Christopher Sieving, University of Georgia Tough to be a The Challenges Facing LGBTQ Cinema in the 1980s It’s Front Runner: Chelsea McCracken, University of Wisconsin-Madison PANEL 0653 Road Movies I: Traveling through Time and Space—Alone, Together, in a Collective Chair: Carolina Gomez-Jones, Andrews University Blew A Spatial Reading of (1969) Easy Rider “We It”: Peter Niehoff, University of Cincinnati Sherman's March (1985) in the Era of YouTube Proliferation Carolina Gomez-Jones, Andrews University PANEL 0654 Television III: Activating Agency and Influence in the Shaping of Early American Television Chair: Alexandra Castro Klarén, University of Pittsburgh Their Pre-Code Television Viewers and the Quest “Housewives Don’t Show Bosoms”: for Government Censorship Deborah Jaramillo, Boston University for Rogers, public pedagogy, and the rhetoric of “A Singing Psychologist Children”: Fred ethical emotionality Alexandra Castro Klarén, University of Pittsburgh Negotiating Independence: The Female Detective in Honey West Catherine Martin, Boston University PANEL 0655 Studio System II: Advertising, Foreign Hollywood, and Exploitation: Overlooked Studio System History Chair: Rochelle Miller, New York University Cogs in the Dream Machine: Still Men and Hollywood Production Andrew Scahill, Georgetown University Exploitation and for (1944) Cover Girl Everything Covered: Columbia’s “Tie-ins” Rochelle Miller, New York University PANEL 0656 Journeys of Identity VI: Journeys To Self Through Others: Travel and Identity
Christopher Sieving, University of Georgia It’s Tough to be a Front Runner: The Challenges Facing LGBTQ Cinema in the 1980s Chelsea McCracken, University of Wisconsin-Madison PANEL 0653 Road Movies I: Traveling through Time and Space—Alone, Together, in a Collective Chair: Carolina Gomez-Jones, Andrews University “We Blew It”: A Spatial Reading of Easy Rider (1969) Peter Niehoff, University of Cincinnati Sherman's March (1985) in the Era of YouTube Proliferation Carolina Gomez-Jones, Andrews University PANEL 0654 Television III: Activating Agency and Influence in the Shaping of Early American Television Chair: Alexandra Castro Klarén, University of Pittsburgh “Housewives Don’t Show Their Bosoms”: Pre-Code Television Viewers and the Quest for Government Censorship Deborah Jaramillo, Boston University “A Singing Psychologist for Children”: Fred Rogers, public pedagogy, and the rhetoric of ethical emotionality Alexandra Castro Klarén, University of Pittsburgh Negotiating Independence: The Female Detective in Honey West Catherine Martin, Boston University PANEL 0655 Studio System II: Advertising, Foreign Hollywood, and Exploitation: Overlooked Studio System History Chair: Rochelle Miller, New York University Cogs in the Dream Machine: Still Men and Hollywood Production Andrew Scahill, Georgetown University Everything Covered: Columbia’s Exploitation and “Tie-ins” for Cover Girl (1944) Rochelle Miller, New York University PANEL 0656 Journeys of Identity VI: Journeys To Self Through Others: Travel and Identity
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