Styles Melody/Harmony Rhythm/Tempo Texture/ Timbre/ Structure/Form Dynamics Symphony Chord progressions Modulation Rubato Strophic Piccolo Sitar Gospel including chord VI Trill Ritardando Binary (AB) Oboe Tabla Classical (major keys) Glissando Moderato Rondo (ABACA…) Bassoon Arco Pibroch Imperfect cadence Syllabic Cross rhythms Episode (French) horn pizzicato Celtic rock Perfect cadence Melismatic Compound time Alberti bass Tuba Con sordino Bothy ballad Inverted pedal Descant 6 9 12 Walking bass Viola Flutter tonguing — Waulking Chromatic (voice) 8 8 8 Ground bass Castanets Rolls song Whole tone scale Pitch bend Homophonic Hi-hat Reverb Gaelic psalm Grace note Atonal Polyphonic Cymbals Mezzo soprano Aria Contrary motion Cluster Contrapuntal Bongo drums Baritone Chorus Countermelody Coda Clarsach A cappella Minimalist Tone/semitone Bodhran Indian Literacy Tones, semitones Accidentals (flats, Dotted rhythms ff fortissimo — sharps and naturals) Dotted crotchet pp pianissimo — Scales and key signatures: C G Dotted quaver sfz sforzando — major, F major and A minor Scotch snap Chords: C major, G major, F major 1st and 2nd time and A minor bars Leaps HIGHER Styles Melody/Harmony Rhythm/Tempo Texture/Structure/Form Sonata 3 against 2 Through-composed Tremolando Oratorio Relative major/minor Time changes Da capo aria Harmonics Impressionist Interval Irregular time Lied Coloratura Musique concrete Obbligato (instrumental) signatures Passacaglia Ripieno Plainchant Acciaccatura Augmentation Concerto grosso Concertino Mass Mordent Diminution Sonata form String quartet String quartets Plagal cadence Exposition Recitative Interrupted cadence Subject Chamber music Tierce de Picardie Basso continuo Jazz funk Dominant 7th Ritornello Soul Diminished 7th Added 6th Harmonic minor scale Melodic minor scale Literacy Bass clef (E–C) 6 Rests: Quaver Slurs Note naming and transposing into 8 time Crotchet Accents bass clef Quavers Dotted Staccato marks Chords I, IV, V and VI in and Crotchets crotchet Phrase marks minor keys Dotted Minim Diminished crotchets Semibreve Dominant Dotted Da capo (DC) Naming and writing diatonic minims intervals formed from the tonic Triplets ADVANCED HIGHER
Styles Melody/Harmony Rhythm/Tempo Texture/ Structure/Form Timbre/ Dynamics Symphony Gospel Classical Pibroch Celtic rock Bothy ballad Waulking song Gaelic psalm Aria Chorus Minimalist Indian Chord progressions including chord VI (major keys) Imperfect cadence Perfect cadence Inverted pedal Chromatic Whole tone scale Grace note Contrary motion Countermelody Tone/semitone Modulation Trill Glissando Syllabic Melismatic Descant (voice) Pitch bend Atonal Cluster Rubato Ritardando Moderato Cross rhythms Compound time — 6 9 12 8 8 8 Strophic Binary (AB) Rondo (ABACA…) Episode Alberti bass Walking bass Ground bass Homophonic Polyphonic Contrapuntal Coda Piccolo Oboe Bassoon (French) horn Tuba Viola Castanets Hi-hat Cymbals Bongo drums Clarsach Bodhran Sitar Tabla Arco pizzicato Con sordino Flutter tonguing Rolls Reverb Mezzo soprano Baritone A cappella Literacy Tones, semitones Accidentals (flats, sharps and naturals) Scales and key signatures: C G major, F major and A minor Chords: C major, G major, F major and A minor Leaps Dotted rhythms Dotted crotchet Dotted quaver Scotch snap 1st and 2nd time bars ff — fortissimo pp — pianissimo sfz — sforzando HIGHER Styles Melody/Harmony Rhythm/Tempo Texture/Structure/Form Sonata Oratorio Impressionist Musique concrete Plainchant Mass String quartets Recitative Chamber music Jazz funk Soul Relative major/minor Interval Obbligato (instrumental) Acciaccatura Mordent Plagal cadence Interrupted cadence Tierce de Picardie Dominant 7th Diminished 7th Added 6th Harmonic minor scale Melodic minor scale 3 against 2 Time changes Irregular time signatures Augmentation Diminution Through-composed Da capo aria Lied Passacaglia Concerto grosso Sonata form Exposition Subject Basso continuo Ritornello Tremolando Harmonics Coloratura Ripieno Concertino String quartet Literacy Bass clef (E–C) Note naming and transposing into bass clef Chords I, IV, V and VI in and minor keys Diminished Dominant Naming and writing diatonic intervals formed from the tonic 6 8 time Quavers Crotchets Dotted crotchets Dotted minims Triplets Rests: Quaver Crotchet Dotted crotchet Minim Semibreve Da capo (DC) Slurs Accents Staccato marks Phrase marks ADVANCED HIGHER
sasbhs_music_highers_11_2528210430.docx