Drawing Petherbridge, Deanna, (New The Primacy of Drawing: Histories and Theories of Practice. Haven: Yale University Press) 2010. Watrous, James, (Madison, WI: Univ. of Wisconsin Press) The Craft of Old Master Drawings 1957 Periodical: vols. 1-30, London, UK. The National Gallery Technical Bulletin, On Technical Art History and Reconstruction: Art Technological Source Research Study Group/ now Working Group of ICOM-CC First Symposium: (London:Archetype) 2005. Art of the Past: Sources and Reconstructions Second Symposium: (London:Archtype) 2008. Art Technology: Sources and Methods Third Symposium: Sources and Serendipity: Testimonies of Practice Artists’ (London:Archetype) 2009. Bewer, Francesca, A Laboratory for Art: Harvard’s Fogg Museum and the Emergence of Conservation in America 1900-1950 (Harvard Art Museum and Yale University Press: Cambridge, MA and New Haven and London) 2010. Bomford, David, Looking Through Paintings: the Study of Painting Techniques “Introduction”, Erma Hermens, ed. London: Archetype, and Materials in Suppport of Art Historical Research, 1998, pp. 9-12. a Collection of Data: What We Can Learn from Documentary Sources Carlyle, Leslie, “Beyond on Materials and Historical Painting Techniques, Materials, and Studio Artists’ Techniques”. Preprints, University of Leiden (Lawrence, KS: Allen Press Inc.) 1995, pp. 1-5. Practice, Dunkerton, Jill, and Rachel Billinge, (National Gallery Company: Beyond the Naked Eye, London) 2005. Haag, Sabine, Elke Oberthaler and Sabine Pénot, Vermeer, Die Malkunst (Vermeer, The Art of (Kunsthistorisches Museum:Vienna) 2010. Painting) Mohen, Jean-Pierre, Michel Menu, Bruno Mottin, (Abrams: New Mona Lisa: Inside the Painting York) 2006. Wrapson, Lucy, J. Rose, R. Miller, S. Buckllow, eds., In Artists' Footsteps: The Reconstruction of Pigments and Paintings (London:Archetype) 2012
Drawing Petherbridge, Deanna, The Primacy of Drawing: Histories and Theories of Practice. (New Haven: Yale University Press) 2010. Watrous, James, The Craft of Old Master Drawings (Madison, WI: Univ. of Wisconsin Press) 1957 Periodical: The National Gallery Technical Bulletin, vols. 1-30, London, UK. On Technical Art History and Reconstruction: Art Technological Source Research Study Group/ now Working Group of ICOM-CC First Symposium: Art of the Past: Sources and Reconstructions (London:Archetype) 2005. Second Symposium: Art Technology: Sources and Methods (London:Archtype) 2008. Third Symposium: Sources and Serendipity: Testimonies of Artists’ Practice (London:Archetype) 2009. Bewer, Francesca, A Laboratory for Art: Harvard’s Fogg Museum and the Emergence of Conservation in America 1900-1950 (Harvard Art Museum and Yale University Press: Cambridge, MA and New Haven and London) 2010. Bomford, David, “Introduction”, Looking Through Paintings: the Study of Painting Techniques and Materials in Suppport of Art Historical Research, Erma Hermens, ed. London: Archetype, 1998, pp. 9-12. Carlyle, Leslie, “Beyond a Collection of Data: What We Can Learn from Documentary Sources on Artists’ Materials and Techniques”. Historical Painting Techniques, Materials, and Studio Practice, Preprints, University of Leiden (Lawrence, KS: Allen Press Inc.) 1995, pp. 1-5. Dunkerton, Jill, and Rachel Billinge, Beyond the Naked Eye, (National Gallery Company: London) 2005. Haag, Sabine, Elke Oberthaler and Sabine Pénot, Vermeer, Die Malkunst (Vermeer, The Art of Painting) (Kunsthistorisches Museum:Vienna) 2010. Mohen, Jean-Pierre, Michel Menu, Bruno Mottin, Mona Lisa: Inside the Painting (Abrams: New York) 2006. Wrapson, Lucy, J. Rose, R. Miller, S. Buckllow, eds., In Artists' Footsteps: The Reconstruction of Pigments and Paintings (London:Archetype) 2012
weil_-_the_hidden_life_of_paintings.docx