Bordwell and Thomson, 67. Film History, Bibliography As well as referencing your sources in footnotes, you should include a bibliography or reference list at the end of the essay, in alphabetical order (author’s last name first), as in the examples below. All sources should be adequately referenced, including: a) Books (e.g.): One author: Orpen, Valerie. London: Wallflower, 2003. Film editing: the art of the expressive. Two authors: Bordwell, David and Kristin Thompson. New York: McGraw-Hill, 2004. Film Art. An Introduction. Multiple authors: Constantine Santas et al. Maryland: Rowman and Littlefield, 2014. The Encyclopedia of Epic Films. Editor or translator instead of an author: Eberwein, Robert, editor. NJ: Rutgers UP, 2004. The War Film. Translation in addition to the author: Eisenstein, Sergei. Translated by Jay Leyda. California: Harcourt Film Form: Essays in Film Theory. Publishing, 1969. b) Articles in a book Feuer, Jane. Self-Reflexive Musical and the Myth of Entertainment.” In Film Genre Reader II, “The edited by Barry Keith Grant, 441-455. Austin: University of Texas Press, 1995. c) Journal articles (in print or online) Tashiro, Charles. for the Past. Production Design and the Historical Film.” 22/2 (2004): Cineaste “Passing pp. 40-44. Halligan, Benjamin. Remaining Second World: Sokurov and 25 Russian Ark.” Senses of Cinema, “The (2003). Accessed January 1st, 2004. d) Electronic Journal article found in a database: Bliss, Michael and Paul Schrader. and Forgiveness: An Interview with Paul Schrader.” “Affliction Film Vol. 54, No. 1. (2000), pp. 2-9 Accessed 1/1/2004 Quarterly,
Bordwell and Thomson, Film History, 67. Bibliography As well as referencing your sources in footnotes, you should include a bibliography or reference list at the end of the essay, in alphabetical order (author’s last name first), as in the examples below. All sources should be adequately referenced, including: a) Books (e.g.): One author: Orpen, Valerie. Film editing: the art of the expressive. London: Wallflower, 2003. Two authors: Bordwell, David and Kristin Thompson. Film Art. An Introduction. New York: McGraw-Hill, 2004. Multiple authors: Constantine Santas et al. The Encyclopedia of Epic Films. Maryland: Rowman and Littlefield, 2014. Editor or translator instead of an author: Eberwein, Robert, editor. The War Film. NJ: Rutgers UP, 2004. Translation in addition to the author: Eisenstein, Sergei. Film Form: Essays in Film Theory. Translated by Jay Leyda. California: Harcourt Publishing, 1969. b) Articles in a book Feuer, Jane. “The Self-Reflexive Musical and the Myth of Entertainment.” In Film Genre Reader II, edited by Barry Keith Grant, 441-455. Austin: University of Texas Press, 1995. c) Journal articles (in print or online) Tashiro, Charles. “Passing for the Past. Production Design and the Historical Film.” Cineaste 22/2 (2004): pp. 40-44. Halligan, Benjamin. “The Remaining Second World: Sokurov and Russian Ark.” Senses of Cinema, 25 (2003). Accessed January 1st, 2004. d) Electronic Journal article found in a database: Bliss, Michael and Paul Schrader. “Affliction and Forgiveness: An Interview with Paul Schrader.” Film Quarterly, Vol. 54, No. 1. (2000), pp. 2-9 Accessed 1/1/2004
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