Jerome J. McGann, The Beauty of Inflections: Literary Investigations in Historical Method (Oxford University Press, 1988), especially the following chapter Monks and Theory ‘The and the Giants: Textual and Bibliographical Studies and the Interpretation of Literary Works’ General, Introductory, Theoretical and Reference Works Bajetta, Carlo M. Authority of Editing: Thoughts on the Function(s) of Textual “The Criticism,” 19 (2006), 305–22. Textus Barnard, John, and McKenzie, D. F., with Bell, Maureen, eds., The Cambridge History of the Vol. 4: 1557-1695. Cambridge, 2002. Book in Britain, Barney, Stephen, ed., (New York and Oxford: Oxford University Annotation and its Texts Press, 1991) Roland Barthes, Death of the Author’, in tr. Stephen Heath (London: Image-Music-Text, ‘The Fontana, 1977), 142-8. Sarah Brouillette, (Palgrave Postcolonial Writers in the Global Literary Marketplace Macmillan, 2007) Caroline Davis, Creating Postcolonial Literature: African Writers and British (Palgrave Macmillan, 2013) Publishers Dillon, Janette. There a Performance in This Text?”, 45 “Is Shakespeare Quarterly (1994), 74–86 Eisenstein, Elizabeth L. The Printing Press as an Agent of Change: Communications (Cambridge: Cambridge and Cultural Transformations in Early-modern Europe. University Press, 1979). Simon, Andrew Nash, and Ian Willison, eds. Literary Cultures and the Material (The British Library, 2007). Book Finneran, Richard J., ed. (Ann Arbor: University The Literary Text in the Digital Age of Michigan Press, 1996). Michel Foucault, Is An Author’, in ed. Paul Rabinow (New The Foucault Reader, ‘What York: Random House, 1984), 101-20. Gabler, Hans Walter. Author-Centricity in Scholarly Editing,” Journal of “Beyond 1.1 (2012), 15–35. Early Modern Studies Philip Gaskell, (OUP, 1972, rev edn 1974) A New Introduction to Bibliography Genette, Gérard, tr. Jane E. Lewin, (Cambridge: Paratexts: Thresholds of Interpretation, Cambridge University Press, 1997) D. C. Greetham, (New York: Garland, 1994) Textual Scholarship: An Introduction
Jerome J. McGann, The Beauty of Inflections: Literary Investigations in Historical Method and Theory (Oxford University Press, 1988), especially the following chapter ‘The Monks and the Giants: Textual and Bibliographical Studies and the Interpretation of Literary Works’ General, Introductory, Theoretical and Reference Works Bajetta, Carlo M. “The Authority of Editing: Thoughts on the Function(s) of Textual Criticism,” Textus 19 (2006), 305–22. Barnard, John, and McKenzie, D. F., with Bell, Maureen, eds., The Cambridge History of the Book in Britain, Vol. 4: 1557-1695. Cambridge, 2002. Barney, Stephen, ed., Annotation and its Texts (New York and Oxford: Oxford University Press, 1991) Roland Barthes, ‘The Death of the Author’, in Image-Music-Text, tr. Stephen Heath (London: Fontana, 1977), 142-8. Sarah Brouillette, Postcolonial Writers in the Global Literary Marketplace (Palgrave Macmillan, 2007) Caroline Davis, Creating Postcolonial Literature: African Writers and British Publishers (Palgrave Macmillan, 2013) Dillon, Janette. “Is There a Performance in This Text?”, Shakespeare Quarterly 45 (1994), 74–86 Eisenstein, Elizabeth L. The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-modern Europe. (Cambridge: Cambridge University Press, 1979). Simon, Andrew Nash, and Ian Willison, eds. Literary Cultures and the Material Book (The British Library, 2007). Finneran, Richard J., ed. The Literary Text in the Digital Age (Ann Arbor: University of Michigan Press, 1996). Michel Foucault, ‘What Is An Author’, in The Foucault Reader, ed. Paul Rabinow (New York: Random House, 1984), 101-20. Gabler, Hans Walter. “Beyond Author-Centricity in Scholarly Editing,” Journal of Early Modern Studies 1.1 (2012), 15–35. Philip Gaskell, A New Introduction to Bibliography (OUP, 1972, rev edn 1974) Genette, Gérard, Paratexts: Thresholds of Interpretation, tr. Jane E. Lewin, (Cambridge: Cambridge University Press, 1997) D. C. Greetham, Textual Scholarship: An Introduction (New York: Garland, 1994)
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