Chapter: AT five o'clock Lisbeth came downstairs with a large key in her hand:
it was the key of the chamber where her husband lay dead. Throughout the
day, except in her occasional outbursts of wailing grief, she had been
in incessant movement, performing the initial duties to her dead with
the awe and exactitude that belong to religious rites. She had brought
out her little store of bleached linen, which she had for long years
kept in reserve for this supreme use. It seemed but yesterday--that time
so many midsummers ago, when she had told Thias where this linen lay,
that he might be sure and reach it out for her when SHE died, for she
was the elder of the two. Then there had been the work of cleansing to
the strictest purity every object in the sacred chamber, and of removing
from it every trace of common daily occupation. The small window, which
had hitherto freely let in the frosty moonlight or the warm summer
sunrise on the working man's slumber, must now be darkened with a fair
white sheet, for this was the sleep which is as sacred under the bare
rafters as in ceiled houses. Lisbeth had even mended a long-neglected
and unnoticeable rent in the checkered bit of bed-curtain; for the
moments were few and precious now in which she would be able to do the
smallest office of respect or love for the still corpse, to which in all
her thoughts she attributed some consciousness. Our dead are never dead
to us until we have forgotten them: they can be injured by us, they can
be wounded; they know all our penitence, all our aching sense that their
place is empty, all the kisses we bestow on the smallest relic of their
presence. And the aged peasant woman most of all believes that her dead
are conscious. Decent burial was what Lisbeth had been thinking of for
herself through years of thrift, with an indistinct expectation that she
should know when she was being carried to the churchyard, followed by
her husband and her sons; and now she felt as if the greatest work of
her life were to be done in seeing that Thias was buried decently before
her--under the white thorn, where once, in a dream, she had thought she
lay in the coffin, yet all the while saw the sunshine above and smelt
the white blossoms that were so thick upon the thorn the Sunday she went
to be churched after Adam was born.

But now she had done everything that could be done to-day in the chamber
of death--had done it all herself, with some aid from her sons in
lifting, for she would let no one be fetched to help her from the
village, not being fond of female neighbours generally; and her
favourite Dolly, the old housekeeper at Mr. Burge's, who had come to
condole with her in the morning as soon as she heard of Thias's death,
was too dim-sighted to be of much use. She had locked the door, and now
held the key in her hand, as she threw herself wearily into a chair
that stood out of its place in the middle of the house floor, where in
ordinary times she would never have consented to sit. The kitchen had
had none of her attention that day; it was soiled with the tread of
muddy shoes and untidy with clothes and other objects out of place. But
what at another time would have been intolerable to Lisbeth's habits
of order and cleanliness seemed to her now just what should be: it was
right that things should look strange and disordered and wretched, now
the old man had come to his end in that sad way; the kitchen ought not
to look as if nothing had happened. Adam, overcome with the agitations
and exertions of the day after his night of hard work, had fallen asleep
on a bench in the workshop; and Seth was in the back kitchen making a
fire of sticks that he might get the kettle to boil, and persuade his
mother to have a cup of tea, an indulgence which she rarely allowed
herself.

There was no one in the kitchen when Lisbeth entered and threw herself
into the chair. She looked round with blank eyes at the dirt and
confusion on which the bright afternoon's sun shone dismally; it was
all of a piece with the sad confusion of her mind--that confusion which
belongs to the first hours of a sudden sorrow, when the poor human soul
is like one who has been deposited sleeping among the ruins of a vast
city, and wakes up in dreary amazement, not knowing whether it is
the growing or the dying day--not knowing why and whence came this
illimitable scene of desolation, or why he too finds himself desolate in
the midst of it.

At another time Lisbeth's first thought would have been, "Where is
Adam?" but the sudden death of her husband had restored him in
these hours to that first place in her affections which he had held
six-and-twenty years ago. She had forgotten his faults as we forget the
sorrows of our departed childhood, and thought of nothing but the young
husband's kindness and the old man's patience. Her eyes continued
to wander blankly until Seth came in and began to remove some of the
scattered things, and clear the small round deal table that he might set
out his mother's tea upon it.

"What art goin' to do?" she said, rather peevishly.

"I want thee to have a cup of tea, Mother," answered Seth, tenderly.
"It'll do thee good; and I'll put two or three of these things away, and
make the house look more comfortable."

"Comfortable! How canst talk o' ma'in' things comfortable? Let a-be, let
a-be. There's no comfort for me no more," she went on, the tears coming
when she began to speak, "now thy poor feyther's gone, as I'n washed for
and mended, an' got's victual for him for thirty 'ear, an' him allays
so pleased wi' iverything I done for him, an' used to be so handy an' do
the jobs for me when I war ill an' cumbered wi' th' babby, an' made me
the posset an' brought it upstairs as proud as could be, an' carried the
lad as war as heavy as two children for five mile an' ne'er grumbled,
all the way to Warson Wake, 'cause I wanted to go an' see my sister, as
war dead an' gone the very next Christmas as e'er come. An' him to be
drownded in the brook as we passed o'er the day we war married an'
come home together, an' he'd made them lots o' shelves for me to put my
plates an' things on, an' showed 'em me as proud as could be, 'cause he
know'd I should be pleased. An' he war to die an' me not to know, but to
be a-sleepin' i' my bed, as if I caredna nought about it. Eh! An' me to
live to see that! An' us as war young folks once, an' thought we should
do rarely when we war married. Let a-be, lad, let a-be! I wonna ha'
no tay. I carena if I ne'er ate nor drink no more. When one end o' th'
bridge tumbles down, where's th' use o' th' other stannin'? I may's well
die, an' foller my old man. There's no knowin' but he'll want me."

Here Lisbeth broke from words into moans, swaying herself backwards and
forwards on her chair. Seth, always timid in his behaviour towards his
mother, from the sense that he had no influence over her, felt it was
useless to attempt to persuade or soothe her till this passion was past;
so he contented himself with tending the back kitchen fire and folding
up his father's clothes, which had been hanging out to dry since
morning--afraid to move about in the room where his mother was, lest he
should irritate her further.

But after Lisbeth had been rocking herself and moaning for some minutes,
she suddenly paused and said aloud to herself, "I'll go an' see arter
Adam, for I canna think where he's gotten; an' I want him to go upstairs
wi' me afore it's dark, for the minutes to look at the corpse is like
the meltin' snow."

Seth overheard this, and coming into the kitchen again, as his mother
rose from her chair, he said, "Adam's asleep in the workshop, mother.
Thee'dst better not wake him. He was o'erwrought with work and trouble."

"Wake him? Who's a-goin' to wake him? I shanna wake him wi' lookin' at
him. I hanna seen the lad this two hour--I'd welly forgot as he'd e'er
growed up from a babby when's feyther carried him."

Adam was seated on a rough bench, his head supported by his arm, which
rested from the shoulder to the elbow on the long planing-table in
the middle of the workshop. It seemed as if he had sat down for a few
minutes' rest and had fallen asleep without slipping from his first
attitude of sad, fatigued thought. His face, unwashed since yesterday,
looked pallid and clammy; his hair was tossed shaggily about his
forehead, and his closed eyes had the sunken look which follows upon
watching and sorrow. His brow was knit, and his whole face had an
expression of weariness and pain. Gyp was evidently uneasy, for he sat
on his haunches, resting his nose on his master's stretched-out leg, and
dividing the time between licking the hand that hung listlessly down and
glancing with a listening air towards the door. The poor dog was
hungry and restless, but would not leave his master, and was waiting
impatiently for some change in the scene. It was owing to this feeling
on Gyp's part that, when Lisbeth came into the workshop and advanced
towards Adam as noiselessly as she could, her intention not to awaken
him was immediately defeated; for Gyp's excitement was too great to find
vent in anything short of a sharp bark, and in a moment Adam opened his
eyes and saw his mother standing before him. It was not very unlike his
dream, for his sleep had been little more than living through again, in
a fevered delirious way, all that had happened since daybreak, and his
mother with her fretful grief was present to him through it all. The
chief difference between the reality and the vision was that in
his dream Hetty was continually coming before him in bodily
presence--strangely mingling herself as an actor in scenes with which
she had nothing to do. She was even by the Willow Brook; she made his
mother angry by coming into the house; and he met her with her smart
clothes quite wet through, as he walked in the rain to Treddleston, to
tell the coroner. But wherever Hetty came, his mother was sure to follow
soon; and when he opened his eyes, it was not at all startling to see
her standing near him.

"Eh, my lad, my lad!" Lisbeth burst out immediately, her wailing impulse
returning, for grief in its freshness feels the need of associating its
loss and its lament with every change of scene and incident, "thee'st
got nobody now but thy old mother to torment thee and be a burden to
thee. Thy poor feyther 'ull ne'er anger thee no more; an' thy mother
may's well go arter him--the sooner the better--for I'm no good to
nobody now. One old coat 'ull do to patch another, but it's good for
nought else. Thee'dst like to ha' a wife to mend thy clothes an' get thy
victual, better nor thy old mother. An' I shall be nought but cumber,
a-sittin' i' th' chimney-corner. (Adam winced and moved uneasily; he
dreaded, of all things, to hear his mother speak of Hetty.) But if
thy feyther had lived, he'd ne'er ha' wanted me to go to make room for
another, for he could no more ha' done wi'out me nor one side o' the
scissars can do wi'out th' other. Eh, we should ha' been both flung away
together, an' then I shouldna ha' seen this day, an' one buryin' 'ud ha'
done for us both."

Here Lisbeth paused, but Adam sat in pained silence--he could not speak
otherwise than tenderly to his mother to-day, but he could not help
being irritated by this plaint. It was not possible for poor Lisbeth to
know how it affected Adam any more than it is possible for a wounded
dog to know how his moans affect the nerves of his master. Like all
complaining women, she complained in the expectation of being soothed,
and when Adam said nothing, she was only prompted to complain more
bitterly.

"I know thee couldst do better wi'out me, for thee couldst go where thee
likedst an' marry them as thee likedst. But I donna want to say thee
nay, let thee bring home who thee wut; I'd ne'er open my lips to find
faut, for when folks is old an' o' no use, they may think theirsens well
off to get the bit an' the sup, though they'n to swallow ill words wi't.
An' if thee'st set thy heart on a lass as'll bring thee nought and waste
all, when thee mightst ha' them as 'ud make a man on thee, I'll say
nought, now thy feyther's dead an' drownded, for I'm no better nor an
old haft when the blade's gone."

Adam, unable to bear this any longer, rose silently from the bench and
walked out of the workshop into the kitchen. But Lisbeth followed him.

"Thee wutna go upstairs an' see thy feyther then? I'n done everythin'
now, an' he'd like thee to go an' look at him, for he war allays so
pleased when thee wast mild to him."

Adam turned round at once and said, "Yes, mother; let us go upstairs.
Come, Seth, let us go together."

They went upstairs, and for five minutes all was silence. Then the key
was turned again, and there was a sound of footsteps on the stairs. But
Adam did not come down again; he was too weary and worn-out to encounter
more of his mother's querulous grief, and he went to rest on his bed.
Lisbeth no sooner entered the kitchen and sat down than she threw her
apron over her head, and began to cry and moan and rock herself as
before. Seth thought, "She will be quieter by and by, now we have been
upstairs"; and he went into the back kitchen again, to tend his little
fire, hoping that he should presently induce her to have some tea.

Lisbeth had been rocking herself in this way for more than five minutes,
giving a low moan with every forward movement of her body, when she
suddenly felt a hand placed gently on hers, and a sweet treble voice
said to her, "Dear sister, the Lord has sent me to see if I can be a
comfort to you."

Lisbeth paused, in a listening attitude, without removing her apron from
her face. The voice was strange to her. Could it be her sister's spirit
come back to her from the dead after all those years? She trembled and
dared not look.

Dinah, believing that this pause of wonder was in itself a relief for
the sorrowing woman, said no more just yet, but quietly took off her
bonnet, and then, motioning silence to Seth, who, on hearing her voice,
had come in with a beating heart, laid one hand on the back of Lisbeth's
chair and leaned over her, that she might be aware of a friendly
presence.

Slowly Lisbeth drew down her apron, and timidly she opened her dim
dark eyes. She saw nothing at first but a face--a pure, pale face, with
loving grey eyes, and it was quite unknown to her. Her wonder increased;
perhaps it WAS an angel. But in the same instant Dinah had laid her hand
on Lisbeth's again, and the old woman looked down at it. It was a much
smaller hand than her own, but it was not white and delicate, for Dinah
had never worn a glove in her life, and her hand bore the traces of
labour from her childhood upwards. Lisbeth looked earnestly at the hand
for a moment, and then, fixing her eyes again on Dinah's face, said,
with something of restored courage, but in a tone of surprise, "Why,
ye're a workin' woman!"

"Yes, I am Dinah Morris, and I work in the cotton-mill when I am at
home."

"Ah!" said Lisbeth slowly, still wondering; "ye comed in so light, like
the shadow on the wall, an' spoke i' my ear, as I thought ye might be a
sperrit. Ye've got a'most the face o' one as is a-sittin' on the grave
i' Adam's new Bible."

"I come from the Hall Farm now. You know Mrs. Poyser--she's my aunt, and
she has heard of your great affliction, and is very sorry; and I'm come
to see if I can be any help to you in your trouble; for I know your sons
Adam and Seth, and I know you have no daughter; and when the clergyman
told me how the hand of God was heavy upon you, my heart went out
towards you, and I felt a command to come and be to you in the place of
a daughter in this grief, if you will let me."

"Ah! I know who y' are now; y' are a Methody, like Seth; he's tould
me on you," said Lisbeth fretfully, her overpowering sense of pain
returning, now her wonder was gone. "Ye'll make it out as trouble's a
good thing, like HE allays does. But where's the use o' talkin' to me
a-that'n? Ye canna make the smart less wi' talkin'. Ye'll ne'er make me
believe as it's better for me not to ha' my old man die in's bed, if he
must die, an' ha' the parson to pray by him, an' me to sit by him, an'
tell him ne'er to mind th' ill words I've gi'en him sometimes when I war
angered, an' to gi' him a bit an' a sup, as long as a bit an' a sup
he'd swallow. But eh! To die i' the cold water, an' us close to him, an'
ne'er to know; an' me a-sleepin', as if I ne'er belonged to him no more
nor if he'd been a journeyman tramp from nobody knows where!"

Here Lisbeth began to cry and rock herself again; and Dinah said, "Yes,
dear friend, your affliction is great. It would be hardness of heart to
say that your trouble was not heavy to bear. God didn't send me to you
to make light of your sorrow, but to mourn with you, if you will let me.
If you had a table spread for a feast, and was making merry with your
friends, you would think it was kind to let me come and sit down and
rejoice with you, because you'd think I should like to share those
good things; but I should like better to share in your trouble and your
labour, and it would seem harder to me if you denied me that. You won't
send me away? You're not angry with me for coming?"

"Nay, nay; angered! who said I war angered? It war good on you to come.
An' Seth, why donna ye get her some tay? Ye war in a hurry to get some
for me, as had no need, but ye donna think o' gettin' 't for them as
wants it. Sit ye down; sit ye down. I thank you kindly for comin', for
it's little wage ye get by walkin' through the wet fields to see an old
woman like me....Nay, I'n got no daughter o' my own--ne'er had one--an'
I warna sorry, for they're poor queechy things, gells is; I allays
wanted to ha' lads, as could fend for theirsens. An' the lads 'ull be
marryin'--I shall ha' daughters eno', an' too many. But now, do ye make
the tay as ye like it, for I'n got no taste i' my mouth this day--it's
all one what I swaller--it's all got the taste o' sorrow wi't."

Dinah took care not to betray that she had had her tea, and accepted
Lisbeth's invitation very readily, for the sake of persuading the old
woman herself to take the food and drink she so much needed after a day
of hard work and fasting.

Seth was so happy now Dinah was in the house that he could not help
thinking her presence was worth purchasing with a life in which grief
incessantly followed upon grief; but the next moment he reproached
himself--it was almost as if he were rejoicing in his father's sad
death. Nevertheless the joy of being with Dinah WOULD triumph--it was
like the influence of climate, which no resistance can overcome. And the
feeling even suffused itself over his face so as to attract his mother's
notice, while she was drinking her tea.

"Thee may'st well talk o' trouble bein' a good thing, Seth, for thee
thriv'st on't. Thee look'st as if thee know'dst no more o' care an'
cumber nor when thee wast a babby a-lyin' awake i' th' cradle. For
thee'dst allays lie still wi' thy eyes open, an' Adam ne'er 'ud lie
still a minute when he wakened. Thee wast allays like a bag o' meal as
can ne'er be bruised--though, for the matter o' that, thy poor feyther
war just such another. But ye've got the same look too" (here Lisbeth
turned to Dinah). "I reckon it's wi' bein' a Methody. Not as I'm
a-findin' faut wi' ye for't, for ye've no call to be frettin', an'
somehow ye looken sorry too. Eh! Well, if the Methodies are fond o'
trouble, they're like to thrive: it's a pity they canna ha't all, an'
take it away from them as donna like it. I could ha' gi'en 'em plenty;
for when I'd gotten my old man I war worreted from morn till night; and
now he's gone, I'd be glad for the worst o'er again."

"Yes," said Dinah, careful not to oppose any feeling of Lisbeth's, for
her reliance, in her smallest words and deeds, on a divine guidance,
always issued in that finest woman's tact which proceeds from acute and
ready sympathy; "yes, I remember too, when my dear aunt died, I longed
for the sound of her bad cough in the nights, instead of the silence
that came when she was gone. But now, dear friend, drink this other cup
of tea and eat a little more."

"What!" said Lisbeth, taking the cup and speaking in a less querulous
tone, "had ye got no feyther and mother, then, as ye war so sorry about
your aunt?"

"No, I never knew a father or mother; my aunt brought me up from a baby.
She had no children, for she was never married and she brought me up as
tenderly as if I'd been her own child."

"Eh, she'd fine work wi' ye, I'll warrant, bringin' ye up from a babby,
an' her a lone woman--it's ill bringin' up a cade lamb. But I daresay
ye warna franzy, for ye look as if ye'd ne'er been angered i' your life.
But what did ye do when your aunt died, an' why didna ye come to live in
this country, bein' as Mrs. Poyser's your aunt too?"

Dinah, seeing that Lisbeth's attention was attracted, told her the story
of her early life--how she had been brought up to work hard, and
what sort of place Snowfield was, and how many people had a hard life
there--all the details that she thought likely to interest Lisbeth. The
old woman listened, and forgot to be fretful, unconsciously subject to
the soothing influence of Dinah's face and voice. After a while she was
persuaded to let the kitchen be made tidy; for Dinah was bent on this,
believing that the sense of order and quietude around her would help in
disposing Lisbeth to join in the prayer she longed to pour forth at her
side. Seth, meanwhile, went out to chop wood, for he surmised that Dinah
would like to be left alone with his mother.

Lisbeth sat watching her as she moved about in her still quick way, and
said at last, "Ye've got a notion o' cleanin' up. I wouldna mind ha'in
ye for a daughter, for ye wouldna spend the lad's wage i' fine clothes
an' waste. Ye're not like the lasses o' this countryside. I reckon folks
is different at Snowfield from what they are here."

"They have a different sort of life, many of 'em," said Dinah; "they
work at different things--some in the mill, and many in the mines, in
the villages round about. But the heart of man is the same everywhere,
and there are the children of this world and the children of light there
as well as elsewhere. But we've many more Methodists there than in this
country."

"Well, I didna know as the Methody women war like ye, for there's Will
Maskery's wife, as they say's a big Methody, isna pleasant to look at,
at all. I'd as lief look at a tooad. An' I'm thinkin' I wouldna mind if
ye'd stay an' sleep here, for I should like to see ye i' th' house i'
th' mornin'. But mayhappen they'll be lookin for ye at Mester Poyser's."

"No," said Dinah, "they don't expect me, and I should like to stay, if
you'll let me."

"Well, there's room; I'n got my bed laid i' th' little room o'er the
back kitchen, an' ye can lie beside me. I'd be glad to ha' ye wi' me to
speak to i' th' night, for ye've got a nice way o' talkin'. It puts me
i' mind o' the swallows as was under the thack last 'ear when they fust
begun to sing low an' soft-like i' th' mornin'. Eh, but my old man war
fond o' them birds! An' so war Adam, but they'n ne'er comed again this
'ear. Happen THEY'RE dead too."

"There," said Dinah, "now the kitchen looks tidy, and now, dear
Mother--for I'm your daughter to-night, you know--I should like you to
wash your face and have a clean cap on. Do you remember what David did,
when God took away his child from him? While the child was yet alive
he fasted and prayed to God to spare it, and he would neither eat nor
drink, but lay on the ground all night, beseeching God for the child.
But when he knew it was dead, he rose up from the ground and washed and
anointed himself, and changed his clothes, and ate and drank; and when
they asked him how it was that he seemed to have left off grieving now
the child was dead, he said, 'While the child was yet alive, I fasted
and wept; for I said, Who can tell whether God will be gracious to me,
that the child may live? But now he is dead, wherefore should I fast?
Can I bring him back again? I shall go to him, but he shall not return
to me.'"

"Eh, that's a true word," said Lisbeth. "Yea, my old man wonna come back
to me, but I shall go to him--the sooner the better. Well, ye may do as
ye like wi' me: there's a clean cap i' that drawer, an' I'll go i' the
back kitchen an' wash my face. An' Seth, thee may'st reach down Adam's
new Bible wi' th' picters in, an' she shall read us a chapter. Eh, I
like them words--'I shall go to him, but he wonna come back to me.'"

Dinah and Seth were both inwardly offering thanks for the greater
quietness of spirit that had come over Lisbeth. This was what Dinah had
been trying to bring about, through all her still sympathy and absence
from exhortation. From her girlhood upwards she had had experience among
the sick and the mourning, among minds hardened and shrivelled through
poverty and ignorance, and had gained the subtlest perception of the
mode in which they could best be touched and softened into willingness
to receive words of spiritual consolation or warning. As Dinah expressed
it, "she was never left to herself; but it was always given her when to
keep silence and when to speak." And do we not all agree to call rapid
thought and noble impulse by the name of inspiration? After our subtlest
analysis of the mental process, we must still say, as Dinah did, that
our highest thoughts and our best deeds are all given to us.

And so there was earnest prayer--there was faith, love, and hope pouring
forth that evening in the little kitchen. And poor, aged, fretful
Lisbeth, without grasping any distinct idea, without going through any
course of religious emotions, felt a vague sense of goodness and love,
and of something right lying underneath and beyond all this sorrowing
life. She couldn't understand the sorrow; but, for these moments, under
the subduing influence of Dinah's spirit, she felt that she must be
patient and still.

 At five, Lisbeth comes downstairs with the key to the room where her husband lies dead. She performs small offices for him such as mending his shroud, thinking with a peasant's superstition that he is somehow still conscious before he is buried. She always assumed that she would die before her husband, since she is older, so she buries him under a tree that she has dreamed about being buried under herself. Seth wants to prepare her a cup of tea, which is a luxury that she seldom allows herself, but Lisbeth laments her husband, saying that she would rather follow him in death than have a cup of tea. Lisbeth gets up to look for Adam, but Seth says that he is asleep in the workshop and that she should not wake him. She goes into the shop just to have a look at him, but Gyp wakes him up by barking. Adam was dreaming about the day's events and adding Hetty into the picture. Lisbeth complains of her fear that Adam will marry, worrying that then she would become useless. Adam does not soothe her by saying that he will not marry, so she follows him around the house. When he goes back upstairs, she cries in the kitchen. Dinah enters, and Lisbeth thinks that she might be an angel, but she sees Dinah's rough hands and realizes that Dinah is a working woman. When Lisbeth finds out that Dinah is a Methodist, she is worried that Dinah will rejoice in the suffering. Dinah explains that she does not want to make light of Lisbeth's suffering but to help her bear it, and Lisbeth replies that she is welcome to stay for tea. Seth is so happy that Dinah is in the house that he has to reproach himself, because it is almost as if he were rejoicing that his father has died. Dinah remembers that she was very sad when her aunt died, and Lisbeth asks if she is an orphan. Dinah sees that her voice soothes the lady, so she tells her life story. As she does so, she cleans up the kitchen, thinking that a sense of order will help Lisbeth feel better. Lisbeth notes that she cleans well, adding that she would like Dinah for a daughter. She invites Dinah to stay the night so they can talk for a while longer. She agrees to clean her face and make herself tidy

