Documentary Impulse in the New Urban Cinema.” The Urban Generation: Chinese Ed. Zhang, Zhen. Cinema and Society at the Turn of the Twenty First Century. Durham: Duke University Press, 2007. 161-180. Lu, Sheldon H.. down the City: Tear down the City: Reconstructing Space “Tear in Contemporary Chinese Popular Cinema and Avant-Garde Art.” The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty First Century. Ed. Zhang, Zhen. Durham: Duke University Press, 2007. 137-160. Proctor-Xu, Jami. of Transformation: The Body and Ruins in Zhang Yang's “Sites Shower.” Embodied Modernities: Corporeality, Representation, and Chinese Eds. Fran Martin and Larissa Heinrich. Honolulu, HI; U of Hawaii P, Cultures. 2006. 162-176. Home viewing: (Tianxiawuzei, dir. Feng Xiaogang, 2004), A without Thieves 120 min. Week 13: Lecture and discussion: Blockbuster in Chinese Style: Feng Xiaogang’s New Year’s Film (He Sui Pian) Readings: Gong, Haomin. and the Critical Edge: Negotiating the Politics of “Commerce socialist Film, the Case of Feng Xiaogang.” 3.3 (2009): Journal of Chinese Cinemas 193-214. McGrath, Jason. for the Masses: Three Films by Feng Xiaogang.” “Metacinema Vol. 17, No. 2 (Fall 2005): 90-132. Modern Chinese Literature and Culture, Yingjin. 8: Cinema and the transnational imaginary, 1990-2002.” “Chapter York: Routledge, 2004: Chinese National Cinema (National Cinemas).New Home viewing: (Hai dir. Jia Zhangke, 2010), 125min. I Wish I Knew shang chuan qi, Week 14: Lecture and discussion: The Past and Present of Shanghai in Chinese Film Readings: Bao, Yaming. Politics of Nostalgia: Old Shanghai Bar, Elite Narrative and “The Intellectual Discourse.” Eds. Xuanmeng Shanghai: Its Urbanization And Culture.
Documentary Impulse in the New Urban Cinema.” The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty First Century. Ed. Zhang, Zhen. Durham: Duke University Press, 2007. 161-180. Lu, Sheldon H.. “Tear down the City: Tear down the City: Reconstructing Space in Contemporary Chinese Popular Cinema and Avant-Garde Art.” The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty First Century. Ed. Zhang, Zhen. Durham: Duke University Press, 2007. 137-160. Proctor-Xu, Jami. “Sites of Transformation: The Body and Ruins in Zhang Yang's Shower.” Embodied Modernities: Corporeality, Representation, and Chinese Cultures. Eds. Fran Martin and Larissa Heinrich. Honolulu, HI; U of Hawaii P, 2006. 162-176. Home viewing: A without Thieves (Tianxiawuzei, dir. Feng Xiaogang, 2004), 120 min. Week 13: Lecture and discussion: Blockbuster in Chinese Style: Feng Xiaogang’s New Year’s Film (He Sui Pian) Readings: Gong, Haomin. “Commerce and the Critical Edge: Negotiating the Politics of Film, the Case of Feng Xiaogang.” Journal of Chinese Cinemas 3.3 (2009): 193-214. McGrath, Jason. “Metacinema for the Masses: Three Films by Feng Xiaogang.” Modern Chinese Literature and Culture, Vol. 17, No. 2 (Fall 2005): 90-132. Yingjin. “Chapter 8: Cinema and the transnational imaginary, 1990-2002.” Chinese National Cinema (National Cinemas).New York: Routledge, 2004: Home viewing: I Wish I Knew (Hai shang chuan qi, dir. Jia Zhangke, 2010), 125min. Week 14: Lecture and discussion: The Past and Present of Shanghai in Chinese Film Readings: Bao, Yaming. “The Politics of Nostalgia: Old Shanghai Bar, Elite Narrative and Intellectual Discourse.” Shanghai: Its Urbanization And Culture. Eds. Xuanmeng socialist
course-selection-guide-book.docx