Throughout its existence, the has gained numerous works of art. Basilica di San Marco Some of the most significant works are the numerous mosaics accumulated over time. The mosaics are constructed with small, individual pieces of glass called tesserae (Abbott). These are placed at slightly different angles and depths, which causes tesserae light to reflect off each individual differently (Abbott). Because many of the tessera mosaics of the are crafted using gold the interior of the Basilica di San Marco tesserae, has a shimmering gold appeal (Abbott). Basilica di San Marco More important than the style of the art and architecture of the Basilica di San is its symbolic importance to the city of Venice. It was a setting for numerous Marco ceremonies such as the Feast of the Annunciation, on which the doge would throw a gold ring into the Adriatic Sea (just outside of the to symbolize Basilica di San Marco) Venice’s to the sea (Rosand, 1, 37). Another important Myths of Venice “marriage” symbol that the art reveals is the concept of Venetian idealism represented by the art’s documentation of fictitious events (Abbott). Along with ceremonial and historical importance, the documentation of the fabricated history of Venice is also an extremely essential part of the Basilica di San The stands in the center of the Venice as symbol of St. Marco. Basilica di San Marco Mark. The building itself symbolizes Venice’s ties to St. Mark. However, aside from the removal of the relics of St. Mark, there is actually no historical evidence that supports St. Mark connection to Venice. Thus, the building itself and the art within the Basilica di simply preserve the notion of the Venetian republic that St. Mark belongs to San Marco Venice.
Throughout its existence, the Basilica di San Marco has gained numerous works of art. Some of the most significant works are the numerous mosaics accumulated over time. The mosaics are constructed with small, individual pieces of glass called tesserae (Abbott). These tesserae are placed at slightly different angles and depths, which causes light to reflect off each individual tessera differently (Abbott). Because many of the mosaics of the Basilica di San Marco are crafted using gold tesserae, the interior of the Basilica di San Marco has a shimmering gold appeal (Abbott). More important than the style of the art and architecture of the Basilica di San Marco is its symbolic importance to the city of Venice. It was a setting for numerous ceremonies such as the Feast of the Annunciation, on which the doge would throw a gold ring into the Adriatic Sea (just outside of the Basilica di San Marco) to symbolize Venice’s “marriage” to the sea (Rosand, Myths of Venice 1, 37). Another important symbol that the art reveals is the concept of Venetian idealism represented by the art’s documentation of fictitious events (Abbott). Along with ceremonial and historical importance, the documentation of the fabricated history of Venice is also an extremely essential part of the Basilica di San Marco. The Basilica di San Marco stands in the center of the Venice as symbol of St. Mark. The building itself symbolizes Venice’s ties to St. Mark. However, aside from the removal of the relics of St. Mark, there is actually no historical evidence that supports St. Mark connection to Venice. Thus, the building itself and the art within the Basilica di San Marco simply preserve the notion of the Venetian republic that St. Mark belongs to Venice.
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