of Everlasting Sartor Resartus: “The Everlasting No,” “Centre Indifference,” “The Yea,” “Natural Supernaturalism” CHARLES DICKENS Great Expectations GEORGE ELIOT Middlemarch MICHAEL FIELD “It was deep April” in “Nests Elms” “To Christina Rossetti” “Fellowship” “Eros” not to “Maids, you my mind doth change” “A Girl” “Unbosoming” ELIZABETH GASKELL Mary Barton THOMAS HARDY Tess of the D’Urbervilles GERARD MANLEY HOPKINS from “Spelt Sibyl’s Leaves” “Carrion Comfort” is none . . . “No worst, there “ wake and feel the fell of dark . . “I .” “The Windover” JOHN STUART MILL Chapter 2 the Liberty of On Liberty, “Of Thought & Discussion” Chapter 1 The Subjection of Women, CHRISTINA ROSSETTI Goblin Market I am dead, my “When dearest” the “In Artist’s Studio” “A Birthday” at “Sleeping Last”
Sartor Resartus: “The Everlasting No,” “Centre of Indifference,” “The Everlasting Yea,” “Natural Supernaturalism” CHARLES DICKENS Great Expectations GEORGE ELIOT Middlemarch MICHAEL FIELD “It was deep April” “Nests in Elms” “To Christina Rossetti” “Fellowship” “Eros” “Maids, not to you my mind doth change” “A Girl” “Unbosoming” ELIZABETH GASKELL Mary Barton THOMAS HARDY Tess of the D’Urbervilles GERARD MANLEY HOPKINS “Spelt from Sibyl’s Leaves” “Carrion Comfort” “No worst, there is none . . . “ “I wake and feel the fell of dark . . .” “The Windover” JOHN STUART MILL On Liberty, Chapter 2 “Of the Liberty of Thought & Discussion” The Subjection of Women, Chapter 1 CHRISTINA ROSSETTI Goblin Market “When I am dead, my dearest” “In the Artist’s Studio” “A Birthday” “Sleeping at Last”