root position GENERIC GENERIC GENERIC GENERIC Unit 1 Unit 2 Unit 3 Unit 4 accents, articulations and ornamentations progressions/chord analysis chords/chord progressions/chord analysis intervals major key signatures up to two sharps and major and minor key signatures up to treble and bass clef, diatonic, key timbre two flats three sharps and three flats signatures up to and including four flats and instrument treble and bass clef treble and bass clef four sharps, within an octave, ascending and identification, purpose, physical features root position (block) and arpeggios root position (block) and arpeggios descending where it is used (broken) (broken) minor, perfect how it is played major, minor, dominant 7th major, minor, diminished, dominant 7th chords/chord progressions/chord analysis description of qualities primary triads primary triads major and minor key signatures up to four playing techniques. root position root position and first inversion sharps and four flats accents, articulations and ornamentations secondary triads treble and bass clef , root position and first inversion root position and arpeggios timbre chord vi (broken) in major keys instrument accents, articulations and ornamentations major triad, minor triad, dominant 7th, identification, purpose, physical features diminished, augmented , it is used primary triads timbre root position, first inversion and second how it is played instrument inversion description of tonal qualities identification, purpose, physical features secondary triads playing techniques. it is used root position, first inversion and second how it is played inversion description of tonal qualities chords ii and vi in major keys and in playing techniques. VI minor keys basic 12 bar blues progression using primary triads in major keys cadences as appropriate to context perfect, plagal, interrupted, imperfect accents, articulations and ornamentations , , timbre instrument identification, purpose, physical features where it is used how it is played description of tonal qualities playing techniques.
root position GENERIC GENERIC GENERIC GENERIC Unit 1 Unit 2 Unit 3 Unit 4 accents, articulations and ornamentations timbre instrument identification, purpose, physical features where it is used how it is played description of qualities playing techniques. progressions/chord analysis major key signatures up to two sharps and two flats treble and bass clef root position (block) and arpeggios (broken) major, minor, dominant 7th primary triads root position accents, articulations and ornamentations , timbre instrument identification, purpose, physical features it is used how it is played description of tonal qualities playing techniques. chords/chord progressions/chord analysis major and minor key signatures up to three sharps and three flats treble and bass clef root position (block) and arpeggios (broken) major, minor, diminished, dominant 7th primary triads root position and first inversion secondary triads root position and first inversion chord vi in major keys accents, articulations and ornamentations , timbre instrument identification, purpose, physical features it is used how it is played description of tonal qualities playing techniques. intervals treble and bass clef, diatonic, key signatures up to and including four flats and four sharps, within an octave, ascending and descending minor, perfect chords/chord progressions/chord analysis major and minor key signatures up to four sharps and four flats treble and bass clef root position and arpeggios (broken) major triad, minor triad, dominant 7th, diminished, augmented primary triads root position, first inversion and second inversion secondary triads root position, first inversion and second inversion chords ii and vi in major keys and VI in minor keys basic 12 bar blues progression using primary triads in major keys cadences as appropriate to context perfect, plagal, interrupted, imperfect accents, articulations and ornamentations , , timbre instrument identification, purpose, physical features where it is used how it is played description of tonal qualities playing techniques.
Music-General-Years-1112-syllabus-scope-and-sequence.DOCX