Burman, E. and Parker, I. (1993). Discourse Analytic Research: Repertoires and Readings of London: Routledge. Texts in Action. Connor, S. (1989). Oxford: Basil Blackwell. Postmodernist Culture. Couldry, N. (2004). and the Mediated Habitus from Television to the ‘Liveness’, ‘Reality’, Mobile Phone. 7(4), pp. 353-361. Communication Review, Cox, C. and Warmer, D. (2004). New York: Audio Culture: Readings in Modern Music. Continuum. Crafts, S. D., Cavicchi, D. and Keil, C. (1993). The Music in Daily Life Project. Hanover NE: Wesleyan University Press. Crissel, A. (2012). Basingstoke, UK: Palgrave Macmillan. Liveness and Recording in the Media. Day, T. (2000). Yale A Century of Recorded Music: Listening to Musical History. New Haven: University Press. DeNora, T. (2000). Cambridge: Cambridge University Press. Music in Everyday Life. De Tiende van Tijl (May 27th, 2014). Bumblebee door Floris Onstwedder. Retrieved November 13, 2015, from Duncan, M. (2004). The Operatic Scandal of the Singing Body: Voice, Presence, Performativity. 16(3), pp. 283-306. Cambridges Opera Journal, Frith, S. (1998). USA: Harvard University Performing Rites: On the Value of Popular Music. Press. Giovanca. Official Website. Retrieved December 1, 2015, from http://www.giovanca.nl/ Godlovitch, S. (1998). London: Routledge. Musical Performance. A Philosophical Study. Harris, K. D. (1997). My Music My Life?: Discourse Analysis and the Interview Talk of Members London: Goldsmiths College. of a Music Based Subculture. Keller, H. (1994). Cambridge: Cambridge University Press. Essays on Music. Kerman, J. (1985). Cambridge, MA: Harvard Contemplating Music: Challenges to Musicology. University Press. Krausz, M. (1993). Oxford: Clarendon Press. The Interpretation of Music: Philosophical Essays.
Burman, E. and Parker, I. (1993). Discourse Analytic Research: Repertoires and Readings of Texts in Action. London: Routledge. Connor, S. (1989). Postmodernist Culture. Oxford: Basil Blackwell. Couldry, N. (2004). ‘Liveness’, ‘Reality’, and the Mediated Habitus from Television to the Mobile Phone. Communication Review, 7(4), pp. 353-361. Cox, C. and Warmer, D. (2004). Audio Culture: Readings in Modern Music. New York: Continuum. Crafts, S. D., Cavicchi, D. and Keil, C. (1993). The Music in Daily Life Project. Hanover NE: Wesleyan University Press. Crissel, A. (2012). Liveness and Recording in the Media. Basingstoke, UK: Palgrave Macmillan. Day, T. (2000). A Century of Recorded Music: Listening to Musical History. New Haven: Yale University Press. DeNora, T. (2000). Music in Everyday Life. Cambridge: Cambridge University Press. De Tiende van Tijl (May 27th, 2014). Bumblebee door Floris Onstwedder. Retrieved November 13, 2015, from Duncan, M. (2004). The Operatic Scandal of the Singing Body: Voice, Presence, Performativity. Cambridges Opera Journal, 16(3), pp. 283-306. Frith, S. (1998). Performing Rites: On the Value of Popular Music. USA: Harvard University Press. Giovanca. Official Website. Retrieved December 1, 2015, from http://www.giovanca.nl/ Godlovitch, S. (1998). Musical Performance. A Philosophical Study. London: Routledge. Harris, K. D. (1997). My Music My Life?: Discourse Analysis and the Interview Talk of Members of a Music Based Subculture. London: Goldsmiths College. Keller, H. (1994). Essays on Music. Cambridge: Cambridge University Press. Kerman, J. (1985). Contemplating Music: Challenges to Musicology. Cambridge, MA: Harvard University Press. Krausz, M. (1993). The Interpretation of Music: Philosophical Essays. Oxford: Clarendon Press.