12 The Copyright Alert System: Implications of Strikes” on “Six Authorship Chris Gerben 18 Watch List: The Trans-Pacific Partnership Timothy Amidon 24 GoldieBlox, Beastie Boys, and Online Copyright Discourse Kyle Stedman 33 The Future of Copyright? A Look at the First Decade of Creative Commons Traci Zimmerman 37 Fair Use and Digitization: Google Prevails in the Latest Court Ruling Kim D. Gainer 43 Contributors Clancy Ratliff Introduction to the 2013 CCCC-IP Annual This is the ninth volume of the CCCC Intellectual Property Annual, my seventh as editor. I’ve been reflecting lately about the type of authorship we engage in as we create the CCCC Intellectual Property Annual each year. This publication is not quite like a typical edited collection or issue of a journal. Ever since John Logie started the Annual, the calls for submissions included specific suggested topics – events that took place over the previous year in copyright and intellectual property news. I followed suit when I took over; I suggested a few topics, but when those were claimed, there were other people who also wanted to write for the Annual. I encouraged them to write about any topic they found interesting, but they preferred that I provide a list of additional topics. So that’s been my invention process: I collect news over the course of the year, and toward the end of each calendar year, I sift through the archives of the
12 The Copyright Alert System: Implications of “Six Strikes” on Authorship Chris Gerben 18 Watch List: The Trans-Pacific Partnership Timothy Amidon 24 GoldieBlox, Beastie Boys, and Online Copyright Discourse Kyle Stedman 33 The Future of Copyright? A Look at the First Decade of Creative Commons Traci Zimmerman 37 Fair Use and Digitization: Google Prevails in the Latest Court Ruling Kim D. Gainer 43 Contributors Clancy Ratliff Introduction to the 2013 CCCC-IP Annual This is the ninth volume of the CCCC Intellectual Property Annual, my seventh as editor. I’ve been reflecting lately about the type of authorship we engage in as we create the CCCC Intellectual Property Annual each year. This publication is not quite like a typical edited collection or issue of a journal. Ever since John Logie started the Annual, the calls for submissions included specific suggested topics – events that took place over the previous year in copyright and intellectual property news. I followed suit when I took over; I suggested a few topics, but when those were claimed, there were other people who also wanted to write for the Annual. I encouraged them to write about any topic they found interesting, but they preferred that I provide a list of additional topics. So that’s been my invention process: I collect news over the course of the year, and toward the end of each calendar year, I sift through the archives of the