Answers.Body: <p>4:2:0 means that only the <em>colour</em> information is <a href="https://en.wikipedia.org/wiki/Chroma_subsampling" rel="nofollow noreferrer">subsampled</a>. So while that the colour is at a lower resolution the brightness information is at full resolution. This works because human vision is more sensitive to brightness than colour.</p>
  
  <p>A 4K 4:2:0 image has 3840×2160 luma samples (luma ≈ brightness) and 1920×1080 chroma samples (chroma ≈ colour). So it's still going to have more information than a HD 4:4:4 image which has 1920×1080 pixels of both luma and chroma. What's more, human vision will notice the difference more, so it will look more detailed. </p>
  
  <p>Also it's worth noting that while I've been talking about luma and chroma the information is actually <a href="https://en.wikipedia.org/wiki/YUV" rel="nofollow noreferrer">YUV</a> encoded (or more correctly Y,Cb,Cr), where the Y channel is a combination of the red green and blue channels, but it is weighted so that the green channel most strongly influences it (a bit under 60%). This takes into account the fact that human vision is more sensitive to green than red or blue. The U and V channels are the weighted differences between the Y and the Red and Blue channels. This means that more information is recorded for green, and is the reason why video predominantly uses green screen, rather than blue for chroma key.</p>
  
Answers.ContentLicense: CC BY-SA 4.0
Answers.CreationDate: 2018-06-22T03:32:08.607Z
Answers.LastActivityDate: 2018-06-22T03:44:50.683Z
Answers.LastEditDate: 2018-06-22T03:44:50.683Z
Answers.UserDisplayName: stib
Body: <p>I've been reading about codecs lately and found out, that the 4.2.0 codec combines 4 pixels color to one used for all 4 of them, effectively lowering the filesize.</p>
  
  <p>Now how does this compare to a normal HD image with 4.4.4 (which is 1/4 of the image size, but with full resolution)</p>
  
  <p>What is the difference and what gives the better end result?</p>
  
  <p>I assume that the resolution would be the same, however, the 4K having more accurate colors, due to the fact that it had 4x more pixels recording it.</p>
  
Tags: <codec><4k><h.264><full-hd>
Title: Is 4K 4.2.0 just HD 4.4.4
UserDisplayName: Frezzley
ThreadText: # Is 4K 4.2.0 just HD 4.4.4
  
  (Asked by: username_0 on 2018-06-21)
  
  I've been reading about codecs lately and found out, that the 4.2.0 codec combines 4 pixels color to one used for all 4 of them, effectively lowering the filesize.
  
  Now how does this compare to a normal HD image with 4.4.4 (which is 1/4 of the image size, but with full resolution)
  
  What is the difference and what gives the better end result?
  
  I assume that the resolution would be the same, however, the 4K having more accurate colors, due to the fact that it had 4x more pixels recording it.
  
  **Tags:** codec, 4k, h.264, full-hd
  
  
  ---
  
  ## 1 answers
  
  ### Answer by username_1 on 2018-06-22. Score: 2 | Accepted answer
  
  4:2:0 means that only the *colour* information is [subsampled](https://en.wikipedia.org/wiki/Chroma_subsampling). So while that the colour is at a lower resolution the brightness information is at full resolution. This works because human vision is more sensitive to brightness than colour.
  
  A 4K 4:2:0 image has 3840×2160 luma samples (luma ≈ brightness) and 1920×1080 chroma samples (chroma ≈ colour). So it's still going to have more information than a HD 4:4:4 image which has 1920×1080 pixels of both luma and chroma. What's more, human vision will notice the difference more, so it will look more detailed.
  
  Also it's worth noting that while I've been talking about luma and chroma the information is actually [YUV](https://en.wikipedia.org/wiki/YUV) encoded (or more correctly Y,Cb,Cr), where the Y channel is a combination of the red green and blue channels, but it is weighted so that the green channel most strongly influences it (a bit under 60%). This takes into account the fact that human vision is more sensitive to green than red or blue. The U and V channels are the weighted differences between the Y and the Red and Blue channels. This means that more information is recorded for green, and is the reason why video predominantly uses green screen, rather than blue for chroma key.
  
  
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