of relevant marketing, branding, sponsorship, creative promotional use of photography and social networking. media e-document This is an online document, gives Wrigley, Heather. examples of how to showcase talent by Release, Utah writing good PR. Valley University. PR company organisation that has handled PR Mission PR & campaigns for theatrical productions, Communications including musicals, ballet and drama. Interpret Book In this seminal book, actors write accounts Brockbank, Philip. imaginatively a of their experiences playing roles in several Ed. Players of range of texts, Shakespearian plays, including New Merchant of Shakespeare 1. including using Venice, Twelfth Night, Romeo and Juliet and York: Cambridge textual analysis Hamlet. There are good pictorial University Press, strategies, from illustrations and an excellent, historical, 1989. the perspective contextual, experiential and first-hand of actor, account of Shakespeare through the actor’s production and experience. It is essential reading for an design team understanding of stagecraft, the life and members working processes of the actor, and for broader comparisons and chance observations. It is highly recommended.
of relevant promotional media e-document PR company marketing, branding, sponsorship, creative use of photography and social networking. This is an online document, gives examples of how to showcase talent by writing good PR. organisation that has handled PR campaigns for theatrical productions, including musicals, ballet and drama. Wrigley, Heather. Release, Utah Valley University. Mission PR & Communications Interpret imaginatively a range of texts, including using textual analysis strategies, from the perspective of actor, production and design team members Book In this seminal book, actors write accounts of their experiences playing roles in several Shakespearian plays, including Merchant of Venice, Twelfth Night, Romeo and Juliet and Hamlet. There are good pictorial illustrations and an excellent, historical, contextual, experiential and first-hand account of Shakespeare through the actor’s experience. It is essential reading for an understanding of stagecraft, the life and working processes of the actor, and for broader comparisons and chance observations. It is highly recommended. Brockbank, Philip. Ed. Players of Shakespeare 1. New York: Cambridge University Press, 1989.
TheatreStudies5N4571ResourceList.docx