integrate the pragmatic approach of cognitive film theory with the semantic approach of film semiotics so as to establish a communication model. There is, of course, no such perfect semantical picture or close circuit model of communication between the sender and the receiver. Communication is not always intended or successful. However, as it is also true that successful communication often takes place, a theoretical framework of communication needs to be explained. Thus, this view of cognitive film semioticians is worthy of being explored more deeply. This may offer a theoretically significant basis to our discussion of the intent conveyed by effective means of Chronicler’s his macro-repetitions. Communication Model The social Space of Communication Semio-pragmatist Roger Odin offers an attention-grabbing explanation for a communication model. According to him, the sender and the receiver can adopt the same way of producing meaning and affects the social space in which films are seen, a space “by consisting of and It is true that there is no reason for an ‘institutions’ ‘modes’.” “actant director and actant viewer to adopt the same role [the same way of producing meaning and real communication between the author and the affects]” “no spectator” happens. However, social space of may be generated in the restraints of ‘the communication’ and ‘institutions’, ‘modes’ ‘operations’. Institution
integrate the pragmatic approach of cognitive film theory with the semantic approach of film semiotics so as to establish a communication model. There is, of course, no such perfect semantical picture or close circuit model of communication between the sender and the receiver. Communication is not always intended or successful. However, as it is also true that successful communication often takes place, a theoretical framework of communication needs to be explained. Thus, this view of cognitive film semioticians is worthy of being explored more deeply. This may offer a theoretically significant basis to our discussion of the Chronicler’s intent conveyed by effective means of his macro-repetitions. Communication Model The social Space of Communication Semio-pragmatist Roger Odin offers an attention-grabbing explanation for a communication model. According to him, the sender and the receiver can adopt the same way of producing meaning and affects “by the social space in which films are seen, a space consisting of ‘institutions’ and ‘modes’.” It is true that there is no reason for an “actant director and actant viewer to adopt the same role [the same way of producing meaning affects]” and “no real communication between the author and the spectator” happens. However, ‘the social space of communication’ may be generated in the restraints of ‘institutions’, ‘modes’ and ‘operations’. Institution
%28PhD%20Thesis%29%20THE%20WISDOM%20OF%20CHRONICLES%20Buyoung%20Son%20120107117.docx