December 5: Present a 10-minute illustrated PowerPoint about your artwork ___________________________________________________________ Schedule (subject to changes announced in NOTE: Follow the directions for All readings below are available on the Art 116 webpage. “Readings” *RResponse papers on p. 2 of the syllabus. Introduction / Review of the Sac State Art Collection Catalog / Instruction in August 29: Endnote/ View 1990 award-winning film by Mark Kitchell, for historical context of the art Berkeley in the Sixties, we are studying this semester. *RR: Susan Landauer, Cultures: The California Context (An Overview),” from Peter “Countering Selz, 2006 Art of Engagement: Visual Politics in California and Beyond, (this and all readings are available on the Art 116 webpage) “Readings” Jonathan Fineberg, and Embodiment, 1961-69,” from Fineberg, A Troublesome “Identity 2013 Subject: The Art of Robert Arneson, September 5: Overview lecture *Deborah Metzger, CSUS Science and Technology Librarian, will give us a demonstration of how to use Endnote. NOTE: You can download the app (free from the University) on your laptop before class if you want to follow along. View: of the Wheel, part 5: Robert Arneson and the Davis Group” “Revolutions *RR: Robert Hughes, Poet of Pastry: Wayne Thiebaud” 2001 “The Joann Moser, It All Mean?” from What’s It All Mean: William T. Wiley in Retrospect, “What’s 2010 September 12: Due: Three catalog essay subject choices *RR: Elaine O’Brien, Ideas: The Enigma of Stephen Kaltenbach,” 2009 Midtown Magazine, “Bad Constance Lewallen, Rose Has No Teeth,” from Lewallen et al., A Rose Has No Teeth: Bruce “A 2007 Nauman in the 1960s, September 19: Steve Kaltenbach Due: Proposal for catalog entry due
December 5: Present a 10-minute illustrated PowerPoint about your artwork ___________________________________________________________ Schedule (subject to changes announced in NOTE: All readings below are available on the Art 116 “Readings” webpage. Follow the directions for *RResponse papers on p. 2 of the syllabus. August 29: Introduction / Review of the Sac State Art Collection Catalog / Instruction in Endnote/ View 1990 award-winning film by Mark Kitchell, Berkeley in the Sixties, for historical context of the art we are studying this semester. *RR: Susan Landauer, “Countering Cultures: The California Context (An Overview),” from Peter Selz, Art of Engagement: Visual Politics in California and Beyond, 2006 (this and all readings are available on the Art 116 “Readings” webpage) Jonathan Fineberg, “Identity and Embodiment, 1961-69,” from Fineberg, A Troublesome Subject: The Art of Robert Arneson, 2013 September 5: Overview lecture *Deborah Metzger, CSUS Science and Technology Librarian, will give us a demonstration of how to use Endnote. NOTE: You can download the app (free from the University) on your laptop before class if you want to follow along. View: “Revolutions of the Wheel, part 5: Robert Arneson and the Davis Group” *RR: Robert Hughes, “The Poet of Pastry: Wayne Thiebaud” 2001 Joann Moser, “What’s It All Mean?” from What’s It All Mean: William T. Wiley in Retrospect, 2010 September 12: Due: Three catalog essay subject choices *RR: Elaine O’Brien, “Bad Ideas: The Enigma of Stephen Kaltenbach,” Midtown Magazine, 2009 Constance Lewallen, “A Rose Has No Teeth,” from Lewallen et al., A Rose Has No Teeth: Bruce Nauman in the 1960s, 2007 September 19: Steve Kaltenbach Due: Proposal for catalog entry due
art%20116%20syllabus%202017.docx