Cinema, Mobile Selves and Anxious Males: Kracauer and Thomas Elsaesser, ‘Weimer in Dietrich Scheunemann (ed), Eisner Revisited’, Expressionist Film: New Perspectives, 2003. Cinema: The Predicament of in Elizabeth Ezra (ed), Anton Kaes, ‘Weimar Modernity’, 2004. European Cinema, on the 23/2, 1953. Sight & Sound Cesare Zavattini, ‘Some Ideas Cinema’, Andre Bazin, Aesthetic of Reality: Cinematic Realism and the Italian School of the ‘An in Vol. 2, 1971. What is Cinema? Liberation’, Selections from Mira Leihm, Passion and Defiance: Film in Italy from 1942 to the 1986. Present, Selections from Peter Bondanella, , 3rd edition, 2001. Selected essays from Laura E. Ruberto and Kristi M. Wilson (eds), Italian Neorealism 2007. and Global Cinema, of the French New Wave: From Hysteria to Ginette Vincendeau, ‘Fifty Years Nostalgia’, in Peter Graham (ed), 2009. The French New Wave: Critical Landmarks, T. Jefferson Kline, French New in Elizabeth Ezra (ed), European Cinema, ‘The Wave’, 2004. Selections from Michel Marie, 2003. The French New Wave: An Artistic School, Susan Sontag, in 1969. Styles of Radical Will, ‘Godard’, Richard Taylor and Ian Christie (eds), Inside the Film Factory, New Approaches to 1991. Russian and Soviet Cinema, of Conveying Ideological Messages in Vlada Petric, ‘Cinematic Abstraction as a Means in Antonia Lant (ed), The Man with the Movie Camera’, Red Screen: Politics, Society, 1992. Art in Soviet Union, Peter in 1998. Signs and Meaning in the Cinema, Wollen, ‘Eisentein’s Aesthetics’, David Bordwell, 1993. The Cinema of Eisentein, 1.2
Thomas Elsaesser, ‘Weimer Cinema, Mobile Selves and Anxious Males: Kracauer and Eisner Revisited’, in Dietrich Scheunemann (ed), Expressionist Film: New Perspectives, 2003. Anton Kaes, ‘Weimar Cinema: The Predicament of Modernity’, in Elizabeth Ezra (ed), European Cinema, 2004. Cesare Zavattini, ‘Some Ideas on the Cinema’, Sight & Sound 23/2, 1953. Andre Bazin, ‘An Aesthetic of Reality: Cinematic Realism and the Italian School of the Liberation’, in What is Cinema? Vol. 2, 1971. Selections from Mira Leihm, Passion and Defiance: Film in Italy from 1942 to the Present, 1986. Selections from Peter Bondanella, , 3rd edition, 2001. Selected essays from Laura E. Ruberto and Kristi M. Wilson (eds), Italian Neorealism and Global Cinema, 2007. Ginette Vincendeau, ‘Fifty Years of the French New Wave: From Hysteria to Nostalgia’, in Peter Graham (ed), The French New Wave: Critical Landmarks, 2009. T. Jefferson Kline, ‘The French New Wave’, in Elizabeth Ezra (ed), European Cinema, 2004. Selections from Michel Marie, The French New Wave: An Artistic School, 2003. Susan Sontag, ‘Godard’, in Styles of Radical Will, 1969. Richard Taylor and Ian Christie (eds), Inside the Film Factory, New Approaches to Russian and Soviet Cinema, 1991. Vlada Petric, ‘Cinematic Abstraction as a Means of Conveying Ideological Messages in The Man with the Movie Camera’, in Antonia Lant (ed), Red Screen: Politics, Society, Art in Soviet Union, 1992. Peter Wollen, ‘Eisentein’s Aesthetics’, in Signs and Meaning in the Cinema, 1998. David Bordwell, The Cinema of Eisentein, 1993. 1.2
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