Chapter: |MATTHEW Cuthbert and the sorrel mare jogged comfortably over the eight
miles to Bright River. It was a pretty road, running along between
snug farmsteads, with now and again a bit of balsamy fir wood to drive
through or a hollow where wild plums hung out their filmy bloom. The air
was sweet with the breath of many apple orchards and the meadows sloped
away in the distance to horizon mists of pearl and purple; while

     "The little birds sang as if it were
     The one day of summer in all the year."

Matthew enjoyed the drive after his own fashion, except during the
moments when he met women and had to nod to them--for in Prince Edward
island you are supposed to nod to all and sundry you meet on the road
whether you know them or not.

Matthew dreaded all women except Marilla and Mrs. Rachel; he had an
uncomfortable feeling that the mysterious creatures were secretly
laughing at him. He may have been quite right in thinking so, for he
was an odd-looking personage, with an ungainly figure and long iron-gray
hair that touched his stooping shoulders, and a full, soft brown beard
which he had worn ever since he was twenty. In fact, he had looked
at twenty very much as he looked at sixty, lacking a little of the
grayness.

When he reached Bright River there was no sign of any train; he thought
he was too early, so he tied his horse in the yard of the small Bright
River hotel and went over to the station house. The long platform was
almost deserted; the only living creature in sight being a girl who was
sitting on a pile of shingles at the extreme end. Matthew, barely noting
that it _was_ a girl, sidled past her as quickly as possible without
looking at her. Had he looked he could hardly have failed to notice the
tense rigidity and expectation of her attitude and expression. She was
sitting there waiting for something or somebody and, since sitting and
waiting was the only thing to do just then, she sat and waited with all
her might and main.

Matthew encountered the stationmaster locking up the ticket office
preparatory to going home for supper, and asked him if the five-thirty
train would soon be along.

"The five-thirty train has been in and gone half an hour ago," answered
that brisk official. "But there was a passenger dropped off for you--a
little girl. She's sitting out there on the shingles. I asked her to
go into the ladies' waiting room, but she informed me gravely that she
preferred to stay outside. 'There was more scope for imagination,' she
said. She's a case, I should say."

"I'm not expecting a girl," said Matthew blankly. "It's a boy I've come
for. He should be here. Mrs. Alexander Spencer was to bring him over
from Nova Scotia for me."

The stationmaster whistled.

"Guess there's some mistake," he said. "Mrs. Spencer came off the train
with that girl and gave her into my charge. Said you and your sister
were adopting her from an orphan asylum and that you would be along for
her presently. That's all I know about it--and I haven't got any more
orphans concealed hereabouts."

"I don't understand," said Matthew helplessly, wishing that Marilla was
at hand to cope with the situation.

"Well, you'd better question the girl," said the station-master
carelessly. "I dare say she'll be able to explain--she's got a tongue
of her own, that's certain. Maybe they were out of boys of the brand you
wanted."

He walked jauntily away, being hungry, and the unfortunate Matthew was
left to do that which was harder for him than bearding a lion in its
den--walk up to a girl--a strange girl--an orphan girl--and demand of
her why she wasn't a boy. Matthew groaned in spirit as he turned about
and shuffled gently down the platform towards her.

She had been watching him ever since he had passed her and she had her
eyes on him now. Matthew was not looking at her and would not have seen
what she was really like if he had been, but an ordinary observer would
have seen this: A child of about eleven, garbed in a very short, very
tight, very ugly dress of yellowish-gray wincey. She wore a faded brown
sailor hat and beneath the hat, extending down her back, were two braids
of very thick, decidedly red hair. Her face was small, white and thin,
also much freckled; her mouth was large and so were her eyes, which
looked green in some lights and moods and gray in others.

So far, the ordinary observer; an extraordinary observer might have seen
that the chin was very pointed and pronounced; that the big eyes
were full of spirit and vivacity; that the mouth was sweet-lipped
and expressive; that the forehead was broad and full; in short,
our discerning extraordinary observer might have concluded that no
commonplace soul inhabited the body of this stray woman-child of whom
shy Matthew Cuthbert was so ludicrously afraid.

Matthew, however, was spared the ordeal of speaking first, for as soon
as she concluded that he was coming to her she stood up, grasping with
one thin brown hand the handle of a shabby, old-fashioned carpet-bag;
the other she held out to him.

"I suppose you are Mr. Matthew Cuthbert of Green Gables?" she said in
a peculiarly clear, sweet voice. "I'm very glad to see you. I was
beginning to be afraid you weren't coming for me and I was imagining
all the things that might have happened to prevent you. I had made up
my mind that if you didn't come for me to-night I'd go down the track to
that big wild cherry-tree at the bend, and climb up into it to stay all
night. I wouldn't be a bit afraid, and it would be lovely to sleep in a
wild cherry-tree all white with bloom in the moonshine, don't you think?
You could imagine you were dwelling in marble halls, couldn't you? And
I was quite sure you would come for me in the morning, if you didn't
to-night."

Matthew had taken the scrawny little hand awkwardly in his; then and
there he decided what to do. He could not tell this child with the
glowing eyes that there had been a mistake; he would take her home and
let Marilla do that. She couldn't be left at Bright River anyhow, no
matter what mistake had been made, so all questions and explanations
might as well be deferred until he was safely back at Green Gables.

"I'm sorry I was late," he said shyly. "Come along. The horse is over in
the yard. Give me your bag."

"Oh, I can carry it," the child responded cheerfully. "It isn't heavy.
I've got all my worldly goods in it, but it isn't heavy. And if it isn't
carried in just a certain way the handle pulls out--so I'd better
keep it because I know the exact knack of it. It's an extremely old
carpet-bag. Oh, I'm very glad you've come, even if it would have been
nice to sleep in a wild cherry-tree. We've got to drive a long piece,
haven't we? Mrs. Spencer said it was eight miles. I'm glad because I
love driving. Oh, it seems so wonderful that I'm going to live with you
and belong to you. I've never belonged to anybody--not really. But the
asylum was the worst. I've only been in it four months, but that was
enough. I don't suppose you ever were an orphan in an asylum, so you
can't possibly understand what it is like. It's worse than anything you
could imagine. Mrs. Spencer said it was wicked of me to talk like
that, but I didn't mean to be wicked. It's so easy to be wicked without
knowing it, isn't it? They were good, you know--the asylum people. But
there is so little scope for the imagination in an asylum--only just
in the other orphans. It was pretty interesting to imagine things about
them--to imagine that perhaps the girl who sat next to you was really
the daughter of a belted earl, who had been stolen away from her parents
in her infancy by a cruel nurse who died before she could confess. I
used to lie awake at nights and imagine things like that, because
I didn't have time in the day. I guess that's why I'm so thin--I _am_
dreadful thin, ain't I? There isn't a pick on my bones. I do love to
imagine I'm nice and plump, with dimples in my elbows."

With this Matthew's companion stopped talking, partly because she was
out of breath and partly because they had reached the buggy. Not another
word did she say until they had left the village and were driving down
a steep little hill, the road part of which had been cut so deeply into
the soft soil, that the banks, fringed with blooming wild cherry-trees
and slim white birches, were several feet above their heads.

The child put out her hand and broke off a branch of wild plum that
brushed against the side of the buggy.

"Isn't that beautiful? What did that tree, leaning out from the bank,
all white and lacy, make you think of?" she asked.

"Well now, I dunno," said Matthew.

"Why, a bride, of course--a bride all in white with a lovely misty veil.
I've never seen one, but I can imagine what she would look like. I don't
ever expect to be a bride myself. I'm so homely nobody will ever want to
marry me--unless it might be a foreign missionary. I suppose a foreign
missionary mightn't be very particular. But I do hope that some day I
shall have a white dress. That is my highest ideal of earthly bliss. I
just love pretty clothes. And I've never had a pretty dress in my life
that I can remember--but of course it's all the more to look forward
to, isn't it? And then I can imagine that I'm dressed gorgeously. This
morning when I left the asylum I felt so ashamed because I had to wear
this horrid old wincey dress. All the orphans had to wear them, you
know. A merchant in Hopeton last winter donated three hundred yards of
wincey to the asylum. Some people said it was because he couldn't sell
it, but I'd rather believe that it was out of the kindness of his heart,
wouldn't you? When we got on the train I felt as if everybody must be
looking at me and pitying me. But I just went to work and imagined that
I had on the most beautiful pale blue silk dress--because when you _are_
imagining you might as well imagine something worth while--and a big
hat all flowers and nodding plumes, and a gold watch, and kid gloves and
boots. I felt cheered up right away and I enjoyed my trip to the Island
with all my might. I wasn't a bit sick coming over in the boat. Neither
was Mrs. Spencer although she generally is. She said she hadn't time
to get sick, watching to see that I didn't fall overboard. She said she
never saw the beat of me for prowling about. But if it kept her from
being seasick it's a mercy I did prowl, isn't it? And I wanted to see
everything that was to be seen on that boat, because I didn't know
whether I'd ever have another opportunity. Oh, there are a lot more
cherry-trees all in bloom! This Island is the bloomiest place. I just
love it already, and I'm so glad I'm going to live here. I've always
heard that Prince Edward Island was the prettiest place in the world,
and I used to imagine I was living here, but I never really expected I
would. It's delightful when your imaginations come true, isn't it?
But those red roads are so funny. When we got into the train at
Charlottetown and the red roads began to flash past I asked Mrs. Spencer
what made them red and she said she didn't know and for pity's sake not
to ask her any more questions. She said I must have asked her a thousand
already. I suppose I had, too, but how you going to find out about
things if you don't ask questions? And what _does_ make the roads red?"

"Well now, I dunno," said Matthew.

"Well, that is one of the things to find out sometime. Isn't it splendid
to think of all the things there are to find out about? It just makes
me feel glad to be alive--it's such an interesting world. It wouldn't be
half so interesting if we know all about everything, would it? There'd
be no scope for imagination then, would there? But am I talking too
much? People are always telling me I do. Would you rather I didn't
talk? If you say so I'll stop. I can _stop_ when I make up my mind to it,
although it's difficult."

Matthew, much to his own surprise, was enjoying himself. Like most quiet
folks he liked talkative people when they were willing to do the talking
themselves and did not expect him to keep up his end of it. But he had
never expected to enjoy the society of a little girl. Women were bad
enough in all conscience, but little girls were worse. He detested the
way they had of sidling past him timidly, with sidewise glances, as if
they expected him to gobble them up at a mouthful if they ventured to
say a word. That was the Avonlea type of well-bred little girl. But
this freckled witch was very different, and although he found it rather
difficult for his slower intelligence to keep up with her brisk mental
processes he thought that he "kind of liked her chatter." So he said as
shyly as usual:

"Oh, you can talk as much as you like. I don't mind."

"Oh, I'm so glad. I know you and I are going to get along together
fine. It's such a relief to talk when one wants to and not be told
that children should be seen and not heard. I've had that said to me a
million times if I have once. And people laugh at me because I use big
words. But if you have big ideas you have to use big words to express
them, haven't you?"

"Well now, that seems reasonable," said Matthew.

"Mrs. Spencer said that my tongue must be hung in the middle. But it
isn't--it's firmly fastened at one end. Mrs. Spencer said your place was
named Green Gables. I asked her all about it. And she said there were
trees all around it. I was gladder than ever. I just love trees. And
there weren't any at all about the asylum, only a few poor weeny-teeny
things out in front with little whitewashed cagey things about them.
They just looked like orphans themselves, those trees did. It used to
make me want to cry to look at them. I used to say to them, 'Oh, you
_poor_ little things! If you were out in a great big woods with other
trees all around you and little mosses and June bells growing over your
roots and a brook not far away and birds singing in you branches, you
could grow, couldn't you? But you can't where you are. I know just
exactly how you feel, little trees.' I felt sorry to leave them behind
this morning. You do get so attached to things like that, don't you? Is
there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer
that."

"Well now, yes, there's one right below the house."

"Fancy. It's always been one of my dreams to live near a brook. I
never expected I would, though. Dreams don't often come true, do they?
Wouldn't it be nice if they did? But just now I feel pretty nearly
perfectly happy. I can't feel exactly perfectly happy because--well,
what color would you call this?"

She twitched one of her long glossy braids over her thin shoulder and
held it up before Matthew's eyes. Matthew was not used to deciding on
the tints of ladies' tresses, but in this case there couldn't be much
doubt.

"It's red, ain't it?" he said.

The girl let the braid drop back with a sigh that seemed to come from
her very toes and to exhale forth all the sorrows of the ages.

"Yes, it's red," she said resignedly. "Now you see why I can't be
perfectly happy. Nobody could who has red hair. I don't mind the other
things so much--the freckles and the green eyes and my skinniness. I
can imagine them away. I can imagine that I have a beautiful rose-leaf
complexion and lovely starry violet eyes. But I _cannot_ imagine that
red hair away. I do my best. I think to myself, 'Now my hair is a
glorious black, black as the raven's wing.' But all the time I _know_ it
is just plain red and it breaks my heart. It will be my lifelong sorrow.
I read of a girl once in a novel who had a lifelong sorrow but it wasn't
red hair. Her hair was pure gold rippling back from her alabaster brow.
What is an alabaster brow? I never could find out. Can you tell me?"

"Well now, I'm afraid I can't," said Matthew, who was getting a little
dizzy. He felt as he had once felt in his rash youth when another boy
had enticed him on the merry-go-round at a picnic.

"Well, whatever it was it must have been something nice because she was
divinely beautiful. Have you ever imagined what it must feel like to be
divinely beautiful?"

"Well now, no, I haven't," confessed Matthew ingenuously.

"I have, often. Which would you rather be if you had the
choice--divinely beautiful or dazzlingly clever or angelically good?"

"Well now, I--I don't know exactly."

"Neither do I. I can never decide. But it doesn't make much real
difference for it isn't likely I'll ever be either. It's certain I'll
never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr.
Cuthbert!! Oh, Mr. Cuthbert!!!"

That was not what Mrs. Spencer had said; neither had the child tumbled
out of the buggy nor had Matthew done anything astonishing. They had
simply rounded a curve in the road and found themselves in the "Avenue."

The "Avenue," so called by the Newbridge people, was a stretch of road
four or five hundred yards long, completely arched over with huge,
wide-spreading apple-trees, planted years ago by an eccentric old
farmer. Overhead was one long canopy of snowy fragrant bloom. Below the
boughs the air was full of a purple twilight and far ahead a glimpse
of painted sunset sky shone like a great rose window at the end of a
cathedral aisle.

Its beauty seemed to strike the child dumb. She leaned back in the
buggy, her thin hands clasped before her, her face lifted rapturously to
the white splendor above. Even when they had passed out and were driving
down the long slope to Newbridge she never moved or spoke. Still with
rapt face she gazed afar into the sunset west, with eyes that saw
visions trooping splendidly across that glowing background. Through
Newbridge, a bustling little village where dogs barked at them and small
boys hooted and curious faces peered from the windows, they drove, still
in silence. When three more miles had dropped away behind them the child
had not spoken. She could keep silence, it was evident, as energetically
as she could talk.

"I guess you're feeling pretty tired and hungry," Matthew ventured to
say at last, accounting for her long visitation of dumbness with the
only reason he could think of. "But we haven't very far to go now--only
another mile."

She came out of her reverie with a deep sigh and looked at him with the
dreamy gaze of a soul that had been wondering afar, star-led.

"Oh, Mr. Cuthbert," she whispered, "that place we came through--that
white place--what was it?"

"Well now, you must mean the Avenue," said Matthew after a few moments'
profound reflection. "It is a kind of pretty place."

"Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful,
either. They don't go far enough. Oh, it was wonderful--wonderful.
It's the first thing I ever saw that couldn't be improved upon by
imagination. It just satisfies me here"--she put one hand on her
breast--"it made a queer funny ache and yet it was a pleasant ache. Did
you ever have an ache like that, Mr. Cuthbert?"

"Well now, I just can't recollect that I ever had."

"I have it lots of time--whenever I see anything royally beautiful. But
they shouldn't call that lovely place the Avenue. There is no meaning
in a name like that. They should call it--let me see--the White Way of
Delight. Isn't that a nice imaginative name? When I don't like the name
of a place or a person I always imagine a new one and always think of
them so. There was a girl at the asylum whose name was Hepzibah Jenkins,
but I always imagined her as Rosalia DeVere. Other people may call that
place the Avenue, but I shall always call it the White Way of Delight.
Have we really only another mile to go before we get home? I'm glad and
I'm sorry. I'm sorry because this drive has been so pleasant and I'm
always sorry when pleasant things end. Something still pleasanter may
come after, but you can never be sure. And it's so often the case that
it isn't pleasanter. That has been my experience anyhow. But I'm glad to
think of getting home. You see, I've never had a real home since I can
remember. It gives me that pleasant ache again just to think of coming
to a really truly home. Oh, isn't that pretty!"

They had driven over the crest of a hill. Below them was a pond, looking
almost like a river so long and winding was it. A bridge spanned it
midway and from there to its lower end, where an amber-hued belt of
sand-hills shut it in from the dark blue gulf beyond, the water was a
glory of many shifting hues--the most spiritual shadings of crocus and
rose and ethereal green, with other elusive tintings for which no name
has ever been found. Above the bridge the pond ran up into fringing
groves of fir and maple and lay all darkly translucent in their wavering
shadows. Here and there a wild plum leaned out from the bank like a
white-clad girl tip-toeing to her own reflection. From the marsh at the
head of the pond came the clear, mournfully-sweet chorus of the frogs.
There was a little gray house peering around a white apple orchard on
a slope beyond and, although it was not yet quite dark, a light was
shining from one of its windows.

"That's Barry's pond," said Matthew.

"Oh, I don't like that name, either. I shall call it--let me see--the
Lake of Shining Waters. Yes, that is the right name for it. I know
because of the thrill. When I hit on a name that suits exactly it gives
me a thrill. Do things ever give you a thrill?"

Matthew ruminated.

"Well now, yes. It always kind of gives me a thrill to see them ugly
white grubs that spade up in the cucumber beds. I hate the look of
them."

"Oh, I don't think that can be exactly the same kind of a thrill. Do you
think it can? There doesn't seem to be much connection between grubs
and lakes of shining waters, does there? But why do other people call it
Barry's pond?"

"I reckon because Mr. Barry lives up there in that house. Orchard
Slope's the name of his place. If it wasn't for that big bush behind it
you could see Green Gables from here. But we have to go over the bridge
and round by the road, so it's near half a mile further."

"Has Mr. Barry any little girls? Well, not so very little either--about
my size."

"He's got one about eleven. Her name is Diana."

"Oh!" with a long indrawing of breath. "What a perfectly lovely name!"

"Well now, I dunno. There's something dreadful heathenish about it,
seems to me. I'd ruther Jane or Mary or some sensible name like that.
But when Diana was born there was a schoolmaster boarding there and they
gave him the naming of her and he called her Diana."

"I wish there had been a schoolmaster like that around when I was born,
then. Oh, here we are at the bridge. I'm going to shut my eyes tight.
I'm always afraid going over bridges. I can't help imagining that
perhaps just as we get to the middle, they'll crumple up like a
jack-knife and nip us. So I shut my eyes. But I always have to open them
for all when I think we're getting near the middle. Because, you see, if
the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly
rumble it makes! I always like the rumble part of it. Isn't it splendid
there are so many things to like in this world? There we're over. Now
I'll look back. Good night, dear Lake of Shining Waters. I always say
good night to the things I love, just as I would to people. I think they
like it. That water looks as if it was smiling at me."

When they had driven up the further hill and around a corner Matthew
said:

"We're pretty near home now. That's Green Gables over--"

"Oh, don't tell me," she interrupted breathlessly, catching at his
partially raised arm and shutting her eyes that she might not see his
gesture. "Let me guess. I'm sure I'll guess right."

She opened her eyes and looked about her. They were on the crest of a
hill. The sun had set some time since, but the landscape was still
clear in the mellow afterlight. To the west a dark church spire rose
up against a marigold sky. Below was a little valley and beyond a long,
gently-rising slope with snug farmsteads scattered along it. From one
to another the child's eyes darted, eager and wistful. At last they
lingered on one away to the left, far back from the road, dimly white
with blossoming trees in the twilight of the surrounding woods. Over it,
in the stainless southwest sky, a great crystal-white star was shining
like a lamp of guidance and promise.

"That's it, isn't it?" she said, pointing.

Matthew slapped the reins on the sorrel's back delightedly.

"Well now, you've guessed it! But I reckon Mrs. Spencer described it
so's you could tell."

"No, she didn't--really she didn't. All she said might just as well have
been about most of those other places. I hadn't any real idea what it
looked like. But just as soon as I saw it I felt it was home. Oh, it
seems as if I must be in a dream. Do you know, my arm must be black and
blue from the elbow up, for I've pinched myself so many times today.
Every little while a horrible sickening feeling would come over me and
I'd be so afraid it was all a dream. Then I'd pinch myself to see if it
was real--until suddenly I remembered that even supposing it was only
a dream I'd better go on dreaming as long as I could; so I stopped
pinching. But it _is_ real and we're nearly home."

With a sigh of rapture she relapsed into silence. Matthew stirred
uneasily. He felt glad that it would be Marilla and not he who would
have to tell this waif of the world that the home she longed for was
not to be hers after all. They drove over Lynde's Hollow, where it was
already quite dark, but not so dark that Mrs. Rachel could not see them
from her window vantage, and up the hill and into the long lane of Green
Gables. By the time they arrived at the house Matthew was shrinking from
the approaching revelation with an energy he did not understand. It was
not of Marilla or himself he was thinking of the trouble this mistake
was probably going to make for them, but of the child's disappointment.
When he thought of that rapt light being quenched in her eyes he had
an uncomfortable feeling that he was going to assist at murdering
something--much the same feeling that came over him when he had to kill
a lamb or calf or any other innocent little creature.

The yard was quite dark as they turned into it and the poplar leaves
were rustling silkily all round it.

"Listen to the trees talking in their sleep," she whispered, as he
lifted her to the ground. "What nice dreams they must have!"

Then, holding tightly to the carpet-bag which contained "all her worldly
goods," she followed him into the house.

 Matthew Cuthbert Is Surprised Matthew enjoys his quiet ride to the train station, except for the moments when he passes women and must nod at them. All women scare him, except for Marilla, who we learn is his sister, and Mrs. Rachel. He always feels like women are laughing at him. Arriving at the station, he sees no sign of the train and nobody on the platform except for a little girl and the stationmaster. Shyly avoiding the girl's eyes, he asks the stationmaster whether Mrs. Spencer has arrived with his orphan, and the stationmaster says that she has and that the delivery is waiting at the end of the platform. A girl of about eleven years is sitting on a pile of shingles. She carries only a faded carpetbag as luggage and wears an ill-fitting, ugly dress and a faded hat, out of which snake two thick braids of red hair. Her face suggests spirit and vivacity: her big eyes change from green to gray depending on the light, and her mouth is large and expressive. Afraid of the social ordeal ahead, Matthew approaches the girl, who spares him from having to introduce himself. She confidently holds out her hand to him and starts talking. Words spill out of her mouth at a pace that shocks the quiet Matthew. She explains that while she waited, she imagined an alternate plan for the evening in case Matthew did not come for her. She would have climbed a nearby wild cherry tree and slept among the blooms and moonshine, imagining she was sleeping in marble halls. Although Matthew is surprised that a girl, rather than the boy he expected, sits before him, he decides to take her to Green Gables for the night and let Marilla tell the girl they will not be able to keep her. Anne rarely pauses from her chatter during the ride to Green Gables. Through her monologue, she reveals a vivid imagination and a thirst for beauty, along with a tendency to criticize herself, especially her red hair. She repeatedly remarks on the beauty of the landscape and exclaims that calling Avonlea her home is a dream come true. She compares the lush trees of Avonlea to the scrawny saplings at the orphanage, and although she loves the new landscape, she expresses sympathy for the undernourished orphanage trees, with which she feels a sense of camaraderie. Arriving at the Cuthbert place, Anne gushes that Green Gables feels like home, a home more beautiful and perfect than any she could have imagined

