Chapter: The drawing-room curtains at Windy Corner had been pulled to meet, for
the carpet was new and deserved protection from the August sun. They
were heavy curtains, reaching almost to the ground, and the light
that filtered through them was subdued and varied. A poet--none was
present--might have quoted, "Life like a dome of many coloured glass,"
or might have compared the curtains to sluice-gates, lowered against
the intolerable tides of heaven. Without was poured a sea of radiance;
within, the glory, though visible, was tempered to the capacities of
man.

Two pleasant people sat in the room. One--a boy of nineteen--was
studying a small manual of anatomy, and peering occasionally at a bone
which lay upon the piano. From time to time he bounced in his chair and
puffed and groaned, for the day was hot and the print small, and the
human frame fearfully made; and his mother, who was writing a letter,
did continually read out to him what she had written. And continually
did she rise from her seat and part the curtains so that a rivulet of
light fell across the carpet, and make the remark that they were still
there.

"Where aren't they?" said the boy, who was Freddy, Lucy's brother. "I
tell you I'm getting fairly sick."

"For goodness' sake go out of my drawing-room, then?" cried Mrs.
Honeychurch, who hoped to cure her children of slang by taking it
literally.

Freddy did not move or reply.

"I think things are coming to a head," she observed, rather wanting
her son's opinion on the situation if she could obtain it without undue
supplication.

"Time they did."

"I am glad that Cecil is asking her this once more."

"It's his third go, isn't it?"

"Freddy I do call the way you talk unkind."

"I didn't mean to be unkind." Then he added: "But I do think Lucy might
have got this off her chest in Italy. I don't know how girls manage
things, but she can't have said 'No' properly before, or she wouldn't
have to say it again now. Over the whole thing--I can't explain--I do
feel so uncomfortable."

"Do you indeed, dear? How interesting!"

"I feel--never mind."

He returned to his work.

"Just listen to what I have written to Mrs. Vyse. I said: 'Dear Mrs.
Vyse.'"

"Yes, mother, you told me. A jolly good letter."

"I said: 'Dear Mrs. Vyse, Cecil has just asked my permission about
it, and I should be delighted, if Lucy wishes it. But--'" She stopped
reading, "I was rather amused at Cecil asking my permission at all. He
has always gone in for unconventionality, and parents nowhere, and so
forth. When it comes to the point, he can't get on without me."

"Nor me."

"You?"

Freddy nodded.

"What do you mean?"

"He asked me for my permission also."

She exclaimed: "How very odd of him!"

"Why so?" asked the son and heir. "Why shouldn't my permission be
asked?"

"What do you know about Lucy or girls or anything? What ever did you
say?"

"I said to Cecil, 'Take her or leave her; it's no business of mine!'"

"What a helpful answer!" But her own answer, though more normal in its
wording, had been to the same effect.

"The bother is this," began Freddy.

Then he took up his work again, too shy to say what the bother was. Mrs.
Honeychurch went back to the window.

"Freddy, you must come. There they still are!"

"I don't see you ought to go peeping like that."

"Peeping like that! Can't I look out of my own window?"

But she returned to the writing-table, observing, as she passed her
son, "Still page 322?" Freddy snorted, and turned over two leaves. For a
brief space they were silent. Close by, beyond the curtains, the gentle
murmur of a long conversation had never ceased.

"The bother is this: I have put my foot in it with Cecil most awfully."
He gave a nervous gulp. "Not content with 'permission', which I did
give--that is to say, I said, 'I don't mind'--well, not content with
that, he wanted to know whether I wasn't off my head with joy. He
practically put it like this: Wasn't it a splendid thing for Lucy and
for Windy Corner generally if he married her? And he would have an
answer--he said it would strengthen his hand."

"I hope you gave a careful answer, dear."

"I answered 'No'" said the boy, grinding his teeth. "There! Fly into a
stew! I can't help it--had to say it. I had to say no. He ought never to
have asked me."

"Ridiculous child!" cried his mother. "You think you're so holy and
truthful, but really it's only abominable conceit. Do you suppose that
a man like Cecil would take the slightest notice of anything you say? I
hope he boxed your ears. How dare you say no?"

"Oh, do keep quiet, mother! I had to say no when I couldn't say yes. I
tried to laugh as if I didn't mean what I said, and, as Cecil laughed
too, and went away, it may be all right. But I feel my foot's in it. Oh,
do keep quiet, though, and let a man do some work."

"No," said Mrs. Honeychurch, with the air of one who has considered the
subject, "I shall not keep quiet. You know all that has passed between
them in Rome; you know why he is down here, and yet you deliberately
insult him, and try to turn him out of my house."

"Not a bit!" he pleaded. "I only let out I didn't like him. I don't hate
him, but I don't like him. What I mind is that he'll tell Lucy."

He glanced at the curtains dismally.

"Well, I like him," said Mrs. Honeychurch. "I know his mother; he's
good, he's clever, he's rich, he's well connected--Oh, you needn't kick
the piano! He's well connected--I'll say it again if you like: he's
well connected." She paused, as if rehearsing her eulogy, but her face
remained dissatisfied. She added: "And he has beautiful manners."

"I liked him till just now. I suppose it's having him spoiling Lucy's
first week at home; and it's also something that Mr. Beebe said, not
knowing."

"Mr. Beebe?" said his mother, trying to conceal her interest. "I don't
see how Mr. Beebe comes in."

"You know Mr. Beebe's funny way, when you never quite know what he
means. He said: 'Mr. Vyse is an ideal bachelor.' I was very cute, I
asked him what he meant. He said 'Oh, he's like me--better detached.' I
couldn't make him say any more, but it set me thinking. Since Cecil has
come after Lucy he hasn't been so pleasant, at least--I can't explain."

"You never can, dear. But I can. You are jealous of Cecil because he may
stop Lucy knitting you silk ties."

The explanation seemed plausible, and Freddy tried to accept it. But at
the back of his brain there lurked a dim mistrust. Cecil praised one too
much for being athletic. Was that it? Cecil made one talk in one's own
way. This tired one. Was that it? And Cecil was the kind of fellow who
would never wear another fellow's cap. Unaware of his own profundity,
Freddy checked himself. He must be jealous, or he would not dislike a
man for such foolish reasons.

"Will this do?" called his mother. "'Dear Mrs. Vyse,--Cecil has just
asked my permission about it, and I should be delighted if Lucy wishes
it.' Then I put in at the top, 'and I have told Lucy so.' I must write
the letter out again--'and I have told Lucy so. But Lucy seems very
uncertain, and in these days young people must decide for themselves.' I
said that because I didn't want Mrs. Vyse to think us old-fashioned. She
goes in for lectures and improving her mind, and all the time a thick
layer of flue under the beds, and the maid's dirty thumb-marks where you
turn on the electric light. She keeps that flat abominably--"

"Suppose Lucy marries Cecil, would she live in a flat, or in the
country?"

"Don't interrupt so foolishly. Where was I? Oh yes--'Young people must
decide for themselves. I know that Lucy likes your son, because she
tells me everything, and she wrote to me from Rome when he asked her
first.' No, I'll cross that last bit out--it looks patronizing. I'll
stop at 'because she tells me everything.' Or shall I cross that out,
too?"

"Cross it out, too," said Freddy.

Mrs. Honeychurch left it in.

"Then the whole thing runs: 'Dear Mrs. Vyse.--Cecil has just asked my
permission about it, and I should be delighted if Lucy wishes it, and
I have told Lucy so. But Lucy seems very uncertain, and in these days
young people must decide for themselves. I know that Lucy likes your
son, because she tells me everything. But I do not know--'"

"Look out!" cried Freddy.

The curtains parted.

Cecil's first movement was one of irritation. He couldn't bear the
Honeychurch habit of sitting in the dark to save the furniture.
Instinctively he give the curtains a twitch, and sent them swinging down
their poles. Light entered. There was revealed a terrace, such as is
owned by many villas with trees each side of it, and on it a little
rustic seat, and two flower-beds. But it was transfigured by the view
beyond, for Windy Corner was built on the range that overlooks the
Sussex Weald. Lucy, who was in the little seat, seemed on the edge of a
green magic carpet which hovered in the air above the tremulous world.

Cecil entered.

Appearing thus late in the story, Cecil must be at once described. He
was medieval. Like a Gothic statue. Tall and refined, with shoulders
that seemed braced square by an effort of the will, and a head that
was tilted a little higher than the usual level of vision, he resembled
those fastidious saints who guard the portals of a French cathedral.
Well educated, well endowed, and not deficient physically, he
remained in the grip of a certain devil whom the modern world knows
as self-consciousness, and whom the medieval, with dimmer vision,
worshipped as asceticism. A Gothic statue implies celibacy, just as
a Greek statue implies fruition, and perhaps this was what Mr. Beebe
meant. And Freddy, who ignored history and art, perhaps meant the same
when he failed to imagine Cecil wearing another fellow's cap.

Mrs. Honeychurch left her letter on the writing table and moved towards
her young acquaintance.

"Oh, Cecil!" she exclaimed--"oh, Cecil, do tell me!"

"I promessi sposi," said he.

They stared at him anxiously.

"She has accepted me," he said, and the sound of the thing in English
made him flush and smile with pleasure, and look more human.

"I am so glad," said Mrs. Honeychurch, while Freddy proffered a hand
that was yellow with chemicals. They wished that they also knew Italian,
for our phrases of approval and of amazement are so connected with
little occasions that we fear to use them on great ones. We are obliged
to become vaguely poetic, or to take refuge in Scriptural reminiscences.

"Welcome as one of the family!" said Mrs. Honeychurch, waving her hand
at the furniture. "This is indeed a joyous day! I feel sure that you
will make our dear Lucy happy."

"I hope so," replied the young man, shifting his eyes to the ceiling.

"We mothers--" simpered Mrs. Honeychurch, and then realized that she
was affected, sentimental, bombastic--all the things she hated most.
Why could she not be Freddy, who stood stiff in the middle of the room;
looking very cross and almost handsome?

"I say, Lucy!" called Cecil, for conversation seemed to flag.

Lucy rose from the seat. She moved across the lawn and smiled in at
them, just as if she was going to ask them to play tennis. Then she saw
her brother's face. Her lips parted, and she took him in her arms. He
said, "Steady on!"

"Not a kiss for me?" asked her mother.

Lucy kissed her also.

"Would you take them into the garden and tell Mrs. Honeychurch all about
it?" Cecil suggested. "And I'd stop here and tell my mother."

"We go with Lucy?" said Freddy, as if taking orders.

"Yes, you go with Lucy."

They passed into the sunlight. Cecil watched them cross the terrace,
and descend out of sight by the steps. They would descend--he knew their
ways--past the shrubbery, and past the tennis-lawn and the dahlia-bed,
until they reached the kitchen garden, and there, in the presence of the
potatoes and the peas, the great event would be discussed.

Smiling indulgently, he lit a cigarette, and rehearsed the events that
had led to such a happy conclusion.

He had known Lucy for several years, but only as a commonplace girl
who happened to be musical. He could still remember his depression that
afternoon at Rome, when she and her terrible cousin fell on him out
of the blue, and demanded to be taken to St. Peter's. That day she had
seemed a typical tourist--shrill, crude, and gaunt with travel. But
Italy worked some marvel in her. It gave her light, and--which he held
more precious--it gave her shadow. Soon he detected in her a wonderful
reticence. She was like a woman of Leonardo da Vinci's, whom we love
not so much for herself as for the things that she will not tell us. The
things are assuredly not of this life; no woman of Leonardo's could have
anything so vulgar as a "story." She did develop most wonderfully day by
day.

So it happened that from patronizing civility he had slowly passed if
not to passion, at least to a profound uneasiness. Already at Rome he
had hinted to her that they might be suitable for each other. It had
touched him greatly that she had not broken away at the suggestion.
Her refusal had been clear and gentle; after it--as the horrid phrase
went--she had been exactly the same to him as before. Three months
later, on the margin of Italy, among the flower-clad Alps, he had asked
her again in bald, traditional language. She reminded him of a Leonardo
more than ever; her sunburnt features were shadowed by fantastic rock;
at his words she had turned and stood between him and the light with
immeasurable plains behind her. He walked home with her unashamed,
feeling not at all like a rejected suitor. The things that really
mattered were unshaken.

So now he had asked her once more, and, clear and gentle as ever, she
had accepted him, giving no coy reasons for her delay, but simply saying
that she loved him and would do her best to make him happy. His mother,
too, would be pleased; she had counselled the step; he must write her a
long account.

Glancing at his hand, in case any of Freddy's chemicals had come off
on it, he moved to the writing table. There he saw "Dear Mrs. Vyse,"
followed by many erasures. He recoiled without reading any more, and
after a little hesitation sat down elsewhere, and pencilled a note on
his knee.

Then he lit another cigarette, which did not seem quite as divine as
the first, and considered what might be done to make Windy Corner
drawing-room more distinctive. With that outlook it should have been a
successful room, but the trail of Tottenham Court Road was upon it; he
could almost visualize the motor-vans of Messrs. Shoolbred and Messrs.
Maple arriving at the door and depositing this chair, those varnished
book-cases, that writing-table. The table recalled Mrs. Honeychurch's
letter. He did not want to read that letter--his temptations never lay
in that direction; but he worried about it none the less. It was his
own fault that she was discussing him with his mother; he had wanted her
support in his third attempt to win Lucy; he wanted to feel that others,
no matter who they were, agreed with him, and so he had asked their
permission. Mrs. Honeychurch had been civil, but obtuse in essentials,
while as for Freddy--"He is only a boy," he reflected. "I represent all
that he despises. Why should he want me for a brother-in-law?"

The Honeychurches were a worthy family, but he began to realize
that Lucy was of another clay; and perhaps--he did not put it very
definitely--he ought to introduce her into more congenial circles as
soon as possible.

"Mr. Beebe!" said the maid, and the new rector of Summer Street was
shown in; he had at once started on friendly relations, owing to Lucy's
praise of him in her letters from Florence.

Cecil greeted him rather critically.

"I've come for tea, Mr. Vyse. Do you suppose that I shall get it?"

"I should say so. Food is the thing one does get here--Don't sit in that
chair; young Honeychurch has left a bone in it."

"Pfui!"

"I know," said Cecil. "I know. I can't think why Mrs. Honeychurch allows
it."

For Cecil considered the bone and the Maples' furniture separately; he
did not realize that, taken together, they kindled the room into the
life that he desired.

"I've come for tea and for gossip. Isn't this news?"

"News? I don't understand you," said Cecil. "News?"

Mr. Beebe, whose news was of a very different nature, prattled forward.

"I met Sir Harry Otway as I came up; I have every reason to hope that I
am first in the field. He has bought Cissie and Albert from Mr. Flack!"

"Has he indeed?" said Cecil, trying to recover himself. Into what a
grotesque mistake had he fallen! Was it likely that a clergyman and a
gentleman would refer to his engagement in a manner so flippant? But his
stiffness remained, and, though he asked who Cissie and Albert might be,
he still thought Mr. Beebe rather a bounder.

"Unpardonable question! To have stopped a week at Windy Corner and not
to have met Cissie and Albert, the semi-detached villas that have been
run up opposite the church! I'll set Mrs. Honeychurch after you."

"I'm shockingly stupid over local affairs," said the young man
languidly. "I can't even remember the difference between a Parish
Council and a Local Government Board. Perhaps there is no difference, or
perhaps those aren't the right names. I only go into the country to see
my friends and to enjoy the scenery. It is very remiss of me. Italy and
London are the only places where I don't feel to exist on sufferance."

Mr. Beebe, distressed at this heavy reception of Cissie and Albert,
determined to shift the subject.

"Let me see, Mr. Vyse--I forget--what is your profession?"

"I have no profession," said Cecil. "It is another example of my
decadence. My attitude--quite an indefensible one--is that so long as I
am no trouble to any one I have a right to do as I like. I know I ought
to be getting money out of people, or devoting myself to things I don't
care a straw about, but somehow, I've not been able to begin."

"You are very fortunate," said Mr. Beebe. "It is a wonderful
opportunity, the possession of leisure."

His voice was rather parochial, but he did not quite see his way to
answering naturally. He felt, as all who have regular occupation must
feel, that others should have it also.

"I am glad that you approve. I daren't face the healthy person--for
example, Freddy Honeychurch."

"Oh, Freddy's a good sort, isn't he?"

"Admirable. The sort who has made England what she is."

Cecil wondered at himself. Why, on this day of all others, was he so
hopelessly contrary? He tried to get right by inquiring effusively after
Mr. Beebe's mother, an old lady for whom he had no particular regard.
Then he flattered the clergyman, praised his liberal-mindedness, his
enlightened attitude towards philosophy and science.

"Where are the others?" said Mr. Beebe at last, "I insist on extracting
tea before evening service."

"I suppose Anne never told them you were here. In this house one is so
coached in the servants the day one arrives. The fault of Anne is
that she begs your pardon when she hears you perfectly, and kicks the
chair-legs with her feet. The faults of Mary--I forget the faults of
Mary, but they are very grave. Shall we look in the garden?"

"I know the faults of Mary. She leaves the dust-pans standing on the
stairs."

"The fault of Euphemia is that she will not, simply will not, chop the
suet sufficiently small."

They both laughed, and things began to go better.

"The faults of Freddy--" Cecil continued.

"Ah, he has too many. No one but his mother can remember the faults of
Freddy. Try the faults of Miss Honeychurch; they are not innumerable."

"She has none," said the young man, with grave sincerity.

"I quite agree. At present she has none."

"At present?"

"I'm not cynical. I'm only thinking of my pet theory about Miss
Honeychurch. Does it seem reasonable that she should play so
wonderfully, and live so quietly? I suspect that one day she will be
wonderful in both. The water-tight compartments in her will break down,
and music and life will mingle. Then we shall have her heroically good,
heroically bad--too heroic, perhaps, to be good or bad."

Cecil found his companion interesting.

"And at present you think her not wonderful as far as life goes?"

"Well, I must say I've only seen her at Tunbridge Wells, where she was
not wonderful, and at Florence. Since I came to Summer Street she has
been away. You saw her, didn't you, at Rome and in the Alps. Oh, I
forgot; of course, you knew her before. No, she wasn't wonderful in
Florence either, but I kept on expecting that she would be."

"In what way?"

Conversation had become agreeable to them, and they were pacing up and
down the terrace.

"I could as easily tell you what tune she'll play next. There was simply
the sense that she had found wings, and meant to use them. I can show
you a beautiful picture in my Italian diary: Miss Honeychurch as a
kite, Miss Bartlett holding the string. Picture number two: the string
breaks."

The sketch was in his diary, but it had been made afterwards, when he
viewed things artistically. At the time he had given surreptitious tugs
to the string himself.

"But the string never broke?"

"No. I mightn't have seen Miss Honeychurch rise, but I should certainly
have heard Miss Bartlett fall."

"It has broken now," said the young man in low, vibrating tones.

Immediately he realized that of all the conceited, ludicrous,
contemptible ways of announcing an engagement this was the worst. He
cursed his love of metaphor; had he suggested that he was a star and
that Lucy was soaring up to reach him?

"Broken? What do you mean?"

"I meant," said Cecil stiffly, "that she is going to marry me."

The clergyman was conscious of some bitter disappointment which he could
not keep out of his voice.

"I am sorry; I must apologize. I had no idea you were intimate with her,
or I should never have talked in this flippant, superficial way. Mr.
Vyse, you ought to have stopped me." And down the garden he saw Lucy
herself; yes, he was disappointed.

Cecil, who naturally preferred congratulations to apologies, drew down
his mouth at the corners. Was this the reception his action would get
from the world? Of course, he despised the world as a whole; every
thoughtful man should; it is almost a test of refinement. But he was
sensitive to the successive particles of it which he encountered.

Occasionally he could be quite crude.

"I am sorry I have given you a shock," he said dryly. "I fear that
Lucy's choice does not meet with your approval."

"Not that. But you ought to have stopped me. I know Miss Honeychurch
only a little as time goes. Perhaps I oughtn't to have discussed her so
freely with any one; certainly not with you."

"You are conscious of having said something indiscreet?"

Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of
placing one in the most tiresome positions. He was driven to use the
prerogatives of his profession.

"No, I have said nothing indiscreet. I foresaw at Florence that her
quiet, uneventful childhood must end, and it has ended. I realized dimly
enough that she might take some momentous step. She has taken it. She
has learnt--you will let me talk freely, as I have begun freely--she has
learnt what it is to love: the greatest lesson, some people will tell
you, that our earthly life provides." It was now time for him to wave
his hat at the approaching trio. He did not omit to do so. "She has
learnt through you," and if his voice was still clerical, it was now
also sincere; "let it be your care that her knowledge is profitable to
her."

"Grazie tante!" said Cecil, who did not like parsons.

"Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping
garden. "Oh, Mr. Beebe, have you heard the news?"

Freddy, now full of geniality, whistled the wedding march. Youth seldom
criticizes the accomplished fact.

"Indeed I have!" he cried. He looked at Lucy. In her presence he could
not act the parson any longer--at all events not without apology.
"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but
generally I'm too shy. I want to invoke every kind of blessing on
them, grave and gay, great and small. I want them all their lives to be
supremely good and supremely happy as husband and wife, as father and
mother. And now I want my tea."

"You only asked for it just in time," the lady retorted. "How dare you
be serious at Windy Corner?"

He took his tone from her. There was no more heavy beneficence, no more
attempts to dignify the situation with poetry or the Scriptures. None of
them dared or was able to be serious any more.

An engagement is so potent a thing that sooner or later it reduces all
who speak of it to this state of cheerful awe. Away from it, in the
solitude of their rooms, Mr. Beebe, and even Freddy, might again be
critical. But in its presence and in the presence of each other they
were sincerely hilarious. It has a strange power, for it compels not
only the lips, but the very heart. The chief parallel to compare one
great thing with another--is the power over us of a temple of some alien
creed. Standing outside, we deride or oppose it, or at the most feel
sentimental. Inside, though the saints and gods are not ours, we become
true believers, in case any true believer should be present.

So it was that after the gropings and the misgivings of the afternoon
they pulled themselves together and settled down to a very pleasant
tea-party. If they were hypocrites they did not know it, and their
hypocrisy had every chance of setting and of becoming true. Anne,
putting down each plate as if it were a wedding present, stimulated them
greatly. They could not lag behind that smile of hers which she gave
them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy
was at his wittiest, referring to Cecil as the "Fiasco"--family honoured
pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as
a mother-in-law. As for Lucy and Cecil, for whom the temple had been
built, they also joined in the merry ritual, but waited, as earnest
worshippers should, for the disclosure of some holier shrine of joy.

 We now move to Part 2 of the novel, the bulk of which is set in Surrey, England, in and around the Honeychurch home. Many months have passed since Lucy kissed George in Italy. We are at Windy Corner, the home of the Honeychurches. It is August, and the sun is bright outside; the Honeychurches always draw all the curtains to protect the furniture. Lucy's mother, Mrs. Honeychurch, is writing a letter. Lucy's nineteen-year-old brother, Freddy, is studying an anatomy book. They converse about what is going on outside: Cecil Vyse is proposing to Lucy, not for the first time. They discuss Cecil; he asked permission to propose both from Mrs. Honeychurch and Freddy. Cecil also asked Freddy if Lucy marrying Cecil would be a wonderful thing for Windy Corner. Freddy told him no. Mrs. Honeychurch likes Cecil well enough, but Freddy does not. Cecil comes in, somewhat agitated. The Honeychurch custom of closing the curtains to protect furniture annoys him. Forster describes him as medieval, like a Gothic statue, tall, resembling the angular and severe statues of saints that adorn cathedrals. He is very self-conscious, and something about him suggests celibacy. At Mrs. Honeychurch's prodding, he announces that Lucy has agreed to marry him. Lucy takes her brother and mother out into the garden to tell them about the proposal, while Cecil stays inside and thinks about the last few months. Cecil and Lucy have known each other for years, but not well. They met again in Rome. Cecil fell in love with her over the course of the following few months. In Rome, he hinted that they should be married and was rebuffed. In the Alps, three months after Rome, he proposed again; she refused again. Now, at last, he has her. He thinks about how he will improve the decor of Windy Corner; he also thinks of how he will "improve" Lucy, by introducing her into higher levels of society. Mr. Beebe arrives to announce that Sir Harry Otway has bought Cissie and Albert, two homes, from Mr. Flack. The two men chat amiably about the Honeychurches and their servants. Mr. Beebe has not yet heard that Lucy and Cecil are engaged, and Mr. Beebe speaks freely about Lucy. He says that she plays music wonderfully and lives quietly, but this division cannot last. One day, he believes, she will live as she plays and become something truly heroic. Cecil slips in that he has proposed to Lucy and been accepted. In his response, Mr. Beebe cannot keep bitter disappointment out of his voice. The Honeychurches come back inside, and the group eventually settles down to a tea party. Cecil learns that "Fiasco" is the time-honored family slang for "fiance. The family accepts him good-naturedly, treating him with humor and kindness.

