Received Belief’: Imagination in The Merry Wives of Windsor.” Studies in “‘A 74 (1977): 186-215. Philology Signs and Symbols.” ed. A Book of Things About Vladimir Nabokov, “Nabokov’s Carl Proffer. Ann Arbor: Ardis, 1974. Reprinted in Anatomy of a Short Story: ed. Yuri Leving. New Nabokov’s Puzzles, Codes, and Symbols”, “Signs York: Continuum, 2012. Editorial: Co-General Editor (with Brian Gibbons, Tiffany Stern) of the New Mermaids Drama Series, published by A & C Black, 2005-2014. Co-General Editor (with Tiffany Stern), 2014-present Member, Editorial Board, 2014-present English Literary Renaissance, Guest Co-Editor, vol. 4 (2015). Journal of Early Modern Studies, Member, Editorial Board, 2008-2013 Shakespeare Quarterly, Member, Editorial Board, Duquesne Medieval & Renaissance Literary Studies, University Press, 2011- Editor, vol. 150 (Detroit: Shakespearean Criticism: The Two Gentlemen of Verona, Gale, 2013) Co-editor (with R. Berry, G. Bradshaw, et al), Shakespearean Criticism: Yearbook (Detroit: Gale Research, 1991), (1992), (1993), 1989 Yearbook 1990 Yearbook 1991 (1994), (1995), (1996), Yearbook 1992 Yearbook 1993 Yearbook 1994 Yearbook (1997), (1998), (1999). 1995 Yearbook 1996 Yearbook 1997 Advisory Editor for Third Love’s Labour’s Lost, The Complete Works of Shakespeare, Edition, ed. David Bevington. : Scott, Foresman, 1980. Fourth Edition, ed. David Bevington. : HarperCollins, 1992. Fifth Edition, ed. David Bevington. New York, Longman, 2003. Reviews: Patricia Fumerton, Unsettled: The Culture of Mobility and the Working Poor in in 35 (2007). Early Modern England, Shakespeare Studies Bryan Reynolds, Becoming Criminal: Transversal Performance and Cultural in 32 (2004). Dissidence in Early Modern England, Shakespeare Studies Mark Thornton Burnett, Masters and Servants in English Renaissance Drama and in 99 (2002). Culture, Modern Philology
“‘A Received Belief’: Imagination in The Merry Wives of Windsor.” Studies in Philology 74 (1977): 186-215. “Nabokov’s Signs and Symbols.” A Book of Things About Vladimir Nabokov, ed. Carl Proffer. Ann Arbor: Ardis, 1974. Reprinted in Anatomy of a Short Story: Nabokov’s Puzzles, Codes, “Signs and Symbols”, ed. Yuri Leving. New York: Continuum, 2012. Editorial: Co-General Editor (with Brian Gibbons, Tiffany Stern) of the New Mermaids Drama Series, published by A & C Black, 2005-2014. Co-General Editor (with Tiffany Stern), 2014-present Member, Editorial Board, English Literary Renaissance, 2014-present Guest Co-Editor, Journal of Early Modern Studies, vol. 4 (2015). Member, Editorial Board, Shakespeare Quarterly, 2008-2013 Member, Editorial Board, Medieval & Renaissance Literary Studies, Duquesne University Press, 2011- Editor, Shakespearean Criticism: The Two Gentlemen of Verona, vol. 150 (Detroit: Gale, 2013) Co-editor (with R. Berry, G. Bradshaw, et al), Shakespearean Criticism: Yearbook 1989 (Detroit: Gale Research, 1991), Yearbook 1990 (1992), Yearbook 1991 (1993), Yearbook 1992 (1994), Yearbook 1993 (1995), Yearbook 1994 (1996), Yearbook 1995 (1997), Yearbook 1996 (1998), Yearbook 1997 (1999). Advisory Editor for Love’s Labour’s Lost, The Complete Works of Shakespeare, Third Edition, ed. David Bevington. : Scott, Foresman, 1980. Fourth Edition, ed. David Bevington. : HarperCollins, 1992. Fifth Edition, ed. David Bevington. New York, Longman, 2003. Reviews: Patricia Fumerton, Unsettled: The Culture of Mobility and the Working Poor in Early Modern England, in Shakespeare Studies 35 (2007). Bryan Reynolds, Becoming Criminal: Transversal Performance and Cultural Dissidence in Early Modern England, in Shakespeare Studies 32 (2004). Mark Thornton Burnett, Masters and Servants in English Renaissance Drama and Culture, in Modern Philology 99 (2002).
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