What stage of the production process are you currently in? How have the work sessions been going overall? What has been your best example of creative problem-solving thus far? Have you been able to apply something you have learned about or ? Have you made any attempts to replicate techniques you observed from the films you have studied? In what ways have you been able to demonstrate excellence in the use of ? What has been the biggest hurdle towards making good progress on the film? Is the film emerging in the way it was originally envisioned? How have you been able to overcome technical limitations in terms of equipment? How have you been able to improvise when your technical know-how has been deficient? What aspects need to be fixed? What will you be able to do to improve the film before the next production meeting? What specific areas do you want feedback on? Do not feel like you need to answer all of these questions. However, this list should provide ample material from which you can craft a usable reflection. The answers to these questions will also, not coincidentally, be the kinds of remarks a future examiner would be interested to read as he or she assesses your work. Assessment Advice Even though the Production Portfolio is an internal assessment (scored and marked by your instructor), it is also moderated by the IB. This means your instructor is required to send in a sample of his or her marks to the IB, to determine if the marks are fair and consistent. Always keep in mind your portfolio might be reviewed by a total stranger, so write it with that in mind. Explain everything you did and why you did it, without assuming the person reading your work "already knows the whole story behind everything that happened." Upload Assignment Head over to the to submit your assignment for this lesson.
What stage of the production process are you currently in? How have the work sessions been going overall? What has been your best example of creative problem-solving thus far? Have you been able to apply something you have learned about or ? Have you made any attempts to replicate techniques you observed from the films you have studied? In what ways have you been able to demonstrate excellence in the use of ? What has been the biggest hurdle towards making good progress on the film? Is the film emerging in the way it was originally envisioned? How have you been able to overcome technical limitations in terms of equipment? How have you been able to improvise when your technical know-how has been deficient? What aspects need to be fixed? What will you be able to do to improve the film before the next production meeting? What specific areas do you want feedback on? Do not feel like you need to answer all of these questions. However, this list should provide ample material from which you can craft a usable reflection. The answers to these questions will also, not coincidentally, be the kinds of remarks a future examiner would be interested to read as he or she assesses your work. Assessment Advice Even though the Production Portfolio is an internal assessment (scored and marked by your instructor), it is also moderated by the IB. This means your instructor is required to send in a sample of his or her marks to the IB, to determine if the marks are fair and consistent. Always keep in mind your portfolio might be reviewed by a total stranger, so write it with that in mind. Explain everything you did and why you did it, without assuming the person reading your work "already knows the whole story behind everything that happened." Upload Assignment Head over to the to submit your assignment for this lesson.
production_portfolio_lesson_sequence.docx