Chapter: What Hurstwood got as the result of this determination was more
self-assurance that each particular day was not the day. At the same
time, Carrie passed through thirty days of mental distress.

Her need of clothes--to say nothing of her desire for ornaments--grew
rapidly as the fact developed that for all her work she was not to have
them. The sympathy she felt for Hurstwood, at the time he asked her to
tide him over, vanished with these newer urgings of decency. He was not
always renewing his request, but this love of good appearance was. It
insisted, and Carrie wished to satisfy it, wished more and more that
Hurstwood was not in the way.

Hurstwood reasoned, when he neared the last ten dollars, that he had
better keep a little pocket change and not become wholly dependent for
car-fare, shaves, and the like; so when this sum was still in his hand
he announced himself as penniless.

"I'm clear out," he said to Carrie one afternoon. "I paid for some coal
this morning, and that took all but ten or fifteen cents."

"I've got some money there in my purse."

Hurstwood went to get it, starting for a can of tomatoes. Carrie
scarcely noticed that this was the beginning of the new order. He took
out fifteen cents and bought the can with it. Thereafter it was dribs
and drabs of this sort, until one morning Carrie suddenly remembered
that she would not be back until close to dinner time.

"We're all out of flour," she said; "you'd better get some this
afternoon. We haven't any meat, either. How would it do if we had liver
and bacon?"

"Suits me," said Hurstwood.

"Better get a half or three-quarters of a pound of that."

"Half 'll be enough," volunteered Hurstwood.

She opened her purse and laid down a half dollar. He pretended not to
notice it.

Hurstwood bought the flour--which all grocers sold in 3 1/2-pound
packages--for thirteen cents and paid fifteen cents for a half-pound
of liver and bacon. He left the packages, together with the balance of
twenty-two cents, upon the kitchen table, where Carrie found it. It did
not escape her that the change was accurate. There was something sad in
realising that, after all, all that he wanted of her was something
to eat. She felt as if hard thoughts were unjust. Maybe he would get
something yet. He had no vices.

That very evening, however, on going into the theatre, one of the chorus
girls passed her all newly arrayed in a pretty mottled tweed suit, which
took Carrie's eye. The young woman wore a fine bunch of violets and
seemed in high spirits. She smiled at Carrie good-naturedly as she
passed, showing pretty, even teeth, and Carrie smiled back.

"She can afford to dress well," thought Carrie, "and so could I, if I
could only keep my money. I haven't a decent tie of any kind to wear."

She put out her foot and looked at her shoe reflectively. "I'll get a
pair of shoes Saturday, anyhow; I don't care what happens."

One of the sweetest and most sympathetic little chorus girls in the
company made friends with her because in Carrie she found nothing to
frighten her away. She was a gay little Manon, unwitting of society's
fierce conception of morality, but, nevertheless, good to her neighbour
and charitable. Little license was allowed the chorus in the matter of
conversation, but, nevertheless, some was indulged in.

"It's warm to-night, isn't it?" said this girl, arrayed in pink
fleshings and an imitation golden helmet. She also carried a shining
shield.

"Yes; it is," said Carrie, pleased that some one should talk to her.

"I'm almost roasting," said the girl.

Carrie looked into her pretty face, with its large blue eyes, and saw
little beads of moisture.

"There's more marching in this opera than ever I did before," added the
girl.

"Have you been in others?" asked Carrie, surprised at her experience.

"Lots of them," said the girl; "haven't you?"

"This is my first experience."

"Oh, is it? I thought I saw you the time they ran 'The Queen's Mate'
here."

"No," said Carrie, shaking her head; "not me."

This conversation was interrupted by the blare of the orchestra and the
sputtering of the calcium lights in the wings as the line was called
to form for a new entrance. No further opportunity for conversation
occurred, but the next evening, when they were getting ready for the
stage, this girl appeared anew at her side.

"They say this show is going on the road next month."

"Is it?" said Carrie.

"Yes; do you think you'll go?"

"I don't know; I guess so, if they'll take me."

"Oh, they'll take you. I wouldn't go. They won't give you any more, and
it will cost you everything you make to live. I never leave New York.
There are too many shows going on here."

"Can you always get in another show?"

"I always have. There's one going on up at the Broadway this month. I'm
going to try and get in that if this one really goes."

Carrie heard this with aroused intelligence. Evidently it wasn't so very
difficult to get on. Maybe she also could get a place if this show went
away. "Do they all pay about the same?" she asked.

"Yes. Sometimes you get a little more. This show doesn't pay very much."

"I get twelve," said Carrie.

"Do you?" said the girl. "They pay me fifteen, and you do more work than
I do. I wouldn't stand it if I were you. They're just giving you less
because they think you don't know. You ought to be making fifteen."

"Well, I'm not," said Carrie.

"Well, you'll get more at the next place if you want it," went on the
girl, who admired Carrie very much. "You do fine, and the manager knows
it."

To say the truth, Carrie did unconsciously move about with an air
pleasing and somewhat distinctive. It was due wholly to her natural
manner and total lack of self-consciousness.

"Do you suppose I could get more up at the Broadway?"

"Of course you can," answered the girl. "You come with me when I go.
I'll do the talking."

Carrie heard this, flushing with thankfulness. She liked this little
gaslight soldier. She seemed so experienced and self-reliant in her
tinsel helmet and military accoutrements.

"My future must be assured if I can always get work this way," thought
Carrie.

Still, in the morning, when her household duties would infringe upon her
and Hurstwood sat there, a perfect load to contemplate, her fate seemed
dismal and unrelieved. It did not take so very much to feed them under
Hurstwood's close-measured buying, and there would possibly be enough
for rent, but it left nothing else. Carrie bought the shoes and some
other things, which complicated the rent problem very seriously.
Suddenly, a week from the fatal day, Carrie realised that they were
going to run short.

"I don't believe," she exclaimed, looking into her purse at breakfast,
"that I'll have enough to pay the rent."

"How much have you?" inquired Hurstwood.

"Well, I've got twenty-two dollars, but there's everything to be paid
for this week yet, and if I use all I get Saturday to pay this, there
won't be any left for next week. Do you think your hotel man will open
his hotel this month?"

"I think so," returned Hurstwood. "He said he would."

After a while, Hurstwood said:

"Don't worry about it. Maybe the grocer will wait. He can do that. We've
traded there long enough to make him trust us for a week or two."

"Do you think he will?" she asked.

"I think so." On this account, Hurstwood, this very day, looked grocer
Oeslogge clearly in the eye as he ordered a pound of coffee, and said:

"Do you mind carrying my account until the end of every week?"

"No, no, Mr. Wheeler," said Mr. Oeslogge. "Dat iss all right."

Hurstwood, still tactful in distress, added nothing to this. It seemed
an easy thing. He looked out of the door, and then gathered up his
coffee when ready and came away. The game of a desperate man had begun.

Rent was paid, and now came the grocer. Hurstwood managed by paying out
of his own ten and collecting from Carrie at the end of the week. Then
he delayed a day next time settling with the grocer, and so soon had his
ten back, with Oeslogge getting his pay on this Thursday or Friday for
last Saturday's bill.

This entanglement made Carrie anxious for a change of some sort.
Hurstwood did not seem to realise that she had a right to anything. He
schemed to make what she earned cover all expenses, but seemed not to
trouble over adding anything himself.

"He talks about worrying," thought Carrie. "If he worried enough he
couldn't sit there and wait for me. He'd get something to do. No man
could go seven months without finding something if he tried."

The sight of him always around in his untidy clothes and gloomy
appearance drove Carrie to seek relief in other places. Twice a week
there were matinees, and then Hurstwood ate a cold snack, which he
prepared himself. Two other days there were rehearsals beginning at ten
in the morning and lasting usually until one. Now, to this Carrie added
a few visits to one or two chorus girls, including the blue-eyed soldier
of the golden helmet. She did it because it was pleasant and a relief
from dulness of the home over which her husband brooded.

The blue-eyed soldier's name was Osborne--Lola Osborne. Her room was
in Nineteenth Street near Fourth Avenue, a block now given up wholly to
office buildings. Here she had a comfortable back room, looking over a
collection of back yards in which grew a number of shade trees pleasant
to see.

"Isn't your home in New York?" she asked of Lola one day.

"Yes; but I can't get along with my people. They always want me to do
what they want. Do you live here?"

"Yes," said Carrie.

"With your family?"

Carrie was ashamed to say that she was married. She had talked so much
about getting more salary and confessed to so much anxiety about her
future, that now, when the direct question of fact was waiting, she
could not tell this girl.

"With some relatives," she answered.

Miss Osborne took it for granted that, like herself, Carrie's time was
her own. She invariably asked her to stay, proposing little outings
and other things of that sort until Carrie began neglecting her dinner
hours. Hurstwood noticed it, but felt in no position to quarrel with
her. Several times she came so late as scarcely to have an hour in which
to patch up a meal and start for the theatre.

"Do you rehearse in the afternoons?" Hurstwood once asked, concealing
almost completely the cynical protest and regret which prompted it.

"No; I was looking around for another place," said Carrie.

As a matter of fact she was, but only in such a way as furnished the
least straw of an excuse. Miss Osborne and she had gone to the office
of the manager who was to produce the new opera at the Broadway and
returned straight to the former's room, where they had been since three
o'clock.

Carrie felt this question to be an infringement on her liberty. She did
not take into account how much liberty she was securing. Only the latest
step, the newest freedom, must not be questioned.

Hurstwood saw it all clearly enough. He was shrewd after his kind, and
yet there was enough decency in the man to stop him from making any
effectual protest. In his almost inexplicable apathy he was content
to droop supinely while Carrie drifted out of his life, just as he was
willing supinely to see opportunity pass beyond his control. He could
not help clinging and protesting in a mild, irritating, and ineffectual
way, however--a way that simply widened the breach by slow degrees.

A further enlargement of this chasm between them came when the manager,
looking between the wings upon the brightly lighted stage where the
chorus was going through some of its glittering evolutions, said to the
master of the ballet:

"Who is that fourth girl there on the right--the one coming round at the
end now?"

"Oh," said the ballet-master, "that's Miss Madenda."

"She's good looking. Why don't you let her head that line?"

"I will," said the man.

"Just do that. She'll look better there than the woman you've got."

"All right. I will do that," said the master.

The next evening Carrie was called out, much as if for an error.

"You lead your company to night," said the master.

"Yes, sir," said Carrie.

"Put snap into it," he added. "We must have snap."

"Yes, sir," replied Carrie.

Astonished at this change, she thought that the heretofore leader must
be ill; but when she saw her in the line, with a distinct expression of
something unfavourable in her eye, she began to think that perhaps it
was merit.

She had a chic way of tossing her head to one side, and holding her arms
as if for action--not listlessly. In front of the line this showed up
even more effectually.

"That girl knows how to carry herself," said the manager, another
evening. He began to think that he should like to talk with her. If
he hadn't made it a rule to have nothing to do with the members of the
chorus, he would have approached her most unbendingly.

"Put that girl at the head of the white column," he suggested to the man
in charge of the ballet.

This white column consisted of some twenty girls, all in snow-white
flannel trimmed with silver and blue. Its leader was most stunningly
arrayed in the same colours, elaborated, however, with epaulets and
a belt of silver, with a short sword dangling at one side. Carrie was
fitted for this costume, and a few days later appeared, proud of her new
laurels. She was especially gratified to find that her salary was now
eighteen instead of twelve.

Hurstwood heard nothing about this.

"I'll not give him the rest of my money," said Carrie. "I do enough. I
am going to get me something to wear."

As a matter of fact, during this second month she had been buying for
herself as recklessly as she dared, regardless of the consequences.
There were impending more complications rent day, and more extension of
the credit system in the neighbourhood. Now, however, she proposed to do
better by herself.

Her first move was to buy a shirt waist, and in studying these she found
how little her money would buy--how much, if she could only use all.
She forgot that if she were alone she would have to pay for a room and
board, and imagined that every cent of her eighteen could be spent for
clothes and things that she liked.

At last she picked upon something, which not only used up all her
surplus above twelve, but invaded that sum. She knew she was going too
far, but her feminine love of finery prevailed. The next day Hurstwood
said:

"We owe the grocer five dollars and forty cents this week."

"Do we?" said Carrie, frowning a little.

She looked in her purse to leave it.

"I've only got eight dollars and twenty cents altogether."

"We owe the milkman sixty cents," added Hurstwood.

"Yes, and there's the coal man," said Carrie.

Hurstwood said nothing. He had seen the new things she was buying; the
way she was neglecting household duties; the readiness with which she
was slipping out afternoons and staying. He felt that something was
going to happen. All at once she spoke:

"I don't know," she said; "I can't do it all. I don't earn enough."

This was a direct challenge. Hurstwood had to take it up. He tried to be
calm.

"I don't want you to do it all," he said. "I only want a little help
until I can get something to do."

"Oh, yes," answered Carrie. "That's always the way. It takes more than I
can earn to pay for things. I don't see what I'm going to do.

"Well, I've tried to get something," he exclaimed. What do you want me
to do?"

"You couldn't have tried so very hard," said Carrie. "I got something."

"Well, I did," he said, angered almost to harsh words. "You needn't
throw up your success to me. All I asked was a little help until I could
get something. I'm not down yet. I'll come up all right."

He tried to speak steadily, but his voice trembled a little.

Carrie's anger melted on the instant. She felt ashamed.

"Well," she said, "here's the money," and emptied it out on the table.
"I haven't got quite enough to pay it all. If they can wait until
Saturday, though, I'll have some more."

"You keep it," said Hurstwood sadly. "I only want enough to pay the
grocer."

She put it back, and proceeded to get dinner early and in good time. Her
little bravado made her feel as if she ought to make amends.

In a little while their old thoughts returned to both.

"She's making more than she says," thought Hurstwood. "She says she's
making twelve, but that wouldn't buy all those things. I don't care. Let
her keep her money. I'll get something again one of these days. Then she
can go to the deuce."

He only said this in his anger, but it prefigured a possible course of
action and attitude well enough.

"I don't care," thought Carrie. "He ought to be told to get out and do
something. It isn't right that I should support him."

In these days Carrie was introduced to several youths, friends of Miss
Osborne, who were of the kind most aptly described as gay and festive.
They called once to get Miss Osborne for an afternoon drive. Carrie was
with her at the time.

"Come and go along," said Lola.

"No, I can't," said Carrie.

"Oh, yes, come and go. What have you got to do?"

"I have to be home by five," said Carrie.

"What for?"

"Oh, dinner."

"They'll take us to dinner," said Lola.

"Oh, no," said Carrie. "I won't go. I can't."

"Oh, do come. They're awful nice boys. We'll get you back in time. We're
only going for a drive in Central Park." Carrie thought a while, and at
last yielded.

"Now, I must be back by half-past four," she said.

The information went in one ear of Lola and out the other.

After Drouet and Hurstwood, there was the least touch of cynicism in her
attitude toward young men--especially of the gay and frivolous sort. She
felt a little older than they. Some of their pretty compliments seemed
silly. Still, she was young in heart and body and youth appealed to her.

"Oh, we'll be right back, Miss Madenda," said one of the chaps, bowing.
"You wouldn't think we'd keep you over time, now, would you?"

"Well, I don't know," said Carrie, smiling.

They were off for a drive--she, looking about and noticing fine
clothing, the young men voicing those silly pleasantries and weak quips
which pass for humour in coy circles. Carrie saw the great park parade
of carriages, beginning at the Fifty-ninth Street entrance and winding
past the Museum of Art to the exit at One Hundred and Tenth Street and
Seventh Avenue. Her eye was once more taken by the show of wealth--the
elaborate costumes, elegant harnesses, spirited horses, and, above all,
the beauty. Once more the plague of poverty galled her, but now she
forgot in a measure her own troubles so far as to forget Hurstwood. He
waited until four, five, and even six. It was getting dark when he got
up out of his chair.

"I guess she isn't coming home," he said, grimly.

"That's the way," he thought. "She's getting a start now. I'm out of
it."

Carrie had really discovered her neglect, but only at a quarter after
five, and the open carriage was now far up Seventh Avenue, near the
Harlem River.

"What time is it?" she inquired. "I must be getting back."

"A quarter after five," said her companion, consulting an elegant,
open-faced watch.

"Oh, dear me!" exclaimed Carrie. Then she settled back with a sigh.
"There's no use crying over spilt milk," she said. "It's too late."

"Of course it is," said the youth, who saw visions of a fine dinner now,
and such invigorating talk as would result in a reunion after the show.
He was greatly taken with Carrie. "We'll drive down to Delmonico's now
and have something there, won't we, Orrin?"

"To be sure," replied Orrin, gaily.

Carrie thought of Hurstwood. Never before had she neglected dinner
without an excuse.

They drove back, and at 6.15 sat down to dine. It was the Sherry
incident over again, the remembrance of which came painfully back to
Carrie. She remembered Mrs. Vance, who had never called again after
Hurstwood's reception, and Ames.

At this figure her mind halted. It was a strong, clean vision. He liked
better books than she read, better people than she associated with. His
ideals burned in her heart.

"It's fine to be a good actress," came distinctly back.

What sort of an actress was she?

"What are you thinking about, Miss Madenda?" inquired her merry
companion. "Come, now, let's see if I can guess."

"Oh, no," said Carrie. "Don't try."

She shook it off and ate. She forgot, in part, and was merry. When it
came to the after-theatre proposition, however, she shook her head.

"No," she said, "I can't. I have a previous engagement."

"Oh, now, Miss Madenda," pleaded the youth.

"No," said Carrie, "I can't. You've been so kind, but you'll have to
excuse me."

The youth looked exceedingly crestfallen.

"Cheer up, old man," whispered his companion. "We'll go around, anyhow.
She may change her mind."

 Carrie really wants to go shopping, and she begins thinking that if only she and Hurstwood didn't have to eat, she'd be the best-dressed woman in all of New York City. Hurstwood informs Carrie that he's officially broke , and she tells him to take money from her purse for groceries. On her way into the theater, Carrie sees another chorus girl decked out in an awesome tweed suit and decides that she will for sure have to go shopping over the weekend. We learn that Carrie's made a new friend in the chorus, Lola Osbourne, first referred to as "the blue-eyed soldier" because that's the part she has in the play. Lola tells her that they should try out for parts in another show because they're being underpaid. Carrie buys shoes, which leaves her without enough for rent; she tells Hurstwood they're short. Hurstwood tells her not to worry--they can wait to pay the grocer. Carrie gets frustrated again that Hurstwood doesn't seem to be in any hurry to get a job, and she starts hanging out more often with Lola to avoid seeing him. One night, Hurstwood asks her what she's been up to. Carrie resents his butting into her life, and things between them get even tenser. One night at the theater, the manager decides to put Carrie at the head of the chorus line. The new position comes with a raise; she's now making eighteen bucks a week. She decides she's not to spend this money feeding Hurstwood--nope, she's off to the department store instead. Carrie spends more than she anticipated during her shopping trip, so it's time to yet again face her money troubles with Hurstwood. She tells him that she just doesn't earn enough to pay all their expenses. Hurstwood's no dummy though, and has seen the clothes she's been buying lately. They argue and Carrie tells Hurstwood--yet again--that he needs to step up the job search. She feels a little bad afterward, so she cooks dinner for him. But the good will doesn't last long, and she's quickly back to thinking that he shouldn't be freeloading. Carrie begins hanging out even more with Lola and some of her guy friends, and one day they invite her to go on a drive. One of the guys takes a liking to Carrie. She stays out so late that she ends up missing dinner with Hurstwood. They end up going to a fancy restaurant and this reminds Carrie of Ames, whom she misses. They try to convince her to hang out with them some more, but she turns them down.

