Answers.Body: <ul>
  <li>Read <a href="https://ascmag.com/current-issue" rel="nofollow noreferrer">American Cinematographer</a>.</li>
  <li><p>Check out this famous series of “master classes” <a href="https://youtu.be/YzWmXykPZVg" rel="nofollow noreferrer">KODAK Cinematography
  Master Class</a>. In this previously linked excerpt, it's John Seale who takes a bunch of students
  through a scene from the film “Dead Poet Society”. And <a href="https://www.youtube.com/playlist?list=PLbFbLvJse3mrHxQsLkxB32p2ck8wNXByC" rel="nofollow noreferrer">here you have
  other bits from the same series</a>. </p>
  
  <p>What you get is professional
  film cinematographers working on set or in a studio with
  students to solve lighting issues. It may be too advanced for you (I
  don't know what you know), but this is the sort of work that happens
  all the time on sets ... although only in the head of the DPs (or in
  pre-production meetings when the script, the characters
  and their motivation are discussed). </p>
  
  <p>And, I just found out, after a quick search, that <a href="https://rads.stackoverflow.com/amzn/click/com/B00DJYS0PG" rel="nofollow noreferrer" rel="nofollow noreferrer">the series is still ongoing!</a>. Do yourself a huge favor and start watching it -- the old and the recent stuff.</p></li>
  <li>Kodak, the old film stock company, still has some good stuff for students and budding cinematographers available on their website. Check this page out: it's <a href="https://www.kodak.com/US/es/motion/Education/Publications/default.htm" rel="nofollow noreferrer">a bunch of informative PDF etc. on cinematography</a>, like how to read a slate, workflow, filters, etc. There's a lot it seems.</li>
  <li>Work on film sets, and see how they light things. Ask questions. Take
  notes. And then shoot your own stuff (short documentaries, short films), with/about your friends, family,
  whatever. Take photos, digital and traditional, always on manual (learn to use light-meters).
  Shoot black and white and then color, which is harder.</li>
  <li>Also, it's not (ever) about the gear you use, but about your eye,
  your taste, understanding color and light and framing in relations to scripts
  (and experience on sets).</li>
  <li>Watch the best lit films ever made, the small ones and the big ones
  (mainly the small ones 'cause they have no budget to light things).</li>
  <li>Look at classical paintings and ask yourself: where's the light
  coming from? Why is it lighting this part of the frame and not this?
  What is it saying? What's the story?</li>
  <li>Finally, keep at it. Make connections. Show up early and leave late.
  Make connections. Smile and work hard. Keep at it. Becoming part of a community of filmmakers is absolutely vital. If one doesn't exist where you live, create it.</li>
  </ul>
  
  <p>And I say all this with an MFA degree from one of the best film schools in the US.</p>
  
Answers.ContentLicense: CC BY-SA 4.0
Answers.CreationDate: 2019-04-07T12:03:05.233Z
Answers.Text: I started off by watching a lot of self-proclaimed filmmaker-vloggers online and I realise it stunted my growth quite significantly. Just wanted insight from someone who is actually in the industry - who would you recommend?
Answers.UserDisplayName: Michael
Answers.ContentLicense: CC BY-SA 4.0
Answers.CreationDate: 2019-04-08T10:17:32.217Z
Answers.Text: Yeah, you wanna go for the top people: setting up a camera and talking about three point lighting is not going to get you very far after a while. There is some good stuff on utube though. I've edited my long answer for reflect that.
Answers.UserDisplayName: CyanideBaby
Answers.ContentLicense: CC BY-SA 4.0
Answers.CreationDate: 2019-04-06T11:37:16.730Z
Answers.LastActivityDate: 2019-09-09T07:35:28.123Z
Answers.LastEditDate: 2019-09-09T07:35:28.123Z
Answers.UserDisplayName: CyanideBaby
Answers.Body: <p>Don't overlook paid sites, I formerly used Lynda.com, purchased by LinkedIn a few years back, and they have pro grade video &amp; photography courses.  Keep in mind that framing, composition, and lighting are the same for both photo and video.</p>
  
Answers.ContentLicense: CC BY-SA 4.0
Answers.CreationDate: 2019-09-06T17:02:13.240Z
Answers.LastActivityDate: 2019-09-06T17:02:13.240Z
Answers.UserDisplayName: TravisO
Body: <p>I realise that a lot of things can be learned on your own without attending a course. I went to university and the majority of the things taught can be self-learnt - even engineering. The only issue is that you have no idea where to start and where to get the best resources.</p>
  
  <p>Are there any textbooks or online video sets that teaches cinematography well? By cinematography I mean less about scripts/acting, and more about the visual and the auditory feel.</p>
  
  <p>The videos on YouTube are not very consistent (even large channels) - most are either too amateurish, factually wrong or trying to push you a certain product. The difference is stark when you compare YouTube 'cinematic videos' with filmmakers (even indie ones). I'm pretty sure that there are hidden gems on YouTube but it's not easy to find. My point is that I want to learn from the professionals instead of amateurs.</p>
  
Tags: <learning-resources>
Title: Curriculum for Cinematography
UserDisplayName: Michael
ThreadText: # Curriculum for Cinematography
  
  (Asked by: username_0 on 2019-04-06)
  
  I realise that a lot of things can be learned on your own without attending a course. I went to university and the majority of the things taught can be self-learnt - even engineering. The only issue is that you have no idea where to start and where to get the best resources.
  
  Are there any textbooks or online video sets that teaches cinematography well? By cinematography I mean less about scripts/acting, and more about the visual and the auditory feel.
  
  The videos on YouTube are not very consistent (even large channels) - most are either too amateurish, factually wrong or trying to push you a certain product. The difference is stark when you compare YouTube 'cinematic videos' with filmmakers (even indie ones). I'm pretty sure that there are hidden gems on YouTube but it's not easy to find. My point is that I want to learn from the professionals instead of amateurs.
  
  **Tags:** learning-resources
  
  
  ---
  
  ## 2 answers
  
  ### Answer by username_1 on 2019-04-06. Score: 3
  
  * Read [American Cinematographer](https://ascmag.com/current-issue).
  * Check out this famous series of “master classes” [KODAK Cinematography
    Master Class](https://youtu.be/YzWmXykPZVg). In this previously linked excerpt, it's John Seale who takes a bunch of students
    through a scene from the film “Dead Poet Society”. And [here you have
    other bits from the same series](https://www.youtube.com/playlist?list=PLbFbLvJse3mrHxQsLkxB32p2ck8wNXByC).
  
    What you get is professional
    film cinematographers working on set or in a studio with
    students to solve lighting issues. It may be too advanced for you (I
    don't know what you know), but this is the sort of work that happens
    all the time on sets ... although only in the head of the DPs (or in
    pre-production meetings when the script, the characters
    and their motivation are discussed).
  
    And, I just found out, after a quick search, that [the series is still ongoing!](https://rads.stackoverflow.com/amzn/click/com/B00DJYS0PG). Do yourself a huge favor and start watching it -- the old and the recent stuff.
  * Kodak, the old film stock company, still has some good stuff for students and budding cinematographers available on their website. Check this page out: it's [a bunch of informative PDF etc. on cinematography](https://www.kodak.com/US/es/motion/Education/Publications/default.htm), like how to read a slate, workflow, filters, etc. There's a lot it seems.
  * Work on film sets, and see how they light things. Ask questions. Take
    notes. And then shoot your own stuff (short documentaries, short films), with/about your friends, family,
    whatever. Take photos, digital and traditional, always on manual (learn to use light-meters).
    Shoot black and white and then color, which is harder.
  * Also, it's not (ever) about the gear you use, but about your eye,
    your taste, understanding color and light and framing in relations to scripts
    (and experience on sets).
  * Watch the best lit films ever made, the small ones and the big ones
    (mainly the small ones 'cause they have no budget to light things).
  * Look at classical paintings and ask yourself: where's the light
    coming from? Why is it lighting this part of the frame and not this?
    What is it saying? What's the story?
  * Finally, keep at it. Make connections. Show up early and leave late.
    Make connections. Smile and work hard. Keep at it. Becoming part of a community of filmmakers is absolutely vital. If one doesn't exist where you live, create it.
  
  And I say all this with an MFA degree from one of the best film schools in the US.
  
  > **Comments:**
  > **username_0**: I started off by watching a lot of self-proclaimed filmmaker-vloggers online and I realise it stunted my growth quite significantly. Just wanted insight from someone who is actually in the industry - who would you recommend?  
  > **username_1**: Yeah, you wanna go for the top people: setting up a camera and talking about three point lighting is not going to get you very far after a while. There is some good stuff on utube though. I've edited my long answer for reflect that.  
  
  ---
  
  ### Answer by username_2 on 2019-09-06. Score: 1
  
  Don't overlook paid sites, I formerly used Lynda.com, purchased by LinkedIn a few years back, and they have pro grade video & photography courses. Keep in mind that framing, composition, and lighting are the same for both photo and video.
  
  
  ---
  
  