A24-210 Arts, Literature, and Religion Section and SBL Bible and Visual Art Section Diane Apostolos-Cappadona, Georgetown University, Presiding Theme: Biblical Art in the San Diego Museum Monday - 1:00 PM-3:30 PM Hilton Bayfront-313 Daniel Rober, Fordham University Georges Rouault's Le Christ et Mammon in the San Diego Museum of Art: The Aesthetics of Social and Economic Justice Leonora Onarheim, University of Oslo Memory and Mourning in The Deposition (Late Fifteenth Century) and The Lamentation of Christ (ca. 1460-1475) at the San Diego Museum of Art Angela Yarber, Wake Forest University Salomania in Text, Canvas, and Stage: Where Does Bernardino’s Salome Belong? Ela Nutu, University of Sheffield Luini Bernardino at the San Diego Museum of Art: Salome, Modesty and Vanity Responding: David M. Gunn, Texas Christian University A24-211 Buddhism Section Karma Lekshe Tsomo, University of San Diego, Presiding Theme: Buddhist Femininities: Demystifying the Essential Feminine Monday - 1:00 PM-3:30 PM Hilton Bayfront-Sapphire L Robekkah Ritchie, Freie Universität Berlin Sikkhamat: The Aesthetics of Asoke Ascetics Matthew Mitchell, Duke University Ordination, Education, Individual Choice, and Social Context in the Construction and Deployment of Buddhist Femininities in Early Modern Japan Michelle J. Sorensen, Columbia University Feminine Identities in Buddhist Chöd Jeff Wilson, University of Waterloo Mindfully Feminine? The Role of Meditation in the Production and Marketing of Gendered Lifestyles Responding: Amy Holmes-Tagchungdarpa, University of Alabama
A24-210 Arts, Literature, and Religion Section and SBL Bible and Visual Art Section Diane Apostolos-Cappadona, Georgetown University, Presiding Theme: Biblical Art in the San Diego Museum Monday - 1:00 PM-3:30 PM Hilton Bayfront-313 Daniel Rober, Fordham University Georges Rouault's Le Christ et Mammon in the San Diego Museum of Art: The Aesthetics of Social and Economic Justice Leonora Onarheim, University of Oslo Memory and Mourning in The Deposition (Late Fifteenth Century) and The Lamentation of Christ (ca. 1460-1475) at the San Diego Museum of Art Angela Yarber, Wake Forest University Salomania in Text, Canvas, and Stage: Where Does Bernardino’s Salome Belong? Ela Nutu, University of Sheffield Luini Bernardino at the San Diego Museum of Art: Salome, Modesty and Vanity Responding: David M. Gunn, Texas Christian University A24-211 Buddhism Section Karma Lekshe Tsomo, University of San Diego, Presiding Theme: Buddhist Femininities: Demystifying the Essential Feminine Monday - 1:00 PM-3:30 PM Hilton Bayfront-Sapphire L Robekkah Ritchie, Freie Universität Berlin Sikkhamat: The Aesthetics of Asoke Ascetics Matthew Mitchell, Duke University Ordination, Education, Individual Choice, and Social Context in the Construction and Deployment of Buddhist Femininities in Early Modern Japan Michelle J. Sorensen, Columbia University Feminine Identities in Buddhist Chöd Jeff Wilson, University of Waterloo Mindfully Feminine? The Role of Meditation in the Production and Marketing of Gendered Lifestyles Responding: Amy Holmes-Tagchungdarpa, University of Alabama
Preliminary_Program_Book_2014.docx