Allen, L. (2015) Face? Photo-anonymisation and visual research integrity’, Visual ‘Losing Vol 30 (3), pp. 295-308 Studies, Anderson, J. 1980. San Francisco: Freeman. Cognitive Psychology and its implications. Baldvinsdottir, G., Burns, J., Nørreklit, H. and Scapens, R. W. (2009) The image of accountants: from bean counters to extreme accountants, Accounting, Auditing and Accountability Journal, 22, 6, pp. 858-882. Banks, M. 2001. London: Sage. Visual Methods in Social Research. Banks, M. 2007. London: Sage. Using Visual Data in Qualitative Research. Barthes, R. (1977). Rhetoric of the Image. In (pp. 32-51), trans. Heath, S., Image, Music, Text London: Fontana Press). Barthes, R. (1984). La mort de l’auteur. In (pp. 61-67). Le Le bruissement de la langue Seuil. (Originally published in 1968). Barthes 2000 London, Vintage. Camera Lucida. Baudrillard, J. (1981), Galilée, Paris. Simulacres et simulation,
Allen, L. (2015) ‘Losing Face? Photo-anonymisation and visual research integrity’, Visual Studies, Vol 30 (3), pp. 295-308 Anderson, J. 1980. Cognitive Psychology and its implications. San Francisco: Freeman. Baldvinsdottir, G., Burns, J., Nørreklit, H. and Scapens, R. W. (2009) The image of accountants: from bean counters to extreme accountants, Accounting, Auditing and Accountability Journal, 22, 6, pp. 858-882. Banks, M. 2001. Visual Methods in Social Research. London: Sage. Banks, M. 2007. Using Visual Data in Qualitative Research. London: Sage. Barthes, R. (1977). Rhetoric of the Image. In Image, Music, Text (pp. 32-51), trans. Heath, S., London: Fontana Press). Barthes, R. (1984). La mort de l’auteur. In Le bruissement de la langue (pp. 61-67). Le Seuil. (Originally published in 1968). Barthes 2000 Camera Lucida. London, Vintage. Baudrillard, J. (1981), Simulacres et simulation, Galilée, Paris.
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