Chen, L., Zhou, S., & Bryant, J. (2007). Temporal changes in mood repair through music consumption: Effects of mood, mood salience, and individual differences. Media 9, 695-713. Psychology, DeMarco, T. C., Taylor, C. L., Friedman, R. (2015). Reinvestigating the effect of interpersonal sadness on mood-congruency in music preference. Psychology of Aesthetics, Creativity, 9, 1, 81-90. and the Arts, Friedman, R.S., Gordis, E., & Förster, J. (2012). Re-exploring the influence of sad mood on music preference. 15, 3, 249-266. Media Psychology, Gibson, R., Aust, C., Zillmann, D. (2000). Loneliness of adolescents and their choice and enjoyment of love-celebrating versus love-lamenting popular music. Empirical Studies of 18, 1, 43-48. the Arts, Gray, H.M., K., & Ambady, N. (2011). Misery loves company: When sadness increases the desire for social connectedness. 37, 11, Personality and Social Psychology Bulletin, 1438-1448. Hunter, P. & Schellenberg, G. (2010). Music and emotion. Springer Handbook of Auditory 36, 129-164. Research, Hunter, P., Schellenberg, G. & Griffith, A. (2011). Misery loves company: Mood-congruent emotional responding to music, 11, 5, 1068-1072. Emotion, Huron, D. (2011). Why is sad music pleasurable? A possible role for prolactin, Musicae 15, 2, 146-158. Scientiae, Knobloch, S. & Zillmann, D. (2002). Mood management via the digital jukebox. Journal of 52, 2, 351-366. Communication,
Chen, L., Zhou, S., & Bryant, J. (2007). Temporal changes in mood repair through music consumption: Effects of mood, mood salience, and individual differences. Media Psychology, 9, 695-713. DeMarco, T. C., Taylor, C. L., Friedman, R. (2015). Reinvestigating the effect of interpersonal sadness on mood-congruency in music preference. Psychology of Aesthetics, Creativity, and the Arts, 9, 1, 81-90. Friedman, R.S., Gordis, E., & Förster, J. (2012). Re-exploring the influence of sad mood on music preference. Media Psychology, 15, 3, 249-266. Gibson, R., Aust, C., Zillmann, D. (2000). Loneliness of adolescents and their choice and enjoyment of love-celebrating versus love-lamenting popular music. Empirical Studies of the Arts, 18, 1, 43-48. Gray, H.M., K., & Ambady, N. (2011). Misery loves company: When sadness increases the desire for social connectedness. Personality and Social Psychology Bulletin, 37, 11, 1438-1448. Hunter, P. & Schellenberg, G. (2010). Music and emotion. Springer Handbook of Auditory Research, 36, 129-164. Hunter, P., Schellenberg, G. & Griffith, A. (2011). Misery loves company: Mood-congruent emotional responding to music, Emotion, 11, 5, 1068-1072. Huron, D. (2011). Why is sad music pleasurable? A possible role for prolactin, Musicae Scientiae, 15, 2, 146-158. Knobloch, S. & Zillmann, D. (2002). Mood management via the digital jukebox. Journal of Communication, 52, 2, 351-366.
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