<s>[INST] I believe there is a second bridge parallel to the original and existing Golden gate theatre area bridge and part of this second bridge structure below it looks to be a very high concentrator of steel layers all pointing towards the central areas.  I assume this is for structural integrity, but I believe I would prefer the original design for reasons related to its noise production characteristics.   Observations or questions pop into my mind such as:   1) Could the second design make any considerable difference in increasing the wind loads and stress imposed upon the "painting" and the ( paint-film ) longevity at high speed wind, large combined weight areas,ニニFor me, thoughts about noise are more interesting,  2) I wander if the design of the 2nd bridge would help to enlarge any modal frequencies versus the original which might be needed to get a longer or a doppler shifting crosswind sound or chorus in regard to analyze the different metal induced sound pattern difference depending on different wind directions with differing frequencies.  Bring these ideas and looks more into focus, please, and give me an all-around idea of the design constructs that was developed into half or the whole of making/sound pattern attributes come from inside this particular ( withstood ) structure's formation.
 
The question that seems to ask without directly asking it is: Can we narrow down and identify which specific design aspects of Golden Gate Bridge that you believe is contributing to its unique sonorous character, particularly in regards to wind-generated sound patterns?[/INST]