junior high school flesh hit big screens good fortune see midnight movie houses nyc two years laterbr br flesh first part socalled trilogy films featuring joe dallesandro object desire bears warhol name work paul morissey essentially story concerns exploits surrounding one day life streetwise male hustler played joe dallesandro joe young beautiful bit naive manages bring home bacon wife reasons explained appreciate film fullybr br of special note film buffs film along remaining two trilogy script per se warhols superstars given simply premise words actions viewer sees quite natural even times ridiculous nonsensical works rolling stone noted review film better midnight cowboy film year polished hollywood an academy award winner best film  big name talent i equally admire film flesh improvised somehow gut wrenching realistic without need complex subplots cause de celebre  matter cause allbr br the film grossed  million dollars absolute sensation particularly german market which ironically thought given censored version film posteditingsee note belowbr br curiously film much cut paste pops clicks flashes dialogue literally cut midsentence almost warholmorissey stating simple truth day life superstar snippets voyeuristic tendencies far better earlier warhol works  hours sleeping statue liberty  hour moviebr br flesh opinion first warhol films actually digestible given wide pallette warholsthe factorys first legitimate response hollywood phenomenon stardombr br as first trilogy portrays young desirable male icon naive sought after responding invitations please family subsequent films would show same character differing set values see trash heat