Selected essays from Slavoj Zizek (ed), Everything You Wanted to Know About Lacan 1992. …But were Afraid to Ask Hitchcock, Barbara The in Klinger, ‘Cinema/Ideology/Criticism’ Revisited: Progressive Genre’, Keith Barry Cohen (ed) 2003. Film Genre Reader III, Laura European Intellectuals and Hollywood in Mulvey, ‘Americanitis: Melodrama’, 1996. Fetishism and Curiosity, Selections from Christine Gledhill (ed), Home is Where the Heart Is: Studies in 1987. Melodrama and the Film, Woman’s Richard M. Barsam, Non in Paul Monaco (ed), History of American ‘The Fiction Film’, 2001. Cinema, Volume 8: The Sixties, Robert C. Allen and Douglas J. Gomery, Birth of American Cinema in Film ‘The Verite’, 1985. History: Theory and Practice, Geoffrey Nowell-Smith, Cinema Verite and the New American ‘Documentary, Cinema’, in revised and expanded edition, 2013. Making Waves: New Cinema of the 1960s Selections from Barry Keith Grant (ed), American Cinema of the 1960s: Themes and 2008. Variations, Yannis Tzioumakis, Audience for the Independents: Exploitation Films for the ‘An in 2006. American Independent Cinema: An Introduction, Nation’s Youth’, and Definitions of New in New Hollywood Geoff King, ‘Dimensions Hollywood’, 2002. Cinema: An Introduction, Hollywood and the in Alexander Jonathan Rosenbaum, ‘New Sixties Melting Pot’, Horwath, Thomas Elsaesser and Noel King (eds), The Last Great American Picture 2004. Show: New Hollywood Cinema in the 1970s, Ernest Mathijs and Xavier Mendik, Concepts of in The Cult Film Reader, ‘The Cult’, 2008. Cult Movies and Travels in Umberto Eco, ‘Casablanca: Intertextual Collage’, 1984. Hyperreality, Films or Cinephilia by Any Winter, 2008. Cineaste, Elena Gorfinkel, ‘Cult Other Name’, Selections from Jonathan Rosenbaum and J. Hoberman, 1991. Midnight Movies, Selected essays from J.P. Telotte (ed), The Cult Film Experience: Beyond All Reason, 1991.
Selected essays from Slavoj Zizek (ed), Everything You Wanted to Know About Lacan …But were Afraid to Ask Hitchcock, 1992. Barbara Klinger, ‘Cinema/Ideology/Criticism’ Revisited: The Progressive Genre’, in Keith Barry Cohen (ed) Film Genre Reader III, 2003. Laura Mulvey, ‘Americanitis: European Intellectuals and Hollywood Melodrama’, in Fetishism and Curiosity, 1996. Selections from Christine Gledhill (ed), Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film, 1987. Richard M. Barsam, ‘The Non Fiction Film’, in Paul Monaco (ed), History of American Cinema, Volume 8: The Sixties, 2001. Robert C. Allen and Douglas J. Gomery, ‘The Birth of American Cinema Verite’, in Film History: Theory and Practice, 1985. Geoffrey Nowell-Smith, ‘Documentary, Cinema Verite and the New American Cinema’, in Making Waves: New Cinema of the 1960s revised and expanded edition, 2013. Selections from Barry Keith Grant (ed), American Cinema of the 1960s: Themes and Variations, 2008. Yannis Tzioumakis, ‘An Audience for the Independents: Exploitation Films for the Nation’s Youth’, in American Independent Cinema: An Introduction, 2006. Geoff King, ‘Dimensions and Definitions of New Hollywood’, in New Hollywood Cinema: An Introduction, 2002. Jonathan Rosenbaum, ‘New Hollywood and the Sixties Melting Pot’, in Alexander Horwath, Thomas Elsaesser and Noel King (eds), The Last Great American Picture Show: New Hollywood Cinema in the 1970s, 2004. Ernest Mathijs and Xavier Mendik, ‘The Concepts of Cult’, in The Cult Film Reader, 2008. Umberto Eco, ‘Casablanca: Cult Movies and Intertextual Collage’, Travels in Hyperreality, 1984. Elena Gorfinkel, ‘Cult Films or Cinephilia by Any Other Name’, Cineaste, Winter, 2008. Selections from Jonathan Rosenbaum and J. Hoberman, Midnight Movies, 1991. Selected essays from J.P. Telotte (ed), The Cult Film Experience: Beyond All Reason, 1991.
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