P. Hulak-Artemovskyj's ballads within European Romanticism assoc. prof. N. Zinchenko (Poltava) Trolling as a kind of fake discourse: the Scandinavian vector assoc.prof. S. Halaur, A. Markovich (Poltava) The proper names of Hans fairy- tale Christian Andersen’s “The Goloshes of Fortune” assoc. prof. T. Nikolashyna (Poltava) Time and space in A. Lindgren’s story “Brothers Lion Heart” lecturer O. Stepanenko (Poltava) Non-verbal code in Hans Christian Andersen's fairy tales assoc. prof. L. Kornieva (Poltava) Literary and cultural dimensions of as “nordicism” “scandinavism” in the XIXth the XXth centuries: the German-speaking context – assoc. prof. B. Storokha (Poltava) in fin de siecle drama (Hedda Gabler, “General’s Daughters” Fröken Julie, Electra) assoc. prof. T. Pychuhina (Dnipro)
P. Hulak-Artemovskyj's ballads within European Romanticism assoc. prof. N. Zinchenko (Poltava) Trolling as a kind of fake discourse: the Scandinavian vector assoc.prof. S. Halaur, A. Markovich (Poltava) The proper names of Hans Christian Andersen’s fairy- tale “The Goloshes of Fortune” assoc. prof. T. Nikolashyna (Poltava) Time and space in A. Lindgren’s story “Brothers Lion Heart” lecturer O. Stepanenko (Poltava) Non-verbal code in Hans Christian Andersen's fairy tales assoc. prof. L. Kornieva (Poltava) Literary and cultural dimensions of “nordicism” as “scandinavism” in the XIXth – the XXth centuries: the German-speaking context assoc. prof. B. Storokha (Poltava) “General’s Daughters” in fin de siecle drama (Hedda Gabler, Fröken Julie, Electra) assoc. prof. T. Pychuhina (Dnipro)
program_eng_nw_2017.docx