Answers.Body: <p>Going to f/1.8 will brighten up everything, the Screen and the Presenter, and reduce your DOF. With a less expensive Lens your going to be stopping down to get a sharper image; wasting time and money, and not accomplishing what you want.</p>
  
  <p>What you want (I'm guessing) is for the Presenter to be better lit, presumably you can see the Screen (otherwise you have a lot of problems).</p>
  
  <p>Trying to light the Presenter in that setting either would physically block the Screen or give odd side-lighting making them spooky looking (unless you wanted to try a ceiling mounted spotlight).</p>
  
  <p>What you want to do is get a Square Filter Holder and a Hard Edge Graduated Neutral Density 0.6 Filter. Just slide the Filter to darken the Screen leaving the Presenter unaffected, then crank the ISO a touch to brighten the Screen back to normal.</p>
  
  <p>Now the Screen is correctly exposed and the Presenter isn't hidden in the dark, everything is evened out.</p>
  
  <p>This costs less than a new Lens (unless you are planning on buying the best possible Filters, that you may not need, or the cheapest 1.8 that you would not want).</p>
  
  <p><img src="https://i.sstatic.net/HWuyq.jpg" alt="ND Filter - Hard Edge Graduated"></p>
  
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2017-03-28T16:06:46.647Z
Answers.LastActivityDate: 2017-08-03T03:00:56.320Z
Answers.LastEditDate: 2017-08-03T03:00:56.320Z
Answers.UserDisplayName: Rob
Answers.Body: <p>You will need an app or chart for the calculation. There are apps on both iOS and Android for this. Just search depth of field calculator. </p>
  
  <p>With a 50mm lens shooting at f/1.8 you're depth of field will be very shallow; more so the closer your subject is to the camera, with your DOF becoming deeper if your subject moves away. </p>
  
  <p>Some lenses have a built in Hyper-Focal chart on the top of the lens; showing what your "Reasonably considered in Focus area is at" which changes as you change your aperture. </p>
  
  <p>If you need a less shallow depth of field, you can always stop down the lens. Also keep in mind; the 50mm 1.8 is not incredibly sharp at 1.8 to begin with. Most lenses have sweet spots in terms of tack sharp; typically about 1/3 into the f-stop range. </p>
  
  <p>The only lenses that will give you pristine tack sharp focus at apertures like 1.8, are for example the Master Primes by Arri; running $30k per prime. </p>
  
  <p>Hope this helps. </p>
  
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2017-03-28T08:51:29.683Z
Answers.LastActivityDate: 2017-03-28T08:51:29.683Z
Answers.UserDisplayName: McFlySoHigh
Answers.Body: <p>Using a <a href="http://www.photopills.com/calculators/dof" rel="nofollow noreferrer">Depth of Field Calculator</a> we can see that for a BMPC 4k with 8 meters to the subject, the near limit is 7.3m and the far limit is 8.85m.  This means you'll be a little bit shy of having everything completely in focus, but it should be pretty close to acceptably in focus.  If you can get a hair more distance it would buy you a little more space and might cover your full range.</p>
  
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2017-07-26T21:01:16.413Z
Answers.LastActivityDate: 2017-07-26T21:01:16.413Z
Answers.UserDisplayName: AJ Henderson
Body: <p>I stand up the back of a room on a riser and capture a speaker at podium + their presentation on the screen using a blackmagic production 4K. I estimate I am 8 metres from the subject.</p>
  
  <p>Currently I'm using an f2.8 lens and adjusting it in davinci as the room is poorly lit.</p>
  
  <p>Is there a way to gauge the depth of field that will be in focus if I use an f1.8 lens?</p>
  
  <p>Thanks in advance
  <a href="https://i.sstatic.net/Rzmgw.png" rel="nofollow noreferrer"><img src="https://i.sstatic.net/Rzmgw.png" alt="enter image description here"></a></p>
  
Comments.ContentLicense: CC BY-SA 3.0
Comments.CreationDate: 2017-03-28T04:52:16.143Z
Comments.Text: I've never seen a 1.8mm lens before! Do you mean a 50mm f/1.8 lens?
Comments.UserDisplayName: user1118321
Comments.ContentLicense: CC BY-SA 3.0
Comments.CreationDate: 2017-03-28T04:55:52.940Z
Comments.Text: yes, meant f1.8/50mm
Comments.UserDisplayName: alexh
Tags: <blackmagic>
Title: Calculate depth-of-field on BMPC 4K using a 50mm/1.8
UserDisplayName: alexh
ThreadText: # Calculate depth-of-field on BMPC 4K using a 50mm/1.8
  
  (Asked by: username_0 on 2017-03-28)
  
  I stand up the back of a room on a riser and capture a speaker at podium + their presentation on the screen using a blackmagic production 4K. I estimate I am 8 metres from the subject.
  
  Currently I'm using an f2.8 lens and adjusting it in davinci as the room is poorly lit.
  
  Is there a way to gauge the depth of field that will be in focus if I use an f1.8 lens?
  
  Thanks in advance
  [![enter image description here](https://i.sstatic.net/Rzmgw.png)](https://i.sstatic.net/Rzmgw.png)
  
  **Tags:** blackmagic
  
  > **Comments:**
  > **username_1**: I've never seen a 1.8mm lens before! Do you mean a 50mm f/1.8 lens?  
  > **username_0**: yes, meant f1.8/50mm  
  
  ---
  
  ## 3 answers
  
  ### Answer by username_2 on 2017-03-28. Score: 1
  
  Going to f/1.8 will brighten up everything, the Screen and the Presenter, and reduce your DOF. With a less expensive Lens your going to be stopping down to get a sharper image; wasting time and money, and not accomplishing what you want.
  
  What you want (I'm guessing) is for the Presenter to be better lit, presumably you can see the Screen (otherwise you have a lot of problems).
  
  Trying to light the Presenter in that setting either would physically block the Screen or give odd side-lighting making them spooky looking (unless you wanted to try a ceiling mounted spotlight).
  
  What you want to do is get a Square Filter Holder and a Hard Edge Graduated Neutral Density 0.6 Filter. Just slide the Filter to darken the Screen leaving the Presenter unaffected, then crank the ISO a touch to brighten the Screen back to normal.
  
  Now the Screen is correctly exposed and the Presenter isn't hidden in the dark, everything is evened out.
  
  This costs less than a new Lens (unless you are planning on buying the best possible Filters, that you may not need, or the cheapest 1.8 that you would not want).
  
  ![ND Filter - Hard Edge Graduated](https://i.sstatic.net/HWuyq.jpg)
  
  
  ---
  
  ### Answer by username_3 on 2017-03-28. Score: 1
  
  You will need an app or chart for the calculation. There are apps on both iOS and Android for this. Just search depth of field calculator.
  
  With a 50mm lens shooting at f/1.8 you're depth of field will be very shallow; more so the closer your subject is to the camera, with your DOF becoming deeper if your subject moves away.
  
  Some lenses have a built in Hyper-Focal chart on the top of the lens; showing what your "Reasonably considered in Focus area is at" which changes as you change your aperture.
  
  If you need a less shallow depth of field, you can always stop down the lens. Also keep in mind; the 50mm 1.8 is not incredibly sharp at 1.8 to begin with. Most lenses have sweet spots in terms of tack sharp; typically about 1/3 into the f-stop range.
  
  The only lenses that will give you pristine tack sharp focus at apertures like 1.8, are for example the Master Primes by Arri; running $30k per prime.
  
  Hope this helps.
  
  
  ---
  
  ### Answer by username_4 on 2017-07-26. Score: 0
  
  Using a [Depth of Field Calculator](http://www.photopills.com/calculators/dof) we can see that for a BMPC 4k with 8 meters to the subject, the near limit is 7.3m and the far limit is 8.85m. This means you'll be a little bit shy of having everything completely in focus, but it should be pretty close to acceptably in focus. If you can get a hair more distance it would buy you a little more space and might cover your full range.
  
  
  ---
  
  