Richard come dice Vetruvio. Images of Antiquity in Early Renaissance Theory of “Si Architecture,” in Antiquity and Its Interpreters, eds. Alina Payne, Ann Kuttner and Rebekah Smick, Cambridge, 2000, pp. 244-57 Jason Moralee and Kiel Moe, Francesco di Giorgio Saw on the Capitoline Hill c. 1470,” “What in Papers of the British School at Rome, 83, 2015, pp. 149-73 Orietta Lanzarini, disegno al progetto dell’Antico. Alcune considerazioni su Francesco “Dal gi Giorgio e Giuliano da Sangallo,” in Maddalena Basso, Jessica Gritti, Orietta Lanzarini, eds., The Gordian Knot. Studi offerti a Richard Schofield, Rome, 2015, pp. 97-114 Quattrocento and Cinquecento Florence Andreas Tönnesmann, Nervae’. Ein antikes Vorbild für Florentiner “‘Palatium Rustikafassaden,” Römisches Jahrbuch für Kunstgeschichte, 21, 1984, pp. 61-70 Francis Ames-Lewis, The Intellectual Life of the Early Renaissance Arfist, New Haven and London, 2000, ch. 5, Artist and Archaeology,” pp. 109-40 “The Andrea Gáldy, Cosimo I as Collector: Antiquities and Archaeology in Sixteenth-Century Cambridge, 2009 Florence, Andrea Gáldy, in Antiquities: Cardinal Giovanni de’ Medici (1543-1562), in Mary “Lost Hollingsworth, Carol Richardson, eds., The Possessions of a Cardinal: Politics, Piety, and Art 1450-1700, University Park PA, 2010, pp. 153-65 Ann Moyer, and Antiquarians in Sixteenth-Century Florence,” Journal of the “Historians 64, 2003, pp. 177-93 History of Ideas, Laurie Fusco and Gino Corti, Lorenzo de’ Medici Collector and Antiquarian, Cambridge, 2006 Renaissance Lombardy Richard Schofield, Rome: Lombard Sculptors and the Antique,” Arte Lombarda, “Avoiding 100, 1992, pp. 29-44 Urbino and Rome at the end of the Quattrocento
Richard “Si come dice Vetruvio. Images of Antiquity in Early Renaissance Theory of Architecture,” in Antiquity and Its Interpreters, eds. Alina Payne, Ann Kuttner and Rebekah Smick, Cambridge, 2000, pp. 244-57 Jason Moralee and Kiel Moe, “What Francesco di Giorgio Saw on the Capitoline Hill c. 1470,” in Papers of the British School at Rome, 83, 2015, pp. 149-73 Orietta Lanzarini, “Dal disegno al progetto dell’Antico. Alcune considerazioni su Francesco gi Giorgio e Giuliano da Sangallo,” in Maddalena Basso, Jessica Gritti, Orietta Lanzarini, eds., The Gordian Knot. Studi offerti a Richard Schofield, Rome, 2015, pp. 97-114 Quattrocento and Cinquecento Florence Andreas Tönnesmann, “‘Palatium Nervae’. Ein antikes Vorbild für Florentiner Rustikafassaden,” Römisches Jahrbuch für Kunstgeschichte, 21, 1984, pp. 61-70 Francis Ames-Lewis, The Intellectual Life of the Early Renaissance Arfist, New Haven and London, 2000, ch. 5, “The Artist and Archaeology,” pp. 109-40 Andrea Gáldy, Cosimo I as Collector: Antiquities and Archaeology in Sixteenth-Century Florence, Cambridge, 2009 Andrea Gáldy, “Lost in Antiquities: Cardinal Giovanni de’ Medici (1543-1562), in Mary Hollingsworth, Carol Richardson, eds., The Possessions of a Cardinal: Politics, Piety, and Art 1450-1700, University Park PA, 2010, pp. 153-65 Ann Moyer, “Historians and Antiquarians in Sixteenth-Century Florence,” Journal of the History of Ideas, 64, 2003, pp. 177-93 Laurie Fusco and Gino Corti, Lorenzo de’ Medici Collector and Antiquarian, Cambridge, 2006 Renaissance Lombardy Richard Schofield, “Avoiding Rome: Lombard Sculptors and the Antique,” Arte Lombarda, 100, 1992, pp. 29-44 Urbino and Rome at the end of the Quattrocento
connors_general_bibliography_revival_of_antiquity_2017_10_26_.docx