Jonathan Sawday, The Body Emblazoned: Dissection and the Human Body in in 10 (1998). Renaissance Culture, Medieval & Renaissance Drama in England Wolfgang Riehle, in Shakespeare, Plautus and the Humanist Tradition, Renaissance 45 (1992). Quarterly Alexander Leggatt, and Shakespeare’s Political Drama English Drama: Shakespeare in 59 (1989). to the Restoration, 1590-1660, University of Toronto Quarterly, Leonard Barkan, The Gods Made Flesh: Metamorphosis & the Pursuit of in 41 (1988). Paganism, Renaissance Quarterly John L. Murphy, and Joseph Darkness and Devils: Exorcism and King Lear Wittreich, of that Horror”: History, Prophecy, and Apocalypse in King in (West). Lear, Shakespeare Jahrbuch 1987 Papers and Seminars: Modern Time Maps.” World Shakespeare Congress, Stratford/London. August 2016. “Early Gentlemen of Padova: Gentility and Masculinity in Early Modern England.” Plenary “Four Conference on Padua Nursery of Arts’: Shakespeare and Padova 2016,” “‘Faire Università degli Studi di Padova, Italy. June, 2016. Invited Respondent, Scholars’ Workshop,” Italian Association of Shakespearean and Early Modern Studies, Catania, Italy. June, 2016. Tragedy of Genealogy: Shakespearean 1595‐1606.” Seminario di Anglistica “The e Americanistica, Università Studi di Padova, Italy. May, 2016. King’s Three Bodies: Masculine Sovereignty in Films of Shakespeare Macbeth.” “The Association of America, New Orleans, 2016. Done Cannot Be Undone: Succession and Diachronic Time in Shakespearean “What’s Tragedy.” Conference on au risque de la philosophie,” Universite de Poitiers, “Shakespeare France. February, 2016. Shakespeare Association of America, Vancouver, Canada. Gentlemen of Verona.” April, 2015. Wars of Performance and Interpretation.” Agrégation “The Love’s Labour’s Lost: Conferences in Poitiers and Toulouse (November 2014) and (February 2015), France. Full With Horrors: in the Kitchen.” International Shakespeare Association Macbeth “Supped Conference, Stratford-upon-Avon, England, August 2014.
Jonathan Sawday, The Body Emblazoned: Dissection and the Human Body in Renaissance Culture, in Medieval & Renaissance Drama in England 10 (1998). Wolfgang Riehle, Shakespeare, Plautus and the Humanist Tradition, in Renaissance Quarterly 45 (1992). Alexander Leggatt, Shakespeare’s Political Drama and English Drama: Shakespeare to the Restoration, 1590-1660, in University of Toronto Quarterly, 59 (1989). Leonard Barkan, The Gods Made Flesh: Metamorphosis & the Pursuit of Paganism, in Renaissance Quarterly 41 (1988). John L. Murphy, Darkness and Devils: Exorcism and King Lear and Joseph Wittreich, of that Horror”: History, Prophecy, and Apocalypse in King Lear, in Shakespeare Jahrbuch 1987 (West). Papers and Seminars: “Early Modern Time Maps.” World Shakespeare Congress, Stratford/London. August 2016. “Four Gentlemen of Padova: Gentility and Masculinity in Early Modern England.” Plenary Conference on “‘Faire Padua Nursery of Arts’: Shakespeare and Padova 2016,” Università degli Studi di Padova, Italy. June, 2016. Invited Respondent, Scholars’ Workshop,” Italian Association of Shakespearean and Early Modern Studies, Catania, Italy. June, 2016. “The Tragedy of Genealogy: Shakespearean 1595‐1606.” Seminario di Anglistica e Americanistica, Università Studi di Padova, Italy. May, 2016. “The King’s Three Bodies: Masculine Sovereignty in Films of Macbeth.” Shakespeare Association of America, New Orleans, 2016. “What’s Done Cannot Be Undone: Succession and Diachronic Time in Shakespearean Tragedy.” Conference on “Shakespeare au risque de la philosophie,” Universite de Poitiers, France. February, 2016. Gentlemen of Verona.” Shakespeare Association of America, Vancouver, Canada. April, 2015. “The Wars of Love’s Labour’s Lost: Performance and Interpretation.” Agrégation Conferences in Poitiers and Toulouse (November 2014) and (February 2015), France. “Supped Full With Horrors: Macbeth in the Kitchen.” International Shakespeare Association Conference, Stratford-upon-Avon, England, August 2014.