Sigmund Freud, [1919], trans. David Maclintock, 2003. ‘The Uncanny’ William in 1972. Hitchcock: The Murderous Gaze, Rothman, ‘Psycho’, Marc Vernet, Look at the in 28/2, 1989. Cinema Journal, ‘The Camera’, Slavoj A Triad of the in Looking Awry: Zizek, ‘Pornography, Nostalgia, Montage: Gaze’, 1992. An Introduction to Jacques Lacan Through Popular Culture, ---Zizek, Undergrowth of Enjoyment: How Popular Culture can Serve as an ‘The Introduction to No. 9, Winter, 1989. New Formations, Lacan’, Matthew Flisfeder, 2012. The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film, Laura Mulvey, and Narrative and in Visual ‘Visual Pleasure Cinema’ ‘Afterthoughts’, second edition, 2009. and Other Pleasures, the Gaze in Women and Film: Both Sides of the Camera, E Ann Kaplan, ‘Is Male?’, 1983. Mary Ann Doane, and Masquerade: Theorizing the in E. Ann ‘Film Female Spectator’, Kaplan (ed), 2000. Feminism and Film, Richard Dyer, Role of in ‘The Stereotypes’, The Matter of Images: Essays on 1993. Representation, --- Dyer, in no. 18, August 1978. Jump Cut ‘Gays Film’, and in Harry Benshoff and Sean Griffin (eds), Jack Babuscio, ‘Camp Gay Sensibility’, 2004. Queer Cinema: The Film Reader, and Gender in H. Abelove , D. Halperin etal. Judith Butler, ‘Imitation Subordination’, (eds), 1993. The Lesbian and Gay Studies Reader,
Sigmund Freud, ‘The Uncanny’ [1919], trans. David Maclintock, 2003. William Rothman, ‘Psycho’, in Hitchcock: The Murderous Gaze, 1972. Marc Vernet, ‘The Look at the Camera’, in Cinema Journal, 28/2, 1989. Slavoj Zizek, ‘Pornography, Nostalgia, Montage: A Triad of the Gaze’, in Looking Awry: An Introduction to Jacques Lacan Through Popular Culture, 1992. ---Zizek, ‘The Undergrowth of Enjoyment: How Popular Culture can Serve as an Introduction to Lacan’, New Formations, No. 9, Winter, 1989. Matthew Flisfeder, The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film, 2012. Laura Mulvey, ‘Visual Pleasure and Narrative Cinema’ and ‘Afterthoughts’, in Visual and Other Pleasures, second edition, 2009. E Ann Kaplan, ‘Is the Gaze Male?’, in Women and Film: Both Sides of the Camera, 1983. Mary Ann Doane, ‘Film and Masquerade: Theorizing the Female Spectator’, in E. Ann Kaplan (ed), Feminism and Film, 2000. Richard Dyer, ‘The Role of Stereotypes’, in The Matter of Images: Essays on Representation, 1993. --- Dyer, ‘Gays in Film’, Jump Cut no. 18, August 1978. Jack Babuscio, ‘Camp and Gay Sensibility’, in Harry Benshoff and Sean Griffin (eds), Queer Cinema: The Film Reader, 2004. Judith Butler, ‘Imitation and Gender Subordination’, in H. Abelove , D. Halperin etal. (eds), The Lesbian and Gay Studies Reader, 1993.
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