Jonathan Unglaub, Accolti, Raphael’s and a New Portrait by Andrea Del Parnassus “Bernardo Sarto,” 149, 2007, pp. 14-22 Burlington Magazine, Arnold Nesselrath, Lotto in the Stanza della Segnatura,” in 142, Burlington Magazine, “Lorenzo 2000, pp. 4-12 Ingrid Rowland, Ingrid, Intellectual Background of the School of Athens: Tracking Divine “The Wisdom in the Rome of Julius II,” in Marcia Hall, ed., (Cambridge: Raphael’s School of Athens Cambridge University Press, 1997), 131-70. Glen Most, Raphael: The School of Athens and its Pre-Text,” 23, Critical Inquiry, “Reading 1996, pp. 145-82 Daniel/Orth Bell, Identifications in Raphael’s School of Athens,” in 77, 1995, Art Bulletin, “New pp. 638-46 David Rosand, School of Athens and the Artist of the Modern Manner,” in Stella “Raphael’s Flechter and Christina Shaw, eds., The World of Savonarola: Italian Elites and the Perception of (Aldershot: Ashgate, 2000), 212-32. Crisis Christian Kleinbub, Philosophical Eye: Iconographies of the Visual in the School of “The Athens,” in University Park PA, 2011, pp. 46-69. Vision and the Visionary in Raphael, Stanza di Eliodoro John Shearman, Expulsion of Heliodorus,” in Christoph Frommel and Matthias Winner, “The eds., (Rome: Elefante, 1986), 75-87 Raffaello a Roma: Il convegno di 1983 Michael Schwartz, Authorship in the Expulsion of Heliodorus,” 79, Art Bulletin, “Raphael’s 1997, pp, 466-92 Arnold Nesselrath, as Raphael’s Collaborator in the Stanza di Eliodoro,” in Burlington “Lotto 146, 2004, pp. 732-741 (1997): 466-92. Magazine, Stanza dell’Incendio Kurt Badt, del Borgo,’” in Journal of the Warburg and Courtauld “Raphael’s ‘Incendio 22 (1969): 35-59 Institutes
Jonathan Unglaub, “Bernardo Accolti, Raphael’s Parnassus and a New Portrait by Andrea Del Sarto,” Burlington Magazine, 149, 2007, pp. 14-22 Arnold Nesselrath, “Lorenzo Lotto in the Stanza della Segnatura,” in Burlington Magazine, 142, 2000, pp. 4-12 Ingrid Rowland, Ingrid, “The Intellectual Background of the School of Athens: Tracking Divine Wisdom in the Rome of Julius II,” in Marcia Hall, ed., Raphael’s School of Athens (Cambridge: Cambridge University Press, 1997), 131-70. Glen Most, “Reading Raphael: The School of Athens and its Pre-Text,” Critical Inquiry, 23, 1996, pp. 145-82 Daniel/Orth Bell, “New Identifications in Raphael’s School of Athens,” in Art Bulletin, 77, 1995, pp. 638-46 David Rosand, “Raphael’s School of Athens and the Artist of the Modern Manner,” in Stella Flechter and Christina Shaw, eds., The World of Savonarola: Italian Elites and the Perception of Crisis (Aldershot: Ashgate, 2000), 212-32. Christian Kleinbub, “The Philosophical Eye: Iconographies of the Visual in the School of Athens,” in Vision and the Visionary in Raphael, University Park PA, 2011, pp. 46-69. Stanza di Eliodoro John Shearman, “The Expulsion of Heliodorus,” in Christoph Frommel and Matthias Winner, eds., Raffaello a Roma: Il convegno di 1983 (Rome: Elefante, 1986), 75-87 Michael Schwartz, “Raphael’s Authorship in the Expulsion of Heliodorus,” Art Bulletin, 79, 1997, pp, 466-92 Arnold Nesselrath, “Lotto as Raphael’s Collaborator in the Stanza di Eliodoro,” in Burlington Magazine, 146, 2004, pp. 732-741 (1997): 466-92. Stanza dell’Incendio Kurt Badt, “Raphael’s ‘Incendio del Borgo,’” in Journal of the Warburg and Courtauld Institutes 22 (1969): 35-59
connors_vatican_palace_bibliography_in_english_2015_06_03_copy.docx