Title: Inscribing Movement: articulating strategies for live writing processes 4. Nik Wakefield Title: Bergsonian Memory and Duration in Performance and Documentation Workshop Andrew Armitage Ethnographic Verse as Performative Storytelling: IVY Dance Studio The Poetry of Working Lives Volunteer assistant: Melina Scialom 1-2 Lunch [finger buffet] on Lower Concourse 2-3.30 PARALLEL SESSIONS no. 2 Panel 1. Theatre & Political Economy Griffiths Lecture Theatre 1. Tony Fisher Title: Towards a Critique of the Economy’ of the ‘Political Chair: Dan Watt Theatre the Society of the Spectacle in Rousseau’s Letter to – D’Alembert Volunteer assistant: Jenny Mahon 2. Eve Katsouraki Value Ratios of Cruelty; Animal, Economy and Performance 3. Louise Owen Panel 2. Matter, Body, Motion: A Phenomenology of the Shakespearean Stage Lecture Theatre E 1. Matt Wagner Matt Wagner Title: Wheresoever the Body Is Volunteer assistant: 2. Anne Sophie Haahr Refskou Melina Scialom Title: The Winter’s Tale: Textual Gesture and the Actor’s Body 3. tbc 3. Questioning in music performance ‘authenticity’ Lecture Theatre B 1. Morton T. Wan Title: Glenn Gould: Performance as Poststructuralist Discourse Chair: Tomas McAuley 2. Joke Kremer Romp Volunteer assistant: On the role of the body in performing (authentically) and Laura Robinson experiencing (authentic) mediatized performance
Title: Inscribing Movement: articulating strategies for live writing processes 4. Nik Wakefield Title: Bergsonian Memory and Duration in Performance and Documentation Workshop IVY Dance Studio Volunteer assistant: Melina Scialom Andrew Armitage Ethnographic Verse as Performative Storytelling: The Poetry of Working Lives 1-2 Lunch [finger buffet] on Lower Concourse 2-3.30 PARALLEL SESSIONS no. 2 Panel 1. Griffiths Lecture Theatre Chair: Dan Watt Volunteer assistant: Jenny Mahon Theatre & Political Economy 1. Tony Fisher Title: Towards a Critique of the ‘Political Economy’ of the Theatre – the Society of the Spectacle in Rousseau’s Letter to D’Alembert 2. Eve Katsouraki Value Ratios of Cruelty; Animal, Economy and Performance 3. Louise Owen Panel 2. Lecture Theatre E Matt Wagner Volunteer assistant: Melina Scialom Matter, Body, Motion: A Phenomenology of the Shakespearean Stage 1. Matt Wagner Title: Wheresoever the Body Is 2. Anne Sophie Haahr Refskou Title: The Winter’s Tale: Textual Gesture and the Actor’s Body 3. tbc 3. Lecture Theatre B Chair: Tomas McAuley Volunteer assistant: Laura Robinson Questioning ‘authenticity’ in music performance 1. Morton T. Wan Title: Glenn Gould: Performance as Poststructuralist Discourse 2. Joke Kremer Romp On the role of the body in performing (authentically) and experiencing (authentic) mediatized performance
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