in a Choir—Less Stress and an Enlarged Sense of Community” by Loraine Brugh; Vol “Singing 9. Issue 1, Fall 2016 The author of this article shares the results of an informal survey on communal singing that she conducted with her thirty-member ensemble, Kantorei, the chapel choir at Valparaiso University. Aging Voice: An Interview with Six Conductors” by Mark Lawley; Vol 2. Issue 4, Summer “The 2010 Written specifically for choral conductors who work with mature singers, this article provides a glimpse into the mind of six conductors. Vocal Edge” by Leanne Freeman-Miller; Vol 1. Issue 1, Fall 2008 “The This article summarizes Richard Miller’s pedagogical ideas that were presented during a weeklong workshop in Chicago. Repertoire, and Resources for Male Choirs” by Amy Hughley; Vol 1. Issue 4, “Warm-Ups, Spring 2009 This article contains suggestions from middle school, high school, and collegiate male choir directors for reliable warm-up exercises, favorite spring repertoire, and resources for summer reading. Jazz Jazz or Not to Jazz” by James McCullough; Vol 4. Issue 1, Fall 2011 “To The author of this article offers suggestions for directors who want to explore the jazz art form in their choral programs. Can Learn to Scat Sing—Techniques to Enhance Beginning Vocal Improvisation” by Scott “You Fredrickson; Vol 5. Issue 3, Spring 2013 This article examines the key to scat singing and suggests that anyone can develop these basic skills. Male Singer Corey Match Pitch” by Catharine Melhorn; Vol 3. Issue 2, Winter 2011 “Helping This article provides ten techniques the author used to assist a male singer with informal pitch practice. Chorus: Recruit, Maintain, and Develop” by Mark Cotter; Vol 3. Issue 3, Spring 2011 “Male The author of this article shares ideas and activities for working with male singers, specifically at the high school level. and Choirs: How Different Are They?” by Amy Hughley; Vol 5. Issue 1, Fall “Men’s 2012
“Singing in a Choir—Less Stress and an Enlarged Sense of Community” by Loraine Brugh; Vol 9. Issue 1, Fall 2016 The author of this article shares the results of an informal survey on communal singing that she conducted with her thirty-member ensemble, Kantorei, the chapel choir at Valparaiso University. “The Aging Voice: An Interview with Six Conductors” by Mark Lawley; Vol 2. Issue 4, Summer 2010 Written specifically for choral conductors who work with mature singers, this article provides a glimpse into the mind of six conductors. “The Vocal Edge” by Leanne Freeman-Miller; Vol 1. Issue 1, Fall 2008 This article summarizes Richard Miller’s pedagogical ideas that were presented during a weeklong workshop in Chicago. “Warm-Ups, Repertoire, and Resources for Male Choirs” by Amy Hughley; Vol 1. Issue 4, Spring 2009 This article contains suggestions from middle school, high school, and collegiate male choir directors for reliable warm-up exercises, favorite spring repertoire, and resources for summer reading. Jazz “To Jazz or Not to Jazz” by James McCullough; Vol 4. Issue 1, Fall 2011 The author of this article offers suggestions for directors who want to explore the jazz art form in their choral programs. “You Can Learn to Scat Sing—Techniques to Enhance Beginning Vocal Improvisation” by Scott Fredrickson; Vol 5. Issue 3, Spring 2013 This article examines the key to scat singing and suggests that anyone can develop these basic skills. Male Singer “Helping Corey Match Pitch” by Catharine Melhorn; Vol 3. Issue 2, Winter 2011 This article provides ten techniques the author used to assist a male singer with informal pitch practice. “Male Chorus: Recruit, Maintain, and Develop” by Mark Cotter; Vol 3. Issue 3, Spring 2011 The author of this article shares ideas and activities for working with male singers, specifically at the high school level. “Men’s and Choirs: How Different Are They?” by Amy Hughley; Vol 5. Issue 1, Fall 2012
CHORTEACH%20INDEX.docx