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“‘Strange Intelligence’: Transformations of Witchcraft in Macbeth Discourse,” in Shakespeare and the Supernatural, ed. Victoria Bladen and Yan Brailowsky. Manchester: Manchester Univ. (forthcoming 2017). “Historicizing Historicism,” in SAA 2016: Reflections and Projections, ed. Dympna Callaghan and Suzanne Gossett. London: Arden, 2016. “Three Gentlemen of Verona,” Shakespeare Bulletin 34.1 (2016): 129-43. “Vagrancy,” in A New Companion to Renaissance Drama, ed. Arthur F. Kinney and Thomas Warren Hopper. London: (forthcoming 2016). “The Wars of Love’s Labour’s Lost: Performance and Interpretation,” Société Française Shakespeare: . “Spectacle, Representation, and Lineage in Macbeth 4.1,” Shakespeare Survey 67 (2014): 345-71. “The Fiendlike Recuperating Lady Macbeth in Contemporary Adaptations of Macbeth,” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 8.2 (2014). . Reprinted in Shakespeare Criticism: Macbeth, ed. Lawrence Trudeau. Columbia, S.C.: Gale/Cengage, 2016. “The State of the Art: Twelfth Night since 2000,” in Twelfth Night: A Critical Guide, eds. Alison Findley and Liz Oakley-Brown. London: Bloomsbury, 2014. “Fleance/Macbeth: The Return of the Repressed,” in Shakespeare on Screen: Macbeth, eds. Sarah Hatchuel and Nathalie Vienne-Guerrin. Rouen: Publications des Universités de Rouen et du Havre, 2014. “Love’s Labour’s Lost in Afghanistan.” Shakespeare Bulletin 28 (2010): 443-458. “Multi-cultural, Multi-lingual Macbeth,” in Weyward Macbeth: Intersections of Race and Performance, eds. Scott Newstok and Ayanna Thompson. New York: Palgrave Macmillan, 2010. “(Re-)Staging Love’s Labour’s Lost.” Shakespeare Bulletin 25 (2007): 1-11. “Macbeth and the Show of University Lecture. Boston: Boston University, 2005. “‘Two Truths Are Told’: Afterlives and Histories of Macbeths.” Shakespeare Survey 57 (2004): 69-80.
CV-Aug-2016-Carroll.docx