When Film Historical Categories Break Down: The 1930s Studio System in Bombay Debashree Mukherjee, New York University Booking Breakdown: How Small Theaters Resisted Early Feature Hollywood’s Distribution Practices, 1920-23” Derek Long, University of Wisconsin-Madison PANEL 0812 Go West! V: Gender and Travelling West Chair: Katherine Johnson, Indiana University Going West, and then East: Remapping Journeys in The Homesman Women’s J. Paul Johnson, Winona State University Gendered Journeys: Resisting the Wendigo and Manifest Destiny in (1999) Ravenous Robin L. Murray and Joseph K. Heumann, Eastern Illinois University Westward the Women: a breakdown of conventions on the journey West Katherine Johnson, Indiana University PANEL 0813 Queer Film and Television VII: Understanding Queer Aesthetics Chair: Bridget Kies, University of Wisconsin-Milwaukee An Affective Map of Queer Aesthetics: Exploring the Glitch in Rebecca Thomas’ (2012) Electrick Children Ryan Kendall, Emory University PANEL 0814 Sound Decisions: Case Studies in the International Reception of Road the First Soviet Feature-Length Sound Film to Life, Chair: Vincent Bohlinger, Rhode Island College in the United States Road to Life “Thoroughly Russian”: Vincent Bohlinger, Rhode Island College A Lamb Astray: and Its Cultural Afterlife in China Road to Life Ling Zhang, University of Chicago to Sound and Its Reception in Road to Life “Our Only Guide Cinema:” Nikolai Ekk’s Japan Anastasia Fedorova, Hokkaido University, Japan PANEL 0815 Journeys of Love II: Unexpected Love
When Film Historical Categories Break Down: The 1930s Studio System in Bombay Debashree Mukherjee, New York University Hollywood’s Booking Breakdown: How Small Theaters Resisted Early Feature Distribution Practices, 1920-23” Derek Long, University of Wisconsin-Madison PANEL 0812 Go West! V: Gender and Travelling West Chair: Katherine Johnson, Indiana University Going West, and then East: Remapping Women’s Journeys in The Homesman J. Paul Johnson, Winona State University Gendered Journeys: Resisting the Wendigo and Manifest Destiny in Ravenous (1999) Robin L. Murray and Joseph K. Heumann, Eastern Illinois University Westward the Women: a breakdown of conventions on the journey West Katherine Johnson, Indiana University PANEL 0813 Queer Film and Television VII: Understanding Queer Aesthetics Chair: Bridget Kies, University of Wisconsin-Milwaukee An Affective Map of Queer Aesthetics: Exploring the Glitch in Rebecca Thomas’ Electrick Children (2012) Ryan Kendall, Emory University PANEL 0814 Sound Decisions: Case Studies in the International Reception of Road to Life, the First Soviet Feature-Length Sound Film Chair: Vincent Bohlinger, Rhode Island College “Thoroughly Russian”: Road to Life in the United States Vincent Bohlinger, Rhode Island College A Lamb Astray: Road to Life and Its Cultural Afterlife in China Ling Zhang, University of Chicago “Our Only Guide to Sound Cinema:” Nikolai Ekk’s Road to Life and Its Reception in Japan Anastasia Fedorova, Hokkaido University, Japan PANEL 0815 Journeys of Love II: Unexpected Love
2015schedulev1-15.docx