<s>[INST] Write a short story about Lin-Manuel Miranda, creator of Hamilton, to illustrate the concept of political theatre and its potential power.
It was 2015, and Lin-Manuel Miranda was on top of the world. His musical In the Heights had cemented its place as a Broadway hit, and he was riding high on critical acclaim. But Miranda had bigger aspirations. He wanted to use theatre as a tool for social commentary and to challenge the status quo.
One day, while rummaging through his bookshelf, Miranda stumbled upon Ron Chernow's biography of American founding father Alexander Hamilton. As he delved into the book, he became fascinated by the immigrant story of Hamilton, who rose from lowly beginnings to become one of America's most influential politicians. Miranda saw parallels between Hamilton's journey and those of contemporary immigrants and minorities.
Inspired by Chernow's biography, Miranda began writing the book and lyrics for the musical Hamilton. He poured his heart and soul into the project, drawing on his own experiences as a Latino-American and observing the tumultuous state of American politics during the 2016 election.
Hamilton debuted on Broadway in 2015 to sold-out crowds and critical acclaim. Its innovative blend of hip-hop, jazz, and traditional show tunes electrified audiences, making it an instant classic. But more significantly, Hamilton became a cultural phenomenon, sparking conversations about themes beyond the theatre.

Miranda took his creation to Washington D.C., where he performed at the White House for President Barack Obama and his family. The event was a struck chord on the national stage: here was a story that reflected America's complexities, the promise of the American Dream, and the impediments that stood in its way. At the same time, it ignited heated debates about the role of White America in Indigenous Peoples' struggles, discussed nuances within ethnic identity, and echoed solidarity with all marginalized communities.

As a result, people across America rallied behind the theatre production in recognition of their stories being told, loudly voicing their outrage at many years of official injustices. Protest marches rose and idle pursuits converged. Artists painted walls in trending hashtags and Twitter equally commemorated heart vexations of empathy. Suddenly, #HamiltonForAll conversations started cropping up across Twitter, advocating making theatre universally accessible through greater scholarship schemes and broader ticket distribution.

From there, the ripple effect resonated globally, shifting discussions from politics to visibility, expanding imaginative awareness. Culture in a reclaimed era throbs resonantly for outreach social engagement, uniting sources, stories requiring recognition and space.

How would you revise this passage to create a better illustration of the concept of political theatre and its potential power?[/INST]