Primary Texts Eisner, Will. (2005) New York: W. W. Norton. A Contract with God Trilogy. Moore, Allan. (1986) New York: DC Comics. Watchmen. Spiegelman, Art. (2003) London: Penguin. The Complete Maus: A Survivor’s Tale. Wilde, Oscar. (2006) New York: W. W. Norton. The Picture of Dorian Gray. Some e-text links and some texts uploaded to ILN as PDF files. Supplementary Texts Cartmell, Deborah and Imelda Whelehan. (2010) Screen Adaptation. Impure Cinema. New York: Palgrave. ---, et al. eds. (2000) London: Pluto. Classics in Film and Fiction. Derrida, Jacques. (1987) Trans. Geoffrey Bennington. Chicago: Truth in Painting. University of Chicago Press. Duncan, Randy and Matthew J. Smith. (2009) The Power of Comics: History, Form New York: Continuum. and Culture. Eisner, Will. (1990) New York: W. W. Norton. Comics and Sequential Art. Flaxman, Rhoda. (1987) Victorian Word Painting and Narrative. Toward the Blending Ann Arbor: University of Michigan Press. of Genre. Howells, Richard and Joaquim Negreiros. (2012) Cambridge: Polity. Visual Culture. Levy, Ellen.(2011) Criminal Ingenuity. Moore, Cornell, Ashbery, and the Struggle New York: Oxford University Press. Between the Arts. Louie, Kam. Hong Kong: Hong Kong Hong Kong Culture. Word and Image. University Press. Miller, Hillis M. (1994) Cambridge, MA: Illustration. Essays in Art and Culture. Harvard University Press. Mirzoeff, Nicholas. ed. (2009) New York: An Introduction to Visual Culture. Routledge. ---, ed. (2012) New York: Routledge. The Visual Culture Reader. Mitchell, W. J. T. (1995) Picture Theory. Essays on Verbal and Visual Representation. Chicago: University of Chicago Press. Rabb, Jane M. ed. (1995) Literature and Photography. Interactions 1840-1990. Albuquerque: University of New Mexico Press.
Primary Texts Eisner, Will. (2005) A Contract with God Trilogy. New York: W. W. Norton. Moore, Allan. (1986) Watchmen. New York: DC Comics. Spiegelman, Art. (2003) The Complete Maus: A Survivor’s Tale. London: Penguin. Wilde, Oscar. (2006) The Picture of Dorian Gray. New York: W. W. Norton. Some e-text links and some texts uploaded to ILN as PDF files. Supplementary Texts Cartmell, Deborah and Imelda Whelehan. (2010) Screen Adaptation. Impure Cinema. New York: Palgrave. ---, et al. eds. (2000) Classics in Film and Fiction. London: Pluto. Derrida, Jacques. (1987) Truth in Painting. Trans. Geoffrey Bennington. Chicago: University of Chicago Press. Duncan, Randy and Matthew J. Smith. (2009) The Power of Comics: History, Form and Culture. New York: Continuum. Eisner, Will. (1990) Comics and Sequential Art. New York: W. W. Norton. Flaxman, Rhoda. (1987) Victorian Word Painting and Narrative. Toward the Blending of Genre. Ann Arbor: University of Michigan Press. Howells, Richard and Joaquim Negreiros. (2012) Visual Culture. Cambridge: Polity. Levy, Ellen.(2011) Criminal Ingenuity. Moore, Cornell, Ashbery, and the Struggle Between the Arts. New York: Oxford University Press. Louie, Kam. Hong Kong Culture. Word and Image. Hong Kong: Hong Kong University Press. Miller, Hillis M. (1994) Illustration. Essays in Art and Culture. Cambridge, MA: Harvard University Press. Mirzoeff, Nicholas. ed. (2009) An Introduction to Visual Culture. New York: Routledge. ---, ed. (2012) The Visual Culture Reader. New York: Routledge. Mitchell, W. J. T. (1995) Picture Theory. Essays on Verbal and Visual Representation. Chicago: University of Chicago Press. Rabb, Jane M. ed. (1995) Literature and Photography. Interactions 1840-1990. Albuquerque: University of New Mexico Press.