22 Byron Cleveland * The Corsair, (2.09) 204 1.223-26 corsair motif. √ [Chapter division in ms but no motto. Added 23 r Liliput, a (2.10) 218 treatment of Poem parting at the beginning of the chapter. No obvious reason for ‘Liliput’. 24 Spenser Seems to v The Faerie (2.11) 230 relate to Queene, 3.3.18 Swertha’s √ suggestion that Norna is involved in Mordaunt’s disappearance. Not a strong link. 25 Webster St Ringan’s. v The Duchess (2.12) 237 of Malfi, 5.3.9-19 (Antonio, to Delio) |… that we have.| 26 Lindsay Robin Minna. r ‘Auld (2.13) 245 Gray’ Continuation, 5-8 |… had come cheek was … grown pale bent down … …| 27 Mickle Not for this r ‘The (2.14) 253 Sorceress’, chapter, 45-48 except |When, from possibly the dreary Norna at the … womb "O very end. … come …| 28 Mickle Norna. r ‘The (3.01) 259 Sorceress’, 169-72 |… haggard arm …| 29 [Scott] Norna, though r Old Play (3.02) 268 going beyond madness.
22 (2.09) Byron 204 The Corsair, 1.223-26 √ [Chapter division in ms but no motto. Added Cleveland corsair motif. * 23 (2.10) 218 Liliput, a Poem treatment of parting at the beginning of the chapter. No obvious reason for ‘Liliput’. r 24 (2.11) Spenser 230 The Faerie Queene, 3.3.18 √ Seems to relate to Swertha’s suggestion that Norna is involved in Mordaunt’s disappearance. Not a strong link. v 25 (2.12) Webster 237 The Duchess of Malfi, 5.3.9-19 (Antonio, to Delio) |… that we have.| St Ringan’s. v 26 (2.13) Lindsay 245 ‘Auld Robin Gray’ Continuation, 5-8 |… had come … cheek was grown pale … bent down …| Minna. r 27 (2.14) Mickle 253 ‘The Sorceress’, 45-48 |When, from the … dreary womb … "O come …| Not for this chapter, except possibly Norna at the very end. r 28 (3.01) Mickle 259 ‘The Sorceress’, 169-72 |… haggard arm …| Norna. r 29 (3.02) [Scott] 268 Old Play Norna, though going beyond madness. r
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