Maria Losito, Ligorio e il Casino di Paolo IV nei giardini vaticani,” 125, Regnum Dei, “Pirro Jan.-Dec. 1999, pp. 123-54 Maria Losito, Pirro Ligorio e il Casino di Paolo IV in Vaticano. L’“essempio” delle “cose Rome, 2000 passate”, Robert Gaston, Antiquarian: Pirro Ligorio and the Critical Tradition of Antiquarian “Merely Scholarship,” in (1999), eds. Allen Grieco, The Italian Renaissance in the Twentieth Century Michael Rocke, Fiorella Superbi, Florence, 2002, pp. 355-73 David Coffin, University Pirro Ligorio: The Renaissance Artist, Architect, and Antiquarian, Park, PA, 2004 (review by Nicola Courtright in 65, 2006, pp.299-301 JSAH, Alessandra Ten, Rome, 2005 Libro dell’antica città di Tivoli e di alcune famose ville, Claudia Via, vincit omnia: Pirro Ligorio fra Roma e Ferrara,” in Programme et “Tempus (Collection d’histoire de l’art de l’Académie de France à invention dans l’art de la Renaissance Rome, 7), eds. M. Hochmann, J. Kliemann, J. Koering, P. Morel, Rome and Paris, 2008, pp. Ian Campbell, Medica’ and the Pirro Ligorio and Roman Schola Medicorum: “The ‘Minerva Toponymy,” 79, 2011, pp. 299-328 Papers of the British School at Rome, Sarah McPhee and Margaret Duval Shufeldt, eds., Antichità Teatro Magnificenza: Renaissance (exhib. cat.), Atlanta, 2013 & Baroque Images of Rome Naples Nicolas Bock, und Florenzrezeption in Neapel,” in Klaus Bergdolt and Giorgio “Antiken- Bonsanti, eds., Opere e giorni. Studi su mille anni di arte europea dedicate a Max Seidel, Venice, 2001, pp.241-52 Bianca de Devitiis, Evidence for Sculptures from Diomede Carafa’s Collection of “New Antiquities,” JWCI, 70, 2007, pp. 99-117 Coins and Numismatics
Maria Losito, “Pirro Ligorio e il Casino di Paolo IV nei giardini vaticani,” Regnum Dei, 125, Jan.-Dec. 1999, pp. 123-54 Maria Losito, Pirro Ligorio e il Casino di Paolo IV in Vaticano. L’“essempio” delle “cose passate”, Rome, 2000 Robert Gaston, “Merely Antiquarian: Pirro Ligorio and the Critical Tradition of Antiquarian Scholarship,” in The Italian Renaissance in the Twentieth Century (1999), eds. Allen Grieco, Michael Rocke, Fiorella Superbi, Florence, 2002, pp. 355-73 David Coffin, Pirro Ligorio: The Renaissance Artist, Architect, and Antiquarian, University Park, PA, 2004 (review by Nicola Courtright in JSAH, 65, 2006, pp.299-301 Alessandra Ten, Libro dell’antica città di Tivoli e di alcune famose ville, Rome, 2005 Claudia Via, “Tempus vincit omnia: Pirro Ligorio fra Roma e Ferrara,” in Programme et invention dans l’art de la Renaissance (Collection d’histoire de l’art de l’Académie de France à Rome, 7), eds. M. Hochmann, J. Kliemann, J. Koering, P. Morel, Rome and Paris, 2008, pp. Ian Campbell, “The ‘Minerva Medica’ and the Schola Medicorum: Pirro Ligorio and Roman Toponymy,” Papers of the British School at Rome, 79, 2011, pp. 299-328 Sarah McPhee and Margaret Duval Shufeldt, eds., Antichità Teatro Magnificenza: Renaissance & Baroque Images of Rome (exhib. cat.), Atlanta, 2013 Naples Nicolas Bock, “Antiken- und Florenzrezeption in Neapel,” in Klaus Bergdolt and Giorgio Bonsanti, eds., Opere e giorni. Studi su mille anni di arte europea dedicate a Max Seidel, Venice, 2001, pp.241-52 Bianca de Devitiis, “New Evidence for Sculptures from Diomede Carafa’s Collection of Antiquities,” JWCI, 70, 2007, pp. 99-117 Coins and Numismatics
connors_general_bibliography_revival_of_antiquity_2015_05_28_0.docx