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| 1 | |
| 00:00:11,411 --> 00:00:14,481 | |
| You're going to Tallinn. | |
| UDC is going to be there. | |
| 2 | |
| 00:00:14,481 --> 00:00:16,883 | |
| I'm announcing River | |
| in four days | |
| 3 | |
| 00:00:16,883 --> 00:00:19,619 | |
| and it will be released | |
| on the 28th. | |
| 4 | |
| 00:00:19,619 --> 00:00:22,455 | |
| WINTHROP: Where is he now? | |
| He should be in Tallinn. | |
| 5 | |
| 00:00:22,455 --> 00:00:25,458 | |
| You need to find him | |
| and stay with him. | |
| 6 | |
| 00:00:25,458 --> 00:00:27,527 | |
| JACKAL: | |
| Distance to the target | |
| is 75 meters. | |
| 7 | |
| 00:00:27,527 --> 00:00:29,863 | |
| What are the obstacles? | |
| JACKAL: A metal detector | |
| 8 | |
| 00:00:29,863 --> 00:00:33,366 | |
| and an ultra-sensitive scanner | |
| but I've got an idea for that. | |
| 9 | |
| 00:00:33,366 --> 00:00:36,269 | |
| That's very clever. | |
| The glass is bullet-resistant. | |
| 10 | |
| 00:00:36,269 --> 00:00:39,873 | |
| It will stop five rounds | |
| from a 7.62mm rifle. | |
| 11 | |
| 00:00:39,873 --> 00:00:42,609 | |
| NORMAN: | |
| That is a fucking work of art. | |
| 12 | |
| 00:00:42,609 --> 00:00:44,711 | |
| [WHIRRING] | |
| 13 | |
| 00:00:44,711 --> 00:00:47,714 | |
| Can you call them please? | |
| I do not want her here, Paul. | |
| 14 | |
| 00:00:47,714 --> 00:00:50,316 | |
| I'm trying to talk | |
| to my husband and my child! | |
| 15 | |
| 00:00:50,316 --> 00:00:51,718 | |
| You have good man face. | |
| 16 | |
| 00:00:52,952 --> 00:00:55,288 | |
| NURIA: | |
| Why do you need this disguise? | |
| 17 | |
| 00:00:55,288 --> 00:00:57,490 | |
| JACKAL: | |
| There are people | |
| looking for me. | |
| 18 | |
| 00:00:57,490 --> 00:00:59,726 | |
| [***] | |
| 19 | |
| 00:00:59,726 --> 00:01:02,162 | |
| [DOORBELL BUZZES] | |
| 20 | |
| 00:01:02,162 --> 00:01:03,830 | |
| Could I see some ID, please? | |
| 21 | |
| 00:01:03,830 --> 00:01:05,365 | |
| Hi, is this Rasmus? | |
| 22 | |
| 00:01:05,365 --> 00:01:07,567 | |
| I just wondered | |
| if you wanted to grab a drink? | |
| 23 | |
| 00:01:07,567 --> 00:01:09,502 | |
| What sort of vibe | |
| would you say I have? | |
| 24 | |
| 00:01:09,502 --> 00:01:12,672 | |
| RASMUS: | |
| Kind of serious. | |
| Also a bit dangerous. | |
| 25 | |
| 00:01:14,607 --> 00:01:18,378 | |
| <i>♪ Some flowers | |
| Never get to bloom ♪</i> | |
| 26 | |
| 00:01:18,378 --> 00:01:22,248 | |
| <i>♪ And see the day ♪</i> | |
| 27 | |
| 00:01:22,882 --> 00:01:24,784 | |
| <i>♪ Some flowers ♪</i> | |
| 28 | |
| 00:01:24,784 --> 00:01:30,924 | |
| {\an8}<i>♪ Are content | |
| To wish their lives away ♪</i> | |
| 29 | |
| 00:01:30,924 --> 00:01:35,428 | |
| {\an8}<i>♪ Some may rise ♪</i> | |
| 30 | |
| 00:01:35,428 --> 00:01:39,466 | |
| {\an8}<i>♪ And some may fall ♪</i> | |
| 31 | |
| 00:01:39,466 --> 00:01:43,570 | |
| <i>♪ But only you may ♪</i> | |
| 32 | |
| 00:01:43,570 --> 00:01:47,440 | |
| <i>♪ Ever see me true ♪</i> | |
| 33 | |
| 00:01:47,440 --> 00:01:53,947 | |
| {\an8}<i>♪ So only you can tell that ♪</i> | |
| 34 | |
| 00:01:53,947 --> 00:01:59,452 | |
| {\an8}<i>♪ This is who I am ♪</i> | |
| 35 | |
| 00:02:01,888 --> 00:02:05,525 | |
| {\an8}<i>♪ This is who I am ♪</i> | |
| 36 | |
| 00:02:05,525 --> 00:02:10,330 | |
| <i>♪ No lie, no lies ♪</i> | |
| 37 | |
| 00:02:10,330 --> 00:02:14,801 | |
| <i>♪ This is who I am ♪</i> | |
| 38 | |
| 00:02:25,812 --> 00:02:29,516 | |
| [***] | |
| 39 | |
| 00:02:39,626 --> 00:02:42,228 | |
| So two British | |
| Intelligence officers | |
| 40 | |
| 00:02:42,228 --> 00:02:44,364 | |
| arrived here last night | |
| from Budapest. | |
| 41 | |
| 00:02:48,535 --> 00:02:54,341 | |
| {\an8}<i>Male, mid-30s, white, | |
| about 5'10", brown hair.</i> | |
| 42 | |
| 00:02:54,341 --> 00:02:58,778 | |
| <i>Female about the same age, | |
| Black, first name, Bianca.</i> | |
| 43 | |
| 00:03:00,347 --> 00:03:01,581 | |
| I was wondering | |
| if your people | |
| 44 | |
| 00:03:01,581 --> 00:03:03,416 | |
| might be able | |
| to do something about them? | |
| 45 | |
| 00:03:03,416 --> 00:03:05,685 | |
| Wait, are you asking me | |
| for my help? | |
| 46 | |
| 00:03:09,055 --> 00:03:10,323 | |
| Sure. | |
| 47 | |
| 00:03:11,591 --> 00:03:14,561 | |
| On it. | |
| Rodin's arriving on Friday. | |
| 48 | |
| 00:03:15,428 --> 00:03:17,364 | |
| They're gonna ask me | |
| if you're confident | |
| 49 | |
| 00:03:17,364 --> 00:03:18,698 | |
| it can be done. | |
| 50 | |
| 00:03:18,698 --> 00:03:21,568 | |
| Well, you can tell them | |
| whatever they wanna hear. | |
| 51 | |
| 00:03:21,568 --> 00:03:24,537 | |
| Well, I'm also asking | |
| for myself. | |
| 52 | |
| 00:03:24,537 --> 00:03:26,606 | |
| So, what would you | |
| like me to tell you? | |
| 53 | |
| 00:03:28,441 --> 00:03:29,843 | |
| That you'll deliver. | |
| 54 | |
| 00:03:31,511 --> 00:03:32,712 | |
| [SCOFFS] | |
| 55 | |
| 00:03:36,016 --> 00:03:37,417 | |
| I'm on your side. | |
| 56 | |
| 00:03:38,718 --> 00:03:41,388 | |
| I was hoping that | |
| would be clear by now. | |
| 57 | |
| 00:03:41,388 --> 00:03:44,057 | |
| I was hoping this could be | |
| even more of a collaboration. | |
| 58 | |
| 00:03:44,057 --> 00:03:45,358 | |
| I don't collaborate. | |
| 59 | |
| 00:03:46,593 --> 00:03:48,695 | |
| You won't hear from me | |
| until after it's done. | |
| 60 | |
| 00:03:48,695 --> 00:03:51,598 | |
| And I expect to be paid | |
| promptly. | |
| 61 | |
| 00:03:55,735 --> 00:03:57,037 | |
| ZINA: | |
| It's me. | |
| 62 | |
| 00:03:57,037 --> 00:03:59,739 | |
| Yeah, I need some | |
| priority assistance on site. | |
| 63 | |
| 00:04:00,840 --> 00:04:03,777 | |
| Sure, I'll have the details | |
| sent to you right away. | |
| 64 | |
| 00:04:04,844 --> 00:04:08,515 | |
| We've set you up in | |
| the Cultural Attaché's office. | |
| 65 | |
| 00:04:11,618 --> 00:04:14,688 | |
| Good morning. | |
| Welcome to Operation Anubis. | |
| 66 | |
| 00:04:14,688 --> 00:04:16,456 | |
| Someone's pulled | |
| their finger out. | |
| 67 | |
| 00:04:16,456 --> 00:04:19,125 | |
| The Foreign Secretary isn't | |
| a particularly generous man. | |
| 68 | |
| 00:04:19,125 --> 00:04:20,927 | |
| But he's personally very miffed | |
| 69 | |
| 00:04:20,927 --> 00:04:23,763 | |
| about The Jackal killing | |
| his friend, Manfred. | |
| 70 | |
| 00:04:23,763 --> 00:04:26,766 | |
| Did we get any matches | |
| from his DNA and prints? | |
| 71 | |
| 00:04:26,766 --> 00:04:28,034 | |
| Nothing. | |
| 72 | |
| 00:04:28,034 --> 00:04:29,836 | |
| This guy's a fucking ghost. | |
| 73 | |
| 00:04:29,836 --> 00:04:30,970 | |
| Oskar Ilves | |
| 74 | |
| 00:04:30,970 --> 00:04:34,140 | |
| of the Estonian Internal | |
| Security Service is our liaison. | |
| 75 | |
| 00:04:34,140 --> 00:04:35,742 | |
| His team | |
| is going through hotels, | |
| 76 | |
| 00:04:35,742 --> 00:04:38,445 | |
| hostels, Airbnb's | |
| and private rentals. | |
| 77 | |
| 00:04:38,445 --> 00:04:40,547 | |
| They're also asking | |
| for a likeness, | |
| 78 | |
| 00:04:40,547 --> 00:04:43,616 | |
| so I want you to meet Cole. | |
| 79 | |
| 00:04:43,616 --> 00:04:46,486 | |
| Cole is going to help you | |
| put a face to The Jackal. | |
| 80 | |
| 00:04:49,155 --> 00:04:50,557 | |
| BIANCA: | |
| Wider. | |
| 81 | |
| 00:04:50,557 --> 00:04:52,492 | |
| It's a bit more-- | |
| Yeah, just like that. | |
| 82 | |
| 00:04:52,492 --> 00:04:54,627 | |
| Yep. Like that. | |
| Don't do anything else. | |
| 83 | |
| 00:04:54,627 --> 00:04:56,396 | |
| Right, okay. | |
| What do you think? | |
| 84 | |
| 00:04:56,396 --> 00:04:58,798 | |
| Vince, you saw him right? | |
| 85 | |
| 00:04:58,798 --> 00:05:02,102 | |
| For a split second. | |
| Well, what do you think? | |
| 86 | |
| 00:05:02,102 --> 00:05:04,671 | |
| Uh... Yeah. Yeah, could be him. | |
| 87 | |
| 00:05:04,671 --> 00:05:08,641 | |
| Osi, this is the best | |
| it's gonna get it. | |
| Okay. | |
| 88 | |
| 00:05:08,641 --> 00:05:12,045 | |
| We'll share it with Oskar Ilves | |
| and the Estonians. | |
| 89 | |
| 00:05:12,045 --> 00:05:13,346 | |
| Thank you, Cole. | |
| 90 | |
| 00:05:14,414 --> 00:05:16,516 | |
| [DRONE WHIRRING] | |
| 91 | |
| 00:05:19,652 --> 00:05:21,888 | |
| [INDISTINCT RADIO CHATTER] | |
| 92 | |
| 00:05:21,888 --> 00:05:24,858 | |
| [***] | |
| 93 | |
| 00:05:39,005 --> 00:05:42,175 | |
| KEITH: | |
| Sir, I've just heard | |
| a British team | |
| 94 | |
| 00:05:42,175 --> 00:05:44,678 | |
| tracked the assassin | |
| to Hungary. | |
| 95 | |
| 00:05:44,678 --> 00:05:48,081 | |
| Unfortunately, he got away. | |
| He's resourceful and dangerous. | |
| 96 | |
| 00:05:48,081 --> 00:05:51,184 | |
| You cannot go to Tallinn. | |
| Do the launch from here. | |
| 97 | |
| 00:05:51,184 --> 00:05:54,888 | |
| If I hide away, | |
| River's enemies win. | |
| 98 | |
| 00:05:54,888 --> 00:05:57,657 | |
| We've been planning this | |
| for a year. | |
| 99 | |
| 00:05:57,657 --> 00:06:00,193 | |
| The guests have been invited, | |
| 1000 of them. | |
| 100 | |
| 00:06:00,193 --> 00:06:02,696 | |
| Ordinary people, | |
| all randomly selected. | |
| 101 | |
| 00:06:02,696 --> 00:06:04,998 | |
| They have no idea where they're | |
| going till they get there, | |
| 102 | |
| 00:06:04,998 --> 00:06:06,733 | |
| and they've all signed NDAs. | |
| 103 | |
| 00:06:06,733 --> 00:06:08,034 | |
| People talk. | |
| 104 | |
| 00:06:09,636 --> 00:06:12,806 | |
| If we cancel now, | |
| UDC looks ridiculous. | |
| 105 | |
| 00:06:12,806 --> 00:06:15,408 | |
| Better ridiculous than dead. | |
| 106 | |
| 00:06:16,076 --> 00:06:17,010 | |
| Debatable. | |
| 107 | |
| 00:06:21,481 --> 00:06:22,782 | |
| [GROANS] | |
| 108 | |
| 00:06:24,517 --> 00:06:25,919 | |
| [DOOR OPENS] | |
| 109 | |
| 00:06:27,253 --> 00:06:28,822 | |
| Morning. | |
| RASMUS: Morning. | |
| 110 | |
| 00:06:28,822 --> 00:06:30,657 | |
| There you are. | |
| [CHUCKLES] | |
| 111 | |
| 00:06:30,657 --> 00:06:34,160 | |
| Sorry, I had something early | |
| and I didn't wanna wake you. | |
| 112 | |
| 00:06:34,160 --> 00:06:35,161 | |
| RASMUS: | |
| What's that? | |
| 113 | |
| 00:06:35,161 --> 00:06:37,464 | |
| Oh, I managed to get my hands | |
| 114 | |
| 00:06:37,464 --> 00:06:40,166 | |
| on these plans | |
| for the <i>Konsterdisaal.</i> | |
| 115 | |
| 00:06:40,166 --> 00:06:44,137 | |
| It's pretty astonishing what | |
| these guys managed to achieved. | |
| 116 | |
| 00:06:44,137 --> 00:06:47,774 | |
| Yeah, I thought last night | |
| was pretty great too. | |
| 117 | |
| 00:06:50,643 --> 00:06:52,679 | |
| You've got a very nice smile, | |
| Rasmus. | |
| 118 | |
| 00:06:53,613 --> 00:06:54,881 | |
| Wow. Thank you. | |
| 119 | |
| 00:06:54,881 --> 00:06:58,084 | |
| No, you sort of | |
| radiate kindness. | |
| 120 | |
| 00:06:58,084 --> 00:07:00,153 | |
| Wow. | |
| No, that's a good thing. | |
| 121 | |
| 00:07:00,153 --> 00:07:02,822 | |
| You can't have | |
| too much kindness these days. | |
| 122 | |
| 00:07:07,660 --> 00:07:09,896 | |
| Uh... | |
| If you're trying to compete, | |
| 123 | |
| 00:07:09,896 --> 00:07:11,765 | |
| I should let you know | |
| that nothing turns me on | |
| 124 | |
| 00:07:11,765 --> 00:07:13,266 | |
| like a blueprint, so... | |
| 125 | |
| 00:07:13,266 --> 00:07:15,802 | |
| Show me the hot bits. | |
| [LAUGHS] | |
| 126 | |
| 00:07:15,802 --> 00:07:17,103 | |
| You wanna know? | |
| Yeah. | |
| 127 | |
| 00:07:17,103 --> 00:07:18,938 | |
| Yeah? | |
| Yeah. | |
| 128 | |
| 00:07:18,938 --> 00:07:20,073 | |
| So that bit there... | |
| 129 | |
| 00:07:32,085 --> 00:07:34,020 | |
| {\an8}MARISA [IN SPANISH]: | |
| NURIA [IN SPANISH]: | |
| 130 | |
| 00:07:34,020 --> 00:07:35,889 | |
| {\an8}MARISA: | |
| NURIA: | |
| 131 | |
| 00:07:50,170 --> 00:07:51,805 | |
| {\an8}MARISA: | |
| 132 | |
| 00:07:59,679 --> 00:08:00,847 | |
| [SIGHS SOFTLY] | |
| 133 | |
| 00:08:08,021 --> 00:08:09,856 | |
| And how could you tell? | |
| 134 | |
| 00:08:09,856 --> 00:08:12,225 | |
| Uh, probably by getting up there | |
| and having a look. | |
| 135 | |
| 00:08:12,225 --> 00:08:14,994 | |
| But this isn't even trying | |
| to explain it, so... | |
| 136 | |
| 00:08:14,994 --> 00:08:16,663 | |
| Well, I could take you. | |
| 137 | |
| 00:08:17,364 --> 00:08:19,032 | |
| Have a look. | |
| 138 | |
| 00:08:19,032 --> 00:08:20,834 | |
| Really? | |
| Mm-hm. | |
| 139 | |
| 00:08:20,834 --> 00:08:23,670 | |
| It would have to be | |
| this afternoon though. | |
| 140 | |
| 00:08:23,670 --> 00:08:24,871 | |
| There's a concert tonight. | |
| 141 | |
| 00:08:24,871 --> 00:08:26,806 | |
| They're shutting | |
| the whole place down. | |
| 142 | |
| 00:08:26,806 --> 00:08:28,942 | |
| Like total lockdown. | |
| What's that about? | |
| 143 | |
| 00:08:28,942 --> 00:08:32,178 | |
| I don't know. They just told us | |
| that after tonight, | |
| 144 | |
| 00:08:32,178 --> 00:08:35,548 | |
| no one's getting in or out | |
| without special permission. | |
| 145 | |
| 00:08:37,417 --> 00:08:39,052 | |
| They've got me leaving | |
| this evening now, | |
| 146 | |
| 00:08:39,052 --> 00:08:42,555 | |
| so I could do this afternoon, | |
| if that works? | |
| 147 | |
| 00:08:45,325 --> 00:08:47,193 | |
| Would you make it | |
| worth my while? | |
| 148 | |
| 00:08:50,063 --> 00:08:52,999 | |
| [***] | |
| 149 | |
| 00:08:57,370 --> 00:08:59,339 | |
| {\an8}ÁLVARO [IN SPANISH]: | |
| 150 | |
| 00:08:59,339 --> 00:09:00,974 | |
| {\an8}NURIA: | |
| 151 | |
| 00:09:00,974 --> 00:09:03,610 | |
| {\an8}MARISA: | |
| 152 | |
| 00:09:06,913 --> 00:09:07,881 | |
| {\an8}[EXCLAIMS] | |
| 153 | |
| 00:09:08,882 --> 00:09:09,816 | |
| {\an8}[SCOFFS] | |
| 154 | |
| 00:09:10,917 --> 00:09:14,087 | |
| {\an8}ÁLVARO: | |
| 155 | |
| 00:09:36,443 --> 00:09:39,112 | |
| {\an8}MARISA: | |
| 156 | |
| 00:09:43,717 --> 00:09:45,285 | |
| Go ahead. | |
| 157 | |
| 00:10:01,935 --> 00:10:03,837 | |
| {\an8}MARISA: | |
| 158 | |
| 00:10:05,138 --> 00:10:06,072 | |
| {\an8}Sure. | |
| 159 | |
| 00:10:10,510 --> 00:10:12,145 | |
| {\an8}MARISA: | |
| 160 | |
| 00:10:17,250 --> 00:10:18,985 | |
| [NURIA SCOFFS] | |
| 161 | |
| 00:10:20,787 --> 00:10:23,857 | |
| [***] | |
| 162 | |
| 00:10:31,164 --> 00:10:32,132 | |
| Everything okay? | |
| 163 | |
| 00:10:34,034 --> 00:10:35,001 | |
| Yeah. | |
| 164 | |
| 00:10:37,904 --> 00:10:39,005 | |
| We're all good. | |
| 165 | |
| 00:10:41,808 --> 00:10:43,843 | |
| [DRAWER CLOSES] | |
| 166 | |
| 00:11:19,346 --> 00:11:20,413 | |
| {\an8}RASMUS [IN ESTONIAN]: | |
| 167 | |
| 00:11:20,413 --> 00:11:21,915 | |
| Hey, Rasmus. | |
| 168 | |
| 00:11:21,915 --> 00:11:23,550 | |
| [IN ENGLISH] | |
| Fuck, I'm glad | |
| I'm not working tonight. | |
| 169 | |
| 00:11:23,550 --> 00:11:27,120 | |
| Imagine having to sit through | |
| three hours of classical piano? | |
| 170 | |
| 00:11:27,120 --> 00:11:28,088 | |
| Imagine. | |
| 171 | |
| 00:11:31,991 --> 00:11:35,128 | |
| So, um... | |
| I'll just wait for you. | |
| 172 | |
| 00:11:35,128 --> 00:11:38,198 | |
| Use this to get back in here. | |
| Knock yourself out. | |
| 173 | |
| 00:11:38,198 --> 00:11:39,733 | |
| [CHUCKLES] | |
| 174 | |
| 00:11:46,272 --> 00:11:49,242 | |
| [***] | |
| 175 | |
| 00:12:56,976 --> 00:12:58,478 | |
| [SPEAKS INDISTINCTLY] | |
| 176 | |
| 00:12:58,478 --> 00:13:00,180 | |
| JACKAL: | |
| Rasmus? | |
| 177 | |
| 00:13:00,180 --> 00:13:01,581 | |
| [IN ESTONIAN] | |
| One moment. | |
| 178 | |
| 00:13:01,581 --> 00:13:02,949 | |
| RASMUS: | |
| Hey, how was that? | |
| 179 | |
| 00:13:02,949 --> 00:13:04,584 | |
| You have no idea | |
| what that was. | |
| 180 | |
| 00:13:04,584 --> 00:13:06,453 | |
| That was, uh... | |
| 181 | |
| 00:13:06,453 --> 00:13:08,188 | |
| That was | |
| pretty extraordinary. | |
| 182 | |
| 00:13:08,188 --> 00:13:09,923 | |
| [CHUCKLING] | |
| 183 | |
| 00:13:09,923 --> 00:13:12,625 | |
| What? | |
| No, you're just | |
| so happy about it. | |
| 184 | |
| 00:13:12,625 --> 00:13:15,095 | |
| It's hilarious. | |
| That for me, that was-- | |
| 185 | |
| 00:13:15,095 --> 00:13:17,564 | |
| That was a big thing. | |
| Right. | |
| 186 | |
| 00:13:17,564 --> 00:13:18,965 | |
| Thank you. | |
| 187 | |
| 00:13:18,965 --> 00:13:20,166 | |
| No problem. | |
| 188 | |
| 00:13:20,166 --> 00:13:22,402 | |
| Do you wanna | |
| grab some food? | |
| 189 | |
| 00:13:22,402 --> 00:13:24,938 | |
| I'd love that but I've got | |
| a ton of things I've gotta do | |
| 190 | |
| 00:13:24,938 --> 00:13:26,206 | |
| before I fly, so... | |
| 191 | |
| 00:13:26,206 --> 00:13:28,475 | |
| But I'll see you when I | |
| come and pick up my stuff? | |
| 192 | |
| 00:13:28,475 --> 00:13:29,876 | |
| Sure. | |
| Yeah? | |
| 193 | |
| 00:13:29,876 --> 00:13:31,177 | |
| Yeah. | |
| 194 | |
| 00:13:31,177 --> 00:13:32,379 | |
| Yeah? Yeah. | |
| Yeah. | |
| 195 | |
| 00:13:34,447 --> 00:13:37,317 | |
| [***] | |
| 196 | |
| 00:13:37,317 --> 00:13:39,252 | |
| OSI: | |
| <i>I've established | |
| a line of communication</i> | |
| 197 | |
| 00:13:39,252 --> 00:13:42,122 | |
| with Keith Canvey, | |
| UDC's head of security. | |
| 198 | |
| 00:13:42,122 --> 00:13:43,490 | |
| I've sent him | |
| the facial composite. | |
| 199 | |
| 00:13:43,490 --> 00:13:46,126 | |
| But basically, he won't share | |
| anything with us. | |
| 200 | |
| 00:13:46,126 --> 00:13:49,496 | |
| He's not even admitting | |
| UDC's coming to Tallinn. | |
| 201 | |
| 00:13:49,496 --> 00:13:52,399 | |
| I have Oskar Ilves for you, Osi. | |
| Put him on speaker. | |
| 202 | |
| 00:13:53,533 --> 00:13:55,035 | |
| Oskar, hi. It's Osi. | |
| 203 | |
| 00:13:55,035 --> 00:13:56,336 | |
| OSKAR: | |
| <i>Hi, we have a police officer</i> | |
| 204 | |
| 00:13:56,336 --> 00:13:58,204 | |
| <i>who recognizes | |
| the facial composite.</i> | |
| 205 | |
| 00:13:58,204 --> 00:14:01,207 | |
| <i>She talked to the guy | |
| last night at an Airbnb.</i> | |
| 206 | |
| 00:14:01,207 --> 00:14:02,575 | |
| <i>British. Name of Peter Gibson.</i> | |
| 207 | |
| 00:14:02,575 --> 00:14:04,210 | |
| <i>I'm on my way | |
| to the location now.</i> | |
| 208 | |
| 00:14:04,210 --> 00:14:05,979 | |
| Oskar, I'm sending you | |
| one of our teams. | |
| 209 | |
| 00:14:05,979 --> 00:14:07,580 | |
| Siobhan, get them transport | |
| and armed escort. | |
| 210 | |
| 00:14:07,580 --> 00:14:09,983 | |
| SIOBHAN: | |
| Your escort | |
| is Richard and Phil. | |
| 211 | |
| 00:14:09,983 --> 00:14:12,052 | |
| They'll meet you | |
| at the front in five. | |
| 212 | |
| 00:14:14,120 --> 00:14:17,223 | |
| [***] | |
| 213 | |
| 00:14:28,535 --> 00:14:30,537 | |
| I've got the Airbnb location. | |
| 214 | |
| 00:14:30,537 --> 00:14:32,906 | |
| No! Down, down! | |
| 215 | |
| 00:14:46,986 --> 00:14:48,221 | |
| On me. Now! | |
| 216 | |
| 00:14:58,098 --> 00:15:00,734 | |
| He aimed straight at you. | |
| That was a fucking hit. | |
| 217 | |
| 00:15:00,734 --> 00:15:02,235 | |
| Are you okay? | |
| Yeah. | |
| 218 | |
| 00:15:02,235 --> 00:15:04,137 | |
| Do you need to come inside? | |
| 219 | |
| 00:15:05,138 --> 00:15:07,440 | |
| No, no. We need to go. | |
| We need to go. | |
| 220 | |
| 00:15:07,440 --> 00:15:09,342 | |
| OSI: | |
| Go. I'll deal with the police. | |
| 221 | |
| 00:15:09,342 --> 00:15:11,144 | |
| Hey. Hey, hey. | |
| 222 | |
| 00:15:11,144 --> 00:15:13,146 | |
| Be careful, yeah? | |
| 223 | |
| 00:15:25,725 --> 00:15:26,960 | |
| VINCE: | |
| You okay? | |
| 224 | |
| 00:15:29,262 --> 00:15:30,764 | |
| He didn't miss by much. | |
| 225 | |
| 00:15:30,764 --> 00:15:33,066 | |
| Yeah. Idiot. | |
| 226 | |
| 00:15:41,841 --> 00:15:43,309 | |
| Oskar Ilves, | |
| Internal Security. | |
| 227 | |
| 00:15:43,309 --> 00:15:44,811 | |
| Do you know | |
| if our guy's in there? | |
| 228 | |
| 00:15:44,811 --> 00:15:47,681 | |
| We don't. But he was | |
| definitely there last night. | |
| 229 | |
| 00:15:47,681 --> 00:15:50,050 | |
| We've covered all the exits. | |
| Okay. | |
| 230 | |
| 00:15:52,652 --> 00:15:55,655 | |
| [***] | |
| 231 | |
| 00:16:01,194 --> 00:16:03,396 | |
| OSKAR: | |
| Internal Security. | |
| Open the door! | |
| 232 | |
| 00:16:06,499 --> 00:16:07,434 | |
| Go! | |
| 233 | |
| 00:16:08,768 --> 00:16:10,603 | |
| [ALL SHOUTING IN ESTONIAN] | |
| 234 | |
| 00:16:12,539 --> 00:16:15,008 | |
| OFFICER [IN ESTONIAN]: Clear! | |
| Oh, shit. | |
| 235 | |
| 00:16:24,784 --> 00:16:26,119 | |
| You okay? | |
| 236 | |
| 00:16:26,119 --> 00:16:28,188 | |
| Uh, yeah, | |
| I had some dodgy sushi. | |
| 237 | |
| 00:16:28,188 --> 00:16:30,724 | |
| Hoping these are gonna | |
| bung me up before the flight. | |
| 238 | |
| 00:16:30,724 --> 00:16:32,058 | |
| Too much information. | |
| 239 | |
| 00:16:32,058 --> 00:16:33,560 | |
| [CHUCKLES] | |
| Mm-hm. | |
| 240 | |
| 00:16:37,364 --> 00:16:38,331 | |
| Right. | |
| 241 | |
| 00:16:44,838 --> 00:16:46,206 | |
| It's been fun. | |
| 242 | |
| 00:16:48,141 --> 00:16:49,542 | |
| It's been more than fun. | |
| 243 | |
| 00:16:53,513 --> 00:16:56,182 | |
| You got a good man's face, | |
| Rasmus. | |
| 244 | |
| 00:16:56,182 --> 00:16:58,084 | |
| [CHUCKLES] | |
| What does that mean? | |
| 245 | |
| 00:17:00,520 --> 00:17:03,523 | |
| This kindness just seems | |
| to come off you naturally. | |
| 246 | |
| 00:17:05,825 --> 00:17:07,594 | |
| I guess I'm just | |
| a happy person. | |
| 247 | |
| 00:17:12,699 --> 00:17:15,702 | |
| [***] | |
| 248 | |
| 00:17:23,209 --> 00:17:26,780 | |
| NEWSCASTER [OVER COMPUTER]: | |
| <i>Both UDC and DagHaus | |
| have remained tight-lipped</i> | |
| 249 | |
| 00:17:26,780 --> 00:17:29,549 | |
| <i>with regards to the upcoming | |
| announcement of River.</i> | |
| 250 | |
| 00:17:29,549 --> 00:17:32,485 | |
| <i>The venues in Dublin, | |
| Dubai and Kuala Lumpur</i> | |
| 251 | |
| 00:17:32,485 --> 00:17:34,921 | |
| <i>have all been rumored | |
| as possible locations.</i> | |
| 252 | |
| 00:17:34,921 --> 00:17:37,924 | |
| <i>UDC has created quite a stir | |
| already with hints</i> | |
| 253 | |
| 00:17:37,924 --> 00:17:40,527 | |
| <i>to what his latest invention, | |
| River, can do.</i> | |
| 254 | |
| 00:17:41,961 --> 00:17:45,265 | |
| REPORTER: | |
| <i>UDC, bless his | |
| pointy little head,</i> | |
| 255 | |
| 00:17:45,265 --> 00:17:47,767 | |
| {\an8}<i>hasn't got the memo | |
| that class hatred</i> | |
| 256 | |
| 00:17:47,767 --> 00:17:49,502 | |
| {\an8}<i>makes no more sense now,</i> | |
| 257 | |
| 00:17:49,502 --> 00:17:51,905 | |
| <i>just when the world | |
| needs to pull together,</i> | |
| 258 | |
| 00:17:51,905 --> 00:17:53,907 | |
| <i>than it ever did.</i> | |
| [TV CLICKS] | |
| 259 | |
| 00:17:53,907 --> 00:17:55,241 | |
| WOJACK: | |
| It didn't happen. | |
| 260 | |
| 00:17:55,241 --> 00:17:57,744 | |
| In Tallinn, | |
| it was a couple of Russians. | |
| 261 | |
| 00:17:57,744 --> 00:17:58,912 | |
| They botched it. | |
| 262 | |
| 00:17:58,912 --> 00:18:00,513 | |
| WINTHROP: | |
| Years after communism, | |
| 263 | |
| 00:18:00,513 --> 00:18:04,751 | |
| Russians are still drunk, | |
| lazy, inept, corrupt peasants. | |
| 264 | |
| 00:18:04,751 --> 00:18:08,355 | |
| National characteristics | |
| always outlive regime change. | |
| 265 | |
| 00:18:08,355 --> 00:18:09,923 | |
| It was very | |
| short notice, Tim. | |
| 266 | |
| 00:18:09,923 --> 00:18:11,424 | |
| WINTHROP: | |
| Do you know when the Romans | |
| 267 | |
| 00:18:11,424 --> 00:18:14,427 | |
| could no longer find enough | |
| Romans to run their empire, | |
| 268 | |
| 00:18:14,427 --> 00:18:16,930 | |
| greatest empire | |
| the world has ever known, | |
| 269 | |
| 00:18:16,930 --> 00:18:18,965 | |
| they started hiring foreigners. | |
| 270 | |
| 00:18:18,965 --> 00:18:20,767 | |
| The rest is history. | |
| 271 | |
| 00:18:20,767 --> 00:18:22,936 | |
| Decline and fall. | |
| 272 | |
| 00:18:22,936 --> 00:18:25,338 | |
| Do you understand | |
| what I'm saying? | |
| 273 | |
| 00:18:25,338 --> 00:18:26,806 | |
| No foreigners. | |
| 274 | |
| 00:18:26,806 --> 00:18:28,375 | |
| Hm. | |
| 275 | |
| 00:18:29,909 --> 00:18:31,444 | |
| You tell Leonora, | |
| 276 | |
| 00:18:31,444 --> 00:18:34,481 | |
| we like Coughlin's | |
| class hatred line. | |
| 277 | |
| 00:18:34,481 --> 00:18:35,615 | |
| Hm. | |
| 278 | |
| 00:18:38,418 --> 00:18:39,719 | |
| OSKAR: | |
| This is Officer Kohver. | |
| 279 | |
| 00:18:39,719 --> 00:18:42,555 | |
| She's sure she saw your man | |
| last night. | |
| 280 | |
| 00:18:42,555 --> 00:18:45,258 | |
| We were responding | |
| to a burglary in the building. | |
| 281 | |
| 00:18:45,258 --> 00:18:47,861 | |
| We spoke to a number | |
| of tenants on this floor. | |
| 282 | |
| 00:18:47,861 --> 00:18:50,997 | |
| And one man, | |
| there was something about him, | |
| 283 | |
| 00:18:50,997 --> 00:18:53,266 | |
| and he looked a lot like this. | |
| 284 | |
| 00:18:55,835 --> 00:18:58,438 | |
| [PEOPLE CHATTERING INDISTINCTLY] | |
| 285 | |
| 00:19:15,522 --> 00:19:16,456 | |
| Evening. | |
| 286 | |
| 00:19:22,395 --> 00:19:24,197 | |
| Could I see your bag, sir? | |
| 287 | |
| 00:19:25,532 --> 00:19:27,334 | |
| That's probably the boot. | |
| 288 | |
| 00:19:27,334 --> 00:19:28,501 | |
| Yeah. | |
| Yeah. | |
| 289 | |
| 00:19:28,501 --> 00:19:29,703 | |
| Thank you, that's fine. | |
| 290 | |
| 00:19:31,037 --> 00:19:32,339 | |
| Thank you. | |
| 291 | |
| 00:19:33,873 --> 00:19:36,743 | |
| KOHVER: | |
| He had a British passport | |
| in the name of Peter Gibson. | |
| 292 | |
| 00:19:36,743 --> 00:19:38,878 | |
| How did Gibson pay? | |
| KOHVER: Credit card. | |
| 293 | |
| 00:19:38,878 --> 00:19:41,581 | |
| We're checking to see | |
| if the card has been used. | |
| 294 | |
| 00:19:41,581 --> 00:19:44,451 | |
| I'll also get forensic team | |
| in for prints and DNA. | |
| 295 | |
| 00:19:47,087 --> 00:19:49,756 | |
| Hopefully we can match results | |
| to what we found in Hungary. | |
| 296 | |
| 00:19:49,756 --> 00:19:52,058 | |
| BIANCA: | |
| And get Officer Kohver | |
| in with the artist. | |
| 297 | |
| 00:19:52,058 --> 00:19:54,227 | |
| See if we can get | |
| a better likeness. | |
| 298 | |
| 00:19:55,929 --> 00:19:58,465 | |
| Uh-- These please. | |
| 299 | |
| 00:19:58,465 --> 00:20:00,000 | |
| And I'll get four of them nuts. | |
| 300 | |
| 00:20:00,000 --> 00:20:02,235 | |
| And four of these | |
| chocolate bars. | |
| """ |