9. Naukratis and the Cypriotes in Egypt,” Goettinger Miszellen 35 (1979), “Ancient 13-23. 8. on Egyptian Art,” Journal of Egyptian Archaeology 65 (1979), 121-27. “Plato 7. for the Study of Rock Art in the Nile Valley,” Goettinger Miszellen 32 “Sources (1979), 59-74. 6. Prehistoric Rock-Drawings in Upper Egypt and Nubia,” Current “Dating Anthropology 19 (1978), 216-17. 5. Compositional Tendencies in Amarna Relief,” American Journal of “Two Archaeology 82 (1978), 287-94. 4. a Dating of Prehistoric Rock Drawings in Upper Egypt,” Journal of “Towards the Society for the Study of Egyptian Antiquities 8 (1977), 25-34, and 85-86. 3. Jaguar-Human Copulation Scenes in Olmec Art,” American “So-called Antiquity 43 (1977), 453-57. 2. Ascension-Myth in the Pyramid Texts,” 36 Journal of Near Eastern Studies “The (1977), 161-79. 1. Origins of Register Composition in Predynastic Egyptian Art,” Journal of “The the American Oriental Society 96 (1976), 404-18. SHORT ARTICLES, ENTRIES, AND COMMENTS Contributions to the Ballyvaughn Roundtable on the State of Art Criticism, in The State of Art Criticism, ed. James Elkins and Michael Newman (New York and London: Routledge, 2008), 129-79 (with Boris Groys, Irit Rogoff, and others). Theory”; in Jane “Communication “Periodization”; “Regionalism”; “Taxonomy,” Shoaf Turner, ed., The Dictionary of Art (London: Macmillan, 1997). on Elkins, the Impossibility of Close Reading: The Case of “Comment ‘On Alexander Marshack’,” Current Anthropology 37 (1996), 204-7.
9. “Ancient Naukratis and the Cypriotes in Egypt,” Goettinger Miszellen 35 (1979), 13-23. 8. “Plato on Egyptian Art,” Journal of Egyptian Archaeology 65 (1979), 121-27. 7. “Sources for the Study of Rock Art in the Nile Valley,” Goettinger Miszellen 32 (1979), 59-74. 6. “Dating Prehistoric Rock-Drawings in Upper Egypt and Nubia,” Current Anthropology 19 (1978), 216-17. 5. “Two Compositional Tendencies in Amarna Relief,” American Journal of Archaeology 82 (1978), 287-94. 4. “Towards a Dating of Prehistoric Rock Drawings in Upper Egypt,” Journal of the Society for the Study of Egyptian Antiquities 8 (1977), 25-34, and 85-86. 3. “So-called Jaguar-Human Copulation Scenes in Olmec Art,” American Antiquity 43 (1977), 453-57. 2. “The Ascension-Myth in the Pyramid Texts,” Journal of Near Eastern Studies 36 (1977), 161-79. 1. “The Origins of Register Composition in Predynastic Egyptian Art,” Journal of the American Oriental Society 96 (1976), 404-18. SHORT ARTICLES, ENTRIES, AND COMMENTS Contributions to the Ballyvaughn Roundtable on the State of Art Criticism, in The State of Art Criticism, ed. James Elkins and Michael Newman (New York and London: Routledge, 2008), 129-79 (with Boris Groys, Irit Rogoff, and others). “Communication Theory”; “Periodization”; “Regionalism”; “Taxonomy,” in Jane Shoaf Turner, ed., The Dictionary of Art (London: Macmillan, 1997). “Comment on Elkins, ‘On the Impossibility of Close Reading: The Case of Alexander Marshack’,” Current Anthropology 37 (1996), 204-7.
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