Answers.Body: <p>Assuming the lighting is solid, you should be in good shape. I haven't used the keying features of iMovie, but I can give you a few tips for After Effects. I'll defer to any power users of AE's keying functionality to chime in with more specific advice.</p>
  
  <p>First, you'll probably want to start with the Keylight plugin (from The Foundry). It should come bundled with After Effects Creative Cloud. There are tons of tutorials, guides, etc. for Keylight on the web.</p>
  
  <p>Second, know that you can create masks with After Effects. Not sure if you're already familiar with them, but masks are custom shapes that allow for specific areas of footage to be visible or modified. Masks allow you to create a "junk matte" around your subject, which can be helpful if lighting gets a little uneven or equipment is visible on the edge of the shot. Masks could also allow you to preserve the actor's eyes so that they are not being keyed (especially if the shot is relatively static). For example, you might want to duplicate the main video layer, mask around the actor's eyes, then pull the key on the duplicated background layer.</p>
  
  <p>Third, if you're still having problems with the hair after firing up Keylight, you'll want to look into the "Despill Bias" option. With despill bias, you'll basically select a skin color to reduce the blue / green bleeding. It might take a little trial and error.</p>
  
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2014-05-07T20:59:38.890Z
Answers.Text: Sounds good to me! Thanks. I'm going to look into traveling mattes as well, since some of the shots are pretty active. (It's a parody of Avril Lavigne's "Hello Kitty" music video, so there's dancing and bouncing around.)
Answers.UserDisplayName: BrettFromLA
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2014-05-08T16:06:29.987Z
Answers.Text: After Effects has quite sophisticated automated 3d camera tracking since CS6 and the old 2D position object tracker is also still doing a fairly okay job for these sort of things.
Answers.UserDisplayName: timonsku
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2014-05-07T18:51:43.970Z
Answers.LastActivityDate: 2014-05-07T19:00:24.453Z
Answers.LastEditDate: 2014-05-07T19:00:24.453Z
Answers.UserDisplayName: ZeroFlux
Body: <p>I've been doing green screen in iMovie (and it works surprisingly well!), but I'm downloading Adobe Creative Cloud tonight for my new PC. I'd appreciate any "best practice" suggestions for using the After Effects chromakey features, particularly with green-screen (rather than blue).</p>
  
  <p>BTW, I'm trying After Effects because iMovie was having a problem with my actress's blue eyes and blonde hair, both of which became partially transparent.  (I think the scene was lit fine, so her hair shouldn't have had green reflecting off of it.)</p>
  
Tags: <after-effects><greenscreen><chromakey>
Title: Chromakey (Green Screen) Best Practices in Adobe After Effects
UserDisplayName: BrettFromLA
ThreadText: # Chromakey (Green Screen) Best Practices in Adobe After Effects
  
  (Asked by: username_0 on 2014-05-07)
  
  I've been doing green screen in iMovie (and it works surprisingly well!), but I'm downloading Adobe Creative Cloud tonight for my new PC. I'd appreciate any "best practice" suggestions for using the After Effects chromakey features, particularly with green-screen (rather than blue).
  
  BTW, I'm trying After Effects because iMovie was having a problem with my actress's blue eyes and blonde hair, both of which became partially transparent. (I think the scene was lit fine, so her hair shouldn't have had green reflecting off of it.)
  
  **Tags:** after-effects, greenscreen, chromakey
  
  
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  ## 1 answers
  
  ### Answer by username_1 on 2014-05-07. Score: 3 | Accepted answer
  
  Assuming the lighting is solid, you should be in good shape. I haven't used the keying features of iMovie, but I can give you a few tips for After Effects. I'll defer to any power users of AE's keying functionality to chime in with more specific advice.
  
  First, you'll probably want to start with the Keylight plugin (from The Foundry). It should come bundled with After Effects Creative Cloud. There are tons of tutorials, guides, etc. for Keylight on the web.
  
  Second, know that you can create masks with After Effects. Not sure if you're already familiar with them, but masks are custom shapes that allow for specific areas of footage to be visible or modified. Masks allow you to create a "junk matte" around your subject, which can be helpful if lighting gets a little uneven or equipment is visible on the edge of the shot. Masks could also allow you to preserve the actor's eyes so that they are not being keyed (especially if the shot is relatively static). For example, you might want to duplicate the main video layer, mask around the actor's eyes, then pull the key on the duplicated background layer.
  
  Third, if you're still having problems with the hair after firing up Keylight, you'll want to look into the "Despill Bias" option. With despill bias, you'll basically select a skin color to reduce the blue / green bleeding. It might take a little trial and error.
  
  > **Comments:**
  > **username_0**: Sounds good to me! Thanks. I'm going to look into traveling mattes as well, since some of the shots are pretty active. (It's a parody of Avril Lavigne's "Hello Kitty" music video, so there's dancing and bouncing around.)  
  > **username_2**: After Effects has quite sophisticated automated 3d camera tracking since CS6 and the old 2D position object tracker is also still doing a fairly okay job for these sort of things.  
  
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