Suggested Reading Alexander, Christine. Artist’s Eye’: Charlotte Brontë and the “Educating ‘The Pictorial Image.” Eds. Sandra Hagan, The Brontës in the World of the Arts. Juliette Welles. Burlington: Ashgate Publishing Company, 2008. 11-29. Print. Brontë, Charlotte. Eds. Margaret Smith, Herbert Rosengarten. Oxford: Villette. Oxford University Press, 2000. Print. Brosh, Liora. Screening Novel Women: From British Domestic Fiction to Film. London: Palgrave Macmillan, 2008. Print. Drabinski, Kate. "Incarnate Possibilities: Female To Male Transgender Narratives And The Making Of Self." 44.2 (2014): Journal Of Narrative Theory MLA International Bibliography. Web. 23 Sept. 2015. Gaines, Jane. Privilege and Looking Relations: Race and Gender in “White Feminist Film Theory.” Ed. E. Ann Kaplan. Oxford: Feminism and Film. Oxford University Press, 2000. 336-355. Print. Jean. New York: W.W. Norton and Company, 1966. Wide Sargasso Sea. Print. Sadoff, Dianne F. Minneapolis: Victorian Vogue: British Novels on Screen. University of Minnesota Press, 2010. Print. Spivak, Gayatri Chakravorty. Women’s Texts and a Critique of “Three Imperialism.” Eds. Reina Lewis, Feminist Postcolonial Theory: A Reader. Sara Mills. New York: Routledge, 2003. Print.
Suggested Reading Alexander, Christine. “Educating ‘The Artist’s Eye’: Charlotte Brontë and the Pictorial Image.” The Brontës in the World of the Arts. Eds. Sandra Hagan, Juliette Welles. Burlington: Ashgate Publishing Company, 2008. 11-29. Print. Brontë, Charlotte. Villette. Eds. Margaret Smith, Herbert Rosengarten. Oxford: Oxford University Press, 2000. Print. Brosh, Liora. Screening Novel Women: From British Domestic Fiction to Film. London: Palgrave Macmillan, 2008. Print. Drabinski, Kate. "Incarnate Possibilities: Female To Male Transgender Narratives And The Making Of Self." Journal Of Narrative Theory 44.2 (2014): MLA International Bibliography. Web. 23 Sept. 2015. Gaines, Jane. “White Privilege and Looking Relations: Race and Gender in Feminist Film Theory.” Feminism and Film. Ed. E. Ann Kaplan. Oxford: Oxford University Press, 2000. 336-355. Print. Jean. Wide Sargasso Sea. New York: W.W. Norton and Company, 1966. Print. Sadoff, Dianne F. Victorian Vogue: British Novels on Screen. Minneapolis: University of Minnesota Press, 2010. Print. Spivak, Gayatri Chakravorty. “Three Women’s Texts and a Critique of Imperialism.” Feminist Postcolonial Theory: A Reader. Eds. Reina Lewis, Sara Mills. New York: Routledge, 2003. Print.
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