20. In 1967, ________ published what is considered a of conceptual art “manifesto” – Paragraphs on Conceptual Art. a. Hesse b. Judd c. Kosuth d. Lewitt e. Martin Answer: d 21. Which Pop artist was most likely to have painted repetitious advertising images? a. Johns b. Warhol c. Lichtenstein d. Hamilton Answer: b Key Works Richard Hamilton, 1956 Just what is it that makes today’s homes so different, so appealing?, Jasper Johns, 1958 Three Flags, Jasper Johns, (Ale 1960 Painted Bronze Cans), Robert Rauschenberg, 1961 Black Market, Robert Rauschenberg, 1964 Retroactive I, Andy Warhol, (Tomato), 1968 Campbell’s Soup I Andy Warhol, 1964 Elvis I and II, Roy Lichtenstein, 1963 Torpedo…Los!, Roy Lichtenstein, 1965 Little Big Picture, Richard Lindner, 1966–1967 Rock-Rock, R. B. Kitaj, 1967 Juan de la Cruz, Tom Wesselmann, 1964 Great American Nude No. 57, Wayne Thiebaud, 1992 Thirteen Books, Oldenburg, 1964 Soft Switches, Claes Oldenburg, 1971 version of a 1964 original Soft Light Switches—Ghost Version, Claes Oldenburg, Centre Square, Philadelphia, 1976 Clothespin, George Segal, 1989 Chance Meeting, George Segal, 1963 Cinema, Niki de 1965–1967 Black Venus, Marisol Escobar, (installed at the Sidney Janis Gallery), 1982 The Last Supper Bridget (Dawn), 1975 Aubade Donald Judd, 1967 Untitled, Dan Flavin, (in 1977 Untitled Honor of Harold Joachim), Agnes Martin, 1990 Untitled #9, Eva Hesse, 1966 Metronomic Irregularity I, Eva Hesse, 1966 Laocoön, Sol Lewitt, 1966 Serial Project No. 1 (ABCD), Sol Lewitt, 1993 Wall Drawing No. 681 C, Joseph Kosuth, 1966 Art as Idea as Idea, Joseph 1969 The Pack, Joseph two views of a week-long sequence, Coyote, I Like America and America Likes Me, 1974
20. In 1967, ________ published what is considered a “manifesto” of conceptual art – Paragraphs on Conceptual Art. a. Hesse b. Judd c. Kosuth d. Lewitt e. Martin Answer: d 21. Which Pop artist was most likely to have painted repetitious advertising images? a. Johns b. Warhol c. Lichtenstein d. Hamilton Answer: b Key Works Richard Hamilton, Just what is it that makes today’s homes so different, so appealing?, 1956 Jasper Johns, Three Flags, 1958 Jasper Johns, Painted Bronze (Ale Cans), 1960 Robert Rauschenberg, Black Market, 1961 Robert Rauschenberg, Retroactive I, 1964 Andy Warhol, Campbell’s Soup I (Tomato), 1968 Andy Warhol, Elvis I and II, 1964 Roy Lichtenstein, Torpedo…Los!, 1963 Roy Lichtenstein, Little Big Picture, 1965 Richard Lindner, Rock-Rock, 1966–1967 R. B. Kitaj, Juan de la Cruz, 1967 Tom Wesselmann, Great American Nude No. 57, 1964 Wayne Thiebaud, Thirteen Books, 1992 Oldenburg, Soft Switches, 1964 Claes Oldenburg, Soft Light Switches—Ghost Version, 1971 version of a 1964 original Claes Oldenburg, Clothespin, Centre Square, Philadelphia, 1976 George Segal, Chance Meeting, 1989 George Segal, Cinema, 1963 Niki de Black Venus, 1965–1967 Marisol Escobar, The Last Supper (installed at the Sidney Janis Gallery), 1982 Bridget Aubade (Dawn), 1975 Donald Judd, Untitled, 1967 Dan Flavin, Untitled (in Honor of Harold Joachim), 1977 Agnes Martin, Untitled #9, 1990 Eva Hesse, Metronomic Irregularity I, 1966 Eva Hesse, Laocoön, 1966 Sol Lewitt, Serial Project No. 1 (ABCD), 1966 Sol Lewitt, Wall Drawing No. 681 C, 1993 Joseph Kosuth, Art as Idea as Idea, 1966 Joseph The Pack, 1969 Joseph Coyote, I Like America and America Likes Me, two views of a week-long sequence, 1974
Ch28%20Pop%20Art%20Op%20Art%20Minimalism%20and%20Conceptualism.docx