Revise all scales and intervals Modulation: identify modulations to the Revision of Semester 1: The development Modulation relative major/relative minor, dominant of Afro American music, using familiar and relative major/relative minor, dominant and subdominant unfamiliar excerpts, focusing on the and subdominant using a range of designated works. Melody and rhythm writing examples from a given motif, 8–12 bars Rhythmic dictation include sections to demonstrate simple metres: 8 bars, including contrast through use of modulation, syncopation and anacrusis major and minor keys (scales) compound metres: 8 bars, including create/write melody for various song anacrusis sections; verse, pre-chorus, chorus and , bridge irregular metres for dictations, imitations, notation based and in lead sheet call/responses and discrepancies style ,,, Melodic dictation Chart and accompaniment writing single line melody presented in treble 8 bars, chromatic passing notes and bass clefs definition of major/minor chord Chords symbols, where drawn on a chart (using major, minor, dominant 7th, 9th, min7, 5-line stave) 14–15 maj7, power chords choose appropriate notation to score individual parts in a song for: Chord progressions lead guitar (or vocal or keyboards) continue with all chords, focusing on rhythm guitar (and/or keyboards) inversions and minor Blues progressions bass guitar drums (and/or auxiliary percussion) Discrepancies chart parts for all instruments in a treble/bass clef, 4–8 bars style specific song four discrepancies in both pitch and drum notation of the full kit and various rhythm auxiliary percussion instruments accompaniment styles—some analysis differences (Country, Reggae, Hard recognition of music elements, form, Rock) compositional devices, instrumentation, correct notation of basic rhythm guitar instrumental techniques and special and/or keyboards chord charts effects Arranging arranging and transposing treble, bass clefs and/or B♭ and E♭ instruments, 4 bars Composing a lead sheet lead sheet writing using contemporary conventions and compositional devices Revision of Semester 1 work for exams
14–15 Revise all scales and intervals Modulation relative major/relative minor, dominant and subdominant using a range of examples Rhythmic dictation simple metres: 8 bars, including syncopation and anacrusis compound metres: 8 bars, including anacrusis , irregular metres for dictations, imitations, call/responses and discrepancies ,,, Melodic dictation 8 bars, chromatic passing notes Chords major, minor, dominant 7th, 9th, min7, maj7, power chords Chord progressions continue with all chords, focusing on inversions and minor Blues progressions Discrepancies treble/bass clef, 4–8 bars four discrepancies in both pitch and rhythm analysis recognition of music elements, form, compositional devices, instrumentation, instrumental techniques and special effects Modulation: identify modulations to the relative major/relative minor, dominant and subdominant Melody and rhythm writing from a given motif, 8–12 bars include sections to demonstrate contrast through use of modulation, major and minor keys (scales) create/write melody for various song sections; verse, pre-chorus, chorus and bridge notation based and in lead sheet style Chart and accompaniment writing single line melody presented in treble and bass clefs definition of major/minor chord symbols, where drawn on a chart (using 5-line stave) choose appropriate notation to score individual parts in a song for: lead guitar (or vocal or keyboards) rhythm guitar (and/or keyboards) bass guitar drums (and/or auxiliary percussion) chart parts for all instruments in a style specific song drum notation of the full kit and various auxiliary percussion instruments accompaniment styles—some differences (Country, Reggae, Hard Rock) correct notation of basic rhythm guitar and/or keyboards chord charts Arranging arranging and transposing treble, bass clefs and/or B♭ and E♭ instruments, 4 bars Revision of Semester 1: The development of Afro American music, using familiar and unfamiliar excerpts, focusing on the designated works. Composing a lead sheet lead sheet writing using contemporary conventions and compositional devices Revision of Semester 1 work for exams
Year_12_ATAR_Music_Program_2018.docx