Alison Smith, Five: Time and (Manchester: Manchester Agnès Varda ‘Chapter Memory’, University Press, 1998). Joanne Garde-Hansen, Two: Personal, Collective, Mediated and New Memory ‘Chapter (Edinburgh: Edinburgh University Press, 2011). Media and Memory Discourse’, Joram ten Waltz with Bashir, David Killer Images: Brink, ‘Animating Trauma: Polonsky’, eds. Joram ten Brink and Documentary Film, Memory and the Performance of Violence Joshua Oppenheimer (London: Wallflower Press, 2012). Agnès Varda's Motile Gestures of Jenny Chamarette, ‘Spectral Bodies, Temporalised Spaces: Mourning and Image & Narrative 12:2 (2011) Memorial’, [http://www.imageandnarrative.be/index.php/imagenarrative/article/view/144] Suggested viewing: (USSR, 1975) Mirror (US, 1975) Grey Gardens (USA, 2000) Memento Week 10: Poetry and film / Erica Sheen + guests Screenings: (Kiarostami 1999) The Wind Will Carry Us (Jarmusch 2017) Paterson What happens when you put a camera in front of poetry? Does it steal its soul? Required reading: William Carlo and , wind will and other poems, Williams, ‘Paterson’, ‘The carry us’ Scott and Film: Cinema as Framework: The Journal of MacDonald, ‘Poetry Publication’ Vol. 47, No. 2 (2006), pp. 37- 58 Cinema and Media,
Alison Smith, ‘Chapter Five: Time and Memory’, Agnès Varda (Manchester: Manchester University Press, 1998). Joanne Garde-Hansen, ‘Chapter Two: Personal, Collective, Mediated and New Memory Discourse’, Media and Memory (Edinburgh: Edinburgh University Press, 2011). Joram ten Brink, ‘Animating Trauma: Waltz with Bashir, David Polonsky’, Killer Images: Documentary Film, Memory and the Performance of Violence eds. Joram ten Brink and Joshua Oppenheimer (London: Wallflower Press, 2012). Jenny Chamarette, ‘Spectral Bodies, Temporalised Spaces: Agnès Varda's Motile Gestures of Mourning and Memorial’, Image & Narrative 12:2 (2011) [http://www.imageandnarrative.be/index.php/imagenarrative/article/view/144] Suggested viewing: Mirror (USSR, 1975) Grey Gardens (US, 1975) Memento (USA, 2000) Week 10: Poetry and film / Erica Sheen + guests Screenings: The Wind Will Carry Us (Kiarostami 1999) Paterson (Jarmusch 2017) What happens when you put a camera in front of poetry? Does it steal its soul? Required reading: William Carlo Williams, ‘Paterson’, and , ‘The wind will carry us’ and other poems, Scott MacDonald, ‘Poetry and Film: Cinema as Publication’ Framework: The Journal of Cinema and Media, Vol. 47, No. 2 (2006), pp. 37- 58