1924-25 Perspektive als symbolische Form,” 1924-25, p. 258ff. Vorträge der Bibliothek Warburg, “Die English translation by Christopher Wood: New York, 1991 Perspective as Symbolic Form, 1930 Warburg,” LI, 1930, pp. 1-4 Repertorium für Kunstwissehschaft, “A. 1930 erse Blatt aus dem Giorgio Vasaris; Eine Studie über die Beurteilung der Gotik in “Das ‘Libro’ der italienischen Renaissance mit einem Exkurs über zwei Fassadenprojekte Domenico Beccafumis,” VI, 1930, p. 25ff. English translation: First Page of Städel-Jahrbuch, ““The Giorgio Vasari’s New York, 1955, pp. 169-235 Meaning in the Visual Arts, ‘Libro’,” 1930 (Studien der Hercules am Scheidewege und andere antike Bildstoffe in der neueren Bibliothek Warburg, 18), London and Berlin, 1930 1915-32 eds. Karen Michels and Martin Warnke, I, Berlin, 1998, Deutschsprachige Aufsätze 1915-1932, 1933 Panofsky and F. Saxl, Mythology in Mediaeval Art,” Metropolitan Museum Studies, “Classical IV, 1932-33, pp. 228-80 1934 van Eyck’s Arnolfini Portrait,” in 64, 1934, pp. 117-27. The Burlington Magazine, “Jan Reprinted, in ed. Creighton Gilbert, New York, 1970, pp. 1-20 Renaissance Art, 1934 is Baroque,” lecture of 1934, in ed. Irving Lavin, Cambridge, Three Essays on Style, “What Mass., 1995, pp. 19-88 1936 Movies,” June 1936, Princeton University. Department of Art and Archaeology. Bulletin, “On pp. 5-15. Enlarged version: and Medium in the Motion Pictures,” i (3), 1947, Critique, “Style pp. 5-25. Reprinted in ed. Irving Lavin, Cambridge, Mass., 1995, pp. Three Essays on Style, 1936 in Arcadia ego. On the Conception of Transience in Poussin and Watteau,” in R. Klibansky “Et
1924-25 “Die Perspektive als symbolische Form,” Vorträge der Bibliothek Warburg, 1924-25, p. 258ff. English translation by Christopher Wood: Perspective as Symbolic Form, New York, 1991 1930 “A. Warburg,” Repertorium für Kunstwissehschaft, LI, 1930, pp. 1-4 1930 “Das erse Blatt aus dem ‘Libro’ Giorgio Vasaris; Eine Studie über die Beurteilung der Gotik in der italienischen Renaissance mit einem Exkurs über zwei Fassadenprojekte Domenico Beccafumis,” Städel-Jahrbuch, VI, 1930, p. 25ff. English translation: ““The First Page of Giorgio Vasari’s ‘Libro’,” Meaning in the Visual Arts, New York, 1955, pp. 169-235 1930 Hercules am Scheidewege und andere antike Bildstoffe in der neueren (Studien der Bibliothek Warburg, 18), London and Berlin, 1930 1915-32 Deutschsprachige Aufsätze 1915-1932, eds. Karen Michels and Martin Warnke, I, Berlin, 1998, 1933 Panofsky and F. Saxl, “Classical Mythology in Mediaeval Art,” Metropolitan Museum Studies, IV, 1932-33, pp. 228-80 1934 “Jan van Eyck’s Arnolfini Portrait,” in The Burlington Magazine, 64, 1934, pp. 117-27. Reprinted, in Renaissance Art, ed. Creighton Gilbert, New York, 1970, pp. 1-20 1934 “What is Baroque,” lecture of 1934, in Three Essays on Style, ed. Irving Lavin, Cambridge, Mass., 1995, pp. 19-88 1936 “On Movies,” Princeton University. Department of Art and Archaeology. Bulletin, June 1936, pp. 5-15. Enlarged version: “Style and Medium in the Motion Pictures,” Critique, i (3), 1947, pp. 5-25. Reprinted in Three Essays on Style, ed. Irving Lavin, Cambridge, Mass., 1995, pp. 1936 “Et in Arcadia ego. On the Conception of Transience in Poussin and Watteau,” in R. Klibansky
panofsky_bibliography.docx