Chapter: In a hall of irregular shape sat Pete and Maggie drinking beer.  A
submissive orchestra dictated to by a spectacled man with frowsy hair
and a dress suit, industriously followed the bobs of his head and the
waves of his baton.  A ballad singer, in a dress of flaming scarlet,
sang in the inevitable voice of brass.  When she vanished, men seated
at the tables near the front applauded loudly, pounding the polished
wood with their beer glasses.  She returned attired in less gown, and
sang again.  She received another enthusiastic encore.  She reappeared
in still less gown and danced.  The deafening rumble of glasses and
clapping of hands that followed her exit indicated an overwhelming
desire to have her come on for the fourth time, but the curiosity of
the audience was not gratified.

Maggie was pale.  From her eyes had been plucked all look of
self-reliance.  She leaned with a dependent air toward her companion.
She was timid, as if fearing his anger or displeasure.  She seemed to
beseech tenderness of him.

Pete's air of distinguished valor had grown upon him until it
threatened stupendous dimensions.  He was infinitely gracious to the
girl.  It was apparent to her that his condescension was a marvel.

He could appear to strut even while sitting still and he showed that he
was a lion of lordly characteristics by the air with which he spat.

With Maggie gazing at him wonderingly, he took pride in commanding the
waiters who were, however, indifferent or deaf.

"Hi, you, git a russle on yehs!  What deh hell yehs lookin' at?  Two
more beehs, d'yeh hear?"

He leaned back and critically regarded the person of a girl with a
straw-colored wig who upon the stage was flinging her heels in somewhat
awkward imitation of a well-known danseuse.

At times Maggie told Pete long confidential tales of her former home
life, dwelling upon the escapades of the other members of the family
and the difficulties she had to combat in order to obtain a degree of
comfort.  He responded in tones of philanthropy.  He pressed her arm
with an air of reassuring proprietorship.

"Dey was damn jays," he said, denouncing the mother and brother.

The sound of the music which, by the efforts of the frowsy-headed
leader, drifted to her ears through the smoke-filled atmosphere, made
the girl dream.  She thought of her former Rum Alley environment and
turned to regard Pete's strong protecting fists.  She thought of the
collar and cuff manufactory and the eternal moan of the proprietor:
"What een hell do you sink I pie fife dolla a week for?  Play?  No, py
damn."  She contemplated Pete's man-subduing eyes and noted that wealth
and prosperity was indicated by his clothes.  She imagined a future,
rose-tinted, because of its distance from all that she previously had
experienced.

As to the present she perceived only vague reasons to be miserable.
Her life was Pete's and she considered him worthy of the charge.  She
would be disturbed by no particular apprehensions, so long as Pete
adored her as he now said he did.  She did not feel like a bad woman.
To her knowledge she had never seen any better.

At times men at other tables regarded the girl furtively.  Pete, aware
of it, nodded at her and grinned.  He felt proud.

"Mag, yer a bloomin' good-looker," he remarked, studying her face
through the haze.  The men made Maggie fear, but she blushed at Pete's
words as it became apparent to her that she was the apple of his eye.

Grey-headed men, wonderfully pathetic in their dissipation, stared at
her through clouds.  Smooth-cheeked boys, some of them with faces of
stone and mouths of sin, not nearly so pathetic as the grey heads,
tried to find the girl's eyes in the smoke wreaths.  Maggie considered
she was not what they thought her.  She confined her glances to Pete
and the stage.

The orchestra played negro melodies and a versatile drummer pounded,
whacked, clattered and scratched on a dozen machines to make noise.

Those glances of the men, shot at Maggie from under half-closed lids,
made her tremble.  She thought them all to be worse men than Pete.

"Come, let's go," she said.

As they went out Maggie perceived two women seated at a table with some
men.  They were painted and their cheeks had lost their roundness.  As
she passed them the girl, with a shrinking movement, drew back her
skirts.

 Pete and Maggie sit in a hall listening to an orchestra and drinking beer. On the stage a woman sings a predictably brassy ballad. The woman returns for several encores, wearing less clothing in each successive appearance for the audience of boisterous men. Maggie is pale and she sits submissively next to Pete with the appearance of one beseeching kindness but fearing the worst. In short, she worships him and he makes the most of the situation - ordering the waiters about with an inflated sense of purpose and basking in her attention. At one point he sits back and carefully studies a girl in a wig prancing on the stage in bad imitation of a famous dancer. From time to time Maggie describes her home life and emphasizes the extreme difficulties she was forced to surmount. Holding Maggie's arm as though he owns her, Pete replies: "Dey was damn jays." Maggie considers the violence of her family and looks upon Pete's capable muscles. She thinks of her squalid workplace and regards his fine clothes. She is completely optimistic about her future because she trusts Pete to take care of her. Through the haze of the smoke filled room Maggie can see that many of the men in the hall look at her with wolvish expressions and she fears them but their attentions spur Pete to regard the girl as even more of a prize and she notices this. She knows that the men think she is a prostitute and after some time she begins to tremble under the combined gaze. As she and Pete leave they pass near some prostitutes - known by their heavy makeup and faded beauty - and Maggie fearfully pulls her skirts away from them.

