Jeffrey L. Meikle, the Machine in (New Design in the USA “Designing Age,” York: Oxford University Press, 2005), 89-129. David Raizman, 10: Design, Industry and Advertising in the United “Chapter in 223-244. States,” History of Modern Design: Suggested: Donald Albrecht, ed., (New York: Norman Bel Geddes Designs America Abrams, 2012). of American Design in the USA in the Wendy Kaplan, “’The Filter Taste’: in edited by Charlotte Benton, Tim Benton, and Art Deco, 1910-1930, 1920s,” Week 10: The London Underground Diagram Wednesday, November 4th Guest Lecturer Clive Dilnot, Professor School of Art and Design History and Theory, Parsons The New School for Design David Raizman, and Modern 214-219. “Britain Design,” John A. Walker, London Underground “The Diagram.” Pages TBA. Week 11: Postwar in the USA Wednesday, November 11th Alfred J. Barr and Phillip Johnson, “Machine Art,” in The Industrial Design Reader: 132-134. Jeffrey Meikle, Design vs. Popular Styling, 1940-1965,” in Design in “High (New York: Oxford University Press, 2005), 131-159. the USA Design in in The Industrial Elliot Noyes, “Organic Home Furnishings,” 144-46. Design Reader: Suggested: David Raizman, 11: Modernism After World War II: From Theory “Chapter to and 12: Design and Mass Appeal: A Culture of Practice” “Chapter in History of Modern Design. Consumption,” Pat Kirkham, Home With California Modern, 1945-1965,” in Living in a “At edited by Wendy Kaplan Modern Way: California Design 1930-1960,” (Cambridge, MA: MIT Press, 2012): 147-178. Week 12: The New Wave: Pop, Postmodernism, and Beyond Wednesday, November 18th and in The Industrial Design Reader: Barbara Radice, “Memphis Fashion,” 204-208. and Contradiction in in The Robert Venturi, “Complexity Architecture,” 184-5. Industrial Design Reader: Jonathan M. to Post-Modernism: in Woodham, “Pop Changing Values,” (New York: Oxford University Press, 1997), Twentieth-Century Design Suggested: David Raizman, 13: New Materials, New and “Chapter Products,” “Chapter 14: Dimensions of Mass in History of Modern Design. Culture,”
Jeffrey L. Meikle, “Designing the Machine Age,” in Design in the USA (New York: Oxford University Press, 2005), 89-129. David Raizman, “Chapter 10: Design, Industry and Advertising in the United States,” in History of Modern Design: 223-244. Suggested: Donald Albrecht, ed., Norman Bel Geddes Designs America (New York: Abrams, 2012). Wendy Kaplan, “’The Filter of American Taste’: Design in the USA in the 1920s,” in Art Deco, 1910-1930, edited by Charlotte Benton, Tim Benton, and Week 10: The London Underground Diagram Wednesday, November 4th Guest Lecturer Clive Dilnot, Professor School of Art and Design History and Theory, Parsons The New School for Design David Raizman, “Britain and Modern Design,” 214-219. John A. Walker, “The London Underground Diagram.” Pages TBA. Week 11: Postwar in the USA Wednesday, November 11th Alfred J. Barr and Phillip Johnson, “Machine Art,” in The Industrial Design Reader: 132-134. Jeffrey Meikle, “High Design vs. Popular Styling, 1940-1965,” in Design in the USA (New York: Oxford University Press, 2005), 131-159. Elliot Noyes, “Organic Design in Home Furnishings,” in The Industrial Design Reader: 144-46. Suggested: David Raizman, “Chapter 11: Modernism After World War II: From Theory to Practice” and “Chapter 12: Design and Mass Appeal: A Culture of Consumption,” in History of Modern Design. Pat Kirkham, “At Home With California Modern, 1945-1965,” in Living in a Modern Way: California Design 1930-1960,” edited by Wendy Kaplan (Cambridge, MA: MIT Press, 2012): 147-178. Week 12: The New Wave: Pop, Postmodernism, and Beyond Wednesday, November 18th Barbara Radice, “Memphis and Fashion,” in The Industrial Design Reader: 204-208. Robert Venturi, “Complexity and Contradiction in Architecture,” in The Industrial Design Reader: 184-5. Jonathan M. Woodham, “Pop to Post-Modernism: Changing Values,” in Twentieth-Century Design (New York: Oxford University Press, 1997), Suggested: David Raizman, “Chapter 13: New Materials, New Products,” and “Chapter 14: Dimensions of Mass Culture,” in History of Modern Design.
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