and spacing for the with a blue wash and Edges in dark central downstage. Occasionally in relationship. The – dancers. warm and cool side focus. Used for mood, dancers are lit by shafts darker setting towards lighting before closing formation, enhance of light and at one point the end of the duet also down to another spot aural, enhance 6 rectangles of light adds to the intensity for the final solo. transitions and dramatic frame 6 duets. Colours and intimacy of the final effect. 2nd section are used to highlight section. – pair of white lights off different sections. stage R focus of – relations. Performance End Stage End Stage Proscenium Arch Proscenium Arch Proscenium Arch Site sensitive; dance for Environment camera. Set Designer Christopher Bruce N/A Anna N/A Julian Opie Filmed by Scratch. Staging / Set A minimal set within a Empty apart from a Influenced by paintings The use of theatrical 18m LED screen is Reflects dark – black-box. Includes a raised platform at the by Goran Djurovic. A fog/smoke creates placed high on the atmosphere. Cameras table, a bench, two back of the stage upon painted backdrop; texture in the air around back wall. It runs the distance isolation in – stools, a coat stand and which 4 percussionists calming. Vitrine on its the dancers and is width of the stage, their own world – suitcases. perform. In one section side with a snowdrift enhanced by the along which there is a viewer as secret skateboards are used to inside the cabinet. lighting. mesmerizing flow of observer. Camera propel 5 dancers across Paper snow scattered electronic walking moves closer as the stage. on the ground in a figures relationship does. diagonal from the Filming done on track – vitrine to Laura DSR. In smoothness. front of the vitrine - 2 Penultimate section - stools and a headless switches to hand held suit on mannequin legs camera - raw and on a 3rd stool. Flooring unstable. is grey with wooden Set in remote locations frame. Idea of audience isolation and character – looking into a snow separation. globe of AT.
and spacing for the dancers. with a blue wash and warm and cool side lighting before closing down to another spot for the final solo. Edges in dark – central focus. Used for mood, formation, enhance aural, enhance transitions and dramatic effect. 2nd section – pair of white lights off stage R – focus of relations. downstage. Occasionally dancers are lit by shafts of light and at one point 6 rectangles of light frame 6 duets. Colours are used to highlight different sections. in relationship. The darker setting towards the end of the duet also adds to the intensity and intimacy of the final section. Performance Environment End Stage End Stage Proscenium Arch Proscenium Arch Proscenium Arch Site sensitive; dance for camera. Set Designer Christopher Bruce N/A Anna N/A Julian Opie Filmed by Scratch. Staging / Set A minimal set within a black-box. Includes a table, a bench, two stools, a coat stand and suitcases. Empty – apart from a raised platform at the back of the stage upon which 4 percussionists perform. In one section skateboards are used to propel 5 dancers across the stage. Influenced by paintings by Goran Djurovic. A painted backdrop; calming. Vitrine on its side with a snowdrift inside the cabinet. Paper snow scattered on the ground in a diagonal from the vitrine to Laura DSR. In front of the vitrine - 2 stools and a headless suit on mannequin legs on a 3rd stool. Flooring is grey with wooden frame. Idea of audience looking into a snow globe of AT. The use of theatrical fog/smoke creates texture in the air around the dancers and is enhanced by the lighting. 18m LED screen is placed high on the back wall. It runs the width of the stage, along which there is a mesmerizing flow of electronic walking figures Reflects dark atmosphere. Cameras distance – isolation in their own world – viewer as secret observer. Camera moves closer as relationship does. Filming done on track – smoothness. Penultimate section - switches to hand held camera - raw and unstable. Set in remote locations – isolation and character separation.
Dance_Anthology_Summary.docx