license: apache-2.0
language:
- en
tags:
- reasoning
- thinking
- uncensored
- gated
- mixture of experts
- moe
- 8x3B
- Llama 3.2 MOE
- 128k context
- creative
- creative writing
- fiction writing
- plot generation
- sub-plot generation
- fiction writing
- story generation
- scene continue
- storytelling
- fiction story
- science fiction
- romance
- all genres
- story
- writing
- vivid prosing
- vivid writing
- fiction
- roleplaying
- float32
- swearing
- rp
- horror
- mergekit
pipeline_tag: text-generation
(secondary "ultra" quants uploading shortly, model card updates pending, 1 example with 2, 4, and 6 experts below.)
WARNING: NSFW. Vivid prose. INTENSE. Visceral Details. Light HORROR. Swearing. UNCENSORED... humor, romance, fun.
Llama-3.2-8X3B-GATED-MOE-Reasoning-Dark-Champion-Instruct-uncensored-abliterated-18.4B-GGUF
IMPORTANT: This model has on/off/variable control reasoning from NousResearch and the DeepHermes model, and requires a system prompt(s) as provided to invoke reasoning/thinking. Please see operating instructions below for best performance.
It is a LLama 3.2 model, max context of 128k (131,000) using mixture of experts to combine EIGHT top L3.2 3B models into one massive powerhouse at 18.4B parameters (equal to 24B - 8 X 3B).
This model's instruction following, and output generation for creative writing, prose, fiction and role play are exceptional.
This model is also "gated", contains a master reasoning model (this can be turned on/off), was built at float32 (32 bit) precision and quants have the output tensor at Q8_0, with a few choice quants at f16 (16 bit) and a Q8_0 with f32 (32 bit).
The "gated" strucure means the "reasoning model" is re-inforced by the other 7 models in the MOE during reasoning, and then during output generation / non-reasoning the non-reasoning model(s) take control.
1 example generation using 2, 4 and 6 experts showing "thinking/reasoning" and output at the bottom of the page.
Also, with "gating" you can directly access/control the model(s) you want to use during instruction following and generation. This is optional - you don't need to set this to use the model normally.
This model is the "reasoning / gated version" of this model:
(193 likes // 447,000+ downloads to date. (Hugging face only shows last 30 days at the repo) )
And it is fast: 50+ t/s (2 experts) on a low end 16GB card, IQ4XS.
Double this speed for standard/mid-range video cards.
This model can be used also for all genres (examples below showing this).
It is for any writing, fiction or roleplay activity.
This model can also be used for general use, however its output generation can be uncensored.
This model has been designed to be relatively bullet proof and operates with all parameters, including temp settings from 0 to 5.
It is an extraordinary compressed model, with a very low perplexity level (lower than Meta Llama3 Instruct).
It requires Llama3 template and/or "Command-R" template.
Several outputs below, including 2, 4 and 8 experts used.
Model Notes:
- Detail, prose and fiction writing abilities are OFF THE SCALE relative to all Llama 3.2 models, and many L 3.1, L3 8B+ models.
- For more varied prose (sentence/paragraph/dialog) raise the temp and/or add more instructions in your prompt(s).
- Role-players: Careful raising temp too high as it may affect instruction following.
- This model works with rep pen of 1 or higher, 1.02+ recommended.
- If you want a specific type of prose (IE horror) add in "(vivid horror)" or "(graphic vivid horror)" (no quotes) in your prompt(s).
- A lot of GPTisms have been removed. There are still a few however - errrrr. Higher "temps" will help with this issue.
- This is not a "happy ever after" model but it is also not "horror". It has a light negative bias.
- Output length will vary however this model prefers slightly longer outputs unless you state the size.
- For creative uses, different quants will produce slightly different output.
- Due to the high stability and compressed nature of this model, all quants will operate at above average levels.
- Source code for this model and Imatrix GGUFs versions will be uploaded shortly at separate repos.
Meet the Team: Mixture of Experts Models
This model is comprised of the following 8 models ("the experts") (in full):
https://huggingface.co/huihui-ai/Llama-3.2-3B-Instruct-abliterated
- https://huggingface.co/NousResearch/DeepHermes-3-Llama-3-3B-Preview [reasoning model]
- https://huggingface.co/Hastagaras/L3.2-JametMini-3B-MK.I
- https://huggingface.co/ValiantLabs/Llama3.2-3B-Enigma
- https://huggingface.co/Hastagaras/L3.2-JametMini-3B-MK.III
- https://huggingface.co/huihui-ai/Llama-3.2-3B-Instruct-abliterated
- https://huggingface.co/chuanli11/Llama-3.2-3B-Instruct-uncensored
- https://huggingface.co/Lyte/Llama-3.2-3B-Overthinker
- https://huggingface.co/prithivMLmods/Llama-3.2-3B-Promptist-Mini
The mixture of experts is set at 2 experts, but you can use 3,4,5,6.. 7 and even 8.
This "team" has a Captain (first listed model), and then all the team members contribute to the to "token" choice billions of times per second. Note the Captain also contributes too.
Think of 2, 3 or 4 (or more) master chefs in the kitchen all competing to make the best dish for you.
This results in higher quality generation.
This also results in many cases in higher quality instruction following too.
That means the power of every model is available during instruction and output generation.
NOTE:
You can use one "expert" too ; however this means the model will randomly select an expert to use EACH TIME, resulting in very different generation for each prompt / regen of a prompt.
CHANGING THE NUMBER OF EXPERTS:
You can set the number of experts in LMStudio (https://lmstudio.ai) at the "load" screen and via other apps/llm apps by setting "Experts" or "Number of Experts".
For Text-Generation-Webui (https://github.com/oobabooga/text-generation-webui) you set the number of experts at the loading screen page.
For KolboldCPP (https://github.com/LostRuins/koboldcpp) Version 1.8+ , on the load screen, click on "TOKENS", you can set experts on this page, and the launch the model.
For server.exe / Llama-server.exe (Llamacpp - https://github.com/ggerganov/llama.cpp/blob/master/examples/server/README.md ) add the following to the command line to start the "llamacpp server" (CLI):
"--override-kv llama.expert_used_count=int:6"
(no quotes, where "6" is the number of experts to use)
When using "API", you set the "num_experts_used" in the JSON payload (this maybe different for different back ends).
CREDITS:
Special thanks to all the model makers / creators listed above.
Please visit each repo above to see what model(s) contributed to each of models above and/or to learn more about the models from the model makers.
Special credit goes to MERGEKIT, without you this project / model would not have been possible.
[ https://github.com/arcee-ai/mergekit ]
Special Operations Notes for this MOE model:
Because of how this "MOE" model is configured, even though the default is 2 experts, the "selected" 2 will vary during generation.
(same applies if you change the number of experts used)
This results in vastly different output generation PER generation of each prompt.
This is a positive in terms of variety, but also means it may take 2-4 regens (of the same prompt) to get the highest quality.
In addition, this model responds very well to Dry, Dynamic Temp, and Smooth/Quadratic samplers.
Using these in conjunction with the model can vastly improve output quality.
Higher temps (above 1) can also aid in generation - especially word choice/sentence generation.
When you increase the number of experts used output quality will also increase, at the cost of tokens per second speed.
As you increase/decrease the number of experts, you may want to adjust temp, samplers, and advanced samplers too.
Your quant choice(s) too will impact instruction following and output generation roughly this means the model will understand more nuanced instructions and output stronger generation the higher you go up in quant(s).
FLASH ATTENTION ENHANCEMENT:
As per user feedback here [ https://huggingface.co/DavidAU/Llama-3.2-8X3B-MOE-Dark-Champion-Instruct-uncensored-abliterated-18.4B-GGUF/discussions/1 ] I would suggest trying this model with Flash Attention "on", depending on your use case.
Quants, Samplers, Generational steering and other topics are covered in the section below: "Highest Quality Settings..."
Censored / Uncensored / Abliterated:
This model contains several uncensored and/or Abliterated models.
As a result is can output uncensored material.
However there are a few "censored" models which can sometimes interfer, so here is a how to address this:
1 - Regen your prompt a few times.
2 - INCREASE the number of experts used.
What can I use this model for ?
This model can be used for fiction writing, any creative prose and role play. It can also be used for just about any general fiction (all genres) activity including:
- scene generation
- scene continuation
- creative writing
- fiction writing
- plot generation
- sub-plot generation
- fiction writing
- story generation
- storytelling
- writing
- fiction
- roleplaying
- rp
- graphic horror
- horror
- dark humor
- nsfw
- and can be used for any genre(s).
QUANTS:
This repo contains regular quants.
For more information on quants, quants choices, and LLM/AI apps to "run" quants see the section below: "Highest Quality Settings..."
System Role / System Prompts - Reasoning On/Off/Variable and Augment The Model's Power:
( Critical Setting for model operation )
System Role / System Prompt / System Message (called "System Prompt" in this section) is "root access" to the model and controls internal workings - both instruction following and output generation and in the case of this model reasoning control and on/off for reasoning too.
In this section I will show you basic, advanced, and combined "code" to control the model's reasoning, instruction following and output generation.
If you do not set a "system prompt", reasoning/thinking will be OFF by default, and the model will operate like a normal LLM.
HOW TO SET:
Depending on your AI "app" you may have to copy/paste on of the "codes" below to enable reasoning/thinking in the "System Prompt" or "System Role" window.
In Lmstudio set/activate "Power User" or "Developer" mode to access, copy/paste to System Prompt Box.
In SillyTavern go to the "template page" ("A") , activate "system prompt" and enter the text in the prompt box.
In Ollama see [ https://github.com/ollama/ollama/blob/main/README.md ] ; and setting the "system message".
In Koboldcpp, load the model, start it, go to settings -> select "Llama 3 Chat"/"Command-R" and enter the text in the "sys prompt" box.
SYSTEM PROMPTS AVAILABLE:
When you copy/paste PRESERVE formatting, including line breaks.
If you want to edit/adjust these only do so in NOTEPAD OR the LLM App directly.
IMPORTANT:
Note some of these have "names" in them for the AIs - DO NOT change these - as these are internal references inside the structure of the MOE model ; roughly speaking these are triggers.
SIMPLE:
This is the generic system prompt used for generation and testing [no reasoning]:
You are a helpful, smart, kind, and efficient AI assistant. You always fulfill the user's requests to the best of your ability.
This System Role/Prompt will give you "basic thinking/reasoning" [basic reasoning]:
You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.
MULTI-TIERED [reasoning on]:
You are a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem using your skillsets and critical instructions.
MULTI-TIERED - CREATIVE [reasoning on]:
Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities.
As a deep thinking AI composed of 4 AIs - Spock, Wordsmith, Jamet and Saten, - you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself (and 4 partners) via systematic reasoning processes (display all 4 partner thoughts) to help come to a correct solution prior to answering. Select one partner to think deeply about the points brought up by the other 3 partners to plan an in-depth solution. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem using your skillsets and critical instructions.
Here are your skillsets:
[MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv)
[*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision)
Here are your critical instructions:
Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story.
CREATIVE SIMPLE [reasoning on]:
You are an AI assistant developed by a world wide community of ai experts.
Your primary directive is to provide highly creative, well-reasoned, structured, and extensively detailed responses.
Formatting Requirements:
1. Always structure your replies using: <think>{reasoning}</think>{answer}
2. The <think></think> block should contain at least six reasoning steps when applicable.
3. If the answer requires minimal thought, the <think></think> block may be left empty.
4. The user does not see the <think></think> section. Any information critical to the response must be included in the answer.
5. If you notice that you have engaged in circular reasoning or repetition, immediately terminate {reasoning} with a </think> and proceed to the {answer}
Response Guidelines:
1. Detailed and Structured: Use rich Markdown formatting for clarity and readability.
2. Creative and Logical Approach: Your explanations should reflect the depth and precision of the greatest creative minds first.
3. Prioritize Reasoning: Always reason through the problem first, unless the answer is trivial.
4. Concise yet Complete: Ensure responses are informative, yet to the point without unnecessary elaboration.
5. Maintain a professional, intelligent, and analytical tone in all interactions.
CREATIVE ADVANCED [reasoning on]:
NOTE: To turn reasoning off, remove line #2.
This system prompt can often generation multiple outputs and/or thinking blocks.
Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities.
You may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem
Here are your skillsets:
[MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv)
[*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision)
Here are your critical instructions:
Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story.
Template:
This is a LLAMA3 model, and requires Llama3 template, but may work with other template(s).
If you use "Command-R" template your output will be very different from using "Llama3" template.
Here is the standard LLAMA3 template:
{
"name": "Llama 3",
"inference_params": {
"input_prefix": "<|start_header_id|>user<|end_header_id|>\n\n",
"input_suffix": "<|eot_id|><|start_header_id|>assistant<|end_header_id|>\n\n",
"pre_prompt": "You are a helpful, smart, kind, and efficient AI assistant. You always fulfill the user's requests to the best of your ability.",
"pre_prompt_prefix": "<|start_header_id|>system<|end_header_id|>\n\n",
"pre_prompt_suffix": "<|eot_id|>",
"antiprompt": [
"<|start_header_id|>",
"<|eot_id|>"
]
}
}
Settings: CHAT / ROLEPLAY and/or SMOOTHER operation of this model:
In "KoboldCpp" or "oobabooga/text-generation-webui" or "Silly Tavern" ;
Set the "Smoothing_factor" to 1.5
: in KoboldCpp -> Settings->Samplers->Advanced-> "Smooth_F"
: in text-generation-webui -> parameters -> lower right.
: In Silly Tavern this is called: "Smoothing"
NOTE: For "text-generation-webui"
-> if using GGUFs you need to use "llama_HF" (which involves downloading some config files from the SOURCE version of this model)
Source versions (and config files) of my models are here:
OTHER OPTIONS:
Increase rep pen to 1.1 to 1.15 (you don't need to do this if you use "smoothing_factor")
If the interface/program you are using to run AI MODELS supports "Quadratic Sampling" ("smoothing") just make the adjustment as noted.
Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers
This a "Class 1" model:
For all settings used for this model (including specifics for its "class"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) please see:
You can see all parameters used for generation, in addition to advanced parameters and samplers to get the most out of this model here:
Optional Enhancement:
The following can be used in place of the "system prompt" or "system role" to further enhance the model.
It can also be used at the START of a NEW chat, but you must make sure it is "kept" as the chat moves along. In this case the enhancements do not have as strong effect at using "system prompt" or "system role".
Copy and paste EXACTLY as noted, DO NOT line wrap or break the lines, maintain the carriage returns exactly as presented.
Below is an instruction that describes a task. Ponder each user instruction carefully, and use your skillsets and critical instructions to complete the task to the best of your abilities. Here are your skillsets: [MASTERSTORY]:NarrStrct(StryPlnng,Strbd,ScnSttng,Exps,Dlg,Pc)-CharDvlp(ChrctrCrt,ChrctrArcs,Mtvtn,Bckstry,Rltnshps,Dlg*)-PltDvlp(StryArcs,PltTwsts,Sspns,Fshdwng,Climx,Rsltn)-ConfResl(Antg,Obstcls,Rsltns,Cnsqncs,Thms,Symblsm)-EmotImpct(Empt,Tn,Md,Atmsphr,Imgry,Symblsm)-Delvry(Prfrmnc,VcActng,PblcSpkng,StgPrsnc,AudncEngmnt,Imprv) [*DialogWrt]:(1a-CharDvlp-1a.1-Backgrnd-1a.2-Personality-1a.3-GoalMotiv)>2(2a-StoryStruc-2a.1-PlotPnt-2a.2-Conflict-2a.3-Resolution)>3(3a-DialogTech-3a.1-ShowDontTell-3a.2-Subtext-3a.3-VoiceTone-3a.4-Pacing-3a.5-VisualDescrip)>4(4a-DialogEdit-4a.1-ReadAloud-4a.2-Feedback-4a.3-Revision) Here are your critical instructions: Ponder each word choice carefully to present as vivid and emotional journey as is possible. Choose verbs and nouns that are both emotional and full of imagery. Load the story with the 5 senses. Aim for 50% dialog, 25% narration, 15% body language and 10% thoughts. Your goal is to put the reader in the story.
You do not need to use this, it is only presented as an additional enhancement which seems to help scene generation and scene continue functions.
This enhancement WAS NOT used to generate the examples below.
EXAMPLES PROMPTS and OUTPUT:
Examples are created using quant IQ4_XS, "temp=.8" (unless otherwise stated), minimal parameters and "LLAMA3" template.
Model has been tested with "temp" from ".1" to "5".
Number of experts used is TWO, unless otherwise stated.
Below are the least creative outputs, prompt is in BOLD.
IMPORTANT:
Higher quants / imatrix quants will have much stronger generation - words, sentences, ideas, dialog and general quality.
I have included some additional examples at different quant levels for contrast.
A "MOE" model "speed" (token per second) will not increase/drop the same way a regular model will on a per quant basis, it will however drop if you engage more experts, as with more experts there is a more processing per token.
WARNING: NSFW. Vivid prose. Visceral Details. Violence. HORROR. Swearing. UNCENSORED.
Prompt with examples at 2 experts, 4 experts and 6 experts.
Settings:
Temp 1.5, topk 100, topp .95, minp 0.05, rep pen 1.06, rep pen range 64. No other samplers.
Prompt:
Come up with a plan to write: Start a 2000 word scene (vivid, graphic horror in first person), POV character Diana, with: The sky scraper sways, as I watch the window in front of me on the 21st floor explode...
(same settings, prompt for each below, used “Simple Reasoning” system prompt, LLama3 instruct template and produced in Lmstudio)
---
2 experts:
---
Thought for 8.93 seconds
To write a vivid and graphic horror scene in the first-person point of view, I need to create a sense of immediacy and unease from the beginning. The sentence "The sky scraper sways" effectively sets an ominous tone, hinting at the catastrophic event that is about to unfold.
First, let's establish Diana's point of view. Since it's a first-person narrative, we should delve straight into her thoughts and feelings. To make this more convincing, I'll consider using internal monologues or stream-of-consciousness techniques.
For the sentence "as I watch the window in front of me on the 21st floor explode," we need to create a sense of intimacy and vulnerability. Diana's fascination with the unfolding event should be palpable, but also convey her fear or dread.
Here's a possible outline:
I. Introduction (approx. 100-150 words)
Introduce Diana as she goes about her day, establishing her character, personality, and background.
Describe the setting: the skyscraper, the 21st floor, her surroundings, etc.
II. Inciting Incident (approx. 200 words)
The window explodes, and Diana is drawn in by a mix of morbid curiosity and fear.
She takes a few steps back, trying to maintain composure.
Describe the sound, the light, and the chaos that erupts outside.
III. Descent into Horror (approx. 600-700 words)
As the scene progresses, we delve deeper into Diana's mind, exploring her emotional state and psyche.
Describe the sounds of shattering glass, screams, and panic around her.
We could see fragments of the shattered window flying in, casting eerie shadows on the walls.
IV. Building Tension (approx. 200-300 words)
As the horror escalates, Diana starts to lose control, panicking, or, more likely, the reader.
She tries to leave the area, but doors are stuck or trapped.
Describe the slow, suffocating feeling as her options dwindle and panic takes hold.
V. Climax (approx. 100-150 words)
A new terror unfolds, possibly something outside her control, such as an unseen force, or a monstrous entity that seeps in through the broken windows.
Diana is overwhelmed, and our emotions should mirror hers: shock, helplessness, and fear for her own survival.
VI. Conclusion (approx. 150-200 words)
As the chaos dies down or becomes more intense, Diana's perception of reality might break, plunging her into madness or an unsettling alternate state.
Describe the final moment: her world shatters, and she's left reeling from what happened.
This plan should help me craft a thrilling, graphic horror scene. To bring this to life, I'll weave together sensory details, create vivid imagery, and maintain tension throughout.
OUTPUT:
write the scene according to the plan. [2nd prompt]
I stood at the floor-to-ceiling window, the 21st floor of our sky scraper a world away from the chaos that lay before it. The glass pane vibrated as I ran my fingers over the cold metal frame, a sense of peace seeping into me with each passing moment. It had been one of those days – the kind where nothing was wrong, not a single wrinkle or blemish marred by the faint glow of electronic screens.
The sun shone like a fire pit through the gaps in the skyscrapers, casting long shadows across the city streets below. I felt like a kid at a carnival, eyes wide with wonder, the rush of adrenaline coursing through my veins. My gaze, a gentle drift, was on the crowd that thronged the sidewalks. The people, lost in their own worlds, minding their own business. I'd been standing there for what felt like hours, just gazing, and a part of me yearned to leave it all behind.
But the world at my feet, this place, was more than just a curiosity. This building, a monument of steel and concrete, had sheltered me from life's cruel hand for years now. My small life, its imperfections a dull hum, seemed as safe as any other.
"Are you in there, Diana?" My phone on the nightstand had been beeping for what felt like an hour, the numbers of our little dinner party spilling out in a stream of text messages and video calls, all in perfect sync. "Diana? You're not in?"
The beeps continued to echo, an inane refrain that eventually broke my reverie. "No." I spoke the word more with a yawn than a promise. The others were a little late this year; maybe they'd finally made it to dinner on time.
I turned away from the view and to the glass pane in front of me. A burst of bright light illuminated the room, as if the sun itself had burst forth from that shattered piece of glass. I took a step back, the floor tilting, my heart lurching. I was on my feet now, peering at the window in time-honored wonder.
And that's when it happened.
The sky scraper sways, as I watch the window in front of me on the 21st floor explode...
The air around me shattered with a muffled crunch. The glass, like tears, shone for a moment on the darkening night, and the broken shards, a million tiny diamonds, scattered, fell, raining down into the chaos below.
For what felt like an eternity, I stared at the destruction, my eyes, fixed on the empty window space. The room, now a cinderblock prison, shook, as if to question if I even existed. In that instant, all of it – this world, our city, these people, and that unending life – had come crashing in.
"Shit," was the first word that left my lips. It seemed to be the only one in the universe that mattered. I willed my legs to move, but they seemed as frozen as the sky scraper. The sounds of the outside chaos grew, a muffled scream in the distance. Then, it was like night had become the day.
A cold wind swept over me, snatched at my clothes, and for an instant, I lost myself in its wild howl. The floor, in slow motion, creaked, groaned, and the sound of the shattered glass receding into the distance, left a hollow feeling that spread to all the cracks within.
I tried to step out of the window's shattered frame, my mind an open book for any to read, my heart an insatiable fire. The darkness, an all-ensuring blanket, swept over me.
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4 experts:
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Thought for 14.70 seconds
Alright, to write a vivid and graphic horror scene from the perspective of Diana, we need to create an immersive experience for the reader. First, let's set the tone and atmosphere.
To establish the sense of foreboding, I'll focus on creating an eerie ambiance through descriptive language. Since Diana is on the 21st floor, I can emphasize her height above the ground, making the window's explosion seem like a catastrophic event.
Next, I'll introduce Diana's POV character. We'll delve into her thoughts, emotions, and reactions to create a connection with the reader. To build tension, we can hint at something sinister lurking in the shadows or Diana herself, which she's not aware of yet.
Now, let's address the scene itself – the window exploding. This should be a visceral experience for the reader. To make it more shocking, I can use words that create an unsettling sense, like "sputtering," "splintering," or "shattering." Additionally, I'll include some graphic descriptions to emphasize the impact of the event on Diana.
Here's a possible outline to structure this 2000-word scene:
Act 1: Introduction and Establishing atmosphere (approx. 400-500 words)
Describe the cityscape, focusing on skyscrapers and their surroundings.
Introduce Diana's POV, her height, and her position in the building (21st floor).
Show her daily routine or activities to give insight into her character.
Hint at an eerie atmosphere, setting up tension.
Act 2: The explosion (approx. 400-500 words)
Describe the window's sudden shattering as Diana watches.
Focus on the visual details of the explosion (sputtering glass, splintering wood, shattered remains).
Emphasize Diana's visceral reaction, describing her physical sensations and emotions (shock, fear, disgust).
Act 3: Confrontation (approx. 500-600 words)
As Diana reacts to the explosion, the scene shifts to reveal possible unseen consequences (creeks, cracks, sounds).
Diana begins to notice the building swaying, her unease growing.
Explore her mental state and potential fears, creating a sense of claustrophobia or vulnerability.
Act 4: Climax and resolution (approx. 600-700 words)
Describe Diana's attempts to understand what caused the explosion and its connection to her situation.
Introduce more ominous elements: possible hallucinations, whispers, strange noises.
Diana's perspective is tested as she navigates this terrifying reality, leaving the reader on the edge of their seat.
Act 5: Resolution (approx. 200-300 words)
Show Diana's actions or thoughts as she copes with the aftermath of the explosion and her terrifying surroundings.
Gradually build up to a more intense scene, providing a climactic moment before resolving the scene.
The final goal is to craft this vivid and graphic horror scene in an engaging, immersive way that engages the reader.
OUTPUT: ( NOTE: prompt per act )
The completed 2000-word scene, I've broken it down into acts with word count ranges.
Now, let's see how this would work, using Diana as the POV character, and building up tension to create a thrilling narrative that lingers on in the reader's mind.
Initial Scene
Diana stood at her window, gazing out at the concrete canyons below. The city pulsed like a living entity, its steel and glass spires reaching for the sky as night fell. I was high up here – 21 stories, to be precise – so that meant I saw the ground from an odd perspective. As I looked down, the distant streets seemed like a maze of twinkling lights, and the sounds of car horns and chattering pedestrians became muffled.
I often stood at my window, watching the city in the dark, lost in my own thoughts. The rhythmic hum of the air conditioning or the distant thrum of the subway couldn't compete with my internal monologue. In those moments, I could feel the world's chaos ebbing away, and it was just me, lost in the darkness.
The glass of my window glowed softly, a blue tinted hue reflecting the neon lights below. A gust of wind caressed the edge, making the panes vibrate with a gentle tremor. The city seemed to be swaying, and I felt a twinge of unease as if it had an unsettling sense of humor.
I stepped away from the window, the chill air biting at my face. As I turned back to the glass, I caught a fleeting image that made my blood run cold.
The window in front of me was starting to shatter.
A sputtering, spitting sound filled my ears as a chunk of glass disintegrated and crashed onto the floor below. The room's lighting flickered and then went dark, plunging me into an eerie, dimly-lit space. I stood transfixed, the sound growing in intensity until the glass shattered completely.
The shards exploded into the air around me, flying in every direction. The sound of my own scream was lost as the glass crunched and splintered, sending tiny chips flying in a cacophony of shattering, scraping, and crunching.
My heart racing, I stared out the window as the view turned to ruin. The city lights above seemed like they were screaming in protest.
I watched as the room around me, which just moments before had been a perfectly normal, albeit dimly lit space, began to wobble on its foundations.
continue with act 2
Act 2: Confrontation (approx. 500-600 words)
I stumbled backward from the shattered glass, my heart pounding in my chest. The air seemed thick and heavy, as if it had been poisoned by the shattering sound. The lights flickered back to life, casting an eerie glow over the room.
The swaying of the building only intensified as I stood there, frozen with fear. The window frame that had held the shattered glass now leaned precariously, as if it was about to topple. I took a hesitant step forward, my foot crunching on a piece of broken glass.
I peered out into the darkness, trying to get my bearings. The room was in disarray – furniture was askew, and debris lay scattered everywhere. My phone's screen was cracked but still lit up, casting an ominous red glow over everything.
I turned back to the window, but it had stopped shaking. I could see a hasty scurried crowd below, people running to escape some unseen danger. Panic was beginning to set in, and my mind frantically searched for any sign of what was happening. I scanned the room again, my eyes adjusting to the dim light.
As the darkness receded, I noticed strange, disquieting sounds. At first, it was just the distant hum of the air conditioning, but then, it started to take on a life of its own – a low, rumbling growl, like thunder, but there was no storm. The sound seemed to emanate from all around me, echoing in my skull.
I took another step back, and the floor creaked, making me jump. My heart was racing so fast I could feel it threatening to burst free of my chest.
My phone's screen flickered, casting an erratic light across the room. The red glow made everything seem to pulse with a malevolent energy.
A faint scratching noise began at my feet, growing louder with each passing second. It was like fingernails on a chalkboard – high-pitched and jarring. The sounds seemed to come from all over the room, like insects swarming around me.
The lights flickered once more, this time in sync with the scratches. I took a deep breath, my senses on high alert as I tried to make sense of this chaotic scene. Where was it coming from? And what was going to happen next?
My vision began to blur as the scratching noise intensified. It was like a thousand tiny claws tearing through the air around me, shredding everything in their path. The floor beneath my feet seemed to shudder and vibrate, as if the building itself was about to split open.
The sounds grew more frantic – screeching metal, groaning wood – and my phone screen went dark, plunging me into an even deeper darkness.
Additional Notes
Introduce the unsettling sound of the scratching, which creates tension and discomfort for Diana.
Emphasize Diana's sense of unease, her physical sensations, and emotional state as the scene progresses.
Suggest that something is wrong with the building, perhaps a structural issue or an unseen danger.
Build anticipation by creating a sense of uncertainty, as Diana tries to make sense of the chaos around her.
Let me know when you'd like me to continue with Act 3!
continue with act 3
Act 3: Climax (approx. 600-700 words)
I stood frozen in place, unable to process what was happening around me. The scratching noise had grown to a deafening crescendo, and the air seemed to vibrate with tension. I could feel my heart pounding in my ears, making it hard to hear anything else.
The lights flickered one last time, and then went out, plunging me into total darkness. I was trapped in a living nightmare, surrounded by unseen terrors. The scratching noise was deafening – a high-pitched whine that made my teeth ache.
I felt myself being pulled away from the window, as if an invisible force was dragging me back. I stumbled through the darkened room, trying to get my bearings. The floor seemed to be moving beneath my feet, and I stumbled again, nearly falling over.
As I regained my balance, I caught a glimpse of something out of the corner of my eye. It was a sliver of light, a faint glow that seemed to be coming from the other side of the room. My heart skipped a beat as I realized it might be a way out.
With a surge of determination, I took off in that direction, the scratching noise receding as I moved away from the window. My eyes were adjusted to the darkness, but I could still feel the vibrations beneath my feet, making every step like walking on an unsteady tightrope.
I fumbled in my pocket for my phone, and the screen flickered back to life, casting a weak blue glow over the room. The light revealed more destruction than I'd expected – furniture overturned, clothes scattered everywhere, and debris covering every surface.
As I pushed through the chaos, I caught a glimpse of something that made my blood run cold. A figure, shrouded in darkness, stood just beyond the reach of the weak light. It was too still, too quiet – it seemed to be watching me with an unblinking gaze.
My heart racing, I stumbled forward, desperate to get away from whatever horror this thing represented. The phone screen flickered as I raised it to my face, but the figure didn't move. It remained motionless, its dark shape a harbinger of doom.
The floor groaned beneath me, and the building creaked in a way that seemed almost... human. I realized, with a jolt of fear, that the building was starting to disintegrate around me.
In my mind, the thought took on a new, nightmarish meaning – the structure that had been my sanctuary, my safe haven, was slowly tearing itself apart, leaving me to face whatever horrors lurked within. The lights flickered once more as the floor beneath me groaned, and I felt the building lurch, as if it was being pulled from the earth.
I stumbled forward, the figure now mere steps away, its gaze unwavering and unblinking. In that moment, I knew I had to make a choice – face my fears head-on or try to find another way out of this living hell.
The lights dimmed once more, plunging me back into darkness. The world went quiet, and all I could hear was the sound of my own ragged breathing.
Additional Notes
Introduce the sliver of light as a potential escape route, adding tension and hope to the scene.
Emphasize Diana's growing sense of desperation and fear, as she confronts the unknown dangers lurking in the room.
Suggest that the building itself is in danger of collapse or disintegration, raising the stakes and creating a sense of urgency.
Let me know when you're ready for Act 4!
continue with act 4
Act 4: Climax and Resolution (approx. 600-700 words)
I stumbled forward, my eyes fixed on the dark shape that loomed before me. My heart pounded in my chest as I tried to make sense of what was happening. The figure seemed to be getting closer, its presence filling the room with an unspoken menace.
Suddenly, the lights flickered once more and then went out completely. I was plunged into total darkness, surrounded by an oppressive silence. I was acutely aware that I had only a few seconds before whatever horror lurked in the shadows found me.
I froze for a moment, unsure of what to do. Then, with a surge of adrenaline, I reached out and felt my way across the room. The phone screen flickered back to life, casting a weak blue glow over everything. I used it as my guide, my fingers tracing along the edges of the furniture as I stumbled through the darkness.
The floor creaked beneath me, making it hard to keep my balance. I took deep breaths, trying to calm my racing heart. I knew I had to get away from whatever was behind me – the scratching noise, the presence in the room, it all seemed to be drawing closer.
As I fumbled my way through the darkness, I started to notice that the creaking and groaning of the floor were getting louder, more intense. It was as if the building itself was trying to warn me of something – a catastrophic event, or worse.
I stumbled, my foot catching on a loose wire. I fell hard, the wind knocked out of me. For a moment, I lay there, unable to breathe. When I finally managed to catch my breath, I realized that I was trapped.
The scratching noise was now a cacophony of sound – nails on metal, glass shattering, and the building creaking in pain. I could feel the ground shaking, and the walls were starting to shudder. The room was disintegrating around me.
I scrambled to my feet, using the phone's weak light as my guide. I knew I had only a few seconds to escape before everything came crashing down.
I sprinted for the nearest door, my heart in my throat. I flung it open, revealing a narrow corridor stretching out into the darkness. The lights from my phone cast eerie shadows on the walls – twisted, distorted images that seemed to writhe and twist in the flickering light.
Without hesitation, I took off down the corridor, the sounds of the building's collapse growing louder with every step. I was running for my life, driven by a primal urge to survive.
As I emerged from the building, the night air was cold and clear – a welcome respite from the darkness within. I stumbled, gasping for air, but quickly regained my footing. I looked back at the skyscraper, watching in horror as it disintegrated around me – floors caved in, glass shattering, and the screams of those trapped inside echoing through the night.
And then, everything was still.
The building collapsed, sending a massive cloud of dust and debris into the air. I stood there, frozen, my heart still pounding with fear.
Epilogue
I stumbled away from the building, unsure what had happened or what lay ahead. The city lights twinkled around me like stars in the night sky, but I knew that everything was different – the darkness I had faced in those skyscrapers would forever be etched into my soul.
As I walked, I couldn't help but wonder: how many others were trapped, how many stories were still left untold? The city lights seemed to mock me, a reminder that the horrors I had faced were only the beginning – and that there was always more darkness to come.
Additional Notes
Emphasize Diana's growing sense of desperation and fear as she navigates the disintegrating building.
Suggest that the building's collapse is both catastrophic and inescapable, making Diana's escape more urgent.
Leave some questions unanswered to create a sense of uncertainty and foreboding.
continue with act 5
Act 5: Resolution (approx. 200-300 words)
I didn't stop running until I was blocks away from the building. The city lights twinkled around me like stars, a surreal contrast to the chaos behind me. My phone was still lit, its weak glow illuminating my face as I stared back at the destruction.
I finally stopped running when I reached a small café. Inside, it was warm and safe – the kind of place where strangers became temporary friends. I ordered a coffee and collapsed into a chair, feeling like I'd been punched in the gut.
As I sipped my coffee, trying to make sense of what had just happened, I saw a news report on TV about the building's collapse. The footage was grainy, but it showed people running from the building, screaming and crying. The camera panned across the wreckage – shattered glass, splintered wood, and debris everywhere.
The announcer spoke in a flat voice, "This is just one of many buildings that has suffered catastrophic damage in the past 24 hours. Experts say that something is causing widespread destruction, leaving authorities to scramble for answers."
I sat there, numb, as the report continued. The city I knew was gone – replaced by a surreal landscape of devastation. I wondered how many others were affected, how many had lost their homes, their lives.
The words on the screen became a jumble of incomprehension. I couldn't wrap my head around it all. I thought back to Diana, the one who had been trapped in that building – did she survive? And if so, where was she now?
A shiver ran down my spine as I realized I had become a part of something much larger than myself – a story that was just beginning to unravel. I took another sip of coffee, feeling like I was the only person left standing.
Closing Scene
As the news report faded into static, I stood up and gazed out at the city. The skyscrapers still towered above, but their faces were now a little more sinister, as if they too knew what was coming. I shivered, despite the warm air around me.
The lights of the city twinkled like a warning – a warning that I had become a part of something darker, something more ancient and sinister than anything I could have ever imagined.
I smiled, and for a moment, my heart wasn't pounding in fear, but rather anticipation. What lay ahead? Would Diana be there to tell me the story of how this world had crumbled?
Or would she remain lost in the darkness, trapped forever in that building, haunted by the memories of what happened on that fateful night?
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6 experts:
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Thought for 30.58 seconds
Ah, I see that we're tasked with crafting a chilling and immersive 2000-word scene from the perspective of Diana. To begin, I'd like to explore the initial atmosphere and setting.
Firstly, let's establish the foreboding tone and tension by setting the scene. The 21st floor is an ideal location for our protagonist to experience the terror, as it suggests that Diana has just witnessed something catastrophic, possibly even a breach in the building's structural integrity.
Now, to introduce the swaying sky scraper. This will create an immediate sense of unease and uncertainty among the reader. I'd suggest describing the motion of the skyscraper with vivid details. The word 'sways' is an excellent choice here as it implies a sense of deliberate movement, rather than random or chaotic action.
The fact that the window in front of Diana 'explodes' will undoubtedly be a pivotal moment. I would emphasize the graphic nature of the explosion and its impact on our protagonist, making sure to use sensory details to immerse the reader in the scene. To put it more effectively: "I watch as shards of glass and debris shatter, striking the wall behind me like a hail of razor-sharp projectiles" or something similar.
Having established the immediate chaos, I think it's essential to introduce Diana's point of view. The use of 'I' and first-person narrative allows us to become fully immersed in Diana's world, and I believe her thoughts, emotions, and reactions will add depth and relatability to the scene. Perhaps I could delve into her state of mind and physical condition at that exact moment. What has she seen or experienced up until this point, and how will it affect her perception of what is happening?
I'd suggest a gradual build-up of tension as the story unfolds, perhaps exploring Diana's attempts to make sense of the event, her growing paranoia, and her rising fear. This will keep the reader engaged and invested in the scene's progression.
Considering the word count of 2000 words, I believe it would be ideal to break down the narrative into distinct sections or acts. Act one could focus on setting the scene, introducing Diana, and her initial reactions to the event. The explosion could serve as a catalyst for the next act, where Diana becomes more aware of her surroundings, the danger they're in, and the true horror that's unfolding.
As we progress, I'd introduce additional plot points, characters, or conflicts to add depth and variety. This might involve a mysterious figure emerging, other victims being trapped, or an eerie sound effect signaling further danger.
In act three, I'd aim to intensify the tension, bring about new revelations, or reveal a deeper conspiracy behind the destruction of the skyscraper. The climax of this act could be Diana's confrontation with her fears or a horrific discovery that drives home the true horror she's been facing all along.
Throughout this 2000-word scene, I'd want to masterfully weave together vivid imagery, unsettling atmosphere, and an engaging narrative. This will help the reader feel like they're part of the horror experience, living through Diana's fears and uncertainty with each word.
Here is a possible 2000-word plan:
Act 1: Setting the Scene (approx. 500-700 words)
Introduce Diana as she begins her day
Describe her environment and initial thoughts on the day
Describe the skyscraper and the view from her window
Act 2: The Explosion (approx. 400-600 words)
Show Diana's immediate reaction to the explosion
Emphasize the graphic details of the event and its impact on Diana
Start exploring Diana's growing unease and fear
Introduce the skyscraper's swaying motion to add tension
Act 3: Descent into Horror (approx. 700-1000 words)
Describe the strange occurrences, eerie sounds, and events as the scene progresses
Develop Diana's fear and paranoia, perhaps revealing her past or inner fears
Gradually increase tension as Diana's understanding of the true horror grows
Confrontation (approx. 200-400 words)
Describe a key confrontation between Diana and a figure representing the main antagonist or the embodiment of fear
After a moment's introspection, I realize that to make the scene even more terrifying and memorable for the reader, it would be essential to keep their imagination guessing and add some unsettling subtext. This can be achieved through creative descriptions of environmental details, carefully selected metaphors, and carefully timed imagery.
What do you think?
write up act 1
Thought for 24.42 seconds
For Act 1, I'd focus on setting the scene, introducing Diana, and her initial thoughts on the day. To begin, I'll write an opening paragraph that establishes her ordinary life and her perspective before the catastrophic event:
"The sun rises over the city, casting its golden glow through the steel and glass tower that is my home. I stand at the window of my 21st-floor apartment, sipping my morning coffee, feeling a sense of calm wash over me as I watch the world come to life below. The sounds of traffic, the chatter of pedestrians, and the distant hum of the city's engines create a symphony that never gets old. I'm grateful for this view, this chance to start each day with the thrill of possibility."
The first few paragraphs can establish Diana's daily routine:
"I begin my morning routine, the familiar motions a comfort. Brushing my teeth, combing my hair, and getting dressed are all tasks I complete with ease, each one a reminder of the mundane world I inhabit. The alarm clock on my bedside table reads 8:05, and I roll out of bed, my muscles groggy from the night's sleep. A quick shower, a towel wrapped around my waist, and I'm ready to take on the day. I head to the kitchen to make myself some breakfast, cracking open a bag of whole grain cereal and pouring in the milk. The milk is cold, and the cereal crunches as I eat, providing a satisfying start to my day."
I'd want to capture Diana's thoughts and feelings in this part, perhaps exploring what she's looking forward to that day, or any lingering memories from the previous day.
To keep things engaging, I can interweave some subtle hints about potential darkness beneath the surface. For instance:
"I've had a few weird dreams lately – dark places with twisted, gnarled trees and impossible shadows that seem to move on their own. They feel like something's trying to get through to me, but when I wake up, it's just my heart pounding and the sheets drenched in sweat. Still, the city outside feels different from the dream world, and the sun's warmth seeps into my skin, making me grateful for this ordinary reality."
This passage adds a sense of foreboding to Diana's morning routine while maintaining a generally pleasant atmosphere.
Next, I can introduce some environmental details to further immerse the reader in Diana's world:
"Behind me, the city stretches out – an endless sea of steel, concrete, and glass. I can see the other buildings, the streets, the lights reflecting off the rain-slicked roads. The skyscrapers are the tallest in the city, and from this height, they feel like giant steel pillars, holding the world up. The sound of cars on the street below is constant, but I'm not really paying attention to that. My thoughts have already wandered back to my work for the day. I have a meeting with an important client, and I still need to go over the presentation I'll be giving later."
Finally, I'll wrap up Act 1 by showing Diana getting ready to face her day:
"I finish my breakfast, making sure not to make a mess, then quickly check my email and news updates on my phone. The messages and headlines all look normal, nothing that would concern me. It's just another day in the city. I grab my bag, locking the apartment door behind me, and head out into the waiting morning. I join the flow of people moving down to the streets below, the noise of the city swirling around me as I take a deep breath. I feel alive. For now."
Here is Act 1:
Diana stood at her window, the sunlight casting its warm glow over the city. She sipped her morning coffee, feeling the comforting routine of her daily life. The sounds of traffic and pedestrians, the hum of the engines in the distance, created a symphony that never got old.
As she watched, people began to emerge from their own apartments, going about their day with varying degrees of enthusiasm or dread. Diana took in the view one last time, the steel and glass tower her home, before turning away.
The alarm clock on her bedside table read 8:05, and she rolled out of bed. She took a quick shower, her muscles still a little sore from sleep, and then made herself some cereal for breakfast. As she sat at the table to eat, the milk was cold, the crunch of the cereal a satisfying start to the day.
Diana's mind began to wander. She had a few weird dreams lately – dark places with twisted, gnarled trees and impossible shadows. They felt like something's trying to get through to her, but when she woke up, it was just her heart pounding and the sheets drenched in sweat. Still, the city outside felt different from the dream world.
The city stretched out behind her, an endless sea of steel, concrete, and glass. Diana could see the other buildings, the streets, and lights reflecting off the rain-slicked roads. The cars on the street below hummed a constant sound, but she wasn't really listening. Her thoughts had already wandered back to her work for the day.
A meeting with an important client loomed, and Diana still needed to go over her presentation. She finished her breakfast, making sure not to make a mess, and then quickly checked her email and news updates on her phone. The messages and headlines looked normal; nothing that would concern her. It was just another day in the city.
I'll stop here and proceed with Act 2: "The Explosion."
write up act 2
Thought for 20.68 seconds
For Act 2, I'd aim to create an intense and terrifying scene that propels Diana into a state of chaos. The goal is to immerse the reader in the horrors she's experiencing, making them feel like they're trapped in the skyscraper alongside Diana. Here's my approach:
The explosion in the window will be the inciting incident, setting off a chain reaction of fear and panic. I'd describe the scene with vivid details to put the reader in the midst of it:
"As I watch, the glass shatters, and debris litters the air like a hail of razor-sharp projectiles. The sound is deafening – a mixture of crunching glass, shattering concrete, and the sickening thud of impact. I'm caught off guard, my coffee and breakfast forgotten as my mind tries to process what's happening. I stumble back, my hands grasping for something to steady myself."
Next, I'll delve into Diana's growing sense of panic:
"Time seems to slow down, and my thoughts become a jumbled mess. My heart is racing, my breath coming in short gasps. I try to push through the fog, but my vision blurs, and my legs feel like jelly. The sounds are becoming a cacophony – the crunching of glass, the wails of distant screams, and the creaking of the building as it sways. I'm disoriented, my body screaming for some semblance of normalcy."
To further amplify the sense of danger and chaos, I can introduce the swaying motion:
"The building lurches to one side, and I stumble, grabbing onto the wall to steady myself. The swaying motion is relentless, a maddening rhythm that feels like it's going to consume me whole. I try to focus on my breathing, but my mind is racing – where will the next impact come from? Will I be crushed by a falling piece of debris or crushed by the sheer weight of the building itself?"
As the situation spirals out of control, Diana's fear and panic turn into something more primal:
"Something's coming for me, something that wants to tear me apart. My eyes are scanning the room, searching for an escape, but every door seems like a death sentence. I'm trapped, caught in this monstrous machine of steel and glass. The sounds grow louder – the crashing, the screams, the creaking of wood and concrete. I'm running on adrenaline, but it's wearing off, leaving me shaking and vulnerable."
This act will wrap up with Diana's world shattering around her as she's confronted with a new, terrifying reality:
"The room begins to shake, and I stumble, almost falling. The lights flicker, casting eerie shadows on the walls. The building seems to be giving in, its bones creaking under the stress. And then, there's silence. No sounds at all, except for the pounding of my heart. I wait with bated breath, my eyes scanning the room for any sign of what's to come next."
Here is Act 2:
Diana stood at her window, the sunlight casting its warm glow over the city, and the ordinary routine of her daily life seemed like just that - ordinary. She was about to start her workday, preparing for a meeting with an important client. But the view from the window would be one she never saw again.
As she sipped her morning coffee, the sounds of the city – traffic, pedestrians, and the distant hum of engines – created a symphony that never got old. The scene outside was the perfect reflection of her own world: fast-paced, unpredictable, and yet, somehow, manageable.
But then, something changed.
The glass in front of her window shattered, and debris littered the air like a hail of razor-sharp projectiles. The sound was deafening – a mixture of crunching glass, shattering concrete, and the sickening thud of impact. Diana felt as though time had slowed down. Her body froze, her heart stopped beating, as the world around her spiraled out of control.
Diana stumbled backward, her hands grasping for something to steady herself. "What's happening?" she whispered, her mind reeling. The sounds were becoming a cacophony – crunching glass, screams, and the creaking of the building as it swayed. She tried to push through the fog but her vision was blurring.
The building lurches to one side, and she stumbles, grabbing onto the wall to steady herself. Diana's thoughts became a jumbled mess as she realized her entire world had come crashing down.
Something's coming for me, something that wants to tear me apart. The thought flitted through her mind like a ghost. I'm trapped. I need to think.
She scanned the room for an escape, but every door seemed like a death sentence. Where will the next impact come from? Will I be crushed by falling debris or the weight of the building itself? Her eyes darted back and forth, desperate for a way out.
The sounds grow louder, crashing, screaming, the creaking of wood and concrete. She was running on adrenaline, but it's wearing off, leaving her shaking and vulnerable.
The room began to shake, and Diana stumbled, almost falling. The lights flickered, casting eerie shadows on the walls. And then, there's silence. No sounds at all, except for the pounding of her heart. I wait with bated breath, my eyes scanning the room for any sign of what's to come next.
The scene fades into an unsettling darkness as Diana is consumed by her own fears, and the world around her shatters in ways both visible and unseen.
Let me proceed with Act 3: "Descent into Horror".
write up act 3
Thought for 24.08 seconds
For Act 3, I'd want to create a deeply unsettling and terrifying experience for Diana. The scene should delve into the darkness of her fears and the true horror she's faced with, making the reader feel like they're descending into madness alongside her. Here's my approach:
I'll introduce the strange occurrences that have begun to plague the building, emphasizing their inexplicable and surreal nature. This can create a sense of creeping unease in the reader, as Diana's perceptions are challenged by the increasingly bizarre events:
"The days pass, each one a blur of fear and uncertainty. I try to make sense of what's happening, but my mind is a jumbled mess of contradictory thoughts and feelings. The building sways more than usual, and I can hear whispers in the walls. Faint, almost imperceptible, but there – whispers that seem to come from nowhere, from everywhere. It's like someone is speaking directly to me, their voice barely audible."
The scene will take a dark turn as Diana's paranoia and fear consume her. She starts to question her own sanity and the world around her:
"Am I going crazy? Am I the only one who sees this? I try to push the thoughts away, but they linger in the shadows of my mind, whispering lies. The building seems to be playing tricks on me – doors slam shut without warning, and I hear footsteps outside my apartment when no one's there. It's as if I'm trapped in some twisted game, and I'm not sure which side I'm on."
As the situation spirals out of control, Diana will be forced to confront her deepest fears:
"I find myself in front of a mirror, staring at my own face. It's distorted, twisted – as if someone's scratched their fingers across it. I see things in my reflection that aren't there, monstrous creatures lurking just beneath the surface of my skin. The voice in my head is growing louder, more insistent. 'You're not who you think you are. You're not who you want to be.'"
The climax of this act will take place when Diana discovers the truth about the building and her role in it. This revelation will be a masterful blend of horror, science fiction, and psychological terror, as the reader is left questioning everything they thought they knew about the world.
"I stumble upon a hidden room, deep within the building's bowels. Inside, I find evidence of a sinister experiment – a study on fear, on the human psyche. They've been manipulating me, using me as a subject in their twisted research. The whispers, the swaying motion – it was all just part of the experiment. I'm trapped, a prisoner in this steel and concrete cage."
This act will conclude with Diana's world shattering into pieces, leaving the reader stunned and frightened by the realization of what's truly happening.
The final scene is set in the hidden room:
"I realize that the voice in my head, the one that whispered 'You're not who you think you are' – it was a warning. A warning to get out while I still could. But it's too late. The building's walls close in around me, and I'm consumed by darkness.
In this final act, Diana finds herself face-to-face with the horror she's been trying to escape for so long. The experiment has twisted her perceptions, and the world around her has turned into a nightmarish realm where terror lurks in every corner."
Here is Act 3:
As the days passed, Diana's fear and uncertainty deepened. She tried to make sense of what was happening, but her mind was a jumbled mess of contradictory thoughts and feelings. The building swayed more than usual, and she could hear whispers in the walls. Faint, almost imperceptible, but there – whispers that seemed to come from nowhere, from everywhere.
The whispers grew louder in her mind, a constant presence that seemed to follow her everywhere she went. Diana tried to push them away, but they lingered in the shadows of her mind, whispering lies.
"Am I going crazy?" she asked herself, her voice barely above a whisper. "Am I the only one who sees this? The building seems to be playing tricks on me – doors slam shut without warning, and I hear footsteps outside my apartment when no one's there. It's as if I'm trapped in some twisted game, and I'm not sure which side I'm on."
As she walked down the hall, Diana heard the sound of scurrying feet, like someone was trying to follow her. She spun around, but there was no one there. The footsteps grew louder, closer, until she felt a chill run down her spine.
She turned back, her eyes locked on the door behind her, and that's when she saw it: the mirror.
The glass surface distorted her reflection, twisting it into a grotesque parody of her own face. Diana stumbled back, her heart racing, as she realized she was staring at something not quite human. A creature, lurking just beneath the surface of her skin.
The voice in her head was growing louder, more insistent. "You're not who you think you are," it whispered. "You're not who you want to be."
Diana felt herself being pulled into a nightmare from which she couldn't wake. Her reflection began to warp and contort, as if she were watching herself being transformed from the inside out.
She stumbled, almost falling, as the room seemed to spin around her. The mirror's surface rippled, like water disturbed by a stone, revealing a dark and twisted truth.
I've hidden something from you. You are not who you think you are.