or absorbed by the My Little Pony adult fan base. Both the accurate mirror and the more fun house mirror, and interactive audience theories can be helpful in determining certain human traits and themes that are being shown to the viewers. Groups, Subcultures, and Fandoms Another view of media theory focuses on the power and influence of subcultures and fandoms (; ; ). Subcultures and fandoms are similar to associations [where] dissenters “voluntary have the easy out of withdrawal…” (). And concepts have been an important focus of “group political analysis” (). context of a group− including the physical space, the characteristics “The of the membership, and its purpose− matters because it affects the range of resources people have for connecting to one another”(). This is not a group consciousness argument regardless of the fact that Bronies are fairly homogenous-white, educated males. The Brony fandom, not “was created by a shared class structure or other cultural similarities; instead the participants have in common only an interest in a program, a desire to talk about it, and access to the interest,” as other fandom communities are, based on what a survey to qualitative data about “web-based online fans’ use of the internet for keeping up with a favorite television program and for interaction with other fans” found (). Nor it is able to be considered a classic group since there is no set, disadvantage…by the major political parties and their candidates…and “advantage…or that [Bronies] political preference…are [not] powerfully shaped by group identification…however we believe that Bronies are like classic groups, because are powerfully shaped by group identification” (). An example of this “political…perceptions new version of groups is how volunteering and donations are organized. The amount of is up [however] charitable contributions have fallen as a percentage of GDP. “volunteering Despite large increases in formal education, measures of political knowledge have remained flat
or absorbed by the My Little Pony adult fan base. Both the accurate mirror and the more fun house mirror, and interactive audience theories can be helpful in determining certain human traits and themes that are being shown to the viewers. Groups, Subcultures, and Fandoms Another view of media theory focuses on the power and influence of subcultures and fandoms (; ; ). Subcultures and fandoms are similar to “voluntary associations [where] dissenters have the easy out of withdrawal…” (). And “group concepts have been an important focus of political analysis” (). “The context of a group− including the physical space, the characteristics of the membership, and its purpose− matters because it affects the range of resources people have for connecting to one another”(). This is not a group consciousness argument regardless of the fact that Bronies are fairly homogenous-white, educated males. The Brony fandom, “was not created by a shared class structure or other cultural similarities; instead the participants have in common only an interest in a program, a desire to talk about it, and access to the interest,” as other fandom communities are, based on what a “web-based survey to qualitative data about online fans’ use of the internet for keeping up with a favorite television program and for interaction with other fans” found (). Nor it is able to be considered a classic group since there is no set, “advantage…or disadvantage…by the major political parties and their candidates…and that [Bronies] political preference…are [not] powerfully shaped by group identification…however we believe that Bronies are like classic groups, because “political…perceptions are powerfully shaped by group identification” (). An example of this new version of groups is how volunteering and donations are organized. The amount of “volunteering is up [however] charitable contributions have fallen as a percentage of GDP. Despite large increases in formal education, measures of political knowledge have remained flat
Agostinelli_Yacobucci.docx