3/3 Discussion of [Screen] Dir. War Horse War Horse, (play and film) Steven Spielberg. 3/8 Discussion of War Horse Burt, and the History “Film (film) of the Visual Animal” 3/10 The Animal Gaze Woodward, “Introduction: The Animal Gaze” Spring break 3/22 Animal narratives Brian Doyle, Martin Marten; McHugh, “Conclusion: Toward a narrative Ethology;” 3/24 and Horowitz, From Martin Marten Umweldt: Fundamental umwelt the Dog’s Point of Nose;” concepts Peterson, paper “Introduction: Animals and Nature;” 3/29 Martin Marten (discussion) 3/31 Martin Marten (discussion) 4/5 When Species Meet Haraway, in the “Training Contact Zone” 4/7 in Zimmerman, Killer in Blackfish – “The screening the Pool.” 4/12 Blackfish 4/14 (discussion) Blackfish 4/19 Peer reviews of paper proposals 4/21 TBD 4/26 Individual conferences 4/28 Individual conferences 5/3 In-class presentations 5/5 In-class presentations Semester papers
3/3 Discussion of War Horse (play and film) [Screen] War Horse, Dir. Steven Spielberg. 3/8 Discussion of War Horse (film) Burt, “Film and the History of the Visual Animal” 3/10 The Animal Gaze Woodward, “Introduction: The Animal Gaze” Spring break 3/22 Animal narratives Brian Doyle, Martin Marten; McHugh, “Conclusion: Toward a narrative Ethology;” 3/24 Martin Marten and umwelt Horowitz, Umweldt: From the Dog’s Point of Nose;” Peterson, “Introduction: Animals and Nature;” Fundamental concepts paper 3/29 Martin Marten (discussion) 3/31 Martin Marten (discussion) 4/5 When Species Meet Haraway, “Training in the Contact Zone” 4/7 Blackfish – in screening Zimmerman, “The Killer in the Pool.” 4/12 Blackfish 4/14 Blackfish (discussion) 4/19 Peer reviews of paper proposals 4/21 TBD 4/26 Individual conferences 4/28 Individual conferences 5/3 In-class presentations 5/5 In-class presentations Semester papers
Banks-Literature-and-Film2.docx