Scheunemann, D. 2006 Rochester, NY, Expressionist Film New Perspectives — USA. Camden House Shiel, M. 2006 New York, NY, Italian Neorealism: Rebuilding the USA. Columbia Cinematic City University Press Stevenson, J. 2004 Santa Monica, DOGME UNCUT: Lars Von Trier, CA, USA. Santa Thomas Vinterberg, and the Gang that Monica Press Took on Hollywood Swann, P. 2008 Cambridge, UK. British Documentary Film Movement, Cambridge 1926–1946 University Press Tapper, R. 2002 New York, NY, The New Iranian Cinema: Politics, USA. I.B. Tauris Representation and Identity & Co Taylor, BF. 2012 Manchester, The British New Wave: A Certain UK. Manchester Tendency? University Press Temple, M and Witt, M. 2004 London, UK. The French Cinema Book (Eds.) British Film Institute Tweedie, J. 2013 Oxford, UK. The Age of New Waves: Art Cinema and Oxford the Staging of Globalization University Press Vincendeau, G. and 2009 London, UK. The French New Wave: Critical Graham, P. British Film Landmarks Institute
Scheunemann, D. 2006 Expressionist Film — New Perspectives Rochester, NY, USA. Camden House Shiel, M. 2006 Italian Neorealism: Rebuilding the Cinematic City New York, NY, USA. Columbia University Press Stevenson, J. 2004 DOGME UNCUT: Lars Von Trier, Thomas Vinterberg, and the Gang that Took on Hollywood Santa Monica, CA, USA. Santa Monica Press Swann, P. 2008 British Documentary Film Movement, 1926–1946 Cambridge, UK. Cambridge University Press Tapper, R. 2002 The New Iranian Cinema: Politics, Representation and Identity New York, NY, USA. I.B. Tauris & Co Taylor, BF. 2012 The British New Wave: A Certain Tendency? Manchester, UK. Manchester University Press Temple, M and Witt, M. (Eds.) 2004 The French Cinema Book London, UK. British Film Institute Tweedie, J. 2013 The Age of New Waves: Art Cinema and the Staging of Globalization Oxford, UK. Oxford University Press Vincendeau, G. and Graham, P. 2009 The French New Wave: Critical Landmarks London, UK. British Film Institute
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