Ian Campbell, Ph.D. diss., Reconstruction of Temples made in Italy between 1450-1600, Oxford, 1984 (seems not to be available outside of Oxford) Salvatore Settis, ed., 3 vols., Turin, 1984-86 Memoria dell’antico nell’arte italiana, Hubertus Günther, Das Studium der antiken Architektur in den Zeichnungen der Tübingen, 1988 Hochrenaissance, Hubertus Günther, Renaissance of Architecture,” in Millon and Vittorio Magnago “The Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of (cat.), Venice, Palazzo Grassi, 1994, pp. 259-305 Architecture Hubertus Günther, scritte e disegnate a confronto. La rappresentazione di edifici “Fantasie antichi nei disegni della collezione Santarelli,” Linea I. Grafie di immagini tra Quattrocento e Venice, 2008, pp. 121-34 Cinquecento, Phyllis Pray Bober and Ruth Rubinstein, Renaissance Artists and Antique Sculpture. A London and New York, 1987 Handbook of Sources, Anthony Grafton, with April Shelford and Nancy Siraisi, New Worlds, Ancient Texts. The Power Cambridge, Mass., 1992 of Tradition and the Shock of Discovery, George Kennedy, Visions of Classical Paradigms: The and the “Shifting ‘Same’ 1, 1994, pp. 7-16 Journal of the Classical Tradition, ‘Other,’”International Seymour Howard, (Bibliotheca Antiquity Restored. Essays on the Afterlife of the Antique Artibus et Historiae), Vienna, 1990 Ingrid Rowland, the Culture of the High Renaissance. Ancients and Moderns in Cambridge, 1998 Rome, Francis 5: The Artist and Archaeology,” in The Intellectual Life of the “Chapter London, 2000, pp. 109-40 Early Renaissance Artist, eds., Cambridge, Alina Payne, Ann Kuttner and Rebekah Smick, Antiquity and Its Interpreters, 2000 eds. Jean-Paul Cuzin, Jean-René Gaborit and Alain Pasquier, Paris, 2000. l’Antique, Review by Nicholas Penny in 143, 2001, pp. 110-13 Burlington Magazine,
Ian Campbell, Reconstruction of Temples made in Italy between 1450-1600, Ph.D. diss., Oxford, 1984 (seems not to be available outside of Oxford) Salvatore Settis, ed., Memoria dell’antico nell’arte italiana, 3 vols., Turin, 1984-86 Hubertus Günther, Das Studium der antiken Architektur in den Zeichnungen der Hochrenaissance, Tübingen, 1988 Hubertus Günther, “The Renaissance of Architecture,” in Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994, pp. 259-305 Hubertus Günther, “Fantasie scritte e disegnate a confronto. La rappresentazione di edifici antichi nei disegni della collezione Santarelli,” Linea I. Grafie di immagini tra Quattrocento e Cinquecento, Venice, 2008, pp. 121-34 Phyllis Pray Bober and Ruth Rubinstein, Renaissance Artists and Antique Sculpture. A Handbook of Sources, London and New York, 1987 Anthony Grafton, with April Shelford and Nancy Siraisi, New Worlds, Ancient Texts. The Power of Tradition and the Shock of Discovery, Cambridge, Mass., 1992 George Kennedy, “Shifting Visions of Classical Paradigms: The ‘Same’ and the ‘Other,’”International Journal of the Classical Tradition, 1, 1994, pp. 7-16 Seymour Howard, Antiquity Restored. Essays on the Afterlife of the Antique (Bibliotheca Artibus et Historiae), Vienna, 1990 Ingrid Rowland, the Culture of the High Renaissance. Ancients and Moderns in Rome, Cambridge, 1998 Francis “Chapter 5: The Artist and Archaeology,” in The Intellectual Life of the Early Renaissance Artist, London, 2000, pp. 109-40 Alina Payne, Ann Kuttner and Rebekah Smick, eds., Antiquity and Its Interpreters, Cambridge, 2000 l’Antique, eds. Jean-Paul Cuzin, Jean-René Gaborit and Alain Pasquier, Paris, 2000. Review by Nicholas Penny in Burlington Magazine, 143, 2001, pp. 110-13
connors_general_bibliography_revival_of_antiquity_2015_05_28_0.docx