Answers.Body: <p>I'm a novice in Resolve, Premiere, and FCPX, but in case none emerges to write up an in-built or automatic procedure, in your place I would think of it as two ops:</p>
  
  <p>First calculate and apply the correct playback speed adjustment. For your example:<br>
  clip1: 56-38 = 18 frames difference, 19 frames inclusive<br>
  clip2: 40-27= 13 frames difference, 14 frames inclusive<br>
  so to show those frames across the same time span for synchronized playback of both clips, your choices are to<br>
  play clip1 at nineteen fourteenths as fast: 19/14 = 1.357 = 135.7% or<br>
  play clip2 at fourteen nineteenths as fast: 14/19 = 7.368 = 73.68%</p>
  
  <p>Second, now that they'll both be playing at the correct speed, it's just a matter of aligning any frame you can conveniently match up between clip1 and clip2.</p>
  
Answers.ContentLicense: CC BY-SA 4.0
Answers.CreationDate: 2019-02-16T16:13:33.260Z
Answers.LastActivityDate: 2019-02-16T16:38:44.043Z
Answers.LastEditDate: 2019-02-16T16:38:44.043Z
Answers.UserDisplayName: Joel Reid
Answers.Body: <p>This can be achieved with a Fit-to-Fill edit using 4-point editing.</p>
  
  <p>We will assume: </p>
  
  <ul>
  <li><strong>Clip1</strong> (38,56) - to be played at 'normal' speed   </li>
  <li><strong>Clip2</strong> (27,40) - to be fitted / re-timed</li>
  </ul>
  
  <p>Perform the 4-Point Edit:</p>
  
  <ol>
  <li>Arrange <strong>Clip1</strong> on the timeline with the desired position/duration</li>
  <li>Set the In and Out points on the timeline (<em>move playhead on timeline and then key I (in) and O (out)</em>) - using the positions of the 38th and 56th frame of <strong>Clip1</strong> as reference</li>
  <li><strong>Fill-To-Fit Clip2</strong>:
  
  <ul>
  <li>Load <strong>Clip2</strong> into the source viewer (<em>double click it in Media Pool</em>)</li>
  <li>Set the In and Out points of <strong>Clip2</strong> in the source viewer (<em>move playhead on source viewer and then key I (in) and O (out)</em>) - at its 27th and 40th frame respectively </li>
  <li>Set the target/destination video track (Click the V<em>n</em> of the desired track - which becomes [V1]). If necessary - add a new track first. </li>
  <li>Add <strong>Clip2</strong> to the timeline using <strong>Shift+F11</strong>. <em>Or</em> drag/drop onto the Timeline viewer [Fit to Fill] overlay by either dragging from Source viewer to Timeline viewer (when using dual viewer mode), or from Media Pool to Timeline viewer (when using single or dual viewer mode)</li>
  </ul></li>
  </ol>
  
Answers.ContentLicense: CC BY-SA 4.0
Answers.CreationDate: 2019-02-17T09:35:55.920Z
Answers.LastActivityDate: 2019-02-17T09:35:55.920Z
Answers.UserDisplayName: SimplSam
Body: <p>I've got two source clips, and I want specific frames to line up across the merged playback sequence. </p>
  
  <pre><code>Eg.
   clip1@frame38 &amp; clip2@frame27 &gt;&gt; merge1@frame27
   clip1@frame56 &amp; clip2@frame40 &gt;&gt; merge1@frame56
  </code></pre>
  
  <p>This requires the playback-speed of at least one source clip to be modulated between the synchronization points on the timeline.</p>
  
  <p>I'm using Resolve, but if you know how to do this in fcpx or premiere that's fine too.</p>
  
Tags: <premiere><final-cut-pro-x><davinci-resolve><fcpx>
Title: Merge clips with playback-speed automation
UserDisplayName: user3051040
ThreadText: # Merge clips with playback-speed automation
  
  (Asked by: username_0 on 2019-02-16)
  
  I've got two source clips, and I want specific frames to line up across the merged playback sequence.
  
  ```
  Eg.
   clip1@frame38 & clip2@frame27 >> merge1@frame27
   clip1@frame56 & clip2@frame40 >> merge1@frame56
  
  ```
  
  This requires the playback-speed of at least one source clip to be modulated between the synchronization points on the timeline.
  
  I'm using Resolve, but if you know how to do this in fcpx or premiere that's fine too.
  
  **Tags:** premiere, final-cut-pro-x, davinci-resolve, fcpx
  
  
  ---
  
  ## 2 answers
  
  ### Answer by username_1 on 2019-02-16. Score: 2
  
  I'm a novice in Resolve, Premiere, and FCPX, but in case none emerges to write up an in-built or automatic procedure, in your place I would think of it as two ops:
  
  First calculate and apply the correct playback speed adjustment. For your example:  
  clip1: 56-38 = 18 frames difference, 19 frames inclusive  
  clip2: 40-27= 13 frames difference, 14 frames inclusive  
  so to show those frames across the same time span for synchronized playback of both clips, your choices are to  
  play clip1 at nineteen fourteenths as fast: 19/14 = 1.357 = 135.7% or  
  play clip2 at fourteen nineteenths as fast: 14/19 = 7.368 = 73.68%
  
  Second, now that they'll both be playing at the correct speed, it's just a matter of aligning any frame you can conveniently match up between clip1 and clip2.
  
  
  ---
  
  ### Answer by username_2 on 2019-02-17. Score: 0
  
  This can be achieved with a Fit-to-Fill edit using 4-point editing.
  
  We will assume:
  
  * **Clip1** (38,56) - to be played at 'normal' speed
  * **Clip2** (27,40) - to be fitted / re-timed
  
  Perform the 4-Point Edit:
  
  1. Arrange **Clip1** on the timeline with the desired position/duration
  2. Set the In and Out points on the timeline (*move playhead on timeline and then key I (in) and O (out)*) - using the positions of the 38th and 56th frame of **Clip1** as reference
  3. **Fill-To-Fit Clip2**:
     * Load **Clip2** into the source viewer (*double click it in Media Pool*)
     * Set the In and Out points of **Clip2** in the source viewer (*move playhead on source viewer and then key I (in) and O (out)*) - at its 27th and 40th frame respectively
     * Set the target/destination video track (Click the V*n* of the desired track - which becomes [V1]). If necessary - add a new track first.
     * Add **Clip2** to the timeline using **Shift+F11**. *Or* drag/drop onto the Timeline viewer [Fit to Fill] overlay by either dragging from Source viewer to Timeline viewer (when using dual viewer mode), or from Media Pool to Timeline viewer (when using single or dual viewer mode)
  
  
  ---
  
  