Chapter: ACT I  SCENE I

  MADAME PERNELLE and FLIPOTTE, her servant; ELMIRE, MARIANE, CLEANTE,
  DAMIS, DORINE


  MADAME PERNELLE
  Come, come, Flipotte, and let me get away.

  ELMIRE
  You hurry so, I hardly can attend you.

  MADAME PERNELLE
  Then don't, my daughter-in law. Stay where you are.
  I can dispense with your polite attentions.

  ELMIRE
  We're only paying what is due you, mother.
  Why must you go away in such a hurry?

  MADAME PERNELLE
  Because I can't endure your carryings-on,
  And no one takes the slightest pains to please me.
  I leave your house, I tell you, quite disgusted;
  You do the opposite of my instructions;
  You've no respect for anything; each one
  Must have his say; it's perfect pandemonium.

  DORINE
  If ...

  MADAME PERNELLE
  You're a servant wench, my girl, and much
  Too full of gab, and too impertinent
  And free with your advice on all occasions.

  DAMIS
  But ...

  MADAME PERNELLE
  You're a fool, my boy--f, o, o, l
  Just spells your name. Let grandma tell you that
  I've said a hundred times to my poor son,
  Your father, that you'd never come to good
  Or give him anything but plague and torment.

  MARIANE
  I think ...

  MADAME PERNELLE
  O dearie me, his little sister!
  You're all demureness, butter wouldn't melt
  In your mouth, one would think to look at you.
  Still waters, though, they say ... you know the proverb;
  And I don't like your doings on the sly.

  ELMIRE
  But, mother ...

  MADAME PERNELLE
  Daughter, by your leave, your conduct
  In everything is altogether wrong;
  You ought to set a good example for 'em;
  Their dear departed mother did much better.
  You are extravagant; and it offends me,
  To see you always decked out like a princess.
  A woman who would please her husband's eyes
  Alone, wants no such wealth of fineries.

  CLEANTE
  But, madam, after all ...

  MADAME PERNELLE
  Sir, as for you,
  The lady's brother, I esteem you highly,
  Love and respect you. But, sir, all the same,
  If I were in my son's, her husband's, place,
  I'd urgently entreat you not to come
  Within our doors. You preach a way of living
  That decent people cannot tolerate.
  I'm rather frank with you; but that's my way--
  I don't mince matters, when I mean a thing.

  DAMIS
  Mr. Tartuffe, your friend, is mighty lucky ...

  MADAME PERNELLE
  He is a holy man, and must be heeded;
  I can't endure, with any show of patience,
  To hear a scatterbrains like you attack him.

  DAMIS
  What! Shall I let a bigot criticaster
  Come and usurp a tyrant's power here?
  And shall we never dare amuse ourselves
  Till this fine gentleman deigns to consent?

  DORINE
  If we must hark to him, and heed his maxims,
  There's not a thing we do but what's a crime;
  He censures everything, this zealous carper.

  MADAME PERNELLE
  And all he censures is well censured, too.
  He wants to guide you on the way to heaven;
  My son should train you all to love him well.

  DAMIS
  No, madam, look you, nothing--not my father
  Nor anything--can make me tolerate him.
  I should belie my feelings not to say so.
  His actions rouse my wrath at every turn;
  And I foresee that there must come of it
  An open rupture with this sneaking scoundrel.

  DORINE
  Besides, 'tis downright scandalous to see
  This unknown upstart master of the house--
  This vagabond, who hadn't, when he came,
  Shoes to his feet, or clothing worth six farthings,
  And who so far forgets his place, as now
  To censure everything, and rule the roost!

  MADAME PERNELLE
  Eh! Mercy sakes alive! Things would go better
  If all were governed by his pious orders.

  DORINE
  He passes for a saint in your opinion.
  In fact, he's nothing but a hypocrite.

  MADAME PERNELLE
  Just listen to her tongue!

  DORINE
  I wouldn't trust him,
  Nor yet his Lawrence, without bonds and surety.

  MADAME PERNELLE
  I don't know what the servant's character
  May be; but I can guarantee the master
  A holy man. You hate him and reject him
  Because he tells home truths to all of you.
  'Tis sin alone that moves his heart to anger,
  And heaven's interest is his only motive.

  DORINE
  Of course. But why, especially of late,
  Can he let nobody come near the house?
  Is heaven offended at a civil call
  That he should make so great a fuss about it?
  I'll tell you, if you like, just what I think;
  (Pointing to Elmire)
  Upon my word, he's jealous of our mistress.

  MADAME PERNELLE
  You hold your tongue, and think what you are saying.
  He's not alone in censuring these visits;
  The turmoil that attends your sort of people,
  Their carriages forever at the door,
  And all their noisy footmen, flocked together,
  Annoy the neighbourhood, and raise a scandal.
  I'd gladly think there's nothing really wrong;
  But it makes talk; and that's not as it should be.

  CLEANTE
  Eh! madam, can you hope to keep folk's tongues
  From wagging? It would be a grievous thing
  If, for the fear of idle talk about us,
  We had to sacrifice our friends. No, no;
  Even if we could bring ourselves to do it,
  Think you that everyone would then be silenced?
  Against backbiting there is no defence
  So let us try to live in innocence,
  To silly tattle pay no heed at all,
  And leave the gossips free to vent their gall.

  DORINE
  Our neighbour Daphne, and her little husband,
  Must be the ones who slander us, I'm thinking.
  Those whose own conduct's most ridiculous,
  Are always quickest to speak ill of others;
  They never fail to seize at once upon
  The slightest hint of any love affair,
  And spread the news of it with glee, and give it
  The character they'd have the world believe in.
  By others' actions, painted in their colours,
  They hope to justify their own; they think,
  In the false hope of some resemblance, either
  To make their own intrigues seem innocent,
  Or else to make their neighbours share the blame
  Which they are loaded with by everybody.

  MADAME PERNELLE
  These arguments are nothing to the purpose.
  Orante, we all know, lives a perfect life;
  Her thoughts are all of heaven; and I have heard
  That she condemns the company you keep.

  DORINE
  O admirable pattern! Virtuous dame!
  She lives the model of austerity;
  But age has brought this piety upon her,
  And she's a prude, now she can't help herself.
  As long as she could capture men's attentions
  She made the most of her advantages;
  But, now she sees her beauty vanishing,
  She wants to leave the world, that's leaving her,
  And in the specious veil of haughty virtue
  She'd hide the weakness of her worn-out charms.
  That is the way with all your old coquettes;
  They find it hard to see their lovers leave 'em;
  And thus abandoned, their forlorn estate
  Can find no occupation but a prude's.
  These pious dames, in their austerity,
  Must carp at everything, and pardon nothing.
  They loudly blame their neighbours' way of living,
  Not for religion's sake, but out of envy,
  Because they can't endure to see another
  Enjoy the pleasures age has weaned them from.

  MADAME PERNELLE (to Elmire)
  There! That's the kind of rigmarole to please you,
  Daughter-in-law. One never has a chance
  To get a word in edgewise, at your house,
  Because this lady holds the floor all day;
  But none the less, I mean to have my say, too.
  I tell you that my son did nothing wiser
  In all his life, than take this godly man
  Into his household; heaven sent him here,
  In your great need, to make you all repent;
  For your salvation, you must hearken to him;
  He censures nothing but deserves his censure.
  These visits, these assemblies, and these balls,
  Are all inventions of the evil spirit.
  You never hear a word of godliness
  At them--but idle cackle, nonsense, flimflam.
  Our neighbour often comes in for a share,
  The talk flies fast, and scandal fills the air;
  It makes a sober person's head go round,
  At these assemblies, just to hear the sound
  Of so much gab, with not a word to say;
  And as a learned man remarked one day
  Most aptly, 'tis the Tower of Babylon,
  Where all, beyond all limit, babble on.
  And just to tell you how this point came in ...

  (To Cleante)
  So! Now the gentlemen must snicker, must he?
  Go find fools like yourself to make you laugh
  And don't ...

  (To Elmire)
  Daughter, good-bye; not one word more.
  As for this house, I leave the half unsaid;
  But I shan't soon set foot in it again,

  (Cuffing Flipotte)
  Come, you! What makes you dream and stand agape,
  Hussy! I'll warm your ears in proper shape!
  March, trollop, march!




SCENE II

  CLEANTE, DORINE


  CLEANTE
  I won't escort her down,
  For fear she might fall foul of me again;
  The good old lady ...

  DORINE
  Bless us! What a pity
  She shouldn't hear the way you speak of her!
  She'd surely tell you you're too "good" by half,
  And that she's not so "old" as all that, neither!

  CLEANTE
  How she got angry with us all for nothing!
  And how she seems possessed with her Tartuffe!

  DORINE
  Her case is nothing, though, beside her son's!
  To see him, you would say he's ten times worse!
  His conduct in our late unpleasantness [1]
  Had won him much esteem, and proved his courage
  In service of his king; but now he's like
  A man besotted, since he's been so taken
  With this Tartuffe. He calls him brother, loves him
  A hundred times as much as mother, son,
  Daughter, and wife. He tells him all his secrets
  And lets him guide his acts, and rule his conscience.
  He fondles and embraces him; a sweetheart
  Could not, I think, be loved more tenderly;
  At table he must have the seat of honour,
  While with delight our master sees him eat
  As much as six men could; we must give up
  The choicest tidbits to him; if he belches,
  ('tis a servant speaking) [2]
  Master exclaims: "God bless you!"--Oh, he dotes
  Upon him! he's his universe, his hero;
  He's lost in constant admiration, quotes him
  On all occasions, takes his trifling acts
  For wonders, and his words for oracles.
  The fellow knows his dupe, and makes the most on't,
  He fools him with a hundred masks of virtue,
  Gets money from him all the time by canting,
  And takes upon himself to carp at us.
  Even his silly coxcomb of a lackey
  Makes it his business to instruct us too;
  He comes with rolling eyes to preach at us,
  And throws away our ribbons, rouge, and patches.
  The wretch, the other day, tore up a kerchief
  That he had found, pressed in the _Golden Legend_,
  Calling it a horrid crime for us to mingle
  The devil's finery with holy things.

  [Footnote 1: Referring to the rebellion called La Fronde, during the
  minority of Louis XIV.]

  [Footnote 2: Moliere's note, inserted in the text of all the old
  editions. It is a curious illustration of the desire for uniformity
  and dignity of style in dramatic verse of the seventeenth century,
  that Moliere feels called on to apologize for a touch of realism like
  this. Indeed, these lines were even omitted when the play was given.]




SCENE III

  ELMIRE, MARIANE, DAMIS, CLEANTE, DORINE


  ELMIRE (to Cleante)
  You're very lucky to have missed the speech
  She gave us at the door. I see my husband
  Is home again. He hasn't seen me yet,
  So I'll go up and wait till he comes in.

  CLEANTE
  And I, to save time, will await him here;
  I'll merely say good-morning, and be gone.




SCENE IV

  CLEANTE, DAMIS, DORINE

  DAMIS
  I wish you'd say a word to him about
  My sister's marriage; I suspect Tartuffe
  Opposes it, and puts my father up
  To all these wretched shifts. You know, besides,
  How nearly I'm concerned in it myself;
  If love unites my sister and Valere,
  I love his sister too; and if this marriage
  Were to ...

  DORINE
  He's coming.




SCENE V

  ORGON, CLEANTE, DORINE


  ORGON
  Ah! Good morning, brother.

  CLEANTE
  I was just going, but am glad to greet you.
  Things are not far advanced yet, in the country?

  ORGON
  Dorine ...

  (To Cleante)
  Just wait a bit, please, brother-in-law.
  Let me allay my first anxiety
  By asking news about the family.

  (To Dorine)
  Has everything gone well these last two days?
  What's happening? And how is everybody?

  DORINE
  Madam had fever, and a splitting headache
  Day before yesterday, all day and evening.

  ORGON
  And how about Tartuffe?

  DORINE
  Tartuffe? He's well;
  He's mighty well; stout, fat, fair, rosy-lipped.

  ORGON
  Poor man!

  DORINE
  At evening she had nausea
  And couldn't touch a single thing for supper,
  Her headache still was so severe.

  ORGON
  And how
  About Tartuffe?

  DORINE
  He supped alone, before her,
  And unctuously ate up two partridges,
  As well as half a leg o' mutton, deviled.

  ORGON
  Poor man!

  DORINE
  All night she couldn't get a wink
  Of sleep, the fever racked her so; and we
  Had to sit up with her till daylight.

  ORGON
  How
  About Tartuffe?

  DORINE
  Gently inclined to slumber,
  He left the table, went into his room,
  Got himself straight into a good warm bed,
  And slept quite undisturbed until next morning.

  ORGON
  Poor man!

  DORINE
  At last she let us all persuade her,
  And got up courage to be bled; and then
  She was relieved at once.

  ORGON
  And how about
  Tartuffe?

  DORINE
  He plucked up courage properly,
  Bravely entrenched his soul against all evils,
  And to replace the blood that she had lost,
  He drank at breakfast four huge draughts of wine.

  ORGON
  Poor man!

  DORINE
  So now they both are doing well;
  And I'll go straightway and inform my mistress
  How pleased you are at her recovery.




SCENE VI

  ORGON, CLEANTE


  CLEANTE
  Brother, she ridicules you to your face;
  And I, though I don't want to make you angry,
  Must tell you candidly that she's quite right.
  Was such infatuation ever heard of?
  And can a man to-day have charms to make you
  Forget all else, relieve his poverty,
  Give him a home, and then ... ?

  ORGON
  Stop there, good brother,
  You do not know the man you're speaking of.

  CLEANTE
  Since you will have it so, I do not know him;
  But after all, to tell what sort of man
  He is ...

  ORGON
  Dear brother, you'd be charmed to know him;
  Your raptures over him would have no end.
  He is a man ... who ... ah! ... in fact ...a man
  Whoever does his will, knows perfect peace,
  And counts the whole world else, as so much dung.
  His converse has transformed me quite; he weans
  My heart from every friendship, teaches me
  To have no love for anything on earth;
  And I could see my brother, children, mother,
  And wife, all die, and never care--a snap.

  CLEANTE
  Your feelings are humane, I must say, brother!

  ORGON
  Ah! If you'd seen him, as I saw him first,
  You would have loved him just as much as I.
  He came to church each day, with contrite mien,
  Kneeled, on both knees, right opposite my place,
  And drew the eyes of all the congregation,
  To watch the fervour of his prayers to heaven;
  With deep-drawn sighs and great ejaculations,
  He humbly kissed the earth at every moment;
  And when I left the church, he ran before me
  To give me holy water at the door.
  I learned his poverty, and who he was,
  By questioning his servant, who is like him,
  And gave him gifts; but in his modesty
  He always wanted to return a part.
  "It is too much," he'd say, "too much by half;
  I am not worthy of your pity." Then,
  When I refused to take it back, he'd go,
  Before my eyes, and give it to the poor.
  At length heaven bade me take him to my home,
  And since that day, all seems to prosper here.
  He censures everything, and for my sake
  He even takes great interest in my wife;
  He lets me know who ogles her, and seems
  Six times as jealous as I am myself.
  You'd not believe how far his zeal can go:
  He calls himself a sinner just for trifles;
  The merest nothing is enough to shock him;
  So much so, that the other day I heard him
  Accuse himself for having, while at prayer,
  In too much anger caught and killed a flea.

  CLEANTE
  Zounds, brother, you are mad, I think! Or else
  You're making sport of me, with such a speech.
  What are you driving at with all this nonsense ... ?

  ORGON
  Brother, your language smacks of atheism;
  And I suspect your soul's a little tainted
  Therewith. I've preached to you a score of times
  That you'll draw down some judgment on your head.

  CLEANTE
  That is the usual strain of all your kind;
  They must have every one as blind as they.
  They call you atheist if you have good eyes;
  And if you don't adore their vain grimaces,
  You've neither faith nor care for sacred things.
  No, no; such talk can't frighten me; I know
  What I am saying; heaven sees my heart.
  We're not the dupes of all your canting mummers;
  There are false heroes--and false devotees;
  And as true heroes never are the ones
  Who make much noise about their deeds of honour,
  Just so true devotees, whom we should follow,
  Are not the ones who make so much vain show.
  What! Will you find no difference between
  Hypocrisy and genuine devoutness?
  And will you treat them both alike, and pay
  The self-same honour both to masks and faces
  Set artifice beside sincerity,
  Confuse the semblance with reality,
  Esteem a phantom like a living person,
  And counterfeit as good as honest coin?
  Men, for the most part, are strange creatures, truly!
  You never find them keep the golden mean;
  The limits of good sense, too narrow for them,
  Must always be passed by, in each direction;
  They often spoil the noblest things, because
  They go too far, and push them to extremes.
  I merely say this by the way, good brother.

  ORGON
  You are the sole expounder of the doctrine;
  Wisdom shall die with you, no doubt, good brother,
  You are the only wise, the sole enlightened,
  The oracle, the Cato, of our age.
  All men, compared to you, are downright fools.

  CLEANTE
  I'm not the sole expounder of the doctrine,
  And wisdom shall not die with me, good brother.
  But this I know, though it be all my knowledge,
  That there's a difference 'twixt false and true.
  And as I find no kind of hero more
  To be admired than men of true religion,
  Nothing more noble or more beautiful
  Than is the holy zeal of true devoutness;
  Just so I think there's naught more odious
  Than whited sepulchres of outward unction,
  Those barefaced charlatans, those hireling zealots,
  Whose sacrilegious, treacherous pretence
  Deceives at will, and with impunity
  Makes mockery of all that men hold sacred;
  Men who, enslaved to selfish interests,
  Make trade and merchandise of godliness,
  And try to purchase influence and office
  With false eye-rollings and affected raptures;
  Those men, I say, who with uncommon zeal
  Seek their own fortunes on the road to heaven;
  Who, skilled in prayer, have always much to ask,
  And live at court to preach retirement;
  Who reconcile religion with their vices,
  Are quick to anger, vengeful, faithless, tricky,
  And, to destroy a man, will have the boldness
  To call their private grudge the cause of heaven;
  All the more dangerous, since in their anger
  They use against us weapons men revere,
  And since they make the world applaud their passion,
  And seek to stab us with a sacred sword.
  There are too many of this canting kind.
  Still, the sincere are easy to distinguish;
  And many splendid patterns may be found,
  In our own time, before our very eyes
  Look at Ariston, Periandre, Oronte,
  Alcidamas, Clitandre, and Polydore;
  No one denies their claim to true religion;
  Yet they're no braggadocios of virtue,
  They do not make insufferable display,
  And their religion's human, tractable;
  They are not always judging all our actions,
  They'd think such judgment savoured of presumption;
  And, leaving pride of words to other men,
  'Tis by their deeds alone they censure ours.
  Evil appearances find little credit
  With them; they even incline to think the best
  Of others. No caballers, no intriguers,
  They mind the business of their own right living.
  They don't attack a sinner tooth and nail,
  For sin's the only object of their hatred;
  Nor are they over-zealous to attempt
  Far more in heaven's behalf than heaven would have 'em.
  That is my kind of man, that is true living,
  That is the pattern we should set ourselves.
  Your fellow was not fashioned on this model;
  You're quite sincere in boasting of his zeal;
  But you're deceived, I think, by false pretences.

  ORGON
  My dear good brother-in-law, have you quite done?

  CLEANTE
  Yes.

  ORGON
  I'm your humble servant.

  (Starts to go.)

  CLEANTE
  Just a word.
  We'll drop that other subject. But you know
  Valere has had the promise of your daughter.

  ORGON
  Yes.

  CLEANTE
  You had named the happy day.

  ORGON
  'Tis true.

  CLEANTE
  Then why put off the celebration of it?

  ORGON
  I can't say.

  CLEANTE
  Can you have some other plan
  In mind?

  ORGON
  Perhaps.

  CLEANTE
  You mean to break your word?

  ORGON
  I don't say that.

  CLEANTE
  I hope no obstacle
  Can keep you from performing what you've promised.

  ORGON
  Well, that depends.

  CLEANTE
  Why must you beat about?
  Valere has sent me here to settle matters.

  ORGON
  Heaven be praised!

  CLEANTE
  What answer shall I take him?

  ORGON
  Why, anything you please.

  CLEANTE
  But we must know
  Your plans. What are they?

  ORGON
  I shall do the will
  Of Heaven.

  CLEANTE
  Come, be serious. You've given
  Your promise to Valere. Now will you keep it?

  ORGON
  Good-bye.

  CLEANTE (alone)
  His love, methinks, has much to fear;
  I must go let him know what's happening here.

 The entire play is set in Orgon and Elmire's home. At opening, Madame Pernelle, Orgon's mother, is preparing to flamboyantly leave the house. She calls for her servant, Flipote, insisting they must leave immediately. When her daughter-in-law Elmire asks why she is so insistent, Madame Pernelle attacks the family for being immoral, and interrupts all three of the younger people - her grandson Damis, her granddaughter Mariane, and Mariane's servant Dorine - when they try to argue. Madame Pernelle insists that Elmire dresses herself too finely, and that she has corrupted her children. Cleante, Elmire's brother, also tries to speak, but is interrupted. When Damis mentions Tartuffe, Madame Pernelle sniffs that they ought to pay more attention to him. Damis argues that Tartuffe is only a "trickster" who has banned all fun from the house, and fooled his father Orgon into compliance with his wishes. His grandmother counters that the virtuous Tartuffe is merely modeling for them the path to heaven, while they stupidly accuse him of hypocrisy. Dorine tries to argue, suggesting that both Tartuffe and his servant Laurent are cads. Madame Pernelle counters that she does not know Laurent, and then claims that neighbors have begun to gossip about the noise and chatter created by the house's many visitors. Cleante suggests that it is natural for neighbors to gossip, and Dorine blames one particular neighbor, a bitter old spinster who judges others to assuage the pain of her faded beauty, for the brunt of the gossip. Madame Pernelle rebukes Elmire over her uppity servant, and comments that her son Orgon "has done more than wise / In welcoming this man who's so devout." After admonishing the family once more, she and Flipote exit the house. Scenes II-V While Elmire and the children see Madame Pernelle to the door, Cleante and Dorine continue speaking on stage. Dorine laments how Orgon, once sane and measured, has become intoxicated by the charlatan Tartuffe, whom he praises unceasingly and beyond understanding. It is doubly disconcerting to see Orgon so deceived because he recently earned public accommodation for supporting the King in a recent war. She believes that Tartuffe is " him like a guitar!" She also believes that Tartuffe is enchanted by and obsessed with Elmire. Elmire returns and announces Orgon's approach. Damis worries that his father will no longer let Mariane marry her beloved Valere, as he had promised. Damis knows that Tartuffe opposes the match, and believes Orgon will likely take Tartuffe's advice. He asks Cleante to confront Orgon on Mariane's behalf. Orgon energetically enters the room, and asks Dorine after everyone's health. When the servant explains that Elmire was suffering a terrible headache, Orgon merely asks, "And Tartuffe?" Dorine continues to catalogue Elmire's suffering, but in a comic blindness, Orgon continues to inquire after Tartuffe, lamenting the latter man's minor troubles. Scene VI All but Cleante and Orgon exit, and the former confronts the latter about Tartuffe's influence in the house. Cleante insists that men like Tartuffe are "not so rare" in their outward shows of virtue as disguise for ulterior motives. Orgon explains how Tartuffe inspires him towards love for all, and tells how he met Tartuffe: Tartuffe entered church one day, unknown by everyone, and began to berate himself at the altar for his sins and poverty. When Orgon tried to give money to Tartuffe and his servant Laurent, they accepted only half the money, and gave the rest to the poor. Orgon then heard an inner voice from Heaven, demanding he bring Tartuffe home. There, Tartuffe proved both inspirational and useful, since he watched Elmire as guard against undue advances from other men. Cleante tries to counter this interpretation of Tartuffe, but Orgon accuses him of being an atheist and a dangerous free-thinker. Cleante tells his brother-in-law that he has been misled by a man who is not a true believer, and has confused "hypocrisy with deep devotion." He suggests that men of true piety do not attempt to illustrate it outwardly, while only the charlatans and phonies insist on flaunting their 'goodness.' When Orgon grows tired of the attacks and takes his leave, Cleante then presses his brother-in-law on the question of Mariane's impending marriage. Orgon dodges the questions, and gives no sufficient answer.

