Chapter: I remained awhile at the top of the stair, but with the effect presently
of understanding that when my visitor had gone, he had gone: then I
returned to my room. The foremost thing I saw there by the light of the
candle I had left burning was that Flora's little bed was empty; and on
this I caught my breath with all the terror that, five minutes before,
I had been able to resist. I dashed at the place in which I had left her
lying and over which (for the small silk counterpane and the sheets were
disarranged) the white curtains had been deceivingly pulled forward;
then my step, to my unutterable relief, produced an answering sound: I
perceived an agitation of the window blind, and the child, ducking down,
emerged rosily from the other side of it. She stood there in so much of
her candor and so little of her nightgown, with her pink bare feet and
the golden glow of her curls. She looked intensely grave, and I had
never had such a sense of losing an advantage acquired (the thrill
of which had just been so prodigious) as on my consciousness that
she addressed me with a reproach. "You naughty: where HAVE you
been?"--instead of challenging her own irregularity I found myself
arraigned and explaining. She herself explained, for that matter, with
the loveliest, eagerest simplicity. She had known suddenly, as she lay
there, that I was out of the room, and had jumped up to see what had
become of me. I had dropped, with the joy of her reappearance, back
into my chair--feeling then, and then only, a little faint; and she had
pattered straight over to me, thrown herself upon my knee, given herself
to be held with the flame of the candle full in the wonderful little
face that was still flushed with sleep. I remember closing my eyes an
instant, yieldingly, consciously, as before the excess of something
beautiful that shone out of the blue of her own. "You were looking for
me out of the window?" I said. "You thought I might be walking in the
grounds?"

"Well, you know, I thought someone was"--she never blanched as she
smiled out that at me.

Oh, how I looked at her now! "And did you see anyone?"

"Ah, NO!" she returned, almost with the full privilege of childish
inconsequence, resentfully, though with a long sweetness in her little
drawl of the negative.

At that moment, in the state of my nerves, I absolutely believed she
lied; and if I once more closed my eyes it was before the dazzle of the
three or four possible ways in which I might take this up. One of these,
for a moment, tempted me with such singular intensity that, to withstand
it, I must have gripped my little girl with a spasm that, wonderfully,
she submitted to without a cry or a sign of fright. Why not break out
at her on the spot and have it all over?--give it to her straight in her
lovely little lighted face? "You see, you see, you KNOW that you do and
that you already quite suspect I believe it; therefore, why not frankly
confess it to me, so that we may at least live with it together and
learn perhaps, in the strangeness of our fate, where we are and what
it means?" This solicitation dropped, alas, as it came: if I could
immediately have succumbed to it I might have spared myself--well,
you'll see what. Instead of succumbing I sprang again to my feet,
looked at her bed, and took a helpless middle way. "Why did you pull the
curtain over the place to make me think you were still there?"

Flora luminously considered; after which, with her little divine smile:
"Because I don't like to frighten you!"

"But if I had, by your idea, gone out--?"

She absolutely declined to be puzzled; she turned her eyes to the flame
of the candle as if the question were as irrelevant, or at any rate as
impersonal, as Mrs. Marcet or nine-times-nine. "Oh, but you know," she
quite adequately answered, "that you might come back, you dear, and that
you HAVE!" And after a little, when she had got into bed, I had, for a
long time, by almost sitting on her to hold her hand, to prove that I
recognized the pertinence of my return.

You may imagine the general complexion, from that moment, of my nights.
I repeatedly sat up till I didn't know when; I selected moments when my
roommate unmistakably slept, and, stealing out, took noiseless turns in
the passage and even pushed as far as to where I had last met Quint. But
I never met him there again; and I may as well say at once that I on no
other occasion saw him in the house. I just missed, on the staircase,
on the other hand, a different adventure. Looking down it from the top I
once recognized the presence of a woman seated on one of the lower steps
with her back presented to me, her body half-bowed and her head, in an
attitude of woe, in her hands. I had been there but an instant, however,
when she vanished without looking round at me. I knew, nonetheless,
exactly what dreadful face she had to show; and I wondered whether, if
instead of being above I had been below, I should have had, for going
up, the same nerve I had lately shown Quint. Well, there continued to
be plenty of chance for nerve. On the eleventh night after my latest
encounter with that gentleman--they were all numbered now--I had an
alarm that perilously skirted it and that indeed, from the particular
quality of its unexpectedness, proved quite my sharpest shock. It was
precisely the first night during this series that, weary with watching,
I had felt that I might again without laxity lay myself down at my
old hour. I slept immediately and, as I afterward knew, till about one
o'clock; but when I woke it was to sit straight up, as completely roused
as if a hand had shook me. I had left a light burning, but it was now
out, and I felt an instant certainty that Flora had extinguished it.
This brought me to my feet and straight, in the darkness, to her bed,
which I found she had left. A glance at the window enlightened me
further, and the striking of a match completed the picture.

The child had again got up--this time blowing out the taper, and had
again, for some purpose of observation or response, squeezed in behind
the blind and was peering out into the night. That she now saw--as she
had not, I had satisfied myself, the previous time--was proved to me by
the fact that she was disturbed neither by my reillumination nor by the
haste I made to get into slippers and into a wrap. Hidden, protected,
absorbed, she evidently rested on the sill--the casement opened
forward--and gave herself up. There was a great still moon to help her,
and this fact had counted in my quick decision. She was face to face
with the apparition we had met at the lake, and could now communicate
with it as she had not then been able to do. What I, on my side, had to
care for was, without disturbing her, to reach, from the corridor, some
other window in the same quarter. I got to the door without her hearing
me; I got out of it, closed it, and listened, from the other side, for
some sound from her. While I stood in the passage I had my eyes on her
brother's door, which was but ten steps off and which, indescribably,
produced in me a renewal of the strange impulse that I lately spoke
of as my temptation. What if I should go straight in and march to HIS
window?--what if, by risking to his boyish bewilderment a revelation of
my motive, I should throw across the rest of the mystery the long halter
of my boldness?

This thought held me sufficiently to make me cross to his threshold and
pause again. I preternaturally listened; I figured to myself what might
portentously be; I wondered if his bed were also empty and he too were
secretly at watch. It was a deep, soundless minute, at the end of which
my impulse failed. He was quiet; he might be innocent; the risk was
hideous; I turned away. There was a figure in the grounds--a figure
prowling for a sight, the visitor with whom Flora was engaged; but it
was not the visitor most concerned with my boy. I hesitated afresh, but
on other grounds and only for a few seconds; then I had made my choice.
There were empty rooms at Bly, and it was only a question of choosing
the right one. The right one suddenly presented itself to me as the
lower one--though high above the gardens--in the solid corner of the
house that I have spoken of as the old tower. This was a large, square
chamber, arranged with some state as a bedroom, the extravagant size of
which made it so inconvenient that it had not for years, though kept by
Mrs. Grose in exemplary order, been occupied. I had often admired it and
I knew my way about in it; I had only, after just faltering at the first
chill gloom of its disuse, to pass across it and unbolt as quietly as I
could one of the shutters. Achieving this transit, I uncovered the
glass without a sound and, applying my face to the pane, was able, the
darkness without being much less than within, to see that I commanded
the right direction. Then I saw something more. The moon made the
night extraordinarily penetrable and showed me on the lawn a person,
diminished by distance, who stood there motionless and as if fascinated,
looking up to where I had appeared--looking, that is, not so much
straight at me as at something that was apparently above me. There was
clearly another person above me--there was a person on the tower; but
the presence on the lawn was not in the least what I had conceived and
had confidently hurried to meet. The presence on the lawn--I felt sick
as I made it out--was poor little Miles himself.

 The governess returns to her room and sees that though its curtains are closed, Flora's bed is empty. She gives into her terror and tears at the bed sheets. Finally, she sees movement behind the curtain covering the window, and Flora emerges from behind it. Before the governess can confront the child, Flora calls her naughty and demands to know where she was. Flora herself explains that knowing the governess was gone, she went to the window to look for her but saw no one out there. At that moment, the governess grasps the child tightly and is tempted to demand a confession from her. Instead, she asks why Flora closed the bed curtain, and the girl says she did not want to frighten her if she returned. In the nights after that, the governess sits up late and often walks around the halls. One night, she comes to the stairs and sees a woman sitting below, her back to the governess, holding her head in her hands as if she is upset. The woman then vanishes. On the eleventh night since she last saw Quint, the governess goes to bed on time but wakes up suddenly at one o'clock. The candle she had left burning has been blown out, she thinks by Flora. Once again, Flora is hiding behind the curtain, looking out the window, and she does not notice as the governess leaves the room. Out in the hall, the governess searches for a room from which to look out and see what Flora sees. She is tempted to go into Miles's room, look out his window, and shock him into telling her the truth, but she decides not to, since he "might be innocent. Also, the ghost she believes is outside is concerned with Flora, not Miles. Instead, the governess finally decides to enter a large empty room on the first floor. She quietly opens the window. The moon makes the grounds outside quite visible, and on the ground, she sees a figure looking up at a window above her. She feels sick to realize that the figure is Miles.

