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McElrea, H., & Standing, L. (1992). Fast music causes fast drinking. Perceptual and Motor skills, 75(2), 362-362. McIntosh, G. C., Brown, S. H., Rice, R. R., & Thaut, M. H. (1997). Rhythmic auditory-motor facilitation of gait patterns in patients with Parkinson's disease. Journal of Neurology, Neurosurgery & Psychiatry, 62(1), 22-26. Merker, B. H., Madison, G. S., & Eckerdal, P. (2009). On the role and origin of isochrony in human rhythmic entrainment. Cortex, 45(1), 4-17. Milliman, R. E. (1982).Using background music to affect the behavior of supermarket shoppers. The journal of Marketing, 46(3), 86-91. Milliman, R. E. (1986).The influence of background music on the behavior of restaurant patrons. Journal of consumer research, 13(2), 286-289. Moran, N. (2013). Music, bodies and relationships: An ethnographic contribution to embodied cognition studies. Psychology of Music, 41(1), 5-17. Nussbaum, C. O. (2007). The musical representation: Meaning, ontology, and emotion. Mit Press, Cambridge MA. Orff, C., & Walter, A. (1963). The Schulwerk: Its origin and aims. Music Educators Journal, 49(5), 69-74. Palmer, C. (1997). Music performance. Annual review of psychology, 48(1), 115-138. Parise, C. V., & Spence, C. (2009). ‘When birds of a feather flock together’: Synesthetic correspondences modulate audiovisual integration in non-synesthetes. PLoS One, 4(5), e5664. Patel, A. D., Iversen, J. R., Bregman, M. R., & Schulz, I. (2009). Experimental evidence for synchronization to a musical beat in a nonhuman animal. Current biology, 19(10), 827-830.