Teacher: Hall, De Course: Theatre II, III Period(s): 4 Week of: Monday Tuesday Wednesday Thursday Friday To introduce The Method To introduce The Method To introduce The Method To introduce The Method To introduce The Method through both Uta Hagen and through both Uta Hagen and through both Uta Hagen and through both Uta Hagen and through both Uta Hagen and Daily Learning Constantine Stanislavski Constantine Stanislavski Constantine Stanislavski Constantine Stanislavski Constantine Stanislavski Goal(s): texts. texts. texts. texts. texts. TH.912.S.3.6 TH.912.S.3.6 TH.912.S.3.6 TH.912.S.3.6 TH.912.S.3.6 Compare the Stanislavski Compare the Stanislavski Compare the Stanislavski Compare the Stanislavski Compare the Stanislavski Method with other acting Method with other acting Method with other acting Method with other acting Method with other acting Standards or methods to support methods to support methods to support methods to support methods to support Frameworks: development of a personal development of a personal development of a personal development of a personal development of a personal method. method. method. method. method. Students will explore the Students will explore the Students will explore the Students will explore the Students will explore the “two minutes alone” “two minutes alone” “two minutes alone” “two minutes alone” “two minutes alone” exercise according to the Uta exercise according to the Uta exercise according to the Uta exercise according to the Uta exercise according to the Uta Activities: Hagen text. First of three Hagen text. First of three Hagen text. First of three Hagen text. First of three Hagen text. First of three exercises from this text. exercises from this text exercises from this text exercises from this text exercises from this text Reading Chapter 3 of Uta Reading Chapter 3 of Uta Reading Chapter 3 of Uta Reading Chapter 3 of Uta Reading Chapter 3 of Uta Respect for Acting Respect for Acting Respect for Acting Respect for Acting Respect for Acting Hagen’s Hagen’s Hagen’s Hagen’s Hagen’s and Chapter 2 of and Chapter 2 of and Chapter 2 of and Chapter 2 of and Chapter 2 of An Actor An Actor An Actor An Actor An Actor Classwork / Homework Prepares. Prepares Prepares Prepares Prepares
Teacher: Hall, De Course: Theatre II, III Period(s): 4 Week of: Monday Tuesday Wednesday Thursday Friday Daily Learning Goal(s): To introduce The Method through both Uta Hagen and Constantine Stanislavski texts. To introduce The Method through both Uta Hagen and Constantine Stanislavski texts. To introduce The Method through both Uta Hagen and Constantine Stanislavski texts. To introduce The Method through both Uta Hagen and Constantine Stanislavski texts. To introduce The Method through both Uta Hagen and Constantine Stanislavski texts. Standards or Frameworks: TH.912.S.3.6 Compare the Stanislavski Method with other acting methods to support development of a personal method. TH.912.S.3.6 Compare the Stanislavski Method with other acting methods to support development of a personal method. TH.912.S.3.6 Compare the Stanislavski Method with other acting methods to support development of a personal method. TH.912.S.3.6 Compare the Stanislavski Method with other acting methods to support development of a personal method. TH.912.S.3.6 Compare the Stanislavski Method with other acting methods to support development of a personal method. Activities: Students will explore the “two minutes alone” exercise according to the Uta Hagen text. First of three exercises from this text. Students will explore the “two minutes alone” exercise according to the Uta Hagen text. First of three exercises from this text Students will explore the “two minutes alone” exercise according to the Uta Hagen text. First of three exercises from this text Students will explore the “two minutes alone” exercise according to the Uta Hagen text. First of three exercises from this text Students will explore the “two minutes alone” exercise according to the Uta Hagen text. First of three exercises from this text Classwork / Homework Reading Chapter 3 of Uta Hagen’s Respect for Acting and Chapter 2 of An Actor Prepares. Reading Chapter 3 of Uta Hagen’s Respect for Acting and Chapter 2 of An Actor Prepares Reading Chapter 3 of Uta Hagen’s Respect for Acting and Chapter 2 of An Actor Prepares Reading Chapter 3 of Uta Hagen’s Respect for Acting and Chapter 2 of An Actor Prepares Reading Chapter 3 of Uta Hagen’s Respect for Acting and Chapter 2 of An Actor Prepares