Actress portraying a roles in Edwardian Generic: a person mythological Europe Generic: modeling a theatrical character: neutral costume Individual; concrete background signifier About how a woman About the of this period contrast transmitted a sense of between light tragedy and dark Table 8. Example of applying Shatford image attributes to an image Layne’s Creating a matrix using a combination of subject matter categories, Panofsky’s of abstraction and Shatford attributes provides a framework to Rosch’s levels Layne’s begin examining Pinterest image names, and to analyze the density and complexity of the language being used by user-curators when naming their large, personal digital image collections. The Panofsky/Rosch/Shatford-Layne matrix is used as a tool for identifying meaning in a pin name, in a way similar to the individual approaches traditionally used to describe meaning in images as shown in Table 9. Primary: Secondary: Symbolic: Pre-iconographical description Iconographical Iconographical Interpretation Analysis Describes the form of the Requires Requires insight into image or subject familiarity w/ historical conditions events or objects Primary or natural subject Secondary or Intrinsic meaning/symbolic Panofsky’s three strata of matter conventional value subject matter subject matter Synthetic intuition: or meaning ( unshadowed Types: 20th object which Artist’s motifs color photo of wooden chair century auction when displayed unoccupied with white background) catalog ad can represent isolation or Themes: emptiness commercial, realistic, neutral Basic object Superordinate Subordinate object Rosch’s levels of visual Members share most attributes object Shares few/no attributes categorization Shares some Chair attributes Stickley Brothers Mission Oak style quarter sawn oak Furniture side chair circa March 1923,
Actress portraying a mythological character: Individual; concrete signifier roles in Edwardian Europe Generic: neutral background About the contrast between light and dark Generic: a person modeling a theatrical costume About how a woman of this period transmitted a sense of tragedy Table 8. Example of applying Shatford Layne’s image attributes to an image Creating a matrix using a combination of Panofsky’s subject matter categories, Rosch’s levels of abstraction and Shatford Layne’s attributes provides a framework to begin examining Pinterest image names, and to analyze the density and complexity of the language being used by user-curators when naming their large, personal digital image collections. The Panofsky/Rosch/Shatford-Layne matrix is used as a tool for identifying meaning in a pin name, in a way similar to the individual approaches traditionally used to describe meaning in images as shown in Table 9. Primary: Pre-iconographical description Secondary: Iconographical Analysis Symbolic: Iconographical Interpretation Describes the form of the image or subject Requires familiarity w/ events or objects Requires insight into historical conditions Panofsky’s three strata of subject matter or meaning Primary or natural subject matter Artist’s motifs ( unshadowed color photo of wooden chair with white background) Secondary or conventional subject matter Types: 20th century auction catalog ad Themes: commercial, realistic, neutral Intrinsic meaning/symbolic value Synthetic intuition: object which when displayed unoccupied can represent isolation or emptiness Rosch’s levels of visual categorization Basic object Members share most attributes Chair Superordinate object Shares some attributes Furniture Subordinate object Shares few/no attributes Stickley Brothers Mission Oak style quarter sawn oak side chair circa March 1923,
Sutcliffe_Exploring_Naming_Behavior_Oct_24_2014_.docx