housing, limited food, minimal supplies, these movies captured the essence and theme of a struggling society trying to rebuild itself after the major devastation of cities, towns, and society in Italy due to the war. Films and filmmaking were a luxury, but this art form survived by deliberately using real people and daily events as the subjects of scripts and stories. Few professional actors were featured in these films, and locations for films were often the bombed-out ruins of the cities and towns. The renowned film director Fellini made his mark on the industry during this period of time. compare vs. contrast (semantic vs. syntactic views ?)- When a movie is produced and critiqued it is often done so on the basis of trait recognition. That is, it either a) agrees wholly with its genre by following the standard plot conventions and characteristics of its genre, or b) it generally represents its genre, but contains amendments to the plots or characteristic traits and diverges somewhat from the expectations. Therefore, aspects of differences in the film from the genre standards are noteworthy points of discussion. The degree of similarity to the genre, but featured differences from the genre push the understanding of the limits of the genre into new territory- the genre evolves. Hence, the variations of genres into sub-genres which are generally recognized by film critics and society today. sub-Genres = http://www.filmsite.org/filmgenres.html
housing, limited food, minimal supplies, these movies captured the essence and theme of a struggling society trying to rebuild itself after the major devastation of cities, towns, and society in Italy due to the war. Films and filmmaking were a luxury, but this art form survived by deliberately using real people and daily events as the subjects of scripts and stories. Few professional actors were featured in these films, and locations for films were often the bombed-out ruins of the cities and towns. The renowned film director Fellini made his mark on the industry during this period of time. compare vs. contrast (semantic vs. syntactic views ?)- When a movie is produced and critiqued it is often done so on the basis of trait recognition. That is, it either a) agrees wholly with its genre by following the standard plot conventions and characteristics of its genre, or b) it generally represents its genre, but contains amendments to the plots or characteristic traits and diverges somewhat from the expectations. Therefore, aspects of differences in the film from the genre standards are noteworthy points of discussion. The degree of similarity to the genre, but featured differences from the genre push the understanding of the limits of the genre into new territory- the genre evolves. Hence, the variations of genres into sub-genres which are generally recognized by film critics and society today. sub-Genres = http://www.filmsite.org/filmgenres.html
Film%20Genres.docx