Chapter: V. The Wine-shop


A large cask of wine had been dropped and broken, in the street. The
accident had happened in getting it out of a cart; the cask had tumbled
out with a run, the hoops had burst, and it lay on the stones just
outside the door of the wine-shop, shattered like a walnut-shell.

All the people within reach had suspended their business, or their
idleness, to run to the spot and drink the wine. The rough, irregular
stones of the street, pointing every way, and designed, one might have
thought, expressly to lame all living creatures that approached them,
had dammed it into little pools; these were surrounded, each by its own
jostling group or crowd, according to its size. Some men kneeled down,
made scoops of their two hands joined, and sipped, or tried to help
women, who bent over their shoulders, to sip, before the wine had all
run out between their fingers. Others, men and women, dipped in
the puddles with little mugs of mutilated earthenware, or even with
handkerchiefs from women's heads, which were squeezed dry into infants'
mouths; others made small mud-embankments, to stem the wine as it ran;
others, directed by lookers-on up at high windows, darted here and
there, to cut off little streams of wine that started away in new
directions; others devoted themselves to the sodden and lee-dyed
pieces of the cask, licking, and even champing the moister wine-rotted
fragments with eager relish. There was no drainage to carry off the
wine, and not only did it all get taken up, but so much mud got taken up
along with it, that there might have been a scavenger in the street,
if anybody acquainted with it could have believed in such a miraculous
presence.

A shrill sound of laughter and of amused voices--voices of men, women,
and children--resounded in the street while this wine game lasted. There
was little roughness in the sport, and much playfulness. There was a
special companionship in it, an observable inclination on the part
of every one to join some other one, which led, especially among the
luckier or lighter-hearted, to frolicsome embraces, drinking of healths,
shaking of hands, and even joining of hands and dancing, a dozen
together. When the wine was gone, and the places where it had been
most abundant were raked into a gridiron-pattern by fingers, these
demonstrations ceased, as suddenly as they had broken out. The man who
had left his saw sticking in the firewood he was cutting, set it in
motion again; the women who had left on a door-step the little pot of
hot ashes, at which she had been trying to soften the pain in her own
starved fingers and toes, or in those of her child, returned to it; men
with bare arms, matted locks, and cadaverous faces, who had emerged into
the winter light from cellars, moved away, to descend again; and a gloom
gathered on the scene that appeared more natural to it than sunshine.

The wine was red wine, and had stained the ground of the narrow street
in the suburb of Saint Antoine, in Paris, where it was spilled. It had
stained many hands, too, and many faces, and many naked feet, and many
wooden shoes. The hands of the man who sawed the wood, left red marks
on the billets; and the forehead of the woman who nursed her baby, was
stained with the stain of the old rag she wound about her head again.
Those who had been greedy with the staves of the cask, had acquired a
tigerish smear about the mouth; and one tall joker so besmirched, his
head more out of a long squalid bag of a nightcap than in it, scrawled
upon a wall with his finger dipped in muddy wine-lees--BLOOD.

The time was to come, when that wine too would be spilled on the
street-stones, and when the stain of it would be red upon many there.

And now that the cloud settled on Saint Antoine, which a momentary
gleam had driven from his sacred countenance, the darkness of it was
heavy--cold, dirt, sickness, ignorance, and want, were the lords in
waiting on the saintly presence--nobles of great power all of them;
but, most especially the last. Samples of a people that had undergone a
terrible grinding and regrinding in the mill, and certainly not in the
fabulous mill which ground old people young, shivered at every corner,
passed in and out at every doorway, looked from every window, fluttered
in every vestige of a garment that the wind shook. The mill which
had worked them down, was the mill that grinds young people old; the
children had ancient faces and grave voices; and upon them, and upon the
grown faces, and ploughed into every furrow of age and coming up afresh,
was the sigh, Hunger. It was prevalent everywhere. Hunger was pushed out
of the tall houses, in the wretched clothing that hung upon poles and
lines; Hunger was patched into them with straw and rag and wood and
paper; Hunger was repeated in every fragment of the small modicum of
firewood that the man sawed off; Hunger stared down from the smokeless
chimneys, and started up from the filthy street that had no offal,
among its refuse, of anything to eat. Hunger was the inscription on the
baker's shelves, written in every small loaf of his scanty stock of
bad bread; at the sausage-shop, in every dead-dog preparation that
was offered for sale. Hunger rattled its dry bones among the roasting
chestnuts in the turned cylinder; Hunger was shred into atomics in every
farthing porringer of husky chips of potato, fried with some reluctant
drops of oil.

Its abiding place was in all things fitted to it. A narrow winding
street, full of offence and stench, with other narrow winding streets
diverging, all peopled by rags and nightcaps, and all smelling of rags
and nightcaps, and all visible things with a brooding look upon them
that looked ill. In the hunted air of the people there was yet some
wild-beast thought of the possibility of turning at bay. Depressed and
slinking though they were, eyes of fire were not wanting among them; nor
compressed lips, white with what they suppressed; nor foreheads knitted
into the likeness of the gallows-rope they mused about enduring, or
inflicting. The trade signs (and they were almost as many as the shops)
were, all, grim illustrations of Want. The butcher and the porkman
painted up, only the leanest scrags of meat; the baker, the coarsest of
meagre loaves. The people rudely pictured as drinking in the wine-shops,
croaked over their scanty measures of thin wine and beer, and were
gloweringly confidential together. Nothing was represented in a
flourishing condition, save tools and weapons; but, the cutler's knives
and axes were sharp and bright, the smith's hammers were heavy, and the
gunmaker's stock was murderous. The crippling stones of the pavement,
with their many little reservoirs of mud and water, had no footways, but
broke off abruptly at the doors. The kennel, to make amends, ran down
the middle of the street--when it ran at all: which was only after heavy
rains, and then it ran, by many eccentric fits, into the houses. Across
the streets, at wide intervals, one clumsy lamp was slung by a rope and
pulley; at night, when the lamplighter had let these down, and lighted,
and hoisted them again, a feeble grove of dim wicks swung in a sickly
manner overhead, as if they were at sea. Indeed they were at sea, and
the ship and crew were in peril of tempest.

For, the time was to come, when the gaunt scarecrows of that region
should have watched the lamplighter, in their idleness and hunger, so
long, as to conceive the idea of improving on his method, and hauling
up men by those ropes and pulleys, to flare upon the darkness of their
condition. But, the time was not come yet; and every wind that blew over
France shook the rags of the scarecrows in vain, for the birds, fine of
song and feather, took no warning.

The wine-shop was a corner shop, better than most others in its
appearance and degree, and the master of the wine-shop had stood outside
it, in a yellow waistcoat and green breeches, looking on at the struggle
for the lost wine. "It's not my affair," said he, with a final shrug
of the shoulders. "The people from the market did it. Let them bring
another."

There, his eyes happening to catch the tall joker writing up his joke,
he called to him across the way:

"Say, then, my Gaspard, what do you do there?"

The fellow pointed to his joke with immense significance, as is often
the way with his tribe. It missed its mark, and completely failed, as is
often the way with his tribe too.

"What now? Are you a subject for the mad hospital?" said the wine-shop
keeper, crossing the road, and obliterating the jest with a handful of
mud, picked up for the purpose, and smeared over it. "Why do you write
in the public streets? Is there--tell me thou--is there no other place
to write such words in?"

In his expostulation he dropped his cleaner hand (perhaps accidentally,
perhaps not) upon the joker's heart. The joker rapped it with his
own, took a nimble spring upward, and came down in a fantastic dancing
attitude, with one of his stained shoes jerked off his foot into his
hand, and held out. A joker of an extremely, not to say wolfishly
practical character, he looked, under those circumstances.

"Put it on, put it on," said the other. "Call wine, wine; and finish
there." With that advice, he wiped his soiled hand upon the joker's
dress, such as it was--quite deliberately, as having dirtied the hand on
his account; and then recrossed the road and entered the wine-shop.

This wine-shop keeper was a bull-necked, martial-looking man of thirty,
and he should have been of a hot temperament, for, although it was a
bitter day, he wore no coat, but carried one slung over his shoulder.
His shirt-sleeves were rolled up, too, and his brown arms were bare to
the elbows. Neither did he wear anything more on his head than his own
crisply-curling short dark hair. He was a dark man altogether, with good
eyes and a good bold breadth between them. Good-humoured looking on
the whole, but implacable-looking, too; evidently a man of a strong
resolution and a set purpose; a man not desirable to be met, rushing
down a narrow pass with a gulf on either side, for nothing would turn
the man.

Madame Defarge, his wife, sat in the shop behind the counter as he
came in. Madame Defarge was a stout woman of about his own age, with
a watchful eye that seldom seemed to look at anything, a large hand
heavily ringed, a steady face, strong features, and great composure of
manner. There was a character about Madame Defarge, from which one might
have predicated that she did not often make mistakes against herself
in any of the reckonings over which she presided. Madame Defarge being
sensitive to cold, was wrapped in fur, and had a quantity of bright
shawl twined about her head, though not to the concealment of her large
earrings. Her knitting was before her, but she had laid it down to pick
her teeth with a toothpick. Thus engaged, with her right elbow supported
by her left hand, Madame Defarge said nothing when her lord came in, but
coughed just one grain of cough. This, in combination with the lifting
of her darkly defined eyebrows over her toothpick by the breadth of a
line, suggested to her husband that he would do well to look round the
shop among the customers, for any new customer who had dropped in while
he stepped over the way.

The wine-shop keeper accordingly rolled his eyes about, until they
rested upon an elderly gentleman and a young lady, who were seated in
a corner. Other company were there: two playing cards, two playing
dominoes, three standing by the counter lengthening out a short supply
of wine. As he passed behind the counter, he took notice that the
elderly gentleman said in a look to the young lady, "This is our man."

"What the devil do _you_ do in that galley there?" said Monsieur Defarge
to himself; "I don't know you."

But, he feigned not to notice the two strangers, and fell into discourse
with the triumvirate of customers who were drinking at the counter.

"How goes it, Jacques?" said one of these three to Monsieur Defarge. "Is
all the spilt wine swallowed?"

"Every drop, Jacques," answered Monsieur Defarge.

When this interchange of Christian name was effected, Madame Defarge,
picking her teeth with her toothpick, coughed another grain of cough,
and raised her eyebrows by the breadth of another line.

"It is not often," said the second of the three, addressing Monsieur
Defarge, "that many of these miserable beasts know the taste of wine, or
of anything but black bread and death. Is it not so, Jacques?"

"It is so, Jacques," Monsieur Defarge returned.

At this second interchange of the Christian name, Madame Defarge, still
using her toothpick with profound composure, coughed another grain of
cough, and raised her eyebrows by the breadth of another line.

The last of the three now said his say, as he put down his empty
drinking vessel and smacked his lips.

"Ah! So much the worse! A bitter taste it is that such poor cattle
always have in their mouths, and hard lives they live, Jacques. Am I
right, Jacques?"

"You are right, Jacques," was the response of Monsieur Defarge.

This third interchange of the Christian name was completed at the moment
when Madame Defarge put her toothpick by, kept her eyebrows up, and
slightly rustled in her seat.

"Hold then! True!" muttered her husband. "Gentlemen--my wife!"

The three customers pulled off their hats to Madame Defarge, with three
flourishes. She acknowledged their homage by bending her head, and
giving them a quick look. Then she glanced in a casual manner round the
wine-shop, took up her knitting with great apparent calmness and repose
of spirit, and became absorbed in it.

"Gentlemen," said her husband, who had kept his bright eye observantly
upon her, "good day. The chamber, furnished bachelor-fashion, that you
wished to see, and were inquiring for when I stepped out, is on the
fifth floor. The doorway of the staircase gives on the little courtyard
close to the left here," pointing with his hand, "near to the window of
my establishment. But, now that I remember, one of you has already been
there, and can show the way. Gentlemen, adieu!"

They paid for their wine, and left the place. The eyes of Monsieur
Defarge were studying his wife at her knitting when the elderly
gentleman advanced from his corner, and begged the favour of a word.

"Willingly, sir," said Monsieur Defarge, and quietly stepped with him to
the door.

Their conference was very short, but very decided. Almost at the first
word, Monsieur Defarge started and became deeply attentive. It had
not lasted a minute, when he nodded and went out. The gentleman then
beckoned to the young lady, and they, too, went out. Madame Defarge
knitted with nimble fingers and steady eyebrows, and saw nothing.

Mr. Jarvis Lorry and Miss Manette, emerging from the wine-shop thus,
joined Monsieur Defarge in the doorway to which he had directed his own
company just before. It opened from a stinking little black courtyard,
and was the general public entrance to a great pile of houses, inhabited
by a great number of people. In the gloomy tile-paved entry to the
gloomy tile-paved staircase, Monsieur Defarge bent down on one knee
to the child of his old master, and put her hand to his lips. It was
a gentle action, but not at all gently done; a very remarkable
transformation had come over him in a few seconds. He had no good-humour
in his face, nor any openness of aspect left, but had become a secret,
angry, dangerous man.

"It is very high; it is a little difficult. Better to begin slowly."
Thus, Monsieur Defarge, in a stern voice, to Mr. Lorry, as they began
ascending the stairs.

"Is he alone?" the latter whispered.

"Alone! God help him, who should be with him!" said the other, in the
same low voice.

"Is he always alone, then?"

"Yes."

"Of his own desire?"

"Of his own necessity. As he was, when I first saw him after they
found me and demanded to know if I would take him, and, at my peril be
discreet--as he was then, so he is now."

"He is greatly changed?"

"Changed!"

The keeper of the wine-shop stopped to strike the wall with his hand,
and mutter a tremendous curse. No direct answer could have been half so
forcible. Mr. Lorry's spirits grew heavier and heavier, as he and his
two companions ascended higher and higher.

Such a staircase, with its accessories, in the older and more crowded
parts of Paris, would be bad enough now; but, at that time, it was vile
indeed to unaccustomed and unhardened senses. Every little habitation
within the great foul nest of one high building--that is to say,
the room or rooms within every door that opened on the general
staircase--left its own heap of refuse on its own landing, besides
flinging other refuse from its own windows. The uncontrollable and
hopeless mass of decomposition so engendered, would have polluted
the air, even if poverty and deprivation had not loaded it with their
intangible impurities; the two bad sources combined made it almost
insupportable. Through such an atmosphere, by a steep dark shaft of dirt
and poison, the way lay. Yielding to his own disturbance of mind, and to
his young companion's agitation, which became greater every instant, Mr.
Jarvis Lorry twice stopped to rest. Each of these stoppages was made
at a doleful grating, by which any languishing good airs that were left
uncorrupted, seemed to escape, and all spoilt and sickly vapours seemed
to crawl in. Through the rusted bars, tastes, rather than glimpses, were
caught of the jumbled neighbourhood; and nothing within range, nearer
or lower than the summits of the two great towers of Notre-Dame, had any
promise on it of healthy life or wholesome aspirations.

At last, the top of the staircase was gained, and they stopped for the
third time. There was yet an upper staircase, of a steeper inclination
and of contracted dimensions, to be ascended, before the garret story
was reached. The keeper of the wine-shop, always going a little in
advance, and always going on the side which Mr. Lorry took, as though he
dreaded to be asked any question by the young lady, turned himself about
here, and, carefully feeling in the pockets of the coat he carried over
his shoulder, took out a key.

"The door is locked then, my friend?" said Mr. Lorry, surprised.

"Ay. Yes," was the grim reply of Monsieur Defarge.

"You think it necessary to keep the unfortunate gentleman so retired?"

"I think it necessary to turn the key." Monsieur Defarge whispered it
closer in his ear, and frowned heavily.

"Why?"

"Why! Because he has lived so long, locked up, that he would be
frightened--rave--tear himself to pieces--die--come to I know not what
harm--if his door was left open."

"Is it possible!" exclaimed Mr. Lorry.

"Is it possible!" repeated Defarge, bitterly. "Yes. And a beautiful
world we live in, when it _is_ possible, and when many other such things
are possible, and not only possible, but done--done, see you!--under
that sky there, every day. Long live the Devil. Let us go on."

This dialogue had been held in so very low a whisper, that not a word
of it had reached the young lady's ears. But, by this time she trembled
under such strong emotion, and her face expressed such deep anxiety,
and, above all, such dread and terror, that Mr. Lorry felt it incumbent
on him to speak a word or two of reassurance.

"Courage, dear miss! Courage! Business! The worst will be over in a
moment; it is but passing the room-door, and the worst is over. Then,
all the good you bring to him, all the relief, all the happiness you
bring to him, begin. Let our good friend here, assist you on that side.
That's well, friend Defarge. Come, now. Business, business!"

They went up slowly and softly. The staircase was short, and they were
soon at the top. There, as it had an abrupt turn in it, they came all at
once in sight of three men, whose heads were bent down close together at
the side of a door, and who were intently looking into the room to which
the door belonged, through some chinks or holes in the wall. On hearing
footsteps close at hand, these three turned, and rose, and showed
themselves to be the three of one name who had been drinking in the
wine-shop.

"I forgot them in the surprise of your visit," explained Monsieur
Defarge. "Leave us, good boys; we have business here."

The three glided by, and went silently down.

There appearing to be no other door on that floor, and the keeper of
the wine-shop going straight to this one when they were left alone, Mr.
Lorry asked him in a whisper, with a little anger:

"Do you make a show of Monsieur Manette?"

"I show him, in the way you have seen, to a chosen few."

"Is that well?"

"_I_ think it is well."

"Who are the few? How do you choose them?"

"I choose them as real men, of my name--Jacques is my name--to whom the
sight is likely to do good. Enough; you are English; that is another
thing. Stay there, if you please, a little moment."

With an admonitory gesture to keep them back, he stooped, and looked in
through the crevice in the wall. Soon raising his head again, he struck
twice or thrice upon the door--evidently with no other object than to
make a noise there. With the same intention, he drew the key across it,
three or four times, before he put it clumsily into the lock, and turned
it as heavily as he could.

The door slowly opened inward under his hand, and he looked into the
room and said something. A faint voice answered something. Little more
than a single syllable could have been spoken on either side.

He looked back over his shoulder, and beckoned them to enter. Mr. Lorry
got his arm securely round the daughter's waist, and held her; for he
felt that she was sinking.

"A-a-a-business, business!" he urged, with a moisture that was not of
business shining on his cheek. "Come in, come in!"

"I am afraid of it," she answered, shuddering.

"Of it? What?"

"I mean of him. Of my father."

Rendered in a manner desperate, by her state and by the beckoning of
their conductor, he drew over his neck the arm that shook upon his
shoulder, lifted her a little, and hurried her into the room. He sat her
down just within the door, and held her, clinging to him.

Defarge drew out the key, closed the door, locked it on the inside,
took out the key again, and held it in his hand. All this he did,
methodically, and with as loud and harsh an accompaniment of noise as he
could make. Finally, he walked across the room with a measured tread to
where the window was. He stopped there, and faced round.

The garret, built to be a depository for firewood and the like, was dim
and dark: for, the window of dormer shape, was in truth a door in the
roof, with a little crane over it for the hoisting up of stores from
the street: unglazed, and closing up the middle in two pieces, like any
other door of French construction. To exclude the cold, one half of this
door was fast closed, and the other was opened but a very little way.
Such a scanty portion of light was admitted through these means, that it
was difficult, on first coming in, to see anything; and long habit
alone could have slowly formed in any one, the ability to do any work
requiring nicety in such obscurity. Yet, work of that kind was being
done in the garret; for, with his back towards the door, and his face
towards the window where the keeper of the wine-shop stood looking at
him, a white-haired man sat on a low bench, stooping forward and very
busy, making shoes.

 We flash to Paris: in front of a wine-shop, a great big ol' barrel of wine has fallen and broken open. It's like the entire street won the lottery. Everyone dives into the road, heedless of the dirt or of traffic. They soak up wine with buckets and glasses and their hands and their shirts. Everything quickly becomes bright red. Foreshadowing, anyone? Well, yes. Yes, it is. As our narrator intones, this red will all too soon be replaced by the red of blood flowing in the streets. In Saint Antoine, the district where the store is, everyone's hands will soon become stained with blood, too. How's that for a nifty prediction? Once the wine is all sopped up, however, the absolute poverty of the place is recognizable again. People are hungry; shops are barely open; children are thin and undernourished. The owner of the wine-shop, surveying the street, shrugs his shoulders. After all, he didn't spill the wine. It's the merchant who'll have to bear the loss of the casket. Our narrator takes a second to look closely at Defarge. Since he does, we will, too. Defarge is a bull-necked, barrel-chested sort of guy. He's not exactly the type you'd like to meet in a dark alley. Come to think of it, he's not the sort of guy that you'd want to oppose at all. Defarge walks into his store, where his wife sits knitting. She's strong and as steadfast as he seems to be. She sure doesn't stop knitting, for one thing. She coughs and rolls her eyes. Defarge seems to know what she means. Apparently they have a secret language worked out. He turns and looks at the old man and young woman who have seated themselves in the corner. Any guesses as to who they are? Defarge pretends not to notice them. He starts up a conversation with other customers. Strangely enough, all of their names seem to be Jacques. Either everyone's mothers got together and decided to make the city identical, or something fishy is going on... After some conversation with the Jacqueses, Defarge tells them that the room they all wanted to see is out back. The three men all troop out to the back of the shop. Turning to the old man , Defarge offers to lead them up to the doctor's room. On the way, Mr. Lorry asks if the doctor has changed much. Defarge answers in one word, "Changed!" Apparently he's not really a man of words. He does hit the walls pretty expressively, though. Mr. Lorry seems to get his meaning. He gets more and more worried as they ascend the staircase in the back of the shop. They go up flights and flights of stairs. It's dark and dingy and rather awful. Mr. Lorry asks why Defarge has to keep the doctor under lock and key. It seems rather cruel after his imprisonment. Defarge explains that the doctor has become so accustomed to the sound of a key turning in a lock that he can no longer exist without knowing that he's under lock and key. Convinced that the doctor might harm himself if he's not kept guarded, Defarge has locked him into his room. As they reach the top of the stairs, they run into Jacques one, two, and three. Apparently the "room" that they were planning to see was also the doctor's room. Defarge pushes them out of the way as Lucie looks on, astounded. When they enter the room, Mr. Lorry turns to Lucie, his eyes wet. After all, he reminds her, it's only business. Lucie, scared to meet the man inside, hesitates at the doorframe. Mr. Lorry sees her fear and helps her through the door. In the darkness that blankets the room, they can just barely see the figure of a man: he's sitting at a very low bench, making shoes.

