Week 4: The Given Circumstances (IW) Reading: Diane Son, Stop Kiss Bella Merlin, the Text’ in The Complete Stanislavsky Toolkit. ‘Mining Week 5: Rehearsing Scenes (JN) Week 6: Showing of Scenes (IW) Week 7: Showing of Scenes (JN) Week 8: Problematising Stanislavski 1: Disability & Diversity (JN) Reading: Carrie Sandahl, Tyranny of Neutral: Disability and the Actor’ in Bodies in ‘The ed. Carrie Sandahl and Philip Auslander. Commotion: Disability and Performance Richard Schechner, Free, Body-Type Free, Age Free Casting’. Vol 33, No TDR ‘Race 1 (Spring 1989), pp. 4-12. Week 9: Problematising Stanislavski 2: Gender (IW) Reading:
Week 4: The Given Circumstances (IW) Reading: Diane Son, Stop Kiss Bella Merlin, ‘Mining the Text’ in The Complete Stanislavsky Toolkit. Week 5: Rehearsing Scenes (JN) Week 6: Showing of Scenes (IW) Week 7: Showing of Scenes (JN) Week 8: Problematising Stanislavski 1: Disability & Diversity (JN) Reading: Carrie Sandahl, ‘The Tyranny of Neutral: Disability and the Actor’ in Bodies in Commotion: Disability and Performance ed. Carrie Sandahl and Philip Auslander. Richard Schechner, ‘Race Free, Body-Type Free, Age Free Casting’. TDR Vol 33, No 1 (Spring 1989), pp. 4-12. Week 9: Problematising Stanislavski 2: Gender (IW) Reading:
1BPS-Handbook-semester-1-2017-2018.docx