Study of rendering different Tala-Aksharas on tabla in 1 0.1 04 simple Tree Taal, Dadara, 2 0.2 Study of the following Talas with their bols ; All the Taals learnt in FY & Deepchandi,Roopak, 3 0.3 Voice culture & Swar Gyan through (i)Sargam Exercises (ii) Sargams Patterns to study Rhythms (iii) Scale Exercise (iv) Alankar (v) Practice in singing written Music (Sight singing or playing and writing notation), (vi) Application of Alankaras to Ragas (vii) Simple Bol-Taana Exercises 4 0.4 One Dhrupad and One Dhamar with Alap and Gayaki in : Hindol, Shankara, Adana, VOCAL : (a) One Thumari with suitable improvisation in 5 0.5 Raag Khamaj. 6 0.6 INSTRUMENTAL: Thumari / Dhun with improvisation in Raag Khamaj. 7 0.7 Bhajans or Folk Songs or light songs, out of which one should be in Raag Kalingada and another in Tilang. HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS401CC Semester : 1 Principles Of Music IV (PIV) – Course type : Core Complusory Total Credit : 04 Teaching time Examination Marking scheme Theory Practical Internal External Total (hrs) (hrs) (Marks) (Marks) (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit Content Hrs. W + Credit No. No. % 1 Section I Applied Physics (Marks for Section I is 35) 04 – – Sound General Relationship – Elementary idea of Doppler’s Principle, Physical significance 1.1 of Harmony & Discord structure of human throat and ear. General principles of acoustics of buildings. Principles of radio and television.Experiments: (Practical) (Non Evaluative)
1 0.1 Study of rendering different Tala-Aksharas on tabla in simple Tree Taal, Dadara, 04 2 0.2 Study of the following Talas with their bols ; All the Taals learnt in FY & Deepchandi,Roopak, 3 0.3 Voice culture & Swar Gyan through (i)Sargam Exercises (ii) Sargams Patterns to study Rhythms (iii) Scale Exercise (iv) Alankar (v) Practice in singing written Music (Sight singing or playing and writing notation), (vi) Application of Alankaras to Ragas (vii) Simple Bol-Taana Exercises 4 0.4 One Dhrupad and One Dhamar with Alap and Gayaki in : Hindol, Shankara, Adana, 5 0.5 VOCAL : (a) One Thumari with suitable improvisation in Raag Khamaj. 6 0.6 INSTRUMENTAL: Thumari / Dhun with improvisation in Raag Khamaj. 7 0.7 Bhajans or Folk Songs or light songs, out of which one should be in Raag Kalingada and another in Tilang. HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS401CC Semester : 1 Principles Of Music – IV (PIV) Course type : Core Complusory Total Credit : 04 Teaching time Examination Marking scheme Theory (hrs) Practical (hrs) Internal (Marks) External (Marks) Total (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. No. Content Hrs. W + % Credit 1 Section – I Applied Physics (Marks for Section – I is 35) 04 1.1 Sound – General Relationship Elementary idea of Doppler’s Principle, Physical significance of Harmony & Discord structure of human throat and ear. General principles of acoustics of buildings. Principles of radio and television.Experiments: (Practical) (Non Evaluative)
BAMUS.docx