Scales: revise natural, harmonic and melodic Theory Complete analysis of designated work Week 5: Performance Identify and write natural and harmonic Overview of West Coast and East Coast Task 6 Prepared repertoire minor – Cool Jazz. (2%) minor scales, related intervals and perfect Intervals: revise all harmonic intervals and plagal cadences in minor keys Harmony: Chord progressions Complete analysis of comparative Harmonisation 4 to 8 bars, key signatures up to 2 sharps examples of West Coast, East Coast and Continue harmonic analysis and and 2 flats Bop pieces to demonstrate development of harmonisation tasks in major and minor i, iv, V, V7 VI minor: and form, instrumental style and techniques, keys up to 2 sharps and flats revise perfect and plagal cadences in instrumentation and orchestration across Accompaniment writing keys genres. 4–6 Harmonise a 4–8 bar melody and Modulation: relative and dominant compose a suitable accompaniment pattern Rhythmic dictation: simple time Compose a melody to a given compound time ,, , accompaniment pattern Melodic dictation: 4–8 bars, minor keys Aural analysis: recognition of music elements Modulation in short extracts (form, metre, Identify modulations to the dominant and dynamics/expressive devices, tempo, relative major/minor a range of examples instrumentation) Compose an 8 bar A section and an 8 bar Skeleton score: 2–4 parts, 4–8 bars B section of a melody that includes a modulation
4–6 Scales: revise natural, harmonic and melodic minor Intervals: revise all harmonic intervals Harmony: Chord progressions 4 to 8 bars, key signatures up to 2 sharps and 2 flats minor: i, iv, V, V7 and VI revise perfect and plagal cadences in keys Modulation: relative and dominant Rhythmic dictation: simple time compound time ,, , Melodic dictation: 4–8 bars, minor keys Aural analysis: recognition of music elements in short extracts (form, metre, dynamics/expressive devices, tempo, instrumentation) Skeleton score: 2–4 parts, 4–8 bars Theory Identify and write natural and harmonic minor scales, related intervals and perfect and plagal cadences in minor keys Harmonisation Continue harmonic analysis and harmonisation tasks in major and minor keys up to 2 sharps and flats Accompaniment writing Harmonise a 4–8 bar melody and compose a suitable accompaniment pattern Compose a melody to a given accompaniment pattern Modulation Identify modulations to the dominant and relative major/minor a range of examples Compose an 8 bar A section and an 8 bar B section of a melody that includes a modulation Complete analysis of designated work Overview of West Coast and East Coast Cool Jazz. Complete analysis of comparative examples of West Coast, East Coast and Bop pieces to demonstrate development of form, instrumental style and techniques, instrumentation and orchestration across genres. Week 5: Performance Task 6 – Prepared repertoire (2%)
Music-Jazz-ATAR-Y11-sample-course-outline-WACE-201516.DOCX