Chapter: ACT II. SCENE I.
A seaport in Cyprus. An open place near the quay.

Enter Montano and two Gentlemen.

  MONTANO. What from the cape can you discern at sea?
  FIRST GENTLEMAN. Nothing at all. It is a high-wrought flood;
    I cannot, 'twixt the heaven and the main,
    Descry a sail.
  MONTANO. Methinks the wind hath spoke aloud at land;
    A fuller blast ne'er shook our battlements.
    If it hath ruffian'd so upon the sea,
    What ribs of oak, when mountains melt on them,
    Can hold the mortise? What shall we hear of this?
  SECOND GENTLEMAN. A segregation of the Turkish fleet.
    For do but stand upon the foaming shore,
    The chidden billow seems to pelt the clouds;
    The wind-shaked surge, with high and monstrous mane,
    Seems to cast water on the burning bear,
    And quench the guards of the ever-fixed pole.
    I never did like molestation view
    On the enchafed flood.
  MONTANO.                 If that the Turkish fleet
    Be not enshelter'd and embay'd, they are drown'd;
    It is impossible to bear it out.

                       Enter a third Gentleman.

  THIRD GENTLEMAN. News, lads! Our wars are done.
    The desperate tempest hath so bang'd the Turks,
    That their designment halts. A noble ship of Venice
    Hath seen a grievous wreck and sufferance
    On most part of their fleet.
  MONTANO. How? Is this true?
  THIRD GENTLEMAN.            The ship is here put in,
    A Veronesa. Michael Cassio,
    Lieutenant to the warlike Moor, Othello,
    Is come on shore; the Moor himself at sea,
    And is in full commission here for Cyprus.
  MONTANO. I am glad on't; 'tis a worthy governor.
  THIRD GENTLEMAN. But this same Cassio, though he speak of
comfort
    Touching the Turkish loss, yet he looks sadly
    And prays the Moor be safe; for they were parted
    With foul and violent tempest.
  MONTANO.                         Pray heavens he be,
    For I have served him, and the man commands
    Like a full soldier. Let's to the seaside, ho!
    As well to see the vessel that's come in
    As to throw out our eyes for brave Othello,
    Even till we make the main and the aerial blue
    An indistinct regard.
  THIRD GENTLEMAN. Come, let's do so,
    For every minute is expectancy
    Of more arrivance.

                            Enter Cassio.

  CASSIO. Thanks, you the valiant of this warlike isle,
    That so approve the Moor! O, let the heavens
    Give him defense against the elements,
    For I have lost him on a dangerous sea.
  MONTANO. Is he well shipp'd?
  CASSIO. His bark is stoutly timber'd, and his pilot
    Of very expert and approved allowance;
    Therefore my hopes, not surfeited to death,
    Stand in bold cure.
                              A cry within, "A sail, a sail, a
sail!"

                      Enter a fourth Gentleman.

                        What noise?
  FOURTH GENTLEMAN. The town is empty; on the brow o' the sea
    Stand ranks of people, and they cry, "A sail!"
  CASSIO. My hopes do shape him for the governor.
                                                          Guns
heard.
  SECOND GENTLEMAN. They do discharge their shot of courtesy--
    Our friends at least.
  CASSIO.                 I pray you, sir, go forth,
    And give us truth who 'tis that is arrived.
  SECOND GENTLEMAN. I shall.
Exit.
  MONTANO. But, good lieutenant, is your general wived?
  CASSIO. Most fortunately: he hath achieved a maid
    That paragons description and wild fame,
    One that excels the quirks of blazoning pens,
    And in the essential vesture of creation
    Does tire the ingener.

                      Re-enter second Gentleman.

                           How now! who has put in?
  SECOND GENTLEMAN. 'Tis one Iago, ancient to the general.
  CASSIO. He has had most favorable and happy speed:
    Tempests themselves, high seas, and howling winds,
    The gutter'd rocks, and congregated sands,
    Traitors ensteep'd to clog the guiltless keel,
    As having sense of beauty, do omit
    Their mortal natures, letting go safely by
    The divine Desdemona.
  MONTANO.                What is she?
  CASSIO. She that I spake of, our great captain's captain,
    Left in the conduct of the bold Iago,
    Whose footing here anticipates our thoughts
    A se'nnight's speed. Great Jove, Othello guard,
    And swell his sail with thine own powerful breath,
    That he may bless this bay with his tall ship,
    Make love's quick pants in Desdemona's arms,
    Give renew'd fire to our extincted spirits,
    And bring all Cyprus comfort.

       Enter Desdemona, Emilia Iago, Roderigo, and Attendants.

                                  O, behold,
    The riches of the ship is come on shore!
    Ye men of Cyprus, let her have your knees.
    Hall to thee, lady! And the grace of heaven,
    Before, behind thee, and on every hand,
    Enwheel thee round!
  DESDEMONA.            I thank you, valiant Cassio.
    What tidings can you tell me of my lord?
  CASSIO. He is not yet arrived, nor know I aught
    But that he's well and will be shortly here.
  DESDEMONA. O, but I fear--How lost you company?
  CASSIO. The great contention of the sea and skies
    Parted our fellowship--But, hark! a sail.
                          A cry within, "A sail, a sail!" Guns
heard.
  SECOND GENTLEMAN. They give their greeting to the citadel;
    This likewise is a friend.
  CASSIO.                      See for the news.
                                                      Exit
Gentleman.
    Good ancient, you are welcome. [To Emilia.] Welcome,
mistress.
    Let it not gall your patience, good Iago,
    That I extend my manners; 'tis my breeding
    That gives me this bold show of courtesy.             Kisses
her.
  IAGO. Sir, would she give you so much of her lips
    As of her tongue she oft bestows on me,
    You'ld have enough.
  DESDEMONA.            Alas, she has no speech.
  IAGO. In faith, too much;
    I find it still when I have list to sleep.
    Marry, before your ladyship I grant,
    She puts her tongue a little in her heart
    And chides with thinking.
  EMILIA. You have little cause to say so.
  IAGO. Come on, come on. You are pictures out of doors,
    Bells in your parlors, wildcats in your kitchens,
    Saints in your injuries, devils being offended,
    Players in your housewifery, and housewives in your beds.
  DESDEMONA. O, fie upon thee, slanderer!
  IAGO. Nay, it is true, or else I am a Turk:
    You rise to play, and go to bed to work.
  EMILIA. You shall not write my praise.
  IAGO.                                  No, let me not.
  DESDEMONA. What wouldst thou write of me, if thou shouldst
    praise me?
  IAGO. O gentle lady, do not put me to't,
    For I am nothing if not critical.
  DESDEMONA. Come on, assay--There's one gone to the harbor?
  IAGO. Ay, madam.
  DESDEMONA. I am not merry, but I do beguile
    The thing I am by seeming otherwise.
    Come, how wouldst thou praise me?
  IAGO. I am about it, but indeed my invention
    Comes from my pate as birdlime does from frieze;
    It plucks out brains and all. But my Muse labors,
    And thus she is deliver'd.
    If she be fair and wise, fairness and wit,
    The one's for use, the other useth it.
  DESDEMONA. Well praised! How if she be black and witty?
  IAGO. If she be black, and thereto have a wit,
    She'll find a white that shall her blackness fit.
  DESDEMONA. Worse and worse.
  EMILIA. How if fair and foolish?
  IAGO. She never yet was foolish that was fair,
    For even her folly help'd her to an heir.
  DESDEMONA. These are old fond paradoxes to make fools laugh i'
the
    alehouse. What miserable praise hast thou for her that's foul
and
    foolish?
  IAGO. There's none so foul and foolish thereunto,
    But does foul pranks which fair and wise ones do.
  DESDEMONA. O heavy ignorance! Thou praisest the worst best. But
what
    praise couldst thou bestow on a deserving woman indeed, one
that
    in the authority of her merit did justly put on the vouch of
very
    malice itself?
  IAGO. She that was ever fair and never proud,
    Had tongue at will and yet was never loud,
    Never lack'd gold and yet went never gay,
    Fled from her wish and yet said, "Now I may";
    She that, being anger'd, her revenge being nigh,
    Bade her wrong stay and her displeasure fly;
    She that in wisdom never was so frail
    To change the cod's head for the salmon's tail;
    She that could think and ne'er disclose her mind,
    See suitors following and not look behind;
    She was a wight, if ever such wight were--
  DESDEMONA. To do what?
  IAGO. To suckle fools and chronicle small beer.
  DESDEMONA. O most lame and impotent conclusion! Do not learn of
him,
    Emilia, though he be thy husband. How say you, Cassio? Is he
not
    a most profane and liberal counselor?
  CASSIO. He speaks home, madam. You may relish him more in the
    soldier than in the scholar.
  IAGO. [Aside.] He takes her by the palm; ay, well said,
whisper.
    With as little a web as this will I ensnare as great a fly as
    Cassio. Ay, smile upon her, do; I will gyve thee in thine own
    courtship. You say true; 'tis so, indeed. If such tricks as
these
    strip you out of your lieutenantry, it had been better you
had
    not kissed your three fingers so oft, which now again you are
    most apt to play the sir in. Very good. Well kissed! an
excellent
    courtesy! 'tis so, indeed. Yet again your fingers to your
lips?
    Would they were clyster-pipes for your sake! [Trumpet
within.]
    The Moor! I know his trumpet.
  CASSIO. 'Tis truly so.
  DESDEMONA. Let's meet him and receive him.
  CASSIO. Lo, where he comes!

                    Enter Othello and Attendants.

  OTHELLO. O my fair warrior!
  DESDEMONA.                  My dear Othello!
  OTHELLO. It gives me wonder great as my content
    To see you here before me. O my soul's joy!
    If after every tempest come such calms,
    May the winds blow till they have waken'd death!
    And let the laboring bark climb hills of seas
    Olympus-high, and duck again as low
    As hell's from heaven! If it were now to die,
    'Twere now to be most happy; for I fear
    My soul hath her content so absolute
    That not another comfort like to this
    Succeeds in unknown fate.
  DESDEMONA.                  The heavens forbid
    But that our loves and comforts should increase,
    Even as our days do grow!
  OTHELLO.                    Amen to that, sweet powers!
    I cannot speak enough of this content;
    It stops me here; it is too much of joy.
    And this, and this, the greatest discords be          Kisses
her.
    That e'er our hearts shall make!
  IAGO.                     [Aside.] O, you are well tuned now!
    But I'll set down the pegs that make this music,
    As honest as I am.
  OTHELLO.             Come, let us to the castle.
    News, friends: our wars are done, the Turks are drown'd.
    How does my old acquaintance of this isle?
    Honey, you shall be well desired in Cyprus;
    I have found great love amongst them. O my sweet,
    I prattle out of fashion, and I dote
    In mine own comforts. I prithee, good Iago,
    Go to the bay and disembark my coffers.
    Bring thou the master to the citadel;
    He is a good one, and his worthiness
    Does challenge much respect. Come, Desdemona,
    Once more well met at Cyprus.
                                    Exeunt all but Iago and
Roderigo.
  IAGO. Do thou meet me presently at the harbor. Come hither. If
thou
    be'st valiant--as they say base men being in love have then a
    nobility in their natures more than is native to them--list
me.
    The lieutenant tonight watches on the court of guard. First,
I
    must tell thee this: Desdemona is directly in love with him.
  RODERIGO. With him? Why, 'tis not possible.
  IAGO. Lay thy finger thus, and let thy soul be instructed. Mark
me
    with what violence she first loved the Moor, but for bragging
and
    telling her fantastical lies. And will she love him still for
    prating? Let not thy discreet heart think it. Her eye must be
    fed; and what delight shall she have to look on the devil?
When
    the blood is made dull with the act of sport, there should
be,
    again to inflame it and to give satiety a fresh appetite,
    loveliness in favor, sympathy in years, manners, and
beauties--
    all which the Moor is defective in. Now, for want of these
    required conveniences, her delicate tenderness will find
itself
    abused, begin to heave the gorge, disrelish and abhor the
Moor;
    very nature will instruct her in it and compel her to some
second
    choice. Now sir, this granted--as it is a most pregnant and
    unforced position--who stands so eminently in the degree of
this
    fortune as Cassio does? A knave very voluble; no further
    conscionable than in putting on the mere form of civil and
humane
    seeming, for the better compass of his salt and most hidden
loose
    affection? Why, none, why, none--a slipper and subtle knave,
a
    finder out of occasions, that has an eye can stamp and
    counterfeit advantages, though true advantage never present
    itself--a devilish knave! Besides, the knave is handsome,
young,
    and hath all those requisites in him that folly and green
minds
    look after--a pestilent complete knave, and the woman hath
found
    him already.
  RODERIGO. I cannot believe that in her; she's full of most
blest
    condition.
  IAGO. Blest fig's-end! The wine she drinks is made of grapes.
If
    she had been blest, she would never have loved the Moor.
Blest
    pudding! Didst thou not see her paddle with the palm of his
hand?
    Didst not mark that?
  RODERIGO. Yes, that I did; but that was but courtesy.
  IAGO. Lechery, by this hand; an index and obscure prologue to
the
    history of lust and foul thoughts. They met so near with
their
    lips that their breaths embraced together. Villainous
thoughts,
    Roderigo! When these mutualities so marshal the way, hard at
hand
    comes the master and main exercise, the incorporate
conclusion.
    Pish! But, sir, be you ruled by me. I have brought you from
    Venice. Watch you tonight; for the command, I'll lay't upon
you.
    Cassio knows you not. I'll not be far from you. Do you find
some
    occasion to anger Cassio, either by speaking too loud, or
    tainting his discipline, or from what other course you
please,
    which the time shall more favorably minister.
  RODERIGO. Well.
  IAGO. Sir, he is rash and very sudden in choler, and haply may
    strike at you. Provoke him, that he may; for even out of that
    will I cause these of Cyprus to mutiny, whose qualification
shall
    come into no true taste again but by the displanting of
Cassio.
    So shall you have a shorter journey to your desires by the
means
    I shall then have to prefer them, and the impediment most
    profitably removed, without the which there were no
expectation
    of our prosperity.
  RODERIGO. I will do this, if I can bring it to any opportunity.
  IAGO. I warrant thee. Meet me by and by at the citadel. I must
    fetch his necessaries ashore. Farewell.
  RODERIGO. Adieu.
Exit.
  IAGO. That Cassio loves her, I do well believe it;
    That she loves him, 'tis apt and of great credit.
    The Moor, howbeit that I endure him not,
    Is of a constant, loving, noble nature,
    And I dare think he'll prove to Desdemona
    A most dear husband. Now, I do love her too,
    Not out of absolute lust, though peradventure
    I stand accountant for as great a sin,
    But partly led to diet my revenge,
    For that I do suspect the lusty Moor
    Hath leap'd into my seat; the thought whereof
    Doth like a poisonous mineral gnaw my inwards,
    And nothing can or shall content my soul
    Till I am even'd with him, wife for wife.
    Or failing so, yet that I put the Moor
    At least into a jealousy so strong
    That judgement cannot cure. Which thing to do,
    If this poor trash of Venice, whom I trash
    For his quick hunting, stand the putting on,
    I'll have our Michael Cassio on the hip,
    Abuse him to the Moor in the rank garb
    (For I fear Cassio with my nightcap too),
    Make the Moor thank me, love me, and reward me
    For making him egregiously an ass
    And practicing upon his peace and quiet
    Even to madness. 'Tis here, but yet confused:
    Knavery's plain face is never seen till used.
Exit.





SCENE II.
A street.

Enter a Herald with a proclamation; people following.

  HERALD. It is Othello's pleasure, our noble and valiant
general,
    that upon certain tidings now arrived, importing the mere
    perdition of the Turkish fleet, every man put himself into
    triumph; some to dance, some to make bonfires, each man to
what
    sport and revels his addiction leads him; for besides these
    beneficial news, it is the celebration of his nuptial. So
much
    was his pleasure should be proclaimed. All offices are open,
and
    there is full liberty of feasting from this present hour of
five
    till the bell have told eleven. Heaven bless the isle of
Cyprus
    and our noble general Othello!
Exeunt.





SCENE III.
A hall in the castle.

Enter Othello, Desdemona, Cassio, and Attendants.

  OTHELLO. Good Michael, look you to the guard tonight.
    Let's teach ourselves that honorable stop,
    Not to outsport discretion.
  CASSIO. Iago hath direction what to do;
    But notwithstanding with my personal eye
    Will I look to't.
  OTHELLO.            Iago is most honest.
    Michael, good night. Tomorrow with your earliest
    Let me have speech with you. Come, my dear love,
    The purchase made, the fruits are to ensue;
    That profit's yet to come 'tween me and you.
    Good night.
                           Exeunt Othello, Desdemona, and
Attendants.

                             Enter Iago.

  CASSIO. Welcome, Iago; we must to the watch.
  IAGO. Not this hour, lieutenant; 'tis not yet ten o' the clock.
Our
    general cast us thus early for the love of his Desdemona; who
let
    us not therefore blame. He hath not yet made wanton the night
    with her, and she is sport for Jove.
  CASSIO. She's a most exquisite lady.
  IAGO. And, I'll warrant her, full of game.
  CASSIO. Indeed she's a most fresh and delicate creature.
  IAGO. What an eye she has! Methinks it sounds a parley to
    provocation.
  CASSIO. An inviting eye; and yet methinks right modest.
  IAGO. And when she speaks, is it not an alarum to love?
  CASSIO. She is indeed perfection.
  IAGO. Well, happiness to their sheets! Come, lieutenant, I have
a
    stope of wine, and here without are a brace of Cyprus
gallants
    that would fain have a measure to the health of black
Othello.
  CASSIO. Not tonight, good Iago. I have very poor and unhappy
brains
    for drinking. I could well wish courtesy would invent some
other
    custom of entertainment.
  IAGO. O, they are our friends! But one cup; I'll drink for you.
  CASSIO. I have drunk but one cup tonight, and that was craftily

    qualified too, and behold what innovation it makes here. I am
    unfortunate in the infirmity, and dare not task my weakness
with
    any more.
  IAGO. What, man! 'Tis a night of revels, the gallants desire
it.
  CASSIO. Where are they?
  IAGO. Here at the door; I pray you, call them in.
  CASSIO. I'll do't, but it dislikes me.
Exit.
  IAGO. If I can fasten but one cup upon him,
    With that which he hath drunk tonight already,
    He'll be as full of quarrel and offense
    As my young mistress' dog. Now my sick fool Roderigo,
    Whom love hath turn'd almost the wrong side out,
    To Desdemona hath tonight caroused
    Potations pottle-deep; and he's to watch.
    Three lads of Cyprus, noble swelling spirits,
    That hold their honors in a wary distance,
    The very elements of this warlike isle,
    Have I tonight fluster'd with flowing cups,
    And they watch too. Now, 'mongst this flock of drunkards,
    Am I to put our Cassio in some action
    That may offend the isle. But here they come.
    If consequence do but approve my dream,
    My boat sails freely, both with wind and stream.

           Re-enter Cassio; with him Montano and Gentlemen;
                    Servants following with wine.

  CASSIO. 'Fore God, they have given me a rouse already.
  MONTANO. Good faith, a little one; not past a pint, as I am a
    soldier.
  IAGO. Some wine, ho!

    [Sings.]   "And let me the canakin clink, clink;
               And let me the canakin clink.
                 A soldier's a man;
                 O, man's life's but a span;
               Why then let a soldier drink."

    Some wine, boys!
  CASSIO. 'Fore God, an excellent song.
  IAGO. I learned it in England, where indeed they are most
potent in
    potting. Your Dane, your German, and your swag-bellied
Hollander--
    Drink, ho!--are nothing to your English.
  CASSIO. Is your Englishman so expert in his drinking?
  IAGO. Why, he drinks you with facility your Dane dead drunk; he
    sweats not to overthrow your Almain; he gives your Hollander
a
    vomit ere the next pottle can be filled.
  CASSIO. To the health of our general!
  MONTANO. I am for it, lieutenant, and I'll do you justice.
  IAGO. O sweet England!

    [Sings.]   "King Stephen was and--a worthy peer,
                 His breeches cost him but a crown;
               He held them sixpence all too dear,
                 With that he call'd the tailor lown.

               "He was a wight of high renown,
                 And thou art but of low degree.
               'Tis pride that pulls the country down;
                 Then take thine auld cloak about thee."

    Some wine, ho!
  CASSIO. Why, this is a more exquisite song than the other.
  IAGO. Will you hear't again?
  CASSIO. No, for I hold him to be unworthy of his place that
does
    those things. Well, God's above all, and there be souls must
be
    saved, and there be souls must not be saved.
  IAGO. It's true, good lieutenant.
  CASSIO. For mine own part--no offense to the general, nor any
man
    of quality--I hope to be saved.
  IAGO. And so do I too, lieutenant.
  CASSIO. Ay, but, by your leave, not before me; the lieutenant
is to
    be saved before the ancient. Let's have no more of this;
let's to
    our affairs. God forgive us our sins! Gentlemen, let's look
to
    our business. Do not think, gentlemen, I am drunk: this is my
    ancient, this is my right hand, and this is my left. I am not
    drunk now; I can stand well enough, and I speak well enough.
  ALL. Excellent well.
  CASSIO. Why, very well then; you must not think then that I am
    drunk.
Exit.
  MONTANO. To the platform, masters; come, let's set the watch.
  IAGO. You see this fellow that is gone before;
    He is a soldier fit to stand by Caesar
    And give direction. And do but see his vice;
    'Tis to his virtue a just equinox,
    The one as long as the other. 'Tis pity of him.
    I fear the trust Othello puts him in
    On some odd time of his infirmity
    Will shake this island.
  MONTANO.                  But is he often thus?
  IAGO. 'Tis evermore the prologue to his sleep.
    He'll watch the horologe a double set,
    If drink rock not his cradle.
  MONTANO.                        It were well
    The general were put in mind of it.
    Perhaps he sees it not, or his good nature
    Prizes the virtue that appears in Cassio
    And looks not on his evils. Is not this true?

                           Enter Roderigo.

  IAGO. [Aside to him.] How now, Roderigo!
    I pray you, after the lieutenant; go.              Exit
Roderigo.
  MONTANO. And 'tis great pity that the noble Moor
    Should hazard such a place as his own second
    With one of an ingraft infirmity.
    It were an honest action to say
    So to the Moor.
  IAGO.             Not I, for this fair island.
    I do love Cassio well, and would do much
    To cure him of this evil--But, hark! What noise?
                                          A cry within, "Help,
help!"

                Re-enter Cassio, driving in Roderigo.

  CASSIO. 'Zounds! You rogue! You rascal!
  MONTANO. What's the matter, lieutenant?
  CASSIO. A knave teach me my duty! But I'll beat the knave into
a
    twiggen bottle.
  RODERIGO. Beat me!
  CASSIO. Dost thou prate, rogue?                   Strikes
Roderigo.
  MONTANO. Nay, good lieutenant; I pray you, sir, hold your hand.
  CASSIO. Let me go, sir, or I'll knock you o'er the mazzard.
  MONTANO. Come, come, you're drunk.
  CASSIO. Drunk?                                          They
fight.
  IAGO. [Aside to Roderigo.] Away, I say; go out and cry a
mutiny.
                                                       Exit
Roderigo.
    Nay, good lieutenant! God's will, gentlemen!
    Help, ho!--Lieutenant--sir--Montano--sir--
    Help, masters!--Here's a goodly watch indeed!
                                                        A bell
rings.
    Who's that that rings the bell?--Diablo, ho!
    The town will rise. God's will, lieutenant, hold!
    You will be shamed forever.

                   Re-enter Othello and Attendants.

  OTHELLO.                      What is the matter here?
  MONTANO. 'Zounds, I bleed still; I am hurt to the death.
   Faints.
  OTHELLO. Hold, for your lives!
  IAGO. Hold, ho! Lieutenant--sir--Montano--gentlemen--
    Have you forgot all place of sense and duty?
    Hold! the general speaks to you! Hold, hold, for shame!
  OTHELLO. Why, how now, ho! from whence ariseth this?
    Are we turn'd Turks, and to ourselves do that
    Which heaven hath forbid the Ottomites?
    For Christian shame, put by this barbarous brawl.
    He that stirs next to carve for his own rage
    Holds his soul light; he dies upon his motion.
    Silence that dreadful bell; it frights the isle
    From her propriety. What is the matter, masters?
    Honest Iago, that look'st dead with grieving,
    Speak: who began this? On thy love, I charge thee.
  IAGO. I do not know. Friends all but now, even now,
    In quarter, and in terms like bride and groom
    Devesting them for bed; and then, but now
    (As if some planet had unwitted men),
    Swords out, and tilting one at other's breast,
    In opposition bloody. I cannot speak
    Any beginning to this peevish odds;
    And would in action glorious I had lost
    Those legs that brought me to a part of it!
  OTHELLO. How comes it, Michael, you are thus forgot?
  CASSIO. I pray you, pardon me; I cannot speak.
  OTHELLO. Worthy Montano, you were wont be civil;
    The gravity and stillness of your youth
    The world hath noted, and your name is great
    In mouths of wisest censure. What's the matter,
    That you unlace your reputation thus,
    And spend your rich opinion for the name
    Of a night-brawler? Give me answer to it.
  MONTANO. Worthy Othello, I am hurt to danger.
    Your officer, Iago, can inform you--
    While I spare speech, which something now offends me--
    Of all that I do know. Nor know I aught
    By me that's said or done amiss this night,
    Unless self-charity be sometimes a vice,
    And to defend ourselves it be a sin
    When violence assails us.
  OTHELLO.                    Now, by heaven,
    My blood begins my safer guides to rule,
    And passion, having my best judgement collied,
    Assays to lead the way. If I once stir,
    Or do but lift this arm, the best of you
    Shall sink in my rebuke. Give me to know
    How this foul rout began, who set it on,
    And he that is approved in this offense,
    Though he had twinn'd with me, both at a birth,
    Shall lose me. What! in a town of war,
    Yet wild, the people's hearts brimful of fear,
    To manage private and domestic quarrel,
    In night, and on the court and guard of safety!
    'Tis monstrous. Iago, who began't?
  MONTANO. If partially affined, or leagued in office,
    Thou dost deliver more or less than truth,
    Thou art no soldier.
  IAGO.                  Touch me not so near:
    I had rather have this tongue cut from my mouth
    Than it should do offense to Michael Cassio;
    Yet, I persuade myself, to speak the truth
    Shall nothing wrong him. Thus it is, general.
    Montano and myself being in speech,
    There comes a fellow crying out for help,
    And Cassio following him with determined sword,
    To execute upon him. Sir, this gentleman
    Steps in to Cassio and entreats his pause.
    Myself the crying fellow did pursue,
    Lest by his clamor--as it so fell out--
    The town might fall in fright. He, swift of foot,
    Outran my purpose; and I return'd the rather
    For that I heard the clink and fall of swords,
    And Cassio high in oath, which till tonight
    I ne'er might say before. When I came back--
    For this was brief--I found them close together,
    At blow and thrust, even as again they were
    When you yourself did part them.
    More of this matter cannot I report.
    But men are men; the best sometimes forget.
    Though Cassio did some little wrong to him,
    As men in rage strike those that wish them best,
    Yet surely Cassio, I believe, received
    From him that fled some strange indignity,
    Which patience could not pass.
  OTHELLO.                         I know, Iago,
    Thy honesty and love doth mince this matter,
    Making it light to Cassio. Cassio, I love thee,
    But never more be officer of mine.

                    Re-enter Desdemona, attended.

    Look, if my gentle love be not raised up!
    I'll make thee an example.
  DESDEMONA.                   What's the matter?
  OTHELLO. All's well now, sweeting; come away to bed.
    Sir, for your hurts, myself will be your surgeon.
    Lead him off.                             Exit Montano,
attended.
    Iago, look with care about the town,
    And silence those whom this vile brawl distracted.
    Come, Desdemona, 'tis the soldiers' life.
    To have their balmy slumbers waked with strife.
                                      Exeunt all but Iago and
Cassio.
  IAGO. What, are you hurt, lieutenant?
  CASSIO. Ay, past all surgery.
  IAGO. Marry, heaven forbid!
  CASSIO. Reputation, reputation, reputation! O, I have lost my
    reputation! I have lost the immortal part of myself, and what
    remains is bestial. My reputation, Iago, my reputation!
  IAGO. As I am an honest man, I thought you had received some
bodily
    wound; there is more sense in that than in reputation.
Reputation
    is an idle and most false imposition; oft got without merit
and
    lost without deserving. You have lost no reputation at all,
    unless you repute yourself such a loser. What, man! there are
    ways to recover the general again. You are but now cast in
his
    mood, a punishment more in policy than in malice; even so as
one
    would beat his offenseless dog to affright an imperious lion.
Sue
    to him again, and he's yours.
  CASSIO. I will rather sue to be despised than to deceive so
good a
    commander with so slight, so drunken, and so indiscreet an
    officer. Drunk? and speak parrot? and squabble? swagger?
swear?
    and discourse fustian with one's own shadow? O thou invisible
    spirit of wine, if thou hast no name to be known by, let us
call
    thee devil!
  IAGO. What was he that you followed with your sword?
    What had he done to you?
  CASSIO. I know not.
  IAGO. Is't possible?
  CASSIO. I remember a mass of things, but nothing distinctly; a
    quarrel, but nothing wherefore. O God, that men should put an
    enemy in their mouths to steal away their brains! that we
should,
    with joy, pleasance, revel, and applause, transform ourselves
    into beasts!
  IAGO. Why, but you are now well enough. How came you thus
     recovered?
  CASSIO. It hath pleased the devil drunkenness to give place to
the
    devil wrath: one unperfectness shows me another, to make me
    frankly despise myself.
  IAGO. Come, you are too severe a moraler. As the time, the
place,
    and the condition of this country stands, I could heartily
wish
    this had not befallen; but since it is as it is, mend it for
your
    own good.
  CASSIO. I will ask him for my place again; he shall tell me I
am a
    drunkard! Had I as many mouths as Hydra, such an answer would
    stop them all. To be now a sensible man, by and by a fool,
and
    presently a beast! O strange! Every inordinate cup is
unblest,
    and the ingredient is a devil.
  IAGO. Come, come, good wine is a good familiar creature, if it
be
    well used. Exclaim no more against it. And, good lieutenant,
I
    think you think I love you.
  CASSIO. I have well approved it, sir. I drunk!
  IAGO. You or any man living may be drunk at some time, man.
I'll
    tell you what you shall do. Our general's wife is now the
    general. I may say so in this respect, for that he hath
devoted
    and given up himself to the contemplation, mark, and
denotement
    of her parts and graces. Confess yourself freely to her;
    importune her help to put you in your place again. She is of
so
    free, so kind, so apt, so blessed a disposition, she holds it
a
    vice in her goodness not to do more than she is requested.
This
    broken joint between you and her husband entreat her to
splinter;
    and, my fortunes against any lay worth naming, this crack of
your
    love shall grow stronger than it was before.
  CASSIO. You advise me well.
  IAGO. I protest, in the sincerity of love and honest kindness.
  CASSIO. I think it freely; and betimes in the morning I will
beseech
    the virtuous Desdemona to undertake for me. I am desperate of
my
    fortunes if they check me here.
  IAGO. You are in the right. Good night, lieutenant, I must to
the
    watch.
  CASSIO. Good night, honest Iago.
Exit.
  IAGO. And what's he then that says I play the villain?
    When this advice is free I give and honest,
    Probal to thinking, and indeed the course
    To win the Moor again? For 'tis most easy
    The inclining Desdemona to subdue
    In any honest suit. She's framed as fruitful
    As the free elements. And then for her
    To win the Moor, were't to renounce his baptism,
    All seals and symbols of redeemed sin,
    His soul is so enfetter'd to her love,
    That she may make, unmake, do what she list,
    Even as her appetite shall play the god
    With his weak function. How am I then a villain
    To counsel Cassio to this parallel course,
    Directly to his good? Divinity of hell!
    When devils will the blackest sins put on,
    They do suggest at first with heavenly shows,
    As I do now. For whiles this honest fool
    Plies Desdemona to repair his fortune,
    And she for him pleads strongly to the Moor,
    I'll pour this pestilence into his ear,
    That she repeals him for her body's lust;
    And by how much she strives to do him good,
    She shall undo her credit with the Moor.
    So will I turn her virtue into pitch,
    And out of her own goodness make the net
    That shall enmesh them all.

                           Enter Roderigo.

                                How now, Roderigo!
  RODERIGO. I do follow here in the chase, not like a hound that
    hunts, but one that fills up the cry. My money is almost
spent; I
    have been tonight exceedingly well cudgeled; and I think the
    issue will be, I shall have so much experience for my pains;
and
    so, with no money at all and a little more wit, return again
to
    Venice.
  IAGO. How poor are they that have not patience!
    What wound did ever heal but by degrees?
    Thou know'st we work by wit and not by witchcraft,
    And wit depends on dilatory time.
    Does't not go well? Cassio hath beaten thee,
    And thou by that small hurt hast cashier'd Cassio.
    Though other things grow fair against the sun,
    Yet fruits that blossom first will first be ripe.
    Content thyself awhile. By the mass, 'tis morning;
    Pleasure and action make the hours seem short.
    Retire thee; go where thou art billeted.
    Away, I say. Thou shalt know more hereafter.
    Nay, get thee gone. [Exit Roderigo.] Two things are to be
done:
    My wife must move for Cassio to her mistress--
    I'll set her on;
    Myself the while to draw the Moor apart,
    And bring him jump when he may Cassio find
    Soliciting his wife. Ay, that's the way;
    Dull not device by coldness and delay.
Exit.

 A Sea-port in Cyprus. An open place near the quay. A terrible storm has struck Cyprus, just as the Turks were about to approach. The Turkish attack may have been quelled, but it also bodes badly for Othello's ship. A messenger enters, and confirms that the Turkish fleet was broken apart by the storm, and that Cassio has arrived, though Othello is still at sea. They spot a ship coming forth; but Iago, Desdemona, and Emilia are on it, not Othello. Cassio greets them all, especially praising Desdemona; somehow, Iago and Desdemona enter into an argument about what women are, and Iago shows how little praise he believes women deserve. Othello arrives at last, and is very glad to see his wife arrived, much earlier than expected; he and Desdemona make public signs of their love, and then depart. Iago speaks to Roderigo, convincing him that Desdemona will stray from Othello, as she has already done with Cassio. He convinces Roderigo to attack Cassio that night, as he plans to visit mischief on both Othello and Cassio. Othello's herald enters, to proclaim that the Turks are not going to attack. All should be joyful, and Othello is celebrating the happiness of his recent marriage. Act II, scene iii: A hall in the castle. Iago and Cassio are on the watch together; Iago gets Cassio to drink, knowing that he cannot hold his liquor. Iago also tries to coax Cassio's feelings about Desdemona, and make her seem tempting to him; but his intentions are innocent and friendly, so this approach fails. Cassio leaves, and Iago says that he intends to get Cassio drunk, which will hopefully cause a quarrel between Cassio and Roderigo, who has been stirred up against Cassio. Iago wants to see Cassio discredited, so that he may take Cassio's place as lieutenant. Montano and others come, and Iago entertains them with small talk and song; soon, Cassio is drunk, and Roderigo has approached. Cassio fights offstage with Roderigo, and comes forth, chasing him; Montano tries to hinder Cassio, but Cassio just ends up injuring him. All the noise wakes Othello, who comes down to figure out what has happened. Montano tells what he knows, and Iago fills in the rest - making sure to fictionalize his part. Cassio is stripped of his rank, and all leave Cassio and Iago alone. Cassio laments that he has lost his reputation, which is very dear to him. Iago tries to convince him that a reputation means little; and, if he talks to Desdemona, maybe he can get her to vouch for him with Othello. This will help Iago hint that Desdemona and Cassio are together, which will enrage Othello. Iago then gives a soliloquy about knowing that Desdemona will speak for Cassio, and that he will be able to turn that against them both.

