Chapter: THE BIRTH OF A WOMAN-CHILD

"Whose cradle's that?" the sick woman's thin querulous tones arrested
the man at the threshold.

"Onie Dillard's," he replied hollowly from the depths of the crib which
he carried upside down upon his head, like some curious kind of
overgrown helmet.

"Now, why in the name o' common sense would ye go and borry a broken
cradle?" came the wail from the bed. "I 'lowed you'd git Billy
Spinner's, an' hit's as good as new."

Uncle Pros set the small article of furniture down gently.

"Don't you worry yo'se'f, Laurelly," he said enthusiastically. Pros
Passmore, uncle of the sick woman and mainstay of the forlorn little
Consadine household, was always full of enthusiasm. "Just a few nails
and a little wrappin' of twine'll make it all right," he informed his
niece. "I stopped a-past and borried the nails and the hammer from Jeff
Dawes; I mighty nigh pounded my thumb off knockin' in nails with a rock
an' a sad-iron last week."

"Looks like nobody ain't got no sense," returned Laurella Consadine
ungratefully. "Even you, Unc' Pros--while you borryin' why cain't ye
borry whole things that don't need mendin'?"

Out of the shadows that hoarded the further end of the room came a woman
with a little bundle in her arm which had evidently created the
necessity for the borrowed cradle.

"Laurelly," the nurse hesitated, "I wouldn't name it to ye whilst ye was
a-sufferin,' but I jest cain't find the baby's clothes nowhars. I've
done washed the little trick and wrapped her in my flannen petticoat. I
do despise to put anything on 'em that anybody else has wore ... hit
don't seem right. But I've been plumb through everything, an' cain't
find none of her coats. Whar did you put 'em?"

"I didn't have no luck borryin' for this one," complained the sick woman
fretfully. "Looks like everybody's got that mean that they wouldn't lend
me a rag ... an' the Lord knows I only ast a _wearin'_ of the clothes
for my chillen. Folks can make shore that I return what I borry--ef the
Lord lets me."

"Ain't they nothin' to put on the baby?" asked Mavity Bence, aghast.

"No. Hit's jest like I been tellin' ye, I went to Tarver's wife--she's
got a plenty. I knowed in reason she'd have baby clothes that she
couldn't expect to wear out on her own chillen. I said as much to her,
when she told me she was liable to need 'em befo' I did. I says, 'Ye
cain't need more'n half of 'em, I reckon, an' half'll do me, an' I'll
return 'em to ye when I'm done with 'em.' She acted jest as
selfish--said she'd like to know how I was goin' to inshore her that it
wouldn't be twins agin same as 'twas before. Some folks is powerful mean
an' suspicious."

All this time the nurse had been standing with the quiet small packet
which was the storm centre of preparation lying like a cocoon or a giant
seed-pod against her bosom.

"She's a mighty likely little gal," said she finally. "Have ye any hopes
o' gittin' anything to put on her?"

The woman in the bed--she was scarcely more than a girl, with shining
dark eyes and a profusion of jetty ringlets about her elfish, pretty
little face--seemed to feel that this speech was in the nature of a
reproach. She hastened to detail her further activities on behalf of
the newcomer.

"Consadine's a poor provider," she said plaintively, alluding to her
absent husband. "Maw said to me when I would have him that he was a poor
provider; and then he's got into this here way of goin' off like. Time
things gets too bad here at home he's got a big scheme up for makin' his
fortune somewhars else, and out he puts. He 'lowed he'd be home with a
plenty before the baby come. But thar--he's the best man that ever was,
when he's here, and I have no wish to miscall him. I reckon he thought I
could borry what I'd need. Biney Meal lent me enough for the little un
that died; but of course some o' the coats was buried with the child;
and what was left, Sis' Elvira borried for her baby. I was layin' off to
go over to the Deep Spring neighbourhood when I could git a lift in that
direction--the folks over yon is mighty accommodative," she concluded,
"but I was took sooner than I expected, and hyer we air without a
stitch, I've done sont Bud an' Honey to Mandy Ann Foncher's mebby
they'll bring in somethin'."

The little cabin shrank back against the steep side of the mountain as
though half terrified at the hollow immensity of the welkin above, or
the almost sheer drop to the valley five hundred feet beneath. A sidling
mountain trail passed the front of its rail fence, and stones
continually rolled from the upper to the lower side of this highway.

The day was darkening rapidly. A low line of red still burned behind the
massive bulk of Big Unaka, and the solemn purple mountains raised their
peaks against it in a jagged line. Within die single-roomed cabin the
rich, broken light from the cavernous fireplace filled the smoke-browned
interior full of shadow and shine in which things leaped oddly into
life, or dropped out of knowledge with a startling effect. The four
corners of the log room were utilized, three of them for beds, made by
thrusting two poles through auger holes bored in the logs of the walls,
setting a leg at the corner where these met and lacing the bottom with
hickory withes. The fourth had some rude planks nailed in it for a
table, and a knot-hole in one of the logs served the primitive purpose
of a salt-cellar. A pack of gaunt hounds quarrelled under the floor, and
the sick woman stirred uneasily on her bed and expressed a wish that her
emissaries would return.

Uncle Pros had taken the cradle to a back door to get the last of the
evening sun upon his task. One would not have thought that he could hear
what the women were saying at this distance, but the old hunter's ears
were sharp.

"Never you mind, Laurelly," he called cheerfully. "Wrop the baby up some
fashion, and I'll hike out and get clothes for her, time I mend
this cradle."

"Ef that ain't just like Unc' Pros!" And the girlish mother laughed out
suddenly. You saw the gypsy beauty of her face. "He ain't content with
borryin' men's truck, but thinks he can turn in an' borry coats 'mongst
the women. Well, I reckon he might have better luck than what I did."

As she spoke a small boy and girl, her dead brother's children, came
clattering in from the purple mysteries of dusk outside, hand clasped in
hand, and stopped close to the bed, staring.

"Mandy Ann, she wouldn't lend us a thing," Bud began in an aggrieved
tone. "I traded for this--chopped wood for it--and hit was all she would
give me." He laid a coarse little garment upon the ragged coverlet.

"That!" cried Laurella Passmore, taking it up with angrily tremulous
fingers. "My child shain't wear no sech. Hit ain't fittin' for my baby
to put on. Oh, I wisht I could git up from here and do about; I'd git
somethin' for her to wear!"

"Son," said Mrs. Bence, approaching the bedside, "air ye afeared to go
over as far as my house right now?"

"I ain't skeered ef Honey'll go with me," returned the boy doubtfully,
as he interrogated the twilit spaces beyond the open cabin door.

"Well, you go ask Pap to look in the green chist and send me the spotted
caliker poke that he'll find under the big bun'le. Don't you let him
give you that thar big bun'le; 'caze that's not a thing but seed corn,
and he'll be mad ef it's tetched. Fell Pap that what's in the spotted
poke ain't nothin' that he wants. Tell him it's--well, tell him to look
at it before he gives it to you."

The two little souls scuttled away into the gathering dark, and the
neighbour woman sat down by the fire to nurse the baby and croon and
await the clothing for which she had sent.

She was not an old woman, but already stiff and misshapen by toil and
the lack of that saving salt of pride, the stimulation of joy, which
keeps us erect and supple. Her broad back was bent; her hands as they
shifted the infant tenderly were knotted and work-worn. Mavity Bence was
a widow, living at home with her father, Gideon Himes; she had one child
left, a daughter; but the clothing for which she had sent was an outfit
made for a son, the posthumous offspring of his father; and the babe had
not lived long enough to wear it.

Outside, Uncle Pros began to sing at his work. He had a fluty old tenor
voice, and he put in turns and quavers that no ear not of the mountains
could possibly follow and fix. First it was a hymn, all abrupt, odd,
minor cadences and monotonous refrain. Then he shifted to a ballad--and
the mountains are full of old ballads of Scotland and England, come down
from the time of the first settlers, and with local names quaintly
substituted for the originals here and there.

  "She's gwine to walk in a silken gownd,
  An' ha'e plenty o' siller for to spare,"

chanted the old man above the little bed he was repairing.

"Who's that you're a-namin' that's a-goin' to have silk dresses?"
inquired Laurella, as he entered and set the mended cradle down by
the bedside.

"The baby." he returned. "Ef I find my silver mine--or ruther _when_ I
find my silver mine, for you know in reason with the directions Pap's
Grandpap left, and that word from Great Uncle Billy that helped the
Injuns work it, I'm bound to run the thing down one o' these days--when
I find my silver mine this here little gal's a-goin' to have everything
she wants--ain't ye, Pretty?"

And, having made a bed in the cradle from some folded covers, he lifted
the baby with strange deftness and placed it in.

"See thar," he called their attention proudly. "As good as new. And ef I
git time I'm a-goin' to give it a few licks o' paint."

Hands on knees, he bent to study the face of the new-born, that
countenance so ambiguous to our eyes, scarce stamped yet with the common
seal of humanity.

"She's a mighty pretty little gal," he repeated Mavity Bence's words.
"She's got the Passmore favour, as well as the Consadine. Reckon I
better be steppin' over to Vander's and see can I borry their cow. If
it's with you this time like it was with the last one, we'll have to
have a cow. I always thought if we'd had a fresh cow for that other one,
hit would 'a' lived. I know in reason Vander'll lend the cow for a
spell"--Uncle Pros always had unbounded confidence in the good will of
his neighbours toward himself, since his own generosity to them would
have been fathomless--"I know in reason he'll lend hit, 'caze they ain't
got no baby to their house."

He bestowed one more proud, fond look upon the little face in the
borrowed cradle, and walked out with as elated a step as though a queen
had been born to the tribe.

In the doorway he met Bud and Honey, returning with the spotted calico
poke clutched fast between them.

"I won't ask nothin' but a wearin' of em for my child," Laurella
Consadine, born Laurella Passmore, reiterated when the small garments
were laid out on the bed, and the baby was being dressed. "They're
mighty fine, Mavity, an' I'll take good keer of 'em and always bear in
mind that they're only borried."

"No," returned Mavity Bence, with unwonted firmness, as she put the
newcomer into the slip intended for her own son. "No, Laurelly, these
clothes ain't loaned to you. I give 'em to this child. I'm a widder, and
I never look to wed again, becaze Pap he has to have somebody to do for
him, an' he'd just about tear up the ground if I was to name sech a
thing. I'm mighty glad to give 'em to yo' little gal. I only wisht," she
said wistfully, "that hit was a boy. Ef hit was a boy, mebbe you'd give
hit the name that should 'a' went with the clothes. I was a-goin' to
call the baby John after hit's pappy."

Laurella Consadine lay quiescent for a moment, big black eyes studying
the smoky logs that raftered the roof. Then all at once she laughed,
with a flash of white teeth.

"I don't see why Johnnie ain't a mighty fine name for a gal," she said.
"I vow I'm a-goin' to name her Johnnie!"

And so this one of the tribe of borrowing Passmores wore her own
clothing from the first. No borrowed garment touched her. She rejected
the milk from the borrowed cow, fiercely; lustily she demanded--and
eventually received--her own legitimate, unborrowed sustenance.

Perhaps such a beginning had its own influence upon her future.

 The novel opens with Mr. Tench, an English dentist living and working in a small Mexican town, heading from his home to the riverside to pick up a canister of ether that he has ordered. The ships have come in, and Tench stands in the blazing Mexican sun, watching the rickety boats and continually forgetting why he has come to the river. He meets the stranger, a mysterious man who is waiting for a boat to Vera Cruz. Tench is interested in speaking with the man because he speaks English and, upon learning that the stranger has a bottle of contraband alcohol with him, becomes even more interested. Tench invites the stranger back to his house to share a drink. At Tench's home, the two men talk and drink for some time. Tench tells his guest that he left behind a family in England, but he has given up writing letters to his wife. The stranger looks like he has not been taking good care of himself. He seems wary and somewhat anxious. He makes strange comments that make Tench pause and wonder about the man. The men are interrupted by the boy who knocks, seeking help for a woman, his dying mother. Reluctantly, as if he had no choice, the stranger agrees to accompany the boy back to his house. He is aware that doing so will mean that he will most likely miss the boat to Vera Cruz. As he takes his leave of his host, the stranger tells him that he will pray for him. After his guest departs, Tench discovers that the stranger has left his book behind. He opens it and finds that it is a religious book about a Christian martyr, an illegal document in this state. Unsure of what it is, but dimly aware that he shouldn't have it in his possession, Tench hides the book in a little oven. He suddenly remembers that he forgot to pick up the canister of ether, and runs down to the river only to find that the ship has left the dock and is drifting downriver. On the boat, a young girl sings a sweet, melancholy song. She feels free and happy but she does not know why. Elsewhere, the stranger, walking along with the boy, hears the boat's whistle and realizes that he has, in fact, missed it. He feels despondent at being unable to leave, and angry towards the boy and his mother for keeping him from his boat.

