Chapter: The nights in Dreiberg during September are often chill. The heavy mists
from the mountain slip down the granite clifts and spread over the city,
melting all sharp outlines, enfeebling the gas-lamps, and changing the
moon, if there happens to be one, into something less than a moon and
something more than a pewter disk. And so it was this night.

Carmichael, in order to finish his cigar on the little balcony fronting
his window, found it necessary to put on his light overcoat, though he
perfectly knew that he was in no manner forced to smoke on the balcony.
But the truth was he wanted a clear vision of the palace and the lighted
windows thereof, and of one in particular. He had no more sense than
Tom-fool, the abetter of follies. She was as far removed from him as the
most alien of the planets; but the magnet shall ever draw the needle,
and a woman shall ever draw a man. He knew that it was impossible, that
it grew more impossible day by day, and he railed at himself bitterly
and satirically.

He sighed and teetered his legs. A sigh moves nothing forward, yet it is
as essential as life itself. It is the safety-valve to every emotion; it
is the last thing in laughter, the last thing in tears. One sighs in
entering the world and in leaving it, perhaps in protest. A child sighs
for the moon because it knows no better. Carmichael sighed for the
Princess Hildegarde, understanding. It was sigh or curse, and the latter
mode of expression wastes more vitality. Oh, yes; they made over him, as
the world goes; they dined and wined him and elected him honorary member
to their clubs; they patted him on the back and called him captain; but
it was all in a negligent toleration that turned every pleasure into
rust.

Arthur Carmichael was Irish. He was born in America, educated there and
elsewhere, a little while in Paris, a little while at Bonn, and, like
all Irishmen, he was baned with the wandering foot; for the man who is
homeless by choice has a subtle poison in his blood. He was at Bonn when
the Civil War came. He went back to America and threw himself into the
fight with all the ardor that had made his forebears famous in the
service of the worthless Stuarts. It wasn't a question with him of the
mere love of fighting, of tossing the penny; he knew with which side he
wished to fight. He joined the cavalry of the North, and hammered and
fought his way to a captaincy. He was wounded five times and imprisoned
twice. His right eye was still weak from the effects of a powder
explosion; and whenever it bothered him he wore a single glass,
abominating, as all soldiers do, the burden of spectacles. At the end of
the conflict he returned to Washington.

And then the inherent curse put a hand on his shoulder; he must be
moving. His parents were dead; there was no anchor, nor had lying
ambition enmeshed him. There was a little property, the income from
which was enough for his wants. Without any influence whatever, save his
pleasing address and his wide education, he blarneyed the State
Department out of a consulate. They sent him to Ehrenstein, at a salary
not worth mentioning, with the diplomatic halo of dignity as a tail to
the kite. He had been in the service some two years by now, and those
who knew him well rather wondered at his sedative turn of mind. Two
years in any one place was not in reckoning as regarded Carmichael; yet,
here he was, caring neither for promotion nor exchange. So, then, all
logical deductions simmered down to one: _Cherchez la femme_.

He knew that his case would never be tried in court nor settled out of
it; and he realized that it would be far better to weigh anchor and set
his course for other parts. But no man ever quite forsakes his
dream-woman; and he had endued a princess with all the shining
attributes of an angel, when, had he known it, she was only angelic.

The dreamer is invariably tripping over his illusions; and Carmichael
was rather boyish in his dreams. What absurd romances he was always
weaving round her! What exploits on her behalf! But never anything
happened, and never was the grand duke called upon to offer his
benediction.

It was all very foolish and romantic and impossible, and no one
recognized this more readily than he. No American ever married a
princess of a reigning house, and no American ever will. This law is as
immovable as the law of gravitation. Still, man is master of his dreams,
and he may do as he pleases in the confines of this small circle.
Outside these temporary lapses, Carmichael was a keen, shrewd,
far-sighted young man, close-lipped and observant, never forgetting
faces, never forgetting benefits, loving a fight but never provoking
one. So he and the world were friends. Diplomacy has its synonym in
tact, and he was an able tactician, for all that an Irishman is
generally likened to a bull in a china-shop.

"How the deuce will it end?"--musing half aloud. "I'll forget myself
some day and trip so hard that they'll be asking Washington for my
recall. I'll go over to the gardens and listen to the band. They are
playing dirges to-night, and anything funereal will be a light and happy
tonic to my present state of mind."

He was standing on the curb in front of the hotel, his decision still
unrounded, when he noticed a closed carriage hard by the fountain in
the Platz. The driver dozed on his box.

"Humph! There's a man who is never troubled with counting the fool's
beads. Silver and copper are his gods and goddesses. Ha! a fare!"

A woman in black, thoroughly veiled and cloaked, came round from the
opposite side of the fountain. She spoke to the driver, and he tumbled
off the box, alive and hearty. There seemed to be a short interchange of
words of mutual satisfaction. The lady stepped into the carriage, the
driver woke up his ancient Bucephalus, and went clickety-clack down the
Koenig Strasse toward the town.

To Carmichael it was less than an incident. He twirled his cane and
walked toward the public gardens. Here he strolled about, watching the
people, numerous but orderly, with a bright military patch here and
there. The band struck up again, and he drifted with the crowd toward
the pavilion. The penny-chairs were occupied, so he selected a spot
off-side, near enough for all auditual purposes. One after another he
carelessly scanned the faces of those nearest. He was something of an
amateur physiognomist, but he seldom made the mistakes of the tyro.

Within a dozen feet of him, her arms folded across her breast, her eyes
half shut in the luxury of the senses, stood the goose-girl. He smiled
as he recalled the encounter of that afternoon. It was his habit to ride
to the maneuvers every day, and several times he had noticed her, as
well as any rider is able to notice a pedestrian. But that afternoon her
beauty came home to him suddenly and unexpectedly. Had she been other
than what she was, a woman well-gowned, for instance, riding in her
carriage, his interest would have waned in the passing. But it had come
with the same definite surprise as when one finds a rare and charming
story in a dilapidated book.

"Why couldn't I have fallen in love with some one like this?" he
cogitated.

With a friendly smile on his lips, he took a step toward her, but
instantly paused. Colonel von Wallenstein of the general staff
approached her from the other side, and Carmichael was curious to find
out what that officer's object was. Wallenstein was a capital soldier,
and a jolly fellow round a board, but beyond that Carmichael had no
real liking for him. There were too many scented notes stuck in his
pockets.

The colonel dropped his cigarette, leaned over Gretchen's shoulder and
spoke a few words. At first she gave no heed. The colonel persisted.
Without a word in reply, she resolutely sought the nearest policeman.
Wallenstein, remaining where he was, laughed. Meantime the policeman
frowned. It was incredible; his excellency could not possibly have
intended any wrong, it was only a harmless pleasantry. Gretchen's lips
quivered; the law of redress in Ehrenstein had no niche for the
goose-girl.

"Good evening, colonel," said Carmichael pleasantly. "Why can't your
bandmaster give us light opera once in a while?"

The colonel pulled his mustache in chagrin, but he did not give
Carmichael the credit for bringing about this cheapening sense. For the
time being Gretchen was freed from annoyance. The colonel certainly
could not rush off to her and give this keen-eyed American an
opportunity to witness a further rebuff.

"Light operas are rare at present," he replied, accepting his defeat
amiably enough.

"Paris is full of them just now," continued Carmichael.

"Paris? Would you like a riot in the gardens?" asked the colonel,
amused.

"A riot?" said Carmichael derisively. "Why, nothing short of a bombshell
would cause a riot among your phlegmatic Germans."

"I believe you love your Paris better than your Dreiberg."

"Not a bit of doubt. And down in your heart you do, too. Think of the
lights, the theaters, the cafes and the pretty women!" Carmichael's cane
described a flourish as if to draw a picture of these things.

"Yes, yes," agreed the colonel reminiscently; "you are right. There is
no other night equal to a Parisian night. _Ach, Gott!_ But think of the
mornings, think of the mornings!"--dolefully.

"On the contrary, let us not think of them!"--with a mock shudder.

And then a pretty woman rose from a chair near-by. She nodded brightly
at the colonel, who bowed, excused himself to Carmichael, and made off
after her.

"I believe I stepped on his toe that time," said Carmichael to himself.

Then he looked round for Gretchen. She was still at the side of the
policeman. She had watched the scene between the two men, but was quite
unconscious that it had been set for her benefit. She came back.
Carmichael stepped confidently to her side and raised his hat.

"Did you get your geese together without mishap?" he asked.

The instinct of the child always remains with the woman. Gretchen
smiled. This young man would be different, she knew.

"They were only frightened. But his highness"--eagerly--"was he very
angry?"

"Angry? Not the least. He was amused. But he was nearly knocked off his
horse. If you lived in America now, you might reap a goodly profit from
that goose."

"America? How?"

"You could put him in a museum and exhibit him as an intimate friend of
the grand duke of Ehrenstein."

But Gretchen did not laugh. It was a serious thing to talk lightly of so
grand a person as the duke. Still, the magic word America, where the
gold came from, flamed her curiosity.

"You are from America?"

"Yes."

"Are you rich?"

"In fancy, in dreams"--humorously.

"Oh! I thought they were all rich."

"Only one or two of us."

"Is it very large, this America?"

"France, Spain, Prussia would be lonesome if set down in America. Only
Russia has anything to boast of."

"Did you fight in the war?"

"Yes. Do you like music?"

"Were you ever wounded?"

"A scratch or two, nothing to speak of. But do you like music?"

"Very, very much. When they play Beethoven, Bach, or Meyerbeer, _ach_, I
seem to live in another country. I hear music in everything, in the
leaves, the rain, the wind, the stream."

It seemed strange to him that he had not noticed it at first, the almost
Hanoverian purity of her speech and the freedom with which she spoke.
The average peasant is diffident, with a vocabulary of few words,
ignorant of art or music or where the world lay.

"What is your name?"

"Gretchen."

"It is a good name; it is famous, too."

"Goethe used it."

"So he did." Carmichael ably concealed his surprise: "You have some one
who reads to you?"

"No, Herr. I can read and write and do sums in addition."

He was willing to swear that she was making fun of him. Was she a simple
goose-girl? Was she not something more, something deeper? War-clouds
were forming in the skies; they might gather and strike at any time. And
who but the French could produce such a woman spy? Ehrenstein was not
Prussia, it was true; but the duchy with its twenty thousand troops was
one of the many pulses that beat in unison with this man Bismarck's
plans. Carmichael addressed her quickly in French, aiming to catch her
off her guard.

"I do not speak French, Herr,"--honestly.

He was certainly puzzled, but a glance at her hands dissolved his
doubts. These hands were used to toil, they were in no way disguised. No
Frenchwoman would sacrifice her hands for her country; at least, not to
this extent. Yet the two things in his mind would not readily cohese: a
goose-girl who was familiar with the poets and composers.

"You have been to school?"

"After a manner. My teacher was a kind priest. But he never knew that,
with knowledge, he was to open the gates of discontent."

"Then you are not happy with your lot?"

"Is any one, Herr?"--quietly. "And who might you be, and what might you
be doing here in Dreiberg, riding with the grand duke?"

"I am the American consul."

Gretchen took a step back.

"Oh, it is nothing that will bite you," he added.

"But perhaps I have been disrespectful!"

"Pray, how?"

Gretchen found that she had no definite explanation to offer.

"What did Colonel Wallenstein say to you?"

"Nothing of importance. I am used to it. I am perfectly able to take
care of myself," she answered.

"But he annoyed you."

"That is true," she admitted.

"What did the policeman say?"

"What would he say to a goose-girl?"

"Shall I speak to him?"

"Would it really do any good?"--skeptically.

"It might. The duke is friendly toward me, and I am certain he would not
tolerate such conduct in his police."

"You would only make enemies for me; insolence would become persecution.
I know. Yet, I thank you, Herr--"

"Carmichael. Now, listen, Gretchen; if at any time you are in trouble,
you will find me at the Grand Hotel or at the consulate next door to the
Black Eagle."

"I shall remember. Sometimes I work in the Black Eagle." And
recollection rose in her mind of the old man who had given her the gold
piece.

"Good night," he said.

"Thank you, Herr."

Gretchen extended her hand and Carmichael took it in his own, inspecting
it.

"Why do you do that?"

"It is a good hand; it is strong, too."

"It has to be strong, Herr. Good night."

Carmichael raised his hat again, and Gretchen breathed contentedly as
she saw him disappear in the crowd. That little act of courtesy made
everything brighter. There was only one other who ever touched his hat
to her respectfully. And as she stood there, dreaming over the unusual
happenings of the day, she felt an arm slip through hers, gently but
firmly, even with authority. Her head went round.

"Leo?" she whispered.

The young vintner whom Carmichael had pushed against the wall that day
smiled from under the deep shade of his hat, drawn down well over his
face.

"Gretchen, who was that speaking to you?"

"Herr Carmichael, the American consul."

"Carmichael!" The arm in Gretchen's stiffened.

"What is it, Leo?"

"Nothing. Only, I grow mad with rage when any of these gentlemen speak
to you. Gentlemen! I know them all too well."

"This one means no harm."

"I would I were certain. Ah, how I love you!" he whispered.

Gretchen thrilled and drew his arm closely against her side.

"To me the world began but two weeks ago. I have just begun to live."

"I am glad," said Gretchen. "But listen."

The band was playing again.

"Sometimes I am jealous even of that."

"I love you none the less for loving it."

"I know; but I am sad and lonely to-night"--gloomily. "I want all your
thoughts."

"Are they not always yours? And why should you be sad and miserable?"

"Why, indeed!"

"Leo, as much as I love you, there is always a shadow."

"What shadow?"

"It is always at night that I see you, rarely in the bright daytime.
What do you do during the day? It is not yet vintage. What do you do?"

"Will you trust me a little longer, Gretchen, just a little longer?"

"Always, not a little longer, always. But wait till the music stops and
I will tell you of my adventure."

"You have had an adventure?"--distrustfully.

"Yes. Be still."

There were tones in Gretchen's voice that the young vintner could never
quite understand. There was a will little less than imperial, and often
as he rebelled, he never failed to bow to it.

"What was this adventure?" he demanded, as the music stopped.

She told him about the geese, the grand duke, and the two crowns. He
laughed, and she joined him, for it was amusing now.

The musicians were putting away their instruments, the crowd was
melting, the attendants were stacking the chairs, so the two lovers went
out of the gardens toward the town and the Krumerweg.

Meanwhile Carmichael had lectured the policeman, who was greatly
disturbed.

"Your Excellency, I am sure Colonel von Wallenstein meant no harm."

"Are you truthfully sure?"

The policeman plucked at his beard nervously. "It is every man for
himself, as your excellency knows. Had I spoken to the colonel, he would
have had me broken."

"You could have appealed to the duke."

"Perhaps. I am sorry for the girl, but I have a family to take care of."

"Well, mark me; this little woman loves music; she comes here often. The
next time she is annoyed by Wallenstein or any one else, you report it
to me. I'll see that it reaches his highness."

"I shall gladly do that, your Excellency."

Carmichael left the gardens and wandered with aimless step. He was
surprised to find that he was opposite the side gates to the royal
gardens. His feet had followed the bent of his mind. Yet he did not
cross the narrow side street. The sound of carriage wheels caused him to
halt. He waited. The carriage he had seen by the fountain drew up before
the gates, and the woman in black alighted. She spoke to the sentinel,
who opened the gates and closed them. The veiled lady vanished abruptly
beyond the shrubbery.

"I wonder who that was?" was Carmichael's internal question. "Bah! Some
lady-in-waiting with an affair on hand."

 At Selia's mom's apartment, Ani and Selia drink tea and swap stories. Selia is Ani's servant companion now, and Ani is uncomfortable and wishes she could be out with the animals instead of pent up inside, talking about royal subjects she isn't all that interested in. Selia, on the other hand, seems to be more of a princess than Ani. She knows how to talk to people, what to say, how to act--all the things that make Ani's head spin. Quickly Ani excuses herself from tea, which is disappointing to Selia's mom since she's the princess and all, though Ani doesn't care, since she wants to go riding with her dad. At the stables, Ani asks Falada to take her riding--but she does so without talking. She and Falada share a special bond where they can communicate through their brains without ever uttering a word aloud to one another. Cool trick, right? She meets up with her father over by one of the gates, and he teases her about playing crown princess--he knows she has to, but he prefers riding with her to sending her off to play tea party with a bunch of snobs. After a few more jabs, the two go off riding and have a race to see whose horse is the fastest. The king gets to the fence first, but just as he is about to jump, his horse fumbles the jump and he falls off its back. Ani rushes toward her dad, trying to help him, but it's of no use--he dies right there in front of her. Needless to say, this is a major bummer. At her dad's funeral, Ani tries to seem strong for the people since she knows she will be queen one day and has to seem like their leader. She's in for a big surprise, though, because when her mom makes a speech at the funeral, she claims her son, Calib-Loncris, will take over as ruler once she's gone... not Ani. Ani is confused, but Selia is outraged at the news--how dare she take this away from the crown princess. Selia encourages Ani to ask her mom what the deal is, but Ani's not so sure--and when she finally gets up the nerve to visit the queen, her mom is expecting her. The queen explains that five years ago, the Prime Minister of Bayern--the country on the other side of the mountain--came for a little visit and explained that the king wants to expand his country. Since the queen knew her own armies were insufficient, she promised Ani to the kingdom of Bayern instead--so now Ani will marry the Bayern prince very soon, since she is sixteen now and all. Ani is surprised that her mom never mentioned this to her before, and asks whether her dad was in on this whole marriage scheme. It turns out that he wasn't in the loop on this one, but the queen did everything she could--and since Ani's always been different, this way she'll still be a queen, just not of Kildenree. Burn, right? Right. Even though her mom apologizes, Ani doesn't feel any better--she's got to leave her home and family for a new world that she's never been to.

