WHERE DO WE was born in Moià La Fura dels Baus in 1979 while doing street involved in a period of artistic opera (La 1996) or Atlántida, diversification, which allowed them to publicity ( , 1 997 ) . Since Pepsíclope performances. Since its beginnings seduce the whole world in a variety of t hat moment has been La Fura constantly presenting new and the company has looked for a singular artistic disciplines. A clear example of identity, which differentiated them this is the order to organise the stimulating work, breaking all sort of from the others, experimenting and opening ceremony of Barcelona limits with their performances. Sailed by in China’s see, performed evolving Because of its Olympic Games with its show Naumon constantly. ’92 permanently in first trilogy (Accions, 1984; Suz/o/Suz/ mar olímpico”. of the City” “Mediterráneo, “Window Expo Shanghai China (2010) and and the Because of the greatest staging of this 1985; Tier Mon 1988) inaugurated and company reached a very significant macro- show they were asked to Duisburg (2010) as essence and esthetics, as well as a perform some other disciplines that Guimaraes (2012) Culture receiving not only good particular language. From thereafter proved to be exceedingly successful, Capitals, positive criticism from the public but was such as La Fura also from the press.
WHERE DO WE La Fura dels Baus was born in Moià in 1979 while doing street performances. Since its beginnings the company has looked for a singular identity, which differentiated them from the others, experimenting and evolving constantly. Because of its first trilogy (Accions, 1984; Suz/o/Suz/ 1985; and Tier Mon 1988) the company reached a very significant essence and esthetics, as well as a particular language. From thereafter La Fura was involved in a period of artistic diversification, which allowed them to seduce the whole world in a variety of artistic disciplines. A clear example of this is the order to organise the opening ceremony of Barcelona Olympic Games ’92 with its show “Mediterráneo, mar olímpico”. Because of the greatest staging of this macro- show they were asked to perform some other disciplines that proved to be exceedingly successful, such as opera (La Atlántida, 1996) or publicity ( Pepsíclope , 1 997 ) . Since t hat moment La Fura has been constantly presenting new and stimulating work, breaking all sort of limits with their performances. Sailed by Naumon in China’s see, performed permanently “Window of the City” in Expo Shanghai China (2010) and inaugurated Duisburg (2010) and Guimaraes (2012) as Culture Capitals, receiving not only good positive criticism from the public but also from the press.
DOSSIER-MURS_FINAL_ANG-1-PER-MAIL.docx