Chapter: |PUT on your white organdy, by all means, Anne," advised Diana
decidedly.

They were together in the east gable chamber; outside it was only
twilight--a lovely yellowish-green twilight with a clear-blue cloudless
sky. A big round moon, slowly deepening from her pallid luster into
burnished silver, hung over the Haunted Wood; the air was full of sweet
summer sounds--sleepy birds twittering, freakish breezes, faraway
voices and laughter. But in Anne's room the blind was drawn and the lamp
lighted, for an important toilet was being made.

The east gable was a very different place from what it had been on that
night four years before, when Anne had felt its bareness penetrate to
the marrow of her spirit with its inhospitable chill. Changes had crept
in, Marilla conniving at them resignedly, until it was as sweet and
dainty a nest as a young girl could desire.

The velvet carpet with the pink roses and the pink silk curtains of
Anne's early visions had certainly never materialized; but her dreams
had kept pace with her growth, and it is not probable she lamented
them. The floor was covered with a pretty matting, and the curtains that
softened the high window and fluttered in the vagrant breezes were of
pale-green art muslin. The walls, hung not with gold and silver brocade
tapestry, but with a dainty apple-blossom paper, were adorned with a few
good pictures given Anne by Mrs. Allan. Miss Stacy's photograph occupied
the place of honor, and Anne made a sentimental point of keeping fresh
flowers on the bracket under it. Tonight a spike of white lilies faintly
perfumed the room like the dream of a fragrance. There was no "mahogany
furniture," but there was a white-painted bookcase filled with books, a
cushioned wicker rocker, a toilet table befrilled with white muslin,
a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes
painted over its arched top, that used to hang in the spare room, and a
low white bed.

Anne was dressing for a concert at the White Sands Hotel. The guests had
got it up in aid of the Charlottetown hospital, and had hunted out all
the available amateur talent in the surrounding districts to help it
along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir
had been asked to sing a duet; Milton Clark of Newbridge was to give a
violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad;
and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to
recite.

As Anne would have said at one time, it was "an epoch in her life," and
she was deliciously athrill with the excitement of it. Matthew was in
the seventh heaven of gratified pride over the honor conferred on his
Anne and Marilla was not far behind, although she would have died rather
than admit it, and said she didn't think it was very proper for a lot
of young folks to be gadding over to the hotel without any responsible
person with them.

Anne and Diana were to drive over with Jane Andrews and her brother
Billy in their double-seated buggy; and several other Avonlea girls and
boys were going too. There was a party of visitors expected out from
town, and after the concert a supper was to be given to the performers.

"Do you really think the organdy will be best?" queried Anne anxiously.
"I don't think it's as pretty as my blue-flowered muslin--and it
certainly isn't so fashionable."

 "But it suits you ever so much better," said Diana. "It's so soft
and frilly and clinging. The muslin is stiff, and makes you look too
dressed up. But the organdy seems as if it grew on you."

Anne sighed and yielded. Diana was beginning to have a reputation for
notable taste in dressing, and her advice on such subjects was much
sought after. She was looking very pretty herself on this particular
night in a dress of the lovely wild-rose pink, from which Anne was
forever debarred; but she was not to take any part in the concert, so
her appearance was of minor importance. All her pains were bestowed upon
Anne, who, she vowed, must, for the credit of Avonlea, be dressed and
combed and adorned to the Queen's taste.

"Pull out that frill a little more--so; here, let me tie your sash; now
for your slippers. I'm going to braid your hair in two thick braids,
and tie them halfway up with big white bows--no, don't pull out a single
curl over your forehead--just have the soft part. There is no way you do
your hair suits you so well, Anne, and Mrs. Allan says you look like a
Madonna when you part it so. I shall fasten this little white house rose
just behind your ear. There was just one on my bush, and I saved it for
you."

"Shall I put my pearl beads on?" asked Anne. "Matthew brought me a
string from town last week, and I know he'd like to see them on me."

Diana pursed up her lips, put her black head on one side critically,
and finally pronounced in favor of the beads, which were thereupon tied
around Anne's slim milk-white throat.

"There's something so stylish about you, Anne," said Diana, with
unenvious admiration. "You hold your head with such an air. I suppose
it's your figure. I am just a dumpling. I've always been afraid of it,
and now I know it is so. Well, I suppose I shall just have to resign
myself to it."

"But you have such dimples," said Anne, smiling affectionately into the
pretty, vivacious face so near her own. "Lovely dimples, like little
dents in cream. I have given up all hope of dimples. My dimple-dream
will never come true; but so many of my dreams have that I mustn't
complain. Am I all ready now?"

"All ready," assured Diana, as Marilla appeared in the doorway, a gaunt
figure with grayer hair than of yore and no fewer angles, but with a
much softer face. "Come right in and look at our elocutionist, Marilla.
Doesn't she look lovely?"

Marilla emitted a sound between a sniff and a grunt.

"She looks neat and proper. I like that way of fixing her hair. But I
expect she'll ruin that dress driving over there in the dust and dew
with it, and it looks most too thin for these damp nights. Organdy's the
most unserviceable stuff in the world anyhow, and I told Matthew so when
he got it. But there is no use in saying anything to Matthew nowadays.
Time was when he would take my advice, but now he just buys things for
Anne regardless, and the clerks at Carmody know they can palm anything
off on him. Just let them tell him a thing is pretty and fashionable,
and Matthew plunks his money down for it. Mind you keep your skirt clear
of the wheel, Anne, and put your warm jacket on."

Then Marilla stalked downstairs, thinking proudly how sweet Anne looked,
with that

     "One moonbeam from the forehead to the crown"

and regretting that she could not go to the concert herself to hear her
girl recite.

"I wonder if it _is_ too damp for my dress," said Anne anxiously.

"Not a bit of it," said Diana, pulling up the window blind. "It's a
perfect night, and there won't be any dew. Look at the moonlight."

"I'm so glad my window looks east into the sun rising," said Anne, going
over to Diana. "It's so splendid to see the morning coming up over those
long hills and glowing through those sharp fir tops. It's new every
morning, and I feel as if I washed my very soul in that bath of earliest
sunshine. Oh, Diana, I love this little room so dearly. I don't know how
I'll get along without it when I go to town next month."

"Don't speak of your going away tonight," begged Diana. "I don't want to
think of it, it makes me so miserable, and I do want to have a good time
this evening. What are you going to recite, Anne? And are you nervous?"

"Not a bit. I've recited so often in public I don't mind at all now.
I've decided to give 'The Maiden's Vow.' It's so pathetic. Laura Spencer
is going to give a comic recitation, but I'd rather make people cry than
laugh."

"What will you recite if they encore you?"

"They won't dream of encoring me," scoffed Anne, who was not without her
own secret hopes that they would, and already visioned herself telling
Matthew all about it at the next morning's breakfast table. "There are
Billy and Jane now--I hear the wheels. Come on."

Billy Andrews insisted that Anne should ride on the front seat with him,
so she unwillingly climbed up. She would have much preferred to sit
back with the girls, where she could have laughed and chattered to her
heart's content. There was not much of either laughter or chatter
in Billy. He was a big, fat, stolid youth of twenty, with a round,
expressionless face, and a painful lack of conversational gifts. But he
admired Anne immensely, and was puffed up with pride over the prospect
of driving to White Sands with that slim, upright figure beside him.

Anne, by dint of talking over her shoulder to the girls and occasionally
passing a sop of civility to Billy--who grinned and chuckled and never
could think of any reply until it was too late--contrived to enjoy the
drive in spite of all. It was a night for enjoyment. The road was full
of buggies, all bound for the hotel, and laughter, silver clear, echoed
and reechoed along it. When they reached the hotel it was a blaze of
light from top to bottom. They were met by the ladies of the concert
committee, one of whom took Anne off to the performers' dressing room
which was filled with the members of a Charlottetown Symphony Club,
among whom Anne felt suddenly shy and frightened and countrified. Her
dress, which, in the east gable, had seemed so dainty and pretty, now
seemed simple and plain--too simple and plain, she thought, among all
the silks and laces that glistened and rustled around her. What were her
pearl beads compared to the diamonds of the big, handsome lady near her?
And how poor her one wee white rose must look beside all the hothouse
flowers the others wore! Anne laid her hat and jacket away, and shrank
miserably into a corner. She wished herself back in the white room at
Green Gables.

It was still worse on the platform of the big concert hall of the hotel,
where she presently found herself. The electric lights dazzled her eyes,
the perfume and hum bewildered her. She wished she were sitting down
in the audience with Diana and Jane, who seemed to be having a splendid
time away at the back. She was wedged in between a stout lady in pink
silk and a tall, scornful-looking girl in a white-lace dress. The stout
lady occasionally turned her head squarely around and surveyed Anne
through her eyeglasses until Anne, acutely sensitive of being so
scrutinized, felt that she must scream aloud; and the white-lace girl
kept talking audibly to her next neighbor about the "country bumpkins"
and "rustic belles" in the audience, languidly anticipating "such fun"
from the displays of local talent on the program. Anne believed that she
would hate that white-lace girl to the end of life.

Unfortunately for Anne, a professional elocutionist was staying at the
hotel and had consented to recite. She was a lithe, dark-eyed woman in a
wonderful gown of shimmering gray stuff like woven moonbeams, with gems
on her neck and in her dark hair. She had a marvelously flexible voice
and wonderful power of expression; the audience went wild over her
selection. Anne, forgetting all about herself and her troubles for the
time, listened with rapt and shining eyes; but when the recitation ended
she suddenly put her hands over her face. She could never get up and
recite after that--never. Had she ever thought she could recite? Oh, if
she were only back at Green Gables!

At this unpropitious moment her name was called. Somehow Anne--who did
not notice the rather guilty little start of surprise the white-lace
girl gave, and would not have understood the subtle compliment implied
therein if she had--got on her feet, and moved dizzily out to the front.
She was so pale that Diana and Jane, down in the audience, clasped each
other's hands in nervous sympathy.

Anne was the victim of an overwhelming attack of stage fright. Often as
she had recited in public, she had never before faced such an audience
as this, and the sight of it paralyzed her energies completely.
Everything was so strange, so brilliant, so bewildering--the rows of
ladies in evening dress, the critical faces, the whole atmosphere of
wealth and culture about her. Very different this from the plain benches
at the Debating Club, filled with the homely, sympathetic faces of
friends and neighbors. These people, she thought, would be merciless
critics. Perhaps, like the white-lace girl, they anticipated amusement
from her "rustic" efforts. She felt hopelessly, helplessly ashamed and
miserable. Her knees trembled, her heart fluttered, a horrible faintness
came over her; not a word could she utter, and the next moment she would
have fled from the platform despite the humiliation which, she felt,
must ever after be her portion if she did so.

But suddenly, as her dilated, frightened eyes gazed out over the
audience, she saw Gilbert Blythe away at the back of the room, bending
forward with a smile on his face--a smile which seemed to Anne at once
triumphant and taunting. In reality it was nothing of the kind. Gilbert
was merely smiling with appreciation of the whole affair in general and
of the effect produced by Anne's slender white form and spiritual face
against a background of palms in particular. Josie Pye, whom he had
driven over, sat beside him, and her face certainly was both triumphant
and taunting. But Anne did not see Josie, and would not have cared if
she had. She drew a long breath and flung her head up proudly, courage
and determination tingling over her like an electric shock. She _would
not_ fail before Gilbert Blythe--he should never be able to laugh at her,
never, never! Her fright and nervousness vanished; and she began her
recitation, her clear, sweet voice reaching to the farthest corner of
the room without a tremor or a break. Self-possession was fully restored
to her, and in the reaction from that horrible moment of powerlessness
she recited as she had never done before. When she finished there were
bursts of honest applause. Anne, stepping back to her seat, blushing
with shyness and delight, found her hand vigorously clasped and shaken
by the stout lady in pink silk.

"My dear, you did splendidly," she puffed. "I've been crying like a
baby, actually I have. There, they're encoring you--they're bound to
have you back!"

"Oh, I can't go," said Anne confusedly. "But yet--I must, or Matthew
will be disappointed. He said they would encore me."

"Then don't disappoint Matthew," said the pink lady, laughing.

Smiling, blushing, limpid eyed, Anne tripped back and gave a quaint,
funny little selection that captivated her audience still further. The
rest of the evening was quite a little triumph for her.

When the concert was over, the stout, pink lady--who was the wife of
an American millionaire--took her under her wing, and introduced her
to everybody; and everybody was very nice to her. The professional
elocutionist, Mrs. Evans, came and chatted with her, telling her that
she had a charming voice and "interpreted" her selections beautifully.
Even the white-lace girl paid her a languid little compliment. They had
supper in the big, beautifully decorated dining room; Diana and Jane
were invited to partake of this, also, since they had come with Anne,
but Billy was nowhere to be found, having decamped in mortal fear
of some such invitation. He was in waiting for them, with the team,
however, when it was all over, and the three girls came merrily out into
the calm, white moonshine radiance. Anne breathed deeply, and looked
into the clear sky beyond the dark boughs of the firs.

Oh, it was good to be out again in the purity and silence of the night!
How great and still and wonderful everything was, with the murmur of the
sea sounding through it and the darkling cliffs beyond like grim giants
guarding enchanted coasts.

"Hasn't it been a perfectly splendid time?" sighed Jane, as they drove
away. "I just wish I was a rich American and could spend my summer at
a hotel and wear jewels and low-necked dresses and have ice cream and
chicken salad every blessed day. I'm sure it would be ever so much
more fun than teaching school. Anne, your recitation was simply great,
although I thought at first you were never going to begin. I think it
was better than Mrs. Evans's."

"Oh, no, don't say things like that, Jane," said Anne quickly, "because
it sounds silly. It couldn't be better than Mrs. Evans's, you know, for
she is a professional, and I'm only a schoolgirl, with a little knack
of reciting. I'm quite satisfied if the people just liked mine pretty
well."

"I've a compliment for you, Anne," said Diana. "At least I think it
must be a compliment because of the tone he said it in. Part of it
was anyhow. There was an American sitting behind Jane and me--such a
romantic-looking man, with coal-black hair and eyes. Josie Pye says he
is a distinguished artist, and that her mother's cousin in Boston is
married to a man that used to go to school with him. Well, we heard
him say--didn't we, Jane?--'Who is that girl on the platform with the
splendid Titian hair? She has a face I should like to paint.' There now,
Anne. But what does Titian hair mean?"

"Being interpreted it means plain red, I guess," laughed Anne. "Titian
was a very famous artist who liked to paint red-haired women."

"_Did_ you see all the diamonds those ladies wore?" sighed Jane. "They
were simply dazzling. Wouldn't you just love to be rich, girls?"

"We _are_ rich," said Anne staunchly. "Why, we have sixteen years to our
credit, and we're happy as queens, and we've all got imaginations, more
or less. Look at that sea, girls--all silver and shadow and vision of
things not seen. We couldn't enjoy its loveliness any more if we had
millions of dollars and ropes of diamonds. You wouldn't change into any
of those women if you could. Would you want to be that white-lace girl
and wear a sour look all your life, as if you'd been born turning up
your nose at the world? Or the pink lady, kind and nice as she is, so
stout and short that you'd really no figure at all? Or even Mrs. Evans,
with that sad, sad look in her eyes? She must have been dreadfully
unhappy sometime to have such a look. You _know_ you wouldn't, Jane
Andrews!"

"I _don't_ know--exactly," said Jane unconvinced. "I think diamonds would
comfort a person for a good deal."

"Well, I don't want to be anyone but myself, even if I go uncomforted by
diamonds all my life," declared Anne. "I'm quite content to be Anne of
Green Gables, with my string of pearl beads. I know Matthew gave me as
much love with them as ever went with Madame the Pink Lady's jewels."

 The Hotel Concert Diana, now locally famous for her fashion sense, helps Anne dress for a performance at the upscale White Sands Hotel. Diana suggests a dress of white organdy for Anne's slim figure; Anne can adorn the dress with the string of pearls Matthew recently gave her as a gift. Anne, accustomed to public speaking, is levelheaded about the affair until she enters the hotel dressing room by herself and is swallowed up in the bustle of elegantly dressed city women. Suddenly, she feels out of place in her simple dress and pearls, which looked lovely in her room at Green Gables but now seem plain next to the other ladies' silks, laces, and diamonds. Onstage, Anne sits between a stout lady who occasionally turns to scrutinize her and a girl in white lace who laughs loudly about the country bumpkins at the affair. The show of wealth and culture intimidates Anne, and stage fright assails her. For several moments, she feels she must run off the stage. Then she sees Gilbert's face in the audience, and the unbearable thought of failing in front of him spurs her on. She delivers a recitation so accomplished that it impresses even the girl in white lace. Afterward, the stout lady, who is the wife of an American millionaire, introduces her to everybody, and she receives many compliments. On the ride home, Diana tells Anne she overheard a rich American man comment on Anne's hair and face, saying he wanted to paint her. Later, in response to Jane Andrews's wistful observations about all the jewels and riches that were on display, Anne says that she already feels rich in her own skin, with her imagination and the gift of Matthew's string of pearls

