/suncrates3/1wu.html> Wright, Elizabeth. Imperial Peking’s Cinematic Initiation.” “Shadow – < http://sensesofcinema.com/2001/17/shadow_magic/>. Home viewing: (Dahong dir. Zhang Raise the Red Lantern denglong gaogao gua, Yimou, 1991), 125 min. Week 4: Lecture and Discussion: The signs of in Raise the Red Lantern “Chineseness” Readings: Xudong, Discourse of Modern Cinema,” Chinese Modernism in the Era of “The 4 Reforms: Cultural Fever, Avant-garde Fiction, and the New Chinese Cinema. Durham, NC: Duke University Press, 1997: 215-265. Huot, Claire. Folk in the landscape: Fifth-Generation Filmmakers and “Colorful Durham, NC: China's New Cultural Scene: A Handbook of Changes. Duke University Press.2000: 91-125. Whyte, Martin King. and Change in Urban Chinese Family Life.” “Continuity The No. 53 (Jan., 2005): 9-33. China Journal, Home viewing: (Huang dir.Chen Kaige 1984), 89 min. Yellow tudi; Week 5: Lecture and discussion: Cultural Introspection and Artistic Innovation Readings: Clark, Paul China: The Fifth-Generation Filmmakers.” “Reinventing Modern Chinese Vol. 5, No. 1, Special Issue on PRC Literature of the Eighties. (Spring, Literature, 1989): 121-136. Silbergeld, Jerome. on Dry Land: Yellow Earth and the Traditionalism of “Drowning the Avant-garde.” China into Film: Frames of Reference in Contemporary Chinese London: Reaktion Books, 1999. 14-52. Cinema. Yau, Esther C. M.. Western Analysis and a Non-Western Text.” Film “Yellow 41.2 (1987-88): 22-33. Quarterly Zhang Yingjin. 7, Cinema and national/regional culture, 1979-89.” Chinese “Chapter New York: Routledge, 2004: 225-239. National Cinema (National Cinemas). Home viewing: (Heipao dir. Huang Jianxin, 1985), 95 Black Cannon Incident shijian;
/suncrates3/1wu.html> Wright, Elizabeth. “Shadow – Imperial Peking’s Cinematic Initiation.” < http://sensesofcinema.com/2001/17/shadow_magic/>. Home viewing: Raise the Red Lantern (Dahong denglong gaogao gua, dir. Zhang Yimou, 1991), 125 min. Week 4: Lecture and Discussion: The signs of “Chineseness” in Raise the Red Lantern Readings: Xudong, “The Discourse of Modern Cinema,” Chinese Modernism in the Era of Reforms: Cultural Fever, Avant-garde Fiction, and the New Chinese Cinema. 4 Durham, NC: Duke University Press, 1997: 215-265. Huot, Claire. “Colorful Folk in the landscape: Fifth-Generation Filmmakers and China's New Cultural Scene: A Handbook of Changes. Durham, NC: Duke University Press.2000: 91-125. Whyte, Martin King. “Continuity and Change in Urban Chinese Family Life.” The China Journal, No. 53 (Jan., 2005): 9-33. Home viewing: Yellow (Huang tudi; dir.Chen Kaige 1984), 89 min. Week 5: Lecture and discussion: Cultural Introspection and Artistic Innovation Readings: Clark, Paul “Reinventing China: The Fifth-Generation Filmmakers.” Modern Chinese Literature, Vol. 5, No. 1, Special Issue on PRC Literature of the Eighties. (Spring, 1989): 121-136. Silbergeld, Jerome. “Drowning on Dry Land: Yellow Earth and the Traditionalism of the Avant-garde.” China into Film: Frames of Reference in Contemporary Chinese Cinema. London: Reaktion Books, 1999. 14-52. Yau, Esther C. M.. “Yellow Western Analysis and a Non-Western Text.” Film Quarterly 41.2 (1987-88): 22-33. Zhang Yingjin. “Chapter 7, Cinema and national/regional culture, 1979-89.” Chinese National Cinema (National Cinemas). New York: Routledge, 2004: 225-239. Home viewing: Black Cannon Incident (Heipao shijian; dir. Huang Jianxin, 1985), 95
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