is supplied on the verso from The Conquest of Grenada (originally ascribed to Almanzor). |Take in the motto from the last Chapt Ms—which is to be transposed to this place|.] 17 (2.7) Jonson Hayraddin. r The Sad The Espied Spy 188 Shepherd; or, [r] A Tale of Robin Hood, 2.5.5-6 |… hand off …| 18 (2.8) Johnson Refers to r ‘Verses Palmistry 196 Modelled on Quentin’s inserts in Pope’ liveliness on proof.] |While the journey … impatient 198. …| 19 (2.9) Shakespeare Refers to r Julius The City 206 Quentin and Caesar, [Scott inserts in 3.2.210-11 the burghers. proof.] (Antony to Plebeians) |… To such a sudden flood of mutiny| 20 (2.10) Shakespeare Refers to v Twelfth The Billet 217 Quentin’s Night, inserts in 2.5.138-39 sexual proof.] (Malvolio, aspirations, reading the with a hoax letter) reminder of |Go the Malvolio to, thou overtone on art made, if 220. thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers.| [Chapter division but no motto on recto.] 21 (2.11) Shakespeare Classic pf Henry V, The Sack 227 3.3.10-13 statement √
is supplied on the verso from The Conquest of Grenada (originally ascribed to Almanzor). |Take in the motto from the last Chapt Ms—which is to be transposed to this place|.] 17 (2.7) The Espied Spy [r] Jonson 188 The Sad Shepherd; or, A Tale of Robin Hood, 2.5.5-6 |… hand off …| Hayraddin. r 18 (2.8) Palmistry inserts in proof.] Johnson 196 ‘Verses Modelled on Pope’ |While … impatient …| Refers to Quentin’s liveliness on the journey 198. r 19 (2.9) The City [Scott inserts in proof.] Shakespeare 206 Julius Caesar, 3.2.210-11 (Antony to Plebeians) |… To such a sudden flood of mutiny| Refers to Quentin and the burghers. r 20 (2.10) The Billet inserts in proof.] Shakespeare 217 Twelfth Night, 2.5.138-39 (Malvolio, reading the hoax letter) |Go to, thou art made, if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers.| [Chapter division but no motto on recto.] Refers to Quentin’s sexual aspirations, with a reminder of the Malvolio overtone on 220. v 21 (2.11) The Sack Shakespeare 227 Henry V, 3.3.10-13 √ Classic statement pf
Mottoes.docx