Keyboard Harmony Record a sampling of students as they FJH Piano Teaching Library The FJH Classic Play the tonic, dominant, Primary chords and their inversions in begin and later polish their melodies with Scale Book subdominant and dominant every key accompaniments. Compare with Pop Keyboard Course published by Hal seventh chords in all major or Characteristic chord progressions recordings from the beginning of the year. Leonard minor keys with appropriate voice leading in play the tonic, dominant, multiple keys subdominant and dominant Nomenclature for chord inversions seventh chord in any major or Read closely to determine what the text says Key signatures minor key, in root position or explicitly and to make logical inferences from appropriate inversion it; cite specific textual evidence when writing or Accompany a simple melody speaking to support conclusions drawn from with primary chords the text. Technique Video a sampling of students who can Classic Scale Book Play scales: A-flat, D-flat, and Two to four-octave A-flat, D-flat and play all of the minor white key two to G-flat and the corresponding G-flat major or minor scales scales, chord progressions, parallel minor respectively up (harmonic minor and melodic minor), arpeggios and chord inversions. to 4 octaves, hands together Read closely to determine what the text says hands together. Check for correct fingering, hand position Play arpeggios, two to four explicitly and to make logical inferences from Two to four-octave A-flat, D-flat, and and posture. octaves, hands together it; cite specific textual evidence when writing or G-flat major or minor arpeggios, Play primary chords in root hands together. speaking to support conclusions drawn from position, first inversion and Primary chords in root position, first second inversion the text. inversion and second inversion in the Play primary chord keys of A-flat, D-flat and G-flat major progressions or minor Primary chord progressions in all keys Technical exercise include (but not limited to) Hanon, Czerny Op. 599; and Burgmuller Op. 100
Keyboard Harmony Primary chords and their inversions in every key Characteristic chord progressions with appropriate voice leading in multiple keys Nomenclature for chord inversions Key signatures Play the tonic, dominant, subdominant and dominant seventh chords in all major or minor keys play the tonic, dominant, subdominant and dominant seventh chord in any major or minor key, in root position or appropriate inversion Accompany a simple melody with primary chords Record a sampling of students as they begin and later polish their melodies with accompaniments. Compare with recordings from the beginning of the year. FJH Piano Teaching Library The FJH Classic Scale Book Pop Keyboard Course published by Hal Leonard Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text. Technique Two to four-octave A-flat, D-flat and G-flat major or minor scales (harmonic minor and melodic minor), hands together. Two to four-octave A-flat, D-flat, and G-flat major or minor arpeggios, hands together. Primary chords in root position, first inversion and second inversion in the keys of A-flat, D-flat and G-flat major or minor Primary chord progressions in all keys Technical exercise include (but not limited to) Hanon, Czerny Op. 599; and Burgmuller Op. 100 Play scales: A-flat, D-flat, and G-flat and the corresponding parallel minor respectively up to 4 octaves, hands together Play arpeggios, two to four octaves, hands together Play primary chords in root position, first inversion and second inversion Play primary chord progressions Video a sampling of students who can play all of the minor white key two to scales, chord progressions, arpeggios and chord inversions. Check for correct fingering, hand position and posture. Classic Scale Book Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.
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