jump in 1934. On several occasions, Ward even beat Jesse Owens in the 100-yard dash. Because of his all-around skills, Ward was considered a likely contender for the U.S. decathlon team in the 1936 Olympics.
However, the Georgia Tech incident left Ward angry and disillusioned. He recalled that it sapped his competitive spirit. Ward considered quitting football, even writing a letter to Coach Kipke about his intentions of leaving the team. He recalled later that the refusal to let him play against Georgia Tech destroyed his will. "It was the fact that I couldn't play in the Georgia Tech game. That all of a sudden, the practice that you just did because it was the thing to do that was good—a tremendous amount of burnt up energy—all of a sudden becomes drudgery." His one sports highlight in 1935 was beating Jesse Owens at Yost Fieldhouse in the 60-yard dash and 65 high hurdles. Ward's times were neck-and-neck with Owens' up until the NCAA track and field championship. He took part in the Olympic trials in 1936, but having lost his competitive drive, Ward, in his own words, did not train to his peak and failed to make the U.S. team. "They were urging me to go out in '36," Ward recalled. "But that Georgia Tech game killed me. I frankly felt they would not let black athletes compete. Having gone through the Tech experience, it seemed an easy thing for them to say 'Well, we just won't run 'em if Hitler insists.'" Interviewed about the incident in 1976, Ward said: "It was like any bad experience—you can't forget it, but you don't talk about it. It hurts." But Ward would eventually come to the Owens' aid.
Following the 1936 Olympics and Owens winning four gold medals, racism back home led to difficulty earning a living despite his international acclaim. Owens struggled to find work and took on menial jobs as a gas station attendant, playground janitor, and manager of a dry cleaning firm and at times resorted to racing against motorbikes, cars, trucks and horses for a cash prize.
Prohibited from making appearances at amateur sporting events, such commercial offers eventually disappeared. Willis Ward had befriended Owens, his former track competitor, while a student at the University of Michigan. In 1942, Ward worked as a director for the Ford Motor Company's "ad hoc civil rights division, serving as the liaison between black and white workers" and an advocate for African American employees in the personnel department. He invited Owens to Detroit to replace him and remained with Ford until 1946.
## Later years
Willis Ward went on to earn a law degree from Detroit College of Law in 1939 and had a distinguished career as a lawyer and judge. In 1964, Ward spoke out against Barry Goldwater and in favor of Michigan Governor George Romney as a possible Presidential candidate. In 1966, Romney appointed Willis to the Michigan Public Service Commission, the state agency responsible for regulating Michigan's public utilities; Willis became chairman of the PSC in 1969, serving in that capacity until 1973. Ward later was elected a probate judge in Wayne County, Michigan.
Ward was inducted into the University of Michigan Athletic Hall of Honor in 1981, as part of the fourth group inducted.
|
1170257280
|
Track and field athlete and American football player
|
[
"1912 births",
"1983 deaths",
"20th-century African-American lawyers",
"20th-century African-American sportspeople",
"20th-century American lawyers",
"African-American players of American football",
"American football ends",
"Detroit College of Law alumni",
"Michigan Wolverines football players",
"Michigan Wolverines men's track and field athletes",
"Michigan lawyers",
"Northwestern High School (Michigan) alumni",
"Players of American football from Detroit"
] |
17546
| null |
Louvre
|
# Louvre
The Louvre (English: /ˈluːv(rə)/ ), or the Louvre Museum (French: Musée du Louvre ), is a national art museum in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward) and home to some of the most canonical works of Western art, including the Mona Lisa and the Venus de Milo. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French Kings.
The building was extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces.
The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the museum was closed from 1796 until 1801. The collection was increased under Napoleon and the museum was renamed Musée Napoléon, but after Napoleon's abdication, many works seized by his armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic. The collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.
The Musée du Louvre contains more than 380,000 objects and displays 35,000 works of art in eight curatorial departments with more than 60,600 square metres (652,000 sq ft) dedicated to the permanent collection. The Louvre exhibits sculptures, objets d'art, paintings, drawings, and archaeological finds. At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square metres (782,910 sq ft). With over 7.8 million visitors in 2022, the Louvre is the world's most-visited museum.
## Location and visiting
The Louvre museum is located inside the Louvre Palace, in the center of Paris, adjacent to the Tuileries Gardens. The two nearest Métro stations are Louvre-Rivoli and Palais Royal-Musée du Louvre, the latter having a direct underground access to the Carrousel du Louvre commercial mall.
Before the Grand Louvre overhaul of the late 1980s and 1990s, the Louvre had several street-level entrances, most of which are now permanently closed. Since 1993, the museum's main entrance has been the underground space under the Louvre Pyramid, or Hall Napoléon, which can be accessed from the Pyramid itself, from the underground Carrousel du Louvre, or (for authorized visitors) from the passage Richelieu connecting to the nearby rue de Rivoli. A secondary entrance at the Porte des Lions, near the western end of the Denon Wing, was created in 1999 but is not permanently open.
The museum's entrance conditions have varied over time. Initially, artists and foreign visitors had privileged access, a feature that only disappeared in the 1850s. At the time of initial opening in 1793, the French Republican calendar had imposed ten-day "weeks" (French: décades), the first six days of which were reserved for visits by artists and foreigners and the last three for visits by the general public. In the early 1800s, after the seven-day week had been reinstated, the general public had only four hours of museum access per weeks, between 2pm and 4pm on Saturdays and Sundays. In 1824, a new regulation allowed public access only on Sundays and holidays; the other days the museum was open only to artists and foreigners, except for closure on Mondays. That changed in 1855 when the museum became open to the public all days except Mondays. It was free until 1922, when an entrance fee was introduced except on Sundays. Since its post-World War II reopening in 1946, the Louvre has been closed on Tuesdays, and habitually open to the public the rest of the week except for some holidays.
The use of cameras and video recorders is permitted inside, but flash photography is forbidden.
Beginning in 2012, Nintendo 3DS portable video game systems were used as the official museum audio guides. In November 2013, Nintendo announced an upgraded audio guide that also included floor maps with the user's location marked to help visitors navigate the museum, over 600 photographs of artwork including high-resolution images and 3D models. The upgraded audio guide was also announced in a special Nintendo Direct, regularly used by the company to announce new game titles, hardware or other content, featuring a demonstration of the guide at the museum by Satoru Iwata, Nintendo's president and CEO, and Shigeru Miyamoto, the creator of Nintendo franchises including Mario, The Legend of Zelda, Donkey Kong, Star Fox and Pikmin. Before the Nintendo eShop for the Nintendo DS was discontinued in 2023, the guide was also available there for users to download onto their own systems for live or virtual tours. As of August 2023, there are virtual tours through rooms and galleries accessible online.
## History
### Before the museum
The Louvre Palace, which houses the museum, was begun by King Philip II in the late 12th century to protect the city from the attack from the West, as the Kingdom of England still held Normandy at the time. Remnants of the Medieval Louvre are still visible in the crypt. Whether this was the first building on that spot is not known, and it is possible that Philip modified an existing tower.
The origins of the name "Louvre" are somewhat disputed. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with a wolf hunting den (via Latin: lupus, lower Empire: lupara). In the 7th century, Burgundofara (also known as Saint Fare), abbess in Meaux, is said to have gifted part of her "Villa called Luvra situated in the region of Paris" to a monastery, even though it is doubtful that this land corresponded exactly to the present site of the Louvre.
The Louvre Palace has been subject to numerous renovations since its construction. In the 14th century, Charles V converted the building from its military role into a residence. In 1546, Francis I started its rebuilding in French Renaissance style. After Louis XIV chose Versailles as his residence in 1682, construction works slowed to a halt. The royal move away from Paris resulted in the Louvre being used as a residence for artists, under Royal patronage. For example, four generations of craftsmen-artists from the Boulle family were granted Royal patronage and resided in the Louvre.
Meanwhile, the collections of the Louvre originated in the acquisitions of paintings and other artworks by the monarchs of the House of France. At the Palace of Fontainebleau, Francis collected art that would later be part of the Louvre's art collections, including Leonardo da Vinci's Mona Lisa.
The Cabinet du Roi consisted of seven rooms west of the Galerie d'Apollon on the upper floor of the remodeled Petite Galerie. Many of the king's paintings were placed in these rooms in 1673, when it became an art gallery, accessible to certain art lovers as a kind of museum. In 1681, after the court moved to Versailles, 26 of the paintings were transferred there, somewhat diminishing the collection, but it is mentioned in Paris guide books from 1684 on, and was shown to ambassadors from Siam in 1686.
By the mid-18th century there were an increasing number of proposals to create a public gallery in the Louvre. Art critic Étienne La Font de Saint-Yenne in 1747 published a call for a display of the royal collection. On 14 October 1750, Louis XV decided on a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. A hall was opened by Le Normant de Tournehem and the Marquis de Marigny for public viewing of the "king's paintings" (Tableaux du Roy) on Wednesdays and Saturdays. The Luxembourg gallery included Andrea del Sarto's Charity and works by Raphael; Titian; Veronese; Rembrandt; Poussin or Van Dyck. It closed in 1780 as a result of the royal gift of the Luxembourg palace to the Count of Provence (the future king, Louis XVIII) by the king in 1778. Under Louis XVI, the idea of a royal museum in the Louvre came closer to fruition. The comte d'Angiviller broadened the collection and in 1776 proposed to convert the Grande Galerie of the Louvre – which at that time contained the plans-reliefs or 3D models of key fortified sites in and around France – into the "French Museum". Many design proposals were offered for the Louvre's renovation into a museum, without a final decision being made on them. Hence the museum remained incomplete until the French Revolution.
### Revolutionary opening
The Louvre finally became a public museum during the French Revolution. In May 1791, the National Constituent Assembly declared that the Louvre would be "a place for bringing together monuments of all the sciences and arts". On 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property. Because of fear of vandalism or theft, on 19 August, the National Assembly pronounced the museum's preparation urgent. In October, a committee to "preserve the national memory" began assembling the collection for display.
The museum opened on 10 August 1793, the first anniversary of the monarchy's demise, as Muséum central des Arts de la République. The public was given free accessibility on three days per week, which was "perceived as a major accomplishment and was generally appreciated". The collection showcased 537 paintings and 184 objects of art. Three-quarters were derived from the royal collections, the remainder from confiscated émigrés and Church property (biens nationaux). To expand and organize the collection, the Republic dedicated 100,000 livres per year. In 1794, France's revolutionary armies began bringing pieces from Northern Europe, augmented after the Treaty of Tolentino (1797) by works from the Vatican, such as the Laocoön and Apollo Belvedere, to establish the Louvre as a museum and as a "sign of popular sovereignty".
The early days were hectic. Privileged artists continued to live in residence, and the unlabeled paintings hung "frame to frame from floor to ceiling". The structure itself closed in May 1796 due to structural deficiencies. It reopened on 14 July 1801, arranged chronologically and with new lighting and columns. On 15 August 1797, the Galerie d'Apollon was opened with an exhibition of drawings. Meanwhile, the Louvre's Gallery of Antiquity sculpture (musée des Antiques), with artefacts brought from Florence and the Vatican, had opened in November 1800 in Anne of Austria's former summer apartment, located on the ground floor just below the Galerie d'Apollon.
### Napoleonic era
On 19 November 1802, Napoleon appointed Dominique Vivant Denon, a scholar and polymath who had participated in the Egyptian campaign of 1798–1801, as the museum's first director, in preference to alternative contenders such as antiquarian Ennio Quirino Visconti, painter Jacques-Louis David, sculptor Antonio Canova and architects Léon Dufourny or Pierre Fontaine. On Denon's suggestion in July 1803, the museum itself was renamed Musée Napoléon.
The collection grew through successful military campaigns. Acquisitions were made of Spanish, Austrian, Dutch, and Italian works, either as the result of war looting or formalized by treaties such as the Treaty of Tolentino. At the end of Napoleon's First Italian Campaign in 1797, the Treaty of Campo Formio was signed with Count Philipp von Cobenzl of the Austrian Monarchy. This treaty marked the completion of Napoleon's conquest of Italy and the end of the first phase of the French Revolutionary Wars. It compelled Italian cities to contribute pieces of art and heritage to Napoleon's "parades of spoils" through Paris before being put into the Louvre Museum. The Horses of Saint Mark, which had adorned the basilica of San Marco in Venice after the sack of Constantinople in 1204, were brought to Paris where they were placed atop Napoleon's Arc de Triomphe du Carrousel in 1797. Under the Treaty of Tolentino, the two statues of the Nile and Tiber were taken to Paris from the Vatican in 1797, and were both kept in the Louvre until 1815. (The Nile was later returned to Rome, whereas the Tiber has remained in the Louvre to this day.) The despoilment of Italian churches and palaces outraged the Italians and their artistic and cultural sensibilities.
After the French defeat at Waterloo, the looted works' former owners sought their return. The Louvre's administrator, Denon, was loath to comply in absence of a treaty of restitution. In response, foreign states sent emissaries to London to seek help, and many pieces were returned, though far from all. In 1815 Louis XVIII finally concluded agreements with the Austrian government for the keeping of works such as Veronese's Wedding at Cana which was exchanged for a large Le Brun or the repurchase of the Albani collection.
### From 1815 to 1852
For most of the 19th century, from Napoleon's time to the Second Empire, the Louvre and other national museums were managed under the monarch's civil list and thus depended much on the ruler's personal involvement. Whereas the most iconic collection remained that of paintings in the Grande Galerie, a number of other initiatives mushroomed in the vast building, named as if they were separate museums even though they were generally managed under the same administrative umbrella. Correspondingly, the museum complex was often referred to in the plural ("les musées du Louvre") rather than singular.
During the Bourbon Restoration (1814–1830), Louis XVIII and Charles X added to the collections. The Greek and Roman sculpture gallery on the ground floor of the southwestern side of the Cour Carrée was completed on designs by Percier and Fontaine. In 1819 an exhibition of manufactured products was opened in the first floor of the Cour Carrée's southern wing and would stay there until the mid-1820s. Charles X in 1826 created the Musée Égyptien and in 1827 included it in his broader Musée Charles X, a new section of the museum complex located in a suite of lavishly decorated rooms on the first floor of the South Wing of the Cour Carrée. The Egyptian collection, initially curated by Jean-François Champollion, formed the basis for what is now the Louvre's Department of Egyptian Antiquities. It was formed from the purchased collections of Edmé-Antoine Durand, Henry Salt and the second collection of Bernardino Drovetti (the first one having been purchased by Victor Emmanuel I of Sardinia to form the core of the present Museo Egizio in Turin). The Restoration period also saw the opening in 1824 of the Galerie d'Angoulême, a section of largely French sculptures on the ground floor of the Northwestern side of the Cour Carrée, many of whose artefacts came from the Palace of Versailles and from Alexandre Lenoir's Musée des Monuments Français following its closure in 1816. Meanwhile, the French Navy created an exhibition of ship models in the Louvre in December 1827, initially named musée dauphin in honor of Dauphin Louis Antoine, building on an 18th-century initiative of Henri-Louis Duhamel du Monceau. This collection, renamed musée naval in 1833 and later to develop into the Musée national de la Marine, was initially located on the first floor of the Cour Carrée's North Wing, and in 1838 moved up one level to the 2nd-floor attic, where it remained for more than a century.
Following the July Revolution, King Louis Philippe focused his interest on the repurposing of the Palace of Versailles into a Museum of French History conceived as a project of national reconciliation, and the Louvre was kept in comparative neglect. Louis-Philippe did, however, sponsor the creation of the musée assyrien to host the monumental Assyrian sculpture works brought to Paris by Paul-Émile Botta, in the ground-floor gallery north of the eastern entrance of the Cour Carrée. The Assyrian Museum opened on 1 May 1847. Separately, Louis-Philippe had his Spanish gallery displayed in the Louvre from 7 January 1838, in five rooms on the first floor of the Cour Carrée's East (Colonnade) Wing, but the collection remained his personal property. As a consequence, the works were removed after Louis-Philippe was deposed in 1848, and were eventually auctioned away in 1853.
The short-lived Second Republic had more ambitions for the Louvre. It initiated repair work, the completion of the Galerie d'Apollon and of the salle des sept-cheminées, and the overhaul of the Salon Carré (former site of the iconic yearly Salon) and of the Grande Galerie. In 1848, the Naval Museum in the Cour Carrée's attic was brought under the common Louvre Museum management, a change which was again reversed in 1920. In 1850 under the leadership of curator Adrien de Longpérier, the musée mexicain opened within the Louvre as the first European museum dedicated to pre-Columbian art.
### Second Empire
The rule of Napoleon III was transformational for the Louvre, both the building and the museum. In 1852, he created the Musée des Souverains in the Colonnade Wing, an ideological project aimed at buttressing his personal legitimacy. In 1861, he bought 11,835 artworks including 641 paintings, Greek gold and other antiquities of the Campana collection. For its display, he created another new section within the Louvre named Musée Napoléon III, occupying a number of rooms in various parts of the building. Between 1852 and 1870, the museum added 20,000 new artefacts to its collections.
The main change of that period was to the building itself. In the 1850s architects Louis Visconti and Hector Lefuel created massive new spaces around what is now called the Cour Napoléon, some of which (in the South Wing, now Aile Denon) went to the museum. In the 1860s, Lefuel also led the creation of the pavillon des Sessions with a new Salle des Etats closer to Napoleon III's residence in the Tuileries Palace, with the effect of shortening the Grande Galerie by about a third of its previous length. A smaller but significant Second Empire project was the decoration of the salle des Empereurs below the Salon carré.
### From 1870 to 1981
The Louvre narrowly escaped serious damage during the suppression of the Paris Commune. On 23 May 1871, as the French Army advanced into Paris, a force of Communards led by Jules Bergeret [fr] set fire to the adjoining Tuileries Palace. The fire burned for forty-eight hours, entirely destroying the interior of the Tuileries and spreading to the north west wing of the museum next to it. The emperor's Louvre library (Bibliothèque du Louvre) and some of the adjoining halls, in what is now the Richelieu Wing, were separately destroyed. But the museum was saved by the efforts of Paris firemen and museum employees led by curator Henry Barbet de Jouy.
Following the end of the monarchy, several spaces in the Louvre's South Wing went to the museum. The Salle du Manège was transferred to the museum in 1879, and in 1928 became its main entrance lobby. The large Salle des Etats that had been created by Lefuel between the Grande Galerie and Pavillon Denon was redecorated in 1886 by Edmond Guillaume [fr], Lefuel's successor as architect of the Louvre, and opened as a spacious exhibition room. Edomond Guillaume also decorated the first-floor room at the northwest corner of the Cour Carrée, on the ceiling of which he placed in 1890 a monumental painting by Carolus-Duran, The Triumph of Marie de' Medici originally created in 1879 for the Luxembourg Palace.
Meanwhile, during the Third Republic (1870–1940) the Louvre acquired new artefacts mainly via donations, gifts, and sharing arrangements on excavations abroad. The 583-item Collection La Caze, donated in 1869 by Louis La Caze, included works by Chardin; Fragonard, Rembrandt and Watteau. In 1883, the Winged Victory of Samothrace, which had been found in the Aegean Sea in 1863, was prominently displayed as the focal point of the Escalier Daru. Major artifacts excavated at Susa in Iran, including the massive Apadana capital and glazed brick decoration from the Palace of Darius there, accrued to the Oriental (Near Eastern) Antiquities Department in the 1880s. The Société des amis du Louvre was established in 1897 and donated prominent works, such as the Pietà of Villeneuve-lès-Avignon. The expansion of the museum and its collections slowed after World War I, however, despite some prominent acquisitions such as Georges de La Tour's Saint Thomas and Baron Edmond de Rothschild's 1935 donation of 4,000 prints, 3,000 drawings, and 500 illustrated books.
From the late 19th century, the Louvre gradually veered away from its mid-century ambition of universality to become a more focused museum of French, Western and Near Eastern art, covering a space ranging from Iran to the Atlantic. The collections of the Louvre's musée mexicain were transferred to the Musée d'Ethnographie du Trocadéro in 1887. As the Musée de Marine was increasingly constrained to display its core naval-themed collections in the limited space it had in the second-floor attic of the northern half of the Cour Carrée, many of its significant holdings of non-Western artefacts were transferred in 1905 to the Trocadéro ethnography museum, the National Antiquities Museum in Saint-Germain-en-Laye, and the Chinese Museum in the Palace of Fontainebleau. The Musée de Marine itself was relocated to the Palais de Chaillot in 1943. The Louvre's extensive collections of Asian art were moved to the Guimet Museum in 1945. Nevertheless, the Louvre's first gallery of Islamic art opened in 1922.
In the late 1920s, Louvre Director Henri Verne devised a master plan for the rationalization of the museum's exhibitions, which was partly implemented in the following decade. In 1932–1934, Louvre architects Camille Lefèvre and Albert Ferran redesigned the Escalier Daru to its current appearance. The Cour du Sphinx in the South Wing was covered by a glass roof in 1934. Decorative arts exhibits were expanded in the first floor of the North Wing of the Cour Carrée, including some of France's first period room displays. In the late 1930s, The La Caze donation was moved to a remodeled Salle La Caze above the salle des Caryatides, with reduced height to create more rooms on the second floor and a sober interior design by Albert Ferran.
During World War II, the Louvre conducted an elaborate plan of evacuation of its art collection. When Germany occupied the Sudetenland, many important artworks such as the Mona Lisa were temporarily moved to the Château de Chambord. When war was formally declared a year later, most of the museum's paintings were sent there as well. Select sculptures such as Winged Victory of Samothrace and the Venus de Milo were sent to the Château de Valençay. On 27 August 1939, after two days of packing, truck convoys began to leave Paris. By 28 December, the museum was cleared of most works, except those that were too heavy and "unimportant paintings [that] were left in the basement". In early 1945, after the liberation of France, art began returning to the Louvre.
New arrangements after the war revealed the further evolution of taste away from the lavish decorative practices of the late 19th century. In 1947, Edmond Guillaume's ceiling ornaments were removed from the Salle des Etats, where the Mona Lisa was first displayed in 1966. Around 1950, Louvre architect Jean-Jacques Haffner [fr] streamlined the interior decoration of the Grande Galerie. In 1953, a new ceiling by Georges Braque was inaugurated in the Salle Henri II, next to the Salle La Caze. In the late 1960s, seats designed by Pierre Paulin were installed in the Grande Galerie. In 1972, the Salon Carré's museography was remade with lighting from a hung tubular case, designed by Louvre architect Marc Saltet [fr] with assistance from designers André Monpoix [fr], Joseph-André Motte and Paulin.
In 1961, the Finance Ministry accepted to leave the Pavillon de Flore at the southwestern end of the Louvre building, as Verne had recommended in his 1920s plan. New exhibition spaces of sculptures (ground floor) and paintings (first floor) opened there later in the 1960s, on a design by government architect Olivier Lahalle.
### Grand Louvre
In 1981, French President François Mitterrand proposed, as one of his Grands Projets, the Grand Louvre plan to relocate the Finance Ministry, until then housed in the North Wing of the Louvre, and thus devote almost the entire Louvre building (except its northwestern tip, which houses the separate Musée des Arts Décoratifs) to the museum which would be correspondingly restructured. In 1984 I. M. Pei, the architect personally selected by Mitterrand, proposed a master plan including an underground entrance space accessed through a glass pyramid in the Louvre's central Cour Napoléon.
The open spaces surrounding the pyramid were inaugurated on 15 October 1988, and its underground lobby was opened on 30 March 1989. New galleries of early modern French paintings on the 2nd floor of the Cour Carrée, for which the planning had started before the Grand Louvre, also opened in 1989. Further rooms in the same sequence, designed by Italo Rota, opened on 15 December 1992.
On 18 November 1993, Mitterrand inaugurated the next major phase of the Grand Louvre plan: the renovated North (Richelieu) Wing in the former Finance Ministry site, the museum's largest single expansion in its entire history, designed by Pei, his French associate Michel Macary, and Jean-Michel Wilmotte. Further underground spaces known as the Carrousel du Louvre, centered on the Inverted Pyramid and designed by Pei and Macary, had opened in October 1993. Other refurbished galleries, of Italian sculptures and Egyptian antiquities, opened in 1994. The third and last main phase of the plan unfolded mainly in 1997, with new renovated rooms in the Sully and Denon wings. A new entrance at the porte des Lions opened in 1998, leading on the first floor to new rooms of Spanish paintings.
As of 2002, the Louvre's visitor count had doubled from its pre-Grand-Louvre levels.
### 21st century
President Jacques Chirac, who had succeeded Mitterrand in 1995, insisted on the return of non-Western art to the Louvre, upon a recommendation from his friend the art collector and dealer Jacques Kerchache [fr]. On his initiative, a selection of highlights from the collections of what would become the Musée du Quai Branly – Jacques Chirac was installed on the ground floor of the Pavillon des Sessions and opened in 2000, six years ahead of the Musée du Quai Branly itself.
The main other initiative in the aftermath of the Grand Louvre project was Chirac's decision to create a new department of Islamic Art, by executive order of 1 August 2003, and to move the corresponding collections from their prior underground location in the Richelieu Wing to a more prominent site in the Denon Wing. That new section opened on 22 September 2012, together with collections from the Roman-era Eastern Mediterranean, with financial support from the Al Waleed bin Talal Foundation and on a design by Mario Bellini and Rudy Ricciotti.
In 2007, German painter Anselm Kiefer was invited to create a work for the North stairs of the Perrault Colonnade, Athanor. This decision announces the museum's reengagement with contemporary art under the direction of Henri Loyrette, fifty years after the institution's last order to a contemporary artists, George Braque.
In 2010, American painter Cy Twombly completed a new ceiling for the Salle des Bronzes (the former Salle La Caze), a counterpoint to that of Braque installed in 1953 in the adjacent Salle Henri II. The room's floor and walls were redesigned in 2021 by Louvre architect Michel Goutal to revert the changes made by his predecessor Albert Ferran in the late 1930s, triggering protests from the Cy Twombly Foundation on grounds that the then-deceased painter's work had been created to fit with the room's prior decoration.
That same year, the Louvre commissioned French artist François Morellet to create a work for the Lefuel stairs, on the first floor. For L'esprit d'escalier Morellet redesigned the stairscase's windows, echoing their original structures but distorting them to create a disturbing optical effect.
On 6 June 2014, the Decorative Arts section on the first floor of the Cour Carrée's northern wing opened after comprehensive refurbishment.
In January 2020, under the direction of Jean-Luc Martinez, the museum inaugurated a new contemporary art commission, L'Onde du Midi by Venezuelan kinetic artist Elias Crespin. The sculpture hovers under the Escalier du Midi, the staircase on the South of the Perrault Colonnade.
The Louvre, like many other museums and galleries, felt the impact of the COVID-19 pandemic on the arts and cultural heritage. It was closed for six months during French coronavirus lockdowns and saw visitor numbers plunge to 2.7 million in 2020, from 9.6 million in 2019 and 10.2 million in 2018, which was a record year.
## Collections
The Musée du Louvre owns 615,797 objects of which 482,943 are accessible online since 24 March 2021 and displays 35,000 works of art in eight curatorial departments.
### Egyptian antiquities
The Louvre is home to one of the world's most extensive collections of art, including works from diverse cultures and time periods. Visitors can view iconic works like the Mona Lisa and the Winged Victory of Samothrace, as well as pieces from ancient civilizations such as Egypt, Greece, and Rome. The museum also features collections of decorative arts, Islamic art, and sculptures.
The department, comprising over 50,000 pieces, includes artifacts from the Nile civilizations which date from 4,000 BC to the 4th century AD. The collection, among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
The department's origins lie in the royal collection, but it was augmented by Napoleon's 1798 expeditionary trip with Dominique Vivant, the future director of the Louvre. After Jean-François Champollion translated the Rosetta Stone, Charles X decreed that an Egyptian Antiquities department be created. Champollion advised the purchase of three collections, formed by Edmé-Antoine Durand, Henry Salt, and Bernardino Drovet; these additions added 7,000 works. Growth continued via acquisitions by Auguste Mariette, founder of the Egyptian Museum in Cairo. Mariette, after excavations at Memphis, sent back crates of archaeological finds including The Seated Scribe.
Guarded by the Great Sphinx of Tanis, the collection is housed in more than 20 rooms. Holdings include art, papyrus scrolls, mummies, tools, clothing, jewelry, games, musical instruments, and weapons. Pieces from the ancient period include the Gebel el-Arak Knife from 3400 BC, The Seated Scribe, and the Head of King Djedefre. Middle Kingdom art, "known for its gold work and statues", moved from realism to idealization; this is exemplified by the schist statue of Amenemhatankh and the wooden Offering Bearer. The New Kingdom and Coptic Egyptian sections are deep, but the statue of the goddess Nephthys and the limestone depiction of the goddess Hathor demonstrate New Kingdom sentiment and wealth.
### Near Eastern antiquities
Near Eastern antiquities, the second newest department, dates from 1881 and presents an overview of early Near Eastern civilization and "first settlements", before the arrival of Islam. The department is divided into three geographic areas: the Levant, Mesopotamia (Iraq), and Persia (Iran). The collection's development corresponds to archaeological work such as Paul-Émile Botta's 1843 expedition to Khorsabad and the discovery of Sargon II's palace. These finds formed the basis of the Assyrian museum, the precursor to today's department.
The museum contains exhibits from Sumer and the city of Akkad, with monuments such as the Prince of Lagash's Stele of the Vultures from 2450 BC and the stele erected by Naram-Sin, King of Akkad, to celebrate a victory over barbarians in the Zagros Mountains. The 2.25-metre (7.38 ft) Code of Hammurabi, discovered in 1901, displays Babylonian Laws prominently, so that no man could plead their ignorance. The 18th-century BC mural of the Investiture of Zimrilim and the 25th-century BC Statue of Ebih-Il found in the ancient city-state of Mari are also on display at the museum.
A significant portion of the department covers the ancient Levant, including the Sarcophagus of Eshmunazar II discovered in 1855, which catalyzed Ernest Renan's 1860 Mission de Phénicie. It contains one of the world's largest and most comprehensive collections of Canaanite and Aramaic inscriptions. The section also covers North African Punic antiquities (Punic = Western Phoenician), given the significant French presence in the region in the 19th century, with early finds including the 1843 discovery of the Ain Nechma inscriptions.
The Persian portion of Louvre contains work from the archaic period, like the Funerary Head and the Persian Archers of Darius I. This section also contains rare objects from Persepolis which were also lent to the British Museum for its Ancient Persia exhibition in 2005.
### Greek, Etruscan, and Roman
The Greek, Etruscan, and Roman department displays pieces from the Mediterranean Basin dating from the Neolithic to the 6th century. The collection spans from the Cycladic period to the decline of the Roman Empire. This department is one of the museum's oldest; it began with appropriated royal art, some of which was acquired under Francis I. Initially, the collection focused on marble sculptures, such as the Venus de Milo'''. Works such as the Apollo Belvedere arrived during the Napoleonic Wars, but these pieces were returned after Napoleon I's fall in 1815. In the 19th century, the Louvre acquired works including vases from the Durand collection, bronzes such as the Borghese Vase from the Bibliothèque nationale.
The archaic is demonstrated by jewellery and pieces such as the limestone Lady of Auxerre, from 640 BC; and the cylindrical Hera of Samos, c. 570–560 BC. After the 4th century BC, focus on the human form increased, exemplified by the Borghese Gladiator. The Louvre holds masterpieces from the Hellenistic era, including The Winged Victory of Samothrace (190 BC) and the Venus de Milo, symbolic of classical art. The long Galerie Campana displays an outstanding collection of more than one thousand Greek potteries. In the galleries paralleling the Seine, much of the museum's Roman sculpture is displayed. The Roman portraiture is representative of that genre; examples include the portraits of Agrippa and Annius Verus; among the bronzes is the Greek Apollo of Piombino.
### Islamic art
The Islamic art collection, the museum's newest, spans "thirteen centuries and three continents". These exhibits, of ceramics, glass, metalware, wood, ivory, carpet, textiles, and miniatures, include more than 5,000 works and 1,000 shards. Originally part of the decorative arts department, the holdings became separate in 2003. Among the works are the Pyxide d'al-Mughira, a 10th century ivory box from Andalusia; the Baptistery of Saint-Louis, an engraved brass basin from the 13th or 14th century Mamluk period; and the 10th century Shroud of Saint-Josse from Iran. The collection contains three pages of the Shahnameh, an epic book of poems by Ferdowsi in Persian, and a Syrian metalwork named the Barberini Vase. In September 2019, a new and improved Islamic art department was opened by Princess Lamia bint Majed Al Saud. The new department exhibits 3,000 pieces were collected from Spain to India via the Arabian peninsula dating from the 7th to the 19th centuries.
### Sculptures
The sculpture department consists of works created before 1850 not belonging in the Etruscan, Greek, and Roman department. The Louvre has been a repository of sculpted material since its time as a palace; however, only ancient architecture was displayed until 1824, except for Michelangelo's Dying Slave and Rebellious Slave. Initially the collection included only 100 pieces, the rest of the royal sculpture collection being at Versailles. It remained small until 1847, when Léon Laborde was given control of the department. Laborde developed the medieval section and purchased the first such statues and sculptures in the collection, King Childebert and stanga door, respectively. The collection was part of the Department of Antiquities but was given autonomy in 1871 under Louis Courajod, a director who organized a wider representation of French works. In 1986, all post-1850 works were relocated to the new Musée d'Orsay. The Grand Louvre project separated the department into two exhibition spaces; the French collection is displayed in the Richelieu Wing, and foreign works in the Denon Wing.
The collection's overview of French sculpture contains Romanesque works such as the 11th-century Daniel in the Lions' Den and the 12th-century Virgin of Auvergne. In the 16th century, Renaissance influence caused French sculpture to become more restrained, as seen in Jean Goujon's bas-reliefs, and Germain Pilon's Descent from the Cross and Resurrection of Christ. The 17th and 18th centuries are represented by Gian Lorenzo Bernini's 1640–1 Bust of Cardinal Richelieu, Étienne Maurice Falconet's Woman Bathing and Amour menaçant, and François Anguier's obelisks. Neoclassical works includes Antonio Canova's Psyche Revived by Cupid's Kiss (1787). The 18th and 19th centuries are represented by the French sculptors like Alfred Barye and Émile Guillemin.
### Decorative arts
The Objets d'art collection spans the time from the Middle Ages to the mid-19th century. The department began as a subset of the sculpture department, based on royal property and the transfer of work from the Basilique Saint-Denis, the burial ground of French monarchs that held the Coronation Sword of the Kings of France. Among the budding collection's most prized works were pietre dure vases and bronzes. The Durand collection's 1825 acquisition added "ceramics, enamels, and stained glass", and 800 pieces were given by Pierre Révoil. The onset of Romanticism rekindled interest in Renaissance and Medieval artwork, and the Sauvageot donation expanded the department with 1,500 middle-age and faïence works. In 1862, the Campana collection added gold jewelry and maiolicas, mainly from the 15th and 16th centuries.
The works are displayed on the Richelieu Wing's first floor and in the Apollo Gallery, named by the painter Charles Le Brun, who was commissioned by Louis XIV (the Sun King) to decorate the space in a solar theme. The medieval collection contains the coronation crown of Louis XIV, Charles V's sceptre, and the 12th century porphyry vase. The Renaissance art holdings include Giambologna's bronze Nessus and Deianira and the tapestry Maximillian's Hunt. From later periods, highlights include Madame de Pompadour's Sèvres vase collection and Napoleon III's apartments.
In September 2000, the Louvre Museum dedicated the Gilbert Chagoury and Rose-Marie Chagoury Gallery to display tapestries donated by the Chagourys, including a 16th-century six-part tapestry suite, sewn with gold and silver threads representing sea divinities, which was commissioned in Paris for Colbert de Seignelay, Secretary of State for the Navy.
### Painting
The painting collection has more than 7,500 works from the 13th century to 1848 and is managed by 12 curators who oversee the collection's display. Nearly two-thirds are by French artists, and more than 1,200 are Northern European. The Italian paintings compose most of the remnants of Francis I and Louis XIV's collections, others are unreturned artwork from the Napoleon era, and some were bought. The collection began with Francis, who acquired works from Italian masters such as Raphael and Michelangelo and brought Leonardo da Vinci to his court. After the French Revolution, the Royal Collection formed the nucleus of the Louvre. When the d'Orsay train station was converted into the Musée d'Orsay in 1986, the collection was split, and pieces completed after the 1848 Revolution were moved to the new museum. French and Northern European works are in the Richelieu Wing and Cour Carrée; Spanish and Italian paintings are on the first floor of the Denon Wing.
Exemplifying the French School are the early Avignon Pietà of Enguerrand Quarton; the anonymous painting of King Jean le Bon (c. 1360), possibly the oldest independent portrait in Western painting to survive from the postclassical era; Hyacinthe Rigaud's Louis XIV; Jacques-Louis David's The Coronation of Napoleon; Théodore Géricault's The Raft of the Medusa; and Eugène Delacroix's Liberty Leading the People. Nicolas Poussin, the Le Nain brothers, Philippe de Champaigne, Le Brun, La Tour, Watteau, Fragonard, Ingres, Corot, and Delacroix are well represented.
Northern European works include Johannes Vermeer's The Lacemaker and The Astronomer; Caspar David Friedrich's The Tree of Crows; Rembrandt's The Supper at Emmaus, Bathsheba at Her Bath, and The Slaughtered Ox.
The Italian holdings are notable, particularly the Renaissance collection. The works include Andrea Mantegna and Giovanni Bellini's Calvarys, which reflect realism and detail "meant to depict the significant events of a greater spiritual world". The High Renaissance collection includes Leonardo da Vinci's Mona Lisa, Virgin and Child with St. Anne, St. John the Baptist, and Madonna of the Rocks. The Baroque collection includes Giambattista Pittoni's The Continence of Scipio, Susanna and the Elders, Bacchus and Ariadne, Mars and Venus, and others Caravaggio is represented by The Fortune Teller and Death of the Virgin. From 16th century Venice, the Louvre displays Titian's Le Concert Champetre, The Entombment, and The Crowning with Thorns.
The La Caze Collection, a bequest to the Musée du Louvre in 1869 by Louis La Caze, was the largest contribution of a person in the history of the Louvre. La Caze gave 584 paintings of his personal collection to the museum. The bequest included Antoine Watteau's Commedia dell'arte player of Pierrot ("Gilles"). In 2007, this bequest was the topic of the exhibition "1869: Watteau, Chardin... entrent au Louvre. La collection La Caze".
Some of the best known paintings of the museum have been digitized by the French Center for Research and Restoration of the Museums of France.
### Prints and drawings
The prints and drawings department encompasses works on paper. The origins of the collection were the 8,600 works in the Royal Collection (Cabinet du Roi), which were increased via state appropriation, purchases such as the 1,200 works from Fillipo Baldinucci's collection in 1806, and donations. The department opened on 5 August 1797, with 415 pieces displayed in the Galerie d'Apollon. The collection is organized into three sections: the core Cabinet du Roi, 14,000 royal copper printing-plates, and the donations of Edmond de Rothschild, which include 40,000 prints, 3,000 drawings, and 5,000 illustrated books. The holdings are displayed in the Pavillon de Flore; due to the fragility of the paper medium, only a portion are displayed at one time.
## Management, administration, partnerships
The Louvre is owned by the French government. Since the 1990s, its management and governance have been made more independent. Since 2003, the museum has been required to generate funds for projects. By 2006, government funds had dipped from 75 percent of the total budget to 62 percent. Every year, the Louvre now raises as much as it gets from the state, about €122 million. The government pays for operating costs (salaries, safety, and maintenance), while the rest – new wings, refurbishments, acquisitions – is up to the museum to finance. A further €3 million to €5 million a year is raised by the Louvre from exhibitions that it curates for other museums, while the host museum keeps the ticket money. As the Louvre became a point of interest in the book The Da Vinci Code and the 2006 film based on the book, the museum earned \$2.5 million by allowing filming in its galleries. In 2008, the French government provided \$180 million of the Louvre's yearly \$350 million budget; the remainder came from private contributions and ticket sales.
The Louvre employs a staff of 2,000 led by Director Jean-Luc Martinez, who reports to the French Ministry of Culture and Communications. Martinez replaced Henri Loyrette in April 2013. Under Loyrette, who replaced Pierre Rosenberg in 2001, the Louvre has undergone policy changes that allow it to lend and borrow more works than before. In 2006, it loaned 1,300 works, which enabled it to borrow more foreign works. From 2006 to 2009, the Louvre lent artwork to the High Museum of Art in Atlanta, Georgia, and received a \$6.9 million payment to be used for renovations.
In 2009, Minister of culture Frédéric Mitterrand approved a plan that would have created a storage facility 30 km (19 mi) northwest of Paris to hold objects from the Louvre and two other national museums in Paris's flood zone, the Musée du Quai Branly and the Musée d'Orsay; the plan was later scrapped. In 2013, his successor Aurélie Filippetti announced that the Louvre would move more than 250,000 works of art held in a 20,000 square metres (220,000 sq ft) basement storage area in Liévin; the cost of the project, estimated at €60 million, will be split between the region (49%) and the Louvre (51%). The Louvre will be the sole owner and manager of the store. In July 2015, a team led by British firm Rogers Stirk Harbour + Partners was selected to design the complex, which will have light-filled work spaces under one vast, green roof.
In 2012, the Louvre and the Fine Arts Museums of San Francisco announced a five-year collaboration on exhibitions, publications, art conservation and educational programming. The €98.5 million expansion of the Islamic Art galleries in 2012 received state funding of €31 million, as well as €17 million from the Alwaleed Bin Talal Foundation founded by the eponymous Saudi prince. The Republic of Azerbaijan, the Emir of Kuwait, the Sultan of Oman and King Mohammed VI of Morocco donated in total €26 million. In addition, the opening of the Louvre Abu Dhabi is supposed to provide €400 million over the course of 30 years for its use of the museum's brand. Loyrette has tried to improve weak parts of the collection through income generated from loans of art and by guaranteeing that "20% of admissions receipts will be taken annually for acquisitions". He has more administrative independence for the museum and achieved 90 percent of galleries to be open daily, as opposed to 80 percent previously. He oversaw the creation of extended hours and free admission on Friday nights and an increase in the acquisition budget to \$36 million from \$4.5 million.
In March 2018, an exhibition of dozens of artworks and relics belonging to France's Louvre Museum was opened to visitors in Tehran, as a result of an agreement between Iranian and French presidents in 2016. In the Louvre, two departments were allocated to the antiquities of the Iranian civilization, and the managers of the two departments visited Tehran. Relics belonging to Ancient Egypt, Rome and Mesopotamia as well as French royal items were showcased at the Tehran exhibition.
Iran's National Museum building was designed and constructed by French architect André Godard. Following its time in Tehran, the exhibition is set to be held in the Khorasan Grand Museum in Mashhad, northeastern Iran in June 2018.
On the 500th anniversary of Leonardo da Vinci's death, the Louvre held the largest ever single exhibit of his work, from 24 October 2019 to 24 February 2020. The event included over a hundred items: paintings, drawings and notebooks. A full 11 of the fewer than 20 paintings that Da Vinci completed in his lifetime were displayed. Five of them are owned by the Louvre, but the Mona Lisa was not included because it is in such great demand among visitors to the Louvre museum; the work remained on display in its gallery. Salvator Mundi was also not included since the Saudi owner did not agree to move the work from its hiding place. Vitruvian Man, however, was on display, after a successful legal battle with its owner, the Galleria dell'Accademia in Venice.
In 2021, a Renaissance era ceremonial helmet and breastplate stolen from the museum in 1983 were recovered. The museum noted that the 1983 theft had "deeply troubled all the staff at the time." There are few publicly accessible details on the theft itself.
In May 2021, it was announced that Laurence des Cars has been picked by French president Emmanuel Macron as the next leader of the Louvre. For the first time in its 228-year history, the Louvre will be directed by a woman. During the COVID-19 pandemic, the Louvre has launched a platform where most of its works, including those that are not on display, can be seen. The new platform, collections.louvre.fr, already has more than 482,000 illustrated records – representing 75% of its rich and varied collections. The museum was visited by over 7.6 million visitors in 2022, up 170 percent from 2021, but still below the 10.8 million visitors in 2018 before the COVID-19 pandemic.
## Archaeological research
The Louvre's ancient art collections are to a significant extent the product of excavations, some of which the museum sponsored under various legal regimes over time, often as a companion to France's diplomacy and/or colonial enterprises. In the Rotonde d'Apollon, a carved marble panel lists a number of such campaigns, led by:
- Louis-François-Sébastien Fauvel in Greece (1818)
- Jean-François Champollion in Egypt (1828–1829)
- Guillaume-Abel Blouet and Léon-Jean-Joseph Dubois with the Morea expedition in Greece (1829)
- Adolphe Delamare [fr] in Algeria (1842–1845)
- Paul-Émile Botta in the Nineveh Plains (1845)
- Joseph Vattier de Bourville [fr] in Cyrenaica (1850)
- Auguste Mariette in Egypt (1850–1854)
- Victor Langlois in Cilicia (1852)
- Ernest Renan with the Mission de Phénicie following the 1860 civil conflict in Mount Lebanon and Damascus (1860–1861)
- Léon Heuzey and Honoré Daumet in Macedonia (1861)
- Eugène-Melchior de Vogüé and Edmond Duthoit in Cyprus (1863–1866)
- Charles Champoiseau in Samothrace (1863)
- Emmanuel Miller [de] in Thessaloniki and Thasos (1864–1865)
- Olivier Rayet and Albert-Félix-Théophile Thomas in Ionia (1872–1873)
- Charles Simon Clermont-Ganneau in Palestine (1873)
- Antoine Héron de Villefosse [fr] in Algeria and Tunisia (1874)
- Ernest de Sarzec in Tello / ancient Girsu, Mesopotamia (1877–1900)
- Paul Girard in Greece (1881)
- Edmond Pottier, Salomon Reinach and Alphonse Veyries in Myrina (Aeolis) (1872–1873)
- Marcel-Auguste Dieulafoy and Jane Dieulafoy in Susa, Persia (1884–1886)
- Charles Huber in Tayma, Arabia (1885)
- Alfred Charles Auguste Foucher in India and present-day Pakistan (1895–1897)
- Arthur Engel and Pierre Paris in Spain (1897)
- Jacques de Morgan in Susa (1897)
- Gaston Cros in Tello / ancient Girsu (1902)
- Paul Pelliot in Chinese Turkestan (1907–1909)
- Maurice Pézard in Northern Palestine (1923)
- Georges Aaron Bénédite in Egypt (1926)
- François Thureau-Dangin in Northern Syria (1929)
- Henri de Genouillac in Mesopotamia (1912, 1929)
- the Institut Français d'Archéologie Orientale in Cairo, created in 1880
The rest of the plaque combines donors of archaeological items, many of whom were archaeologists themselves, and other archaeologists whose excavations contributed to the Louvre's collections:
- Frédéric Moreau (archeologist) [Frédéric Moreau; Frédéric Moreau (archéologue)] in France (1899)
- Édouard Piette in France (1902)
- Joseph de Baye [fr] in France (1899–1906)
- Henri and Jacques de Morgan in Susa (1909–1910)
- Léon Henri-Martin [fr] (1906–1920) and his daughter Germaine in France (1976)
- Louis Capitan [fr] in France (1929)
- René de Saint-Périer [fr] and his wife Suzanne in France (1935)
- Fernand Bisson de la Roque in Egypt (1922–1950)
- Bernard Bruyère in Egypt (1920–1951)
- Raymond Weill in Egypt (1952)
- Pierre Montet in Egypt (1921–1956)
- Jean Marie Casal [de] in the Indus Valley and Afghanistan (1950–1973)
- Suzanne de Saint-Mathurin [fr] in France (1973)
- André Parrot in Mari, Syria (1931–1974)
- Claude Frédéric-Armand Schaeffer in Ugarit, Syria (1929–1970)
- Roman Ghirshman in Iraq and Iran (1931–1972)
## Satellites and offshoots
Several museums in and outside France have been or are placed under the Louvre's administrative authority or linked to it through exclusive partnerships, while not being located in the Louvre Palace. Since 2019, the Louvre has also maintained a large art storage and research facility in the Northern French town of Liévin, the Centre de conservation du Louvre [fr], which is not open to the public.
### Musée de Cluny (1926–1977)
In February 1926, the Musée de Cluny, whose creation dates back to the 19th century, was brought under the aegis of the Louvre's department of decorative arts (Objets d'Art). That affiliation was terminated in 1977.
### Musée du Jeu de Paume (1947–1986)
The Jeu de Paume building in the Tuileries Garden, initially intended as a sports venue, was repurposed from 1909 as an art gallery. In 1947, it became the exhibition space for the Louvre's collections of late 19th and early 20th paintings, most prominently Impressionism, as the Louvre Palace was lacking space to display them, and was consequently brought under direct management by the Louvre's Département des Peintures. In 1986, these collections were transferred to the newly created Musée d'Orsay.
### Gypsothèque du Louvre (since 2001)
The gypsothèque (plaster cast gallery) of the Louvre is a collection of plaster casts that was formed in 1970 by the reunion of the corresponding inventories of the Louvre, the Beaux-Arts de Paris and the Art and Archaeology Institute of the Sorbonne University, the latter two following depredations during the May 68 student unrest. Initially called the Musée des Monuments Antiques from 1970 to 1978, the project was subsequently left unfinished and only came to fruition after being brought under the Louvre's management by ministerial decision in 2001. It is located in the Petite Écurie, a dependency of Versailles Palace, and has been open to the public since 2012.
### Musée Delacroix (since 2004)
The small museum located in Eugène Delacroix's former workshop in central Paris, created in the 1930s, has been placed under management by the Louvre since 2004.
### Louvre-Lens (since 2012)
The Louvre-Lens follows a May 2003 initiative by then culture minister Jean-Jacques Aillagon to promote cultural projects outside of Paris that would make the riches of major Parisian institutions available to a broader French public, including a satellite (antenne) of the Louvre. After several rounds of competition, a former mining site in the town of Lens was selected for its location and announced by Prime Minister Jean-Pierre Raffarin on 2004-11-29. Japanese architects SANAA and landscape architect Catherine Mosbach were respectively selected in September 2005 to design the museum building and garden. Inaugurated by President François Hollande on 2012-12-04, the Louvre-Lens is run by the Hauts-de-France region under a contract (convention scientifique et culturelle) with the Louvre for art loans and brand use. Its main attraction is an exhibition of roughly 200 artworks from the Louvre on a rotating basis, presented chronologically in a single large room (the Galerie du Temps or "gallery of time") that transcends the geographical and object-type divisions along which the Parisian Louvre's displays are organized. The Louvre-Lens has been successful at attracting around 500,000 visitors per year until the COVID-19 pandemic.
### Louvre Abu Dhabi (since 2017)
The Louvre Abu Dhabi is a separate entity from the Louvre, but the two entities have a multifaceted contractual relationship that allows the Emirati museum to use the Louvre name until 2037, and to exhibit artworks from the Louvre until 2027. It was inaugurated on 2017-11-08 and opened to the public three days later. A 30-year agreement, signed in early 2007 by French Culture Minister Renaud Donnedieu de Vabres and Sheik Sultan bin Tahnoon Al Nahyan, establishes that Abu Dhabi shall pay €832,000,000 (US\$1.3 billion) in exchange for the Louvre name use, managerial advice, art loans, and special exhibitions. The Louvre Abu Dhabi is located on Saadiyat Island and was designed by the French architect Jean Nouvel and engineering firm of Buro Happold. It occupies 24,000 square metres (260,000 sq ft) and is covered by an iconic metallic dome designed to cast rays of light mimicking sunlight passing through date palm fronds in an oasis. The French art loans, expected to total between 200 and 300 artworks during a 10-year period, come from multiple museums, including the Louvre, the Centre Georges Pompidou, the Musée d'Orsay, Versailles, the Guimet Museum, the Musée Rodin, and the Musée du quai Branly.
## Controversy
The Louvre is involved in controversies that surround cultural property seized under Napoleon I, as well as during World War II by the Nazis. During Nazi occupation, thousands of artworks were stolen. But after the war, 61,233 articles on more than 150,000 seized artworks returned to France and were assigned to the Office des Biens Privés. In 1949, it entrusted 2,130 unclaimed pieces (including 1,001 paintings) to the Direction des Musées de France in order to keep them under appropriate conditions of conservation until their restitution and meanwhile classified them as MNRs (Musées Nationaux Recuperation or, in English, the National Museums of Recovered Artwork). Some 10% to 35% of the pieces are believed to come from Jewish spoliations and until the identification of their rightful owners, which declined at the end of the 1960s, they are registered indefinitely on separate inventories from the museum's collections.
They were exhibited in 1946 and shown all together to the public during four years (1950–1954) in order to allow rightful claimants to identify their properties, then stored or displayed, according to their interest, in several French museums including the Louvre. From 1951 to 1965, about 37 pieces were restituted. Since November 1996, the partly illustrated catalogue of 1947–1949 has been accessible online and completed. In 1997, Prime Minister Alain Juppé initiated the Mattéoli Commission, headed by Jean Mattéoli, to investigate the matter and according to the government, the Louvre is in charge of 678 pieces of artwork still unclaimed by their rightful owners. During the late 1990s, the comparison of the American war archives, which had not been done before, with the French and German ones as well as two court cases which finally settled some of the heirs' rights (Gentili di Giuseppe and Rosenberg families) allowed more accurate investigations. Since 1996, the restitutions, according sometimes to less formal criteria, concerned 47 more pieces (26 paintings, with 6 from the Louvre including a then displayed Tiepolo), until the last claims of French owners and their heirs ended again in 2006.
According to Serge Klarsfeld, since the now complete and constant publicity which the artworks got in 1996, the majority of the French Jewish community is nevertheless in favour of the return to the normal French civil rule of prescription acquisitive of any unclaimed good after another long period of time and consequently to their ultimate integration into the common French heritage instead of their transfer to foreign institutions like during World War II.
Napoleon's campaigns acquired Italian pieces by treaties, as war reparations, and Northern European pieces as spoils as well as some antiquities excavated in Egypt, though the vast majority of the latter were seized as war reparations by the British army and are now part of collections of the British Museum. On the other hand, the Dendera zodiac is, like the Rosetta Stone, claimed by Egypt even though it was acquired in 1821, before the Egyptian Anti-export legislation of 1835. The Louvre administration has thus argued in favor of retaining this item despite requests by Egypt for its return. The museum participates too in arbitration sessions held via UNESCO's Committee for Promoting the Return of Cultural Property to Its Countries of Origin. The museum consequently returned in 2009 five Egyptian fragments of frescoes (30 cm x 15 cm each) whose existence of the tomb of origin had only been brought to the authorities attention in 2008, eight to five years after their good-faith acquisition by the museum from two private collections and after the necessary respect of the procedure of déclassement from French public collections before the Commission scientifique nationale des collections des musées de France.
In 2011, over 130 international artists urged a boycott of the new Guggenheim museum as well as Louvre Abu Dhabi, citing reports, since 2009, of abuses of foreign construction workers on Saadiyat Island, including the arbitrary withholding of wages, unsafe working conditions, and failure of companies to pay or reimburse the steep recruitment fees being charged to laborers. According to Architectural Record, Abu Dhabi has comprehensive labor laws to protect the workers, but they are not conscientiously implemented or enforced. In 2010, the Guggenheim Foundation placed on its website a joint statement with Abu Dhabi's Tourism Development and Investment Company (TDIC) recognizing the following workers' rights issues, among others: health and safety of the workers; their access to their passports and other documents that the employers have been retaining to guaranty that they stay on the job; using a general contractor that agrees to obey the labor laws; maintaining an independent site monitor; and ending the system that has been generally used in the Persian Gulf region of requiring workers to reimburse recruitment fees.
In 2013, The Observer reported that conditions for the workers at the Louvre and New York University construction sites on Saadiyat amounted to "modern-day slavery". In 2014, the Guggenheim's Director, Richard Armstrong, said that he believed that living conditions for the workers at the Louvre project were now good and that "many fewer" of them were having their passports confiscated. He stated that the main issue then remaining was the recruitment fees charged to workers by agents who recruit them. Later in 2014, the Guggenheim's architect, Gehry, commented that working with the Abu Dhabi officials to implement the law to improve the labor conditions at the museum's site is "a moral responsibility." He encouraged the TDIC to build additional worker housing and proposed that the contractor cover the cost of the recruitment fees. In 2012, TDIC engaged PricewaterhouseCoopers as an independent monitor required to issue reports every quarter. Labor lawyer Scott Horton told Architectural Record'' that he hoped the Guggenheim project will influence the treatment of workers on other Saadiyat sites and will "serve as a model for doing things right."
## See also
- Center for Research and Restoration of Museums of France
- List of museums in Paris
- Musée de la mode et du textile
|
1172724876
|
Art museum in Paris, France
|
[
"1793 establishments in France",
"Archaeological museums in France",
"Art museums and galleries in Paris",
"Art museums established in 1793",
"Egyptological collections in France",
"History museums in France",
"Institut de France",
"Louvre",
"Louvre Palace",
"Museums in Paris",
"Museums of Ancient Near East in France",
"Museums of ancient Greece in France",
"Museums of ancient Rome in France",
"National museums of France",
"Order of Arts and Letters of Spain recipients"
] |
399970
| null |
Morpeth, Northumberland
|
# Morpeth, Northumberland
Morpeth is a historic market town in Northumberland, North East England, lying on the River Wansbeck. Nearby towns include Ashington and Bedlington. In the 2011 census, the population of Morpeth was given as 14,017, up from 13,833 in the 2001 census. The earliest evidence of settlement is believed to be from the Neolithic period, and some Roman artifacts have also been found. The first written mention of the town is from 1080, when the de Merlay family was granted the barony of Morpeth. The meaning of the town's name is uncertain, but it may refer to its position on the road to Scotland and a murder which occurred on that road. The de Merlay family built two castles in the town in the late 11th century and the 13th century. The town was granted its coat of arms in 1552. By the mid-1700s it had become one of the main markets in England, having been granted a market charter in 1200, but the opening of the railways in the 1800s led the market to decline. The town's history is celebrated in the annual Northumbrian Gathering.
Morpeth is governed by Northumberland County Council and Morpeth Town Council. The town is split into three wards – North, Kirkhill and Stobhill – for the purposes of parish elections. In 2008 the town suffered a severe flood, which was repeated in 2012, resulting in the construction of new flood defences. Morpeth railway station is on the east coast line and a curve to the south of it has caused several rail crashes. Several sports teams compete in Morpeth, with Morpeth Town A.F.C. having been the winner of the FA Vase in 2016. The town hosted its own Olympics from 1873 to 1958. Two middle schools, a high school and seven first schools are situated in Morpeth, as well as several churches of Anglican, Roman Catholic, United Reformed and Methodist denominations. Morpeth's Carlisle Park, the recipient of several awards, contains one of the four floral clocks in England.
## History
Morpeth was founded at a crossing point of the River Wansbeck. Remains from prehistory are scarce, but the earliest evidence of occupation found is a stone axe thought to be from the Neolithic period. There is a lack of evidence of activity during the Roman occupation of Britain, although there were probably settlements in the area at that time. The first written reference is from 1080 when William de Merlay was rewarded for his part in suppressing a rebellion in Northumbria with "the Barony of Morthpeth stretching from the Tyne to the Coquet". The name derives from Old English morð pæð and literally means "murder path"; writing in 1666, the antiquarian John Stainsby attributed this moniker to "the many robberies and murders in those parts committed".
The barony of Morpeth was granted to the de Merlay family in around 1080, and by 1095 a motte-and-bailey castle had been built by William de Merlay. It is uncertain whether there was any settlement at Morpeth at the time that the barony was created, and documents relating to the foundation of an abbey in 1137 refer to the "new town of Morpeth". Newminster Abbey, located on the outskirts of Morpeth, was founded in 1138 by William's son, Ranulf de Merlay, lord of Morpeth, and his wife, Juliana, daughter of Gospatric II, Earl of Lothian, as one of the first daughter houses of Fountains Abbey. King John granted a market charter for the town to Roger de Merlay in 1200. It became one of the main markets in Northern England by the mid-1700s and by the mid 18th century was one of the key cattle markets in England selling cattle driven by drovers over the border from Scotland; however, the opening of the railways made transport to Newcastle easier in the 19th century, and the market accordingly declined. The market is still held on Wednesdays.
The town was badly damaged by fire set by the barons in 1215 during the First Barons' War, in an attempt to block the military operations of King John. Whilst it is common report that the motte-and-bailey castle was burnt down by King John in 1216 and a new Morpeth Castle was built later in the 13th century by Ranulph de Merlay, to the south of Haw Hill, there is no firm evidence that King John destroyed the castle and an alternative narrative suggests that the second castle was in fact "completed by William de Merlay (the 2nd) in the year of his death" (c. 1170). In the 13th century, a stone bridge was built over the Wansbeck in Morpeth, to the west of the current bridge, replacing the ford previously in use in Morpeth. For some months in 1515–16, Margaret Tudor (Henry VIII's sister) who was the Queen Consort of Scotland (James IV's widow), had laid ill in Morpeth Castle, having been brought there from Harbottle Castle. The only remains of the castle are the inner gatehouse, which was restored by the Landmark Trust, and parts of the ruined castle walls.
In 1540, Morpeth was described by the royal antiquary John Leland as "long and metely well-builded, with low houses" and "a far fairer town than Alnwick". During the 1543–51 war of the Rough Wooing, Morpeth was occupied by a garrison of Italian mercenaries, who "pestered such a little street standing in the highway" by killing deer and withholding payment for food. In 1552, William Hervey, Norroy King of Arms, granted the borough of Morpeth a coat of arms. The arms were the same as those granted to Roger de Merlay, but with the addition of a gold tower. In the letters patent, Hervey noted that he had included the arms of the "noble and valyaunt knyght ... for a p'petuall memory of his good will and benevolence towardes the said towne".
Morpeth was a borough by prescription, but received its first charter of confirmation from Charles II. The corporation it created was controlled by seven companies: the Merchant Tailors, the Tanners, the Fullers and Dyers, the Smiths, the Cordwainers, the Weavers and the Butchers. This remained the governing charter until the borough was reformed by the Municipal Corporations Act 1835. During the Second World War, RAF Morpeth, an air-gunnery training school, opened at nearby Tranwell.
The town and the county's history and culture are celebrated at the annual Northumbrian Gathering. The gathering is held over a weekend in mid-April and includes the Border Cavalcade and Pageant. The 50th gathering took place in 2017.
## Governance
Morpeth has two tiers of local government.
The lower tier is Morpeth Town Council, which has 15 members. Morpeth is a civil parish with the status of a town. For the purposes of parish elections the town is divided into three wards: North, Kirkhill and Stobhill, each returning five town councillors. Each ward also elects one County Councillor. In May 2021, the political make up of the Town Council was ten Conservatives, two Liberal Democrats, two Green and one Labour member.
The upper tier of local government is Northumberland County Council, which meets at County Hall in Morpeth. Since April 2009 the county council has been a unitary authority. Previous to this there was an intermediate tier, the non-metropolitan district of Castle Morpeth, which has been abolished along with all other districts in the county. The county council has 67 councillors, of whom three represent Morpeth, one each from the electoral wards of Morpeth Kirkhill, Morpeth North and Morpeth Stobhill. The 2017 and 2021 County Council elections both elected three Conservative councillors for the three wards.
## Climate
Cockle Park, located slightly north of Morpeth, contains a Met Office weather station, founded in 1897.
### 2008 and 2012 floods
On 6 September 2008, Morpeth suffered a severe flood, causing damage to 1,000 properties and leading 400 residents to be evacuated. The town's flood defences were breached after 12 hours, when a month's worth of rain fell on Morpeth.
In September 2012, flooding occurred again, causing damage to properties, although floodwaters were reportedly 3 feet (1 m) shallower than in 2008.
### Flood defences
Work on flood defences started in 2013 in response to the 2008 floods. New flood defences were built in the town centre and a dam with a storage reservoir was built on the Mitford Estate. A second £27m dam was completed in May 2017 to reduce flooding from the Cotting Burn and marked the completion of the Morpeth flood defence plan.
## Transport
### Road
The A1, the longest numbered road in the UK, used to pass through Morpeth until the bypass was opened in 1970. Other roads that pass though the town are: A192, A196, A197, B1337, B6343 and the B6524.
Morpeth Northern Bypass
The Morpeth Northern Bypass was a project to decrease traffic congestion in Morpeth town centre and decrease journey times from Pegswood, Ashington and Newbiggin to the A1 and beyond. The Bypass follows on from the Pegswood Bypass at Whorral Bank Roundabout and continues to the St George's Roundabout and then onto Northgate Roundabout and St Leonard's A1 Junction. The Project was completed in 2017, which has allowed increased connectivity to SE Northumberland and beyond.
### Rail
Morpeth's railway station is on the main East Coast Main Line which runs between London and Edinburgh. To the south of the station is a sharp curve which has been the scene of several train crashes. A non-passenger line operates between Morpeth and Bedlington. A former line, closed in 1966, ran west from Morpeth to Scots Gap (from where there was a branch line to Rothbury), then west to Redesmouth, and lastly south to Hexham.
### Bus
Arriva North East are the main operator of bus services in the town, with services going to nearby towns and villages such as Pegswood, Guide Post, Ashington, Bedlington or to Newcastle, Alnwick, Amble, Berwick or Widdrington.
## Education
The local state school, King Edward VI School, was originally founded as a chantry school in the early 14th century and was located in the Morpeth Chantry. The school was refounded in 1552 by royal charter as the Free Grammar School of King Edward the Sixth, being commonly referred to as the Morpeth Grammar School by locals. The school was renamed to King Edward VI Grammar School by 1947 and in the 1970s lost its grammar school status, becoming a comprehensive under the current name.
The town has two middle schools, Newminster and Chantry, which are built next door to one another. It also has several first schools: Abbeyfields First School in Kirkhill, Morpeth First School in Loansdean to the south of the town, Stobhillgate First School in the Stobhillgate housing estate, and Morpeth All Saints' Church of England-aided First School in Lancaster Park, which is located north of the town. Additionally, St. Robert's R.C. First School, a primary school for Roman Catholics, is located in Oldgate, Morpeth.
## Religious sites
### Church of England
The ancient Church of England parish church of Morpeth is St Mary's at High Church, which was the main Anglican place of worship in the area until the 1840s. The church is mostly in the 14th century style. The grave of Emily Wilding Davison lies in St Mary's graveyard.
In 1843, a public meeting was called to address the lack of attendance at the church, and it was found that the walk to the current church, then on the southern edge of the town, was too much for many of the parishioners. From this meeting, it was decided to build a new church in the town centre and accordingly, the church of St James the Great was consecrated for worship on 15 October 1846. Benjamin Ferrey designed the church in a "Neo-Norman" style, based on the 12th century Monreale Cathedral, Sicily.
A third parish church, St Aidan's, was founded as a mission church in 1957, located on the Stobhill estate on the south-east of the town.
### Roman Catholic Church
Morpeth's Roman Catholic Church, St Robert of Newminster Church, was built off Oldgate on land adjacent to Admiral Lord Collingwood's house. It was consecrated on 1 August 1850 by the Right Reverend William Hogarth, Bishop of Samosata (later Bishop of Hexham). Collingwood House is now the presbytery (residence) for the priest in charge of the Church.
### United Reformed Church
Morpeth has had a Presbyterian ministry since 1693. Their first service was held in a tannery loft in the town in February 1693 and in 1721 a chapel was built in Cottingwood Lane, which still exists as a private home. The construction of St. George's United Reformed Church began in 1858 and the first service in the new building was held on 12 April 1860. The Church stands immediately to the north of the Telford Bridge and is in the style of the early English era, containing a stained glass rose window and an octagonal spirelet.
### Methodist Church
The present Methodist Church in Howard Terrace was opened as a Primitive Methodist place of worship on 24 April 1905. Designed by J. Walton Taylor, it was built from local quarry stone. Although the Primitive Methodists were united with the Wesleyan Church to form the Methodist Church of Great Britain in 1932, a separate Wesleyan Church continued to function in Manchester Street until 1964, when the congregations were united at Howard Terrace. The former Wesleyan Church (built in 1883) is currently used as the Boys' Brigade headquarters.
## Sport
Morpeth Town A.F.C., Morpeth RFC and the Morpeth Golf Club play competitively within Morpeth. In addition, the Morpeth Harriers compete in athletics. The town also offers opportunities to play sport on a non-competitive basis through facilities such as Carlisle Park, the common for playing golf and football, and the Riverside leisure centre for swimming, indoor sports and fitness gym activities. Morpeth Town A.F.C. was the 2016 winner of the FA Vase.
The Morpeth Olympic Games, a professional event consisting mainly of athletics and wrestling, were staged from 1873 until 1958, barring interruptions during the two world wars. The Games were held on the Old Brewery Field until 1896, then at Grange House Field until the First World War. After two years at the town's cricket pitch at Stobhill (1919–20), the Olympics moved to Mount Haggs Field until 1939, and then back to Grange House Field after the war until the end of the games in 1958.
In 1730, a racecourse was built for horse racing, which was used until 1854, when the racetrack was replaced with St. George's Hospital.
The town was the start point of the Morpeth To Newcastle Road Race. It was held annually on New Year's Day from 1902 to 2004, when insurance and policing costs became prohibitively high, and winners included Commonwealth champion Jack Holden and Olympic medallist Mike McLeod.
## Landmarks
The historical layout of central Morpeth consisted of Bridge Street, Oldgate Street and Newgate Street, with burgage plots leading off them. Traces of this layout remain: Old Bakehouse Yard off Newgate Street is a former burgage plot, as is Pretoria Avenue, off Oldgate. The town stands directly on what used to be the Great North Road, the old coaching route between London and Edinburgh.
Carlisle Park is located on the southern bank of the River Wansbeck in Morpeth. The park has the William Turner Garden, one of the only four floral clocks in England, a statue of Emily Wilding Davison, as well as other facilities and attractions. Morpeth's Mafeking Park, at the bottom of Station Bank, was unsuccessfully put forward by locals to be listed as the smallest park in the world in the Guinness Book of Records.
Other landmarks are:
- Morpeth Clock Tower, a free-standing 17th century clock tower
- Morpeth Town Hall, originally designed by Sir John Vanbrugh (rebuilt 1869)
- Collingwood House, the Georgian home of Admiral Lord Collingwood
- Morpeth Chantry, a 13th-century chapel that now houses the town's tourist information centre and the Morpeth Chantry Bagpipe Museum
- Morpeth Castle, which stands on a hill to the south, is now operated by the Landmark Trust as holiday accommodation
- A nuclear bunker located underneath Morpeth County Hall
- A gateway on High Stanners framed by a whale's jawbone
- Ruins of Newminster Abbey, a former Cistercian abbey about one mile to the west of Morpeth
- Morpeth Court, former courthouse and prison, now converted into apartments
## Notable people
- Bill Rutherford (1955-), Professor and Chair in Biochemistry of Solar energy in the Department of Life sciences at Imperial College London.
- Lawrence William Adamson (1829–1911), High Sheriff of Northumberland, who died at Linden Hall near Morpeth in 1911
- James (Jim) Alder (born 1940), athlete, who spent his childhood in Morpeth after being adopted by Adler family
- Emerson Muschamp Bainbridge (1817–1892), founder of Bainbridge Department Store – the first such store in the world – in Newcastle upon Tyne, who, from 1877, lived near Morpeth at Eshott Hall
- Arthur Bigge, 1st Baron Stamfordham (1849–1931), born at Linden Hall, near Morpeth, who became private secretary to Queen Victoria and George V
- Robert Blakey (1795–1878), radical journalist and philosopher, born in Manchester Street, Morpeth
- Luke Clennell (1781–1840), engraver and painter, born in Morpeth
- Vice Admiral Cuthbert Collingwood (1748–1810), Royal Navy Admiral. He lived at Collingwood House in Oldgate and once said "Whenever I think how I am to be happy again, my thoughts carry me back to Morpeth".
- Emily Wilding Davison, a suffragette who was killed when she fell under the King's horse during the Epsom Derby in 1913. Following her funeral in London, her coffin was brought by train to Morpeth for burial in St Mary's churchyard.
- William Elliott, Baron Elliott of Morpeth (1920–2011), Conservative politician born in Morpeth
- Toby Flood (born 1985), rugby union player for Leicester Tigers and England, who attended Morpeth Chantry School
- Hamish Turnbull (born 1999), Cyclist representing British Cycling and Great Britain.
- John Cuthbert Hedley (1837–1913), Benedictine monk and Roman Catholic Bishop of Newport born at Carlisle House, Morpeth
- Charles Howard, 3rd Earl of Carlisle (1669–1738), MP for Morpeth in 1689–1692
- Robert Morrison (1782–1834), translator of the Bible into Chinese and first Protestant missionary in China, born in Buller's Green, Morpeth
- John Peacock (c. 1756–1817), piper, born in Morpeth
- John Urpeth Rastrick (1780–1856), railway engineer, born in Morpeth
- Joe Robinson (1919–1991), footballer, born in Morpeth, who played for Blackpool in the 1948 FA Cup Final
- Walter Trevelyan (1821 – 1894), first-class cricketer and barrister, born in Morpeth
- William Turner (naturalist) (c. 1508 – 13 July 1568), an English divine and reformer, physician and natural historian. The William Turner Garden is situated in Carlisle Park, Morpeth.
- Dr. N. T. Wright (born 1948), Anglican theologian and author, born in Morpeth
## See also
- Viscount Morpeth, the heir apparent to the Earl of Carlisle.
|
1172991937
|
Town in Northumberland, England
|
[
"Civil parishes in Northumberland",
"County towns in England",
"Market towns in Northumberland",
"Morpeth, Northumberland",
"Towns in Northumberland"
] |
13863187
| null |
Constitution Center (Washington, D.C.)
|
# Constitution Center (Washington, D.C.)
Constitution Center (formerly known as the David Nassif Building) is an office building located at 400 7th Street SW in Washington, D.C. It is 140 feet (43 m) high and has 10 floors. Covering an entire city block, it is the largest privately owned office building in the District of Columbia. Current tenants include the Federal Housing Finance Agency and the Office of the Comptroller of the Currency. As of February 2014, Constitution Center was worth \$725.8 million, making it the most valuable taxable property in the city.
## Original structure
In the 1950s, the U.S. Congress, then the governing institution of the District of Columbia, undertook the Southwest D.C. urban renewal project, the first in the capital district and one of the earliest such programs in the nation. In 1946, Congress passed the District of Columbia Redevelopment Act, which established the District of Columbia Redevelopment Land Agency (RLA) and provided legal authority to clear land and funds to spur redevelopment in the capital. Congress also gave the National Capital Planning Commission (NCPC) the authority to designate which land would be redeveloped, and how. The RLA was not funded, however, until passage of the Housing Act of 1949. A 1950 study by the NCPC found that the small Southwest quarter of the city suffered from high concentrations of old and poorly maintained buildings, overcrowding, and threats to public health (such as lack of running indoor water, sewage systems, electricity, central heating, and indoor toilets). Competing visions for the redevelopment ranged from renovation to wholesale leveling of neighborhoods, but the latter view prevailed as more likely to qualify for federal funding. Original plans called for the demolition of almost all structures in Southwest Washington beginning in 1950, but legal challenges led to piecemeal razing of the area until the mid-1950s.
Issues surrounding the planning and construction of L'Enfant Plaza (immediately to the west of the site) delayed construction of any buildings on the block until the late 1960s. In 1963, the RLA purchased the land from the Westminster Memorial Church, Fifth Baptist Church, and homeowners. The United States Department of Health, Education and Welfare wished to purchase the site for its new headquarters, but the RLA declined to sell the property. (The federal government does not pay taxes on land and structures it owns, and the RLA wanted a private owner who would add to the tax base.) The RLA attempted to sell the land on January 29, 1965, but there were no buyers.
The building was constructed pursuant to an agreement between the General Services Administration (GSA) and Boston developer David Nassif, Sr. In July 1965, President Lyndon B. Johnson began planning to unite various disparate transportation agencies into a new United States Department of Transportation. GSA (the property owner and manager for the U.S. federal government) began seeking to lease or build a structure to house the new agency in late 1965. Donald T. Kirwan, chief of GSA's leasing division, knew Nassif from a previous lease negotiation, and discussed with him the siting of a building and its size. Nassif approached the RLA on April 21, 1966, and asked to buy the newly razed block of land bounded by 6th, 7th, D, and E Streets SW. In May 1967, GSA sent a letter to Nassif advising him that it was likely to lease the entire structure he intended to build. The \$5.9 million land purchase was finalized on October 30, 1967. The cost of the structure is unclear. On November 15, 1967, Nassif had secured a \$39 million construction loan. But The Washington Post pegged the cost of the building at \$27 million in July 1968. The newspaper said in August 1970 that the cost of the structure was \$26.5 million. The building was designed by architect Edward Durrell Stone, who also designed the John F. Kennedy Center for the Performing Arts. On April 11, 1968, GSA leased the entire building from Nassif for 20 years for \$98 million. John A. Volpe Construction was the chief contractor.
Construction began in July 1968 (although it was delayed for a very short time when unionized ironworkers at the site went on strike) and was completed in 1969. The main entrance faced 7th Street SW. It included a central courtyard (open to the sky) which featured a fountain, footpaths, benches, and landscaping. Four 15-foot (4.6 m) high arcades pierced the building in the center of the block on each side, creating access to the courtyard. The facade's vertical marble ribs were obtained from the same quarry near Carrara, Italy, that provided the marble for the Kennedy Center. The finished building had 10 floors, three basement floors, overhanging eaves, and 2,500,000 square feet (230,000 m<sup>2</sup>) of space (1,019,000 square feet (94,700 m<sup>2</sup>) of usable space). It was the largest privately owned office building in the city at the time.
Kirwan's contacts with Nassif later became the subject of a legal investigation. Kirwan not only shared inside information with Nassif about leasing plans of the GSA, he later invested in Nassif's D.C. business and became an officer in it. This relationship (Kirwan left GSA in December 1966, before the letter indicating intention to lease was set to Nassif), and GSA's irregular leasing of the building, became public knowledge in August 1970. An internal GSA audit was critical of the leasing process and the costs of the lease.
That same month, refinancing of the building was called into question. In the U.S., it is common business practice for the initial lender to provide an interim loan (the "construction loan") to build a building. The interim loan is then paid off by a second lender, who becomes the mortgage lender and receives payments from the building's owner. Riggs Bank, a local D.C. bank, had provided the interim construction loan to Nassif. The New York City Employees Retirement System was to have paid off this construction loan. That payment was halted when the loan officer Nassif had dealt with was indicted for taking bribes to approve loans. When the pension fund refused to provide the loan, Riggs Bank sued for payment and threatened to foreclose on the Nassif Building.
From 1969 until 2007, the Nassif Building served as the headquarters of the U.S. Department of Transportation (DOT). The building was designed to have removable interior walls to permit easy reconfiguration of the interior space. In November 1970, the federal government exercised its powers of eminent domain and seized control of the three-story basement parking garage from Nasif in order to provide inexpensive parking for DOT workers. Over the years, so many government workers complained of ailments while working in the structure that some believed it suffered from sick building syndrome. David Nassif Associates, owner of the building, disputed these claims. However, when the Department of Transportation announced it would leave the building in 2000, the owners promised a \$100 million renovation that included a new air ventilation and cleaning system as an inducement for the agency to stay. The owners also unsuccessfully sued the General Services Administration in 1999 to force it to renew the federal lease on the building. The Department of Transportation completed their move out of the Nassif Building and into their new headquarters in June 2007.
The L'Enfant Plaza Metro station opened an escalator entrance in the structure's north arcade on July 1, 1977. The entrance was one of two which opened that day (Metro Blue Line's opening day). The third entrance (inside the L'Enfant Promenade underground shopping center at L'Enfant Plaza) opened in October 1977. In June 1992, Virginia Railway Express opened the \$1.1 million VRE L'Enfant Station on Virginia Avenue SE (about a half block north of Constitution Center).
## Renovation
In 2006, Nassif Associates announced a \$220 million renovation of the building and renamed it "Constitution Center". SmithGroup was the architectural firm overseeing the redesign, and Davis Construction oversaw the construction.
The renovation included some of the highest security features of any building in the D.C. area. They included a central and perimeter security system; closing of the central plaza of the building, which, along with other changes, increased its interior footage by 80,000 square feet (7,400 m<sup>2</sup>); steel-jacketed underground parking garage columns capable of withstanding a powerful explosion; six fully staffed security screening points; concrete blockades built into the façade; communication, potable water, and utilities contained in blast-proof spaces; ventilation shafts for the parking garage in a secure area; and special security procedures to obtain access to the building's critical systems. The security enhancements made the office building suitable for all federal agencies with the exception of the United States Department of Defense. The 700,000-square-foot (65,000 m<sup>2</sup>) underground parking garage contains 1,500 spaces.
Several amenities were also added to the building. These included a 10,000-square-foot (930 m<sup>2</sup>), 400-seat auditorium on the courtyard/plaza level; a six-room, 11,000 square feet (1,000 m<sup>2</sup>) conference center which can accommodate meetings of 10 to 500 people; a full-service cafeteria on the plaza level, with access to the courtyard; and a fitness center for 100 people.
The exterior of the building was also radically changed. The celebrated key visual feature of the building, its exterior vertical white marble ribbing, was completely removed after it was found to be bowed from age and weather. Although this fundamentally changed the nature of Durrell's building, there was almost no public outcry. It was replaced by an energy-efficient, all-glass facade. Perhaps the most significant renovation feature was the structure's use of a chilled beam HVAC system, which uses chilled or heated water circulated in strategically placed columns in the interior space to cool and warm the building. To test the efficiency of the chilled beam technology, the system was installed in the penthouse of the building and tested for a full year. The architect agreed to use the system after the test outperformed specifications. The installation represented the first large-scale use of the chilled beam technology in the United States. Other energy-saving enhancements included motion and daylight detectors to turn lights off when not needed, and special exterior windows which automatically dim to prevent daytime heating. The building's ventilation system was also upgraded. The renovation left the structure with 1,400,000 square feet (130,000 m<sup>2</sup>) of interior space. The final cost of the renovation was pegged at \$250 million.
Some aesthetic improvements were made as well. The building now features a 1 acre (0.40 ha) park in its open-to-the-sky central courtyard. Most of the courtyard's concrete was removed and trees, shrubs, and flowers planted to absorb rainwater. The park, which is now no longer accessible by the public, also includes a very large granite abstract art sculpture ("Legacy") by Richard Deutsch. The sculpture is meant to reflect the original facade of the building by Edward Durrell Stone as well as the memory of David Nassif, Sr. and his son, David Nassif, Jr. The L'Enfant Plaza Metro station still has an entrance under the building on D Street SW (although this entrance closed between October 2007 and July 2008 for the building's reconstruction). The renovation installed artwork by internationally-known artist Stephen Knapp near this entrance, in which strong beams of light are passed through dyed glass to splay brightly colored patterns on the ceiling. The light sculpture, titled "Transformation", symbolizes the building's renovation and rebirth.
The Constitution Center is registered with the Green Building Council for Gold LEED Certification.
The renovated Constitution Center won two awards. The Mid-Atlantic Construction construction news Web site gave the building its "Project of the Year – Renovation/Restoration" accolade in December 2010. On March 25, 2011, the Washington Building Congress bestowed its 2011 WBC Craftsmanship Award on J.E. Richards, Inc. for excellence in workmanship in installing the power generation, distribution, and switchgear at Constitution Center.
In January 2011, Constitution Center was valued at \$446 million by city tax assessors, making it the third most valuable private property in the city that year.
## Tenants
The late-2000s recession left the renovated building struggling to find tenants. It was empty for nearly two years after it was opened for occupancy in April 2009. Both the United States Department of Homeland Security and NASA explored leasing all or part of it in 2009 and 2010, but chose not to do so. In August 2010, the United States Securities and Exchange Commission (SEC) signed a letter contract for 900,000 square feet (84,000 m<sup>2</sup>) of space at Constitution Center. The SEC planned to take occupancy in September 2011. In January 2011, the Office of the Comptroller of the Currency agreed to lease 640,000 square feet (59,000 m<sup>2</sup>) of space and the Federal Housing Finance Agency signed an agreement to occupy 335,000 square feet (31,100 m<sup>2</sup>) of space. The Office of the Comptroller and the Federal Housing Finance Agency both occupied the building by March 2012.
The SEC's occupancy of the building did not occur as planned. In October 2010, the SEC informed Nassif Associates that it needed only 340,000 square feet (32,000 m<sup>2</sup>) of the 900,000 square feet (84,000 m<sup>2</sup>) it had leased. On January 20, 2011, the SEC's inspector general launched an investigation into whether the SEC leased was proper and legal. SEC chairman Mary Schapiro was strongly criticized by Republicans in the United States House of Representatives for her handling of the lease, which she had personally approved. By May, it was unclear if the SEC would occupy any space at all in the building. On May 23, the SEC inspector general requested a formal opinion by the Comptroller General of the United States as to whether the lease violated the Antideficiency Act. The inspector general said SEC "grossly overestimated the amount of space needed at SEC Headquarters for the SEC's projected expansion by more than 300 percent and used these groundless and unsupportable figures to justify the SEC committing to an expenditure of \$556.8 million over 10 years".
In early July 2011, Nassif Associates said it had agreed to release the SEC from occupying 550,000 square feet (51,000 m<sup>2</sup>) of space at Constitution Center. The company asked the SEC to reimburse it for \$45 million in build-out and other expenses incurred between August 2010 and July 2011, but the agency declined to do so. Nassif Associates said it declined to file suit against the agency, although it indicated it would continue to negotiate with the SEC and other federal agencies to seek reimbursement. At the same time, the United States Department of Justice said it was considering whether to prosecute officials at the SEC over the lease's handling and the alleged forging of documents designed to justify it.
Occupancy issues at Constitution Center were further confused by legislative action. In October 2011, the United States House Committee on Transportation and Infrastructure voted 31-to-22 to permit the Federal Trade Commission to lease 160,000 square feet (15,000 m<sup>2</sup>) of space at Constitution Center and vacate the Apex Building (which would be turned over to the National Gallery of Art). Although this legislation was not adopted by Congress, the Transportation and Infrastructure Committee in March 2012 directed the General Services Administration (GSA) to analyze space needs for the Federal Trade Commission and several other federal agencies in the District of Columbia and issue a report to the committee on how Constitution Center could meet these needs. GSA reported in June 2012 that Constitution Center held too little space to house the entire FTC, and it was too costly to do so (after accounting for moving expenses and rental prices). GSA instead proposed that the FTC lease additional space at 601 New Jersey Avenue NW and 1800 M Street NW (where it already leased space, and where additional room was available).
In April 2012, Nassif Associates said the SEC owed it rent as well. The company said the letter contract required the agency to pay \$1.3 million a month beginning November 1, 2011. As of April 30, 2012, the agency owed \$7.75 million in back rent, a company spokesperson said. The agency disputed the cost, saying the build-out of the interior was never completed. SEC officials also said the agency now needed no space at all at Constitution Center, and that the SEC was working with GSA to find other federal tenants to take over its lease. In late May, the Federal Aviation Administration said it might lease 270,000 square feet (25,000 m<sup>2</sup>) of space in the building as part of a major consolidation of six of its offices in the city.
In July 2012, GSA bowed to congressional pressure and moved 1,100 FTC workers into Constitution Center from leased locations at 601 New Jersey Avenue NW and 1800 M Street NW. The deal kept the FTC in its Apex Building headquarters. Three months later, GSA rented out the last of its space in Constitution Center by signing leases for the National Endowment for the Arts and National Endowment for the Humanities.
## 2012 sale
On April 22, 2011, David Nassif Associates announced it was putting Constitution Center up for sale, and said it hoped to find a buyer by the end of summer 2011. The company also said it hoped for a \$900 million purchase price. Real estate banking firm Eastdil Secured assisted in securing a buyer.
In June 2012, the Washington Business Journal reported that CommonWealth Partners and Nassif Associates had negotiated a purchase agreement, but were unable to reach agreement. CommonWealth Partners then withdrew from any further discussions.
A deal for the sale of Constitution Center was agreed to in December 2012. MetLife and an unidentified investor (represented by Clarion Partners LLC) each purchased a 50 percent interest in the building. The sale price was \$734 million, or \$524 per square foot (0.093 square meters). The sale price was the most expensive in D.C. history for a single building. (It was not the most paid per square foot, however. That record went to two-building Market Square at 701 and 801 Pennsylvania Avenue NW, which sold in 2011 to Wells Real Estate Investment Trust for \$905 per square foot.) When the deal closed in February 2013, David Nassif Associates announced it would wind down its operations and liquidate its remaining obligations.
City tax assessors said that Constitution Center's value rose to \$725.8 million in 2014, up from \$573.5 million in 2013 (an increase of \$152.3 million), making it the most valuable taxable property in the District of Columbia.
|
1116182011
| null |
[
"1969 establishments in Washington, D.C.",
"Buildings and structures completed in 1969",
"Landmarks in Washington, D.C.",
"Leadership in Energy and Environmental Design gold certified buildings",
"Office buildings completed in 2009",
"Skyscraper office buildings in Washington, D.C.",
"Southwest Federal Center",
"United States Department of Transportation"
] |
12383
| null |
Genetic engineering
|
# Genetic engineering
Genetic engineering, also called genetic modification or genetic manipulation, is the modification and manipulation of an organism's genes using technology. It is a set of technologies used to change the genetic makeup of cells, including the transfer of genes within and across species boundaries to produce improved or novel organisms. New DNA is obtained by either isolating and copying the genetic material of interest using recombinant DNA methods or by artificially synthesising the DNA. A construct is usually created and used to insert this DNA into the host organism. The first recombinant DNA molecule was made by Paul Berg in 1972 by combining DNA from the monkey virus SV40 with the lambda virus. As well as inserting genes, the process can be used to remove, or "knock out", genes. The new DNA can be inserted randomly, or targeted to a specific part of the genome.
An organism that is generated through genetic engineering is considered to be genetically modified (GM) and the resulting entity is a genetically modified organism (GMO). The first GMO was a bacterium generated by Herbert Boyer and Stanley Cohen in 1973. Rudolf Jaenisch created the first GM animal when he inserted foreign DNA into a mouse in 1974. The first company to focus on genetic engineering, Genentech, was founded in 1976 and started the production of human proteins. Genetically engineered human insulin was produced in 1978 and insulin-producing bacteria were commercialised in 1982. Genetically modified food has been sold since 1994, with the release of the Flavr Savr tomato. The Flavr Savr was engineered to have a longer shelf life, but most current GM crops are modified to increase resistance to insects and herbicides. GloFish, the first GMO designed as a pet, was sold in the United States in December 2003. In 2016 salmon modified with a growth hormone were sold.
Genetic engineering has been applied in numerous fields including research, medicine, industrial biotechnology and agriculture. In research, GMOs are used to study gene function and expression through loss of function, gain of function, tracking and expression experiments. By knocking out genes responsible for certain conditions it is possible to create animal model organisms of human diseases. As well as producing hormones, vaccines and other drugs, genetic engineering has the potential to cure genetic diseases through gene therapy. The same techniques that are used to produce drugs can also have industrial applications such as producing enzymes for laundry detergent, cheeses and other products.
The rise of commercialised genetically modified crops has provided economic benefit to farmers in many different countries, but has also been the source of most of the controversy surrounding the technology. This has been present since its early use; the first field trials were destroyed by anti-GM activists. Although there is a scientific consensus that currently available food derived from GM crops poses no greater risk to human health than conventional food, critics consider GM food safety a leading concern. Gene flow, impact on non-target organisms, control of the food supply and intellectual property rights have also been raised as potential issues. These concerns have led to the development of a regulatory framework, which started in 1975. It has led to an international treaty, the Cartagena Protocol on Biosafety, that was adopted in 2000. Individual countries have developed their own regulatory systems regarding GMOs, with the most marked differences occurring between the US and Europe.
## Overview
Genetic engineering is a process that alters the genetic structure of an organism by either removing or introducing DNA, or modifying existing genetic material in situ. Unlike traditional animal and plant breeding, which involves doing multiple crosses and then selecting for the organism with the desired phenotype, genetic engineering takes the gene directly from one organism and delivers it to the other. This is much faster, can be used to insert any genes from any organism (even ones from different domains) and prevents other undesirable genes from also being added.
Genetic engineering could potentially fix severe genetic disorders in humans by replacing the defective gene with a functioning one. It is an important tool in research that allows the function of specific genes to be studied. Drugs, vaccines and other products have been harvested from organisms engineered to produce them. Crops have been developed that aid food security by increasing yield, nutritional value and tolerance to environmental stresses.
The DNA can be introduced directly into the host organism or into a cell that is then fused or hybridised with the host. This relies on recombinant nucleic acid techniques to form new combinations of heritable genetic material followed by the incorporation of that material either indirectly through a vector system or directly through micro-injection, macro-injection or micro-encapsulation.
Genetic engineering does not normally include traditional breeding, in vitro fertilisation, induction of polyploidy, mutagenesis and cell fusion techniques that do not use recombinant nucleic acids or a genetically modified organism in the process. However, some broad definitions of genetic engineering include selective breeding. Cloning and stem cell research, although not considered genetic engineering, are closely related and genetic engineering can be used within them. Synthetic biology is an emerging discipline that takes genetic engineering a step further by introducing artificially synthesised material into an organism.
Plants, animals or microorganisms that have been changed through genetic engineering are termed genetically modified organisms or GMOs. If genetic material from another species is added to the host, the resulting organism is called transgenic. If genetic material from the same species or a species that can naturally breed with the host is used the resulting organism is called cisgenic. If genetic engineering is used to remove genetic material from the target organism the resulting organism is termed a knockout organism. In Europe genetic modification is synonymous with genetic engineering while within the United States of America and Canada genetic modification can also be used to refer to more conventional breeding methods.
## History
Humans have altered the genomes of species for thousands of years through selective breeding, or artificial selection as contrasted with natural selection. More recently, mutation breeding has used exposure to chemicals or radiation to produce a high frequency of random mutations, for selective breeding purposes. Genetic engineering as the direct manipulation of DNA by humans outside breeding and mutations has only existed since the 1970s. The term "genetic engineering" was first coined by Jack Williamson in his science fiction novel Dragon's Island, published in 1951 – one year before DNA's role in heredity was confirmed by Alfred Hershey and Martha Chase, and two years before James Watson and Francis Crick showed that the DNA molecule has a double-helix structure – though the general concept of direct genetic manipulation was explored in rudimentary form in Stanley G. Weinbaum's 1936 science fiction story Proteus Island.
In 1972, Paul Berg created the first recombinant DNA molecules by combining DNA from the monkey virus SV40 with that of the lambda virus. In 1973 Herbert Boyer and Stanley Cohen created the first transgenic organism by inserting antibiotic resistance genes into the plasmid of an Escherichia coli bacterium. A year later Rudolf Jaenisch created a transgenic mouse by introducing foreign DNA into its embryo, making it the world's first transgenic animal These achievements led to concerns in the scientific community about potential risks from genetic engineering, which were first discussed in depth at the Asilomar Conference in 1975. One of the main recommendations from this meeting was that government oversight of recombinant DNA research should be established until the technology was deemed safe.
In 1976 Genentech, the first genetic engineering company, was founded by Herbert Boyer and Robert Swanson and a year later the company produced a human protein (somatostatin) in E. coli. Genentech announced the production of genetically engineered human insulin in 1978. In 1980, the U.S. Supreme Court in the Diamond v. Chakrabarty case ruled that genetically altered life could be patented. The insulin produced by bacteria was approved for release by the Food and Drug Administration (FDA) in 1982.
In 1983, a biotech company, Advanced Genetic Sciences (AGS) applied for U.S. government authorisation to perform field tests with the ice-minus strain of Pseudomonas syringae to protect crops from frost, but environmental groups and protestors delayed the field tests for four years with legal challenges. In 1987, the ice-minus strain of P. syringae became the first genetically modified organism (GMO) to be released into the environment when a strawberry field and a potato field in California were sprayed with it. Both test fields were attacked by activist groups the night before the tests occurred: "The world's first trial site attracted the world's first field trasher".
The first field trials of genetically engineered plants occurred in France and the US in 1986, tobacco plants were engineered to be resistant to herbicides. The People's Republic of China was the first country to commercialise transgenic plants, introducing a virus-resistant tobacco in 1992. In 1994 Calgene attained approval to commercially release the first genetically modified food, the Flavr Savr, a tomato engineered to have a longer shelf life. In 1994, the European Union approved tobacco engineered to be resistant to the herbicide bromoxynil, making it the first genetically engineered crop commercialised in Europe. In 1995, Bt potato was approved safe by the Environmental Protection Agency, after having been approved by the FDA, making it the first pesticide producing crop to be approved in the US. In 2009 11 transgenic crops were grown commercially in 25 countries, the largest of which by area grown were the US, Brazil, Argentina, India, Canada, China, Paraguay and South Africa.
In 2010, scientists at the J. Craig Venter Institute created the first synthetic genome and inserted it into an empty bacterial cell. The resulting bacterium, named Mycoplasma laboratorium, could replicate and produce proteins. Four years later this was taken a step further when a bacterium was developed that replicated a plasmid containing a unique base pair, creating the first organism engineered to use an expanded genetic alphabet. In 2012, Jennifer Doudna and Emmanuelle Charpentier collaborated to develop the CRISPR/Cas9 system, a technique which can be used to easily and specifically alter the genome of almost any organism.
## Process
Creating a GMO is a multi-step process. Genetic engineers must first choose what gene they wish to insert into the organism. This is driven by what the aim is for the resultant organism and is built on earlier research. Genetic screens can be carried out to determine potential genes and further tests then used to identify the best candidates. The development of microarrays, transcriptomics and genome sequencing has made it much easier to find suitable genes. Luck also plays its part; the Roundup Ready gene was discovered after scientists noticed a bacterium thriving in the presence of the herbicide.
### Gene isolation and cloning
The next step is to isolate the candidate gene. The cell containing the gene is opened and the DNA is purified. The gene is separated by using restriction enzymes to cut the DNA into fragments or polymerase chain reaction (PCR) to amplify up the gene segment. These segments can then be extracted through gel electrophoresis. If the chosen gene or the donor organism's genome has been well studied it may already be accessible from a genetic library. If the DNA sequence is known, but no copies of the gene are available, it can also be artificially synthesised. Once isolated the gene is ligated into a plasmid that is then inserted into a bacterium. The plasmid is replicated when the bacteria divide, ensuring unlimited copies of the gene are available. The RK2 plasmid is notable for its ability to replicate in a wide variety of single-celled organisms, which makes it suitable as a genetic engineering tool.
Before the gene is inserted into the target organism it must be combined with other genetic elements. These include a promoter and terminator region, which initiate and end transcription. A selectable marker gene is added, which in most cases confers antibiotic resistance, so researchers can easily determine which cells have been successfully transformed. The gene can also be modified at this stage for better expression or effectiveness. These manipulations are carried out using recombinant DNA techniques, such as restriction digests, ligations and molecular cloning.
### Inserting DNA into the host genome
There are a number of techniques used to insert genetic material into the host genome. Some bacteria can naturally take up foreign DNA. This ability can be induced in other bacteria via stress (e.g. thermal or electric shock), which increases the cell membrane's permeability to DNA; up-taken DNA can either integrate with the genome or exist as extrachromosomal DNA. DNA is generally inserted into animal cells using microinjection, where it can be injected through the cell's nuclear envelope directly into the nucleus, or through the use of viral vectors.
Plant genomes can be engineered by physical methods or by use of Agrobacterium for the delivery of sequences hosted in T-DNA binary vectors. In plants the DNA is often inserted using Agrobacterium-mediated transformation, taking advantage of the Agrobacteriums T-DNA sequence that allows natural insertion of genetic material into plant cells. Other methods include biolistics, where particles of gold or tungsten are coated with DNA and then shot into young plant cells, and electroporation, which involves using an electric shock to make the cell membrane permeable to plasmid DNA.
As only a single cell is transformed with genetic material, the organism must be regenerated from that single cell. In plants this is accomplished through the use of tissue culture. In animals it is necessary to ensure that the inserted DNA is present in the embryonic stem cells. Bacteria consist of a single cell and reproduce clonally so regeneration is not necessary. Selectable markers are used to easily differentiate transformed from untransformed cells. These markers are usually present in the transgenic organism, although a number of strategies have been developed that can remove the selectable marker from the mature transgenic plant.
Further testing using PCR, Southern hybridization, and DNA sequencing is conducted to confirm that an organism contains the new gene. These tests can also confirm the chromosomal location and copy number of the inserted gene. The presence of the gene does not guarantee it will be expressed at appropriate levels in the target tissue so methods that look for and measure the gene products (RNA and protein) are also used. These include northern hybridisation, quantitative RT-PCR, Western blot, immunofluorescence, ELISA and phenotypic analysis.
The new genetic material can be inserted randomly within the host genome or targeted to a specific location. The technique of gene targeting uses homologous recombination to make desired changes to a specific endogenous gene. This tends to occur at a relatively low frequency in plants and animals and generally requires the use of selectable markers. The frequency of gene targeting can be greatly enhanced through genome editing. Genome editing uses artificially engineered nucleases that create specific double-stranded breaks at desired locations in the genome, and use the cell's endogenous mechanisms to repair the induced break by the natural processes of homologous recombination and nonhomologous end-joining. There are four families of engineered nucleases: meganucleases, zinc finger nucleases, transcription activator-like effector nucleases (TALENs), and the Cas9-guideRNA system (adapted from CRISPR). TALEN and CRISPR are the two most commonly used and each has its own advantages. TALENs have greater target specificity, while CRISPR is easier to design and more efficient. In addition to enhancing gene targeting, engineered nucleases can be used to introduce mutations at endogenous genes that generate a gene knockout.
## Applications
Genetic engineering has applications in medicine, research, industry and agriculture and can be used on a wide range of plants, animals and microorganisms. Bacteria, the first organisms to be genetically modified, can have plasmid DNA inserted containing new genes that code for medicines or enzymes that process food and other substrates. Plants have been modified for insect protection, herbicide resistance, virus resistance, enhanced nutrition, tolerance to environmental pressures and the production of edible vaccines. Most commercialised GMOs are insect resistant or herbicide tolerant crop plants. Genetically modified animals have been used for research, model animals and the production of agricultural or pharmaceutical products. The genetically modified animals include animals with genes knocked out, increased susceptibility to disease, hormones for extra growth and the ability to express proteins in their milk.
### Medicine
Genetic engineering has many applications to medicine that include the manufacturing of drugs, creation of model animals that mimic human conditions and gene therapy. One of the earliest uses of genetic engineering was to mass-produce human insulin in bacteria. This application has now been applied to human growth hormones, follicle stimulating hormones (for treating infertility), human albumin, monoclonal antibodies, antihemophilic factors, vaccines and many other drugs. Mouse hybridomas, cells fused together to create monoclonal antibodies, have been adapted through genetic engineering to create human monoclonal antibodies. Genetically engineered viruses are being developed that can still confer immunity, but lack the infectious sequences.
Genetic engineering is also used to create animal models of human diseases. Genetically modified mice are the most common genetically engineered animal model. They have been used to study and model cancer (the oncomouse), obesity, heart disease, diabetes, arthritis, substance abuse, anxiety, aging and Parkinson disease. Potential cures can be tested against these mouse models.
Gene therapy is the genetic engineering of humans, generally by replacing defective genes with effective ones. Clinical research using somatic gene therapy has been conducted with several diseases, including X-linked SCID, chronic lymphocytic leukemia (CLL), and Parkinson's disease. In 2012, Alipogene tiparvovec became the first gene therapy treatment to be approved for clinical use. In 2015 a virus was used to insert a healthy gene into the skin cells of a boy suffering from a rare skin disease, epidermolysis bullosa, in order to grow, and then graft healthy skin onto 80 percent of the boy's body which was affected by the illness.
Germline gene therapy would result in any change being inheritable, which has raised concerns within the scientific community. In 2015, CRISPR was used to edit the DNA of non-viable human embryos, leading scientists of major world academies to call for a moratorium on inheritable human genome edits. There are also concerns that the technology could be used not just for treatment, but for enhancement, modification or alteration of a human beings' appearance, adaptability, intelligence, character or behavior. The distinction between cure and enhancement can also be difficult to establish. In November 2018, He Jiankui announced that he had edited the genomes of two human embryos, to attempt to disable the CCR5 gene, which codes for a receptor that HIV uses to enter cells. The work was widely condemned as unethical, dangerous, and premature. Currently, germline modification is banned in 40 countries. Scientists that do this type of research will often let embryos grow for a few days without allowing it to develop into a baby.
Researchers are altering the genome of pigs to induce the growth of human organs, with the aim of increasing the success of pig to human organ transplantation. Scientists are creating "gene drives", changing the genomes of mosquitoes to make them immune to malaria, and then looking to spread the genetically altered mosquitoes throughout the mosquito population in the hopes of eliminating the disease.
### Research
Genetic engineering is an important tool for natural scientists, with the creation of transgenic organisms one of the most important tools for analysis of gene function. Genes and other genetic information from a wide range of organisms can be inserted into bacteria for storage and modification, creating genetically modified bacteria in the process. Bacteria are cheap, easy to grow, clonal, multiply quickly, relatively easy to transform and can be stored at -80 °C almost indefinitely. Once a gene is isolated it can be stored inside the bacteria providing an unlimited supply for research.
Organisms are genetically engineered to discover the functions of certain genes. This could be the effect on the phenotype of the organism, where the gene is expressed or what other genes it interacts with. These experiments generally involve loss of function, gain of function, tracking and expression.
- Loss of function experiments, such as in a gene knockout experiment, in which an organism is engineered to lack the activity of one or more genes. In a simple knockout a copy of the desired gene has been altered to make it non-functional. Embryonic stem cells incorporate the altered gene, which replaces the already present functional copy. These stem cells are injected into blastocysts, which are implanted into surrogate mothers. This allows the experimenter to analyse the defects caused by this mutation and thereby determine the role of particular genes. It is used especially frequently in developmental biology. When this is done by creating a library of genes with point mutations at every position in the area of interest, or even every position in the whole gene, this is called "scanning mutagenesis". The simplest method, and the first to be used, is "alanine scanning", where every position in turn is mutated to the unreactive amino acid alanine.
- Gain of function experiments, the logical counterpart of knockouts. These are sometimes performed in conjunction with knockout experiments to more finely establish the function of the desired gene. The process is much the same as that in knockout engineering, except that the construct is designed to increase the function of the gene, usually by providing extra copies of the gene or inducing synthesis of the protein more frequently. Gain of function is used to tell whether or not a protein is sufficient for a function, but does not always mean it is required, especially when dealing with genetic or functional redundancy.
- Tracking experiments, which seek to gain information about the localisation and interaction of the desired protein. One way to do this is to replace the wild-type gene with a 'fusion' gene, which is a juxtaposition of the wild-type gene with a reporting element such as green fluorescent protein (GFP) that will allow easy visualisation of the products of the genetic modification. While this is a useful technique, the manipulation can destroy the function of the gene, creating secondary effects and possibly calling into question the results of the experiment. More sophisticated techniques are now in development that can track protein products without mitigating their function, such as the addition of small sequences that will serve as binding motifs to monoclonal antibodies.
- Expression studies aim to discover where and when specific proteins are produced. In these experiments, the DNA sequence before the DNA that codes for a protein, known as a gene's promoter, is reintroduced into an organism with the protein coding region replaced by a reporter gene such as GFP or an enzyme that catalyses the production of a dye. Thus the time and place where a particular protein is produced can be observed. Expression studies can be taken a step further by altering the promoter to find which pieces are crucial for the proper expression of the gene and are actually bound by transcription factor proteins; this process is known as promoter bashing.
### Industrial
Organisms can have their cells transformed with a gene coding for a useful protein, such as an enzyme, so that they will overexpress the desired protein. Mass quantities of the protein can then be manufactured by growing the transformed organism in bioreactor equipment using industrial fermentation, and then purifying the protein. Some genes do not work well in bacteria, so yeast, insect cells or mammalian cells can also be used. These techniques are used to produce medicines such as insulin, human growth hormone, and vaccines, supplements such as tryptophan, aid in the production of food (chymosin in cheese making) and fuels. Other applications with genetically engineered bacteria could involve making them perform tasks outside their natural cycle, such as making biofuels, cleaning up oil spills, carbon and other toxic waste and detecting arsenic in drinking water. Certain genetically modified microbes can also be used in biomining and bioremediation, due to their ability to extract heavy metals from their environment and incorporate them into compounds that are more easily recoverable.
In materials science, a genetically modified virus has been used in a research laboratory as a scaffold for assembling a more environmentally friendly lithium-ion battery. Bacteria have also been engineered to function as sensors by expressing a fluorescent protein under certain environmental conditions.
### Agriculture
One of the best-known and controversial applications of genetic engineering is the creation and use of genetically modified crops or genetically modified livestock to produce genetically modified food. Crops have been developed to increase production, increase tolerance to abiotic stresses, alter the composition of the food, or to produce novel products.
The first crops to be released commercially on a large scale provided protection from insect pests or tolerance to herbicides. Fungal and virus resistant crops have also been developed or are in development. This makes the insect and weed management of crops easier and can indirectly increase crop yield. GM crops that directly improve yield by accelerating growth or making the plant more hardy (by improving salt, cold or drought tolerance) are also under development. In 2016 Salmon have been genetically modified with growth hormones to reach normal adult size much faster.
GMOs have been developed that modify the quality of produce by increasing the nutritional value or providing more industrially useful qualities or quantities. The Amflora potato produces a more industrially useful blend of starches. Soybeans and canola have been genetically modified to produce more healthy oils. The first commercialised GM food was a tomato that had delayed ripening, increasing its shelf life.
Plants and animals have been engineered to produce materials they do not normally make. Pharming uses crops and animals as bioreactors to produce vaccines, drug intermediates, or the drugs themselves; the useful product is purified from the harvest and then used in the standard pharmaceutical production process. Cows and goats have been engineered to express drugs and other proteins in their milk, and in 2009 the FDA approved a drug produced in goat milk.
### Other applications
Genetic engineering has potential applications in conservation and natural area management. Gene transfer through viral vectors has been proposed as a means of controlling invasive species as well as vaccinating threatened fauna from disease. Transgenic trees have been suggested as a way to confer resistance to pathogens in wild populations. With the increasing risks of maladaptation in organisms as a result of climate change and other perturbations, facilitated adaptation through gene tweaking could be one solution to reducing extinction risks. Applications of genetic engineering in conservation are thus far mostly theoretical and have yet to be put into practice.
Genetic engineering is also being used to create microbial art. Some bacteria have been genetically engineered to create black and white photographs. Novelty items such as lavender-colored carnations, blue roses, and glowing fish have also been produced through genetic engineering.
## Regulation
The regulation of genetic engineering concerns the approaches taken by governments to assess and manage the risks associated with the development and release of GMOs. The development of a regulatory framework began in 1975, at Asilomar, California. The Asilomar meeting recommended a set of voluntary guidelines regarding the use of recombinant technology. As the technology improved the US established a committee at the Office of Science and Technology, which assigned regulatory approval of GM food to the USDA, FDA and EPA. The Cartagena Protocol on Biosafety, an international treaty that governs the transfer, handling, and use of GMOs, was adopted on 29 January 2000. One hundred and fifty-seven countries are members of the Protocol, and many use it as a reference point for their own regulations.
The legal and regulatory status of GM foods varies by country, with some nations banning or restricting them, and others permitting them with widely differing degrees of regulation. Some countries allow the import of GM food with authorisation, but either do not allow its cultivation (Russia, Norway, Israel) or have provisions for cultivation even though no GM products are yet produced (Japan, South Korea). Most countries that do not allow GMO cultivation do permit research. Some of the most marked differences occur between the US and Europe. The US policy focuses on the product (not the process), only looks at verifiable scientific risks and uses the concept of substantial equivalence. The European Union by contrast has possibly the most stringent GMO regulations in the world. All GMOs, along with irradiated food, are considered "new food" and subject to extensive, case-by-case, science-based food evaluation by the European Food Safety Authority. The criteria for authorisation fall in four broad categories: "safety", "freedom of choice", "labelling", and "traceability". The level of regulation in other countries that cultivate GMOs lie in between Europe and the United States.
One of the key issues concerning regulators is whether GM products should be labeled. The European Commission says that mandatory labeling and traceability are needed to allow for informed choice, avoid potential false advertising and facilitate the withdrawal of products if adverse effects on health or the environment are discovered. The American Medical Association and the American Association for the Advancement of Science say that absent scientific evidence of harm even voluntary labeling is misleading and will falsely alarm consumers. Labeling of GMO products in the marketplace is required in 64 countries. Labeling can be mandatory up to a threshold GM content level (which varies between countries) or voluntary. In Canada and the US labeling of GM food is voluntary, while in Europe all food (including processed food) or feed which contains greater than 0.9% of approved GMOs must be labelled.
## Controversy
Critics have objected to the use of genetic engineering on several grounds, including ethical, ecological and economic concerns. Many of these concerns involve GM crops and whether food produced from them is safe and what impact growing them will have on the environment. These controversies have led to litigation, international trade disputes, and protests, and to restrictive regulation of commercial products in some countries.
Accusations that scientists are "playing God" and other religious issues have been ascribed to the technology from the beginning. Other ethical issues raised include the patenting of life, the use of intellectual property rights, the level of labeling on products, control of the food supply and the objectivity of the regulatory process. Although doubts have been raised, economically most studies have found growing GM crops to be beneficial to farmers.
Gene flow between GM crops and compatible plants, along with increased use of selective herbicides, can increase the risk of "superweeds" developing. Other environmental concerns involve potential impacts on non-target organisms, including soil microbes, and an increase in secondary and resistant insect pests. Many of the environmental impacts regarding GM crops may take many years to be understood and are also evident in conventional agriculture practices. With the commercialisation of genetically modified fish there are concerns over what the environmental consequences will be if they escape.
There are three main concerns over the safety of genetically modified food: whether they may provoke an allergic reaction; whether the genes could transfer from the food into human cells; and whether the genes not approved for human consumption could outcross to other crops. There is a scientific consensus that currently available food derived from GM crops poses no greater risk to human health than conventional food, but that each GM food needs to be tested on a case-by-case basis before introduction. Nonetheless, members of the public are less likely than scientists to perceive GM foods as safe.
## In popular culture
Genetic engineering features in many science fiction stories. Frank Herbert's novel The White Plague describes the deliberate use of genetic engineering to create a pathogen which specifically kills women. Another of Herbert's creations, the Dune series of novels, uses genetic engineering to create the powerful Tleilaxu. Few films have informed audiences about genetic engineering, with the exception of the 1978 The Boys from Brazil and the 1993 Jurassic Park, both of which make use of a lesson, a demonstration, and a clip of scientific film. Genetic engineering methods are weakly represented in film; Michael Clark, writing for the Wellcome Trust, calls the portrayal of genetic engineering and biotechnology "seriously distorted" in films such as The 6th Day. In Clark's view, the biotechnology is typically "given fantastic but visually arresting forms" while the science is either relegated to the background or fictionalised to suit a young audience.
In the 2007 video game, BioShock, genetic engineering plays an important role in the central storyline and universe. The game takes place in the fictional underwater dystopia Rapture, in which its inhabitants possess genetic superhuman abilities after injecting themselves with “plasmids”, a serum which grants such powers. Also in the city of Rapture are “Little Sisters”, little girls who are generically engineered, as well as a side-plot in which a cabaret singer sells her foetus to genetic scientists who implant false memories into the newborn and genetically engineer it to grow into an adult.
## See also
- Biological engineering
- Modifications (genetics)
- RNA editing#Therapeutic mRNA Editing
- Mutagenesis (molecular biology technique)
|
1173458190
|
Manipulation of an organism's genome
|
[
"1950s neologisms",
"1972 introductions",
"Biological engineering",
"Biotechnology",
"Emerging technologies",
"Engineering disciplines",
"Genetic engineering",
"Molecular biology",
"Molecular genetics"
] |
157470
| null |
Mia Hamm
|
# Mia Hamm
Mariel Margaret Hamm (born March 17, 1972) is an American former professional soccer player, two-time Olympic gold medalist and two-time FIFA Women's World Cup champion. Hailed as a football icon, she played as a forward for the United States national team from 1987 to 2004. Hamm was the face of the Women's United Soccer Association (WUSA), the first professional women's soccer league in the United States, where she played for the Washington Freedom from 2001 to 2003. She played college soccer for the North Carolina Tar Heels and helped the team win four NCAA Division I Women's Soccer Championship titles.
Hamm competed in four FIFA Women's World Cups: the inaugural 1991 tournament in China, 1995 in Sweden, 1999 and 2003 in the United States. She led the team at three Olympic Games — 1996 in Atlanta (the first time women's soccer was played), 2000 in Sydney, and 2004 in Athens. At these seven international tournaments she played in 42 matches and scored 14 goals.
Hamm held the record for most international goals scored until 2013 and remains in third place as of 2023. She ranks third in the history of the U.S. team for international caps (276) and first for career assists (144). Hamm was named FIFA World Player of the Year in 2001 and 2002. She was chosen by Pelé as one of FIFA's 125 greatest living players in the FIFA 100, to celebrate the organization's 100th anniversary. Hamm was named U.S. Soccer Female Athlete of the Year five years in a row, and won three ESPY awards including Soccer Player of the Year and Female Athlete of the Year. The Women's Sports Foundation named her Sportswoman of the Year in 1997 and 1999. She was inducted into the National Soccer Hall of Fame, Alabama Sports Hall of Fame, Texas Sports Hall of Fame, North Carolina Soccer Hall of Fame, and was the first woman inducted into the World Football Hall of Fame.
A co-owner of Los Angeles FC, Hamm is also a global ambassador for FC Barcelona and is on the board of directors of Serie A club A.S. Roma. Author of Go For the Goal: A Champion's Guide to Winning in Soccer and Life, Hamm has been featured in several films and television shows, including the HBO documentary, Dare to Dream: The Story of the U.S. Women's Soccer Team.
## Early life
Born in Selma, Alabama, Hamm was the fourth of six children of Bill and Stephanie Hamm. She wore corrective shoes as a toddler after being born with a club foot. Hamm spent her childhood on various United States Air Force bases around the world with her family. While living in Florence, Italy, Hamm first played soccer, which was hugely popular there; her entire family quickly became involved in the sport. At age five, then living in Wichita Falls, Texas, Hamm joined her first soccer team. Her father coached Mia and her newly adopted brother, 8-year-old Garrett.
Hamm played sports from a young age and excelled as a football player on the boys' team at junior high school. As a high school freshman and sophomore, she played soccer for Notre Dame Catholic High School in Wichita Falls. She played at the 1987 U.S. Olympic Festival, the youngest player to play for the United States women's national soccer team. As a new player, she often started as a forward but did not score a goal during her first year on the team. Hamm spent a year at Lake Braddock Secondary School in Burke, Virginia, and helped the Lake Braddock soccer team win the 1989 state championships.
## Club career
### North Carolina Tar Heels, 1989–1993
From 1989 to 1993, Hamm attended the University of North Carolina at Chapel Hill, where she helped the Tar Heels win four NCAA Division I Women's Soccer Championships in five years. She red-shirted the 1991 season to focus on preparation for the inaugural 1991 FIFA Women's World Cup in China. North Carolina lost one game of the 95 she played on the team. She earned All-American honors, was named the Atlantic Coast Conference (ACC) Player of the Year for three consecutive years, and was named ACC Female Athlete of the Year in 1993 and 1994. She graduated from North Carolina in 1994 with the ACC records for goals (103), assists (72), and total points (278). In 2003, she and Michael Jordan were named the ACC's Greatest Athletes of the conference's first fifty years.
Hamm was a member of the United States women's national college team that won a silver medal, being defeated by China in the final, at the 1993 Summer Universiade in Buffalo, New York.
### Washington Freedom, 2001–2003
In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001 to 2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.
During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1–0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a record.
Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1–0, the team was defeated 3–2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.
During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2–1 in overtime to win the Founders Cup on August 24, 2003.
### Retirement
On May 14, 2004, Hamm announced her retirement effective after the 2004 Athens Olympics. Following the 2004 Olympics, Hamm and her teammates played in a 10-game farewell tour in the United States. The final match of the tour against Mexico at the Home Depot Center in Carson, California, on December 8, 2004, marked the final international match for Hamm, Julie Foudy, and Joy Fawcett. The U.S. defeated Mexico 5–0 and Hamm assisted on two of the goals.
Hamm retired at age 32 with a record 158 international goals. She and teammates Foudy and Fawcett were honored with a pre-game ceremony where they were presented with framed jerseys and roses in front of 15,549 fans at Home Depot Center in Carson, California. During the 5–0 win against Mexico, Hamm provided the assist on the first two goals. Following her retirement, Hamm's \#9 jersey was inherited by midfielder Heather O'Reilly.
## International career
### Women's national team, 1987–2004
Hamm made her debut for the United States women's national soccer team in 1987 at the age of 15 — just two years after the team played its first international match. She was the youngest person ever to play for the team. She scored her first goal during her 17th appearance. She competed in four FIFA Women's World Cup tournaments: the inaugural 1991 in China, 1995 in Sweden, 1999 and 2003 in the United States. She led the team at three Olympic Games, including: 1996 in Atlanta (the first time women's soccer was played), 2000 in Sydney, and 2004 in Athens. In total, she played 42 matches and scored 14 goals in international tournaments.
Hamm held the record for most international goals scored—by a woman or man—until 2013 and remains in third place as of 2017. She ranks third in the history of the U.S. national team for international caps (276) and first for career assists (144).
### 1991 FIFA Women's World Cup
In 1991, Hamm was named to the roster for the inaugural FIFA Women's World Cup in China under North Carolina coach Anson Dorrance. At 19 years old, she was still the youngest player on the team. During the team's first match of the tournament, Hamm scored the game-winning goal in the 62nd minute, leading the U.S. to a 3–2 win over Sweden. She also scored once in their second group stage match when they defeated Brazil 5–0. The U.S. squad finished first in Group B after a third win against Japan on November 21 and advanced to the knockout stage of the tournament. During the quarterfinal match, the U. S. defeated Chinese Taipei 7–0. After defeating Germany 5–2 during the semi-final, the U.S. faced Norway in the final. In front of 63,000 spectators, the U.S. clinched the first World Cup championship title after a 2–1 win.
### 1995 FIFA Women's World Cup
Hamm's second World Cup appearance came during the 1995 tournament in Sweden. The United States were led by head coach Tony DiCicco. During the team's first match of the tournament, she scored the team's third goal in the 51st minute in a 3–3 draw against China PR. The U.S. faced Denmark during its second group stage match. Goals from Kristine Lilly and Tiffeny Milbrett led to a 2–0 win for the U.S. Hamm played goalkeeper for a few minutes after Briana Scurry received a red card and was removed from the match. After defeating Australia 4–1 on June, 10, the U.S. advanced to the knock-out stage and defeated Japan 4–0 in the quarter-final. The U.S. was defeated by eventual champion Norway 1–0 in the semi-finals and captured third place after defeating China PR 2–0 on June 17. Hamm scored the second U.S. goal of the match in the 55th minute.
### 1996–1998: Atlanta Olympics and 100th international goal
Hamm was a key part of the U.S. team at the 1996 Summer Olympic Games in Atlanta; this was the first Olympic tournament to include women's soccer. The U.S. faced Denmark in their first preliminary round match. Hamm scored a goal and served an assist to Tiffeny Milbrett to lead the U.S. to a 3–0 win. The team defeated Sweden 2–1 next at the Orlando Citrus Bowl. After tying China 0–0 in their final preliminary round match, the U.S. finished second in Group E. Defeating Norway in the semi-finals, the team faced China in the final. Hamm played despite having foot and groin injuries, suffered during team training and the match against Sweden. Although she was carried off by stretcher in the final minute, her team won their first Olympic gold medal with a 2–1 win witnessed by 76,481 fans in the stadium – the largest crowd for a soccer event in the history of the Olympics and the largest crowd for a women's sports event in the United States.
The 20 goals scored by Hamm in 1998 were the highest annual total of her international career. She also provided 20 assists. On September 18, she scored her 100th international goal in a friendly match against Russia in Rochester, New York. The same year, she led the U.S. to the first-ever Goodwill Games gold medal. Hamm scored five of the team's seven goals at the tournament, including two during the championship match against China.
### 1999: 108th International goal and FIFA Women's World Cup
On May 22, 1999, Hamm broke the all-time international goal record with her 108th goal in a game against Brazil in Orlando, Florida. The following month, she led the national team at the 1999 FIFA Women's World Cup, hosted by the United States. During the team's first group stage match against Denmark, she scored her 110th international goal and served an assist to Julie Foudy as the U.S. won 3–0. Against Nigeria, Hamm's low free kick was knocked into the goal by a Nigerian midfielder. Within a minute, Hamm scored with a free kick. She later served an assist to Kristine Lilly before being substituted in the 57th minute. The U.S. won 7–1 and secured a berth in the quarter-finals. During the team's final group stage match, head coach Tony DiCicco rested a number of players, including Hamm, who was substituted at half-time. The U.S. defeated Korea 3–0 and finished Group A with nine points. In the quarter-finals, the U.S. defeated Germany 3–2. Playing Brazil in the semi-finals, Hamm was knocked down in the penalty area late in the second half; Michelle Akers converted the subsequent penalty and their team won 2–0.
After 90 minutes of scoreless regulation time and 30 minutes of sudden death, the 1999 FIFA Women's World Cup Final was decided by a penalty shootout between the U.S. and China. The five American players to take penalty kicks, including Hamm, converted; China missed one attempt so that the home team won. The final surpassed the 1996 Atlanta Olympic final as the most-attended women's sports event, with more than 90,000 people filling the Rose Bowl in Pasadena, California. It held the record until 2014 for the largest U.S. television audience for a soccer match with 17,975,000 viewers. As of July 2015, it ranks third following the 2015 FIFA Women's World Cup (25,400,000 viewers) and 2014 FIFA World Cup group stage match between the U.S. men's team and Portugal (18,220,000 viewers).
Immediately following the final, Hamm collapsed in the locker room from severe dehydration. She was treated by medical staff with an intravenous drip and three liters of fluids. After 12 hours of sleep, she joined the team for magazine cover shoots, went to Disneyland for a celebration rally, and made numerous television appearances. A week later, the team met President Clinton at the White House and flew with Hillary and Chelsea Clinton on Air Force One to Cape Canaveral. Her leadership and performance at the 1999 World Cup cemented Hamm as a soccer icon.
### 2000 Sydney Olympics
Hamm represented the United States at the 2000 Summer Olympics in Sydney, Australia. During the group stage, she scored a goal against Norway to lift the United States to a 2–0 win. The team tied China 1–1 in their next group stage match before defeating Nigeria 3–1 to finish first in their group. After advancing to the semi-finals where the U.S. faced Brazil, Hamm scored the game-winning goal in the 60th minute. The goal marked the 127th of her international career and set a new record for most goals scored in international play by a woman or man. The U.S. faced Norway in the final and were defeated 3–2 in overtime to earn the silver medal at the Games.
### 2003 FIFA Women's World Cup
Originally scheduled for China, the 2003 FIFA Women's World Cup was moved to the United States due to the SARS outbreak. Hamm was named to the U.S. roster in August, and stated that it would be her final World Cup appearance. During the team's first group stage match, Hamm's three assists helped the U.S. to a 3–1 win over Sweden. She scored twice against Nigeria and served the assist for the team's third goal to lead the U.S. to a 5–0 win and qualification for the quarter-finals with one match to play. The U.S. faced North Korea in their final group stage match and dominated 3–0. Hamm and a number of others were rested for the game by head coach April Heinrichs; this was the first World Cup match Hamm had missed in her career. The U.S. faced Norway in the quarter-finals; Although the U.S. won 1–0, Hamm was fouled throughout the match as Norway played with physicality to counter the U.S. team. One of Norway's 24 fouls resulted in a penalty kick for Hamm which was saved by the Norwegian goalkeeper. After the U.S. was defeated 3–0 by Germany in the semi-finals, the team defeated Canada 3–1 to secure a third-place finish.
### 2004: 158th international goal and Athens Olympics
During a friendly game against Australia on July 21, 2004, Hamm scored her 158th international goal setting the record for most international goals scored by any player in the world, male or female. She held the world record until Abby Wambach scored her 159th goal on June 20, 2013. The Australia match also marked Hamm's 259th international appearance; only two of her teammates, Kristine Lilly and Christie Rampone, have played in more international games.
Hamm helped lead the U.S. national team to its second gold medal at the 2004 Summer Olympics in Athens and was selected by her fellow Olympians to carry the American flag at the closing ceremony. During the team's first group stage match against Greece, Hamm served the cross to Shannon Boxx's game-opening goal, and scored the last goal of the match to lift the U.S. to a 3–0 win. During a 2–0 win over Brazil in the second group stage match, Hamm converted a penalty kick for the opening goal. The U.S. finished at the top of Group C with seven points after a 1–1 draw against Australia to advance to the quarter-finals, where they defeated Japan 2–1. During the semi-final match against Germany, Hamm served an assist to Heather O'Reilly who scored in overtime to secure a 2–1 win. The U.S. faced Brazil for a second time at the Games in the gold medal match and won 2–1 in overtime. Her teammates swarmed Hamm after the final whistle to celebrate their second Olympic gold medal and her final win at the Olympics. The game marked the last Olympic appearance for the five remaining players who had helped win the inaugural 1991 FIFA Women's World Cup: Hamm, Julie Foudy, Joy Fawcett, Brandi Chastain, and Kristine Lilly (often referred to as the Fab Five).
## Style of play
Regarded as one of the greatest woman soccer players of all time, Hamm was an athletic, dynamic, and technically gifted striker, renowned for her speed, skill, footwork, stamina, and ability on the ball, as well as her consistency. An excellent, agile dribbler, she was highly regarded for her control, as well as her grace, pace, and elegance in possession. A prolific goalscorer, she was known for her powerful and accurate striking ability, although she was also a creative and hard-working forward, and a team player, who was equally capable of assisting many goals for her teammates, due to her accurate passing, and was also willing to aid her teammates defensively when possession was lost. She was capable of playing in any offensive position.
## Personal life
Hamm was first married to her college sweetheart Christiaan Corry, a United States Marine Corps helicopter pilot; they divorced in 2001 after being married six years. She married then-Boston Red Sox shortstop Nomar Garciaparra on November 22, 2003, in Goleta, California, in a ceremony attended by a few hundred guests. On March 27, 2007, Hamm gave birth to twin girls, Grace Isabella and Ava Caroline. Though born five weeks early, each girl weighed over 5 pounds (2.3 kg) at birth. The couple had a son, named Garrett Anthony, in January 2012.
### Philanthropy
In 1999, Hamm founded the Mia Hamm Foundation following the death of her adopted brother Garrett in 1997 from complications of aplastic anemia, a rare blood disease he had endured for ten years. Dedicated to promoting awareness of and raising funds for families in need of a bone marrow or cord blood transplant, the foundation encourages people to register in the national bone marrow registry and provides funds to UNC Health Care and Children's Hospital Los Angeles. It also focuses on creating opportunities to empower women through sport. Hamm hosts an annual celebrity soccer game in Los Angeles to support the foundation.
## In popular culture
Hamm has been called the most marketable female athlete of her generation. During her time as an international soccer player, she signed endorsement deals with Gatorade, Nike, Dreyer's Ice Cream, Pepsi, Nabisco, Fleet Bank, Earthgrains, and Powerbar. In 1997, she starred in a popular commercial for Pert Plus. Hamm was featured on a Wheaties box following the 1999 World Cup and endorsed the first Soccer Barbie by Mattel. She co-starred with Michael Jordan in a popular television commercial for Gatorade in the spring of 1999 which featured the two athletes competing against each other in a variety of sports while the song Anything You Can Do (I Can Do Better) is heard. The commercial ends with Hamm throwing Jordan to the ground in a judo match. In 2000, the video game, Mia Hamm Soccer 64 was released for Nintendo 64. It was the first game to feature female athletes only and sold a "relatively high" 42,886 copies in the United States.
Hamm was featured on the covers of Sports Illustrated, Time, and People. She has made appearances on numerous television shows, including: Late Night with David Letterman, The Rosie O'Donnell Show, The Tonight Show with Jay Leno, Today, Extreme Makeover: Home Edition, Good Morning America, and The Oprah Winfrey Show. She was profiled in ESPN's SportsCentury and Biography documentaries, ESPN 25: Who's \#1?, and was featured in Once in a Lifetime: The Extraordinary Story of the New York Cosmos. In 2005, she was featured in the HBO documentary Dare to Dream: The Story of the U.S. Women's Soccer Team. Her likeness was used in the logo of Women's Professional Soccer, the second women's professional soccer league in the United States.
## Other work
Hamm is a global ambassador for FC Barcelona. She is the author of the national bestseller Go For the Goal: A Champion's Guide to Winning in Soccer and Life and juvenile fiction book Winners Never Quit.
In 2012, after Pia Sundhage's departure as head coach of the national team, Hamm joined Danielle Slaton and Sunil Gulati as a member of the search committee for Sundhage's successor. In 2014, she was named to the board of the National Soccer Hall of Fame.
In October 2014, Hamm was announced as a co-owner of the future Major League Soccer team, Los Angeles FC. The same month, Hamm joined the board of directors of Serie A club A.S. Roma, owned by American investors. Hamm joined Vice President Joe Biden and Second Lady Jill Biden as members of the United States delegation at the 2015 FIFA Women's World Cup Final in Vancouver, Canada.
## Career statistics
### Matches and goals scored at World Cup and Olympic tournaments
Hamm competed as a member of the United States national soccer team in four FIFA Women's World Cup tournaments: the inaugural 1991 in China, 1995 in Sweden, as well as 1999 and 2003 in the United States. She competed at three Summer Olympic Games: 1996 in Atlanta, 2000 in Sydney, and 2004 in Athens. All together, she played in 38 matches and scored 13 goals at seven top international tournaments. With her teammates, Hamm finished third at two World Cup tournaments in 1995 and 2003, second at the 2000 Olympics, and first at the four other international tournaments.
## International goals
## Honors and awards
Hamm was named Sportswoman of the Year by the Women's Sports Foundation in 1997 and 1999. In June 1999, Nike named the largest building on their corporate campus after Hamm. In December 2000, Hamm was named one of the top three female soccer players of the twentieth century in the FIFA Female Player of the Century Award, finishing behind only Sun Wen and compatriot Michelle Akers.
While at North Carolina, she won the Honda Sports Award as the nation's top female soccer player in both 1993 and 1994, and won the Honda-Broderick Cup in 1994 as the nation's top female athlete.
In March 2004, Hamm and former U.S. teammate Michelle Akers were the only two women and Americans named to the FIFA 100, a list of the 125 greatest living soccer players, selected by Pelé and commissioned by FIFA for the organization's 100th anniversary. Other accolades include being elected U.S. Soccer Female Athlete of the Year five years in a row from 1994 to 1998, and winning three ESPY awards including Soccer Player of the Year and Female Athlete of the Year.
In 2006 Hamm was inducted into the Alabama Sports Hall of Fame, followed by the Texas Sports Hall of Fame on March 11, 2008. In 2007, during her first year of eligibility, Hamm was selected for induction into the National Soccer Hall of Fame. In 2008, an image of her silhouette was used in the logo for the second professional women's soccer league in the United States: Women's Professional Soccer. ESPN named her the greatest female athlete in 2012.
In 2013, Hamm became the first woman inducted into the World Football Hall of Fame, located in Pachuca, Mexico. She was named to U.S. Soccer's USWNT All-Time Best XI in December 2013. In 2014, Hamm was named one of ESPNW's Impact 25; she was also the recipient of the Golden Foot Legends Award.
For their first match of March 2019, the women of the United States women's national soccer team each wore a jersey with the name of a woman they were honoring on the back; Samantha Mewis chose the name of Hamm.
In 2021, Hamm was inducted into the National Women's Hall of Fame.
In 2022, Los Angeles F.C. of Major League Soccer - of which Hamm is part owner - won the MLS Cup, thus giving Hamm an MLS championship to her credit
### Championships
## See also
- List of FIFA Women's World Cup winning players
- List of women's footballers with 100 or more international goals
- List of University of North Carolina at Chapel Hill Olympians
- List of Olympic medalists in football
- List of 1996 Summer Olympics medal winners
- List of 2000 Summer Olympics medal winners
- List of 2004 Summer Olympics medal winners
- List of athletes on Wheaties boxes
|
1173073405
|
American soccer player (born 1972)
|
[
"1972 births",
"1991 FIFA Women's World Cup players",
"1995 FIFA Women's World Cup players",
"1999 FIFA Women's World Cup players",
"2003 FIFA Women's World Cup players",
"American expatriate sportspeople in Italy",
"American women philanthropists",
"American women's soccer players",
"Competitors at the 1998 Goodwill Games",
"FIFA 100",
"FIFA Women's Century Club",
"FIFA Women's World Cup-winning players",
"FIFA World Player of the Year winners",
"Footballers at the 1996 Summer Olympics",
"Footballers at the 2000 Summer Olympics",
"Footballers at the 2004 Summer Olympics",
"Hermann Trophy women's winners",
"Living people",
"Medalists at the 1996 Summer Olympics",
"Medalists at the 2000 Summer Olympics",
"Medalists at the 2004 Summer Olympics",
"National Soccer Hall of Fame members",
"North Carolina Tar Heels women's soccer players",
"Olympic gold medalists for the United States in soccer",
"Olympic silver medalists for the United States in soccer",
"Philanthropists from Alabama",
"Philanthropists from North Carolina",
"Soccer players from Alabama",
"Soccer players from North Carolina",
"Sportspeople from Selma, Alabama",
"United States women's international soccer players",
"Washington Freedom players",
"Women association football executives",
"Women's United Soccer Association players",
"Women's association football forwards",
"Women's association football midfielders"
] |
No dataset card yet
- Downloads last month
- 5