The examiner will evaluate the work of examinee on the last day of the examination and if the examiner did not turn up on the last day, the art work will be kept in a sealed lock custody and as and when the examiner as his/her convenient date can evaluate the practical paper. Internal examiner will evaluate the Sessional work. Course of Study Study of human figure from model and its varied application in composition. Sessional Work No. of Assignments :5 finished Canvas (Size 30” x 40”) Colour Sketches :25 Sketches :250 DETAILED SYLLABUS (Practical) Examination :M.A. (Fourth Semester) Paper :404 (Group A) Practical :Creative Composition Credit - 12 Time Allowed : 24 Hours Max. Marks 300 (Examination-200 and Sessional -100) Medium : Oil/Acrylic Colour / Mix Media. Minimum Size : 30” x 40” Composition on Canvas – Instructions: The topic will be of multiple choice . The examiner will evaluate the ork of examinee on the last day of the examination and if the examiner did not turn up on the last day, the art work will be kept in a sealed lock custody and as and when the examiner comes as his/her convenient date can evaluate the practical paper. Internal examiner will evaluate the Sessional work. Course of Study Advancement of previous experience towards a complete pictorial interpretation, theme and expression of mood, symbolism, dramatization, distortion for emotional effect including abstract expressionalism, projects with emphasis on independent creative work. a) Advanced Drawing Exploration of an individual approach to drawing as an aesthetic exercise of visual sign and symbol and locate your practice in the broader context of contemporary art Exercise of different drawing techniques of traditional and contemporary masters Exercise on application of different mediums both traditional and contemporary as a drawing tool Medium: pencil, charcoal, pastel, pen and ink, water colour Acrylic and oil, photocopy, impression, stencil, etc. b) Composition Identify and synthesis the connection between process and concept in reference to collage/collision Exercise with different methods and traditions of representation of space, form and colour in reference to history and visual culture Medium: Develop, test and employ materials, process and mediums in a way that activates your ideas and concepts Creative paintings in different
The examiner will evaluate the work of examinee on the last day of the examination and if the examiner did not turn up on the last day, the art work will be kept in a sealed lock custody and as and when the examiner as his/her convenient date can evaluate the practical paper. Internal examiner will evaluate the Sessional work. Course of Study Study of human figure from model and its varied application in composition. Sessional Work No. of Assignments :5 finished Canvas (Size 30” x 40”) Colour Sketches :25 Sketches :250 DETAILED SYLLABUS (Practical) Examination :M.A. (Fourth Semester) Paper :404 (Group A) Practical :Creative Composition Time Allowed : 24 Hours Max. Marks 300 (Examination-200 and Sessional -100) Credit - 12 Medium : Oil/Acrylic Colour / Mix Media. Minimum Size : 30” x 40” – Composition on Canvas Instructions: The topic will be of multiple choice . The examiner will evaluate the ork of examinee on the last day of the examination and if the examiner did not turn up on the last day, the art work will be kept in a sealed lock custody and as and when the examiner comes as his/her convenient date can evaluate the practical paper. Internal examiner will evaluate the Sessional work. Course of Study Advancement of previous experience towards a complete pictorial interpretation, theme and expression of mood, symbolism, dramatization, distortion for emotional effect including abstract expressionalism, projects with emphasis on independent creative work. a) Advanced Drawing Exploration of an individual approach to drawing as an aesthetic exercise of visual sign and symbol and locate your practice in the broader context of contemporary art Exercise of different drawing techniques of traditional and contemporary masters Exercise on application of different mediums both traditional and contemporary as a drawing tool Medium: pencil, charcoal, pastel, pen and ink, water colour Acrylic and oil, photocopy, impression, stencil, etc. b) Composition Identify and synthesis the connection between process and concept in reference to collage/collision Exercise with different methods and traditions of representation of space, form and colour in reference to history and visual culture Medium: Develop, test and employ materials, process and mediums in a way that activates your ideas and concepts Creative paintings in different
Scheme%20of%20Examinations%20M_A_%20(FINE%20%20ARTS).docx