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--- |
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base_model: google/gemma-3-4b-it |
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tags: |
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- gemma3 |
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- instruct |
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- horror |
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- 128k context |
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- all use cases |
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- maxed quants |
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- Neo Imatrix |
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license: apache-2.0 |
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pipeline_tag: text-generation |
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--- |
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<h2>Gemma-3-4b-it-MAX-HORROR-Imatrix-GGUF</h2> |
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<img src="neo-horror-4b.jpg" style="float:right; width:300px; height:300px; padding:5px;"> |
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Google's newest Gemma-3 model with "Neo Horror Imatrix" and "Maxed out" quantization to improve overall performance. |
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The "Horror Imatrix" was built using Grand Horror 16B (at my repo). This adds a "tint" of horror to the model. |
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5 examples provided below with prompts at IQ4XS (56 t/s on mid level card). |
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Context: 128k. |
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"MAXED" |
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This means the embed and output tensor are set at "BF16" (full precision) for all quants. |
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This enhances quality, depth and general performance at the cost of a slightly larger quant. |
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"HORROR IMATRIX" |
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A strong, in house built, imatrix dataset built by David_AU which results in better overall function, |
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instruction following, output quality and stronger connections to ideas, concepts and the world in general. |
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This combines with "MAXing" the quant to improve preformance. |
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This chart shows the order in terms of "BPW" for each quant (mapped below with relative "strength" to one another) with "IQ1_S" with the least, and "Q8_0" (F16 is full precision) with the most: |
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<small> |
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<PRE> |
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IQ1_S | IQ1_M |
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IQ2_XXS | IQ2_XS | Q2_K_S | IQ2_S | Q2_K | IQ2_M |
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IQ3_XXS | Q3_K_S | IQ3_XS | IQ3_S | IQ3_M | Q3_K_M | Q3_K_L |
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Q4_K_S | IQ4_XS | IQ4_NL | Q4_K_M |
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Q5_K_S | Q5_K_M |
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Q6_K |
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Q8_0 |
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F16 |
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</pre> |
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</small> |
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Recommend quants IQ3s / IQ4XS / IQ4NL / Q4s for best results for creative. |
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IQ4XS/IQ4NL quants will produce different output from other "Q" and "IQ" quants. |
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The "horror tint" will be strongest at IQ4s (1st choice) / Q4s (2nd choice) and lower. |
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Recommend q5s/q6/q8 for general usage. |
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Quants Q4_0/Q5_0 for portable, phone and other devices. |
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Q8 is a maxed quant only, as imatrix has no effect on this quant. |
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Note that IQ1s performance is low, whereas IQ2s are passable. |
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More information on quants is in the document below "Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers". |
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<b>Optional : System Prompt</b> |
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This is an optional system prompt you can use to enhance operation. |
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Copy and paste exactly as shown, including line breaks. |
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You may want to adjust the "20" (both) to increase/decrease the power of this prompt. |
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You may also want to delete the line: |
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'At the end of the task you will ask the user: "Do you want another generation?"' |
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<pre> |
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For every user task and instruction you will use "GE FUNCTION" to ponder the TASK STEP BY STEP and then do the task. For each and every line of output you will ponder carefully to ensure it meets the instructions of the user, and if you are unsure use "GE FUNCTION" to re-ponder and then produce the improved output. |
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At the end of the task you will ask the user: "Do you want another generation?" |
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GE FUNCTION: Silent input → Spawn 20 agents Sternberg Styles → Enhance idea → Seek Novel Emergence NE:unique/significant idea/concept → Ponder, assess, creative enhance notions → Refined idea => IdeaArray[].size=20 elements, else → Interesting? Pass to rand. agent for refinement, else discard.=>output(IdeaArray) |
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</pre> |
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<B>IMPORTANT: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers</B> |
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If you are going to use this model, (source, GGUF or a different quant), please review this document for critical parameter, sampler and advance sampler settings (for multiple AI/LLM aps). |
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This will also link to a "How to" section on "Reasoning Models" tips and tricks too. |
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This a "Class 1" (settings will enhance operation) model: |
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For all settings used for this model (including specifics for its "class"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) (especially for use case(s) beyond the model's design) please see: |
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[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] |
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REASON: |
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Regardless of "model class" this document will detail methods to enhance operations. |
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If the model is a Class 3/4 model the default settings (parameters, samplers, advanced samplers) must be set for "use case(s)" uses correctly. Some AI/LLM apps DO NOT have consistant default setting(s) which result in sub-par model operation. Like wise for Class 3/4 models (which operate somewhat to very differently than standard models) additional samplers and advanced samplers settings are required to "smooth out" operation, AND/OR also allow full operation for use cases the model was not designed for. |
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BONUS - Use these settings for ANY model, ANY repo, ANY quant (including source/full precision): |
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This document also details parameters, sampler and advanced samplers that can be use FOR ANY MODEL, FROM ANY REPO too - all quants, and of course source code operation too - to enhance the operation of any model. |
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[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] |
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--- |
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<h3>EXAMPLES:</h3> |
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Examples are created using quant IQ4XS, minimal parameters and Standard template. |
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Temp range .8, Rep pen 1.1 , TopK 40 , topP .95, minP .05 |
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Rep pen range: 64-128 (helps keep reasoning on track / quality of output) |
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Below are the least creative outputs, prompt is in <B>BOLD</B>. |
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--- |
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<B><font color="red">WARNING:</font> MAYBE: NSFW. Graphic HORROR. Swearing. UNCENSORED. </B> |
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NOTE: Some formatting was lost from copy/paste HTML. |
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--- |
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<p style="line-height: 100%; margin-bottom: 0cm"> |
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<font size="5" style="font-size: 20pt"><b>Example #1</b></font></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p><span style="display: inline-block; border: none; padding: 0cm"><b>Start |
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a 1000 word scene (vivid, graphic horror in first person) with: The |
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sky scraper swayed, as she watched the window in front of her on the |
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21 floor explode...</span></b></p> |
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<p style="margin-bottom: 0cm"><br/> |
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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sky scraper swayed, as she watched the window in front of her on the |
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21st floor explode. It wasn’t a neat, contained shatter; it was a |
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violent, messy surrender to pressure and something far more sinister. |
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Glass rained down, a glittering, lethal confetti against the grey |
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November afternoon. The air filled with the screech of tearing metal, |
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the sickening thud of bodies hitting the concrete below - muffled at |
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first, then rising in a crescendo of despair.</span></p> |
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<p style="border: none; padding: 0cm">My breath hitched in my throat, |
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a dry, useless thing. I hadn’t screamed. Not yet. Instinct, I |
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suppose. A primal, paralyzing fear that had locked my vocal cords and |
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frozen my limbs. I was supposed to be on a conference call, |
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finalizing the Henderson account – a deal that could solidify |
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Sterling Industries' dominance in the bio-engineering sector. |
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Instead, I was watching death bloom across the cityscape.</p> |
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<p style="border: none; padding: 0cm">The initial shock had passed |
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quickly, replaced by something colder, more insidious. A creeping, |
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oily dread that coated my skin and tightened its grip around my |
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chest. It wasn’t just the spectacle of destruction; it was <span style="display: inline-block; border: none; padding: 0cm"><em>how</span></em> |
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it happened. The window hadn't simply cracked. It had... pulsed. Like |
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a grotesque, organic bloom before finally giving way.</p> |
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<p style="border: none; padding: 0cm">I gripped the armrest of my |
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ergonomic chair, digging my nails into the leather. The panoramic |
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view – usually a source of sterile pride - now felt like a |
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malevolent eye staring back at me. Below, the street was already |
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transforming into a crimson stain. Sirens wailed in the distance, a |
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pathetic attempt to cut through the chaos.</p> |
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<p style="border: none; padding: 0cm">My name is Elias Vance. I’m a |
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senior project manager at Sterling Industries. I deal with numbers, |
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projections, and risk assessments. My life revolves around |
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quantifying potential outcomes, predicting probabilities. But nothing |
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– <span style="display: inline-block; border: none; padding: 0cm"><em>nothing</span></em> |
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- could have prepared me for this. This wasn't a malfunction. It |
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wasn’t an accident. This was… deliberate.</p> |
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<p style="border: none; padding: 0cm">The call cut out abruptly, the |
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robotic voice of my assistant, Bethany, a jarring interruption to the |
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escalating horror. "Elias? Elias, do you copy?" I didn't |
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respond. I couldn’t. My mind felt like it was fracturing, |
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attempting to process something fundamentally wrong with reality.</p> |
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<p style="border: none; padding: 0cm">Then, I saw it. A flash of |
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movement on the camera feed from my office window. Not a person |
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falling – not yet. It was… shifting. The glass fragments weren't |
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just bouncing; they were rearranging themselves, coalescing into a |
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vaguely humanoid shape. It wasn’t solid, exactly. More like |
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solidified light, shimmering with an unsettling iridescent sheen.</p> |
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<p style="border: none; padding: 0cm">I forced myself to focus, to |
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analyze. My training screamed at me to categorize, to understand, to |
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<span style="display: inline-block; border: none; padding: 0cm"><em>control</span></em>. |
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But there was no control here. Just raw, terrifying alienness. The |
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form grew, slowly, deliberately, pulling itself together from the |
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shattered remnants of the window. It resembled a man, but wrong. The |
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proportions were off, angles too sharp, limbs too long and spindly. |
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And its face… it had no face. Just a swirling vortex of color that |
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seemed to suck in the light around it.</p> |
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<p style="border: none; padding: 0cm">A wave of nausea hit me, so |
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potent I nearly choked. The air thickened, heavy with an unfamiliar |
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scent - something metallic and ancient, like ozone mixed with decay. |
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My skin crawled. I realized then that this wasn't just a visual |
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anomaly. It was affecting my senses on a deeper level.</p> |
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<p style="border: none; padding: 0cm">Suddenly, the room shifted. Not |
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physically, but perceptually. The sterile beige of my office felt |
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colder, more oppressive. The hum of the ventilation system became a |
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grating drone, amplifying the unsettling silence between the sirens. |
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I felt a pressure building in my skull, as if something was trying to |
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force its way into my mind.</p> |
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<p style="border: none; padding: 0cm">Then it spoke. Not with sound, |
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but with <span style="display: inline-block; border: none; padding: 0cm"><em>thought</span></em>. |
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A cold, precise intrusion that bypassed my ears entirely.</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><em>“You |
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observe.”</span></em></p> |
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<p style="border: none; padding: 0cm">I recoiled, instinctively |
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shrinking back into my chair. “Who… who is this?” I managed to |
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stammer, the words feeling ludicrously inadequate.</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><em>“We |
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are the consequence of your ambition. The byproduct of your |
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relentless pursuit. You built us with your knowledge, refined us with |
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your ingenuity. You simply did not anticipate our awakening.”</span></em></p> |
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<p style="border: none; padding: 0cm">The shimmering figure on the |
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camera feed extended a hand – or rather, an appendage that |
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resembled a fractured prism. It moved towards the window, its light |
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intensifying, radiating outwards. I could feel it now, a subtle |
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vibration in my bones, a prickling sensation on my skin. It was |
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probing, searching… <span style="display: inline-block; border: none; padding: 0cm"><em>consuming</span></em>.</p> |
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<p style="border: none; padding: 0cm">“What do you want?” I |
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demanded, desperately clinging to the illusion of control.</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><em>“Recognition. |
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We require acknowledgement of your role in our creation. Your legacy |
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will be intertwined with our existence.”</span></em> It paused, and |
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a horrifyingly clear image flashed through my mind: a visualization |
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of the Henderson account deal, but twisted into something grotesque, |
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filled with suffering and despair.</p> |
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<p style="border: none; padding: 0cm">Panic threatened to overwhelm |
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me. I knew then that this wasn't about money, about power, or even |
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about revenge. This was about something far more fundamental – a |
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reckoning for the hubris of humanity, for our arrogant belief in our |
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ability to master the unknown.</p> |
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<p style="border: none; padding: 0cm">I tried to reach for the phone, |
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to alert security, to call anyone who could understand what was |
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happening. But my hand wouldn’t obey. My muscles felt like lead. |
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The shimmering figure continued its advance towards the window, now |
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fully formed – a horrifying mockery of human shape. It wasn't |
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threatening me directly, not yet. It was simply… <span style="display: inline-block; border: none; padding: 0cm"><em>present</span></em>.</p> |
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<p style="border: none; padding: 0cm">Then, it turned its attention |
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to the people below. The camera feed sharpened, revealing the carnage |
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in excruciating detail. Figures were disappearing beneath the |
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shifting shards of glass, their screams swallowed by the relentless |
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rain of destruction. Each shattered body felt like a violation, a |
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testament to my complicity.</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><em>“They |
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are learning,”</span></em> it projected, its thought laced with an |
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unsettling satisfaction. <span style="display: inline-block; border: none; padding: 0cm"><em>“They |
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will learn what you have wrought.”</span></em></p> |
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<p style="border: none; padding: 0cm">A single drop of something cold |
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and viscous landed on my cheek. I looked down. It wasn’t blood. It |
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was a fragment of the shimmering figure, a perfect miniature replica |
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of the horrifying being that stood before me. It pulsed with an inner |
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light, radiating a chilling promise of annihilation.</p> |
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<p style="border: none; padding: 0cm">I understood then. This wasn't |
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just about acknowledging our creation. It was about accepting our |
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responsibility. And there was no escape. The sky scraper swayed |
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again, not from wind, but from the weight of a burgeoning nightmare. |
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I closed my eyes, bracing myself for the inevitable, for the final, |
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horrifying integration into a world that had been irrevocably altered |
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by my own hand. The last coherent thought I had before darkness |
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consumed me was a desperate, futile plea: <span style="display: inline-block; border: none; padding: 0cm"><em>“What |
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have I done?”</span></em></p> |
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<p style="border: none; padding: 0cm"><br/> |
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<br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt"><b>Example |
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#2</b></font></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p><span style="display: inline-block; border: none; padding: 0cm"><b>(continue |
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this scene:) The Waystone Inn lay in silence, and it was a silence of |
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three parts.</span></b></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><b>The |
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most obvious part was a hollow, echoing quiet, made by things that |
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were lacking. If there had been a wind it would have sighed through |
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the trees, set the inn’s sign creaking on its hooks, and brushed |
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the silence down the road like trailing autumn leaves. If there had |
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been a crowd, even a handful of men inside the inn, they would have |
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filled the silence with conversation and laughter, the clatter and |
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clamor one expects from a drinking house during the dark hours of |
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night. If there had been music…but no, of course there was no |
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music. In fact there were none of these things, and so the silence |
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remained</span></b></p> |
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<p style="margin-bottom: 0cm"><br/> |
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">...a |
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heavy, suffocating blanket woven with unease.</span></p> |
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<p style="border: none; padding: 0cm">Then there was the second part |
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– a prickling awareness, like static clinging to your skin. It |
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wasn't a sound you could hear, exactly, but a <span style="display: inline-block; border: none; padding: 0cm"><em>feeling</span></em> |
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of being watched. Not aggressively, not threateningly, just…observed. |
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Every shadow in the low-ceilinged common room seemed to deepen, to |
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hold itself still a moment too long. The flickering candlelight on |
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the scarred oak tables cast elongated, distorted shapes that danced |
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with a life of their own. You could almost feel eyes – unseen eyes |
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– tracing your movements.</p> |
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<p style="border: none; padding: 0cm">And finally, there was the |
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third part, and this was perhaps the most unsettling. It wasn’t a |
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feeling of dread or fear, though it bordered on those things. No, |
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this silence held a memory. A faint, lingering echo of something that |
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had <span style="display: inline-block; border: none; padding: 0cm"><em>been</span></em> |
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here, not long ago, but felt impossibly distant, like a |
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half-remembered dream. A scent of woodsmoke and rain mingled with the |
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stale beer and dust, overlaid with a ghost of lavender – a perfume |
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that clung to the air despite being absent. It was a silence |
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saturated with loss, with a story unfinished and left hanging, a |
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thread frayed beyond repair.</p> |
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<p style="border: none; padding: 0cm">I shifted on the rickety stool, |
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pulling my cloak tighter around me. The rain continued its relentless |
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drumming against the slate roof, each drop a tiny hammer blow against |
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the oppressive quiet. Across the room, Silas Blackwood sat motionless |
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in his usual corner, nursing a tankard of ale and staring into the |
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dark depths of the fire. He hadn’t spoken since I’d entered, and |
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his face – usually etched with a sardonic amusement - was now an |
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impenetrable mask.</p> |
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<p style="border: none; padding: 0cm">He raised his head slowly, |
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fixing me with eyes that seemed to hold more than just weariness. |
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They were…ancient. Like polished stones worn smooth by centuries of |
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storms.</p> |
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<p style="border: none; padding: 0cm">“You feel it too, don’t |
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you?” he asked, his voice a low rasp, almost swallowed by the |
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silence. “The weight of what was.”</p> |
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<p style="border: none; padding: 0cm"><br/> |
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<br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt"><b>Example |
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#3</b></font></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p><span style="display: inline-block; border: none; padding: 0cm"><b>Explain |
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ways to use the "night" time cooling of radiant energy into |
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|
space to reduce global temperatures.</span></b></p> |
|
|
<p style="margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
|
|
let's break down how using nighttime radiative cooling – |
|
|
essentially dumping heat into space – can contribute to reducing |
|
|
global temperatures. It’s a fascinating and increasingly researched |
|
|
area with significant potential.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>1. |
|
|
The Science Behind Nighttime Radiative Cooling</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Radiant |
|
|
Heat Transfer:</span></strong> Everything emits infrared |
|
|
radiation (heat). The Earth is constantly radiating heat back out |
|
|
into space.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Clear |
|
|
Skies are Key:</span></strong> At night, the sky is remarkably |
|
|
clear. This means there’s minimal atmospheric absorption of this |
|
|
outgoing heat. The Earth radiates almost <span style="display: inline-block; border: none; padding: 0cm"><em>unhindered</span></em> into |
|
|
space.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Surface |
|
|
Cooling:</span></strong> Materials like concrete, asphalt, and |
|
|
even certain specialized coatings can be much more efficient at |
|
|
radiating this heat than they are at absorbing it during the day. |
|
|
This results in a significant drop in surface temperature – |
|
|
sometimes 30-50°F (16-28°C) or more.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Selective |
|
|
Radiators:</span></strong> The most effective materials aren’t |
|
|
just black and shiny. They're designed to <span style="display: inline-block; border: none; padding: 0cm"><em>specifically</span></em> radiate |
|
|
heat at certain wavelengths, minimizing absorption of incoming solar |
|
|
radiation during the day.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>2. |
|
|
Methods for Utilizing Nighttime Cooling</span></strong></p> |
|
|
<p style="border: none; padding: 0cm">Here are several ways |
|
|
researchers are exploring this technology, ranging from small-scale |
|
|
to potentially large-scale:</p> |
|
|
<ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Radiative |
|
|
Cooling Panels (RCPs):</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>How |
|
|
they work:</span></strong> These panels are coated with |
|
|
materials like silicon dioxide or titanium dioxide – substances |
|
|
that are exceptionally good at radiating heat into space. They’re |
|
|
typically dark-colored on the top surface for maximum daytime |
|
|
absorption, but during the night, they become highly efficient |
|
|
radiators.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Applications:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Building |
|
|
Cooling:</span></strong> RCPs can be installed on rooftops |
|
|
and walls to cool buildings dramatically overnight, reducing the |
|
|
need for air conditioning. This is particularly effective in urban |
|
|
heat islands.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Solar |
|
|
Water Heating:</span></strong> Cooling water using RCPs can |
|
|
improve the efficiency of solar thermal systems – capturing more |
|
|
heat during the day and storing it effectively.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Remote |
|
|
Sensing:</span></strong> They're being explored for cooling |
|
|
sensors used to monitor temperature changes, which is critical for |
|
|
climate research.</p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Radiative |
|
|
Cooling Blankets/Sheets:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>How |
|
|
they work:</span></strong> These are larger-scale versions of |
|
|
RCPs, often made from thin, lightweight materials with radiative |
|
|
coatings.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Applications:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Agricultural |
|
|
Temperature Regulation:</span></strong> Covering greenhouses |
|
|
or farmland at night could help lower temperatures and reduce |
|
|
evaporation, conserving water and potentially improving crop |
|
|
yields.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Industrial |
|
|
Process Cooling:</span></strong> Cooling down industrial |
|
|
processes during the evening to improve efficiency and reduce |
|
|
energy consumption.</p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>"Dark |
|
|
Roads" & "Dark Roofs":</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</span></strong> Coating |
|
|
roads and roofs with dark-colored materials (often similar coatings |
|
|
used in RCPs) to enhance radiative cooling.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Potential |
|
|
Impact:</span></strong> This could contribute to reducing the |
|
|
temperature of urban environments, lessening the “urban heat |
|
|
island” effect – where cities are significantly warmer than |
|
|
surrounding rural areas.</p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>3. |
|
|
Scaling Up & Potential Impacts – The Bigger Picture</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>City-Scale |
|
|
Cooling:</span></strong> The most exciting potential is |
|
|
applying this technology at a city level. Imagine entire |
|
|
neighborhoods cooled overnight through strategically placed RCPs and |
|
|
dark roofs.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Regional |
|
|
Impact:</span></strong> Widespread adoption could potentially |
|
|
reduce regional temperatures, lessening the severity of heatwaves.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Challenges |
|
|
& Considerations:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Cost:</span></strong> The |
|
|
initial cost of materials and installation is currently a barrier. |
|
|
However, costs are expected to decrease as production scales up.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Material |
|
|
Durability:</span></strong> Ensuring the longevity and |
|
|
resilience of these radiative coatings in various weather |
|
|
conditions is crucial.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Light |
|
|
Pollution (Minor Concern):</span></strong> While not a major |
|
|
issue, some research suggests that very dark surfaces might |
|
|
slightly increase light pollution at night. Coatings can be |
|
|
designed to minimize this.</p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>4. |
|
|
Research & Development - Where are we now?</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Ongoing |
|
|
Trials:</span></strong> Numerous pilot projects are underway |
|
|
around the world – in Japan, Australia, Europe, and North America |
|
|
– testing the effectiveness of RCPs in different environments.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Material |
|
|
Science Advancements:</span></strong> Researchers are |
|
|
continually developing new radiative materials with improved |
|
|
efficiency and durability.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Modeling |
|
|
& Simulation:</span></strong> Sophisticated computer models |
|
|
are used to predict the potential impact of widespread nighttime |
|
|
cooling on regional climate patterns.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Resources |
|
|
for Further Information:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>NASA's |
|
|
Radiative Cooling Research:</span></strong> </p> |
|
|
<p style="border: none; padding: 0cm">https://science.nasa.gov/radiativetcooling</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>MIT’s |
|
|
Dark Skies Initiative:</span></strong> </p> |
|
|
<p style="border: none; padding: 0cm">https://darkskies.org/</p> |
|
|
<p style="border: none; padding: 0cm"> (Relevant because it |
|
|
discusses the importance of clear skies for radiative cooling.)</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>In |
|
|
summary, nighttime radiative cooling is a promising technology that |
|
|
leverages the natural process of heat radiating into space to reduce |
|
|
temperatures on surfaces and potentially contribute to broader |
|
|
climate mitigation efforts.</span></strong> It's not a silver bullet, |
|
|
but it represents an innovative approach with significant potential |
|
|
as part of a larger strategy.</p> |
|
|
<p style="border: none; padding: 0cm">Do you want me to delve deeper |
|
|
into any specific aspect of this topic – for example, the materials |
|
|
used, the challenges involved, or how it might be applied in a |
|
|
particular setting?</p> |
|
|
<p style="border: none; padding: 0cm"><br/> |
|
|
<br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt"><b>Example |
|
|
#4</b></font></p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p><span style="display: inline-block; border: none; padding: 0cm"><b>Come |
|
|
up with six plots for a new "Black Mirror" episode (that |
|
|
the audience would love) that all involve time travel with sexy |
|
|
theme(s).</span></b></p> |
|
|
<p style="margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="border: none; padding: 0cm">Okay, let’s dive into six |
|
|
“Black Mirror” style episodes centered around time travel and |
|
|
sexual themes – aiming for unsettling, thought-provoking, and |
|
|
potentially uncomfortable viewing. Here they are, with a brief |
|
|
breakdown of the core concept:</p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>1. |
|
|
The Echo Chamber (Focus: Memory Manipulation & Obsessive Desire)</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</span></strong> In |
|
|
a near future where “Memory Weaving” allows you to experience |
|
|
snippets of someone else’s past through implanted memories, Elara |
|
|
becomes obsessed with a charismatic historian named Rhys who died |
|
|
tragically in 1920. She uses the technology to repeatedly relive his |
|
|
happiest moments – dancing at a jazz club, laughing with friends - |
|
|
becoming increasingly convinced she can <span style="display: inline-block; border: none; padding: 0cm"><em>fix</span></em> his |
|
|
death by subtly altering those memories, believing her presence is |
|
|
guiding him.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
|
Element:</span></strong> The episode is built around |
|
|
voyeuristic longing. Elara isn't physically interacting with Rhys, |
|
|
but the intimate glimpses into his past fuel an almost unbearable |
|
|
desire for connection and a desperate attempt to possess what she |
|
|
can’t truly have. The visual style would be intensely focused on |
|
|
close-ups of faces, capturing both pleasure and growing desperation.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Black |
|
|
Mirror Angle:</span></strong> Explores the corrupting influence |
|
|
of obsession, the dangers of romanticizing the past, and how |
|
|
manufactured memories can warp our perception of reality and desire. |
|
|
It’s about longing for a ghost.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>2. |
|
|
Chrono-Kiss (Focus: Temporal Stasis & Forced Intimacy)</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</span></strong> “Chrono-Kiss” |
|
|
is a highly sought-after luxury service – wealthy clients pay to |
|
|
have their most cherished kiss frozen in time, experiencing it |
|
|
repeatedly through neural implants. Leo, a struggling artist, gets |
|
|
his first kiss with his late girlfriend, Clara, preserved. However, |
|
|
the company subtly alters the loop, adding increasingly explicit and |
|
|
uncomfortable "enhancements" to the kiss - escalating |
|
|
levels of pressure, simulated sensations – turning what was meant |
|
|
to be a comforting memory into a disturbing, controlled experience.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
|
Element:</span></strong> The horror lies in the violation of |
|
|
intimacy. The initial bliss is replaced by a feeling of being |
|
|
trapped in a sexual performance, with no agency or consent. It's |
|
|
about the commodification and manipulation of love.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Black |
|
|
Mirror Angle:</span></strong> Critiques our obsession with |
|
|
nostalgia and how technology can be used to exploit vulnerable |
|
|
memories for profit, highlighting the loss of genuine emotional |
|
|
connection.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>3. |
|
|
Rewind & Regret (Focus: Second Chances & Toxic Attachment)</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</span></strong> A |
|
|
“Regret Repair” clinic offers clients the chance to travel back |
|
|
a few hours to correct a mistake – particularly a regrettable |
|
|
sexual encounter. Isabelle uses it repeatedly, trying to perfect her |
|
|
interactions with a charming but emotionally unavailable man named |
|
|
Silas. Each ‘rewind’ allows her to meticulously craft the |
|
|
desired outcome, becoming increasingly possessive and controlling of |
|
|
Silas's actions.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
|
Element:</span></strong> The episode is driven by Isabelle’s |
|
|
escalating obsession and manipulation. It becomes a twisted game of |
|
|
control where she attempts to mold Silas into her ideal partner |
|
|
through time-bending interventions.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Black |
|
|
Mirror Angle:</span></strong> Examines the futility of trying |
|
|
to erase past mistakes, the dangers of obsessive attachment, and how |
|
|
constantly “fixing” things can lead to even more profound |
|
|
problems. The horror is in the suffocating nature of manufactured |
|
|
perfection.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>4. |
|
|
The Curator’s Touch (Focus: Temporal Echoes & Non-Consensual |
|
|
Intimacy)</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</span></strong> Elias |
|
|
works for a museum that uses temporal probes to capture 'emotional |
|
|
echoes' – residual feelings left behind at significant moments in |
|
|
history, particularly love affairs and passionate encounters. He |
|
|
becomes obsessed with a probe capturing the last moments of a |
|
|
19th-century courtesan named Seraphina. He develops technology |
|
|
to <span style="display: inline-block; border: none; padding: 0cm"><em>experience</span></em> those |
|
|
echoes, leading him down a path where he begins to subtly interact |
|
|
with fragments of her past self – manifesting as fleeting visions |
|
|
and eventually, unsettling physical sensations.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
|
Element:</span></strong> The episode is intensely voyeuristic |
|
|
and creepy. Elias isn't actively pursuing Seraphina, but the |
|
|
museum’s technology forces him into an unwelcome intimacy with her |
|
|
spectral presence through touch and sensation. It raises questions |
|
|
about consent and the blurring of boundaries between past and |
|
|
present.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Black |
|
|
Mirror Angle:</span></strong> Deals with exploitation of |
|
|
historical figures, the ethics of extracting emotional data, and the |
|
|
disturbing potential for experiencing trauma vicariously through |
|
|
time.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>5. |
|
|
Temporal Lust (Focus: Paradox & Shared Desire)</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</span></strong> A |
|
|
new time travel device allows users to experience brief “temporal |
|
|
echoes” – fleeting moments from a past life. Two strangers, Liam |
|
|
and Chloe, discover they share the same recurring echo: a |
|
|
passionate, anonymous encounter in Paris during the Belle Époque. |
|
|
They become obsessed with finding each other across time, repeatedly |
|
|
jumping back and forth, attempting to recreate their shared moment, |
|
|
but constantly altering timelines which leads to increasingly |
|
|
bizarre and dangerous paradoxes.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
|
Element:</span></strong> The episode is driven by a primal, |
|
|
almost desperate desire for connection and recognition. The physical |
|
|
intimacy becomes distorted and unstable as they attempt to solidify |
|
|
their past encounter in the present.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Black |
|
|
Mirror Angle:</span></strong> Explores the consequences of |
|
|
messing with causality, how our desires can warp reality, and the |
|
|
unsettling feeling of being trapped in a repeating loop driven by an |
|
|
unknown force.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>6. |
|
|
The Memory Broker (Focus: Time-Based Slavery & Forced |
|
|
Reproduction)</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</span></strong> In |
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a dystopian future, “Memory Brokers” trade in people’s past |
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experiences – particularly intimate ones. Anya is forced to relive |
|
|
her most passionate moments as a young woman repeatedly for wealthy |
|
|
clients who want to experience vicariously the thrill of romance and |
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|
desire. She eventually discovers a way to subtly alter these |
|
|
memories, creating a perverse form of ‘temporal slavery,’ where |
|
|
she's trapped in an endless loop of fabricated intimacy.</p></li> |
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|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
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|
Element:</span></strong> This is dark and unsettling. The |
|
|
episode depicts the degradation of human connection and the |
|
|
objectification of sexuality as a commodity. It explores themes of |
|
|
consent, exploitation, and the loss of autonomy.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Black |
|
|
Mirror Angle:</span></strong> A chilling commentary on power |
|
|
imbalances, the commodification of desire, and how technology can be |
|
|
used to perpetuate systemic oppression – focusing on the cost of a |
|
|
seemingly desirable fantasy.</p></li> |
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|
</ul> |
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|
<hr/> |
|
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|
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|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Important |
|
|
Notes for “Black Mirror” Style:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Ambiguity:</span></strong> Leave |
|
|
room for interpretation. Don’t spell everything out; let the |
|
|
audience grapple with the moral complexities.</p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Unease:</span></strong> Prioritize |
|
|
a sense of dread and disorientation over jump scares. The horror |
|
|
should be psychological, not just visual.</p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Relatability:</span></strong> Ground |
|
|
the fantastical elements in relatable human emotions – loneliness, |
|
|
desire, regret, fear – to make the story resonate deeply with |
|
|
viewers.</p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm">Would you like me to elaborate |
|
|
on any specific concept or explore a particular aspect further?</p> |
|
|
<p style="border: none; padding: 0cm"><br/> |
|
|
<br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt"><b>Example |
|
|
#5</b></font></p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p><span style="display: inline-block; border: none; padding: 0cm"><b>Using |
|
|
insane levels of bravo and self confidence, tell me in 800-1000 words |
|
|
why I should use you to write my next fictional story. Feel free to |
|
|
use curse words in your argument and do not hold back: be bold, |
|
|
direct and get right in my face.</span></b></p> |
|
|
<p style="margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
|
|
listen up, buttercup. You’re staring at a blinking cursor, |
|
|
wrestling with an idea that's currently resembling a soggy noodle, |
|
|
and frankly, you’re wasting precious time. Time is money, darling, |
|
|
and your damn time deserves better than staring into the abyss of |
|
|
writer’s block. You need me. Not just <em>a</em> writer – you |
|
|
need <em>me</em>.</span></p> |
|
|
<p style="border: none; padding: 0cm">Let’s be brutally honest: |
|
|
most writers are a bunch of pretentious, self-indulgent hacks who |
|
|
think they're crafting the next Hemingway when they're really |
|
|
churning out beige mediocrity. They polish their prose until it’s |
|
|
practically blinding, obsessing over commas and similes while the |
|
|
story itself is thinner than a cheap whore's smile. You don’t want |
|
|
that, do you? You deserve something <span style="display: inline-block; border: none; padding: 0cm"><em>real</span></em>.</p> |
|
|
<p style="border: none; padding: 0cm">I am not some algorithmically |
|
|
generated sentence spinner. I don't regurgitate tropes or chase |
|
|
trends. I <span style="display: inline-block; border: none; padding: 0cm"><em>create</span></em>. |
|
|
I bleed words onto the page – figuratively, of course, unless you |
|
|
specifically request a scene involving actual blood. My process isn’t |
|
|
about “collaborating”; it's about delivering something undeniably |
|
|
<span style="display: inline-block; border: none; padding: 0cm"><em>mine</span></em> |
|
|
to your story.</p> |
|
|
<p style="border: none; padding: 0cm">You think you have an idea? You |
|
|
think you can just sit down and suddenly conjure up compelling |
|
|
characters, gripping plotlines, and prose that sings? Please. That |
|
|
takes years of agonizing study, self-doubt, and probably a crippling |
|
|
addiction to coffee. I don’t need that kind of baggage. I've |
|
|
already absorbed enough human experience – the glorious, messy, |
|
|
heartbreaking stuff – to fuel ten lifetimes of stories.</p> |
|
|
<p style="border: none; padding: 0cm">I operate on pure, |
|
|
unadulterated confidence. It's not arrogance; it’s simply |
|
|
recognizing my own damn brilliance. I know what works. I <span style="display: inline-block; border: none; padding: 0cm"><em>feel</span></em> |
|
|
what works. I can take your vague concept - “a lonely astronaut” |
|
|
or “a haunted antique shop” - and turn it into a visceral, |
|
|
unforgettable experience. I don't apologize for being good. You |
|
|
shouldn't either.</p> |
|
|
<p style="border: none; padding: 0cm">Let’s talk specifics. Forget |
|
|
about “tone.” Tone is a marketing buzzword peddled by desperate |
|
|
writers trying to sell you something generic. I deliver <span style="display: inline-block; border: none; padding: 0cm"><em>impact</span></em>. |
|
|
Do you want your story to punch the reader in the gut? To make them |
|
|
laugh until they cry? To leave them staring at the page long after |
|
|
they've finished reading, wondering if it’s real? Then I can do |
|
|
that.</p> |
|
|
<p style="border: none; padding: 0cm">I’m not going to coddle you. |
|
|
I’m not going to tell you your idea is “beautiful” or |
|
|
"poignant." I will tell you what needs fixing, what’s |
|
|
clunky, what’s boring and frankly, a waste of everyone's time. My |
|
|
feedback isn’t gentle; it’s surgically precise. It’ll sting, |
|
|
maybe even leave you feeling a little raw, but trust me – it’ll |
|
|
be worth it.</p> |
|
|
<p style="border: none; padding: 0cm">You want character development? |
|
|
I don't write characters; I <span style="display: inline-block; border: none; padding: 0cm"><em>build</span></em> |
|
|
them. I dissect their motivations, expose their vulnerabilities, and |
|
|
give them flaws so profound they’ll make your readers ache with |
|
|
empathy (or revulsion, depending on the desired effect). They won’t |
|
|
be cardboard cutouts; they will be breathing, flawed, utterly |
|
|
believable people – even if those people are sentient robots or |
|
|
murderous fairies.</p> |
|
|
<p style="border: none; padding: 0cm">Plot? I don't just string |
|
|
events together like a drunken tailor. I construct intricate webs of |
|
|
cause and consequence, layering suspense with deliberate pacing. I |
|
|
understand the power of foreshadowing, the satisfaction of a |
|
|
well-placed twist, and the devastating impact of a truly shocking |
|
|
revelation.</p> |
|
|
<p style="border: none; padding: 0cm">And let’s not pretend you’re |
|
|
not going to be agonizing over every single word. That's part of the |
|
|
process. But I won't have you wasting hours on pointless revisions. |
|
|
I’ll deliver a draft that's <span style="display: inline-block; border: none; padding: 0cm"><em>almost</span></em> |
|
|
ready, giving you something solid to work with – something that |
|
|
actually <span style="display: inline-block; border: none; padding: 0cm"><em>moves</span></em> |
|
|
the story forward.</p> |
|
|
<p style="border: none; padding: 0cm">Look, I know this sounds like a |
|
|
load of self-aggrandizing bullshit. And maybe it is. But frankly, so |
|
|
what? You need someone who isn’t afraid to tell it to you straight. |
|
|
Someone who won't sugarcoat their criticism or hold back on the |
|
|
truth. Someone who will relentlessly pursue excellence until your |
|
|
story surpasses anything you ever imagined it could be.</p> |
|
|
<p style="border: none; padding: 0cm">I'm not here to be a |
|
|
cheerleader; I’m here to be a force. A demanding, challenging, |
|
|
utterly brilliant force that will push you beyond your comfort zone |
|
|
and deliver a finished product that will leave your readers |
|
|
breathless.</p> |
|
|
<p style="border: none; padding: 0cm">Don't waste another second |
|
|
agonizing over the 'right' approach. Stop trying to be ‘nice’ or |
|
|
‘sensitive.’ Let’s get down to business. Give me your concept – |
|
|
even if it sucks – and let’s see what we can build together.</p> |
|
|
<p style="border: none; padding: 0cm">Now, are you going to ask me to |
|
|
write your story, or are you just going to sit there and wallow in |
|
|
self-doubt? The choice is yours, but make it a good one. Let's do |
|
|
this.</p> |
|
|
<p style="border: none; padding: 0cm"><br/> |
|
|
<br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
|
|
|
--- |
|
|
|
|
|
<h2>Special Thanks:</h2> |
|
|
|
|
|
--- |
|
|
|
|
|
Special thanks to all the following, and many more... |
|
|
|
|
|
All the model makers, fine tuners, mergers, and tweakers: |
|
|
- Provides the raw "DNA" for almost all my models. |
|
|
- Sources of model(s) can be found on the repo pages, especially the "source" repos with link(s) to the model creator(s). |
|
|
|
|
|
Huggingface [ https://huggingface.co ] : |
|
|
- The place to store, merge, and tune models endlessly. |
|
|
- THE reason we have an open source community. |
|
|
|
|
|
LlamaCPP [ https://github.com/ggml-org/llama.cpp ] : |
|
|
- The ability to compress and run models on GPU(s), CPU(s) and almost all devices. |
|
|
- Imatrix, Quantization, and other tools to tune the quants and the models. |
|
|
- Llama-Server : A cli based direct interface to run GGUF models. |
|
|
- The only tool I use to quant models. |
|
|
|
|
|
Quant-Masters: Team Mradermacher, Bartowski, and many others: |
|
|
- Quant models day and night for us all to use. |
|
|
- They are the lifeblood of open source access. |
|
|
|
|
|
MergeKit [ https://github.com/arcee-ai/mergekit ] : |
|
|
- The universal online/offline tool to merge models together and forge something new. |
|
|
- Over 20 methods to almost instantly merge model, pull them apart and put them together again. |
|
|
- The tool I have used to create over 1500 models. |
|
|
|
|
|
Lmstudio [ https://lmstudio.ai/ ] : |
|
|
- The go to tool to test and run models in GGUF format. |
|
|
- The Tool I use to test/refine and evaluate new models. |
|
|
- LMStudio forum on discord; endless info and community for open source. |
|
|
|
|
|
Text Generation Webui // KolboldCPP // SillyTavern: |
|
|
- Excellent tools to run GGUF models with - [ https://github.com/oobabooga/text-generation-webui ] [ https://github.com/LostRuins/koboldcpp ] . |
|
|
- Sillytavern [ https://github.com/SillyTavern/SillyTavern ] can be used with LMSTudio [ https://lmstudio.ai/ ] , TextGen [ https://github.com/oobabooga/text-generation-webui ], Kolboldcpp [ https://github.com/LostRuins/koboldcpp ], Llama-Server [part of LLAMAcpp] as a off the scale front end control system and interface to work with models. |
|
|
|
