Indian (Hindi, Tamil & other languages), Film form and film history: Early cinema (1893 1903). Development of classical Hollywood cinema (1903 1927), – – German expressionism (1919-1924), French impressionism and surrealism 1930), Soviet montage (1924 The classical Hollywood cinema after the – coming of the sound, Italian Neo realism (1942 1951), The French new wave – (1959 1964), Japanese Cinema, Cinema in the third world, Contemporary trends. – UNIT II Planning, pre production concept/ story development, Scripting/ Screen play – Writing, budgeting, Casting, locations, Financing, Production Shooting, – Direction & Cinematography Post Production Editing, Sound Recording, – Dubbing, Special effects, Graphics & final mixing, Distribution & Exhibition UNIT III Mise-en-scene realism, the power of Mise-en-scene, aspects of Mise-en-scene, space and time, functions of Mise-en-scene, cinematographer properties- the photographic image, framing, Duration of the image, montage and long take, Editing the dimensions of film editing, Continuity editing, Alternative to – continuity editing, Sound the powers of sound, Fundamental of film sound, – Dimensions of film sound, functions of film sound. UNIT IV The concept of forms in films, principles of film, Narrative form, non-narrative form, dividing a film into parts and genres (Language, style, Grammar, syntax) UNIT V Style as a formal system, narrative unity, ambiguity, a non-classical approach to narrative film d.Learning resources: i.Reference: Thoraval, Y. (2007). The cinemas of India. Delhi: Macmillan India. Roberge, G. (2005). The subject of cinema. Calcutta: Seagull Books. Roberge, G. (1978). Films for an ecology of mind: essays on realism in the cinema. Calcutta: Firma KLM. Halliwell, L., & Walker, J. (1996). Halliwell's film guide. Great Britain: HarperPerennial.
Indian (Hindi, Tamil & other languages), Film form and film history: Early cinema (1893 – 1903). Development of classical Hollywood cinema (1903 – 1927), German expressionism (1919-1924), French impressionism and surrealism Soviet montage (1924 – 1930), The classical Hollywood cinema after the coming of the sound, Italian Neo realism (1942 – 1951), The French new wave (1959 – 1964), Japanese Cinema, Cinema in the third world, Contemporary trends. UNIT II Planning, pre production – concept/ story development, Scripting/ Screen play Writing, budgeting, Casting, locations, Financing, Production – Shooting, Direction & Cinematography Post Production – Editing, Sound Recording, Dubbing, Special effects, Graphics & final mixing, Distribution & Exhibition UNIT III Mise-en-scene realism, the power of Mise-en-scene, aspects of Mise-en-scene, space and time, functions of Mise-en-scene, cinematographer properties- the photographic image, framing, Duration of the image, montage and long take, Editing – the dimensions of film editing, Continuity editing, Alternative to continuity editing, Sound – the powers of sound, Fundamental of film sound, Dimensions of film sound, functions of film sound. UNIT IV The concept of forms in films, principles of film, Narrative form, non-narrative form, dividing a film into parts and genres (Language, style, Grammar, syntax) UNIT V Style as a formal system, narrative unity, ambiguity, a non-classical approach to narrative film d.Learning resources: i.Reference: Thoraval, Y. (2007). The cinemas of India. Delhi: Macmillan India. Roberge, G. (2005). The subject of cinema. Calcutta: Seagull Books. Roberge, G. (1978). Films for an ecology of mind: essays on realism in the cinema. Calcutta: Firma KLM. Halliwell, L., & Walker, J. (1996). Halliwell's film guide. Great Britain: HarperPerennial.
Programme-book-B.Sc_.-Visual-Communication-.docx