15.30-17.00 Session 3 15.30 17.30 Session 4 – Tales of horror Theatre and Opera room 103 room 104 Chairperson: prof. Joanna Kokot Chairperson: Anna Kwiatkowska, Ph.D. Eliza Gładkowska, M.A., University of Warmia Aleksandra Ożarowska, M.A., University of and Mazury Warsaw, Poland Tales or Sly Tales in Anita Brookner’s in Contemporary Light: the Challenges of “Fairy “Opera Novels” Presenting and Translating Modernised Opera Productions” Józefina Białek, University of Warmia and Ieva Rodina, M.A., University of Latvia, Latvia Mazury, Poland Transformations of William “Modernistic Father, Like Son: Comparative Analysis of Shakespeare's in Eduards Smiļģis’ Stage “Like Directing: Midsummer Night's Dream (1930) and the Literary Output of Stephen King and His Much Ado About Nothing (1931)” Son Joe Hill on the Basis of Selected Novels of Both Authors” Lauma Mellēna Bartkeviča, M.A., University of Latvia, Latvia Vesma Levalde, M.A., University of Latvia, and 21st Century Contribution of “Wagner Latvia Contemporary Opera Direction” Shakespeare’s Tragedy Hamlet in “William Oļģerts Kroders’ tage Versions: the Text and Its Interpretation” 17.45 Ars Vocale Choir, Conductor: prof. Katarzyna Bojaruniec, the Institute of Music, UWM Artistic Installation by Zbigniew Urbalewicz, MA, the Institute of Fine Arts, UWM Closing of the Conference
15.30-17.00 Session 3 Tales of horror room 103 Chairperson: prof. Joanna Kokot 15.30 – 17.30 Session 4 Theatre and Opera room 104 Chairperson: Anna Kwiatkowska, Ph.D. Eliza Gładkowska, M.A., University of Warmia and Mazury “Fairy Tales or Sly Tales in Anita Brookner’s Novels” Józefina Białek, University of Warmia and Mazury, Poland “Like Father, Like Son: Comparative Analysis of the Literary Output of Stephen King and His Son Joe Hill on the Basis of Selected Novels of Both Authors” Vesma Levalde, M.A., University of Latvia, Latvia “William Shakespeare’s Tragedy Hamlet in Oļģerts Kroders’ tage Versions: the Text and Its Interpretation” Aleksandra Ożarowska, M.A., University of Warsaw, Poland “Opera in Contemporary Light: the Challenges of Presenting and Translating Modernised Opera Productions” Ieva Rodina, M.A., University of Latvia, Latvia “Modernistic Transformations of William Shakespeare's in Eduards Smiļģis’ Stage Directing: Midsummer Night's Dream (1930) and Much Ado About Nothing (1931)” Lauma Mellēna Bartkeviča, M.A., University of Latvia, Latvia “Wagner and 21st Century Contribution of Contemporary Opera Direction” 17.45 Ars Vocale Choir, Conductor: prof. Katarzyna Bojaruniec, the Institute of Music, UWM Artistic Installation by Zbigniew Urbalewicz, MA, the Institute of Fine Arts, UWM Closing of the Conference