Scales. Arithmetic relations of shruties. Fundamental and overtones. Stroboscopic disc. 2 Section II PRINCIPLES OF MUSIC (THEORY) (Marks – for Section II is 35) – 2.1 Detailed study of the Time theory of raags, its principles & relation to aesthetics, raaag samay siddhant, – classification of raag according to the gayan Samay, Ardhwadarshak Swar, Raag Samay Chakra. 2.2 Classification of Raags (a) Raag-raagini, (b) Mela-Raag (c) Raagang raag (d) Shuddh Chhayalag Sankirna. 2.3 10 Principles of Raag according to the old treatises of Hindustani Music Graha, Ansh, Nyas, Apanyas, Mandra, – Taar, Alpatva, Bahutva, Shadatva, Audatva. Its relation with the modern system. HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS302CC Semester : 1 Detail Study Of Raag III (DSR) – Course type : Core Complusory Total Credit : 04 Teaching time (hours) Examination Marking scheme Theory Practical Internal External Total (hrs) (hrs) (Marks) (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit Topic Marks Content Hrs. Credit No. No. W + % Detailed theoretical of the Raags prescribed for the 1 0.1 14 04 Practical. 2 0.2 Comaparative Study of Samakrutik & Samprakrutik 14 Raags prescribed for the Practical. 3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the 14 Raags of Practical Study. 4 0.4 Writing Notations of Cheezes (Gat for Instrumental 14 Music) & Taals as prescribed. Detailed study of the Taals studied up till now with 5 0.5 14 Tigun, Dugun & Chaugun. (Study of Taals : Tilwada, Dhamar, Sultal)
Scales. Arithmetic relations of shruties. Fundamental and overtones. Stroboscopic disc. 2 Section – II PRINCIPLES OF MUSIC (THEORY) (Marks for Section – II is 35) 2.1 Detailed study of the Time theory of raags, its principles & relation to aesthetics, raaag – samay siddhant, classification of raag according to the gayan Samay, Ardhwadarshak Swar, Raag Samay Chakra. 2.2 Classification of Raags (a) Raag-raagini, (b) Mela-Raag (c) Raagang raag (d) Shuddh Chhayalag Sankirna. 2.3 10 Principles of Raag according to the old treatises of Hindustani Music – Graha, Ansh, Nyas, Apanyas, Mandra, Taar, Alpatva, Bahutva, Shadatva, Audatva. Its relation with the modern system. HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS302CC Semester : 1 Detail Study Of Raag – III (DSR) Course type : Core Complusory Total Credit : 04 Teaching time (hours) Examination Marking scheme Theory (hrs) Practical (hrs) Internal External (Marks) Total (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. Topic No. Content Hrs. Marks W + % Credit 1 0.1 Detailed theoretical of the Raags prescribed for the Practical. 14 04 2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags prescribed for the Practical. 14 3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the Raags of Practical Study. 14 4 0.4 Writing Notations of Cheezes (Gat for Instrumental Music) & Taals as prescribed. 14 5 0.5 Detailed study of the Taals studied up till now with Tigun, Dugun & Chaugun. (Study of Taals : Tilwada, Dhamar, Sultal) 14
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