ANTONY Trilby turned on the mob like a lioness. all this about,” (enter from R.1 E.). “What’s she cried. have you brought me here? I won’t sing another note” (movement to R.1 “Why E.). TAFFY. Come, everybody, let us bring her from the stage. LORIMER Curtain has been rung down. (enter from R.1 E.). (Music stops). KAW Svengali, Svengali, why didn’t you (enter from R.1 E., furiously, he crosses to Svengali). come to my help? Damn you, sir, don’t you know that your wife has gone mad—yes, stark, staring mad upon the stage. Come to her at once. Do you hear, man? Are you drunk? (Svengali rises slowly. He is about to leave table; looks at Taffy with horrible grin of hatred; then throws up his hands and falls forward on the table). His heart, listen! TAFFY Dead! (his ear on Svengali’s heart). (Music in orchestra. Trilby’s voice heard off R., all are startled). TRILBY I won’t sing—not a note. (outside). (She enters—looks around). (The men form a screen before L.). am I? Why, Billee—Taffy—Sandy. Why are you (See Billee) (Hand to forehead) here? And Svengali? Where is he? He has gone to the carriage, Trilby, let me escort you. Come—
ANTONY (enter from R.1 E.). Trilby turned on the mob like a lioness. “What’s all this about,” she cried. “Why have you brought me here? I won’t sing another note” (movement to R.1 E.). TAFFY. Come, everybody, let us bring her from the stage. LORIMER (enter from R.1 E.). Curtain has been rung down. (Music stops). KAW (enter from R.1 E., furiously, he crosses to Svengali). Svengali, Svengali, why didn’t you come to my help? Damn you, sir, don’t you know that your wife has gone mad—yes, stark, staring mad upon the stage. Come to her at once. Do you hear, man? Are you drunk? (Svengali rises slowly. He is about to leave table; looks at Taffy with horrible grin of hatred; then throws up his hands and falls forward on the table). His heart, listen! TAFFY (his ear on Svengali’s heart). Dead! (Music in orchestra. Trilby’s voice heard off R., all are startled). TRILBY (outside). I won’t sing—not a note. (She enters—looks around). (The men form a screen before L.). am I? (See Billee) Why, Billee—Taffy—Sandy. (Hand to forehead) Why are you here? And Svengali? Where is he? He has gone to the carriage, Trilby, let me escort you. Come—