Wickham, Glynne, (London: Weidenfeld and Nicolson, 1980). The Medieval Theatre Wiley, Paul of Life of Wolsey’, Studies in L., ‘Renaissance Exploitation Cavendish’s 43:2 (1946), 121-46. Philology, Williams, Richard, and Elizabethan Catholics and the ‘“Libels payntinges”: International Campaign of in ed. John Foxe and his World, Visual Propaganda’, by Christopher Highley and John N. King (Aldershot: Ashgate Publishing, 2002), pp. 198-215. Williams, Neville, (London: Weidenfeld and Nicolson, The Cardinal and the Secretary 1975). Wilson, Thomas, (London: Richard Grafton, 1553). The Arte of Rhetorique Woodcock, Michael, more attentive to the tragedy and ‘“Their eyes show”: Spectacle, the structure of 7:1 (2011), 1-15. All is True (Henry VIII)’, Shakespeare
Wickham, Glynne, The Medieval Theatre (London: Weidenfeld and Nicolson, 1980). Wiley, Paul L., ‘Renaissance Exploitation of Cavendish’s Life of Wolsey’, Studies in Philology, 43:2 (1946), 121-46. Williams, Richard, ‘“Libels and payntinges”: Elizabethan Catholics and the International Campaign of Visual Propaganda’, in John Foxe and his World, ed. by Christopher Highley and John N. King (Aldershot: Ashgate Publishing, 2002), pp. 198-215. Williams, Neville, The Cardinal and the Secretary (London: Weidenfeld and Nicolson, 1975). Wilson, Thomas, The Arte of Rhetorique (London: Richard Grafton, 1553). Woodcock, Michael, ‘“Their eyes more attentive to the show”: Spectacle, tragedy and the structure of All is True (Henry VIII)’, Shakespeare 7:1 (2011), 1-15.
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