Borer, Michael Ian (2002) Cyborgian Self: Toward a Critical Social Theory of ‘The Cyberspace’, 1(4), Summer. Reconstruction: Studies in Contemporary Culture, Available at: http://reconstruction.eserver.org/023/borer.htm (Accessed: 19 March 2011). Butterworth, Jo and Wildschut, Liesbeth (eds.) (2009) Contemporary Choreography: London and New York: Routledge. A Critical Reader. Braidotti, Rosi (2013) Cambridge: Polity The Posthuman. Brannigan, Erin (2006) Evolution in the Age of Robotics’, 71, RealTime, ‘Dance February/March. Available at: http://www.realtimearts.net/article/issue71/8013 (Accessed: 5 April 2013). Brennan, Mary (2003) Morphia Series/ Sensuous Geographies, The ‘Performance Arches, Glasgow’, Thursday 6 February. Available at: The Herald (Glasgow), (Accessed: 28 May 2010). Broadhurst, (2004) Jeremiah Project: Interaction, Reaction, and ‘The Performance’, 48(4), pp.47-57. TDR: The Drama Review, Broadhurst, and Machon, Josephine (eds.) (2006) Performance and Technology: Basingstoke: Palgrave Practices of Virtual Embodiment and Interactivity. Macmillan. Broadhurst, Susan (2007) Digital Practices: Aesthetic and Neuroesthetic Approaches Basingstoke: Palgrave Macmillan. to Performance and Technology. Peter (1968) London: Penguin. The Empty Space. Burdon, Peter (2006) with robots’, 18 February, The Advertiser Review, ‘Dances Butler, Judith (1990) New Gender Trouble: Feminism and the Subversion of Identity. York and London: Routledge. Calleja, Gordon (2011) Cambridge, MA : In-game: from Immersion to Incorporation. MIT Press. Calvert, Tom W., Bruderlin, Armin, Mah, Sang, Schiphorst, Thecla and Welman, Chris (1993) Evolution of an Interface for Choreographers’ in Proceedings ‘The of the ACM CHI 93 Human Factors in Computing Systems Conference. Amsterdam, The Netherlands, 24-29 April, pp.115-122. Carlson, Marvin (1996) London: Routledge. Performance: A Critical Introduction.
Borer, Michael Ian (2002) ‘The Cyborgian Self: Toward a Critical Social Theory of Cyberspace’, Reconstruction: Studies in Contemporary Culture, 1(4), Summer. Available at: http://reconstruction.eserver.org/023/borer.htm (Accessed: 19 March 2011). Butterworth, Jo and Wildschut, Liesbeth (eds.) (2009) Contemporary Choreography: A Critical Reader. London and New York: Routledge. Braidotti, Rosi (2013) The Posthuman. Cambridge: Polity Brannigan, Erin (2006) ‘Dance Evolution in the Age of Robotics’, RealTime, 71, February/March. Available at: http://www.realtimearts.net/article/issue71/8013 (Accessed: 5 April 2013). Brennan, Mary (2003) ‘Performance Morphia Series/ Sensuous Geographies, The Arches, Glasgow’, The Herald (Glasgow), Thursday 6 February. Available at: (Accessed: 28 May 2010). Broadhurst, (2004) ‘The Jeremiah Project: Interaction, Reaction, and Performance’, TDR: The Drama Review, 48(4), pp.47-57. Broadhurst, and Machon, Josephine (eds.) (2006) Performance and Technology: Practices of Virtual Embodiment and Interactivity. Basingstoke: Palgrave Macmillan. Broadhurst, Susan (2007) Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology. Basingstoke: Palgrave Macmillan. Peter (1968) The Empty Space. London: Penguin. Burdon, Peter (2006) ‘Dances with robots’, The Advertiser Review, 18 February, Butler, Judith (1990) Gender Trouble: Feminism and the Subversion of Identity. New York and London: Routledge. Calleja, Gordon (2011) In-game: from Immersion to Incorporation. Cambridge, MA : MIT Press. Calvert, Tom W., Bruderlin, Armin, Mah, Sang, Schiphorst, Thecla and Welman, Chris (1993) ‘The Evolution of an Interface for Choreographers’ in Proceedings of the ACM CHI 93 Human Factors in Computing Systems Conference. Amsterdam, The Netherlands, 24-29 April, pp.115-122. Carlson, Marvin (1996) Performance: A Critical Introduction. London: Routledge.
Seok_Jin_Han_Choreographing_the_Posthuman.docx