Performance examination Minimum of two contrasting Minimum of two contrasting Candidates can perform: pieces pieces (a) one context, one instrument Warm-up/set up/tuning Warm-up/set up/tuning OR (5 minutes) (5 minutes) 1 (b) one context, two instruments 50% Option (a): 10–15 minutes Option (a): 15–20 minutes OR Options (b–d): 5–8 minutes for Options (b–d): 7–10 minutes for (c) two contexts, one instrument each instrument/context each instrument/context OR (d) two contexts, two instruments Minimum of three compositions Minimum of three compositions with a total combined time of with a total combined time of 10–15 minutes 15–20 minutes Minimum of two compositions Minimum of two compositions for an ensemble of three or for an ensemble of four or more more instruments/parts/voices instruments/parts/voices and a and a maximum of one maximum of one composition 2 Composition portfolio 50% composition for a solo for a solo instrument instrument One composition may be an One composition may be an arrangement of another arrangement of another composer’s work. This composer’s work. This composition must constitute composition must constitute less than 50% of the less than 50% of the total combined time of the portfolio combined time of the portfolio Minimum of two contrasting Minimum of two contrasting pieces pieces Warm-up/set up/tuning Warm-up/set up/tuning 25% (5 minutes) (5 minutes) Performance (a) option only Performance (a) option only (5–8 minutes) (7–10 minutes) Minimum of two compositions Minimum of two compositions Performance examination with a total combined time of with a total combined time of 5–8 minutes 7–10 minutes Minimum of one composition Minimum of one composition 3 AND for an ensemble of three or for an ensemble of four or more more instruments/parts/voices instruments/parts/voices and a and a maximum of one maximum of one composition Composition portfolio 25% composition for a solo for a solo instrument instrument One composition may be an One composition may be an arrangement of another arrangement of another composer’s work. This composer’s work. This composition must constitute composition must constitute less than 50% of the total less than 50% of the total combined time of the portfolio combined time of the portfolio
1 Performance examination Candidates can perform: (a) one context, one instrument OR (b) one context, two instruments OR (c) two contexts, one instrument OR (d) two contexts, two instruments 50% Minimum of two contrasting pieces Warm-up/set up/tuning (5 minutes) Option (a): 10–15 minutes Options (b–d): 5–8 minutes for each instrument/context Minimum of two contrasting pieces Warm-up/set up/tuning (5 minutes) Option (a): 15–20 minutes Options (b–d): 7–10 minutes for each instrument/context 2 Composition portfolio 50% Minimum of three compositions with a total combined time of 10–15 minutes Minimum of two compositions for an ensemble of three or more instruments/parts/voices and a maximum of one composition for a solo instrument One composition may be an arrangement of another composer’s work. This composition must constitute less than 50% of the total combined time of the portfolio Minimum of three compositions with a total combined time of 15–20 minutes Minimum of two compositions for an ensemble of four or more instruments/parts/voices and a maximum of one composition for a solo instrument One composition may be an arrangement of another composer’s work. This composition must constitute less than 50% of the combined time of the portfolio 3 Performance examination AND Composition portfolio 25% Minimum of two contrasting pieces Warm-up/set up/tuning (5 minutes) Performance (a) option only (5–8 minutes) Minimum of two contrasting pieces Warm-up/set up/tuning (5 minutes) Performance (a) option only (7–10 minutes) 25% Minimum of two compositions with a total combined time of 5–8 minutes Minimum of one composition for an ensemble of three or more instruments/parts/voices and a maximum of one composition for a solo instrument One composition may be an arrangement of another composer’s work. This composition must constitute less than 50% of the total combined time of the portfolio Minimum of two compositions with a total combined time of 7–10 minutes Minimum of one composition for an ensemble of four or more instruments/parts/voices and a maximum of one composition for a solo instrument One composition may be an arrangement of another composer’s work. This composition must constitute less than 50% of the total combined time of the portfolio