After the war he took up painting again, but we no longer see the youthful abandon of the works he painted in Hsinchu. Instead, he expresses the horror of war and his unbreakable hope for humankind.
戰後再提起畫筆時，不見在故鄉時的青春奔放，而是對戰爭的痛惡及對人性不放棄的期望。