of in The Feminism and Visual Culture Reader, John Berger, “Ways Seeing,” and in The Feminism and Laura Mulvey, “Visual Pleasure Narrative Cinema,” 57-65. Visual Culture Reader, and Gender Constitution: An Essay in Judith Butler, “Performative Acts Phenomenology and in The Feminism and Visual Culture Feminist Theory,” 482-492. Reader, Week 3 January 21 Art – January 23 - Discussion Linda have There been No Great Women in The Nochlin, “Why Artists?” 263-267. Feminism and Visual Culture Reader, 120-141. Feminine Sentences, Janet Wolff, “Reinstating Corporeality,” Week 4 Proposal for visual production paper due January 28 Film – – January 30 Discussion – the absent family of Women in Film Sylvia Harvey, “Woman’s place: film noir,” 22-34. Noir, of Film 542-565. American Literary History, Eric Lott, “The Whiteness Noir,” You in Billy Brian Gallagher, “ ‘I Love Too’: Sexual Warfare & Homoeroticism 237-246. Double Indemnity,” Literature Film Quarterly, Wilder’s Week 5 February 4 Film – Film Screening (1944), starring Fred McMurray and Barbara Double Indemnity – Stanwyck, directed by Billy Wilder. February 6 Discussion – Week 6 February 11 Television and Mass Media – February 13 - Discussion American Women and Violence: Gender, Race and Marian Meyers, “African Class in the 95-118. Critical Media Studies, News,” John Howard and Laura Prividera, Fallen Woman Archetype: Media “The Representations of Lynndie England, Gender and the (Ab)uses of U.S. Female 287-311. in Communication, Soldiers,” Women’s Studies Week 7 February 18 Review –
John Berger, “Ways of Seeing,” in The Feminism and Visual Culture Reader, Laura Mulvey, “Visual Pleasure and Narrative Cinema,” in The Feminism and Visual Culture Reader, 57-65. Judith Butler, “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory,” in The Feminism and Visual Culture Reader, 482-492. Week 3 January 21 – Art January 23 - Discussion Linda Nochlin, “Why have There been No Great Women Artists?” in The Feminism and Visual Culture Reader, 263-267. Janet Wolff, “Reinstating Corporeality,” Feminine Sentences, 120-141. Week 4 January 28 – Film – Proposal for visual production paper due January 30 – Discussion Sylvia Harvey, “Woman’s place: the absent family of film noir,” Women in Film Noir, 22-34. Eric Lott, “The Whiteness of Film Noir,” American Literary History, 542-565. Brian Gallagher, “ ‘I Love You Too’: Sexual Warfare & Homoeroticism in Billy Wilder’s Double Indemnity,” Literature Film Quarterly, 237-246. Week 5 February 4 – Film Film Screening – Double Indemnity (1944), starring Fred McMurray and Barbara Stanwyck, directed by Billy Wilder. February 6 – Discussion Week 6 February 11 – Television and Mass Media February 13 - Discussion Marian Meyers, “African American Women and Violence: Gender, Race and Class in the News,” Critical Media Studies, 95-118. John Howard and Laura Prividera, “The Fallen Woman Archetype: Media Representations of Lynndie England, Gender and the (Ab)uses of U.S. Female Soldiers,” Women’s Studies in Communication, 287-311. Week 7 February 18 – Review
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