Answers.Body: <p>I don't know if this might be an option or even work but, couldn't you get a dark piece of paper or card and create a linear curve from the bottom under the seat to extend to the floor creating a curve just at the end so it looks like part of the chair.</p>
  
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-21T18:08:29.633Z
Answers.Text: EXCELLENT IDEA! Don't make the section under the talent's feet green at all! You could even position a small rug there, if the "extension of the chair" didn't look natural.
Answers.UserDisplayName: BrettFromLA
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-22T12:10:37.063Z
Answers.Text: cheers @BrettFromLA just my practical thinking
Answers.UserDisplayName: Adam Mann Pro
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-21T09:39:20.423Z
Answers.LastActivityDate: 2015-01-21T09:39:20.423Z
Answers.UserDisplayName: Adam Mann Pro
Answers.Body: <p>The best bet is probably a combination of more light and using a flatter exposure.  h.264 in particular does very bad with noise levels in shadow as do many CMOS sensors.  If you are near the dark end of what the camera can capture, you are going to get lots of noise.  The obvious solution is to keep things away from the dark end of what you can capture.</p>
  
  <p>This can be done either by tweaking exposure settings (if the dynamic range of the scene is narrow enough) or by adjusting lighting to be more even.  I'd personally go for trying to use a low down and fairly powerful light with a barn door on it to fill the bottom of the table and provide more even lighting underneath as this will also look better in the finished product.</p>
  
  <p>Alternately, as Brett suggested, positioning the actor such that you can mask the area is another option (but would still have a harsh shadow and noise in the dark portions of the video.)  Probably best to prevent the dark areas in the first place.</p>
  
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-21T03:00:09.473Z
Answers.LastActivityDate: 2015-01-21T03:00:09.473Z
Answers.UserDisplayName: AJ Henderson
Answers.Body: <p>To reduce or eliminate the greenish reflection on the front of the table, you can buy some dark gray or black construction paper, or something equally non-reflective, cut it to size, and tape it over the 2 dark rectangles on the front of the table.</p>
  
  <p>I have 3 different solutions for the foot-shadows on the floor.</p>
  
  <ol>
  <li><p>You could point a semi-dim spotlight directly on that section of the green screen. Make sure to mask it so it doesn't hit the dark rectangles on the front of the table too much.</p></li>
  <li><p>If the camera is always stationary, you could lower the camera slightly so the talent's feet never extend past the dark rectangle on the front of the table and into the green (as the tip of her left shoe does in the pictures you included). Then you can mask out that part of the shot instead of relying on the Keylight effect.</p></li>
  <li><p>You could just move the camera about a foot closer to the talent so you crop out the bottom of the table (and the green in front of it). You can also do this by cropping the shot during post production.</p></li>
  </ol>
  
  <p>(Or, obviously, just get shorter talent.)</p>
  
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-20T19:04:58.777Z
Answers.Text: Thanks, Brett! I hadn't thought of putting some dark paper over the exam table. That may work. Your first solution for the shadows is what I am going to test first. The second and third solution won't work though because of the exam room environment used as the background. Thanks for the input!
Answers.UserDisplayName: Calvin Gaunce
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-20T19:49:05.197Z
Answers.Text: I don't think anyone would notice the paper if it's cut to the right size and it's taped flush with the surface it's covering. Also, viewers are focused on the talent, not the details of the special effects!
Answers.UserDisplayName: BrettFromLA
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-20T19:50:17.233Z
Answers.Text: One more thought, on which I may be wrong: Number 3 might work if you also crop the exam room environment you use as the background. But if #1 works, then never mind!
Answers.UserDisplayName: BrettFromLA
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-20T19:51:33.537Z
Answers.Text: Number three would work if we could crop the environment, but the environment is locked so that's not possible. And I think you're right about the paper. Thanks, again!
Answers.UserDisplayName: Calvin Gaunce
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-20T19:53:51.327Z
Answers.Text: I LOVE coming up with solutions for this kind of question! All those other questions about technical software issues are not my cup of tea. If you have more on-set production questions like this, please post them!
Answers.UserDisplayName: BrettFromLA
Answers.ContentLicense: CC BY-SA 3.0
Answers.CreationDate: 2015-01-20T18:05:56.757Z
Answers.LastActivityDate: 2015-01-20T18:05:56.757Z
Answers.UserDisplayName: BrettFromLA
Body: <p>We have a recurring shoot where we continue to run into the same two issues. Our set consists of a medical exam table sitting on top of a green screen. The talent sits on the exam table and we record 'Doctor/Patient interviews'. </p>
  
  <p>ISSUE 1: When the talent is on the taller side, their feet hang down past the bottom of the exam table and create really harsh shadows on the green screen, making the footage very difficult to key.</p>
  
  <p>ISSUE 2: The dark area on the front of the exam table, behind the talent's legs, is very noisy. </p>
  
  <p>I believe these two issues are linked and both have to do with lighting. However, I have yet to find a permanent solution to either one of them. I am currently setting a small LED light in front of the camera that helps with the shadows, but it still isn't solving the problem. </p>
  
  <p>Our camera is a Panasonic HMC150 and I use the 'Keylight' effect in After Effects to key the footage. Keying is very difficult around the feet shadows and some of the green reflection shows on the exam table, which in turn, ends up being keyed slightly creating a lot of noise. I use the 'Remove Grain' effect to help remove the noise.  </p>
  
  <p>Any advice on a different lighting setup, keying solution, or anything else that could help this situation is greatly appreciated. I've attached images demonstrating the issues.</p>
  
  <p><img src="https://i.sstatic.net/TWQZp.png" alt="enter image description here">
  <img src="https://i.sstatic.net/IVXw3.png" alt="enter image description here"></p>
  
Comments.ContentLicense: CC BY-SA 3.0
Comments.CreationDate: 2015-01-20T16:54:31.127Z
Comments.Text: do you use a waveform monitor when you set up the lights?  that might help.
Comments.UserDisplayName: Jason Conrad
Comments.ContentLicense: CC BY-SA 3.0
Comments.CreationDate: 2015-01-20T17:52:43.493Z
Comments.Text: Yes, I do. It doesn't help much with the shadows though.
Comments.UserDisplayName: Calvin Gaunce
Tags: <after-effects><lighting><greenscreen><production>
Title: Video noise and harsh shadows on green screen caused by feet
UserDisplayName: Calvin Gaunce
ThreadText: # Video noise and harsh shadows on green screen caused by feet
  
  (Asked by: username_0 on 2015-01-20)
  
  We have a recurring shoot where we continue to run into the same two issues. Our set consists of a medical exam table sitting on top of a green screen. The talent sits on the exam table and we record 'Doctor/Patient interviews'.
  
  ISSUE 1: When the talent is on the taller side, their feet hang down past the bottom of the exam table and create really harsh shadows on the green screen, making the footage very difficult to key.
  
  ISSUE 2: The dark area on the front of the exam table, behind the talent's legs, is very noisy.
  
  I believe these two issues are linked and both have to do with lighting. However, I have yet to find a permanent solution to either one of them. I am currently setting a small LED light in front of the camera that helps with the shadows, but it still isn't solving the problem.
  
  Our camera is a Panasonic HMC150 and I use the 'Keylight' effect in After Effects to key the footage. Keying is very difficult around the feet shadows and some of the green reflection shows on the exam table, which in turn, ends up being keyed slightly creating a lot of noise. I use the 'Remove Grain' effect to help remove the noise.
  
  Any advice on a different lighting setup, keying solution, or anything else that could help this situation is greatly appreciated. I've attached images demonstrating the issues.
  
  ![enter image description here](https://i.sstatic.net/TWQZp.png)
  ![enter image description here](https://i.sstatic.net/IVXw3.png)
  
  **Tags:** after-effects, lighting, greenscreen, production
  
  > **Comments:**
  > **username_1**: do you use a waveform monitor when you set up the lights?  that might help.  
  > **username_0**: Yes, I do. It doesn't help much with the shadows though.  
  
  ---
  
  ## 3 answers
  
  ### Answer by username_3 on 2015-01-20. Score: 4 | Accepted answer
  
  To reduce or eliminate the greenish reflection on the front of the table, you can buy some dark gray or black construction paper, or something equally non-reflective, cut it to size, and tape it over the 2 dark rectangles on the front of the table.
  
  I have 3 different solutions for the foot-shadows on the floor.
  
  1. You could point a semi-dim spotlight directly on that section of the green screen. Make sure to mask it so it doesn't hit the dark rectangles on the front of the table too much.
  2. If the camera is always stationary, you could lower the camera slightly so the talent's feet never extend past the dark rectangle on the front of the table and into the green (as the tip of her left shoe does in the pictures you included). Then you can mask out that part of the shot instead of relying on the Keylight effect.
  3. You could just move the camera about a foot closer to the talent so you crop out the bottom of the table (and the green in front of it). You can also do this by cropping the shot during post production.
  
  (Or, obviously, just get shorter talent.)
  
  > **Comments:**
  > **username_0**: Thanks, Brett! I hadn't thought of putting some dark paper over the exam table. That may work. Your first solution for the shadows is what I am going to test first. The second and third solution won't work though because of the exam room environment used as the background. Thanks for the input!  
  > **username_3**: I don't think anyone would notice the paper if it's cut to the right size and it's taped flush with the surface it's covering. Also, viewers are focused on the talent, not the details of the special effects!  
  > **username_3**: One more thought, on which I may be wrong: Number 3 might work if you also crop the exam room environment you use as the background. But if #1 works, then never mind!  
  > **username_0**: Number three would work if we could crop the environment, but the environment is locked so that's not possible. And I think you're right about the paper. Thanks, again!  
  > **username_3**: I LOVE coming up with solutions for this kind of question! All those other questions about technical software issues are not my cup of tea. If you have more on-set production questions like this, please post them!  
  
  ---
  
  ### Answer by username_2 on 2015-01-21. Score: 1
  
  I don't know if this might be an option or even work but, couldn't you get a dark piece of paper or card and create a linear curve from the bottom under the seat to extend to the floor creating a curve just at the end so it looks like part of the chair.
  
  > **Comments:**
  > **username_3**: EXCELLENT IDEA! Don't make the section under the talent's feet green at all! You could even position a small rug there, if the "extension of the chair" didn't look natural.  
  > **username_2**: cheers @username_3 just my practical thinking  
  
  ---
  
  ### Answer by username_4 on 2015-01-21. Score: 1
  
  The best bet is probably a combination of more light and using a flatter exposure. h.264 in particular does very bad with noise levels in shadow as do many CMOS sensors. If you are near the dark end of what the camera can capture, you are going to get lots of noise. The obvious solution is to keep things away from the dark end of what you can capture.
  
  This can be done either by tweaking exposure settings (if the dynamic range of the scene is narrow enough) or by adjusting lighting to be more even. I'd personally go for trying to use a low down and fairly powerful light with a barn door on it to fill the bottom of the table and provide more even lighting underneath as this will also look better in the finished product.
  
  Alternately, as Brett suggested, positioning the actor such that you can mask the area is another option (but would still have a harsh shadow and noise in the dark portions of the video.) Probably best to prevent the dark areas in the first place.
  
  
  ---
  
  