instruments including violins, flutes it is very instrumental which makes the audience feel scared and on edge for what may happen in the next section of the scene (it almost creates a sense of suspense). I believe that you can find instrumental music artists and composers very easily to hire or to produce lots of background music in order to flow with the footage. Here is a link to present specific instrumental music artists: Figure 34 Screenshot of hiring an instrumental music production freelancer ALL SCREENSHOTS TAKEN BY AMEERA THIND ON 18/1/18 Some of these freelancer artists do a lot of voice over work related with short films in general. Voice Overs are used within the beginning scene which I chose. These Voice Overs are presented through the use of phone calls as when the character calling speaks the other person in the phone is actually a voice over which has been pre-recorded and is then inserted in post-production during the editing process. Conclusion: Overall these were the only audio and visual solutions which I came across within my chosen scene. I really enjoyed learning and studying about this scene as it allowed me to actually have the chance and experience of how film crew actually research about the cars, music composers which would be needed in order to produce and create a fantastic TV show or even a film. Obviously I did some of this on Mars’ work for ‘Life Week 2 which is clearly presented in week two’s portfolio but for this week we were required to expand on the research previously done. Chapter 4 Week 4 – Microphone types Figure 35 of microphone types edited by AT Introduction: This practical was on testing a variety of microphone types in three different locations. These included locations such as three interior ones and one exterior in other words outside. We used three different microphones which consisted of a microphone’, a Mic’ and lastly a Microphone’. ‘Shotgun ‘Lapel ‘Dynamic
instruments including violins, flutes it is very instrumental which makes the audience feel scared and on edge for what may happen in the next section of the scene (it almost creates a sense of suspense). I believe that you can find instrumental music artists and composers very easily to hire or to produce lots of background music in order to flow with the footage. Here is a link to present specific instrumental music artists: Figure 34 Screenshot of hiring an instrumental music production freelancer ALL SCREENSHOTS TAKEN BY AMEERA THIND ON 18/1/18 Some of these freelancer artists do a lot of voice over work related with short films in general. Voice Overs are used within the beginning scene which I chose. These Voice Overs are presented through the use of phone calls as when the character calling speaks the other person in the phone is actually a voice over which has been pre-recorded and is then inserted in post-production during the editing process. Conclusion: Overall these were the only audio and visual solutions which I came across within my chosen scene. I really enjoyed learning and studying about this scene as it allowed me to actually have the chance and experience of how film crew actually research about the cars, music composers which would be needed in order to produce and create a fantastic TV show or even a film. Obviously I did some of this ‘Life on Mars’ work for Week 2 which is clearly presented in week two’s portfolio but for this week we were required to expand on the research previously done. Chapter 4 – Week 4 Microphone types Figure 35 of microphone types edited by AT Introduction: This practical was on testing a variety of microphone types in three different locations. These included locations such as three interior ones and one exterior in other words outside. We used three different microphones which consisted of a ‘Shotgun microphone’, a ‘Lapel Mic’ and lastly a ‘Dynamic Microphone’.
ameera-thind-7th-feb-draft-65.docx