Tickner, Lisa. (2002) Generation: The Mother-Daughter Plot’, Vol. Art History, ‘Mediating 25, No.1 (February): 23-46. Trodd, Tamara. (2011) and Feminisms in the Work of Tacita Dean’, presented at The ‘Fathers September 2011. Henry Moore Institute, Wilke, Hannah. (1989) Excerpts from published in I Object: Memoirs of a Sugargiver, University of Missouri Press. Hannah Wilke: a Retrospective, Wilson, Sarah. (1996) d’O, Sacred and Profane’, in London: Black Dog ‘L’histoire Orlan, Publishing: 8-17. Woolf, Virginia. (1929) (1998 reprint) Oxford: A Room of One’s Own and Three Guineas, Oxford University Press. Zapperi, Giovanni. (2013) Reappearance: Rethinking the Archive in ‘Women’s Contemporary Art Feminist Perspectives’, 105 (November): Feminist Review, –
Tickner, Lisa. (2002) ‘Mediating Generation: The Mother-Daughter Plot’, Art History, Vol. 25, No.1 (February): 23-46. Trodd, Tamara. (2011) ‘Fathers and Feminisms in the Work of Tacita Dean’, presented at The Henry Moore Institute, September 2011. Wilke, Hannah. (1989) Excerpts from I Object: Memoirs of a Sugargiver, published in Hannah Wilke: a Retrospective, University of Missouri Press. Wilson, Sarah. (1996) ‘L’histoire d’O, Sacred and Profane’, in Orlan, London: Black Dog Publishing: 8-17. Woolf, Virginia. (1929) A Room of One’s Own and Three Guineas, (1998 reprint) Oxford: Oxford University Press. Zapperi, Giovanni. (2013) ‘Women’s Reappearance: Rethinking the Archive in Contemporary Art – Feminist Perspectives’, Feminist Review, 105 (November):
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