Chapter: "Oh, Margaret," cried her aunt next morning, "such a most unfortunate
thing has happened. I could not get you alone."

The most unfortunate thing was not very serious. One of the flats in
the ornate block opposite had been taken furnished by the Wilcox family,
"coming up, no doubt, in the hope of getting into London society."
That Mrs. Munt should be the first to discover the misfortune was not
remarkable, for she was so interested in the flats, that she watched
their every mutation with unwearying care. In theory she despised
them--they took away that old-world look--they cut off the sun--flats
house a flashy type of person. But if the truth had been known, she
found her visits to Wickham Place twice as amusing since Wickham
Mansions had arisen, and would in a couple of days learn more about
them than her nieces in a couple of months, or her nephew in a couple
of years. She would stroll across and make friends with the porters, and
inquire what the rents were, exclaiming for example: "What! a hundred
and twenty for a basement? You'll never get it!" And they would answer:
"One can but try, madam." The passenger lifts, the arrangement for coals
(a great temptation for a dishonest porter), were all familiar matters
to her, and perhaps a relief from the politico-economical-esthetic
atmosphere that reigned at the Schlegels.

Margaret received the information calmly, and did not agree that it
would throw a cloud over poor Helen's life.

"Oh, but Helen isn't a girl with no interests," she explained. "She has
plenty of other things and other people to think about. She made a false
start with the Wilcoxes, and she'll be as willing as we are to have
nothing more to do with them."

"For a clever girl, dear, how very oddly you do talk. Helen'll HAVE to
have something more to do with them, now that they 're all opposite. She
may meet that Paul in the street. She cannot very well not bow."

"Of course she must bow. But look here; let's do the flowers. I was
going to say, the will to be interested in him has died, and what else
matters? I look on that disastrous episode (over which you were so
kind) as the killing of a nerve in Helen. It's dead, and she'll never be
troubled with it again. The only things that matter are the things
that interest one. Bowing, even calling and leaving cards, even a
dinner-party--we can do all those things to the Wilcoxes, if they find
it agreeable; but the other thing, the one important thing--never again.
Don't you see?"

Mrs. Munt did not see, and indeed Margaret was making a most
questionable statement--that any emotion, any interest once vividly
aroused, can wholly die.

"I also have the honour to inform you that the Wilcoxes are bored with
us. I didn't tell you at the time--it might have made you angry, and you
had enough to worry you--but I wrote a letter to Mrs. W, and apologised
for the trouble that Helen had given them. She didn't answer it."

"How very rude!"

"I wonder. Or was it sensible?"

"No, Margaret, most rude."

"In either case one can class it as reassuring."

Mrs. Munt sighed. She was going back to Swanage on the morrow, just as
her nieces were wanting her most. Other regrets crowded upon her: for
instance, how magnificently she would have cut Charles if she had met
him face to face. She had already seen him, giving an order to the
porter--and very common he looked in a tall hat. But unfortunately his
back was turned to her, and though she had cut his back, she could not
regard this as a telling snub.

"But you will be careful, won't you?" she exhorted.

"Oh, certainly. Fiendishly careful."

"And Helen must be careful, too."

"Careful over what?" cried Helen, at that moment coming into the room
with her cousin.

"Nothing" said Margaret, seized with a momentary awkwardness.

"Careful over what, Aunt Juley?"

Mrs. Munt assumed a cryptic air. "It is only that a certain family,
whom we know by name but do not mention, as you said yourself last
night after the concert, have taken the flat opposite from the
Mathesons--where the plants are in the balcony."

Helen began some laughing reply, and then disconcerted them all by
blushing. Mrs. Munt was so disconcerted that she exclaimed, "What,
Helen, you don't mind them coming, do you?" and deepened the blush to
crimson.

"Of course I don't mind," said Helen a little crossly. "It is that you
and Meg are both so absurdly grave about it, when there's nothing to be
grave about at all."

"I'm not grave," protested Margaret, a little cross in her turn.

"Well, you look grave; doesn't she, Frieda?"

"I don't feel grave, that's all I can say; you're going quite on the
wrong tack."

"No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to
that. She disagrees--"

"Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall."

For Herr Liesecke was due at Wickham Place to call for the two younger
girls. He was not entering the hall--in fact, he did not enter it for
quite five minutes. But Frieda detected a delicate situation, and said
that she and Helen had much better wait for Bruno down below, and
leave Margaret and Mrs. Munt to finish arranging the flowers. Helen
acquiesced. But, as if to prove that the situation was not delicate
really, she stopped in the doorway and said:

"Did you say the Mathesons' flat, Aunt Juley? How wonderful you are!
I never knew that the name of the woman who laced too tightly was
Matheson."

"Come, Helen," said her cousin.

"Go, Helen," said her aunt; and continued to Margaret almost in the same
breath: "Helen cannot deceive me. She does mind."

"Oh, hush!" breathed Margaret. "Frieda'll hear you, and she can be so
tiresome."

"She minds," persisted Mrs. Munt, moving thoughtfully about the room,
and pulling the dead chrysanthemums out of the vases. "I knew she'd
mind--and I'm sure a girl ought to! Such an experience! Such awful
coarse-grained people! I know more about them than you do, which you
forget, and if Charles had taken you that motor drive--well, you'd have
reached the house a perfect wreck. Oh, Margaret, you don't know what
you are in for! They're all bottled up against the drawing-room window.
There's Mrs. Wilcox--I've seen her. There's Paul. There's Evie, who is a
minx. There's Charles--I saw him to start with. And who would an elderly
man with a moustache and a copper-coloured face be?"

"Mr. Wilcox, possibly."

"I knew it. And there's Mr. Wilcox."

"It's a shame to call his face copper colour," complained Margaret. "He
has a remarkably good complexion for a man of his age."

Mrs. Munt, triumphant elsewhere, could afford to concede Mr. Wilcox
his complexion. She passed on from it to the plan of campaign that her
nieces should pursue in the future. Margaret tried to stop her.

"Helen did not take the news quite as I expected, but the Wilcox nerve
is dead in her really, so there's no need for plans."

"It's as well to be prepared."

"No--it's as well not to be prepared."

"Why?"

"Because--"

Her thought drew being from the obscure borderland. She could not
explain in so many words, but she felt that those who prepare for all
the emergencies of life beforehand may equip themselves at the
expense of joy. It is necessary to prepare for an examination, or
a dinner-party, or a possible fall in the price of stock: those who
attempt human relations must adopt another method, or fail. "Because I'd
sooner risk it," was her lame conclusion.

"But imagine the evenings," exclaimed her aunt, pointing to the Mansions
with the spout of the watering can. "Turn the electric light on here
or there, and it's almost the same room. One evening they may forget to
draw their blinds down, and you'll see them; and the next, you yours,
and they'll see you. Impossible to sit out on the balconies. Impossible
to water the plants, or even speak. Imagine going out of the front-door,
and they come out opposite at the same moment. And yet you tell me that
plans are unnecessary, and you'd rather risk it."

"I hope to risk things all my life."

"Oh, Margaret, most dangerous."

"But after all," she continued with a smile, "there's never any great
risk as long as you have money."

"Oh, shame! What a shocking speech!"

"Money pads the edges of things," said Miss Schlegel. "God help those
who have none."

"But this is something quite new!" said Mrs. Munt, who collected new
ideas as a squirrel collects nuts, and was especially attracted by those
that are portable.

"New for me; sensible people have acknowledged it for years. You and I
and the Wilcoxes stand upon money as upon islands. It is so firm beneath
our feet that we forget its very existence. It's only when we see some
one near us tottering that we realise all that an independent income
means. Last night, when we were talking up here round the fire, I began
to think that the very soul of the world is economic, and that the
lowest abyss is not the absence of love, but the absence of coin."

"I call that rather cynical."

"So do I. But Helen and I, we ought to remember, when we are tempted to
criticise others, that we are standing on these islands, and that most
of the others are down below the surface of the sea. The poor cannot
always reach those whom they want to love, and they can hardly ever
escape from those whom they love no longer. We rich can. Imagine the
tragedy last June, if Helen and Paul Wilcox had been poor people, and
couldn't invoke railways and motor-cars to part them."

"That's more like Socialism," said Mrs. Munt suspiciously.

"Call it what you like. I call it going through life with one's hand
spread open on the table. I'm tired of these rich people who pretend
to be poor, and think it shows a nice mind to ignore the piles of money
that keep their feet above the waves. I stand each year upon six hundred
pounds, and Helen upon the same, and Tibby will stand upon eight, and as
fast as our pounds crumble away into the sea they are renewed--from
the sea, yes, from the sea. And all our thoughts are the thoughts of
six-hundred-pounders, and all our speeches; and because we don't want to
steal umbrellas ourselves, we forget that below the sea people do want
to steal them and do steal them sometimes, and that what's a joke up
here is down there reality."

"There they go--there goes Fraulein Mosebach. Really, for a German she
does dress charmingly. Oh!--"

"What is it?"

"Helen was looking up at the Wilcoxes' flat."

"Why shouldn't she?"

"I beg your pardon, I interrupted you. What was it you were saying about
reality?"

"I had worked round to myself, as usual," answered Margaret in tones
that were suddenly preoccupied.

"Do tell me this, at all events. Are you for the rich or for the poor?"

"Too difficult. Ask me another. Am I for poverty or for riches? For
riches. Hurrah for riches!"

"For riches!" echoed Mrs. Munt, having, as it were, at last secured her
nut.

"Yes. For riches. Money for ever!"

"So am I, and so, I am afraid, are most of my acquaintances at Swanage,
but I am surprised that you agree with us."

"Thank you so much, Aunt Juley. While I have talked theories, you have
done the flowers."

"Not at all, dear. I wish you would let me help you in more important
things."

"Well, would you be very kind? Would you come round with me to the
registry office? There's a housemaid who won't say yes but doesn't say
no."

On their way thither they too looked up at the Wilcoxes' flat. Evie was
in the balcony, "staring most rudely," according to Mrs. Munt. Oh yes,
it was a nuisance, there was no doubt of it. Helen was proof against
a passing encounter, but--Margaret began to lose confidence. Might it
reawake the dying nerve if the family were living close against her
eyes? And Frieda Mosebach was stopping with them for another fortnight,
and Frieda was sharp, abominably sharp, and quite capable of remarking,
"You love one of the young gentlemen opposite, yes?" The remark would be
untrue, but of the kind which, if stated often enough, may become true;
just as the remark, "England and Germany are bound to fight," renders
war a little more likely each time that it is made, and is therefore
made the more readily by the gutter press of either nation. Have the
private emotions also their gutter press? Margaret thought so, and
feared that good Aunt Juley and Frieda were typical specimens of it.
They might, by continual chatter, lead Helen into a repetition of the
desires of June. Into a repetition--they could not do more; they
could not lead her into lasting love. They were--she saw it
clearly--Journalism; her father, with all his defects and
wrong-headedness, had been Literature, and had he lived, he would have
persuaded his daughter rightly.

The registry office was holding its morning reception. A string of
carriages filled the street. Miss Schlegel waited her turn, and finally
had to be content with an insidious "temporary," being rejected by
genuine housemaids on the ground of her numerous stairs. Her failure
depressed her, and though she forgot the failure, the depression
remained. On her way home she again glanced up at the Wilcoxes' flat,
and took the rather matronly step of speaking about the matter to Helen.

"Helen, you must tell me whether this thing worries you."

"If what?" said Helen, who was washing her hands for lunch.

"The Ws' coming."

"No, of course not."

"Really?"

"Really." Then she admitted that she was a little worried on Mrs.
Wilcox's account; she implied that Mrs. Wilcox might reach backward
into deep feelings, and be pained by things that never touched the other
members of that clan. "I shan't mind if Paul points at our house and
says, 'There lives the girl who tried to catch me.' But she might."

"If even that worries you, we could arrange something. There's no reason
we should be near people who displease us or whom we displease, thanks
to our money. We might even go away for a little."

"Well, I am going away. Frieda's just asked me to Stettin, and I shan't
be back till after the New Year. Will that do? Or must I fly the country
altogether? Really, Meg, what has come over you to make such a fuss?"

"Oh, I'm getting an old maid, I suppose. I thought I minded nothing, but
really I--I should be bored if you fell in love with the same man twice
and"--she cleared her throat--"you did go red, you know, when Aunt Juley
attacked you this morning. I shouldn't have referred to it otherwise."

But Helen's laugh rang true, as she raised a soapy hand to heaven and
swore that never, nowhere and nohow, would she again fall in love with
any of the Wilcox family, down to its remotest collaterals.

 The next morning, Aunt Juley has some bad news - the Wilcoxes are moving into a new building across the street at Wickham Place. Aunt Juley, being more - well, for lack of a better word - normal than her nieces and nephew, always seems to be more up on the neighborhood gossip than they are, which is how she found out about the Wilcoxes. Aunt Juley and Margaret worry about the possibility of Helen running into Paul. They decide that the Schlegels must be very careful with their new neighbors. Helen laughs it off, and says that there's nothing to worry about. Frieda and Helen go to meet Bruno , and Margaret and Aunt Juley continue to worry. Margaret expresses a theory that money makes everything easier - things couldn't possibly get too bad between the Wilcoxes and Schlegels because they are both wealthy, and they have their wealth to rely upon, even when other things fall through. Margaret and Aunt Juley go off on an errand . Margaret worries that, between the meddling Frieda and Aunt Juley, Helen might be troubled again by the Wilcoxes. Just in case, Margaret checks in with Helen, who says that it's absolutely fine that the Wilcoxes are there - she's traveling with Frieda for a while anyway.

