This file will be dropped on to my timeline at the same position as my current frame, in this case frame 5. I can trim the clip, or slide it up and down at this point, but it is best initially to work with pre trimmed clips, and place them exactly where you want them to stay. As we have just started a sequence, our view is very zoomed in, and we see the clip as a very expanded waveform. If we use the track zoom tools to zoom out, we will begin to see the audio as a much more readable image. Here, you can see the audio as a series of waveforms. This one represents a slow drumbeat. By clicking on the little lock icon, you can lock your to your current frame, which prevents you from losing audio sync. It is also a really good idea to make note of which video frame you have synced up with. This close up gives you a better sense of how this works. The green line indicates the frame visible in the live view. The white block shows me the position of the last frame captured, and the red shows me the live frame. As I click on the capture button, the red frame advances, and I will begin to my audio peaks approaching. I can then anticipate the oncoming sound, and “see” have the puppet or image respond accordingly. Here, for example, I have responded to the first beat by placing the larger doll in the frame (the onionskin is showing me the previous smaller doll) as I click through the frames I have also
This file will be dropped on to my timeline at the same position as my current frame, in this case frame 5. I can trim the clip, or slide it up and down at this point, but it is best initially to work with pre trimmed clips, and place them exactly where you want them to stay. As we have just started a sequence, our view is very zoomed in, and we see the clip as a very expanded waveform. If we use the track zoom tools to zoom out, we will begin to see the audio as a much more readable image. Here, you can see the audio as a series of waveforms. This one represents a slow drumbeat. By clicking on the little lock icon, you can lock your to your current frame, which prevents you from losing audio sync. It is also a really good idea to make note of which video frame you have synced up with. This close up gives you a better sense of how this works. The green line indicates the frame visible in the live view. The white block shows me the position of the last frame captured, and the red shows me the live frame. As I click on the capture button, the red frame advances, and I will begin to “see” my audio peaks approaching. I can then anticipate the oncoming sound, and have the puppet or image respond accordingly. Here, for example, I have responded to the first beat by placing the larger doll in the frame (the onionskin is showing me the previous smaller doll) as I click through the frames I have also