Chapter: The Sunday after Miss Bartlett's arrival was a glorious day, like most
of the days of that year. In the Weald, autumn approached, breaking up
the green monotony of summer, touching the parks with the grey bloom of
mist, the beech-trees with russet, the oak-trees with gold. Up on the
heights, battalions of black pines witnessed the change, themselves
unchangeable. Either country was spanned by a cloudless sky, and in
either arose the tinkle of church bells.

The garden of Windy Corners was deserted except for a red book, which
lay sunning itself upon the gravel path. From the house came incoherent
sounds, as of females preparing for worship. "The men say they won't
go"--"Well, I don't blame them"--Minnie says, "need she go?"--"Tell
her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I
trespass upon you for a pin?" For Miss Bartlett had announced that she
at all events was one for church.

The sun rose higher on its journey, guided, not by Phaethon, but by
Apollo, competent, unswerving, divine. Its rays fell on the ladies
whenever they advanced towards the bedroom windows; on Mr. Beebe down
at Summer Street as he smiled over a letter from Miss Catharine Alan; on
George Emerson cleaning his father's boots; and lastly, to complete the
catalogue of memorable things, on the red book mentioned previously. The
ladies move, Mr. Beebe moves, George moves, and movement may engender
shadow. But this book lies motionless, to be caressed all the morning
by the sun and to raise its covers slightly, as though acknowledging the
caress.

Presently Lucy steps out of the drawing-room window. Her new cerise
dress has been a failure, and makes her look tawdry and wan. At her
throat is a garnet brooch, on her finger a ring set with rubies--an
engagement ring. Her eyes are bent to the Weald. She frowns a
little--not in anger, but as a brave child frowns when he is trying not
to cry. In all that expanse no human eye is looking at her, and she may
frown unrebuked and measure the spaces that yet survive between Apollo
and the western hills.

"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf
and leaving it about to spoil?"

"It's only the library book that Cecil's been reading."

"But pick it up, and don't stand idling there like a flamingo."

Lucy picked up the book and glanced at the title listlessly, Under a
Loggia. She no longer read novels herself, devoting all her spare time
to solid literature in the hope of catching Cecil up. It was dreadful
how little she knew, and even when she thought she knew a thing, like
the Italian painters, she found she had forgotten it. Only this morning
she had confused Francesco Francia with Piero della Francesca, and Cecil
had said, "What! you aren't forgetting your Italy already?" And this too
had lent anxiety to her eyes when she saluted the dear view and the
dear garden in the foreground, and above them, scarcely conceivable
elsewhere, the dear sun.

"Lucy--have you a sixpence for Minnie and a shilling for yourself?"

She hastened in to her mother, who was rapidly working herself into a
Sunday fluster.

"It's a special collection--I forget what for. I do beg, no vulgar
clinking in the plate with halfpennies; see that Minnie has a nice
bright sixpence. Where is the child? Minnie! That book's all warped.
(Gracious, how plain you look!) Put it under the Atlas to press.
Minnie!"

"Oh, Mrs. Honeychurch--" from the upper regions.

"Minnie, don't be late. Here comes the horse"--it was always the horse,
never the carriage. "Where's Charlotte? Run up and hurry her. Why is she
so long? She had nothing to do. She never brings anything but blouses.
Poor Charlotte--How I do detest blouses! Minnie!"

Paganism is infectious--more infectious than diphtheria or piety--and
the Rector's niece was taken to church protesting. As usual, she didn't
see why. Why shouldn't she sit in the sun with the young men? The
young men, who had now appeared, mocked her with ungenerous words. Mrs.
Honeychurch defended orthodoxy, and in the midst of the confusion Miss
Bartlett, dressed in the very height of the fashion, came strolling down
the stairs.

"Dear Marian, I am very sorry, but I have no small change--nothing but
sovereigns and half crowns. Could any one give me--"

"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely
frock! You put us all to shame."

"If I did not wear my best rags and tatters now, when should I wear
them?" said Miss Bartlett reproachfully. She got into the victoria and
placed herself with her back to the horse. The necessary roar ensued,
and then they drove off.

"Good-bye! Be good!" called out Cecil.

Lucy bit her lip, for the tone was sneering. On the subject of "church
and so on" they had had rather an unsatisfactory conversation. He had
said that people ought to overhaul themselves, and she did not want to
overhaul herself; she did not know it was done. Honest orthodoxy
Cecil respected, but he always assumed that honesty is the result of a
spiritual crisis; he could not imagine it as a natural birthright, that
might grow heavenward like flowers. All that he said on this subject
pained her, though he exuded tolerance from every pore; somehow the
Emersons were different.

She saw the Emersons after church. There was a line of carriages down
the road, and the Honeychurch vehicle happened to be opposite Cissie
Villa. To save time, they walked over the green to it, and found father
and son smoking in the garden.

"Introduce me," said her mother. "Unless the young man considers that he
knows me already."

He probably did; but Lucy ignored the Sacred Lake and introduced them
formally. Old Mr. Emerson claimed her with much warmth, and said how
glad he was that she was going to be married. She said yes, she was glad
too; and then, as Miss Bartlett and Minnie were lingering behind with
Mr. Beebe, she turned the conversation to a less disturbing topic, and
asked him how he liked his new house.

"Very much," he replied, but there was a note of offence in his voice;
she had never known him offended before. He added: "We find, though,
that the Miss Alans were coming, and that we have turned them out. Women
mind such a thing. I am very much upset about it."

"I believe that there was some misunderstanding," said Mrs. Honeychurch
uneasily.

"Our landlord was told that we should be a different type of person,"
said George, who seemed disposed to carry the matter further. "He
thought we should be artistic. He is disappointed."

"And I wonder whether we ought to write to the Miss Alans and offer to
give it up. What do you think?" He appealed to Lucy.

"Oh, stop now you have come," said Lucy lightly. She must avoid
censuring Cecil. For it was on Cecil that the little episode turned,
though his name was never mentioned.

"So George says. He says that the Miss Alans must go to the wall. Yet it
does seem so unkind."

"There is only a certain amount of kindness in the world," said George,
watching the sunlight flash on the panels of the passing carriages.

"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all
this twiddling and twaddling over two Miss Alans?"

"There is a certain amount of kindness, just as there is a certain
amount of light," he continued in measured tones. "We cast a shadow
on something wherever we stand, and it is no good moving from place to
place to save things; because the shadow always follows. Choose a place
where you won't do harm--yes, choose a place where you won't do very
much harm, and stand in it for all you are worth, facing the sunshine."

"Oh, Mr. Emerson, I see you're clever!"

"Eh--?"

"I see you're going to be clever. I hope you didn't go behaving like
that to poor Freddy."

George's eyes laughed, and Lucy suspected that he and her mother would
get on rather well.

"No, I didn't," he said. "He behaved that way to me. It is his
philosophy. Only he starts life with it; and I have tried the Note of
Interrogation first."

"What DO you mean? No, never mind what you mean. Don't explain. He looks
forward to seeing you this afternoon. Do you play tennis? Do you mind
tennis on Sunday--?"

"George mind tennis on Sunday! George, after his education, distinguish
between Sunday--"

"Very well, George doesn't mind tennis on Sunday. No more do I. That's
settled. Mr. Emerson, if you could come with your son we should be so
pleased."

He thanked her, but the walk sounded rather far; he could only potter
about in these days.

She turned to George: "And then he wants to give up his house to the
Miss Alans."

"I know," said George, and put his arm round his father's neck. The
kindness that Mr. Beebe and Lucy had always known to exist in him came
out suddenly, like sunlight touching a vast landscape--a touch of the
morning sun? She remembered that in all his perversities he had never
spoken against affection.

Miss Bartlett approached.

"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.
"You met her with my daughter in Florence."

"Yes, indeed!" said the old man, and made as if he would come out of the
garden to meet the lady. Miss Bartlett promptly got into the victoria.
Thus entrenched, she emitted a formal bow. It was the pension Bertolini
again, the dining-table with the decanters of water and wine. It was the
old, old battle of the room with the view.

George did not respond to the bow. Like any boy, he blushed and was
ashamed; he knew that the chaperon remembered. He said: "I--I'll come up
to tennis if I can manage it," and went into the house. Perhaps anything
that he did would have pleased Lucy, but his awkwardness went straight
to her heart; men were not gods after all, but as human and as clumsy as
girls; even men might suffer from unexplained desires, and need help. To
one of her upbringing, and of her destination, the weakness of men was a
truth unfamiliar, but she had surmised it at Florence, when George threw
her photographs into the River Arno.

"George, don't go," cried his father, who thought it a great treat for
people if his son would talk to them. "George has been in such good
spirits today, and I am sure he will end by coming up this afternoon."

Lucy caught her cousin's eye. Something in its mute appeal made her
reckless. "Yes," she said, raising her voice, "I do hope he will." Then
she went to the carriage and murmured, "The old man hasn't been told;
I knew it was all right." Mrs. Honeychurch followed her, and they drove
away.

Satisfactory that Mr. Emerson had not been told of the Florence
escapade; yet Lucy's spirits should not have leapt up as if she had
sighted the ramparts of heaven. Satisfactory; yet surely she greeted
it with disproportionate joy. All the way home the horses' hoofs sang a
tune to her: "He has not told, he has not told." Her brain expanded the
melody: "He has not told his father--to whom he tells all things. It was
not an exploit. He did not laugh at me when I had gone." She raised her
hand to her cheek. "He does not love me. No. How terrible if he did! But
he has not told. He will not tell."

She longed to shout the words: "It is all right. It's a secret between
us two for ever. Cecil will never hear." She was even glad that Miss
Bartlett had made her promise secrecy, that last dark evening at
Florence, when they had knelt packing in his room. The secret, big or
little, was guarded.

Only three English people knew of it in the world. Thus she interpreted
her joy. She greeted Cecil with unusual radiance, because she felt so
safe. As he helped her out of the carriage, she said:

"The Emersons have been so nice. George Emerson has improved
enormously."

"How are my proteges?" asked Cecil, who took no real interest in them,
and had long since forgotten his resolution to bring them to Windy
Corner for educational purposes.

"Proteges!" she exclaimed with some warmth. For the only relationship
which Cecil conceived was feudal: that of protector and protected. He
had no glimpse of the comradeship after which the girl's soul yearned.

"You shall see for yourself how your proteges are. George Emerson is
coming up this afternoon. He is a most interesting man to talk to. Only
don't--" She nearly said, "Don't protect him." But the bell was ringing
for lunch, and, as often happened, Cecil had paid no great attention to
her remarks. Charm, not argument, was to be her forte.

Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some
one had to be soothed--either Cecil or Miss Bartlett or a Being not
visible to the mortal eye--a Being who whispered to her soul: "It
will not last, this cheerfulness. In January you must go to London to
entertain the grandchildren of celebrated men." But to-day she felt she
had received a guarantee. Her mother would always sit there, her brother
here. The sun, though it had moved a little since the morning, would
never be hidden behind the western hills. After luncheon they asked her
to play. She had seen Gluck's Armide that year, and played from memory
the music of the enchanted garden--the music to which Renaud approaches,
beneath the light of an eternal dawn, the music that never gains, never
wanes, but ripples for ever like the tideless seas of fairyland. Such
music is not for the piano, and her audience began to get restive,
and Cecil, sharing the discontent, called out: "Now play us the other
garden--the one in Parsifal."

She closed the instrument.

"Not very dutiful," said her mother's voice.

Fearing that she had offended Cecil, she turned quickly round. There
George was. He had crept in without interrupting her.

"Oh, I had no idea!" she exclaimed, getting very red; and then, without
a word of greeting, she reopened the piano. Cecil should have the
Parsifal, and anything else that he liked.

"Our performer has changed her mind," said Miss Bartlett, perhaps
implying, she will play the music to Mr. Emerson. Lucy did not know
what to do nor even what she wanted to do. She played a few bars of the
Flower Maidens' song very badly and then she stopped.

"I vote tennis," said Freddy, disgusted at the scrappy entertainment.

"Yes, so do I." Once more she closed the unfortunate piano. "I vote you
have a men's four."

"All right."

"Not for me, thank you," said Cecil. "I will not spoil the set." He
never realized that it may be an act of kindness in a bad player to make
up a fourth.

"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's
Emerson."

George corrected him: "I am not bad."

One looked down one's nose at this. "Then certainly I won't play," said
Cecil, while Miss Bartlett, under the impression that she was snubbing
George, added: "I agree with you, Mr. Vyse. You had much better not
play. Much better not."

Minnie, rushing in where Cecil feared to tread, announced that she would
play. "I shall miss every ball anyway, so what does it matter?" But
Sunday intervened and stamped heavily upon the kindly suggestion.

"Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall
back on Lucy. There is no other way out of it. Lucy, go and change your
frock."

Lucy's Sabbath was generally of this amphibious nature. She kept it
without hypocrisy in the morning, and broke it without reluctance in
the afternoon. As she changed her frock, she wondered whether Cecil was
sneering at her; really she must overhaul herself and settle everything
up before she married him.

Mr. Floyd was her partner. She liked music, but how much better tennis
seemed. How much better to run about in comfortable clothes than to sit
at the piano and feel girt under the arms. Once more music appeared to
her the employment of a child. George served, and surprised her by his
anxiety to win. She remembered how he had sighed among the tombs at
Santa Croce because things wouldn't fit; how after the death of that
obscure Italian he had leant over the parapet by the Arno and said to
her: "I shall want to live, I tell you." He wanted to live now, to win
at tennis, to stand for all he was worth in the sun--the sun which had
begun to decline and was shining in her eyes; and he did win.

Ah, how beautiful the Weald looked! The hills stood out above its
radiance, as Fiesole stands above the Tuscan Plain, and the South Downs,
if one chose, were the mountains of Carrara. She might be forgetting her
Italy, but she was noticing more things in her England. One could play
a new game with the view, and try to find in its innumerable folds some
town or village that would do for Florence. Ah, how beautiful the Weald
looked!

But now Cecil claimed her. He chanced to be in a lucid critical mood,
and would not sympathize with exaltation. He had been rather a nuisance
all through the tennis, for the novel that he was reading was so bad
that he was obliged to read it aloud to others. He would stroll round
the precincts of the court and call out: "I say, listen to this, Lucy.
Three split infinitives."

"Dreadful!" said Lucy, and missed her stroke. When they had finished
their set, he still went on reading; there was some murder scene, and
really everyone must listen to it. Freddy and Mr. Floyd were obliged to
hunt for a lost ball in the laurels, but the other two acquiesced.

"The scene is laid in Florence."

"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your
energy." She had "forgiven" George, as she put it, and she made a point
of being pleasant to him.

He jumped over the net and sat down at her feet asking: "You--and are
you tired?"

"Of course I'm not!"

"Do you mind being beaten?"

She was going to answer, "No," when it struck her that she did mind,
so she answered, "Yes." She added merrily, "I don't see you're such
a splendid player, though. The light was behind you, and it was in my
eyes."

"I never said I was."

"Why, you did!"

"You didn't attend."

"You said--oh, don't go in for accuracy at this house. We all
exaggerate, and we get very angry with people who don't."

"'The scene is laid in Florence,'" repeated Cecil, with an upward note.

Lucy recollected herself.

"'Sunset. Leonora was speeding--'"

Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"

"Joseph Emery Prank. 'Sunset. Leonora speeding across the square. Pray
the saints she might not arrive too late. Sunset--the sunset of Italy.
Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it
now--'"

Lucy burst into laughter. "'Joseph Emery Prank' indeed! Why it's Miss
Lavish! It's Miss Lavish's novel, and she's publishing it under somebody
else's name."

"Who may Miss Lavish be?"

"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"

Excited by her pleasant afternoon, she clapped her hands.

George looked up. "Of course I do. I saw her the day I arrived at Summer
Street. It was she who told me that you lived here."

"Weren't you pleased?" She meant "to see Miss Lavish," but when he bent
down to the grass without replying, it struck her that she could mean
something else. She watched his head, which was almost resting against
her knee, and she thought that the ears were reddening. "No wonder the
novel's bad," she added. "I never liked Miss Lavish. But I suppose one
ought to read it as one's met her."

"All modern books are bad," said Cecil, who was annoyed at her
inattention, and vented his annoyance on literature. "Every one writes
for money in these days."

"Oh, Cecil--!"

"It is so. I will inflict Joseph Emery Prank on you no longer."

Cecil, this afternoon seemed such a twittering sparrow. The ups and
downs in his voice were noticeable, but they did not affect her. She had
dwelt amongst melody and movement, and her nerves refused to answer to
the clang of his. Leaving him to be annoyed, she gazed at the black head
again. She did not want to stroke it, but she saw herself wanting to
stroke it; the sensation was curious.

"How do you like this view of ours, Mr. Emerson?"

"I never notice much difference in views."

"What do you mean?"

"Because they're all alike. Because all that matters in them is distance
and air."

"H'm!" said Cecil, uncertain whether the remark was striking or not.

"My father"--he looked up at her (and he was a little flushed)--"says
that there is only one perfect view--the view of the sky straight over
our heads, and that all these views on earth are but bungled copies of
it."

"I expect your father has been reading Dante," said Cecil, fingering the
novel, which alone permitted him to lead the conversation.

"He told us another day that views are really crowds--crowds of trees
and houses and hills--and are bound to resemble each other, like human
crowds--and that the power they have over us is sometimes supernatural,
for the same reason."

Lucy's lips parted.

"For a crowd is more than the people who make it up. Something gets
added to it--no one knows how--just as something has got added to those
hills."

He pointed with his racquet to the South Downs.

"What a splendid idea!" she murmured. "I shall enjoy hearing your father
talk again. I'm so sorry he's not so well."

"No, he isn't well."

"There's an absurd account of a view in this book," said Cecil. "Also
that men fall into two classes--those who forget views and those who
remember them, even in small rooms."

"Mr. Emerson, have you any brothers or sisters?"

"None. Why?"

"You spoke of 'us.'"

"My mother, I was meaning."

Cecil closed the novel with a bang.

"Oh, Cecil--how you made me jump!"

"I will inflict Joseph Emery Prank on you no longer."

"I can just remember us all three going into the country for the day and
seeing as far as Hindhead. It is the first thing that I remember."

Cecil got up; the man was ill-bred--he hadn't put on his coat after
tennis--he didn't do. He would have strolled away if Lucy had not
stopped him.

"Cecil, do read the thing about the view."

"Not while Mr. Emerson is here to entertain us."

"No--read away. I think nothing's funnier than to hear silly things read
out loud. If Mr. Emerson thinks us frivolous, he can go."

This struck Cecil as subtle, and pleased him. It put their visitor in
the position of a prig. Somewhat mollified, he sat down again.

"Mr. Emerson, go and find tennis balls." She opened the book. Cecil
must have his reading and anything else that he liked. But her attention
wandered to George's mother, who--according to Mr. Eager--had been
murdered in the sight of God and--according to her son--had seen as far as
Hindhead.

"Am I really to go?" asked George.

"No, of course not really," she answered.

"Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't
bothering you."

Chapter two was found, and she glanced at its opening sentences.

She thought she had gone mad.

"Here--hand me the book."

She heard her voice saying: "It isn't worth reading--it's too silly
to read--I never saw such rubbish--it oughtn't to be allowed to be
printed."

He took the book from her.

"'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich
champaign of Tuscany, dotted over with many a smiling village. The
season was spring.'"

Miss Lavish knew, somehow, and had printed the past in draggled prose,
for Cecil to read and for George to hear.

"'A golden haze,'" he read. He read: "'Afar off the towers of Florence,
while the bank on which she sat was carpeted with violets. All
unobserved Antonio stole up behind her--'"

Lest Cecil should see her face she turned to George and saw his face.

He read: "'There came from his lips no wordy protestation such as formal
lovers use. No eloquence was his, nor did he suffer from the lack of it.
He simply enfolded her in his manly arms.'"

"This isn't the passage I wanted," he informed them, "there is another
much funnier, further on." He turned over the leaves.

"Should we go in to tea?" said Lucy, whose voice remained steady.

She led the way up the garden, Cecil following her, George last. She
thought a disaster was averted. But when they entered the shrubbery
it came. The book, as if it had not worked mischief enough, had
been forgotten, and Cecil must go back for it; and George, who loved
passionately, must blunder against her in the narrow path.

"No--" she gasped, and, for the second time, was kissed by him.

As if no more was possible, he slipped back; Cecil rejoined her; they
reached the upper lawn alone.



But Lucy had developed since the spring. That is to say, she was now
better able to stifle the emotions of which the conventions and the
world disapprove. Though the danger was greater, she was not shaken by
deep sobs. She said to Cecil, "I am not coming in to tea--tell mother--I
must write some letters," and went up to her room. Then she prepared
for action. Love felt and returned, love which our bodies exact and
our hearts have transfigured, love which is the most real thing that
we shall ever meet, reappeared now as the world's enemy, and she must
stifle it.

She sent for Miss Bartlett.

The contest lay not between love and duty. Perhaps there never is such a
contest. It lay between the real and the pretended, and Lucy's first aim
was to defeat herself. As her brain clouded over, as the memory of the
views grew dim and the words of the book died away, she returned to her
old shibboleth of nerves. She "conquered her breakdown." Tampering with
the truth, she forgot that the truth had ever been. Remembering that she
was engaged to Cecil, she compelled herself to confused remembrances
of George; he was nothing to her; he never had been anything; he
had behaved abominably; she had never encouraged him. The armour of
falsehood is subtly wrought out of darkness, and hides a man not only
from others, but from his own soul. In a few moments Lucy was equipped
for battle.

"Something too awful has happened," she began, as soon as her cousin
arrived. "Do you know anything about Miss Lavish's novel?"

Miss Bartlett looked surprised, and said that she had not read the book,
nor known that it was published; Eleanor was a reticent woman at heart.

"There is a scene in it. The hero and heroine make love. Do you know
about that?"

"Dear--?"

"Do you know about it, please?" she repeated. "They are on a hillside,
and Florence is in the distance."

"My good Lucia, I am all at sea. I know nothing about it whatever."

"There are violets. I cannot believe it is a coincidence. Charlotte,
Charlotte, how could you have told her? I have thought before speaking;
it must be you."

"Told her what?" she asked, with growing agitation.

"About that dreadful afternoon in February."

Miss Bartlett was genuinely moved. "Oh, Lucy, dearest girl--she hasn't
put that in her book?"

Lucy nodded.

"Not so that one could recognize it. Yes."

"Then never--never--never more shall Eleanor Lavish be a friend of
mine."

"So you did tell?"

"I did just happen--when I had tea with her at Rome--in the course of
conversation--"

"But Charlotte--what about the promise you gave me when we were packing?
Why did you tell Miss Lavish, when you wouldn't even let me tell
mother?"

"I will never forgive Eleanor. She has betrayed my confidence."

"Why did you tell her, though? This is a most serious thing."

Why does any one tell anything? The question is eternal, and it was not
surprising that Miss Bartlett should only sigh faintly in response. She
had done wrong--she admitted it, she only hoped that she had not done
harm; she had told Eleanor in the strictest confidence.

Lucy stamped with irritation.

"Cecil happened to read out the passage aloud to me and to Mr. Emerson;
it upset Mr. Emerson and he insulted me again. Behind Cecil's back. Ugh!
Is it possible that men are such brutes? Behind Cecil's back as we were
walking up the garden."

Miss Bartlett burst into self-accusations and regrets.

"What is to be done now? Can you tell me?"

"Oh, Lucy--I shall never forgive myself, never to my dying day. Fancy if
your prospects--"

"I know," said Lucy, wincing at the word. "I see now why you wanted me
to tell Cecil, and what you meant by 'some other source.' You knew that
you had told Miss Lavish, and that she was not reliable."

It was Miss Bartlett's turn to wince. "However," said the girl,
despising her cousin's shiftiness, "What's done's done. You have put me
in a most awkward position. How am I to get out of it?"

Miss Bartlett could not think. The days of her energy were over. She was
a visitor, not a chaperon, and a discredited visitor at that. She stood
with clasped hands while the girl worked herself into the necessary
rage.

"He must--that man must have such a setting down that he won't forget.
And who's to give it him? I can't tell mother now--owing to you. Nor
Cecil, Charlotte, owing to you. I am caught up every way. I think I
shall go mad. I have no one to help me. That's why I've sent for you.
What's wanted is a man with a whip."

Miss Bartlett agreed: one wanted a man with a whip.

"Yes--but it's no good agreeing. What's to be DONE. We women go
maundering on. What DOES a girl do when she comes across a cad?"

"I always said he was a cad, dear. Give me credit for that, at all
events. From the very first moment--when he said his father was having a
bath."

"Oh, bother the credit and who's been right or wrong! We've both made a
muddle of it. George Emerson is still down the garden there, and is he
to be left unpunished, or isn't he? I want to know."

Miss Bartlett was absolutely helpless. Her own exposure had unnerved
her, and thoughts were colliding painfully in her brain. She moved
feebly to the window, and tried to detect the cad's white flannels among
the laurels.

"You were ready enough at the Bertolini when you rushed me off to Rome.
Can't you speak again to him now?"

"Willingly would I move heaven and earth--"

"I want something more definite," said Lucy contemptuously. "Will you
speak to him? It is the least you can do, surely, considering it all
happened because you broke your word."

"Never again shall Eleanor Lavish be a friend of mine."

Really, Charlotte was outdoing herself.

"Yes or no, please; yes or no."

"It is the kind of thing that only a gentleman can settle." George
Emerson was coming up the garden with a tennis ball in his hand.

"Very well," said Lucy, with an angry gesture. "No one will help me. I
will speak to him myself." And immediately she realized that this was
what her cousin had intended all along.

"Hullo, Emerson!" called Freddy from below. "Found the lost ball? Good
man! Want any tea?" And there was an irruption from the house on to the
terrace.

"Oh, Lucy, but that is brave of you! I admire you--"

They had gathered round George, who beckoned, she felt, over the
rubbish, the sloppy thoughts, the furtive yearnings that were beginning
to cumber her soul. Her anger faded at the sight of him. Ah! The
Emersons were fine people in their way. She had to subdue a rush in her
blood before saying:

"Freddy has taken him into the dining-room. The others are going down
the garden. Come. Let us get this over quickly. Come. I want you in the
room, of course."

"Lucy, do you mind doing it?"

"How can you ask such a ridiculous question?"

"Poor Lucy--" She stretched out her hand. "I seem to bring nothing
but misfortune wherever I go." Lucy nodded. She remembered their
last evening at Florence--the packing, the candle, the shadow of Miss
Bartlett's toque on the door. She was not to be trapped by pathos a
second time. Eluding her cousin's caress, she led the way downstairs.

"Try the jam," Freddy was saying. "The jam's jolly good."

George, looking big and dishevelled, was pacing up and down the
dining-room. As she entered he stopped, and said:

"No--nothing to eat."

"You go down to the others," said Lucy; "Charlotte and I will give Mr.
Emerson all he wants. Where's mother?"

"She's started on her Sunday writing. She's in the drawing-room."

"That's all right. You go away."

He went off singing.

Lucy sat down at the table. Miss Bartlett, who was thoroughly
frightened, took up a book and pretended to read.

She would not be drawn into an elaborate speech. She just said: "I can't
have it, Mr. Emerson. I cannot even talk to you. Go out of this house,
and never come into it again as long as I live here--" flushing as she
spoke and pointing to the door. "I hate a row. Go please."

"What--"

"No discussion."

"But I can't--"

She shook her head. "Go, please. I do not want to call in Mr. Vyse."

"You don't mean," he said, absolutely ignoring Miss Bartlett--"you don't
mean that you are going to marry that man?"

The line was unexpected.

She shrugged her shoulders, as if his vulgarity wearied her. "You are
merely ridiculous," she said quietly.

Then his words rose gravely over hers: "You cannot live with Vyse. He's
only for an acquaintance. He is for society and cultivated talk. He
should know no one intimately, least of all a woman."

It was a new light on Cecil's character.

"Have you ever talked to Vyse without feeling tired?"

"I can scarcely discuss--"

"No, but have you ever? He is the sort who are all right so long as
they keep to things--books, pictures--but kill when they come to
people. That's why I'll speak out through all this muddle even now. It's
shocking enough to lose you in any case, but generally a man must
deny himself joy, and I would have held back if your Cecil had been a
different person. I would never have let myself go. But I saw him first
in the National Gallery, when he winced because my father mispronounced
the names of great painters. Then he brings us here, and we find it
is to play some silly trick on a kind neighbour. That is the man all
over--playing tricks on people, on the most sacred form of life that
he can find. Next, I meet you together, and find him protecting and
teaching you and your mother to be shocked, when it was for YOU to
settle whether you were shocked or no. Cecil all over again. He daren't
let a woman decide. He's the type who's kept Europe back for a thousand
years. Every moment of his life he's forming you, telling you what's
charming or amusing or ladylike, telling you what a man thinks womanly;
and you, you of all women, listen to his voice instead of to your own.
So it was at the Rectory, when I met you both again; so it has been
the whole of this afternoon. Therefore--not 'therefore I kissed you,'
because the book made me do that, and I wish to goodness I had more
self-control. I'm not ashamed. I don't apologize. But it has frightened
you, and you may not have noticed that I love you. Or would you have
told me to go, and dealt with a tremendous thing so lightly? But
therefore--therefore I settled to fight him."

Lucy thought of a very good remark.

"You say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon me for
suggesting that you have caught the habit."

And he took the shoddy reproof and touched it into immortality. He said:

"Yes, I have," and sank down as if suddenly weary. "I'm the same kind of
brute at bottom. This desire to govern a woman--it lies very deep, and
men and women must fight it together before they shall enter the garden.
But I do love you surely in a better way than he does." He thought.
"Yes--really in a better way. I want you to have your own thoughts even
when I hold you in my arms." He stretched them towards her. "Lucy, be
quick--there's no time for us to talk now--come to me as you came in the
spring, and afterwards I will be gentle and explain. I have cared
for you since that man died. I cannot live without you, 'No good,' I
thought; 'she is marrying someone else'; but I meet you again when all
the world is glorious water and sun. As you came through the wood I
saw that nothing else mattered. I called. I wanted to live and have my
chance of joy."

"And Mr. Vyse?" said Lucy, who kept commendably calm. "Does he not
matter? That I love Cecil and shall be his wife shortly? A detail of no
importance, I suppose?"

But he stretched his arms over the table towards her.

"May I ask what you intend to gain by this exhibition?"

He said: "It is our last chance. I shall do all that I can." And as
if he had done all else, he turned to Miss Bartlett, who sat like some
portent against the skies of the evening. "You wouldn't stop us this
second time if you understood," he said. "I have been into the dark, and
I am going back into it, unless you will try to understand."

Her long, narrow head drove backwards and forwards, as though
demolishing some invisible obstacle. She did not answer.

"It is being young," he said quietly, picking up his racquet from the
floor and preparing to go. "It is being certain that Lucy cares for me
really. It is that love and youth matter intellectually."

In silence the two women watched him. His last remark, they knew, was
nonsense, but was he going after it or not? Would not he, the cad,
the charlatan, attempt a more dramatic finish? No. He was apparently
content. He left them, carefully closing the front door; and when they
looked through the hall window, they saw him go up the drive and begin
to climb the slopes of withered fern behind the house. Their tongues
were loosed, and they burst into stealthy rejoicings.

"Oh, Lucia--come back here--oh, what an awful man!"

Lucy had no reaction--at least, not yet. "Well, he amuses me," she
said. "Either I'm mad, or else he is, and I'm inclined to think it's the
latter. One more fuss through with you, Charlotte. Many thanks. I think,
though, that this is the last. My admirer will hardly trouble me again."

And Miss Bartlett, too, essayed the roguish:

"Well, it isn't everyone who could boast such a conquest, dearest, is
it? Oh, one oughtn't to laugh, really. It might have been very serious.
But you were so sensible and brave--so unlike the girls of my day."

"Let's go down to them."

But, once in the open air, she paused. Some emotion--pity, terror, love,
but the emotion was strong--seized her, and she was aware of autumn.
Summer was ending, and the evening brought her odours of decay, the
more pathetic because they were reminiscent of spring. That something or
other mattered intellectually? A leaf, violently agitated, danced past
her, while other leaves lay motionless. That the earth was hastening to
re-enter darkness, and the shadows of those trees over Windy Corner?

"Hullo, Lucy! There's still light enough for another set, if you two'll
hurry."

"Mr. Emerson has had to go."

"What a nuisance! That spoils the four. I say, Cecil, do play, do,
there's a good chap. It's Floyd's last day. Do play tennis with us, just
this once."

Cecil's voice came: "My dear Freddy, I am no athlete. As you well
remarked this very morning, 'There are some chaps who are no good for
anything but books'; I plead guilty to being such a chap, and will not
inflict myself on you."

The scales fell from Lucy's eyes. How had she stood Cecil for a moment?
He was absolutely intolerable, and the same evening she broke off her
engagement.



He was bewildered. He had nothing to say. He was not even angry, but
stood, with a glass of whiskey between his hands, trying to think what
had led her to such a conclusion.

She had chosen the moment before bed, when, in accordance with their
bourgeois habit, she always dispensed drinks to the men. Freddy and Mr.
Floyd were sure to retire with their glasses, while Cecil invariably
lingered, sipping at his while she locked up the sideboard.

"I am very sorry about it," she said; "I have carefully thought things
over. We are too different. I must ask you to release me, and try to
forget that there ever was such a foolish girl."

It was a suitable speech, but she was more angry than sorry, and her
voice showed it.

"Different--how--how--"

"I haven't had a really good education, for one thing," she continued,
still on her knees by the sideboard. "My Italian trip came too late, and
I am forgetting all that I learnt there. I shall never be able to talk
to your friends, or behave as a wife of yours should."

"I don't understand you. You aren't like yourself. You're tired, Lucy."

"Tired!" she retorted, kindling at once. "That is exactly like you. You
always think women don't mean what they say."

"Well, you sound tired, as if something has worried you."

"What if I do? It doesn't prevent me from realizing the truth. I can't
marry you, and you will thank me for saying so some day."

"You had that bad headache yesterday--All right"--for she had exclaimed
indignantly: "I see it's much more than headaches. But give me a
moment's time." He closed his eyes. "You must excuse me if I say stupid
things, but my brain has gone to pieces. Part of it lives three minutes
back, when I was sure that you loved me, and the other part--I find it
difficult--I am likely to say the wrong thing."

It struck her that he was not behaving so badly, and her irritation
increased. She again desired a struggle, not a discussion. To bring on
the crisis, she said:

"There are days when one sees clearly, and this is one of them. Things
must come to a breaking-point some time, and it happens to be to-day. If
you want to know, quite a little thing decided me to speak to you--when
you wouldn't play tennis with Freddy."

"I never do play tennis," said Cecil, painfully bewildered; "I never
could play. I don't understand a word you say."

"You can play well enough to make up a four. I thought it abominably
selfish of you."

"No, I can't--well, never mind the tennis. Why couldn't you--couldn't
you have warned me if you felt anything wrong? You talked of our wedding
at lunch--at least, you let me talk."

"I knew you wouldn't understand," said Lucy quite crossly. "I might have
known there would have been these dreadful explanations. Of course,
it isn't the tennis--that was only the last straw to all I have been
feeling for weeks. Surely it was better not to speak until I felt
certain." She developed this position. "Often before I have wondered if
I was fitted for your wife--for instance, in London; and are you fitted
to be my husband? I don't think so. You don't like Freddy, nor my
mother. There was always a lot against our engagement, Cecil, but all
our relations seemed pleased, and we met so often, and it was no good
mentioning it until--well, until all things came to a point. They have
to-day. I see clearly. I must speak. That's all."

"I cannot think you were right," said Cecil gently. "I cannot tell
why, but though all that you say sounds true, I feel that you are not
treating me fairly. It's all too horrible."

"What's the good of a scene?"

"No good. But surely I have a right to hear a little more."

He put down his glass and opened the window. From where she knelt,
jangling her keys, she could see a slit of darkness, and, peering into
it, as if it would tell him that "little more," his long, thoughtful
face.

"Don't open the window; and you'd better draw the curtain, too; Freddy
or any one might be outside." He obeyed. "I really think we had better
go to bed, if you don't mind. I shall only say things that will make me
unhappy afterwards. As you say it is all too horrible, and it is no good
talking."

But to Cecil, now that he was about to lose her, she seemed each moment
more desirable. He looked at her, instead of through her, for the first
time since they were engaged. From a Leonardo she had become a living
woman, with mysteries and forces of her own, with qualities that even
eluded art. His brain recovered from the shock, and, in a burst of
genuine devotion, he cried: "But I love you, and I did think you loved
me!"

"I did not," she said. "I thought I did at first. I am sorry, and ought
to have refused you this last time, too."

He began to walk up and down the room, and she grew more and more vexed
at his dignified behaviour. She had counted on his being petty. It would
have made things easier for her. By a cruel irony she was drawing out
all that was finest in his disposition.

"You don't love me, evidently. I dare say you are right not to. But it
would hurt a little less if I knew why."

"Because"--a phrase came to her, and she accepted it--"you're the sort
who can't know any one intimately."

A horrified look came into his eyes.

"I don't mean exactly that. But you will question me, though I beg you
not to, and I must say something. It is that, more or less. When we
were only acquaintances, you let me be myself, but now you're always
protecting me." Her voice swelled. "I won't be protected. I will choose
for myself what is ladylike and right. To shield me is an insult. Can't
I be trusted to face the truth but I must get it second-hand through
you? A woman's place! You despise my mother--I know you do--because
she's conventional and bothers over puddings; but, oh goodness!"--she
rose to her feet--"conventional, Cecil, you're that, for you may
understand beautiful things, but you don't know how to use them; and you
wrap yourself up in art and books and music, and would try to wrap up
me. I won't be stifled, not by the most glorious music, for people are
more glorious, and you hide them from me. That's why I break off my
engagement. You were all right as long as you kept to things, but when
you came to people--" She stopped.

There was a pause. Then Cecil said with great emotion:

"It is true."

"True on the whole," she corrected, full of some vague shame.

"True, every word. It is a revelation. It is--I."

"Anyhow, those are my reasons for not being your wife."

He repeated: "'The sort that can know no one intimately.' It is true. I
fell to pieces the very first day we were engaged. I behaved like a cad
to Beebe and to your brother. You are even greater than I thought." She
withdrew a step. "I'm not going to worry you. You are far too good to
me. I shall never forget your insight; and, dear, I only blame you for
this: you might have warned me in the early stages, before you felt
you wouldn't marry me, and so have given me a chance to improve. I have
never known you till this evening. I have just used you as a peg for
my silly notions of what a woman should be. But this evening you are a
different person: new thoughts--even a new voice--"

"What do you mean by a new voice?" she asked, seized with incontrollable
anger.

"I mean that a new person seems speaking through you," said he.

Then she lost her balance. She cried: "If you think I am in love with
someone else, you are very much mistaken."

"Of course I don't think that. You are not that kind, Lucy."

"Oh, yes, you do think it. It's your old idea, the idea that has kept
Europe back--I mean the idea that women are always thinking of men. If
a girl breaks off her engagement, everyone says: 'Oh, she had some
one else in her mind; she hopes to get someone else.' It's disgusting,
brutal! As if a girl can't break it off for the sake of freedom."

He answered reverently: "I may have said that in the past. I shall never
say it again. You have taught me better."

She began to redden, and pretended to examine the windows again. "Of
course, there is no question of 'someone else' in this, no 'jilting' or
any such nauseous stupidity. I beg your pardon most humbly if my words
suggested that there was. I only meant that there was a force in you
that I hadn't known of up till now."

"All right, Cecil, that will do. Don't apologize to me. It was my
mistake."

"It is a question between ideals, yours and mine--pure abstract ideals,
and yours are the nobler. I was bound up in the old vicious notions,
and all the time you were splendid and new." His voice broke. "I must
actually thank you for what you have done--for showing me what I really
am. Solemnly, I thank you for showing me a true woman. Will you shake
hands?"

"Of course I will," said Lucy, twisting up her other hand in the
curtains. "Good-night, Cecil. Good-bye. That's all right. I'm sorry
about it. Thank you very much for your gentleness."

"Let me light your candle, shall I?"

They went into the hall.

"Thank you. Good-night again. God bless you, Lucy!"

"Good-bye, Cecil."

She watched him steal up-stairs, while the shadows from three banisters
passed over her face like the beat of wings. On the landing he paused
strong in his renunciation, and gave her a look of memorable beauty. For
all his culture, Cecil was an ascetic at heart, and nothing in his love
became him like the leaving of it.

She could never marry. In the tumult of her soul, that stood firm. Cecil
believed in her; she must some day believe in herself. She must be one
of the women whom she had praised so eloquently, who care for liberty
and not for men; she must forget that George loved her, that George had
been thinking through her and gained her this honourable release, that
George had gone away into--what was it?--the darkness.

She put out the lamp.

It did not do to think, nor, for the matter of that, to feel. She gave up
trying to understand herself, and joined the vast armies of the benighted, who
follow neither the heart nor the brain, and march to their destiny by
catch-words. The armies are full of pleasant and pious folk. But they
have yielded to the only enemy that matters--the enemy within. They have
sinned against passion and truth, and vain will be their strife after
virtue. As the years pass, they are censured. Their pleasantry and
their piety show cracks, their wit becomes cynicism, their unselfishness
hypocrisy; they feel and produce discomfort wherever they go. They have
sinned against Eros and against Pallas Athene, and not by any heavenly
intervention, but by the ordinary course of nature, those allied deities
will be avenged.

Lucy entered this army when she pretended to George that she did not
love him, and pretended to Cecil that she loved no one. The night
received her, as it had received Miss Bartlett thirty years before.

 It's Sunday and the Honeychurches get ready to go to church. After church, Lucy sees the Emersons smoking in their garden. Lucy formally introduces them to her mother, and the Emersons say they are thinking of leaving because they have heard that the Miss Alans were planning to live there. George says that there is no way to make everyone happy, just as anyone who stands in the sun must cast a shadow somewhere. Mrs. Honeychurch agrees. Charlotte appears but refuses to speak with the Emersons, bowing at them from the carriage. George somewhat awkwardly accepts an invitation to play tennis with the Honeychurches that afternoon; Lucy finds his awkwardness endearing. Mr. Emerson encourages his son to go, which Lucy takes as a sure sign that George has not told his father about the kisses in Florence. She is delighted at the realization, thinking that the kiss must not have been an exploit, and that George must not love her. Freddy, Floyd, and George want to play tennis, and need one more to make a set of four. Cecil refuses on the grounds that he is a bad player, Minnie must stay inside and observe the Sabbath, so Lucy plays. Cecil bothers them all by reading and critiquing a bad novel out loud. After the game, he reads to Lucy and George, who realize that the book, which takes place in Florence and concerns a woman named Leonora, must be by Miss Lavish, writing under the pseudonym of Joseph Emery Prank. George and Lucy are less interested in Cecil's book than the beautiful view from Windy Corner. George explains that all views are alike, made of air and distance, but with something supernatural added that makes them unforgettable to certain people. He remembers his first memory: his mother and father and himself looking out into the distance. Cecil gets frustrated since he cannot direct the conversation the way he wants, but Lucy implores him to stay and read on. He reads part of a chapter about a man embracing a woman standing in a field of violets in spring. Lucy suggests that they have tea, hoping to avert disaster. On the way inside, however, Lucy and George find themselves alone, and George kisses her again. Lucy feels determined to stifle the love that she hardly realizes is rising between her and George, and excuses herself from tea in order to talk to Charlotte. She accuses Charlotte of telling Miss Lavish the secret of the kiss in the violets, and wants Charlotte to talk to George and set things straight, which Charlotte does not volunteer to do, so Lucy summons George. Lucy insists that he leave and never return to Windy Corner. George urges her not to marry Cecil, who he says is pretentious, materialistic, and concerned only with gaining mastery over Lucy's feelings. George proclaims his love for Lucy and says that he wants to love her but also have her think for herself. George says that if she doesn't understand what he is saying, he must face darkness. George leaves, and Lucy finds herself torn by strange emotions. Freddy again asks Cecil if he'll play tennis, but Cecil again refuses. Lucy suddenly realizes that Cecil is "intolerable," and decides to break off the engagement. Lucy breaks off her engagement with Cecil, saying that she suddenly sees how different they are. Though taken aback, Cecil takes it rather well, but wants to know her reason for not loving him. She explains that his constant sheltering of her and attempts to define how she should think are conventional and insulting. He tries to wrap her up in books and music but denies her the beauty of people and of life. Cecil feels that Lucy has revealed to him the truth about himself, and that he sees her as she really is for the first time. Cecil leaves Lucy and she resolves not to marry, but to keep her liberty. However, her resolve to follow this path denies her what her heart and brain know to be true, and this plunges her into a kind of darkness.

