Likewise is technology and science in allowed its maximal of expansion as Black Mirror ‘potential’ the progressive is labeled valuable and positive; even if it has dreary consequences for human life. In Greta is told that she can eat before an operation a product of modern science White Christmas, – where Matthew in the same footsteps rationalize the blocking of him from his wife via optical – – implants merely as the price of progress” (Dzeiza, 2014a). also – “the The Entire History of You covertly depicts a society that has fortified surveillance and governmental expansion in the name of progress and security. Liam willingly allow airport security to recall his personal memories and affairs for the last couple of days to ensure nothing nothing to obscure or ‘out-of-the-ordinary’, has recently taken place. Mechanized control of social life is used as in forms of surveillance and control, where borders between private and public has been effaced in the name of security. In the case of mechanical process of expansion” is cybernetics a pretext for “capitalism’s the desired goal of capitalistic growth with the continual surrender of individuality, socialization and freedom. By examining life and changing it into a system of exchanges, the processes of expansion hope to make such exchanges more efficient and effective, and less human. Conclusion The purpose of the present and concluding chapter is to produce a concrete answer to the thesis question, and then account for the sub-conclusions reached throughout the analysis, in order to answer the thesis question of the project in a more extensive manner. The thesis question is the following: How is technology in affecting both the environment and the characters Black Mirror in the technologized postmodern framework? The technology in generate the conditions and continual augmentation of a consumer Mirror culture, where characters in increasing fashion become subjects, and commodifications, of mediated and simulated experiences, of mass-produced identities that promise individuality, and part of a society that organize de-socialization and cultural degeneration in the name of capitalism and technological progress.
Likewise is technology and science in Black Mirror allowed its maximal ‘potential’ of expansion as the progressive is labeled valuable and positive; even if it has dreary consequences for human life. In White Christmas, Greta is told that she can eat before an operation – a product of modern science – where Matthew in the same footsteps rationalize the blocking of him from his wife – via optical implants – merely as the “the price of progress” (Dzeiza, 2014a). The Entire History of You also covertly depicts a society that has fortified surveillance and governmental expansion in the name of progress and security. Liam willingly allow airport security to recall his personal memories and affairs for the last couple of days to ensure nothing ‘out-of-the-ordinary’, nothing to obscure or has recently taken place. Mechanized control of social life is used as in forms of surveillance and control, where borders between private and public has been effaced in the name of security. In the case of “capitalism’s mechanical process of expansion” is cybernetics a pretext for the desired goal of capitalistic growth with the continual surrender of individuality, socialization and freedom. By examining life and changing it into a system of exchanges, the processes of expansion hope to make such exchanges more efficient and effective, and less human. Conclusion The purpose of the present and concluding chapter is to produce a concrete answer to the thesis question, and then account for the sub-conclusions reached throughout the analysis, in order to answer the thesis question of the project in a more extensive manner. The thesis question is the following: How is technology in Black Mirror affecting both the environment and the characters in the technologized postmodern framework? The technology in Mirror generate the conditions and continual augmentation of a consumer culture, where characters in increasing fashion become subjects, and commodifications, of mediated and simulated experiences, of mass-produced identities that promise individuality, and part of a society that organize de-socialization and cultural degeneration in the name of capitalism and technological progress.
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