Chapter: Hurstwood's residence on the North Side, near Lincoln Park, was a brick
building of a very popular type then, a three-story affair with the
first floor sunk a very little below the level of the street. It had a
large bay window bulging out from the second floor, and was graced in
front by a small grassy plot, twenty-five feet wide and ten feet
deep. There was also a small rear yard, walled in by the fences of the
neighbours and holding a stable where he kept his horse and trap.

The ten rooms of the house were occupied by himself, his wife Julia, and
his son and daughter, George, Jr., and Jessica. There were besides
these a maid-servant, represented from time to time by girls of various
extraction, for Mrs. Hurstwood was not always easy to please.

"George, I let Mary go yesterday," was not an unfrequent salutation at
the dinner table.

"All right," was his only reply. He had long since wearied of discussing
the rancorous subject.

A lovely home atmosphere is one of the flowers of the world, than
which there is nothing more tender, nothing more delicate, nothing more
calculated to make strong and just the natures cradled and nourished
within it. Those who have never experienced such a beneficent influence
will not understand wherefore the tear springs glistening to the eyelids
at some strange breath in lovely music. The mystic chords which bind and
thrill the heart of the nation, they will never know.

Hurstwood's residence could scarcely be said to be infused with this
home spirit. It lacked that toleration and regard without which the
home is nothing. There was fine furniture, arranged as soothingly as the
artistic perception of the occupants warranted. There were soft rugs,
rich, upholstered chairs and divans, a grand piano, a marble carving of
some unknown Venus by some unknown artist, and a number of small bronzes
gathered from heaven knows where, but generally sold by the large
furniture houses along with everything else which goes to make the
"perfectly appointed house."

In the dining-room stood a sideboard laden with glistening decanters and
other utilities and ornaments in glass, the arrangement of which could
not be questioned. Here was something Hurstwood knew about. He had
studied the subject for years in his business. He took no little
satisfaction in telling each Mary, shortly after she arrived, something
of what the art of the thing required. He was not garrulous by any
means. On the contrary, there was a fine reserve in his manner
toward the entire domestic economy of his life which was all that is
comprehended by the popular term, gentlemanly. He would not argue, he
would not talk freely. In his manner was something of the dogmatist.
What he could not correct, he would ignore. There was a tendency in him
to walk away from the impossible thing.

There was a time when he had been considerably enamoured of his Jessica,
especially when he was younger and more confined in his success. Now,
however, in her seventeenth year, Jessica had developed a certain amount
of reserve and independence which was not inviting to the richest form
of parental devotion. She was in the high school, and had notions of
life which were decidedly those of a patrician. She liked nice clothes
and urged for them constantly. Thoughts of love and elegant individual
establishments were running in her head. She met girls at the high
school whose parents were truly rich and whose fathers had standing
locally as partners or owners of solid businesses. These girls gave
themselves the airs befitting the thriving domestic establishments from
whence they issued. They were the only ones of the school about whom
Jessica concerned herself.

Young Hurstwood, Jr., was in his twentieth year, and was already
connected in a promising capacity with a large real estate firm. He
contributed nothing for the domestic expenses of the family, but was
thought to be saving his money to invest in real estate. He had some
ability, considerable vanity, and a love of pleasure that had not, as
yet, infringed upon his duties, whatever they were. He came in and went
out, pursuing his own plans and fancies, addressing a few words to his
mother occasionally, relating some little incident to his father, but
for the most part confining himself to those generalities with which
most conversation concerns itself. He was not laying bare his
desires for any one to see. He did not find any one in the house who
particularly cared to see.

Mrs. Hurstwood was the type of woman who has ever endeavoured to
shine and has been more or less chagrined at the evidences of superior
capability in this direction elsewhere. Her knowledge of life extended
to that little conventional round of society of which she was not--but
longed to be--a member. She was not without realisation already
that this thing was impossible, so far as she was concerned. For her
daughter, she hoped better things. Through Jessica she might rise
a little. Through George, Jr.'s, possible success she might draw to
herself the privilege of pointing proudly. Even Hurstwood was doing well
enough, and she was anxious that his small real estate adventures should
prosper. His property holdings, as yet, were rather small, but his
income was pleasing and his position with Fitzgerald and Moy was fixed.
Both those gentlemen were on pleasant and rather informal terms with
him.

The atmosphere which such personalities would create must be apparent to
all. It worked out in a thousand little conversations, all of which were
of the same calibre.

"I'm going up to Fox Lake to-morrow," announced George, Jr., at the
dinner table one Friday evening.

"What's going on up there?" queried Mrs. Hurstwood.

"Eddie Fahrway's got a new steam launch, and he wants me to come up and
see how it works."

"How much did it cost him?" asked his mother.

"Oh, over two thousand dollars. He says it's a dandy."

"Old Fahrway must be making money," put in Hurstwood.

"He is, I guess. Jack told me they were shipping Vegacura to Australia
now--said they sent a whole box to Cape Town last week."

"Just think of that!" said Mrs. Hurstwood, "and only four years ago they
had that basement in Madison Street."

"Jack told me they were going to put up a six-story building next spring
in Robey Street."

"Just think of that!" said Jessica.

On this particular occasion Hurstwood wished to leave early.

"I guess I'll be going down town," he remarked, rising.

"Are we going to McVicker's Monday?" questioned Mrs. Hurstwood, without
rising.

"Yes," he said indifferently.

They went on dining, while he went upstairs for his hat and coat.
Presently the door clicked.

"I guess papa's gone," said Jessica.

The latter's school news was of a particular stripe.

"They're going to give a performance in the Lyceum, upstairs," she
reported one day, "and I'm going to be in it."

"Are you?" said her mother.

"Yes, and I'll have to have a new dress. Some of the nicest girls in the
school are going to be in it. Miss Palmer is going to take the part of
Portia."

"Is she?" said Mrs. Hurstwood.

"They've got that Martha Griswold in it again. She thinks she can act."

"Her family doesn't amount to anything, does it?" said Mrs. Hurstwood
sympathetically. "They haven't anything, have they?"

"No," returned Jessica, "they're poor as church mice."

She distinguished very carefully between the young boys of the school,
many of whom were attracted by her beauty.

"What do you think?" she remarked to her mother one evening; "that
Herbert Crane tried to make friends with me."

"Who is he, my dear?" inquired Mrs. Hurstwood.

"Oh, no one," said Jessica, pursing her pretty lips. "He's just a
student there. He hasn't anything."

The other half of this picture came when young Blyford, son of Blyford,
the soap manufacturer, walked home with her. Mrs. Hurstwood was on the
third floor, sitting in a rocking-chair reading, and happened to look
out at the time.

"Who was that with you, Jessica?" she inquired, as Jessica came
upstairs.

"It's Mr. Blyford, mamma," she replied.

"Is it?" said Mrs. Hurstwood.

"Yes, and he wants me to stroll over into the park with him," explained
Jessica, a little flushed with running up the stairs.

"All right, my dear," said Mrs. Hurstwood. "Don't be gone long."

As the two went down the street, she glanced interestedly out of the
window. It was a most satisfactory spectacle indeed, most satisfactory.

In this atmosphere Hurstwood had moved for a number of years, not
thinking deeply concerning it. His was not the order of nature to
trouble for something better, unless the better was immediately and
sharply contrasted. As it was, he received and gave, irritated sometimes
by the little displays of selfish indifference, pleased at times by some
show of finery which supposedly made for dignity and social distinction.
The life of the resort which he managed was his life. There he spent
most of his time. When he went home evenings the house looked nice.
With rare exceptions the meals were acceptable, being the kind that an
ordinary servant can arrange. In part, he was interested in the talk
of his son and daughter, who always looked well. The vanity of Mrs.
Hurstwood caused her to keep her person rather showily arrayed, but to
Hurstwood this was much better than plainness. There was no love lost
between them. There was no great feeling of dissatisfaction. Her opinion
on any subject was not startling. They did not talk enough together
to come to the argument of any one point. In the accepted and popular
phrase, she had her ideas and he had his. Once in a while he would meet
a woman whose youth, sprightliness, and humour would make his wife seem
rather deficient by contrast, but the temporary dissatisfaction which
such an encounter might arouse would be counterbalanced by his social
position and a certain matter of policy. He could not complicate his
home life, because it might affect his relations with his employers.
They wanted no scandals. A man, to hold his position, must have
a dignified manner, a clean record, a respectable home anchorage.
Therefore he was circumspect in all he did, and whenever he appeared in
the public ways in the afternoon, or on Sunday, it was with his wife,
and sometimes his children. He would visit the local resorts, or those
near by in Wisconsin, and spend a few stiff, polished days strolling
about conventional places doing conventional things. He knew the need of
it.

When some one of the many middle-class individuals whom he knew, who had
money, would get into trouble, he would shake his head. It didn't do to
talk about those things. If it came up for discussion among such friends
as with him passed for close, he would deprecate the folly of the thing.
"It was all right to do it--all men do those things--but why wasn't he
careful? A man can't be too careful." He lost sympathy for the man that
made a mistake and was found out.

On this account he still devoted some time to showing his wife
about--time which would have been wearisome indeed if it had not been
for the people he would meet and the little enjoyments which did not
depend upon her presence or absence. He watched her with considerable
curiosity at times, for she was still attractive in a way and men
looked at her. She was affable, vain, subject to flattery, and this
combination, he knew quite well, might produce a tragedy in a woman of
her home position. Owing to his order of mind, his confidence in the sex
was not great. His wife never possessed the virtues which would win the
confidence and admiration of a man of his nature. As long as she loved
him vigorously he could see how confidence could be, but when that was
no longer the binding chain--well, something might happen.

During the last year or two the expenses of the family seemed a large
thing. Jessica wanted fine clothes, and Mrs. Hurstwood, not to be
outshone by her daughter, also frequently enlivened her apparel.
Hurstwood had said nothing in the past, but one day he murmured.

"Jessica must have a new dress this month," said Mrs. Hurstwood one
morning.

Hurstwood was arraying himself in one of his perfection vests before the
glass at the time.

"I thought she just bought one," he said.

"That was just something for evening wear," returned his wife
complacently.

"It seems to me," returned Hurstwood, "that she's spending a good deal
for dresses of late."

"Well, she's going out more," concluded his wife, but the tone of his
voice impressed her as containing something she had not heard there
before.

He was not a man who traveled much, but when he did, he had been
accustomed to take her along. On one occasion recently a local
aldermanic junket had been arranged to visit Philadelphia--a junket that
was to last ten days. Hurstwood had been invited.

"Nobody knows us down there," said one, a gentleman whose face was a
slight improvement over gross ignorance and sensuality. He always wore
a silk hat of most imposing proportions. "We can have a good time."
His left eye moved with just the semblance of a wink. "You want to come
along, George."

The next day Hurstwood announced his intention to his wife.

"I'm going away, Julia," he said, "for a few days."

"Where?" she asked, looking up.

"To Philadelphia, on business."

She looked at him consciously, expecting something else.

"I'll have to leave you behind this time."

"All right," she replied, but he could see that she was thinking that it
was a curious thing. Before he went she asked him a few more questions,
and that irritated him. He began to feel that she was a disagreeable
attachment.

On this trip he enjoyed himself thoroughly, and when it was over he
was sorry to get back. He was not willingly a prevaricator, and hated
thoroughly to make explanations concerning it. The whole incident was
glossed over with general remarks, but Mrs. Hurstwood gave the subject
considerable thought. She drove out more, dressed better, and attended
theatres freely to make up for it.

Such an atmosphere could hardly come under the category of home life. It
ran along by force of habit, by force of conventional opinion. With
the lapse of time it must necessarily become dryer and dryer--must
eventually be tinder, easily lighted and destroyed.




In the light of the world's attitude toward woman and her duties, the
nature of Carrie's mental state deserves consideration. Actions such
as hers are measured by an arbitrary scale. Society possesses a
conventional standard whereby it judges all things. All men should be
good, all women virtuous. Wherefore, villain, hast thou failed?

For all the liberal analysis of Spencer and our modern naturalistic
philosophers, we have but an infantile perception of morals. There is
more in the subject than mere conformity to a law of evolution. It is
yet deeper than conformity to things of earth alone. It is more involved
than we, as yet, perceive. Answer, first, why the heart thrills; explain
wherefore some plaintive note goes wandering about the world, undying;
make clear the rose's subtle alchemy evolving its ruddy lamp in light
and rain. In the essence of these facts lie the first principles of
morals.

"Oh," thought Drouet, "how delicious is my conquest."

"Ah," thought Carrie, with mournful misgivings, "what is it I have
lost?"

Before this world-old proposition we stand, serious, interested,
confused; endeavouring to evolve the true theory of morals--the true
answer to what is right.

In the view of a certain stratum of society, Carrie was comfortably
established--in the eyes of the starveling, beaten by every wind and
gusty sheet of rain, she was safe in a halcyon harbour. Drouet had taken
three rooms, furnished, in Ogden Place, facing Union Park, on the West
Side. That was a little, green-carpeted breathing spot, than which,
to-day, there is nothing more beautiful in Chicago. It afforded a vista
pleasant to contemplate. The best room looked out upon the lawn of the
park, now sear and brown, where a little lake lay sheltered. Over the
bare limbs of the trees, which now swayed in the wintry wind, rose the
steeple of the Union Park Congregational Church, and far off the towers
of several others.

The rooms were comfortably enough furnished. There was a good Brussels
carpet on the floor, rich in dull red and lemon shades, and representing
large jardinieres filled with gorgeous, impossible flowers. There was a
large pier-glass mirror between the two windows. A large, soft, green,
plush-covered couch occupied one corner, and several rocking-chairs
were set about. Some pictures, several rugs, a few small pieces of
bric-a-brac, and the tale of contents is told.

In the bedroom, off the front room, was Carrie's trunk, bought by
Drouet, and in the wardrobe built into the wall quite an array of
clothing--more than she had ever possessed before, and of very becoming
designs. There was a third room for possible use as a kitchen, where
Drouet had Carrie establish a little portable gas stove for the
preparation of small lunches, oysters, Welsh rarebits, and the like, of
which he was exceedingly fond; and, lastly, a bath. The whole place was
cosey, in that it was lighted by gas and heated by furnace registers,
possessing also a small grate, set with an asbestos back, a method of
cheerful warming which was then first coming into use. By her industry
and natural love of order, which now developed, the place maintained an
air pleasing in the extreme.

Here, then, was Carrie, established in a pleasant fashion, free of
certain difficulties which most ominously confronted her, laden with
many new ones which were of a mental order, and altogether so turned
about in all of her earthly relationships that she might well have been
a new and different individual. She looked into her glass and saw a
prettier Carrie than she had seen before; she looked into her mind, a
mirror prepared of her own and the world's opinions, and saw a worse.
Between these two images she wavered, hesitating which to believe.

"My, but you're a little beauty," Drouet was wont to exclaim to her.

She would look at him with large, pleased eyes.

"You know it, don't you?" he would continue.

"Oh, I don't know," she would reply, feeling delight in the fact that
one should think so, hesitating to believe, though she really did, that
she was vain enough to think so much of herself.

Her conscience, however, was not a Drouet, interested to praise. There
she heard a different voice, with which she argued, pleaded, excused. It
was no just and sapient counsellor, in its last analysis. It was only an
average little conscience, a thing which represented the world, her past
environment, habit, convention, in a confused way. With it, the voice of
the people was truly the voice of God.

"Oh, thou failure!" said the voice.

"Why?" she questioned.

"Look at those about," came the whispered answer. "Look at those who are
good. How would they scorn to do what you have done. Look at the good
girls; how will they draw away from such as you when they know you have
been weak. You had not tried before you failed."

It was when Carrie was alone, looking out across the park, that she
would be listening to this. It would come infrequently--when something
else did not interfere, when the pleasant side was not too apparent,
when Drouet was not there. It was somewhat clear in utterance at first,
but never wholly convincing. There was always an answer, always the
December days threatened. She was alone; she was desireful; she was
fearful of the whistling wind. The voice of want made answer for her.

Once the bright days of summer pass by, a city takes on that sombre
garb of grey, wrapt in which it goes about its labours during the long
winter. Its endless buildings look grey, its sky and its streets assume
a sombre hue; the scattered, leafless trees and wind-blown dust and
paper but add to the general solemnity of colour. There seems to be
something in the chill breezes which scurry through the long, narrow
thoroughfares productive of rueful thoughts. Not poets alone, nor
artists, nor that superior order of mind which arrogates to itself all
refinement, feel this, but dogs and all men. These feel as much as the
poet, though they have not the same power of expression. The sparrow
upon the wire, the cat in the doorway, the dray horse tugging his weary
load, feel the long, keen breaths of winter. It strikes to the heart of
all life, animate and inanimate. If it were not for the artificial fires
of merriment, the rush of profit-seeking trade, and pleasure-selling
amusements; if the various merchants failed to make the customary
display within and without their establishments; if our streets were
not strung with signs of gorgeous hues and thronged with hurrying
purchasers, we would quickly discover how firmly the chill hand of
winter lays upon the heart; how dispiriting are the days during which
the sun withholds a portion of our allowance of light and warmth. We are
more dependent upon these things than is often thought. We are insects
produced by heat, and pass without it.

In the drag of such a grey day the secret voice would reassert itself,
feebly and more feebly.

Such mental conflict was not always uppermost. Carrie was not by any
means a gloomy soul. More, she had not the mind to get firm hold upon a
definite truth. When she could not find her way out of the labyrinth of
ill-logic which thought upon the subject created, she would turn away
entirely.

Drouet, all the time, was conducting himself in a model way for one of
his sort. He took her about a great deal, spent money upon her, and when
he travelled took her with him. There were times when she would be
alone for two or three days, while he made the shorter circuits of his
business, but, as a rule, she saw a great deal of him.

"Say, Carrie," he said one morning, shortly after they had so
established themselves, "I've invited my friend Hurstwood to come out
some day and spend the evening with us."

"Who is he?" asked Carrie doubtfully.

"Oh, he's a nice man. He's manager of Fitzgerald and Moy's."

"What's that?" said Carrie.

"The finest resort in town. It's a way-up, swell place."

Carrie puzzled a moment. She was wondering what Drouet had told him,
what her attitude would be.

"That's all right," said Drouet, feeling her thought. "He doesn't know
anything. You're Mrs. Drouet now."

There was something about this which struck Carrie as slightly
inconsiderate. She could see that Drouet did not have the keenest
sensibilities.

"Why don't we get married?" she inquired, thinking of the voluble
promises he had made.

"Well, we will," he said, "just as soon as I get this little deal of
mine closed up."

He was referring to some property which he said he had, and which
required so much attention, adjustment, and what not, that somehow or
other it interfered with his free moral, personal actions.

"Just as soon as I get back from my Denver trip in January we'll do it."

Carrie accepted this as basis for hope--it was a sort of salve to her
conscience, a pleasant way out. Under the circumstances, things would be
righted. Her actions would be justified. She really was not enamoured of
Drouet. She was more clever than he. In a dim way, she was beginning to
see where he lacked. If it had not been for this, if she had not been
able to measure and judge him in a way, she would have been worse off
than she was. She would have adored him. She would have been utterly
wretched in her fear of not gaining his affection, of losing his
interest, of being swept away and left without an anchorage. As it
was, she wavered a little, slightly anxious, at first, to gain him
completely, but later feeling at ease in waiting. She was not exactly
sure what she thought of him--what she wanted to do.

When Hurstwood called, she met a man who was more clever than Drouet
in a hundred ways. He paid that peculiar deference to women which every
member of the sex appreciates. He was not overawed, he was not overbold.
His great charm was attentiveness. Schooled in winning those birds of
fine feather among his own sex, the merchants and professionals who
visited his resort, he could use even greater tact when endeavouring to
prove agreeable to some one who charmed him. In a pretty woman of any
refinement of feeling whatsoever he found his greatest incentive. He
was mild, placid, assured, giving the impression that he wished to be of
service only--to do something which would make the lady more pleased.

Drouet had ability in this line himself when the game was worth the
candle, but he was too much the egotist to reach the polish which
Hurstwood possessed. He was too buoyant, too full of ruddy life, too
assured. He succeeded with many who were not quite schooled in the art
of love. He failed dismally where the woman was slightly experienced and
possessed innate refinement. In the case of Carrie he found a woman who
was all of the latter, but none of the former. He was lucky in the fact
that opportunity tumbled into his lap, as it were. A few years later,
with a little more experience, the slightest tide of success, and he had
not been able to approach Carrie at all.

"You ought to have a piano here, Drouet," said Hurstwood, smiling at
Carrie, on the evening in question, "so that your wife could play."

Drouet had not thought of that.

"So we ought," he observed readily.

"Oh, I don't play," ventured Carrie.

"It isn't very difficult," returned Hurstwood. "You could do very well
in a few weeks."

He was in the best form for entertaining this evening. His clothes were
particularly new and rich in appearance. The coat lapels stood out with
that medium stiffness which excellent cloth possesses. The vest was of
a rich Scotch plaid, set with a double row of round mother-of-pearl
buttons. His cravat was a shiny combination of silken threads, not loud,
not inconspicuous. What he wore did not strike the eye so forcibly
as that which Drouet had on, but Carrie could see the elegance of the
material. Hurstwood's shoes were of soft, black calf, polished only to a
dull shine. Drouet wore patent leather but Carrie could not help feeling
that there was a distinction in favour of the soft leather, where all
else was so rich. She noticed these things almost unconsciously. They
were things which would naturally flow from the situation. She was used
to Drouet's appearance.

"Suppose we have a little game of euchre?" suggested Hurstwood, after
a light round of conversation. He was rather dexterous in avoiding
everything that would suggest that he knew anything of Carrie's past. He
kept away from personalities altogether, and confined himself to those
things which did not concern individuals at all. By his manner, he put
Carrie at her ease, and by his deference and pleasantries he amused her.
He pretended to be seriously interested in all she said.

"I don't know how to play," said Carrie.

"Charlie, you are neglecting a part of your duty," he observed to Drouet
most affably. "Between us, though," he went on, "we can show you."

By his tact he made Drouet feel that he admired his choice. There was
something in his manner that showed that he was pleased to be there.
Drouet felt really closer to him than ever before. It gave him more
respect for Carrie. Her appearance came into a new light, under
Hurstwood's appreciation. The situation livened considerably.

"Now, let me see," said Hurstwood, looking over Carrie's shoulder very
deferentially. "What have you?" He studied for a moment. "That's rather
good," he said.

"You're lucky. Now, I'll show you how to trounce your husband. You take
my advice."

"Here," said Drouet, "if you two are going to scheme together, I won't
stand a ghost of a show. Hurstwood's a regular sharp."

"No, it's your wife. She brings me luck. Why shouldn't she win?"

Carrie looked gratefully at Hurstwood, and smiled at Drouet. The former
took the air of a mere friend. He was simply there to enjoy himself.
Anything that Carrie did was pleasing to him, nothing more.

"There," he said, holding back one of his own good cards, and giving
Carrie a chance to take a trick. "I count that clever playing for a
beginner."

The latter laughed gleefully as she saw the hand coming her way. It was
as if she were invincible when Hurstwood helped her.

He did not look at her often. When he did, it was with a mild light in
his eye. Not a shade was there of anything save geniality and kindness.
He took back the shifty, clever gleam, and replaced it with one of
innocence. Carrie could not guess but that it was pleasure with him in
the immediate thing. She felt that he considered she was doing a great
deal.

"It's unfair to let such playing go without earning something," he said
after a time, slipping his finger into the little coin pocket of his
coat. "Let's play for dimes."

"All right," said Drouet, fishing for bills.

Hurstwood was quicker. His fingers were full of new ten-cent pieces.
"Here we are," he said, supplying each one with a little stack.

"Oh, this is gambling," smiled Carrie. "It's bad."

"No," said Drouet, "only fun. If you never play for more than that, you
will go to Heaven."

"Don't you moralise," said Hurstwood to Carrie gently, "until you see
what becomes of the money."

Drouet smiled.

"If your husband gets them, he'll tell you how bad it is."

Drouet laughed loud.

There was such an ingratiating tone about Hurstwood's voice, the
insinuation was so perceptible that even Carrie got the humour of it.

"When do you leave?" said Hurstwood to Drouet.

"On Wednesday," he replied.

"It's rather hard to have your husband running about like that, isn't
it?" said Hurstwood, addressing Carrie.

"She's going along with me this time," said Drouet.

"You must both go with me to the theatre before you go."

"Certainly," said Drouet. "Eh, Carrie?"

"I'd like it ever so much," she replied.

Hurstwood did his best to see that Carrie won the money. He rejoiced in
her success, kept counting her winnings, and finally gathered and put
them in her extended hand. They spread a little lunch, at which he
served the wine, and afterwards he used fine tact in going.

"Now," he said, addressing first Carrie and then Drouet with his eyes,
"you must be ready at 7.30. I'll come and get you."

They went with him to the door and there was his cab waiting, its red
lamps gleaming cheerfully in the shadow.

"Now," he observed to Drouet, with a tone of good-fellowship, "when you
leave your wife alone, you must let me show her around a little. It will
break up her loneliness."

"Sure," said Drouet, quite pleased at the attention shown.

"You're so kind," observed Carrie.

"Not at all," said Hurstwood, "I would want your husband to do as much
for me."

He smiled and went lightly away. Carrie was thoroughly impressed. She
had never come in contact with such grace. As for Drouet, he was equally
pleased.

"There's a nice man," he remarked to Carrie, as they returned to their
cosey chamber. "A good friend of mine, too."

"He seems to be," said Carrie.




Carrie was an apt student of fortune's ways--of fortune's
superficialities. Seeing a thing, she would immediately set to inquiring
how she would look, properly related to it. Be it known that this is not
fine feeling, it is not wisdom. The greatest minds are not so afflicted;
and on the contrary, the lowest order of mind is not so disturbed.
Fine clothes to her were a vast persuasion; they spoke tenderly and
Jesuitically for themselves. When she came within earshot of their
pleading, desire in her bent a willing ear. The voice of the so-called
inanimate! Who shall translate for us the language of the stones?

"My dear," said the lace collar she secured from Partridge's, "I fit you
beautifully; don't give me up."

"Ah, such little feet," said the leather of the soft new shoes; "how
effectively I cover them. What a pity they should ever want my aid."

Once these things were in her hand, on her person, she might dream of
giving them up; the method by which they came might intrude itself so
forcibly that she would ache to be rid of the thought of it, but she
would not give them up. "Put on the old clothes--that torn pair of
shoes," was called to her by her conscience in vain. She could possibly
have conquered the fear of hunger and gone back; the thought of hard
work and a narrow round of suffering would, under the last pressure of
conscience, have yielded, but spoil her appearance?--be old-clothed and
poor-appearing?--never!

Drouet heightened her opinion on this and allied subjects in such a
manner as to weaken her power of resisting their influence. It is so
easy to do this when the thing opined is in the line of what we desire.
In his hearty way, he insisted upon her good looks. He looked at her
admiringly, and she took it at its full value. Under the circumstances,
she did not need to carry herself as pretty women do. She picked that
knowledge up fast enough for herself. Drouet had a habit, characteristic
of his kind, of looking after stylishly dressed or pretty women on the
street and remarking upon them. He had just enough of the feminine love
of dress to be a good judge--not of intellect, but of clothes. He saw
how they set their little feet, how they carried their chins, with what
grace and sinuosity they swung their bodies. A dainty, self-conscious
swaying of the hips by a woman was to him as alluring as the glint of
rare wine to a toper. He would turn and follow the disappearing vision
with his eyes. He would thrill as a child with the unhindered passion
that was in him. He loved the thing that women love in themselves,
grace. At this, their own shrine, he knelt with them, an ardent devotee.

"Did you see that woman who went by just now?" he said to Carrie on the
first day they took a walk together. "Fine stepper, wasn't she?"

Carrie looked, and observed the grace commended.

"Yes, she is," she returned, cheerfully, a little suggestion of possible
defect in herself awakening in her mind. If that was so fine, she must
look at it more closely. Instinctively, she felt a desire to imitate it.
Surely she could do that too.

When one of her mind sees many things emphasized and re-emphasized and
admired, she gathers the logic of it and applies accordingly. Drouet
was not shrewd enough to see that this was not tactful. He could not
see that it would be better to make her feel that she was competing with
herself, not others better than herself. He would not have done it with
an older, wiser woman, but in Carrie he saw only the novice. Less clever
than she, he was naturally unable to comprehend her sensibility. He
went on educating and wounding her, a thing rather foolish in one whose
admiration for his pupil and victim was apt to grow.

Carrie took the instructions affably. She saw what Drouet liked; in a
vague way she saw where he was weak. It lessens a woman's opinion of a
man when she learns that his admiration is so pointedly and generously
distributed. She sees but one object of supreme compliment in this
world, and that is herself. If a man is to succeed with many women, he
must be all in all to each.

In her own apartments Carrie saw things which were lessons in the same
school.

In the same house with her lived an official of one of the theatres, Mr.
Frank A. Hale, manager of the Standard, and his wife, a pleasing-looking
brunette of thirty-five. They were people of a sort very common in
America today, who live respectably from hand to mouth. Hale received
a salary of forty-five dollars a week. His wife, quite attractive,
affected the feeling of youth, and objected to that sort of home life
which means the care of a house and the raising of a family. Like Drouet
and Carrie, they also occupied three rooms on the floor above.

Not long after she arrived Mrs. Hale established social relations with
her, and together they went about. For a long time this was her only
companionship, and the gossip of the manager's wife formed the medium
through which she saw the world. Such trivialities, such praises of
wealth, such conventional expression of morals as sifted through this
passive creature's mind, fell upon Carrie and for the while confused
her.

On the other hand, her own feelings were a corrective influence. The
constant drag to something better was not to be denied. By those things
which address the heart was she steadily recalled. In the apartments
across the hall were a young girl and her mother. They were from
Evansville, Indiana, the wife and daughter of a railroad treasurer. The
daughter was here to study music, the mother to keep her company.

Carrie did not make their acquaintance, but she saw the daughter coming
in and going out. A few times she had seen her at the piano in the
parlour, and not infrequently had heard her play. This young woman was
particularly dressy for her station, and wore a jewelled ring or two
which flashed upon her white fingers as she played.

Now Carrie was affected by music. Her nervous composition responded
to certain strains, much as certain strings of a harp vibrate when a
corresponding key of a piano is struck. She was delicately moulded
in sentiment, and answered with vague ruminations to certain wistful
chords. They awoke longings for those things which she did not have.
They caused her to cling closer to things she possessed. One short song
the young lady played in a most soulful and tender mood. Carrie heard
it through the open door from the parlour below. It was at that hour
between afternoon and night when, for the idle, the wanderer, things are
apt to take on a wistful aspect. The mind wanders forth on far journeys
and returns with sheaves of withered and departed joys. Carrie sat at
her window looking out. Drouet had been away since ten in the morning.
She had amused herself with a walk, a book by Bertha M. Clay which
Drouet had left there, though she did not wholly enjoy the latter, and
by changing her dress for the evening. Now she sat looking out across
the park as wistful and depressed as the nature which craves variety and
life can be under such circumstances. As she contemplated her new state,
the strain from the parlour below stole upward. With it her thoughts
became coloured and enmeshed. She reverted to the things which were best
and saddest within the small limit of her experience. She became for the
moment a repentant.

While she was in this mood Drouet came in, bringing with him an entirely
different atmosphere. It was dusk and Carrie had neglected to light the
lamp. The fire in the grate, too, had burned low.

"Where are you, Cad?" he said, using a pet name he had given her.

"Here," she answered.

There was something delicate and lonely in her voice, but he could not
hear it. He had not the poetry in him that would seek a woman out under
such circumstances and console her for the tragedy of life. Instead, he
struck a match and lighted the gas.

"Hello," he exclaimed, "you've been crying."

Her eyes were still wet with a few vague tears.

"Pshaw," he said, "you don't want to do that."

He took her hand, feeling in his good-natured egotism that it was
probably lack of his presence which had made her lonely.

"Come on, now," he went on; "it's all right. Let's waltz a little to
that music."

He could not have introduced a more incongruous proposition. It made
clear to Carrie that he could not sympathise with her. She could not
have framed thoughts which would have expressed his defect or made clear
the difference between them, but she felt it. It was his first great
mistake.

What Drouet said about the girl's grace, as she tripped out evenings
accompanied by her mother, caused Carrie to perceive the nature and
value of those little modish ways which women adopt when they would
presume to be something. She looked in the mirror and pursed up her
lips, accompanying it with a little toss of the head, as she had seen
the railroad treasurer's daughter do. She caught up her skirts with an
easy swing, for had not Drouet remarked that in her and several others,
and Carrie was naturally imitative. She began to get the hang of those
little things which the pretty woman who has vanity invariably adopts.
In short, her knowledge of grace doubled, and with it her appearance
changed. She became a girl of considerable taste.

Drouet noticed this. He saw the new bow in her hair and the new way of
arranging her locks which she affected one morning.

"You look fine that way, Cad," he said.

"Do I?" she replied, sweetly. It made her try for other effects that
selfsame day.

She used her feet less heavily, a thing that was brought about by her
attempting to imitate the treasurer's daughter's graceful carriage. How
much influence the presence of that young woman in the same house had
upon her it would be difficult to say. But, because of all these things,
when Hurstwood called he had found a young woman who was much more than
the Carrie to whom Drouet had first spoken. The primary defects of dress
and manner had passed. She was pretty, graceful, rich in the timidity
born of uncertainty, and with a something childlike in her large eyes
which captured the fancy of this starched and conventional poser among
men. It was the ancient attraction of the fresh for the stale. If
there was a touch of appreciation left in him for the bloom and
unsophistication which is the charm of youth, it rekindled now. He
looked into her pretty face and felt the subtle waves of young life
radiating therefrom. In that large clear eye he could see nothing that
his blase nature could understand as guile. The little vanity, if he
could have perceived it there, would have touched him as a pleasant
thing.

"I wonder," he said, as he rode away in his cab, "how Drouet came to win
her."

He gave her credit for feelings superior to Drouet at the first glance.

The cab plopped along between the far-receding lines of gas lamps on
either hand. He folded his gloved hands and saw only the lighted chamber
and Carrie's face. He was pondering over the delight of youthful beauty.

"I'll have a bouquet for her," he thought. "Drouet won't mind." He
never for a moment concealed the fact of her attraction for himself.
He troubled himself not at all about Drouet's priority. He was merely
floating those gossamer threads of thought which, like the spider's,
he hoped would lay hold somewhere. He did not know, he could not guess,
what the result would be.

A few weeks later Drouet, in his peregrinations, encountered one of his
well-dressed lady acquaintances in Chicago on his return from a short
trip to Omaha. He had intended to hurry out to Ogden Place and surprise
Carrie, but now he fell into an interesting conversation and soon
modified his original intention.

"Let's go to dinner," he said, little recking any chance meeting which
might trouble his way.

"Certainly," said his companion.

They visited one of the better restaurants for a social chat. It was
five in the afternoon when they met; it was seven-thirty before the last
bone was picked.

Drouet was just finishing a little incident he was relating, and his
face was expanding into a smile, when Hurstwood's eye caught his own.
The latter had come in with several friends, and, seeing Drouet and some
woman, not Carrie, drew his own conclusion.

"Ah, the rascal," he thought, and then, with a touch of righteous
sympathy, "that's pretty hard on the little girl."

Drouet jumped from one easy thought to another as he caught Hurstwood's
eye. He felt but very little misgiving, until he saw that Hurstwood was
cautiously pretending not to see. Then some of the latter's impression
forced itself upon him. He thought of Carrie and their last meeting.
By George, he would have to explain this to Hurstwood. Such a chance
half-hour with an old friend must not have anything more attached to it
than it really warranted.

For the first time he was troubled. Here was a moral complication of
which he could not possibly get the ends. Hurstwood would laugh at him
for being a fickle boy. He would laugh with Hurstwood. Carrie would
never hear, his present companion at table would never know, and yet he
could not help feeling that he was getting the worst of it--there was
some faint stigma attached, and he was not guilty. He broke up the
dinner by becoming dull, and saw his companion on her car. Then he went
home.

"He hasn't talked to me about any of these later flames," thought
Hurstwood to himself. "He thinks I think he cares for the girl out
there."

"He ought not to think I'm knocking around, since I have just introduced
him out there," thought Drouet.

"I saw you," Hurstwood said, genially, the next time Drouet drifted in
to his polished resort, from which he could not stay away. He raised his
forefinger indicatively, as parents do to children.

"An old acquaintance of mine that I ran into just as I was coming up
from the station," explained Drouet. "She used to be quite a beauty."

"Still attracts a little, eh?" returned the other, affecting to jest.

"Oh, no," said Drouet, "just couldn't escape her this time."

"How long are you here?" asked Hurstwood.

"Only a few days."

"You must bring the girl down and take dinner with me," he said.
"I'm afraid you keep her cooped up out there. I'll get a box for Joe
Jefferson."

"Not me," answered the drummer. "Sure I'll come."

This pleased Hurstwood immensely. He gave Drouet no credit for any
feelings toward Carrie whatever. He envied him, and now, as he looked at
the well-dressed jolly salesman, whom he so much liked, the gleam of
the rival glowed in his eye. He began to "size up" Drouet from the
standpoints of wit and fascination. He began to look to see where he was
weak. There was no disputing that, whatever he might think of him as a
good fellow, he felt a certain amount of contempt for him as a lover. He
could hoodwink him all right. Why, if he would just let Carrie see one
such little incident as that of Thursday, it would settle the matter.
He ran on in thought, almost exulting, the while he laughed and chatted,
and Drouet felt nothing. He had no power of analysing the glance and the
atmosphere of a man like Hurstwood. He stood and smiled and accepted the
invitation while his friend examined him with the eye of a hawk.

The object of this peculiarly involved comedy was not thinking of
either. She was busy adjusting her thoughts and feelings to newer
conditions, and was not in danger of suffering disturbing pangs from
either quarter. One evening Drouet found her dressing herself before the
glass.

"Cad," said he, catching her, "I believe you're getting vain."

"Nothing of the kind," she returned, smiling.

"Well, you're mighty pretty," he went on, slipping his arm around her.
"Put on that navy-blue dress of yours and I'll take you to the show."

"Oh, I've promised Mrs. Hale to go with her to the Exposition to-night,"
she returned, apologetically.

"You did, eh?" he said, studying the situation abstractedly. "I wouldn't
care to go to that myself."

"Well, I don't know," answered Carrie, puzzling, but not offering to
break her promise in his favour.

Just then a knock came at their door and the maidservant handed a letter
in.

"He says there's an answer expected," she explained.

"It's from Hurstwood," said Drouet, noting the superscription as he tore
it open.

"You are to come down and see Joe Jefferson with me to-night," it ran
in part. "It's my turn, as we agreed the other day. All other bets are
off."

"Well, what do you say to this?" asked Drouet, innocently, while
Carrie's mind bubbled with favourable replies.

"You had better decide, Charlie," she said, reservedly.

"I guess we had better go, if you can break that engagement upstairs,"
said Drouet.

"Oh, I can," returned Carrie without thinking.

Drouet selected writing paper while Carrie went to change her dress. She
hardly explained to herself why this latest invitation appealed to her
most.

"Shall I wear my hair as I did yesterday?" she asked, as she came out
with several articles of apparel pending.

"Sure," he returned, pleasantly.

She was relieved to see that he felt nothing. She did not credit her
willingness to go to any fascination Hurstwood held for her. It
seemed that the combination of Hurstwood, Drouet, and herself was
more agreeable than anything else that had been suggested. She arrayed
herself most carefully and they started off, extending excuses upstairs.

"I say," said Hurstwood, as they came up the theatre lobby, "we are
exceedingly charming this evening."

Carrie fluttered under his approving glance.

"Now, then," he said, leading the way up the foyer into the theatre.

If ever there was dressiness it was here. It was the personification of
the old term spick and span.

"Did you ever see Jefferson?" he questioned, as he leaned toward Carrie
in the box.

"I never did," she returned.

"He's delightful, delightful," he went on, giving the commonplace
rendition of approval which such men know. He sent Drouet after a
programme, and then discoursed to Carrie concerning Jefferson as he had
heard of him. The former was pleased beyond expression, and was really
hypnotised by the environment, the trappings of the box, the elegance of
her companion. Several times their eyes accidentally met, and then
there poured into hers such a flood of feeling as she had never before
experienced. She could not for the moment explain it, for in the next
glance or the next move of the hand there was seeming indifference,
mingled only with the kindest attention.

Drouet shared in the conversation, but he was almost dull in comparison.
Hurstwood entertained them both, and now it was driven into Carrie's
mind that here was the superior man. She instinctively felt that he was
stronger and higher, and yet withal so simple. By the end of the third
act she was sure that Drouet was only a kindly soul, but otherwise
defective. He sank every moment in her estimation by the strong
comparison.

"I have had such a nice time," said Carrie, when it was all over and
they were coming out.

"Yes, indeed," added Drouet, who was not in the least aware that a
battle had been fought and his defences weakened. He was like the
Emperor of China, who sat glorying in himself, unaware that his fairest
provinces were being wrested from him.

"Well, you have saved me a dreary evening," returned Hurstwood.
"Good-night."

He took Carrie's little hand, and a current of feeling swept from one to
the other.

"I'm so tired," said Carrie, leaning back in the car when Drouet began
to talk.

"Well, you rest a little while I smoke," he said, rising, and then he
foolishly went to the forward platform of the car and left the game as
it stood.




Mrs. Hurstwood was not aware of any of her husband's moral defections,
though she might readily have suspected his tendencies, which she well
understood. She was a woman upon whose action under provocation you
could never count. Hurstwood, for one, had not the slightest idea of
what she would do under certain circumstances. He had never seen her
thoroughly aroused. In fact, she was not a woman who would fly into a
passion. She had too little faith in mankind not to know that they were
erring. She was too calculating to jeopardize any advantage she might
gain in the way of information by fruitless clamour. Her wrath would
never wreak itself in one fell blow. She would wait and brood, studying
the details and adding to them until her power might be commensurate
with her desire for revenge. At the same time, she would not delay to
inflict any injury, big or little, which would wound the object of her
revenge and still leave him uncertain as to the source of the evil. She
was a cold, self-centred woman, with many a thought of her own which
never found expression, not even by so much as the glint of an eye.

Hurstwood felt some of this in her nature, though he did not actually
perceive it. He dwelt with her in peace and some satisfaction. He did
not fear her in the least--there was no cause for it. She still took a
faint pride in him, which was augmented by her desire to have her social
integrity maintained. She was secretly somewhat pleased by the fact
that much of her husband's property was in her name, a precaution which
Hurstwood had taken when his home interests were somewhat more alluring
than at present. His wife had not the slightest reason to feel that
anything would ever go amiss with their household, and yet the shadows
which run before gave her a thought of the good of it now and then. She
was in a position to become refractory with considerable advantage, and
Hurstwood conducted himself circumspectly because he felt that he could
not be sure of anything once she became dissatisfied.

It so happened that on the night when Hurstwood, Carrie, and Drouet
were in the box at McVickar's, George, Jr., was in the sixth row of the
parquet with the daughter of H. B. Carmichael, the third partner of a
wholesale dry-goods house of that city. Hurstwood did not see his son,
for he sat, as was his wont, as far back as possible, leaving himself
just partially visible, when he bent forward, to those within the
first six rows in question. It was his wont to sit this way in every
theatre--to make his personality as inconspicuous as possible where it
would be no advantage to him to have it otherwise.

He never moved but what, if there was any danger of his conduct being
misconstrued or ill-reported, he looked carefully about him and counted
the cost of every inch of conspicuity.

The next morning at breakfast his son said:

"I saw you, Governor, last night."

"Were you at McVickar's?" said Hurstwood, with the best grace in the
world.

"Yes," said young George.

"Who with?"

"Miss Carmichael."

Mrs. Hurstwood directed an inquiring glance at her husband, but could
not judge from his appearance whether it was any more than a casual look
into the theatre which was referred to.

"How was the play?" she inquired.

"Very good," returned Hurstwood, "only it's the same old thing, 'Rip Van
Winkle.'"

"Whom did you go with?" queried his wife, with assumed indifference.

"Charlie Drouet and his wife. They are friends of Moy's, visiting here."

Owing to the peculiar nature of his position, such a disclosure as this
would ordinarily create no difficulty. His wife took it for granted that
his situation called for certain social movements in which she might not
be included. But of late he had pleaded office duty on several occasions
when his wife asked for his company to any evening entertainment. He
had done so in regard to the very evening in question only the morning
before.

"I thought you were going to be busy," she remarked, very carefully.

"So I was," he exclaimed. "I couldn't help the interruption, but I made
up for it afterward by working until two."

This settled the discussion for the time being, but there was a residue
of opinion which was not satisfactory. There was no time at which the
claims of his wife could have been more unsatisfactorily pushed. For
years he had been steadily modifying his matrimonial devotion, and found
her company dull. Now that a new light shone upon the horizon, this
older luminary paled in the west. He was satisfied to turn his face away
entirely, and any call to look back was irksome.

She, on the contrary, was not at all inclined to accept anything less
than a complete fulfilment of the letter of their relationship, though
the spirit might be wanting.

"We are coming down town this afternoon," she remarked, a few days
later. "I want you to come over to Kinsley's and meet Mr. Phillips and
his wife. They're stopping at the Tremont, and we're going to show them
around a little."

After the occurrence of Wednesday, he could not refuse, though the
Phillips were about as uninteresting as vanity and ignorance could make
them. He agreed, but it was with short grace. He was angry when he left
the house.

"I'll put a stop to this," he thought. "I'm not going to be bothered
fooling around with visitors when I have work to do."

Not long after this Mrs. Hurstwood came with a similar proposition, only
it was to a matinee this time.

"My dear," he returned, "I haven't time. I'm too busy."

"You find time to go with other people, though," she replied, with
considerable irritation.

"Nothing of the kind," he answered. "I can't avoid business relations,
and that's all there is to it."

"Well, never mind," she exclaimed. Her lips tightened. The feeling of
mutual antagonism was increased.

On the other hand, his interest in Drouet's little shop-girl grew in an
almost evenly balanced proportion. That young lady, under the stress of
her situation and the tutelage of her new friend, changed effectively.
She had the aptitude of the struggler who seeks emancipation. The
glow of a more showy life was not lost upon her. She did not grow in
knowledge so much as she awakened in the matter of desire. Mrs. Hale's
extended harangues upon the subjects of wealth and position taught her
to distinguish between degrees of wealth. Mrs. Hale loved to drive in
the afternoon in the sun when it was fine, and to satisfy her soul with
a sight of those mansions and lawns which she could not afford. On the
North Side had been erected a number of elegant mansions along what is
now known as the North Shore Drive. The present lake wall of stone and
granitoid was not then in place, but the road had been well laid out,
the intermediate spaces of lawn were lovely to look upon, and the houses
were thoroughly new and imposing. When the winter season had passed and
the first fine days of the early spring appeared, Mrs. Hale secured
a buggy for an afternoon and invited Carrie. They rode first through
Lincoln Park and on far out towards Evanston, turning back at four and
arriving at the north end of the Shore Drive at about five o'clock.
At this time of year the days are still comparatively short, and the
shadows of the evening were beginning to settle down upon the great
city. Lamps were beginning to burn with that mellow radiance which seems
almost watery and translucent to the eye. There was a softness in the
air which speaks with an infinite delicacy of feeling to the flesh
as well as to the soul. Carrie felt that it was a lovely day. She was
ripened by it in spirit for many suggestions. As they drove along the
smooth pavement an occasional carriage passed. She saw one stop and
the footman dismount, opening the door for a gentleman who seemed to
be leisurely returning from some afternoon pleasure. Across the broad
lawns, now first freshening into green, she saw lamps faintly glowing
upon rich interiors. Now it was but a chair, now a table, now an ornate
corner, which met her eye, but it appealed to her as almost nothing else
could. Such childish fancies as she had had of fairy palaces and kingly
quarters now came back. She imagined that across these richly carved
entrance-ways, where the globed and crystalled lamps shone upon panelled
doors set with stained and designed panes of glass, was neither care nor
unsatisfied desire. She was perfectly certain that here was happiness.
If she could but stroll up yon broad walk, cross that rich entrance-way,
which to her was of the beauty of a jewel, and sweep in grace and luxury
to possession and command--oh! how quickly would sadness flee; how, in
an instant, would the heartache end. She gazed and gazed, wondering,
delighting, longing, and all the while the siren voice of the unrestful
was whispering in her ear.

"If we could have such a home as that," said Mrs. Hale sadly, "how
delightful it would be."

"And yet they do say," said Carrie, "that no one is ever happy."

She had heard so much of the canting philosophy of the grapeless fox.

"I notice," said Mrs. Hale, "that they all try mighty hard, though, to
take their misery in a mansion."

When she came to her own rooms, Carrie saw their comparative
insignificance. She was not so dull but that she could perceive
they were but three small rooms in a moderately well-furnished
boarding-house. She was not contrasting it now with what she had had,
but what she had so recently seen. The glow of the palatial doors was
still in her eye, the roll of cushioned carriages still in her ears.
What, after all, was Drouet? What was she? At her window, she thought it
over, rocking to and fro, and gazing out across the lamp-lit park toward
the lamp-lit houses on Warren and Ashland avenues. She was too wrought
up to care to go down to eat, too pensive to do aught but rock and sing.
Some old tunes crept to her lips, and, as she sang them, her heart sank.
She longed and longed and longed. It was now for the old cottage room in
Columbia City, now the mansion upon the Shore Drive, now the fine
dress of some lady, now the elegance of some scene. She was sad beyond
measure, and yet uncertain, wishing, fancying. Finally, it seemed as
if all her state was one of loneliness and forsakenness, and she could
scarce refrain from trembling at the lip. She hummed and hummed as the
moments went by, sitting in the shadow by the window, and was therein as
happy, though she did not perceive it, as she ever would be.

While Carrie was still in this frame of mind, the house-servant brought
up the intelligence that Mr. Hurstwood was in the parlour asking to see
Mr. and Mrs. Drouet.

"I guess he doesn't know that Charlie is out of town," thought Carrie.

She had seen comparatively little of the manager during the winter,
but had been kept constantly in mind of him by one thing and another,
principally by the strong impression he had made. She was quite
disturbed for the moment as to her appearance, but soon satisfied
herself by the aid of the mirror, and went below.

Hurstwood was in his best form, as usual. He hadn't heard that Drouet
was out of town. He was but slightly affected by the intelligence, and
devoted himself to the more general topics which would interest Carrie.
It was surprising--the ease with which he conducted a conversation. He
was like every man who has had the advantage of practice and knows he
has sympathy. He knew that Carrie listened to him pleasurably, and,
without the least effort, he fell into a train of observation which
absorbed her fancy. He drew up his chair and modulated his voice to
such a degree that what he said seemed wholly confidential. He confined
himself almost exclusively to his observation of men and pleasures.
He had been here and there, he had seen this and that. Somehow he made
Carrie wish to see similar things, and all the while kept her aware of
himself. She could not shut out the consciousness of his individuality
and presence for a moment. He would raise his eyes slowly in smiling
emphasis of something, and she was fixed by their magnetism. He would
draw out, with the easiest grace, her approval. Once he touched her hand
for emphasis and she only smiled. He seemed to radiate an atmosphere
which suffused her being. He was never dull for a minute, and seemed to
make her clever. At least, she brightened under his influence until all
her best side was exhibited. She felt that she was more clever with him
than with others. At least, he seemed to find so much in her to applaud.
There was not the slightest touch of patronage. Drouet was full of it.

There had been something so personal, so subtle, in each meeting between
them, both when Drouet was present and when he was absent, that Carrie
could not speak of it without feeling a sense of difficulty. She was
no talker. She could never arrange her thoughts in fluent order. It was
always a matter of feeling with her, strong and deep. Each time there
had been no sentence of importance which she could relate, and as for
the glances and sensations, what woman would reveal them? Such things
had never been between her and Drouet. As a matter of fact, they could
never be. She had been dominated by distress and the enthusiastic forces
of relief which Drouet represented at an opportune moment when she
yielded to him. Now she was persuaded by secret current feelings which
Drouet had never understood. Hurstwood's glance was as effective as
the spoken words of a lover, and more. They called for no immediate
decision, and could not be answered.

People in general attach too much importance to words. They are under
the illusion that talking effects great results. As a matter of fact,
words are, as a rule, the shallowest portion of all the argument. They
but dimly represent the great surging feelings and desires which
lie behind. When the distraction of the tongue is removed, the heart
listens.

In this conversation she heard, instead of his words, the voices of
the things which he represented. How suave was the counsel of his
appearance! How feelingly did his superior state speak for itself! The
growing desire he felt for her lay upon her spirit as a gentle hand. She
did not need to tremble at all, because it was invisible; she did not
need to worry over what other people would say--what she herself
would say--because it had no tangibility. She was being pleaded with,
persuaded, led into denying old rights and assuming new ones, and yet
there were no words to prove it. Such conversation as was indulged in
held the same relationship to the actual mental enactments of the twain
that the low music of the orchestra does to the dramatic incident which
it is used to cover.

"Have you ever seen the houses along the Lake Shore on the North Side?"
asked Hurstwood.

"Why, I was just over there this afternoon--Mrs. Hale and I. Aren't they
beautiful?"

"They're very fine," he answered.

"Oh, me," said Carrie, pensively. "I wish I could live in such a place."

"You're not happy," said Hurstwood, slowly, after a slight pause.

He had raised his eyes solemnly and was looking into her own. He assumed
that he had struck a deep chord. Now was a slight chance to say a word
in his own behalf. He leaned over quietly and continued his steady gaze.
He felt the critical character of the period. She endeavoured to stir,
but it was useless. The whole strength of a man's nature was working. He
had good cause to urge him on. He looked and looked, and the longer the
situation lasted the more difficult it became. The little shop-girl was
getting into deep water. She was letting her few supports float away
from her.

"Oh," she said at last, "you mustn't look at me like that."

"I can't help it," he answered.

She relaxed a little and let the situation endure, giving him strength.

"You are not satisfied with life, are you?"

"No," she answered, weakly.

He saw he was the master of the situation--he felt it. He reached over
and touched her hand.

"You mustn't," she exclaimed, jumping up.

"I didn't intend to," he answered, easily.

She did not run away, as she might have done. She did not terminate the
interview, but he drifted off into a pleasant field of thought with the
readiest grace. Not long after he rose to go, and she felt that he
was in power. "You mustn't feel bad," he said, kindly; "things will
straighten out in the course of time."

She made no answer, because she could think of nothing to say.

"We are good friends, aren't we?" he said, extending his hand.

"Yes," she answered.

"Not a word, then, until I see you again."

He retained a hold on her hand.

"I can't promise," she said, doubtfully.

"You must be more generous than that," he said, in such a simple way
that she was touched.

"Let's not talk about it any more," she returned.

"All right," he said, brightening.

He went down the steps and into his cab. Carrie closed the door and
ascended into her room. She undid her broad lace collar before the
mirror and unfastened her pretty alligator belt which she had recently
bought.

"I'm getting terrible," she said, honestly affected by a feeling of
trouble and shame. "I don't seem to do anything right."

She unloosed her hair after a time, and let it hang in loose brown
waves. Her mind was going over the events of the evening.

"I don't know," she murmured at last, "what I can do."

"Well," said Hurstwood as he rode away, "she likes me all right; that I
know."

The aroused manager whistled merrily for a good four miles to his office
an old melody that he had not recalled for fifteen years.

 Hurstwood lives in a fashionable three-story home with his family. Hurstwood's wife, Julia, hopes that her daughter, Jessica, will marry rich and that her son, George Hurstwood, Jr., will prosper even more than Hurstwood has. She is not exactly dissatisfied with Hurstwood's success, but she still longs for something more. Hurstwood's life is his job, and he spends most of his time there. Hurstwood knows that an indiscreet affair would endanger his comfortable social position. He often goes out with his family in public to keep up appearances and to satisfy Julia. Hurstwood announces that he is going to Philadelphia on business and that he cannot take Julia along as he usually does. His real plan is to go with his male friends and "have a good time" where no one will recognize them. He dismisses the trip as insignificant, but Julia mulls over his failure to invite her. Drouet informs Carrie that he has invited Hurstwood to spend the evening with them. Drouet says that he has told Hurstwood they are married. Carrie asks why they cannot get married in reality as well, but Drouet puts her off, saying that he needs to wrap up a real estate deal first. Since Carrie does not really love Drouet, she accepts his vague promise without further questions. Hurstwood's elegant clothing and manners catch Carries attention. She compares him to Drouet and notices small deficiencies in her lover's personality and demeanor. Hurstwood entertains Carrie with a skilled flair, allowing her to win the card game. Although he is aware that Drouet and Carrie are not actually married, he is careful not to endanger the charade. Carrie takes care to imitate all the graceful motions Drouet notes in other women, and in the process she becomes a girl with "considerable taste. " She befriends the wife of a neighbor, Mr. Hale, who is a theater manager. In her conversations with Carrie, Mrs. Hale imparts detailed gossip about the social world of the rich and famous. The music of a skilled piano player who lives across the hall awakens in Carrie a longing for something undefined. One evening Drouet finds Carrie in the dark with tears on her face. When he suggests they waltz to the music, Carrie realizes he cannot sympathize with her feelings. Hurstwood wonders how Drouet came to win Carrie. He feels a strong attraction for her, and he knows that Drouet, whatever he may say, has no plans to marry her. Hurstwood invites the two of them out to the theater. The atmosphere of the theater enthralls Carrie. Hurstwood is in fine form, entertaining both of them; Drouet seems dull in comparison. Hurstwood, however, is unaware that his son is at the theater that very same night. At breakfast the next day, his son mentions that he saw him there. Hurstwood replies that he went with Charlie Drouet and his wife, friends of Moy's who are visiting Chicago. Julia understands that Hurstwood's job sometimes requires him to engage in social outings without her. However, he has several times declined to take her out because of work--including the previous night. Julia continues to pester Hurstwood to go on social outings with her, and Hurstwood who in reality finds his wife's company extremely dull, declines because he is "too busy. " Julia becomes angry and notes that he has time for other people. Their mutual antagonism grows. Meanwhile, through Mrs. Hale, Carrie learns "to distinguish between degrees of wealth. " She gazes longingly at stately mansions in Chicago, believing that certain happiness must reside therein. Hurstwood visits her while Drouet is away, and she notes that he does not patronize her like Drouet. Hurstwood tells her that he knows she is not happy, and she asks him not to stare at her so intently. He touches her hand, startling her. After agreeing not to talk about their new intimacy, Hurstwood departs in high spirits. Carrie wonders if she has done something wrong.

