projects: Big Night Out, Così fan tutte, The Difficulty of Crossing a and for Portland Opera; Field The Little Match Girl Passion The at Artists Repertory Theatre; Talented Ones The Language for Portland Playhouse; for Oregon Archive Pinkalicious Children’s Theatre; and for Profile Theatre. Recent credits: scenery 26 Hours for at Pioneer Theatre Company; lighting for Women in Jeopardy and set and lighting for How I Learned What I Learned, Peter and at Portland Playhouse; set and lighting for the Starcatcher The How for COHO Productions; scenery for and The Why Mothers and at Artists Repertory Theatre; scenery for Sons Eugene and for Portland Opera; lighting for Onegin in Algeri L’Italiana for Oregon Theatre; and James and the Giant Peach Children’s lighting director for the Pickathon Festival. Daniel is a graduate of Ithaca College and The Yale School of Drama, and a member of United Scenic Artists. Casi Pacilio Sound Designer home base is The Armory, where recent credits include His Casi’s Eye is on the Sparrow, The Oregon Trail, Little Shop of Horrors, A Streetcar Named Desire, Great Expectations, Ain’t Three Days of Rain, Cyrano; Other Desert Cities, Misbehavin’, and Vanya and Sonia and Masha and Spike, A Small Fire Chinglish with composer Jana Crenshaw; and ten seasons of JAW. National shows: Holcombe Waller's and Surfacing Wayfinders; Left Hand of (Drammy Award, Darkness, My Mind is Like an Open Meadow 2011), and for My Heart PEP TALK Something’s Got Ahold Of Hand2Mouth Theatre. Other credits include Squonk (Broadway, PS122, national Bigsmorgasbord-WunderWerk Opera’s and international tours); (La I Am My Own Wife, I Think I Like Girls
projects: Big Night Out, Così fan tutte, The Difficulty of Crossing a Field and The Little Match Girl Passion for Portland Opera; The Talented Ones at Artists Repertory Theatre; The Language Archive for Portland Playhouse; Pinkalicious for Oregon Children’s Theatre; and 26 Hours for Profile Theatre. Recent credits: scenery for Women in Jeopardy at Pioneer Theatre Company; lighting for How I Learned What I Learned, and set and lighting for Peter and the Starcatcher at Portland Playhouse; set and lighting for The How and The Why for COHO Productions; scenery for Mothers and Sons at Artists Repertory Theatre; scenery for Eugene Onegin and L’Italiana in Algeri for Portland Opera; lighting for James and the Giant Peach for Oregon Children’s Theatre; and lighting director for the Pickathon Festival. Daniel is a graduate of Ithaca College and The Yale School of Drama, and a member of United Scenic Artists. Casi Pacilio Sound Designer Casi’s home base is The Armory, where recent credits include His Eye is on the Sparrow, The Oregon Trail, Little Shop of Horrors, A Streetcar Named Desire, Great Expectations, Ain’t Misbehavin’, Three Days of Rain, Cyrano; Other Desert Cities, Vanya and Sonia and Masha and Spike, A Small Fire and Chinglish with composer Jana Crenshaw; and ten seasons of JAW. National shows: Holcombe Waller's Surfacing and Wayfinders; Left Hand of Darkness, My Mind is Like an Open Meadow (Drammy Award, 2011), Something’s Got Ahold Of My Heart and PEP TALK for Hand2Mouth Theatre. Other credits include Squonk Opera’s Bigsmorgasbord-WunderWerk (Broadway, PS122, national and international tours); I Am My Own Wife, I Think I Like Girls (La
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