Chapter: Outside Dorlcote Mill


A wide plain, where the broadening Floss hurries on between its green
banks to the sea, and the loving tide, rushing to meet it, checks its
passage with an impetuous embrace. On this mighty tide the black
ships--laden with the fresh-scented fir-planks, with rounded sacks of
oil-bearing seed, or with the dark glitter of coal--are borne along to
the town of St. Ogg's, which shows its aged, fluted red roofs and the
broad gables of its wharves between the low wooded hill and the
river-brink, tingeing the water with a soft purple hue under the
transient glance of this February sun. Far away on each hand stretch
the rich pastures, and the patches of dark earth made ready for the
seed of broad-leaved green crops, or touched already with the tint of
the tender-bladed autumn-sown corn. There is a remnant still of last
year's golden clusters of beehive-ricks rising at intervals beyond the
hedgerows; and everywhere the hedgerows are studded with trees; the
distant ships seem to be lifting their masts and stretching their
red-brown sails close among the branches of the spreading ash. Just by
the red-roofed town the tributary Ripple flows with a lively current
into the Floss. How lovely the little river is, with its dark changing
wavelets! It seems to me like a living companion while I wander along
the bank, and listen to its low, placid voice, as to the voice of one
who is deaf and loving. I remember those large dipping willows. I
remember the stone bridge.

And this is Dorlcote Mill. I must stand a minute or two here on the
bridge and look at it, though the clouds are threatening, and it is
far on in the afternoon. Even in this leafless time of departing
February it is pleasant to look at,--perhaps the chill, damp season
adds a charm to the trimly kept, comfortable dwelling-house, as old as
the elms and chestnuts that shelter it from the northern blast. The
stream is brimful now, and lies high in this little withy plantation,
and half drowns the grassy fringe of the croft in front of the house.
As I look at the full stream, the vivid grass, the delicate
bright-green powder softening the outline of the great trunks and
branches that gleam from under the bare purple boughs, I am in love
with moistness, and envy the white ducks that are dipping their heads
far into the water here among the withes, unmindful of the awkward
appearance they make in the drier world above.

The rush of the water and the booming of the mill bring a dreamy
deafness, which seems to heighten the peacefulness of the scene. They
are like a great curtain of sound, shutting one out from the world
beyond. And now there is the thunder of the huge covered wagon coming
home with sacks of grain. That honest wagoner is thinking of his
dinner, getting sadly dry in the oven at this late hour; but he will
not touch it till he has fed his horses,--the strong, submissive,
meek-eyed beasts, who, I fancy, are looking mild reproach at him from
between their blinkers, that he should crack his whip at them in that
awful manner as if they needed that hint! See how they stretch their
shoulders up the slope toward the bridge, with all the more energy
because they are so near home. Look at their grand shaggy feet that
seem to grasp the firm earth, at the patient strength of their necks,
bowed under the heavy collar, at the mighty muscles of their
struggling haunches! I should like well to hear them neigh over their
hardly earned feed of corn, and see them, with their moist necks freed
from the harness, dipping their eager nostrils into the muddy pond.
Now they are on the bridge, and down they go again at a swifter pace,
and the arch of the covered wagon disappears at the turning behind the
trees.

Now I can turn my eyes toward the mill again, and watch the unresting
wheel sending out its diamond jets of water. That little girl is
watching it too; she has been standing on just the same spot at the
edge of the water ever since I paused on the bridge. And that queer
white cur with the brown ear seems to be leaping and barking in
ineffectual remonstrance with the wheel; perhaps he is jealous because
his playfellow in the beaver bonnet is so rapt in its movement. It is
time the little playfellow went in, I think; and there is a very
bright fire to tempt her: the red light shines out under the deepening
gray of the sky. It is time, too, for me to leave off resting my arms
on the cold stone of this bridge....

Ah, my arms are really benumbed. I have been pressing my elbows on the
arms of my chair, and dreaming that I was standing on the bridge in
front of Dorlcote Mill, as it looked one February afternoon many years
ago. Before I dozed off, I was going to tell you what Mr. and Mrs.
Tulliver were talking about, as they sat by the bright fire in the
left-hand parlor, on that very afternoon I have been dreaming of.

 The novel opens with a description of the countryside around the town of St. Ogg's and the river Floss. Impersonal description quickly gives way to a more personal tone, and we see that the story is to be a personal reminiscence of a narrator whose character we do not yet know. The narrator notes a wagon passing the mill, and watches a little girl and her dog playing near the water. They remind the narrator of "one February afternoon many years ago" and Mr. and Mrs. Tulliver sitting by the fire in their parlor.

