and H.J. Paton, eds., Oxford, 1936, Philosophy and History. Essays Presented to Ernst Cassirer, pp. 223-254. Republished as Poussin and the Elegiac Tradition,” in Arcadio Ego: Meaning “Et New York, 1955, pp. 295-320 in the Visual Arts, 1939 New York, 1939 Studies in Iconology, 1940 (Studies of the Warburg Institute, 13), The Codex Huygens and Leonardo da Vinci’s Art Theory London, 1940 1940 History of Art as a Humanistic Discipline,” T.M.Greene, The Meaning of the Humanities, “The ed., Princeton, 1940, pp. 89ff. Reprinted in New York, 1955, pp. Meaning in the Visual Arts, 1943 Princeton, 1943; 3rd ed., 1948; one volume paperback ed., 1954 Albrecht Dürer, 1944 and Renascences,” VI, 1944, p. 201ff. Expanded version: Kenyon Review, “Renaissance Stockholm, 1960. Renaissance and Renascences in Western Art, 1946 Princeton, 1946 Abbot Suger on the Abbey of Saint-Denis and Its Art Treasures, 1951 Latrobe, Pa., 1951 Gothic Architecture and Scholasticism, in Pariete’’ Notes on Erasmus’ Eulogy on Dürer,” 14, 1951, pp. 34-41 JWCI, “‘Nebulae 1952 Scientist, Genius: Notes on the The Renaissance, A “Artist, ‘Renaissance-Dämmerung’,” Metropolitan Museum of Art, 1952, pp.77ff. Reprinted as Symposium, The Renaissance. Six New York, 1962, pp. 121-182 Essays, 1953 Cambridge, Mass., 1953 Early Netherlandish Painting, Its Origins and Character,
and H.J. Paton, eds., Philosophy and History. Essays Presented to Ernst Cassirer, Oxford, 1936, pp. 223-254. Republished as “Et in Arcadio Ego: Poussin and the Elegiac Tradition,” Meaning in the Visual Arts, New York, 1955, pp. 295-320 1939 Studies in Iconology, New York, 1939 1940 The Codex Huygens and Leonardo da Vinci’s Art Theory (Studies of the Warburg Institute, 13), London, 1940 1940 “The History of Art as a Humanistic Discipline,” The Meaning of the Humanities, T.M.Greene, ed., Princeton, 1940, pp. 89ff. Reprinted in Meaning in the Visual Arts, New York, 1955, pp. 1943 Albrecht Dürer, Princeton, 1943; 3rd ed., 1948; one volume paperback ed., 1954 1944 “Renaissance and Renascences,” Kenyon Review, VI, 1944, p. 201ff. Expanded version: Renaissance and Renascences in Western Art, Stockholm, 1960. 1946 Abbot Suger on the Abbey of Saint-Denis and Its Art Treasures, Princeton, 1946 1951 Gothic Architecture and Scholasticism, Latrobe, Pa., 1951 “‘Nebulae in Pariete’’ Notes on Erasmus’ Eulogy on Dürer,” JWCI, 14, 1951, pp. 34-41 1952 “Artist, Scientist, Genius: Notes on the ‘Renaissance-Dämmerung’,” The Renaissance, A Symposium, Metropolitan Museum of Art, 1952, pp.77ff. Reprinted as The Renaissance. Six Essays, New York, 1962, pp. 121-182 1953 Early Netherlandish Painting, Its Origins and Character, Cambridge, Mass., 1953
panofsky_bibliography.docx