City’ an old-school lope about the indoctrination of young Lamar to the ‘M.A.A.D – hood lifestyle with the first verse of Art Of Peer Pressure’, about an older – ‘The Lamar finding himself getting into trouble with peers. As the show gained intensity, opened up. After the G-funk-touched ‘Hood Politics’, Lamar offered: have to tell you this, some of my most loyal and dedicated “I fans are in this arena right now. I don’t care if you’re black, green, blue, purple, this music brings us together.” And after the spooky waltz of the self-scouring in ‘U’ – part a wretched reflection on Lamar lording it up abroad as a childhood friend died at home Lamar shared a dedication shorn of hip-hop bluster. I sing a song – “When like that, it’s not just a song representing me,” he told the crowd. representing “It’s every one of you. Anyone who knows my music knows it’s about you. Anyone who feels like they don’t want to live anymore, listen to that song and know that I’m right there with you.” Rapping, writing, performing, sharking Kendrick flags. After wild scenes for – his final song he drew it up. am, we are, ,” he boomed before leaving. We ‘Alright’, “I knew what he was trying to say, but we’re just not. There’s only one. SECTION A: 40 MARKS Answer all of the following questions Read the extract of Henry Irving as Hamlet’ ‘Review A1. When did Irving first play Hamlet in London? [1] How many consecutive runs did Irving have as Hamlet? [1]HJ What does Irving say about his final performance? [1] A2. The author of the extract reviews Irving’s performance as Hamlet. How does he do this effectively? [10] You should comment on: What he says about Irving’s performance His use of language and tone The way he structures his review To answer the following questions you will need to read the extract Review’. ‘Hamlet A3.
‘M.A.A.D City’ – an old-school lope about the indoctrination of young Lamar to the hood lifestyle – with the first verse of ‘The Art Of Peer Pressure’, about an older Lamar finding himself getting into trouble with peers. As the show gained intensity, opened up. After the G-funk-touched ‘Hood Politics’, Lamar offered: “I have to tell you this, some of my most loyal and dedicated fans are in this arena right now. I don’t care if you’re black, green, blue, purple, this music brings us together.” And after the spooky waltz of the self-scouring ‘U’ – in part a wretched reflection on Lamar lording it up abroad as a childhood friend died at home – Lamar shared a dedication shorn of hip-hop bluster. “When I sing a song like that, it’s not just a song representing me,” he told the crowd. “It’s representing every one of you. Anyone who knows my music knows it’s about you. Anyone who feels like they don’t want to live anymore, listen to that song and know that I’m right there with you.” Rapping, writing, performing, sharking – Kendrick flags. After wild scenes for his final song ‘Alright’, he drew it up. “I am, we are, ,” he boomed before leaving. We knew what he was trying to say, but we’re just not. There’s only one. SECTION A: 40 MARKS Answer all of the following questions Read the extract ‘Review of Henry Irving as Hamlet’ A1. When did Irving first play Hamlet in London? [1] How many consecutive runs did Irving have as Hamlet? [1]HJ What does Irving say about his final performance? [1] A2. The author of the extract reviews Irving’s performance as Hamlet. How does he do this effectively? [10] You should comment on: What he says about Irving’s performance His use of language and tone The way he structures his review To answer the following questions you will need to read the extract ‘Hamlet Review’. A3.
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