Week 4 Art as the Subject of Literature (ut pictura poesis) In The Renaissance. Studies in Art Pater, Walter. “Leonardo da Vinci.” Berkeley: U of California P, 1980. 77-101. and Poetry. Wilde, Oscar. New York: Norton, 2006. The Picture of Dorian Gray. Week 5 Literature and Photography Moore, Marianne. “Blue Bug” Mishima, Yukio. Preface to [Ordeal by Eikoh Barakei by Roses] Hosoe. In Rabb 436-440. Literature and Photography. are in Rabb Literature and Michals, Duane. “Things Queer” 481-483. Photography In Ed. Jane M. Rabb. Tournier, Michel. “Veronica’s Shrouds.” The Short Story and Photography. 1880’s—1980’s. A Critical Albuquerque: U of New Mexico P, 1998. 234-247. Anthology. Updike, John. in the In Rabb Literature and “All Family.” 521-529. Photography Week 6 Literature, Film and Adaptation (China, cliché and Orientalism) Ray, Robert. Field of and in Film Adaptation. “The ‘Literature Film’” Ed. James Naremore. New Brunswick: Rutgers UP, 2000: 38-53. Nochlin, Linda. In Eds. Vanessa Schwartz “The Imaginary Orient.” and Jeannene M. Przyblyski. The Nineteenth-Century Visual New York: Routledge, 2004: 287-298. Culture Reader. Sartre, Jean-Paul. Preface to by Henri D’Une Chine à l’Autre Cartier-Bresson. In Rabb 384-387. Literature and Photography. Primary texts: (Josef von Sternberg, 1932); Shanghai Express The (1960, Richard Quine; excerpts) World of Suzie Wong Week 7 Modernism: The Collage Novel & Concrete Poetry Post-modernism: Pastiche & Parody Ernst, Max. Une Semaine de Bonté. A Surrealist Novel in Collage. New York: Dover: 1976. Ballard, J. G. New York: Re/Search, 1990. The Atrocity Exhibition. Week 8 The Graphic Novel (background; realism and fantasy) Eisner, Will. New York: Norton, 2005. A Contract with God Trilogy. Week 9 The Graphic Novel (history and trauma)
Week 4 Art as the Subject of Literature (ut pictura poesis) Pater, Walter. “Leonardo da Vinci.” In The Renaissance. Studies in Art and Poetry. Berkeley: U of California P, 1980. 77-101. Wilde, Oscar. The Picture of Dorian Gray. New York: Norton, 2006. Week 5 Literature and Photography Moore, Marianne. “Blue Bug” Mishima, Yukio. Preface to Barakei [Ordeal by Roses] by Eikoh Hosoe. In Rabb Literature and Photography. 436-440. Michals, Duane. “Things are Queer” in Rabb Literature and Photography 481-483. Tournier, Michel. “Veronica’s Shrouds.” In Ed. Jane M. Rabb. The Short Story and Photography. 1880’s—1980’s. A Critical Anthology. Albuquerque: U of New Mexico P, 1998. 234-247. Updike, John. “All in the Family.” In Rabb Literature and Photography 521-529. Week 6 Literature, Film and Adaptation (China, cliché and Orientalism) Ray, Robert. “The Field of ‘Literature and Film’” in Film Adaptation. Ed. James Naremore. New Brunswick: Rutgers UP, 2000: 38-53. Nochlin, Linda. “The Imaginary Orient.” In Eds. Vanessa Schwartz and Jeannene M. Przyblyski. The Nineteenth-Century Visual Culture Reader. New York: Routledge, 2004: 287-298. Sartre, Jean-Paul. Preface to D’Une Chine à l’Autre by Henri Cartier-Bresson. In Rabb Literature and Photography. 384-387. Primary texts: Shanghai Express (Josef von Sternberg, 1932); The World of Suzie Wong (1960, Richard Quine; excerpts) Week 7 Modernism: The Collage Novel & Concrete Poetry Post-modernism: Pastiche & Parody Ernst, Max. Une Semaine de Bonté. A Surrealist Novel in Collage. New York: Dover: 1976. Ballard, J. G. The Atrocity Exhibition. New York: Re/Search, 1990. Week 8 The Graphic Novel (background; realism and fantasy) Eisner, Will. A Contract with God Trilogy. New York: Norton, 2005. Week 9 The Graphic Novel (history and trauma)