**SECOND PAPER DUE BY MIDNIGHT FRIDAY OCTOBER 10th Week Eight (1954) 112 mins Rear Window Oct 16th: REQUIRED READING: Wood, Chapter 3 & Chapter Male Anxiety: “Rear Window” pp.100-107 18 “Male Desire, The Essential Hitchcock” p.371-387. Modleski, T in The Women Who Knew Too Much: Hitchcock “The Master’s Dollhouse” and Feminist Theory Stam & Reflexivity and the Critique of Rear Window: Pearson “Hitchcock’s Voyeurism” in (2nd Edition) pp.199-211 Hitchcock Reader Recommended Viewing: (1959), (1953) North By Northwest Dial M For Murder Week Nine (1951) 101 mins Strangers on a Train Oct 23rd: REQUIRED READING: Wood, Chapter on a Train” 2: “Strangers pp.86-99. See also (highly recommended) Knight, D & and in pp.107-122 Centenary Essays McKnight, G “Suspense its Master” Secondary viewing: (1948), (1945), (1956) Rope Spellbound The Wrong Man Week Ten (1958) 128 mins Vertigo Oct 30th: REQUIRED READING: Wood, Chapter 4: “Vertigo” pp.108-130. Modleski, T By in The Women Who Knew Too Much: Hitchcock “Femininity Design” pp.87-100 and Feminist Theory Keane, M at Scopophilia: Mulvey, Hitchcock and in Vertigo” Hitchcock “A Closer Look (2nd Edition) pp.234-249 Reader See also (highly recommended) and Problems of Knowledge in Feminist in White, S “Vertigo Film Theory” Centenary pp.279-298 Essays Secondary Viewing: (1949) (1950), Under Capricorn Stage Fright To Catch a Thief (1955) Week Eleven (1960) 109 mins Psycho Nov 6th:
**SECOND PAPER DUE BY MIDNIGHT FRIDAY OCTOBER 10th Week Eight Oct 16th: Rear Window (1954) 112 mins REQUIRED READING: Wood, Chapter 3 “Rear Window” pp.100-107 & Chapter 18 “Male Desire, Male Anxiety: The Essential Hitchcock” p.371-387. Modleski, T “The Master’s Dollhouse” in The Women Who Knew Too Much: Hitchcock and Feminist Theory Stam & Pearson “Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism” in Hitchcock Reader (2nd Edition) pp.199-211 Recommended Viewing: North By Northwest (1959), Dial M For Murder (1953) Week Nine Oct 23rd: Strangers on a Train (1951) 101 mins REQUIRED READING: Wood, Chapter 2: “Strangers on a Train” pp.86-99. See also (highly recommended) Knight, D & McKnight, G “Suspense and its Master” in Centenary Essays pp.107-122 Secondary viewing: Rope (1948), Spellbound (1945), The Wrong Man (1956) Week Ten Oct 30th: Vertigo (1958) 128 mins REQUIRED READING: Wood, Chapter 4: “Vertigo” pp.108-130. Modleski, T “Femininity By Design” in The Women Who Knew Too Much: Hitchcock and Feminist Theory pp.87-100 Keane, M “A Closer Look at Scopophilia: Mulvey, Hitchcock and Vertigo” in Hitchcock Reader (2nd Edition) pp.234-249 See also (highly recommended) White, S “Vertigo and Problems of Knowledge in Feminist Film Theory” in Centenary Essays pp.279-298 Secondary Viewing: Under Capricorn (1949) Stage Fright (1950), To Catch a Thief (1955) Week Eleven Nov 6th: Psycho (1960) 109 mins
31869_1109_4240_001_syllabus.docx