Nilanshu Kumar Agarwal, Aravind Adiga’s White Tiger’ (ROMAN critical context) ‘The CHARACTER he has dismantled the magic casements of his imprisonment, the subconscious “Though layers of his past still haunt him. He finds extreme difficulty in reconciling the binaries of slavish loyalty and liberating phenomenon.” NOVEL/NARRATION“ on account of his subconscious guilt in breaking the coop is like the …Balram female characters of the 18th century” NOVEL/NARRATION voiceless subalterns voice their unheard, suppressed and latent signs of “The discomfort through their medium of communication and thus unburden their souls from the pressure of neurotic repression.” has the voice of what may, or may not, be a new India: quick-witted, half baked, and awesomely quick to seize an advantage.” Roland Barthe, in/and Aravind The White Tiger: A Critique’ ‘jouissance’ POST MODERN NARRATION“In postmodernism, as far as our understanding goes, is no space for any worldly or spiritual virtues.’ amoral, irreverent and in close conformity with postmodern tendencies.” “ …utterly Male and female characters use blunt and unpolished words freely.” “ One of the hallmarks of postmodern narratological devices is sarcasm.” “ metaphors and similes used in the text have a scent of postmodernism.” “Even TRUTH AS A THEME- novelist is describing events with raw and unfiltered expressions.” “The Jorge Diego Sanchez, A Fashionable India? Fossils and Re-Orientalisms in Aravind Adiga’s The White Tiger and Danny Boyle’s Slumdog Millionaire POST COLONIAL APPROACH- India is but a synonymous of the Indian Palimpsest.” Palimpsest is defined “ by Bill Ashcroft- such erasures, there are always traces of previous inscriptions that have been ‘despite ‘overwritten’. ENGLISH- Hutchison (Personal Correspondence, June 2009) uses this same quotation to assert the TWT “Marjory does not talk in English but in hypocritical English because Balram, with hardly an education, from a preposterous English Voice.’
Nilanshu Kumar Agarwal, Aravind Adiga’s ‘The White Tiger’ (ROMAN critical context) CHARACTER “Though he has dismantled the magic casements of his imprisonment, the subconscious layers of his past still haunt him. He finds extreme difficulty in reconciling the binaries of slavish loyalty and liberating phenomenon.” NOVEL/NARRATION“ …Balram on account of his subconscious guilt in breaking the coop is like the female characters of the 18th century” NOVEL/NARRATION “The voiceless subalterns voice their unheard, suppressed and latent signs of discomfort through their medium of communication and thus unburden their souls from the pressure of neurotic repression.” has the voice of what may, or may not, be a new India: quick-witted, half baked, and awesomely quick to seize an advantage.” Roland Barthe, ‘jouissance’ in/and Aravind The White Tiger: A Critique’ POST MODERN NARRATION“In postmodernism, as far as our understanding goes, is no space for any worldly or spiritual virtues.’ “ …utterly amoral, irreverent and in close conformity with postmodern tendencies.” “ Male and female characters use blunt and unpolished words freely.” “ One of the hallmarks of postmodern narratological devices is sarcasm.” “Even metaphors and similes used in the text have a scent of postmodernism.” TRUTH AS A THEME- “The novelist is describing events with raw and unfiltered expressions.” Jorge Diego Sanchez, A Fashionable India? Fossils and Re-Orientalisms in Aravind Adiga’s The White Tiger and Danny Boyle’s Slumdog Millionaire POST COLONIAL APPROACH- “ India is but a synonymous of the Indian Palimpsest.” Palimpsest is defined by Bill Ashcroft- ‘despite such erasures, there are always traces of previous inscriptions that have been ‘overwritten’. ENGLISH- “Marjory Hutchison (Personal Correspondence, June 2009) uses this same quotation to assert the TWT does not talk in English but in hypocritical English because Balram, with hardly an education, from a preposterous English Voice.’
the-white-tiger-critics.docx