Marcia Hall, Last Judgment: Resurrection of the Body and Predestination,” in “Michelangelo’s 58 (1976): 85-92 Art Bulletin Leo Steinberg, Who in Michelangelo's Creation of Adam: A Chronology of the Picture's “Who's Reluctant Self-Revelation,” 74, 1992, pp. 552-66 Art Bulletin, Marcia Hall, Cambridge, 2005 Michelangelo’s Last Judgment, Leo Steinberg, Last Judgment as Merciful Heresy,” in 63 Art in America “Michelangelo’s (1975): 49-65. Leo Steinberg, Corner of the Last Judgment,” in 109 (1980): 207-73. “A Daedalus Bernardine Barnes, Last Judgment and the Critics,” in Michelangelo's Last Judgment: The “The Berkeley, 1998, 71-101 Renaissance Response, Stanza della Segnatura Heinrich Wölfflin, Raphael: The Camera della Segnatura,” in Classic Art: An Introduction “IV: (London, 1994), pp. 87-100 to the Italian Renaissance Ernst Gombrich, Stanza della Segnatura and the Nature of its Symbolism,” in “Raphael’s (London: Phaidon, 1972), pp. 95-101. Symbolic Images David Rosand, di cosa dipinta’: Pictorial Structure and the Legibility of the “ ‘Divinità Altarpiece,” in Peter Humfrey and Martin Kemp, eds., The Altarpiece in the Renaissance, Cambridge, 1990, pp. 143-64 Jonathan Unglaub, Accolti, Raphael’s and a New Portrait by Andrea Del Parnassus “Bernardo Sarto,” 149, 2007, pp. 14-22 Burlington Magazine, Arnold Nesselrath, Lotto in the Stanza della Segnatura,” in 142, Burlington Magazine, “Lorenzo 2000, pp. 4-12 Ingrid Rowland, Ingrid, Intellectual Background of the School of Athens: Tracking Divine “The Wisdom in the Rome of Julius II,” in Marcia Hall, ed., (Cambridge: Raphael’s School of Athens Cambridge University Press, 1997), 131-70. Glen Most, Raphael: The School of Athens and its Pre-Text,” 23, Critical Inquiry, “Reading 1996, pp. 145-82
Marcia Hall, “Michelangelo’s Last Judgment: Resurrection of the Body and Predestination,” in Art Bulletin 58 (1976): 85-92 Leo Steinberg, “Who's Who in Michelangelo's Creation of Adam: A Chronology of the Picture's Reluctant Self-Revelation,” Art Bulletin, 74, 1992, pp. 552-66 Marcia Hall, Michelangelo’s Last Judgment, Cambridge, 2005 Leo Steinberg, “Michelangelo’s Last Judgment as Merciful Heresy,” in Art in America 63 (1975): 49-65. Leo Steinberg, “A Corner of the Last Judgment,” in Daedalus 109 (1980): 207-73. Bernardine Barnes, “The Last Judgment and the Critics,” in Michelangelo's Last Judgment: The Renaissance Response, Berkeley, 1998, 71-101 Stanza della Segnatura Heinrich Wölfflin, “IV: Raphael: The Camera della Segnatura,” in Classic Art: An Introduction to the Italian Renaissance (London, 1994), pp. 87-100 Ernst Gombrich, “Raphael’s Stanza della Segnatura and the Nature of its Symbolism,” in Symbolic Images (London: Phaidon, 1972), pp. 95-101. David Rosand, “ ‘Divinità di cosa dipinta’: Pictorial Structure and the Legibility of the Altarpiece,” in Peter Humfrey and Martin Kemp, eds., The Altarpiece in the Renaissance, Cambridge, 1990, pp. 143-64 Jonathan Unglaub, “Bernardo Accolti, Raphael’s Parnassus and a New Portrait by Andrea Del Sarto,” Burlington Magazine, 149, 2007, pp. 14-22 Arnold Nesselrath, “Lorenzo Lotto in the Stanza della Segnatura,” in Burlington Magazine, 142, 2000, pp. 4-12 Ingrid Rowland, Ingrid, “The Intellectual Background of the School of Athens: Tracking Divine Wisdom in the Rome of Julius II,” in Marcia Hall, ed., Raphael’s School of Athens (Cambridge: Cambridge University Press, 1997), 131-70. Glen Most, “Reading Raphael: The School of Athens and its Pre-Text,” Critical Inquiry, 23, 1996, pp. 145-82
connors_vatican_palace_bibliography_in_english_2015_06_03.docx