9. Bibliography Adorno, T. W. (1962). New York: Seabury Press. Introduction to the Sociology of Music. Adshead, J. (1988). London: Dance Books. Dance Analysis: Theory and Practice. Ashby, A. (2010). Berkeley: University of California Absolute Music, Mechanical Reproduction. Press. Ashby, A. (2013) Liveness in Modern Music: Musicians, Technology, and the Perception of Performance Review. 94(4), pp. 719-721. Music and Letters, Attali, J. (1985). Minneapolis: University of Minnesota Noise: The Political Economy of Music. Press. Auslander, P. (2008). London: Routledge. Liveness: Performance in a Mediatized Culture. Barker, M. and Brooks, K. (1998). Knowing Audiences: Judge Dredd, Its Friends, Fans and Luton: University of Luton Press. Foes. Barker, M. (2003). Crash, Theatre Audiences, and the Idea of Studies in Theatre ‘Liveness’. 23(1), pp. 21-39. and Performance, Baudrillard, J. (1981). St. Louis: Telos For a Critique of the Political Economy of the Sign. Press. Bauman, R. (2004). A World of Words: Cross-Cultural Perspectives on Intertextuality. Other’s Oxford: Blackwell. Bayley, A. (2010). Recorded Music: Performance, Culture and Technology. Cambridge, UK: Cambridge University Press. Benjamin, W. (1986). The Work of Art in the Age of Mechanical Reproduction. In Hanhardt, J. G., Layton: Peregrin Smith Books, pp. 27-52. Video Culture: A Critical Investigation.
9. Bibliography Adorno, T. W. (1962). Introduction to the Sociology of Music. New York: Seabury Press. Adshead, J. (1988). Dance Analysis: Theory and Practice. London: Dance Books. Ashby, A. (2010). Absolute Music, Mechanical Reproduction. Berkeley: University of California Press. Ashby, A. (2013) Liveness in Modern Music: Musicians, Technology, and the Perception of Performance Review. Music and Letters, 94(4), pp. 719-721. Attali, J. (1985). Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press. Auslander, P. (2008). Liveness: Performance in a Mediatized Culture. London: Routledge. Barker, M. and Brooks, K. (1998). Knowing Audiences: Judge Dredd, Its Friends, Fans and Foes. Luton: University of Luton Press. Barker, M. (2003). Crash, Theatre Audiences, and the Idea of ‘Liveness’. Studies in Theatre and Performance, 23(1), pp. 21-39. Baudrillard, J. (1981). For a Critique of the Political Economy of the Sign. St. Louis: Telos Press. Bauman, R. (2004). A World of Other’s Words: Cross-Cultural Perspectives on Intertextuality. Oxford: Blackwell. Bayley, A. (2010). Recorded Music: Performance, Culture and Technology. Cambridge, UK: Cambridge University Press. Benjamin, W. (1986). The Work of Art in the Age of Mechanical Reproduction. In Hanhardt, J. G., Video Culture: A Critical Investigation. Layton: Peregrin Smith Books, pp. 27-52.