Chapter: CANTO THE SEVENTEENTH.

     The world is full of orphans: firstly, those
        Who are so in the strict sense of the phrase
     (But many a lonely tree the loftier grows
        Than others crowded in the forest's maze);
     The next are such as are not doomed to lose
        Their tender parents in their budding days,
     But merely their parental tenderness,
     Which leaves them orphans of the heart no less.

     The next are 'only children', as they are styled,
        Who grow up children only, since the old saw
     Pronounces that an 'only' 's a spoilt child.
        But not to go too far, I hold it law
     That where their education, harsh or mild,
        'Transgresses the great bounds of love or awe,
     The sufferers, be't in heart or intellect,
     Whate'er the cause are orphans in effect.

     But to return unto the stricter rule
       (As far as words make rules), our common notion
     Of orphans paints at once a parish school,
        A half-starved babe, a wreck upon life's ocean,
     A human (what the Italians nickname) 'mule',
        A theme for pity or some worse emotion;
     Yet, if examined, it might be admitted
     The wealthiest orphans are to be more pitied.

     Too soon they are parents to themselves; for what
        Are tutors, guardians, and so forth, compared
     With Nature's genial genitors, so that
       A child of Chancery, that Star Chamber ward
     (I'll take the likeness I can first come at),
        Is like a duckling by Dame Partlett reared
     And frights, especially if 'tis a daughter,
     The old hen by running headlong to the water.

     There is a commonplace book argument,
       Which glibly glides from every vulgar tongue
     When any dare a new light to present:
       'If you are right, then everybody's wrong.'
     Suppose the converse of this precedent
       So often urged, so loudly and so long:
     'If you are wrong, then everybody's right.'
     Was ever everybody yet so quite?

     Therefore I would solicit free discussion
       Upon all points, no matter what or whose,
     Because as ages upon ages push on,
       The last is apt the former to accuse
     Of pillowing its head on a pincushion,
       Heedless of pricks because it was obtuse.
     What was a paradox becomes a truth or
     A something like it, as bear witness Luther.

     The sacraments have been reduced to two
       And witches unto none, though somewhat late
     Since burning aged women (save a few,
       Not witches, only bitches, who create
     Mischief in families, as some know or knew,
       Should still be singed, but slightly let me state)
     Has been declared an act of inurbanity,
     Malge  Sir Matthew Hale's great humanity.

     Great Galileo was debarred the sun,
       Because he fixed it, and to stop his talking
     How earth could round the solar orbit run,
       Found his own legs embargoed from mere walking.
     The man was well nigh dead, ere men begun
       To think his skull had not some need of caulking,
     But now it seems he's right, his notion just,
     No doubt a consolation to his dust.

     Pythagoras, Locke, Socrates--but pages
        Might be filled up, as vainly as before,
     With the sad usage of all sorts of sages,
        Who in his lifetime each was deemed a bore.
     The loftiest minds outrun their tardy ages;
       This they must bear with and perhaps much more.
     The wise man's sure when he no more can share it, he
     Will have a firm post-obit on posterity.

     If such doom waits each intellectual giant,
      We little people in our lesser way
     To life's small rubs should surely be more pliant,
       And so for one will I, as well I may.
     Would that I were less bilious--but oh fie on't!
       Just as I make my mind up everyday
     To be a totus teres stoic, sage,
     The wind shifts and I fly into a rage.

     Temperate I am, yet never had a temper;
       Modest I am, yet with some slight assurance;
     Changeable too, yet somehow idem semper;
      Patient, but not enamoured of endurance;
     Cheerful, but sometimes rather apt to whimper;
       Mild, but at times a sort of Hercules furens;
     So that I almost think that the same skin
     For one without has two or three within.

     Our hero was in canto the sixteenth
       Left in a tender moonlight situation,
     Such as enables man to show his strength
       Moral or physical On this occasion
     Whether his virtue triumphed, or at length
       His vice--for he was of a kindling nation--
     Is more than I shall venture to describe,
     Unless some beauty with a kiss should bribe.

     I leave the thing a problem, like all things.
       The morning came, and breakfast, tea and toast,
     Of which most men partake, but no one sings.
       The company, whose birth, wealth, worth have cost
     My trembling lyre already several strings,
       Assembled with our hostess and mine host.
      The guests dropped in, the last but one, Her Grace,
     The latest, Juan with his virgin face.

     Which best is to encounter, ghost or none,
       'Twere difficult to say, but Juan looked
     As if he had combated with more than one,
       Being wan and worn, with eyes that hardly brooked
     The light that through the Gothic windows shone.
       Her Grace too had a sort of air rebuked,
     Seemed pale and shivered, as if she had kept
     A vigil or dreamt rather more than slept.

 There are three kinds of orphans: the children who have lost their parents; the children who receive no love from their parents; and children who have no brothers or sisters. Of the three the most unfortunate are those who have lost their parents and are wealthy. People should be tolerant of free discussion of all things, and the author, for one, will be among these. Whether Juan gave in to the Duchess Fitz-Fulke the night before, or resisted her charms, the author refuses to say. When Juan comes to breakfast he looks wan and worn. The duchess "had a sort of air rebuked -- / Seemed pale and shivered" . She looked as if she had not slept.

