M. Giulia Aurigemma, Pia in Vaticano. Architettura, decorazione, committenza, “Torre trasformazioni di tre cappelle vasariane,” in 39, Römisches Jahrbuch der Bibliotheca Hertziana, 2009/10, pp. 65-163 Sistine Chapel General Ernst Steinmann, 2 vols., Munich, 1901-1905. Vol. I (1901): Bau und Die sixtinische Kapelle, Schmuck der Kapelle unter Sixtus IV. Vol. II (1905): Michelangelo Richard Sherr, Singers of the papal Chapel and Liturgical Ceremonies in the Early “The Sixteenth Century: Some Documentary Evidence,” in Rome in the Renaissance: The City and the ed. Paul Ramsey, Binghamton, 1982, pp. 249-64 Myth, Sistine Chapel Sixtus IV Frescoes L.D. Ettlinger, The Sistine Chapel Before Michelangelo: Religious Imagery and Primacy, Oxford, 1965 Peter Howard, and the Visual Art of Preaching: The Exemplum of the Fifteenth “Painters Century Frescoes in the Sistine Chapel,” in 13, 2010, I Tatti Studies in the Italian Renaissance, pp. 33-77 Sistine Chapel Michelangelo Ceiling Sven Sandström, Sistine Chapel Ceiling,” in “The Levels of Reality: Studies in Structure and Stockholm, 1963, pp. 173-91 Construction in Italian Mural Painting During the Renaissance, John O’Malley, Theology Behind the Sistine Ceiling,” in The Sistine Chapel: Michelangelo “The London, 1986, 92-148, 268. Rediscovered, Leo Steinberg, Idle Hand,” in 35 (1975-6): 130-35. “Eve’s Art Journal Leo Steinberg, Who in Michelangelo’s of Adam’: A Chronology of the “Who’s ‘Creation Picture’s Reluctant Self-Revelation,” in 74 (1992): 552-66 Art Bulletin Marcia Hall and Leo Steinberg, Who in Michelangelo’s Creation of Adam,” “Who’s Art 75, 1993, pp. 340-344 Bulletin, Carol Lewine, University Park PA, 1993 The Sistine Chapel Walls and the Roman Liturgy,
M. Giulia Aurigemma, “Torre Pia in Vaticano. Architettura, decorazione, committenza, trasformazioni di tre cappelle vasariane,” in Römisches Jahrbuch der Bibliotheca Hertziana, 39, 2009/10, pp. 65-163 Sistine Chapel General Ernst Steinmann, Die sixtinische Kapelle, 2 vols., Munich, 1901-1905. Vol. I (1901): Bau und Schmuck der Kapelle unter Sixtus IV. Vol. II (1905): Michelangelo Richard Sherr, “The Singers of the papal Chapel and Liturgical Ceremonies in the Early Sixteenth Century: Some Documentary Evidence,” in Rome in the Renaissance: The City and the Myth, ed. Paul Ramsey, Binghamton, 1982, pp. 249-64 Sistine Chapel Sixtus IV Frescoes L.D. Ettlinger, The Sistine Chapel Before Michelangelo: Religious Imagery and Primacy, Oxford, 1965 Peter Howard, “Painters and the Visual Art of Preaching: The Exemplum of the Fifteenth Century Frescoes in the Sistine Chapel,” in I Tatti Studies in the Italian Renaissance, 13, 2010, pp. 33-77 Sistine Chapel Michelangelo Ceiling Sven Sandström, “The Sistine Chapel Ceiling,” in Levels of Reality: Studies in Structure and Construction in Italian Mural Painting During the Renaissance, Stockholm, 1963, pp. 173-91 John O’Malley, “The Theology Behind the Sistine Ceiling,” in The Sistine Chapel: Michelangelo Rediscovered, London, 1986, 92-148, 268. Leo Steinberg, “Eve’s Idle Hand,” in Art Journal 35 (1975-6): 130-35. Leo Steinberg, “Who’s Who in Michelangelo’s ‘Creation of Adam’: A Chronology of the Picture’s Reluctant Self-Revelation,” in Art Bulletin 74 (1992): 552-66 Marcia Hall and Leo Steinberg, “Who’s Who in Michelangelo’s Creation of Adam,” Art Bulletin, 75, 1993, pp. 340-344 Carol Lewine, The Sistine Chapel Walls and the Roman Liturgy, University Park PA, 1993
connors_vatican_palace_bibliography_in_english_2015_06_03_copy.docx