Chapter: V. The Wine-shop


A large cask of wine had been dropped and broken, in the street. The
accident had happened in getting it out of a cart; the cask had tumbled
out with a run, the hoops had burst, and it lay on the stones just
outside the door of the wine-shop, shattered like a walnut-shell.

All the people within reach had suspended their business, or their
idleness, to run to the spot and drink the wine. The rough, irregular
stones of the street, pointing every way, and designed, one might have
thought, expressly to lame all living creatures that approached them,
had dammed it into little pools; these were surrounded, each by its own
jostling group or crowd, according to its size. Some men kneeled down,
made scoops of their two hands joined, and sipped, or tried to help
women, who bent over their shoulders, to sip, before the wine had all
run out between their fingers. Others, men and women, dipped in
the puddles with little mugs of mutilated earthenware, or even with
handkerchiefs from women's heads, which were squeezed dry into infants'
mouths; others made small mud-embankments, to stem the wine as it ran;
others, directed by lookers-on up at high windows, darted here and
there, to cut off little streams of wine that started away in new
directions; others devoted themselves to the sodden and lee-dyed
pieces of the cask, licking, and even champing the moister wine-rotted
fragments with eager relish. There was no drainage to carry off the
wine, and not only did it all get taken up, but so much mud got taken up
along with it, that there might have been a scavenger in the street,
if anybody acquainted with it could have believed in such a miraculous
presence.

A shrill sound of laughter and of amused voices--voices of men, women,
and children--resounded in the street while this wine game lasted. There
was little roughness in the sport, and much playfulness. There was a
special companionship in it, an observable inclination on the part
of every one to join some other one, which led, especially among the
luckier or lighter-hearted, to frolicsome embraces, drinking of healths,
shaking of hands, and even joining of hands and dancing, a dozen
together. When the wine was gone, and the places where it had been
most abundant were raked into a gridiron-pattern by fingers, these
demonstrations ceased, as suddenly as they had broken out. The man who
had left his saw sticking in the firewood he was cutting, set it in
motion again; the women who had left on a door-step the little pot of
hot ashes, at which she had been trying to soften the pain in her own
starved fingers and toes, or in those of her child, returned to it; men
with bare arms, matted locks, and cadaverous faces, who had emerged into
the winter light from cellars, moved away, to descend again; and a gloom
gathered on the scene that appeared more natural to it than sunshine.

The wine was red wine, and had stained the ground of the narrow street
in the suburb of Saint Antoine, in Paris, where it was spilled. It had
stained many hands, too, and many faces, and many naked feet, and many
wooden shoes. The hands of the man who sawed the wood, left red marks
on the billets; and the forehead of the woman who nursed her baby, was
stained with the stain of the old rag she wound about her head again.
Those who had been greedy with the staves of the cask, had acquired a
tigerish smear about the mouth; and one tall joker so besmirched, his
head more out of a long squalid bag of a nightcap than in it, scrawled
upon a wall with his finger dipped in muddy wine-lees--BLOOD.

The time was to come, when that wine too would be spilled on the
street-stones, and when the stain of it would be red upon many there.

And now that the cloud settled on Saint Antoine, which a momentary
gleam had driven from his sacred countenance, the darkness of it was
heavy--cold, dirt, sickness, ignorance, and want, were the lords in
waiting on the saintly presence--nobles of great power all of them;
but, most especially the last. Samples of a people that had undergone a
terrible grinding and regrinding in the mill, and certainly not in the
fabulous mill which ground old people young, shivered at every corner,
passed in and out at every doorway, looked from every window, fluttered
in every vestige of a garment that the wind shook. The mill which
had worked them down, was the mill that grinds young people old; the
children had ancient faces and grave voices; and upon them, and upon the
grown faces, and ploughed into every furrow of age and coming up afresh,
was the sigh, Hunger. It was prevalent everywhere. Hunger was pushed out
of the tall houses, in the wretched clothing that hung upon poles and
lines; Hunger was patched into them with straw and rag and wood and
paper; Hunger was repeated in every fragment of the small modicum of
firewood that the man sawed off; Hunger stared down from the smokeless
chimneys, and started up from the filthy street that had no offal,
among its refuse, of anything to eat. Hunger was the inscription on the
baker's shelves, written in every small loaf of his scanty stock of
bad bread; at the sausage-shop, in every dead-dog preparation that
was offered for sale. Hunger rattled its dry bones among the roasting
chestnuts in the turned cylinder; Hunger was shred into atomics in every
farthing porringer of husky chips of potato, fried with some reluctant
drops of oil.

Its abiding place was in all things fitted to it. A narrow winding
street, full of offence and stench, with other narrow winding streets
diverging, all peopled by rags and nightcaps, and all smelling of rags
and nightcaps, and all visible things with a brooding look upon them
that looked ill. In the hunted air of the people there was yet some
wild-beast thought of the possibility of turning at bay. Depressed and
slinking though they were, eyes of fire were not wanting among them; nor
compressed lips, white with what they suppressed; nor foreheads knitted
into the likeness of the gallows-rope they mused about enduring, or
inflicting. The trade signs (and they were almost as many as the shops)
were, all, grim illustrations of Want. The butcher and the porkman
painted up, only the leanest scrags of meat; the baker, the coarsest of
meagre loaves. The people rudely pictured as drinking in the wine-shops,
croaked over their scanty measures of thin wine and beer, and were
gloweringly confidential together. Nothing was represented in a
flourishing condition, save tools and weapons; but, the cutler's knives
and axes were sharp and bright, the smith's hammers were heavy, and the
gunmaker's stock was murderous. The crippling stones of the pavement,
with their many little reservoirs of mud and water, had no footways, but
broke off abruptly at the doors. The kennel, to make amends, ran down
the middle of the street--when it ran at all: which was only after heavy
rains, and then it ran, by many eccentric fits, into the houses. Across
the streets, at wide intervals, one clumsy lamp was slung by a rope and
pulley; at night, when the lamplighter had let these down, and lighted,
and hoisted them again, a feeble grove of dim wicks swung in a sickly
manner overhead, as if they were at sea. Indeed they were at sea, and
the ship and crew were in peril of tempest.

For, the time was to come, when the gaunt scarecrows of that region
should have watched the lamplighter, in their idleness and hunger, so
long, as to conceive the idea of improving on his method, and hauling
up men by those ropes and pulleys, to flare upon the darkness of their
condition. But, the time was not come yet; and every wind that blew over
France shook the rags of the scarecrows in vain, for the birds, fine of
song and feather, took no warning.

The wine-shop was a corner shop, better than most others in its
appearance and degree, and the master of the wine-shop had stood outside
it, in a yellow waistcoat and green breeches, looking on at the struggle
for the lost wine. "It's not my affair," said he, with a final shrug
of the shoulders. "The people from the market did it. Let them bring
another."

There, his eyes happening to catch the tall joker writing up his joke,
he called to him across the way:

"Say, then, my Gaspard, what do you do there?"

The fellow pointed to his joke with immense significance, as is often
the way with his tribe. It missed its mark, and completely failed, as is
often the way with his tribe too.

"What now? Are you a subject for the mad hospital?" said the wine-shop
keeper, crossing the road, and obliterating the jest with a handful of
mud, picked up for the purpose, and smeared over it. "Why do you write
in the public streets? Is there--tell me thou--is there no other place
to write such words in?"

In his expostulation he dropped his cleaner hand (perhaps accidentally,
perhaps not) upon the joker's heart. The joker rapped it with his
own, took a nimble spring upward, and came down in a fantastic dancing
attitude, with one of his stained shoes jerked off his foot into his
hand, and held out. A joker of an extremely, not to say wolfishly
practical character, he looked, under those circumstances.

"Put it on, put it on," said the other. "Call wine, wine; and finish
there." With that advice, he wiped his soiled hand upon the joker's
dress, such as it was--quite deliberately, as having dirtied the hand on
his account; and then recrossed the road and entered the wine-shop.

This wine-shop keeper was a bull-necked, martial-looking man of thirty,
and he should have been of a hot temperament, for, although it was a
bitter day, he wore no coat, but carried one slung over his shoulder.
His shirt-sleeves were rolled up, too, and his brown arms were bare to
the elbows. Neither did he wear anything more on his head than his own
crisply-curling short dark hair. He was a dark man altogether, with good
eyes and a good bold breadth between them. Good-humoured looking on
the whole, but implacable-looking, too; evidently a man of a strong
resolution and a set purpose; a man not desirable to be met, rushing
down a narrow pass with a gulf on either side, for nothing would turn
the man.

Madame Defarge, his wife, sat in the shop behind the counter as he
came in. Madame Defarge was a stout woman of about his own age, with
a watchful eye that seldom seemed to look at anything, a large hand
heavily ringed, a steady face, strong features, and great composure of
manner. There was a character about Madame Defarge, from which one might
have predicated that she did not often make mistakes against herself
in any of the reckonings over which she presided. Madame Defarge being
sensitive to cold, was wrapped in fur, and had a quantity of bright
shawl twined about her head, though not to the concealment of her large
earrings. Her knitting was before her, but she had laid it down to pick
her teeth with a toothpick. Thus engaged, with her right elbow supported
by her left hand, Madame Defarge said nothing when her lord came in, but
coughed just one grain of cough. This, in combination with the lifting
of her darkly defined eyebrows over her toothpick by the breadth of a
line, suggested to her husband that he would do well to look round the
shop among the customers, for any new customer who had dropped in while
he stepped over the way.

The wine-shop keeper accordingly rolled his eyes about, until they
rested upon an elderly gentleman and a young lady, who were seated in
a corner. Other company were there: two playing cards, two playing
dominoes, three standing by the counter lengthening out a short supply
of wine. As he passed behind the counter, he took notice that the
elderly gentleman said in a look to the young lady, "This is our man."

"What the devil do _you_ do in that galley there?" said Monsieur Defarge
to himself; "I don't know you."

But, he feigned not to notice the two strangers, and fell into discourse
with the triumvirate of customers who were drinking at the counter.

"How goes it, Jacques?" said one of these three to Monsieur Defarge. "Is
all the spilt wine swallowed?"

"Every drop, Jacques," answered Monsieur Defarge.

When this interchange of Christian name was effected, Madame Defarge,
picking her teeth with her toothpick, coughed another grain of cough,
and raised her eyebrows by the breadth of another line.

"It is not often," said the second of the three, addressing Monsieur
Defarge, "that many of these miserable beasts know the taste of wine, or
of anything but black bread and death. Is it not so, Jacques?"

"It is so, Jacques," Monsieur Defarge returned.

At this second interchange of the Christian name, Madame Defarge, still
using her toothpick with profound composure, coughed another grain of
cough, and raised her eyebrows by the breadth of another line.

The last of the three now said his say, as he put down his empty
drinking vessel and smacked his lips.

"Ah! So much the worse! A bitter taste it is that such poor cattle
always have in their mouths, and hard lives they live, Jacques. Am I
right, Jacques?"

"You are right, Jacques," was the response of Monsieur Defarge.

This third interchange of the Christian name was completed at the moment
when Madame Defarge put her toothpick by, kept her eyebrows up, and
slightly rustled in her seat.

"Hold then! True!" muttered her husband. "Gentlemen--my wife!"

The three customers pulled off their hats to Madame Defarge, with three
flourishes. She acknowledged their homage by bending her head, and
giving them a quick look. Then she glanced in a casual manner round the
wine-shop, took up her knitting with great apparent calmness and repose
of spirit, and became absorbed in it.

"Gentlemen," said her husband, who had kept his bright eye observantly
upon her, "good day. The chamber, furnished bachelor-fashion, that you
wished to see, and were inquiring for when I stepped out, is on the
fifth floor. The doorway of the staircase gives on the little courtyard
close to the left here," pointing with his hand, "near to the window of
my establishment. But, now that I remember, one of you has already been
there, and can show the way. Gentlemen, adieu!"

They paid for their wine, and left the place. The eyes of Monsieur
Defarge were studying his wife at her knitting when the elderly
gentleman advanced from his corner, and begged the favour of a word.

"Willingly, sir," said Monsieur Defarge, and quietly stepped with him to
the door.

Their conference was very short, but very decided. Almost at the first
word, Monsieur Defarge started and became deeply attentive. It had
not lasted a minute, when he nodded and went out. The gentleman then
beckoned to the young lady, and they, too, went out. Madame Defarge
knitted with nimble fingers and steady eyebrows, and saw nothing.

Mr. Jarvis Lorry and Miss Manette, emerging from the wine-shop thus,
joined Monsieur Defarge in the doorway to which he had directed his own
company just before. It opened from a stinking little black courtyard,
and was the general public entrance to a great pile of houses, inhabited
by a great number of people. In the gloomy tile-paved entry to the
gloomy tile-paved staircase, Monsieur Defarge bent down on one knee
to the child of his old master, and put her hand to his lips. It was
a gentle action, but not at all gently done; a very remarkable
transformation had come over him in a few seconds. He had no good-humour
in his face, nor any openness of aspect left, but had become a secret,
angry, dangerous man.

"It is very high; it is a little difficult. Better to begin slowly."
Thus, Monsieur Defarge, in a stern voice, to Mr. Lorry, as they began
ascending the stairs.

"Is he alone?" the latter whispered.

"Alone! God help him, who should be with him!" said the other, in the
same low voice.

"Is he always alone, then?"

"Yes."

"Of his own desire?"

"Of his own necessity. As he was, when I first saw him after they
found me and demanded to know if I would take him, and, at my peril be
discreet--as he was then, so he is now."

"He is greatly changed?"

"Changed!"

The keeper of the wine-shop stopped to strike the wall with his hand,
and mutter a tremendous curse. No direct answer could have been half so
forcible. Mr. Lorry's spirits grew heavier and heavier, as he and his
two companions ascended higher and higher.

Such a staircase, with its accessories, in the older and more crowded
parts of Paris, would be bad enough now; but, at that time, it was vile
indeed to unaccustomed and unhardened senses. Every little habitation
within the great foul nest of one high building--that is to say,
the room or rooms within every door that opened on the general
staircase--left its own heap of refuse on its own landing, besides
flinging other refuse from its own windows. The uncontrollable and
hopeless mass of decomposition so engendered, would have polluted
the air, even if poverty and deprivation had not loaded it with their
intangible impurities; the two bad sources combined made it almost
insupportable. Through such an atmosphere, by a steep dark shaft of dirt
and poison, the way lay. Yielding to his own disturbance of mind, and to
his young companion's agitation, which became greater every instant, Mr.
Jarvis Lorry twice stopped to rest. Each of these stoppages was made
at a doleful grating, by which any languishing good airs that were left
uncorrupted, seemed to escape, and all spoilt and sickly vapours seemed
to crawl in. Through the rusted bars, tastes, rather than glimpses, were
caught of the jumbled neighbourhood; and nothing within range, nearer
or lower than the summits of the two great towers of Notre-Dame, had any
promise on it of healthy life or wholesome aspirations.

At last, the top of the staircase was gained, and they stopped for the
third time. There was yet an upper staircase, of a steeper inclination
and of contracted dimensions, to be ascended, before the garret story
was reached. The keeper of the wine-shop, always going a little in
advance, and always going on the side which Mr. Lorry took, as though he
dreaded to be asked any question by the young lady, turned himself about
here, and, carefully feeling in the pockets of the coat he carried over
his shoulder, took out a key.

"The door is locked then, my friend?" said Mr. Lorry, surprised.

"Ay. Yes," was the grim reply of Monsieur Defarge.

"You think it necessary to keep the unfortunate gentleman so retired?"

"I think it necessary to turn the key." Monsieur Defarge whispered it
closer in his ear, and frowned heavily.

"Why?"

"Why! Because he has lived so long, locked up, that he would be
frightened--rave--tear himself to pieces--die--come to I know not what
harm--if his door was left open."

"Is it possible!" exclaimed Mr. Lorry.

"Is it possible!" repeated Defarge, bitterly. "Yes. And a beautiful
world we live in, when it _is_ possible, and when many other such things
are possible, and not only possible, but done--done, see you!--under
that sky there, every day. Long live the Devil. Let us go on."

This dialogue had been held in so very low a whisper, that not a word
of it had reached the young lady's ears. But, by this time she trembled
under such strong emotion, and her face expressed such deep anxiety,
and, above all, such dread and terror, that Mr. Lorry felt it incumbent
on him to speak a word or two of reassurance.

"Courage, dear miss! Courage! Business! The worst will be over in a
moment; it is but passing the room-door, and the worst is over. Then,
all the good you bring to him, all the relief, all the happiness you
bring to him, begin. Let our good friend here, assist you on that side.
That's well, friend Defarge. Come, now. Business, business!"

They went up slowly and softly. The staircase was short, and they were
soon at the top. There, as it had an abrupt turn in it, they came all at
once in sight of three men, whose heads were bent down close together at
the side of a door, and who were intently looking into the room to which
the door belonged, through some chinks or holes in the wall. On hearing
footsteps close at hand, these three turned, and rose, and showed
themselves to be the three of one name who had been drinking in the
wine-shop.

"I forgot them in the surprise of your visit," explained Monsieur
Defarge. "Leave us, good boys; we have business here."

The three glided by, and went silently down.

There appearing to be no other door on that floor, and the keeper of
the wine-shop going straight to this one when they were left alone, Mr.
Lorry asked him in a whisper, with a little anger:

"Do you make a show of Monsieur Manette?"

"I show him, in the way you have seen, to a chosen few."

"Is that well?"

"_I_ think it is well."

"Who are the few? How do you choose them?"

"I choose them as real men, of my name--Jacques is my name--to whom the
sight is likely to do good. Enough; you are English; that is another
thing. Stay there, if you please, a little moment."

With an admonitory gesture to keep them back, he stooped, and looked in
through the crevice in the wall. Soon raising his head again, he struck
twice or thrice upon the door--evidently with no other object than to
make a noise there. With the same intention, he drew the key across it,
three or four times, before he put it clumsily into the lock, and turned
it as heavily as he could.

The door slowly opened inward under his hand, and he looked into the
room and said something. A faint voice answered something. Little more
than a single syllable could have been spoken on either side.

He looked back over his shoulder, and beckoned them to enter. Mr. Lorry
got his arm securely round the daughter's waist, and held her; for he
felt that she was sinking.

"A-a-a-business, business!" he urged, with a moisture that was not of
business shining on his cheek. "Come in, come in!"

"I am afraid of it," she answered, shuddering.

"Of it? What?"

"I mean of him. Of my father."

Rendered in a manner desperate, by her state and by the beckoning of
their conductor, he drew over his neck the arm that shook upon his
shoulder, lifted her a little, and hurried her into the room. He sat her
down just within the door, and held her, clinging to him.

Defarge drew out the key, closed the door, locked it on the inside,
took out the key again, and held it in his hand. All this he did,
methodically, and with as loud and harsh an accompaniment of noise as he
could make. Finally, he walked across the room with a measured tread to
where the window was. He stopped there, and faced round.

The garret, built to be a depository for firewood and the like, was dim
and dark: for, the window of dormer shape, was in truth a door in the
roof, with a little crane over it for the hoisting up of stores from
the street: unglazed, and closing up the middle in two pieces, like any
other door of French construction. To exclude the cold, one half of this
door was fast closed, and the other was opened but a very little way.
Such a scanty portion of light was admitted through these means, that it
was difficult, on first coming in, to see anything; and long habit
alone could have slowly formed in any one, the ability to do any work
requiring nicety in such obscurity. Yet, work of that kind was being
done in the garret; for, with his back towards the door, and his face
towards the window where the keeper of the wine-shop stood looking at
him, a white-haired man sat on a low bench, stooping forward and very
busy, making shoes.





VI. The Shoemaker


"Good day!" said Monsieur Defarge, looking down at the white head that
bent low over the shoemaking.

It was raised for a moment, and a very faint voice responded to the
salutation, as if it were at a distance:

"Good day!"

"You are still hard at work, I see?"

After a long silence, the head was lifted for another moment, and the
voice replied, "Yes--I am working." This time, a pair of haggard eyes
had looked at the questioner, before the face had dropped again.

The faintness of the voice was pitiable and dreadful. It was not the
faintness of physical weakness, though confinement and hard fare no
doubt had their part in it. Its deplorable peculiarity was, that it was
the faintness of solitude and disuse. It was like the last feeble echo
of a sound made long and long ago. So entirely had it lost the life and
resonance of the human voice, that it affected the senses like a once
beautiful colour faded away into a poor weak stain. So sunken and
suppressed it was, that it was like a voice underground. So expressive
it was, of a hopeless and lost creature, that a famished traveller,
wearied out by lonely wandering in a wilderness, would have remembered
home and friends in such a tone before lying down to die.

Some minutes of silent work had passed: and the haggard eyes had looked
up again: not with any interest or curiosity, but with a dull mechanical
perception, beforehand, that the spot where the only visitor they were
aware of had stood, was not yet empty.

"I want," said Defarge, who had not removed his gaze from the shoemaker,
"to let in a little more light here. You can bear a little more?"

The shoemaker stopped his work; looked with a vacant air of listening,
at the floor on one side of him; then similarly, at the floor on the
other side of him; then, upward at the speaker.

"What did you say?"

"You can bear a little more light?"

"I must bear it, if you let it in." (Laying the palest shadow of a
stress upon the second word.)

The opened half-door was opened a little further, and secured at that
angle for the time. A broad ray of light fell into the garret, and
showed the workman with an unfinished shoe upon his lap, pausing in his
labour. His few common tools and various scraps of leather were at his
feet and on his bench. He had a white beard, raggedly cut, but not very
long, a hollow face, and exceedingly bright eyes. The hollowness and
thinness of his face would have caused them to look large, under his yet
dark eyebrows and his confused white hair, though they had been really
otherwise; but, they were naturally large, and looked unnaturally so.
His yellow rags of shirt lay open at the throat, and showed his body
to be withered and worn. He, and his old canvas frock, and his loose
stockings, and all his poor tatters of clothes, had, in a long seclusion
from direct light and air, faded down to such a dull uniformity of
parchment-yellow, that it would have been hard to say which was which.

He had put up a hand between his eyes and the light, and the very bones
of it seemed transparent. So he sat, with a steadfastly vacant gaze,
pausing in his work. He never looked at the figure before him, without
first looking down on this side of himself, then on that, as if he had
lost the habit of associating place with sound; he never spoke, without
first wandering in this manner, and forgetting to speak.

"Are you going to finish that pair of shoes to-day?" asked Defarge,
motioning to Mr. Lorry to come forward.

"What did you say?"

"Do you mean to finish that pair of shoes to-day?"

"I can't say that I mean to. I suppose so. I don't know."

But, the question reminded him of his work, and he bent over it again.

Mr. Lorry came silently forward, leaving the daughter by the door. When
he had stood, for a minute or two, by the side of Defarge, the shoemaker
looked up. He showed no surprise at seeing another figure, but the
unsteady fingers of one of his hands strayed to his lips as he looked at
it (his lips and his nails were of the same pale lead-colour), and then
the hand dropped to his work, and he once more bent over the shoe. The
look and the action had occupied but an instant.

"You have a visitor, you see," said Monsieur Defarge.

"What did you say?"

"Here is a visitor."

The shoemaker looked up as before, but without removing a hand from his
work.

"Come!" said Defarge. "Here is monsieur, who knows a well-made shoe when
he sees one. Show him that shoe you are working at. Take it, monsieur."

Mr. Lorry took it in his hand.

"Tell monsieur what kind of shoe it is, and the maker's name."

There was a longer pause than usual, before the shoemaker replied:

"I forget what it was you asked me. What did you say?"

"I said, couldn't you describe the kind of shoe, for monsieur's
information?"

"It is a lady's shoe. It is a young lady's walking-shoe. It is in the
present mode. I never saw the mode. I have had a pattern in my hand." He
glanced at the shoe with some little passing touch of pride.

"And the maker's name?" said Defarge.

Now that he had no work to hold, he laid the knuckles of the right hand
in the hollow of the left, and then the knuckles of the left hand in the
hollow of the right, and then passed a hand across his bearded chin, and
so on in regular changes, without a moment's intermission. The task of
recalling him from the vagrancy into which he always sank when he
had spoken, was like recalling some very weak person from a swoon, or
endeavouring, in the hope of some disclosure, to stay the spirit of a
fast-dying man.

"Did you ask me for my name?"

"Assuredly I did."

"One Hundred and Five, North Tower."

"Is that all?"

"One Hundred and Five, North Tower."

With a weary sound that was not a sigh, nor a groan, he bent to work
again, until the silence was again broken.

"You are not a shoemaker by trade?" said Mr. Lorry, looking steadfastly
at him.

His haggard eyes turned to Defarge as if he would have transferred the
question to him: but as no help came from that quarter, they turned back
on the questioner when they had sought the ground.

"I am not a shoemaker by trade? No, I was not a shoemaker by trade. I-I
learnt it here. I taught myself. I asked leave to--"

He lapsed away, even for minutes, ringing those measured changes on his
hands the whole time. His eyes came slowly back, at last, to the face
from which they had wandered; when they rested on it, he started, and
resumed, in the manner of a sleeper that moment awake, reverting to a
subject of last night.

"I asked leave to teach myself, and I got it with much difficulty after
a long while, and I have made shoes ever since."

As he held out his hand for the shoe that had been taken from him, Mr.
Lorry said, still looking steadfastly in his face:

"Monsieur Manette, do you remember nothing of me?"

The shoe dropped to the ground, and he sat looking fixedly at the
questioner.

"Monsieur Manette"; Mr. Lorry laid his hand upon Defarge's arm; "do you
remember nothing of this man? Look at him. Look at me. Is there no old
banker, no old business, no old servant, no old time, rising in your
mind, Monsieur Manette?"

As the captive of many years sat looking fixedly, by turns, at Mr.
Lorry and at Defarge, some long obliterated marks of an actively intent
intelligence in the middle of the forehead, gradually forced themselves
through the black mist that had fallen on him. They were overclouded
again, they were fainter, they were gone; but they had been there. And
so exactly was the expression repeated on the fair young face of her who
had crept along the wall to a point where she could see him, and where
she now stood looking at him, with hands which at first had been only
raised in frightened compassion, if not even to keep him off and
shut out the sight of him, but which were now extending towards him,
trembling with eagerness to lay the spectral face upon her warm young
breast, and love it back to life and hope--so exactly was the expression
repeated (though in stronger characters) on her fair young face, that it
looked as though it had passed like a moving light, from him to her.

Darkness had fallen on him in its place. He looked at the two, less and
less attentively, and his eyes in gloomy abstraction sought the ground
and looked about him in the old way. Finally, with a deep long sigh, he
took the shoe up, and resumed his work.

"Have you recognised him, monsieur?" asked Defarge in a whisper.

"Yes; for a moment. At first I thought it quite hopeless, but I have
unquestionably seen, for a single moment, the face that I once knew so
well. Hush! Let us draw further back. Hush!"

She had moved from the wall of the garret, very near to the bench on
which he sat. There was something awful in his unconsciousness of the
figure that could have put out its hand and touched him as he stooped
over his labour.

Not a word was spoken, not a sound was made. She stood, like a spirit,
beside him, and he bent over his work.

It happened, at length, that he had occasion to change the instrument
in his hand, for his shoemaker's knife. It lay on that side of him
which was not the side on which she stood. He had taken it up, and was
stooping to work again, when his eyes caught the skirt of her dress. He
raised them, and saw her face. The two spectators started forward,
but she stayed them with a motion of her hand. She had no fear of his
striking at her with the knife, though they had.

He stared at her with a fearful look, and after a while his lips began
to form some words, though no sound proceeded from them. By degrees, in
the pauses of his quick and laboured breathing, he was heard to say:

"What is this?"

With the tears streaming down her face, she put her two hands to her
lips, and kissed them to him; then clasped them on her breast, as if she
laid his ruined head there.

"You are not the gaoler's daughter?"

She sighed "No."

"Who are you?"

Not yet trusting the tones of her voice, she sat down on the bench
beside him. He recoiled, but she laid her hand upon his arm. A strange
thrill struck him when she did so, and visibly passed over his frame; he
laid the knife down softly, as he sat staring at her.

Her golden hair, which she wore in long curls, had been hurriedly pushed
aside, and fell down over her neck. Advancing his hand by little and
little, he took it up and looked at it. In the midst of the action
he went astray, and, with another deep sigh, fell to work at his
shoemaking.

But not for long. Releasing his arm, she laid her hand upon his
shoulder. After looking doubtfully at it, two or three times, as if to
be sure that it was really there, he laid down his work, put his hand
to his neck, and took off a blackened string with a scrap of folded rag
attached to it. He opened this, carefully, on his knee, and it contained
a very little quantity of hair: not more than one or two long golden
hairs, which he had, in some old day, wound off upon his finger.

He took her hair into his hand again, and looked closely at it. "It is
the same. How can it be! When was it! How was it!"

As the concentrated expression returned to his forehead, he seemed to
become conscious that it was in hers too. He turned her full to the
light, and looked at her.

"She had laid her head upon my shoulder, that night when I was summoned
out--she had a fear of my going, though I had none--and when I was
brought to the North Tower they found these upon my sleeve. 'You will
leave me them? They can never help me to escape in the body, though they
may in the spirit.' Those were the words I said. I remember them very
well."

He formed this speech with his lips many times before he could utter it.
But when he did find spoken words for it, they came to him coherently,
though slowly.

"How was this?--_Was it you_?"

Once more, the two spectators started, as he turned upon her with a
frightful suddenness. But she sat perfectly still in his grasp, and only
said, in a low voice, "I entreat you, good gentlemen, do not come near
us, do not speak, do not move!"

"Hark!" he exclaimed. "Whose voice was that?"

His hands released her as he uttered this cry, and went up to his white
hair, which they tore in a frenzy. It died out, as everything but his
shoemaking did die out of him, and he refolded his little packet and
tried to secure it in his breast; but he still looked at her, and
gloomily shook his head.

"No, no, no; you are too young, too blooming. It can't be. See what the
prisoner is. These are not the hands she knew, this is not the face
she knew, this is not a voice she ever heard. No, no. She was--and He
was--before the slow years of the North Tower--ages ago. What is your
name, my gentle angel?"

Hailing his softened tone and manner, his daughter fell upon her knees
before him, with her appealing hands upon his breast.

"O, sir, at another time you shall know my name, and who my mother was,
and who my father, and how I never knew their hard, hard history. But I
cannot tell you at this time, and I cannot tell you here. All that I may
tell you, here and now, is, that I pray to you to touch me and to bless
me. Kiss me, kiss me! O my dear, my dear!"

His cold white head mingled with her radiant hair, which warmed and
lighted it as though it were the light of Freedom shining on him.

"If you hear in my voice--I don't know that it is so, but I hope it
is--if you hear in my voice any resemblance to a voice that once was
sweet music in your ears, weep for it, weep for it! If you touch, in
touching my hair, anything that recalls a beloved head that lay on your
breast when you were young and free, weep for it, weep for it! If, when
I hint to you of a Home that is before us, where I will be true to you
with all my duty and with all my faithful service, I bring back the
remembrance of a Home long desolate, while your poor heart pined away,
weep for it, weep for it!"

She held him closer round the neck, and rocked him on her breast like a
child.

"If, when I tell you, dearest dear, that your agony is over, and that I
have come here to take you from it, and that we go to England to be at
peace and at rest, I cause you to think of your useful life laid waste,
and of our native France so wicked to you, weep for it, weep for it! And
if, when I shall tell you of my name, and of my father who is living,
and of my mother who is dead, you learn that I have to kneel to my
honoured father, and implore his pardon for having never for his sake
striven all day and lain awake and wept all night, because the love of
my poor mother hid his torture from me, weep for it, weep for it! Weep
for her, then, and for me! Good gentlemen, thank God! I feel his sacred
tears upon my face, and his sobs strike against my heart. O, see! Thank
God for us, thank God!"

He had sunk in her arms, and his face dropped on her breast: a sight so
touching, yet so terrible in the tremendous wrong and suffering which
had gone before it, that the two beholders covered their faces.

When the quiet of the garret had been long undisturbed, and his heaving
breast and shaken form had long yielded to the calm that must follow all
storms--emblem to humanity, of the rest and silence into which the storm
called Life must hush at last--they came forward to raise the father and
daughter from the ground. He had gradually dropped to the floor, and lay
there in a lethargy, worn out. She had nestled down with him, that his
head might lie upon her arm; and her hair drooping over him curtained
him from the light.

"If, without disturbing him," she said, raising her hand to Mr. Lorry as
he stooped over them, after repeated blowings of his nose, "all could be
arranged for our leaving Paris at once, so that, from the very door, he
could be taken away--"

"But, consider. Is he fit for the journey?" asked Mr. Lorry.

"More fit for that, I think, than to remain in this city, so dreadful to
him."

"It is true," said Defarge, who was kneeling to look on and hear. "More
than that; Monsieur Manette is, for all reasons, best out of France.
Say, shall I hire a carriage and post-horses?"

"That's business," said Mr. Lorry, resuming on the shortest notice his
methodical manners; "and if business is to be done, I had better do it."

"Then be so kind," urged Miss Manette, "as to leave us here. You see how
composed he has become, and you cannot be afraid to leave him with me
now. Why should you be? If you will lock the door to secure us from
interruption, I do not doubt that you will find him, when you come back,
as quiet as you leave him. In any case, I will take care of him until
you return, and then we will remove him straight."

Both Mr. Lorry and Defarge were rather disinclined to this course, and
in favour of one of them remaining. But, as there were not only carriage
and horses to be seen to, but travelling papers; and as time pressed,
for the day was drawing to an end, it came at last to their hastily
dividing the business that was necessary to be done, and hurrying away
to do it.

Then, as the darkness closed in, the daughter laid her head down on the
hard ground close at the father's side, and watched him. The darkness
deepened and deepened, and they both lay quiet, until a light gleamed
through the chinks in the wall.

Mr. Lorry and Monsieur Defarge had made all ready for the journey, and
had brought with them, besides travelling cloaks and wrappers, bread and
meat, wine, and hot coffee. Monsieur Defarge put this provender, and the
lamp he carried, on the shoemaker's bench (there was nothing else in the
garret but a pallet bed), and he and Mr. Lorry roused the captive, and
assisted him to his feet.

No human intelligence could have read the mysteries of his mind, in
the scared blank wonder of his face. Whether he knew what had happened,
whether he recollected what they had said to him, whether he knew that
he was free, were questions which no sagacity could have solved. They
tried speaking to him; but, he was so confused, and so very slow to
answer, that they took fright at his bewilderment, and agreed for
the time to tamper with him no more. He had a wild, lost manner of
occasionally clasping his head in his hands, that had not been seen
in him before; yet, he had some pleasure in the mere sound of his
daughter's voice, and invariably turned to it when she spoke.

In the submissive way of one long accustomed to obey under coercion, he
ate and drank what they gave him to eat and drink, and put on the cloak
and other wrappings, that they gave him to wear. He readily responded to
his daughter's drawing her arm through his, and took--and kept--her hand
in both his own.

They began to descend; Monsieur Defarge going first with the lamp, Mr.
Lorry closing the little procession. They had not traversed many steps
of the long main staircase when he stopped, and stared at the roof and
round at the walls.

"You remember the place, my father? You remember coming up here?"

"What did you say?"

But, before she could repeat the question, he murmured an answer as if
she had repeated it.

"Remember? No, I don't remember. It was so very long ago."

That he had no recollection whatever of his having been brought from his
prison to that house, was apparent to them. They heard him mutter,
"One Hundred and Five, North Tower;" and when he looked about him, it
evidently was for the strong fortress-walls which had long encompassed
him. On their reaching the courtyard he instinctively altered his
tread, as being in expectation of a drawbridge; and when there was
no drawbridge, and he saw the carriage waiting in the open street, he
dropped his daughter's hand and clasped his head again.

No crowd was about the door; no people were discernible at any of the
many windows; not even a chance passerby was in the street. An unnatural
silence and desertion reigned there. Only one soul was to be seen, and
that was Madame Defarge--who leaned against the door-post, knitting, and
saw nothing.

The prisoner had got into a coach, and his daughter had followed
him, when Mr. Lorry's feet were arrested on the step by his asking,
miserably, for his shoemaking tools and the unfinished shoes. Madame
Defarge immediately called to her husband that she would get them, and
went, knitting, out of the lamplight, through the courtyard. She quickly
brought them down and handed them in;--and immediately afterwards leaned
against the door-post, knitting, and saw nothing.

Defarge got upon the box, and gave the word "To the Barrier!" The
postilion cracked his whip, and they clattered away under the feeble
over-swinging lamps.

Under the over-swinging lamps--swinging ever brighter in the better
streets, and ever dimmer in the worse--and by lighted shops, gay crowds,
illuminated coffee-houses, and theatre-doors, to one of the city
gates. Soldiers with lanterns, at the guard-house there. "Your papers,
travellers!" "See here then, Monsieur the Officer," said Defarge,
getting down, and taking him gravely apart, "these are the papers of
monsieur inside, with the white head. They were consigned to me, with
him, at the--" He dropped his voice, there was a flutter among the
military lanterns, and one of them being handed into the coach by an arm
in uniform, the eyes connected with the arm looked, not an every day
or an every night look, at monsieur with the white head. "It is well.
Forward!" from the uniform. "Adieu!" from Defarge. And so, under a short
grove of feebler and feebler over-swinging lamps, out under the great
grove of stars.

Beneath that arch of unmoved and eternal lights; some, so remote from
this little earth that the learned tell us it is doubtful whether their
rays have even yet discovered it, as a point in space where anything
is suffered or done: the shadows of the night were broad and black.
All through the cold and restless interval, until dawn, they once more
whispered in the ears of Mr. Jarvis Lorry--sitting opposite the buried
man who had been dug out, and wondering what subtle powers were for ever
lost to him, and what were capable of restoration--the old inquiry:

"I hope you care to be recalled to life?"

And the old answer:

"I can't say."


The end of the first book.





Book the Second--the Golden Thread

 The scene is the squalid street outside a wine shop in the poverty-stricken Saint Antoine district of Paris. A cask of red wine has been spilled in the street and hungry peasants use various means to sop and drink the mixture of wine and mud before it soaks away. The narrator describes these people as desperate and haggard from long years of deprivation and hunger. One of the peasants, a tall joker named Gaspard, uses the wine to write the word "BLOOD" on a wall but the owner of the wine shop, Monsieur Defarge, fails to appreciate the intended humor and rubs out the word with some mud. Monsieur Defarge returns to his shop where his wife sits with her knitting at rest while she picks her teeth. She gives a short cough to let her husband know to look about the shop for some new customers. He sees an older man and a young girl sitting in the back of the shop but ignores them for the moment in order to discourse with three men drinking at the counter. They exchange doleful observations of the wretched condition of the people and refer to each other by the name "Jacques." Monsieur Defarge offers to show the three men a bachelor-style apartment on the fifth floor but then remembers that one of them has been there before and can lead the others to it. After the Jacques depart, the elderly man approaches Defarge. The elderly man is Mr. Lorry and as he and Miss Manette follow Defarge up a steep staircase he makes several inquiries regarding the health of Miss Manette's father who is living in the garret. Mr. Lorry is dispirited by Defarge's response. At the top Mr. Lorry is surprised to find that Defarge must use a key to open the door but Defarge observes that the former prisoner would be frightened if left in an unlocked room. Miss Manette is afraid to enter but Mr. Lorry admonishes her to have courage and see to the business at hand. They come upon the three men from the shop looking through a chink in the wall and Mr. Lorry, somewhat angrily, asks Defarge the why he chooses to make a show of Dr. Manette. Defarge replies that it is best if some select people see the doctor. They enter the dim and dark apartment where an old man with white hair is bent before the feeble light of a solitary window making shoes. Defarge opens the window wider and the additional light reveals the haggard dress and sunken visage of the shoemaker who returns to his work. Mr. Lorry comes near the man and Defarge prompts the shoemaker to describe his work while Mr. Lorry examines the shoe. At Defarge's prompting, the shoemaker gives his name as "One Hundred and Five, North Tower." Upon further prompting the shoemaker reveals that he became a shoemaker only after many requests to teach himself the trade and even then with much difficulty. Mr. Lorry calls the shoemaker by name, Monsieur Manette, and the old man drops his work and briefly struggles to remember his visitor but soon returns to his work. During this conversation, Miss Manette moves through the shadows to a position near her father who eventually notices her. He is deeply affected by the sight of her and though he does not know who she is he examines her hair. He pulls from around his neck a locket with a few strands of hair like her own and tries to figure out who she might be. Finally he decides that she cannot be his wife and asks her name. He is deeply affected by the sound of his voice as she explains with great emotion that she has come to take him to England. By the end of her speech his head is resting on her breast and the pair have collapsed to the floor. With her father cradled in her arms, Miss Manette beseeches Mr. Lorry to prepare their departure immediately. Mr. Lorry and Defarge leave to obtain the necessary papers and transportation. The daughter and father are left alone for some time and then Mr. Lorry and Defarge return with food and traveling cloaks. Though Dr. Manette is evidentially comforted by his daughter's presence he is bewildered and believes himself to be leaving the prison as they depart the shop. They succeed in transferring Dr. Manette to a waiting coach but he then asks for his shoemaking tools. Madame Defarge, who stands nearby but "saw nothing", retrieves the tools from the garret. They quickly make their way to the Barrier where Defarge leaves them to their journey. They travel all night under stars that, just before dawn, seem to ask Mr. Lorry the same question: "I hope you care to be recalled to life" but he receives the same reply: "I can't say."

