HSToric Color Lush Apparition V.2 Low-Rank Adapter
||| By SilverAgePoets.com |||
NOTE: This LoRA only dips into prompts, with vivid results.
See more info below.

- Prompt
- History proceeding in screams of cold metal criss-crossing a world heavy with desperate deserters; stacked strawy wigs & hats, shoveling coal unto alivetime’s horizons. In reply, signals sprout… Looming, hurtling through trees, out of the dark… trembling, skating in on the spectacle’s marionette arks… rafting over imagery on a constructivist frame, surviving on abstract elements, grafted everyplace, graphically, grifters juggling coals, climbing out of a tomb of long-ago cremated air, splashing around cherry juice from shot-thru chests, no longer just any bleeding hearts, but alivetime’s horizon

- Prompt
- HST autochrome photo reels of a close up History proceeding dawnless machinized thru screams of cold metal criss-crossing a disowned world of rentiers heavy with desperate deserters; stacked strawy wigs & hats, shoveling coal towards voracious camera eyes unto alivetime’s horizons. In reply, signals sprout… Brandishing tools of war... Looming, hurtling through trees, out of the dark… trembling, skating in on the spectacle’s marionette arks… rafting over imagery on a constructivist frame, surviving on abstract elements, grafted everyplace, graphically, grifters juggling coals, climbing out of a tomb of long-ago cremated air, splashing around cherry juice from shot-thru chests, no longer just any bleeding hearts, but alivetime’s horizons reconfiguring

- Prompt
- HST autochrome photo reels oHistory proceeding in screams of cold metal criss-crossing a world heavy with a wild diversity of desperate photorealistic deserters; meanwhile, in tacitly dimensioned ghosty borders, our time schedulers get re-engineered by an enthusiast, ‘Konstantin Ivanov’, a sortova Lenin disguised in stacking strawy wigs & hats, onto their flaps & caps jerry-rigged cyber-limbs quickly shoveling dialectically-synthesized coal unto alivetime’s horizons. In reply, signals sprout… Looming, hurtling through trees, out of the dark… diffusely trembling, skating in on hybrid spectacles' marionette arks… else, drifting over bottomless cosmic-size imagery basins, rafting in on brane-like constructivist frames fed on abstractions manually snapped & stuffed into rear-end perked transparent pipelines, from frontal breath-holes spewing everyplace, graphically, or juggled as coals, Guy Debord grins, climbing out of a tomb of long-ago cremated air, splashing around cherry juice from a shot-thru chest, no longer a bleeding heart, but alivetime’s horizon, diversities of characteristics, face galleries, candid human catalogues shot on cell phones and pinned unto proto-historical musing walls like the wingy pattern corpses of Nabokovian butterflies

- Prompt
- HST style autochrome horror analog IMG_1099.CR2 film photograph of 1917 Petrograd during the October revolution with twelve bolshevik red guards walking through snowy avenues at night in a wild windy blizzard, text caption: snowstorm, snowbanks, starved miserable hound dog drags behind them with tail tucked, the guards have rifles over shoulders, blemished wrinkled textured faces, expressionist horror, expressive, aiming at phantom scary shadows around phantasmagoric avenues and snowbanks, text caption: IMG_1004.CR2 kodachrome

- Prompt
- HST style autochrome collage featuring two distinct sections. bright vivid colors, contrast fix, color corrected, The upper section shows a silhouetted portrait of a figure in a suit, set against a vivid background with swirling clouds and a caption referencing a 1906 post-impressionist painter, which reads: "a true post-impressionist painter once confessed to Paul Sean... we live in a rainbow, she said. Agape, Paul lost face." Obviously, this is why the central subject of this image is missing a face. The bottom section features a hand-drawn subject all agape with panic (and whose appearance was adapted from Munsch's "The Scream"). Here, the subject screasm in a huge garden of building-like 3D obelisks, while the title text above this image asks: "Why SO CONFUSED?" and the key symbolic message, appearing as a textual overlay, answers the above question with: "you're seeing... (that) what you're reading is.../ not what's.../ you". This caption neatly explains the screamer's panic. The screamer is actually Paul Sean from the upper image. In the bottom section we get to see his face, which has gotten a bit more than merely lost. The composition as a whole blends art styles, textual elements, and vibrant colors, creating a visually striking and complex composition. The lower section resembles the famous painting "The Scream" in a surreal landscape of jagged, colorful forms.

- Prompt
- HST style layered see-through translucent transparent photorealistic vivid color photo . an HD photograph of Real Timothy, a fleshless creature of organs, veins, arteries, bones, and a skull-less brain, climbs over the page border towards a 1915 lighthouse, amid a psychedelic wonderland

- Prompt
- HST style photo of planet Earth as seen from space, over it floats a blooming fantastic utopian space station lush vibrant space city shaped and styled as the rainbow flag of the LGBTQ+ community and a crimson red hammer and sickle over it, from down below, a red hammer and sickle appearing to be waving with it sickle limb towards the rainbow and black hammer and sickle above it.

- Prompt
- HST style autochrome photo close up of androgynous cute guitarist screaming with the muffled voice storm of every erstwhle possible personout of the collective hyper-proletarianized toilet of platform feudalism

- Prompt
- HST style photo close up of androgynous scholar screaming with the muffled voice storm of every erstwhle possible personout of the collective hyper-proletarianized toilet of platform feudalism

- Prompt
- HST style autochrome photo close up of a gothy punky young woman wielding a baseball bat and angrily cathartically smashing bashing breaking with it the windows of department stores and cars in a plaza parking lot at night. She has pink hair in a messy shortish punky haircut. Amid the desolate morbid consumerist undead sprawl of California. Grungy eerie iconic mysterious radical ambience

- Prompt
- HST style autochrome photo close up of a gothy punky young woman wielding a baseball bat and angrily cathartically smashing bashing breaking with it the windows of department stores and cars in a plaza parking lot at night. She has pink hair in a messy shortish punky haircut. Amid the desolate morbid consumerist undead sprawl of California. Grungy eerie iconic mysterious radical ambience. Pink hair. Pink. Pink.

- Prompt
- HST style IMG_1099.CR2 photo close up of a gothy punky young woman wielding a baseball bat and angrily cathartically smashing bashing breaking with it the windows of department stores and cars in a plaza parking lot at night. analog. Close-up detailed IMG_1099.CR2 film photograph.She has pink hair in a messy shortish punky haircut. Amid the desolate morbid consumerist undead sprawl of California. Pink hair. Angry. Shot on a cell phone. Grungy eerie iconic mysterious radical ambience

- Prompt
- HST style photo close up detailed IMG_1099.CR2 film photograph of a tall thin male smiling skeleton guy with medium-length black hair parted in the middle close up on face with raised eyebrows and one finger raised, with a wilting flower covered and hidden by tiny swirling tornado of rainclouds wrapping around the raised finger and twisting around the flow obscuring it. Amid the morbid consumerist undead sprawl of California. In a desolate outdoor shopping mall parking lot at night. Shot on a cell phone. Grungy eerie iconic mysterious radical ambience.

- Prompt
- HST style photo close up detailed IMG_1099.CR2 film photograph of a tall thin male smiling skeleton guy with medium-length black hair parted in the middle close up on face with raised eyebrows and one finger raised, with a wilting flower covered and hidden by tiny swirling tornado of rainclouds wrapping around the raised finger and twisting around the flow obscuring it. Amid the morbid consumerist undead sprawl of California. In a desolate outdoor shopping mall parking lot at night. Shot on a cell phone. Grungy eerie iconic mysterious radical ambience. Skeleton. Skeleton. Skeletal. Skeleted. Skelet. Skeletalized. Undead scull and living bones. Defleshed fellow. Fleshless skeletal subject.
Our two HSToric Color Lush Apparition HSToric Color low rank adapters series are belatedly shared byproducts of our early Flux training experiments and projects Flux circa summer of 2024. Basically, we wanted to reposition the definition of "quality" when it comes to photorealistic inference using the open/distilled Flux variants, particularly Schnell.
To achieve this, we turned to the very beginnings of historical photography in color: the archival legacy (from circa 1900s-1910s ) of the photographers Sergey Prokudin-Gorsky, who traveled and photographed widely in those years whilst perfecting implementations of a pioneering 3-color-composite photography technique.
This LoRA represents one of our many attempts/approaches to charging the representational powers of Flux with the uncanny character and finesse of Prokudin's visionary captures.
This is because whilst producing these two LoRAS we were experimenting with targeted fine-tuning solely over specified layers/components of the base model.
Trying out all sorts of layer combos, we strayed far from the commonplace quick-train surface targeting character LoRA templates.
Naturally, these trainings were also high rank. See the configs for more details.
As an unforeseen side-effect of the above training regimes, Lush Apparition Version 2 (this one) approaches text prompts as seldom more than vague suggestions; mere non-obligatory nods towards this or that direction or theme.
But in this LoRA's special case, that demonstrably isn't always or neccessarily such a bad thing, as the imagery it produces tends to be aesthetically compelling and even nominally photorealistic, with a clear (if unintended by us) bias towards a sort of photography often spotted at various MOMAs or/and fine art photo galleries.
And sometimes this adapter invents truly phantasmagoric creatures and scenes, drawn from even the most vanilla oat milk-&-toast prompts.
On the other hand, this LoRA's slightly older sibling, Lush Apparition Version 1 takes prompts fairly well, if sometimes injecting its extrapolations thereof with surprising spins.
Finally, you might also consider trying out some of the LoRAs we personally consider the most successful T2I productions of our HSToric Color series. Among these are:
HSToric Color Dedistilled
HSToric Color Schnell
HSToric FOCUS
HSToric Color SD3.5L V.1
Also check out our new Text-to-Video additions to the HSToric Color series:
HSToric Color Film WAN14B v1 (Rank 256)
HSToric Color Film WAN1.3B v2 (Rank 128)
HSToric Color Film WAN1.3B v1 (Rank 32)
And more on the way!
Trigger words
You should use HST style autochrome photograph
to open a vivid window into a chromatically bewitching ever-futurous past.
Use it with the 🧨 diffusers library
from diffusers import AutoPipelineForText2Image
import torch
pipeline = AutoPipelineForText2Image.from_pretrained('black-forest-labs/FLUX.1-dev', torch_dtype=torch.float16).to('cuda')
pipeline.load_lora_weights('AlekseyCalvin/HSTcolorFlux_LushApparitionLoRAII')
image = pipeline('your prompt').images[0]
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Base model
black-forest-labs/FLUX.1-dev