adoption of law and aesthetics analysis is key and it points to a vital question, namely, the capacity of the law to create affective justice. The answer to in a face?’ is that Musine’s face is the story ‘what’s of many ‘Musine’s’. REFERENCE LIST Archival materials Albanian Ministry of the Interior archives in Tirana and are denoted by Dosje Gjyqësor (Judicial File), file [number], item [number], microfilm Albanian National Archives Albanian Telegraphic Agency Journal articles Eamonn Carrabine, Images: Aesthetics, Ethics and Visual Criminology’, British ‘Just 52 (3) (2012), pp. 463-489 Journal of Criminology Robert M. Cover, Supreme Court, 1982 Term—Foreword: Nomos and ‘The Narrative’, 97 (1) (1983), pp. 4-68 Harvard Law Review, Peter Goodrich, Pictures: A Case Study of Portraits of the Chief Justices, ‘Judging Supreme Court of New South Wales’, 5 (3) International Journal of Law in Context, (2009), pp. 295-314 Les Gary Watt, Linda Mulcahy, and David Isaac, Reflections on ‘Four the Art 7 (1) (2013), pp. 113-128 of Justice: the Judge’s Perspective’, Law and Humanities, Eugene McNamee, Witness Memorialising Humanity in McQueen’s ‘Eye – Hunger’, 5 (3) (2009), pp. 281-294 International Journal of Law in Context, Austin Sarat, and Remembrance: Trials, Transcription, and the Politics of ‘Rhetoric Critical Reading’, 23 (1999), pp. 355-378 Legal Studies, Rodrigo Ferrada Stoehrel, Legal Image’s Forgotten Aesthetic’, International ‘The 26 (3) (2013), pp. 555-577 Journal of the Semiotics of Law,
adoption of law and aesthetics analysis is key and it points to a vital question, namely, the capacity of the law to create affective justice. The answer to ‘what’s in a face?’ is that Musine’s face is the story of many ‘Musine’s’. REFERENCE LIST Archival materials Albanian Ministry of the Interior archives in Tirana and are denoted by Dosje Gjyqësor (Judicial File), file [number], item [number], microfilm Albanian National Archives Albanian Telegraphic Agency Journal articles Eamonn Carrabine, ‘Just Images: Aesthetics, Ethics and Visual Criminology’, British Journal of Criminology 52 (3) (2012), pp. 463-489 Robert M. Cover, ‘The Supreme Court, 1982 Term—Foreword: Nomos and Narrative’, Harvard Law Review, 97 (1) (1983), pp. 4-68 Peter Goodrich, ‘Judging Pictures: A Case Study of Portraits of the Chief Justices, Supreme Court of New South Wales’, International Journal of Law in Context, 5 (3) (2009), pp. 295-314 Les Gary Watt, Linda Mulcahy, and David Isaac, ‘Four Reflections on the Art of Justice: the Judge’s Perspective’, Law and Humanities, 7 (1) (2013), pp. 113-128 Eugene McNamee, ‘Eye Witness – Memorialising Humanity in McQueen’s Hunger’, International Journal of Law in Context, 5 (3) (2009), pp. 281-294 Austin Sarat, ‘Rhetoric and Remembrance: Trials, Transcription, and the Politics of Critical Reading’, Legal Studies, 23 (1999), pp. 355-378 Rodrigo Ferrada Stoehrel, ‘The Legal Image’s Forgotten Aesthetic’, International Journal of the Semiotics of Law, 26 (3) (2013), pp. 555-577
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