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Mulvey, (1975) ‘Visual Pleasure and Narrative Cinema’, reprinted in Amelia Jones ed. (2001) Feminism and Visual Culture Reader, New York: Routledge: 47-8. Nead, Lynda. (1995) Chila Kumari Burman: Beyond Two Cultures, Berkeley: Kala Press. Parker, Rozsika. (1984) The Subversive Stitch: Embroidery and the Making of the Feminine, London: The Women’s Press Limited. Paterson, Dominic. (2012) ‘Not Just the Perfect Moments’, exhibition essay published at The Drawing Room Gallery, London. Pollock, Griselda. (1992) ‘Painting, Feminism and History’, in Michele Barrett and Anne Phillips (eds.), Destabilising Theory: Western Feminism 1970s-1980s, Cambridge Polity Press: 138-76. Rich, Adrienne. (1972) ‘When We Dead Awaken: Writing as Re-Vision’, College English Vol.34, No.1 (October): 18-30. Robinson, Hilary. (2013) ‘Actionmyth, Historypanic: The entry of VALIE EXPORT’s Actionhose: Genitalpanik into art history’, n.paradoxa Vol.32 (July): 84-9. Schneider, Rebecca. (2010) ‘Protest Now and TDR: The Drama Review Vol.54, No.2 (Summer): 7-11. Shoat, Ella and Robert Stam. (1995) ‘The Politics of Multiculturalism in the Postmodern Age’, Art and Design (July/Aug): 11-16. The Art Newspaper. (2011) No. 223 23-30. Schor, Mira (1991). ‘Patrilineage’, Art Journal, Vol.50, No.2 (Summer): 58-63. Tickner, Lisa. (1978) ‘The Body Politic: Female Sexuality and Women Artists Since 1970’, Art History, Vol.1, No.2 (June): 236-49. Tickner, Lisa. (1988) The Spectacle of Women: Imagery of the Suffrage Campaign 1907-14, University of Chicago Press.
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