3. Francisco de Goya y Lucientes, Plate 43 of The Sleep of Reason Produces Monsters: The (1799). Etching, aquatint, drypoint, and burin. Metropolitan Museum Caprices [Los Caprichos], of Art. (p. 763-764) 4. Francois Boucher, (probably c. 1754). Oil on canvas. Wallace Collection, Cupid a Captive London. (pg. 733). 5. Jean- Honore Fragonard, (1767). Oil on canvas. Wallace Collection, London. (pg. The Swing 734). 6. Benjamin West, (1770). Oil on canvas. National Gallery of The Death of General Wolfe Canada, Ottawa. 7. Henry Fuseli, (1781). Oil on canvas. Detroit Institute of Arts. (pg. 762) The Nightmare 8. Jean Auguste Ingres, (1808). Oil on canvas. Musee du The Bather (‘The Valpincon Bather’) Louvre, Paris. 9. John Constable, (1816). Oil on canvas. National Gallery of Art, Wivenhoe Park, Essex Washington. 10. Eugene Delacroix, (1827). Oil on canvas. Musee du Louvre, The Death of Sardanapalus Paris. (pg. 767) 11. Joseph Mallord William Turner, Slaves Throwing Overboard the Dead and Dying, Typhoon (1840). Oil on canvas. Museum of Fine Arts, Boston. (pg. 772- 773) Coming on (‘Slave Ship’) 12. Gustave Courbet, Oil on canvas. Musee d’ Orsay, Paris. (p. 776) A Burial at Ornans. 13. Sir John Everett Millais, (1851- 52). Oil on canvas. Tate Collection. (p. 786) Ophelia 14. John Singer Sargent, (1882). Oil on canvas. Museum The Daughters of Edward Darley Boit of Fine Arts, Boston. (p. 784) Vocabulary Chapter 26: Chapter 27: Enlightenment calotype fete galante camera lucida Grand Tour daguerreotype Rococo lithography Royal Academy of Painting odalisque tapestries realism Romanticism
3. Francisco de Goya y Lucientes, The Sleep of Reason Produces Monsters: Plate 43 of The Caprices [Los Caprichos], (1799). Etching, aquatint, drypoint, and burin. Metropolitan Museum of Art. (p. 763-764) 4. Francois Boucher, Cupid a Captive (probably c. 1754). Oil on canvas. Wallace Collection, London. (pg. 733). 5. Jean- Honore Fragonard, The Swing (1767). Oil on canvas. Wallace Collection, London. (pg. 734). 6. Benjamin West, The Death of General Wolfe (1770). Oil on canvas. National Gallery of Canada, Ottawa. 7. Henry Fuseli, The Nightmare (1781). Oil on canvas. Detroit Institute of Arts. (pg. 762) 8. Jean Auguste Ingres, The Bather (‘The Valpincon Bather’) (1808). Oil on canvas. Musee du Louvre, Paris. 9. John Constable, Wivenhoe Park, Essex (1816). Oil on canvas. National Gallery of Art, Washington. 10. Eugene Delacroix, The Death of Sardanapalus (1827). Oil on canvas. Musee du Louvre, Paris. (pg. 767) 11. Joseph Mallord William Turner, Slaves Throwing Overboard the Dead and Dying, Typhoon Coming on (‘Slave Ship’) (1840). Oil on canvas. Museum of Fine Arts, Boston. (pg. 772- 773) 12. Gustave Courbet, A Burial at Ornans. Oil on canvas. Musee d’ Orsay, Paris. (p. 776) 13. Sir John Everett Millais, Ophelia (1851- 52). Oil on canvas. Tate Collection. (p. 786) 14. John Singer Sargent, The Daughters of Edward Darley Boit (1882). Oil on canvas. Museum of Fine Arts, Boston. (p. 784) Vocabulary Chapter 26: Enlightenment fete galante Grand Tour Rococo Royal Academy of Painting tapestries Chapter 27: calotype camera lucida daguerreotype lithography odalisque realism Romanticism