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Bortolotti, G. R., and Hutcheon, L. 2007. “On the Origin of Adaptations: Rethinking Fidelity Discourse and “Success” – Biologically” New Literary History 38, 443-458. Butkas, M. 2010. “George Balanchine” in Kant 2010, 224-236. Cohen, S. J. and Dance Perspectives Foundation, ed. 1998. International Encyclopedia of Dance. New York; Oxford: Oxford University Press. Cornfield, R. and Mackay, W. eds., 1986. Edwin Denby: Dance Writings. Gainesville: Unoversity Press of Florida. Clay, J. S. 1989. The Politics of Olympus: Form and Meaning in the Major Homeric Hymns. Princeton: Princeton University Press. Corrigan, T. 2012. Film and Literature: an Introduction and Reader. Milton Park, Abingdon, Oxon; New York: Routledge. Croce, A. 1998. “Balanchine, George” in Cohen, 1998. Denby, E.. 1953. “Some Thoughts about Classicism and George Balanchine” In Cornfield and Mackay 1986, 433-440. Frascina, F. 1992. Art in Modern Culture: An Anthology of Critical Texts. New York: HarperCollins. Gaborik, P. and Harris, A. “From Italy and Russia to France and the U.S.: “Fascist Futurism and Balanchine’s “American” Ballet” in Sell 2010, 23-40. Garafola, L. 1989. Diaghilev’s Ballets Russes. New York: Oxford University Press. Gottlieb, R. 2004. George Balanchine: The Ballet Maker. New York: HarperCollins/Atlas Books. Greenberg, C. 1960. “Modernist Painting” in Frascina 1992, 308-314. Gross, K. 1992. The Dream of the Moving Statue. Ithaca: Cornell University Press. Haynes, K., “Modernism” in Kallendorf 2007, 101-114. Honig, J. 2001. “A Novel Idea” Opera News 66.2, 20-23. Hutcheon, L. 2012. A Theory of Adaptation. Hoboken: Taylor and Francis. Joseph, C. M. 2002. Stravinsky and Balanchine: A Journey of Invention. New Haven: Yale University Press.