Chapter: CHAPTER IV


I

"THE Clarks have invited some folks to their house to meet us, tonight,"
said Kennicott, as he unpacked his suit-case.

"Oh, that is nice of them!"

"You bet. I told you you'd like 'em. Squarest people on earth. Uh,
Carrie----Would you mind if I sneaked down to the office for an hour,
just to see how things are?"

"Why, no. Of course not. I know you're keen to get back to work."

"Sure you don't mind?"

"Not a bit. Out of my way. Let me unpack."

But the advocate of freedom in marriage was as much disappointed as
a drooping bride at the alacrity with which he took that freedom and
escaped to the world of men's affairs. She gazed about their bedroom,
and its full dismalness crawled over her: the awkward knuckly L-shape
of it; the black walnut bed with apples and spotty pears carved on the
headboard; the imitation maple bureau, with pink-daubed scent-bottles
and a petticoated pin-cushion on a marble slab uncomfortably like a
gravestone; the plain pine washstand and the garlanded water-pitcher and
bowl. The scent was of horsehair and plush and Florida Water.

"How could people ever live with things like this?" she shuddered. She
saw the furniture as a circle of elderly judges, condemning her to death
by smothering. The tottering brocade chair squeaked, "Choke her--choke
her--smother her." The old linen smelled of the tomb. She was alone in
this house, this strange still house, among the shadows of dead thoughts
and haunting repressions. "I hate it! I hate it!" she panted. "Why did I
ever----"

She remembered that Kennicott's mother had brought these family
relics from the old home in Lac-qui-Meurt. "Stop it! They're perfectly
comfortable things. They're--comfortable. Besides----Oh, they're
horrible! We'll change them, right away."

Then, "But of course he HAS to see how things are at the office----"

She made a pretense of busying herself with unpacking. The chintz-lined,
silver-fitted bag which had seemed so desirable a luxury in St. Paul was
an extravagant vanity here. The daring black chemise of frail chiffon
and lace was a hussy at which the deep-bosomed bed stiffened in disgust,
and she hurled it into a bureau drawer, hid it beneath a sensible linen
blouse.

She gave up unpacking. She went to the window, with a purely literary
thought of village charm--hollyhocks and lanes and apple-cheeked
cottagers. What she saw was the side of the Seventh-Day Adventist
Church--a plain clapboard wall of a sour liver color; the ash-pile
back of the church; an unpainted stable; and an alley in which a Ford
delivery-wagon had been stranded. This was the terraced garden below her
boudoir; this was to be her scenery for----

"I mustn't! I mustn't! I'm nervous this afternoon. Am I sick? . . . Good
Lord, I hope it isn't that! Not now! How people lie! How these stories
lie! They say the bride is always so blushing and proud and happy when
she finds that out, but--I'd hate it! I'd be scared to death! Some
day but----Please, dear nebulous Lord, not now! Bearded sniffy old
men sitting and demanding that we bear children. If THEY had to bear
them----! I wish they did have to! Not now! Not till I've got hold of
this job of liking the ash-pile out there! . . . I must shut up. I'm
mildly insane. I'm going out for a walk. I'll see the town by myself. My
first view of the empire I'm going to conquer!"

She fled from the house.

She stared with seriousness at every concrete crossing, every
hitching-post, every rake for leaves; and to each house she devoted all
her speculation. What would they come to mean? How would they look six
months from now? In which of them would she be dining? Which of these
people whom she passed, now mere arrangements of hair and clothes, would
turn into intimates, loved or dreaded, different from all the other
people in the world?

As she came into the small business-section she inspected a broad-beamed
grocer in an alpaca coat who was bending over the apples and celery on a
slanted platform in front of his store. Would she ever talk to him? What
would he say if she stopped and stated, "I am Mrs. Dr. Kennicott. Some
day I hope to confide that a heap of extremely dubious pumpkins as a
window-display doesn't exhilarate me much."

(The grocer was Mr. Frederick F. Ludelmeyer, whose market is at the
corner of Main Street and Lincoln Avenue. In supposing that only she was
observant Carol was ignorant, misled by the indifference of cities. She
fancied that she was slipping through the streets invisible; but when
she had passed, Mr. Ludelmeyer puffed into the store and coughed at his
clerk, "I seen a young woman, she come along the side street. I bet she
iss Doc Kennicott's new bride, good-looker, nice legs, but she wore a
hell of a plain suit, no style, I wonder will she pay cash, I bet she
goes to Howland & Gould's more as she does here, what you done with the
poster for Fluffed Oats?")



II


When Carol had walked for thirty-two minutes she had completely covered
the town, east and west, north and south; and she stood at the corner of
Main Street and Washington Avenue and despaired.

Main Street with its two-story brick shops, its story-and-a-half wooden
residences, its muddy expanse from concrete walk to walk, its huddle
of Fords and lumber-wagons, was too small to absorb her. The broad,
straight, unenticing gashes of the streets let in the grasping prairie
on every side. She realized the vastness and the emptiness of the land.
The skeleton iron windmill on the farm a few blocks away, at the north
end of Main Street, was like the ribs of a dead cow. She thought of the
coming of the Northern winter, when the unprotected houses would crouch
together in terror of storms galloping out of that wild waste. They
were so small and weak, the little brown houses. They were shelters for
sparrows, not homes for warm laughing people.

She told herself that down the street the leaves were a splendor. The
maples were orange; the oaks a solid tint of raspberry. And the lawns
had been nursed with love. But the thought would not hold. At best the
trees resembled a thinned woodlot. There was no park to rest the eyes.
And since not Gopher Prairie but Wakamin was the county-seat, there was
no court-house with its grounds.

She glanced through the fly-specked windows of the most pretentious
building in sight, the one place which welcomed strangers and
determined their opinion of the charm and luxury of Gopher Prairie--the
Minniemashie House. It was a tall lean shabby structure, three stories
of yellow-streaked wood, the corners covered with sanded pine slabs
purporting to symbolize stone. In the hotel office she could see a
stretch of bare unclean floor, a line of rickety chairs with brass
cuspidors between, a writing-desk with advertisements in mother-of-pearl
letters upon the glass-covered back. The dining-room beyond was a jungle
of stained table-cloths and catsup bottles.

She looked no more at the Minniemashie House.

A man in cuffless shirt-sleeves with pink arm-garters, wearing a linen
collar but no tie, yawned his way from Dyer's Drug Store across to the
hotel. He leaned against the wall, scratched a while, sighed, and in a
bored way gossiped with a man tilted back in a chair. A lumber-wagon,
its long green box filled with large spools of barbed-wire fencing,
creaked down the block. A Ford, in reverse, sounded as though it
were shaking to pieces, then recovered and rattled away. In the Greek
candy-store was the whine of a peanut-roaster, and the oily smell of
nuts.

There was no other sound nor sign of life.

She wanted to run, fleeing from the encroaching prairie, demanding the
security of a great city. Her dreams of creating a beautiful town were
ludicrous. Oozing out from every drab wall, she felt a forbidding spirit
which she could never conquer.

She trailed down the street on one side, back on the other, glancing
into the cross streets. It was a private Seeing Main Street tour. She
was within ten minutes beholding not only the heart of a place called
Gopher Prairie, but ten thousand towns from Albany to San Diego:

Dyer's Drug Store, a corner building of regular and unreal blocks of
artificial stone. Inside the store, a greasy marble soda-fountain with
an electric lamp of red and green and curdled-yellow mosaic
shade. Pawed-over heaps of tooth-brushes and combs and packages of
shaving-soap. Shelves of soap-cartons, teething-rings, garden-seeds,
and patent medicines in yellow "packages-nostrums" for consumption, for
"women's diseases"--notorious mixtures of opium and alcohol, in
the very shop to which her husband sent patients for the filling of
prescriptions.

From a second-story window the sign "W. P. Kennicott, Phys. & Surgeon,"
gilt on black sand.

A small wooden motion-picture theater called "The Rosebud Movie Palace."
Lithographs announcing a film called "Fatty in Love."

Howland & Gould's Grocery. In the display window, black, overripe
bananas and lettuce on which a cat was sleeping. Shelves lined with red
crepe paper which was now faded and torn and concentrically spotted.
Flat against the wall of the second story the signs of lodges--the
Knights of Pythias, the Maccabees, the Woodmen, the Masons.

Dahl & Oleson's Meat Market--a reek of blood.

A jewelry shop with tinny-looking wrist-watches for women. In front of
it, at the curb, a huge wooden clock which did not go.

A fly-buzzing saloon with a brilliant gold and enamel whisky sign across
the front. Other saloons down the block. From them a stink of stale
beer, and thick voices bellowing pidgin German or trolling out dirty
songs--vice gone feeble and unenterprising and dull--the delicacy of a
mining-camp minus its vigor. In front of the saloons, farmwives sitting
on the seats of wagons, waiting for their husbands to become drunk and
ready to start home.

A tobacco shop called "The Smoke House," filled with young men shaking
dice for cigarettes. Racks of magazines, and pictures of coy fat
prostitutes in striped bathing-suits.

A clothing store with a display of "ox-blood-shade Oxfords with bull-dog
toes." Suits which looked worn and glossless while they were still new,
flabbily draped on dummies like corpses with painted cheeks.

The Bon Ton Store--Haydock & Simons'--the largest shop in town. The
first-story front of clear glass, the plates cleverly bound at the edges
with brass. The second story of pleasant tapestry brick. One window of
excellent clothes for men, interspersed with collars of floral pique
which showed mauve daisies on a saffron ground. Newness and an obvious
notion of neatness and service. Haydock & Simons. Haydock. She had met a
Haydock at the station; Harry Haydock; an active person of thirty-five.
He seemed great to her, now, and very like a saint. His shop was clean!

Axel Egge's General Store, frequented by Scandinavian farmers. In the
shallow dark window-space heaps of sleazy sateens, badly woven galateas,
canvas shoes designed for women with bulging ankles, steel and red glass
buttons upon cards with broken edges, a cottony blanket, a granite-ware
frying-pan reposing on a sun-faded crepe blouse.

Sam Clark's Hardware Store. An air of frankly metallic enterprise. Guns
and churns and barrels of nails and beautiful shiny butcher knives.

Chester Dashaway's House Furnishing Emporium. A vista of heavy oak
rockers with leather seats, asleep in a dismal row.

Billy's Lunch. Thick handleless cups on the wet oilcloth-covered
counter. An odor of onions and the smoke of hot lard. In the doorway a
young man audibly sucking a toothpick.

The warehouse of the buyer of cream and potatoes. The sour smell of a
dairy.

The Ford Garage and the Buick Garage, competent one-story brick
and cement buildings opposite each other. Old and new cars on
grease-blackened concrete floors. Tire advertisements. The roaring of
a tested motor; a racket which beat at the nerves. Surly young men in
khaki union-overalls. The most energetic and vital places in town.

A large warehouse for agricultural implements. An impressive barricade
of green and gold wheels, of shafts and sulky seats, belonging
to machinery of which Carol knew nothing--potato-planters,
manure-spreaders, silage-cutters, disk-harrows, breaking-plows.

A feed store, its windows opaque with the dust of bran, a patent
medicine advertisement painted on its roof.

Ye Art Shoppe, Prop. Mrs. Mary Ellen Wilks, Christian Science Library
open daily free. A touching fumble at beauty. A one-room shanty of
boards recently covered with rough stucco. A show-window delicately rich
in error: vases starting out to imitate tree-trunks but running off
into blobs of gilt--an aluminum ash-tray labeled "Greetings from
Gopher Prairie"--a Christian Science magazine--a stamped sofa-cushion
portraying a large ribbon tied to a small poppy, the correct skeins of
embroidery-silk lying on the pillow. Inside the shop, a glimpse of bad
carbon prints of bad and famous pictures, shelves of phonograph records
and camera films, wooden toys, and in the midst an anxious small woman
sitting in a padded rocking chair.

A barber shop and pool room. A man in shirt sleeves, presumably Del
Snafflin the proprietor, shaving a man who had a large Adam's apple.

Nat Hicks's Tailor Shop, on a side street off Main. A one-story
building. A fashion-plate showing human pitchforks in garments which
looked as hard as steel plate.

On another side street a raw red-brick Catholic Church with a varnished
yellow door.

The post-office--merely a partition of glass and brass shutting off
the rear of a mildewed room which must once have been a shop. A tilted
writing-shelf against a wall rubbed black and scattered with official
notices and army recruiting-posters.

The damp, yellow-brick schoolbuilding in its cindery grounds.

The State Bank, stucco masking wood.

The Farmers' National Bank. An Ionic temple of marble. Pure, exquisite,
solitary. A brass plate with "Ezra Stowbody, Pres't."

A score of similar shops and establishments.

Behind them and mixed with them, the houses, meek cottages or large,
comfortable, soundly uninteresting symbols of prosperity.

In all the town not one building save the Ionic bank which gave pleasure
to Carol's eyes; not a dozen buildings which suggested that, in the
fifty years of Gopher Prairie's existence, the citizens had realized
that it was either desirable or possible to make this, their common
home, amusing or attractive.

It was not only the unsparing unapologetic ugliness and the rigid
straightness which overwhelmed her. It was the planlessness, the flimsy
temporariness of the buildings, their faded unpleasant colors. The
street was cluttered with electric-light poles, telephone poles,
gasoline pumps for motor cars, boxes of goods. Each man had built
with the most valiant disregard of all the others. Between a large
new "block" of two-story brick shops on one side, and the fire-brick
Overland garage on the other side, was a one-story cottage turned into
a millinery shop. The white temple of the Farmers' Bank was elbowed back
by a grocery of glaring yellow brick. One store-building had a patchy
galvanized iron cornice; the building beside it was crowned with
battlements and pyramids of brick capped with blocks of red sandstone.

She escaped from Main Street, fled home.

She wouldn't have cared, she insisted, if the people had been comely.
She had noted a young man loafing before a shop, one unwashed hand
holding the cord of an awning; a middle-aged man who had a way of
staring at women as though he had been married too long and too
prosaically; an old farmer, solid, wholesome, but not clean--his face
like a potato fresh from the earth. None of them had shaved for three
days.

"If they can't build shrines, out here on the prairie, surely there's
nothing to prevent their buying safety-razors!" she raged.

She fought herself: "I must be wrong. People do live here. It CAN'T be
as ugly as--as I know it is! I must be wrong. But I can't do it. I can't
go through with it."

She came home too seriously worried for hysteria; and when she found
Kennicott waiting for her, and exulting, "Have a walk? Well, like
the town? Great lawns and trees, eh?" she was able to say, with a
self-protective maturity new to her, "It's very interesting."



III


The train which brought Carol to Gopher Prairie also brought Miss Bea
Sorenson.

Miss Bea was a stalwart, corn-colored, laughing young woman, and she was
bored by farm-work. She desired the excitements of city-life, and the
way to enjoy city-life was, she had decided, to "go get a yob as hired
girl in Gopher Prairie." She contentedly lugged her pasteboard telescope
from the station to her cousin, Tina Malmquist, maid of all work in the
residence of Mrs. Luke Dawson.

"Vell, so you come to town," said Tina.

"Ya. Ay get a yob," said Bea.

"Vell. . . . You got a fella now?"

"Ya. Yim Yacobson."

"Vell. I'm glat to see you. How much you vant a veek?"

"Sex dollar."

"There ain't nobody pay dat. Vait! Dr. Kennicott, I t'ink he marry a
girl from de Cities. Maybe she pay dat. Vell. You go take a valk."

"Ya," said Bea.

So it chanced that Carol Kennicott and Bea Sorenson were viewing Main
Street at the same time.

Bea had never before been in a town larger than Scandia Crossing, which
has sixty-seven inhabitants.

As she marched up the street she was meditating that it didn't hardly
seem like it was possible there could be so many folks all in one place
at the same time. My! It would take years to get acquainted with them
all. And swell people, too! A fine big gentleman in a new pink shirt
with a diamond, and not no washed-out blue denim working-shirt. A lovely
lady in a longery dress (but it must be an awful hard dress to wash).
And the stores!

Not just three of them, like there were at Scandia Crossing, but more
than four whole blocks!

The Bon Ton Store--big as four barns--my! it would simply scare a person
to go in there, with seven or eight clerks all looking at you. And the
men's suits, on figures just like human. And Axel Egge's, like home,
lots of Swedes and Norskes in there, and a card of dandy buttons, like
rubies.

A drug store with a soda fountain that was just huge, awful long, and
all lovely marble; and on it there was a great big lamp with the biggest
shade you ever saw--all different kinds colored glass stuck together;
and the soda spouts, they were silver, and they came right out of the
bottom of the lamp-stand! Behind the fountain there were glass shelves,
and bottles of new kinds of soft drinks, that nobody ever heard of.
Suppose a fella took you THERE!

A hotel, awful high, higher than Oscar Tollefson's new red barn; three
stories, one right on top of another; you had to stick your head back
to look clear up to the top. There was a swell traveling man in
there--probably been to Chicago, lots of times.

Oh, the dandiest people to know here! There was a lady going by, you
wouldn't hardly say she was any older than Bea herself; she wore a dandy
new gray suit and black pumps. She almost looked like she was looking
over the town, too. But you couldn't tell what she thought. Bea would
like to be that way--kind of quiet, so nobody would get fresh. Kind
of--oh, elegant.

A Lutheran Church. Here in the city there'd be lovely sermons, and
church twice on Sunday, EVERY Sunday!

And a movie show!

A regular theater, just for movies. With the sign "Change of bill every
evening." Pictures every evening!

There were movies in Scandia Crossing, but only once every two weeks,
and it took the Sorensons an hour to drive in--papa was such a tightwad
he wouldn't get a Ford. But here she could put on her hat any evening,
and in three minutes' walk be to the movies, and see lovely fellows in
dress-suits and Bill Hart and everything!

How could they have so many stores? Why! There was one just for tobacco
alone, and one (a lovely one--the Art Shoppy it was) for pictures and
vases and stuff, with oh, the dandiest vase made so it looked just like
a tree trunk!

Bea stood on the corner of Main Street and Washington Avenue. The roar
of the city began to frighten her. There were five automobiles on the
street all at the same time--and one of 'em was a great big car that
must of cost two thousand dollars--and the 'bus was starting for a train
with five elegant-dressed fellows, and a man was pasting up red bills
with lovely pictures of washing-machines on them, and the jeweler was
laying out bracelets and wrist-watches and EVERYTHING on real velvet.

What did she care if she got six dollars a week? Or two! It was worth
while working for nothing, to be allowed to stay here. And think how it
would be in the evening, all lighted up--and not with no lamps, but with
electrics! And maybe a gentleman friend taking you to the movies and
buying you a strawberry ice cream soda!

Bea trudged back.

"Vell? You lak it?" said Tina.

"Ya. Ay lak it. Ay t'ink maybe Ay stay here," said Bea.



IV


The recently built house of Sam Clark, in which was given the party to
welcome Carol, was one of the largest in Gopher Prairie. It had a clean
sweep of clapboards, a solid squareness, a small tower, and a large
screened porch. Inside, it was as shiny, as hard, and as cheerful as a
new oak upright piano.

Carol looked imploringly at Sam Clark as he rolled to the door and
shouted, "Welcome, little lady! The keys of the city are yourn!"

Beyond him, in the hallway and the living-room, sitting in a vast prim
circle as though they were attending a funeral, she saw the guests. They
were WAITING so! They were waiting for her! The determination to be all
one pretty flowerlet of appreciation leaked away. She begged of Sam,
"I don't dare face them! They expect so much. They'll swallow me in one
mouthful--glump!--like that!"

"Why, sister, they're going to love you--same as I would if I didn't
think the doc here would beat me up!"

"B-but----I don't dare! Faces to the right of me, faces in front of me,
volley and wonder!"

She sounded hysterical to herself; she fancied that to Sam Clark she
sounded insane. But he chuckled, "Now you just cuddle under Sam's wing,
and if anybody rubbers at you too long, I'll shoo 'em off. Here we go!
Watch my smoke--Sam'l, the ladies' delight and the bridegrooms' terror!"

His arm about her, he led her in and bawled, "Ladies and worser halves,
the bride! We won't introduce her round yet, because she'll never get
your bum names straight anyway. Now bust up this star-chamber!"

They tittered politely, but they did not move from the social security
of their circle, and they did not cease staring.

Carol had given creative energy to dressing for the event. Her hair was
demure, low on her forehead with a parting and a coiled braid. Now she
wished that she had piled it high. Her frock was an ingenue slip
of lawn, with a wide gold sash and a low square neck, which gave a
suggestion of throat and molded shoulders. But as they looked her over
she was certain that it was all wrong. She wished alternately that she
had worn a spinsterish high-necked dress, and that she had dared to
shock them with a violent brick-red scarf which she had bought in
Chicago.

She was led about the circle. Her voice mechanically produced safe
remarks:

"Oh, I'm sure I'm going to like it here ever so much," and "Yes, we did
have the best time in Colorado--mountains," and "Yes, I lived in St.
Paul several years. Euclid P. Tinker? No, I don't REMEMBER meeting him,
but I'm pretty sure I've heard of him."

Kennicott took her aside and whispered, "Now I'll introduce you to them,
one at a time."

"Tell me about them first."

"Well, the nice-looking couple over there are Harry Haydock and his
wife, Juanita. Harry's dad owns most of the Bon Ton, but it's Harry who
runs it and gives it the pep. He's a hustler. Next to him is Dave Dyer
the druggist--you met him this afternoon--mighty good duck-shot.
The tall husk beyond him is Jack Elder--Jackson Elder--owns the
planing-mill, and the Minniemashie House, and quite a share in the
Farmers' National Bank. Him and his wife are good sports--him and Sam
and I go hunting together a lot. The old cheese there is Luke Dawson,
the richest man in town. Next to him is Nat Hicks, the tailor."

"Really? A tailor?"

"Sure. Why not? Maybe we're slow, but we are democratic. I go hunting
with Nat same as I do with Jack Elder."

"I'm glad. I've never met a tailor socially. It must be charming to meet
one and not have to think about what you owe him. And do you----Would
you go hunting with your barber, too?"

"No but----No use running this democracy thing into the ground.
Besides, I've known Nat for years, and besides, he's a mighty good shot
and----That's the way it is, see? Next to Nat is Chet Dashaway. Great
fellow for chinning. He'll talk your arm off, about religion or politics
or books or anything."

Carol gazed with a polite approximation to interest at Mr. Dashaway,
a tan person with a wide mouth. "Oh, I know! He's the furniture-store
man!" She was much pleased with herself.

"Yump, and he's the undertaker. You'll like him. Come shake hands with
him."

"Oh no, no! He doesn't--he doesn't do the embalming and all
that--himself? I couldn't shake hands with an undertaker!"

"Why not? You'd be proud to shake hands with a great surgeon, just after
he'd been carving up people's bellies."

She sought to regain her afternoon's calm of maturity. "Yes. You're
right. I want--oh, my dear, do you know how much I want to like the
people you like? I want to see people as they are."

"Well, don't forget to see people as other folks see them as they are!
They have the stuff. Did you know that Percy Bresnahan came from here?
Born and brought up here!"

"Bresnahan?"

"Yes--you know--president of the Velvet Motor Company of Boston,
Mass.--make the Velvet Twelve--biggest automobile factory in New
England."

"I think I've heard of him."

"Sure you have. Why, he's a millionaire several times over! Well, Perce
comes back here for the black-bass fishing almost every summer, and he
says if he could get away from business, he'd rather live here than
in Boston or New York or any of those places. HE doesn't mind Chet's
undertaking."

"Please! I'll--I'll like everybody! I'll be the community sunbeam!"

He led her to the Dawsons.

Luke Dawson, lender of money on mortgages, owner of Northern cut-over
land, was a hesitant man in unpressed soft gray clothes, with bulging
eyes in a milky face. His wife had bleached cheeks, bleached hair,
bleached voice, and a bleached manner. She wore her expensive green
frock, with its passementeried bosom, bead tassels, and gaps between the
buttons down the back, as though she had bought it second-hand and was
afraid of meeting the former owner. They were shy. It was "Professor"
George Edwin Mott, superintendent of schools, a Chinese mandarin turned
brown, who held Carol's hand and made her welcome.

When the Dawsons and Mr. Mott had stated that they were "pleased to meet
her," there seemed to be nothing else to say, but the conversation went
on automatically.

"Do you like Gopher Prairie?" whimpered Mrs. Dawson.

"Oh, I'm sure I'm going to be ever so happy."

"There's so many nice people." Mrs. Dawson looked to Mr. Mott for social
and intellectual aid. He lectured:

"There's a fine class of people. I don't like some of these retired
farmers who come here to spend their last days--especially the Germans.
They hate to pay school-taxes. They hate to spend a cent. But the rest
are a fine class of people. Did you know that Percy Bresnahan came from
here? Used to go to school right at the old building!"

"I heard he did."

"Yes. He's a prince. He and I went fishing together, last time he was
here."

The Dawsons and Mr. Mott teetered upon weary feet, and smiled at Carol
with crystallized expressions. She went on:

"Tell me, Mr. Mott: Have you ever tried any experiments with any of the
new educational systems? The modern kindergarten methods or the Gary
system?"

"Oh. Those. Most of these would-be reformers are simply
notoriety-seekers. I believe in manual training, but Latin and
mathematics always will be the backbone of sound Americanism, no matter
what these faddists advocate--heaven knows what they do want--knitting,
I suppose, and classes in wiggling the ears!"

The Dawsons smiled their appreciation of listening to a savant. Carol
waited till Kennicott should rescue her. The rest of the party waited
for the miracle of being amused.

Harry and Juanita Haydock, Rita Simons and Dr. Terry Gould--the young
smart set of Gopher Prairie. She was led to them. Juanita Haydock flung
at her in a high, cackling, friendly voice:

"Well, this is SO nice to have you here. We'll have some good
parties--dances and everything. You'll have to join the Jolly Seventeen.
We play bridge and we have a supper once a month. You play, of course?"

"N-no, I don't."

"Really? In St. Paul?"

"I've always been such a book-worm."

"We'll have to teach you. Bridge is half the fun of life." Juanita had
become patronizing, and she glanced disrespectfully at Carol's golden
sash, which she had previously admired.

Harry Haydock said politely, "How do you think you're going to like the
old burg?"

"I'm sure I shall like it tremendously."

"Best people on earth here. Great hustlers, too. Course I've had lots
of chances to go live in Minneapolis, but we like it here. Real he-town.
Did you know that Percy Bresnahan came from here?"

Carol perceived that she had been weakened in the biological struggle
by disclosing her lack of bridge. Roused to nervous desire to regain
her position she turned on Dr. Terry Gould, the young and pool-playing
competitor of her husband. Her eyes coquetted with him while she gushed:

"I'll learn bridge. But what I really love most is the outdoors. Can't
we all get up a boating party, and fish, or whatever you do, and have a
picnic supper afterwards?"

"Now you're talking!" Dr. Gould affirmed. He looked rather too obviously
at the cream-smooth slope of her shoulder. "Like fishing? Fishing is my
middle name. I'll teach you bridge. Like cards at all?"

"I used to be rather good at bezique."

She knew that bezique was a game of cards--or a game of something else.
Roulette, possibly. But her lie was a triumph. Juanita's handsome,
high-colored, horsey face showed doubt. Harry stroked his nose and said
humbly, "Bezique? Used to be great gambling game, wasn't it?"

While others drifted to her group, Carol snatched up the conversation.
She laughed and was frivolous and rather brittle. She could not
distinguish their eyes. They were a blurry theater-audience before which
she self-consciously enacted the comedy of being the Clever Little Bride
of Doc Kennicott:

"These-here celebrated Open Spaces, that's what I'm going out for. I'll
never read anything but the sporting-page again. Will converted me on
our Colorado trip. There were so many mousey tourists who were afraid
to get out of the motor 'bus that I decided to be Annie Oakley, the Wild
Western Wampire, and I bought oh! a vociferous skirt which revealed
my perfectly nice ankles to the Presbyterian glare of all the Ioway
schoolma'ams, and I leaped from peak to peak like the nimble chamoys,
and----You may think that Herr Doctor Kennicott is a Nimrod, but you
ought to have seen me daring him to strip to his B. V. D.'s and go
swimming in an icy mountain brook."

She knew that they were thinking of becoming shocked, but Juanita
Haydock was admiring, at least. She swaggered on:

"I'm sure I'm going to ruin Will as a respectable practitioner----Is he
a good doctor, Dr. Gould?"

Kennicott's rival gasped at this insult to professional ethics, and he
took an appreciable second before he recovered his social manner.
"I'll tell you, Mrs. Kennicott." He smiled at Kennicott, to imply that
whatever he might say in the stress of being witty was not to count
against him in the commercio-medical warfare. "There's some people
in town that say the doc is a fair to middlin' diagnostician and
prescription-writer, but let me whisper this to you--but for heaven's
sake don't tell him I said so--don't you ever go to him for anything
more serious than a pendectomy of the left ear or a strabismus of the
cardiograph."

No one save Kennicott knew exactly what this meant, but they laughed,
and Sam Clark's party assumed a glittering lemon-yellow color of brocade
panels and champagne and tulle and crystal chandeliers and sporting
duchesses. Carol saw that George Edwin Mott and the blanched Mr. and
Mrs. Dawson were not yet hypnotized. They looked as though they wondered
whether they ought to look as though they disapproved. She concentrated
on them:

"But I know whom I wouldn't have dared to go to Colorado with! Mr.
Dawson there! I'm sure he's a regular heart-breaker. When we were
introduced he held my hand and squeezed it frightfully."

"Haw! Haw! Haw!" The entire company applauded. Mr. Dawson was beatified.
He had been called many things--loan-shark, skinflint, tightwad,
pussyfoot--but he had never before been called a flirt.

"He is wicked, isn't he, Mrs. Dawson? Don't you have to lock him up?"

"Oh no, but maybe I better," attempted Mrs. Dawson, a tint on her pallid
face.

For fifteen minutes Carol kept it up. She asserted that she was going
to stage a musical comedy, that she preferred cafe parfait to beefsteak,
that she hoped Dr. Kennicott would never lose his ability to make love
to charming women, and that she had a pair of gold stockings. They gaped
for more. But she could not keep it up. She retired to a chair behind
Sam Clark's bulk. The smile-wrinkles solemnly flattened out in the faces
of all the other collaborators in having a party, and again they stood
about hoping but not expecting to be amused.

Carol listened. She discovered that conversation did not exist in Gopher
Prairie. Even at this affair, which brought out the young smart set,
the hunting squire set, the respectable intellectual set, and the solid
financial set, they sat up with gaiety as with a corpse.

Juanita Haydock talked a good deal in her rattling voice but it was
invariably of personalities: the rumor that Raymie Wutherspoon was going
to send for a pair of patent leather shoes with gray buttoned tops; the
rheumatism of Champ Perry; the state of Guy Pollock's grippe; and the
dementia of Jim Howland in painting his fence salmon-pink.

Sam Clark had been talking to Carol about motor cars, but he felt
his duties as host. While he droned, his brows popped up and down. He
interrupted himself, "Must stir 'em up." He worried at his wife, "Don't
you think I better stir 'em up?" He shouldered into the center of the
room, and cried:

"Let's have some stunts, folks."

"Yes, let's!" shrieked Juanita Haydock.

"Say, Dave, give us that stunt about the Norwegian catching a hen."

"You bet; that's a slick stunt; do that, Dave!" cheered Chet Dashaway.

Mr. Dave Dyer obliged.

All the guests moved their lips in anticipation of being called on for
their own stunts.

"Ella, come on and recite 'Old Sweetheart of Mine,' for us," demanded
Sam.

Miss Ella Stowbody, the spinster daughter of the Ionic bank, scratched
her dry palms and blushed. "Oh, you don't want to hear that old thing
again."

"Sure we do! You bet!" asserted Sam.

"My voice is in terrible shape tonight."

"Tut! Come on!"

Sam loudly explained to Carol, "Ella is our shark at elocuting. She's
had professional training. She studied singing and oratory and dramatic
art and shorthand for a year, in Milwaukee."

Miss Stowbody was reciting. As encore to "An Old Sweetheart of Mine,"
she gave a peculiarly optimistic poem regarding the value of smiles.

There were four other stunts: one Jewish, one Irish, one juvenile, and
Nat Hicks's parody of Mark Antony's funeral oration.

During the winter Carol was to hear Dave Dyer's hen-catching
impersonation seven times, "An Old Sweetheart of Mine" nine times, the
Jewish story and the funeral oration twice; but now she was ardent
and, because she did so want to be happy and simple-hearted, she was as
disappointed as the others when the stunts were finished, and the party
instantly sank back into coma.

They gave up trying to be festive; they began to talk naturally, as they
did at their shops and homes.

The men and women divided, as they had been tending to do all evening.
Carol was deserted by the men, left to a group of matrons who steadily
pattered of children, sickness, and cooks--their own shop-talk. She was
piqued. She remembered visions of herself as a smart married woman in
a drawing-room, fencing with clever men. Her dejection was relieved by
speculation as to what the men were discussing, in the corner between
the piano and the phonograph. Did they rise from these housewifely
personalities to a larger world of abstractions and affairs?

She made her best curtsy to Mrs. Dawson; she twittered, "I won't have my
husband leaving me so soon! I'm going over and pull the wretch's
ears." She rose with a jeune fille bow. She was self-absorbed and
self-approving because she had attained that quality of sentimentality.
She proudly dipped across the room and, to the interest and commendation
of all beholders, sat on the arm of Kennicott's chair.

He was gossiping with Sam Clark, Luke Dawson, Jackson Elder of the
planing-mill, Chet Dashaway, Dave Dyer, Harry Haydock, and Ezra
Stowbody, president of the Ionic bank.

Ezra Stowbody was a troglodyte. He had come to Gopher Prairie in 1865.
He was a distinguished bird of prey--swooping thin nose, turtle mouth,
thick brows, port-wine cheeks, floss of white hair, contemptuous eyes.
He was not happy in the social changes of thirty years. Three decades
ago, Dr. Westlake, Julius Flickerbaugh the lawyer, Merriman Peedy the
Congregational pastor and himself had been the arbiters. That was as
it should be; the fine arts--medicine, law, religion, and
finance--recognized as aristocratic; four Yankees democratically
chatting with but ruling the Ohioans and Illini and Swedes and Germans
who had ventured to follow them. But Westlake was old, almost retired;
Julius Flickerbaugh had lost much of his practice to livelier attorneys;
Reverend (not The Reverend) Peedy was dead; and nobody was impressed in
this rotten age of automobiles by the "spanking grays" which Ezra still
drove. The town was as heterogeneous as Chicago. Norwegians and Germans
owned stores. The social leaders were common merchants. Selling nails
was considered as sacred as banking. These upstarts--the Clarks, the
Haydocks--had no dignity. They were sound and conservative in politics,
but they talked about motor cars and pump-guns and heaven only knew
what new-fangled fads. Mr. Stowbody felt out of place with them. But
his brick house with the mansard roof was still the largest residence in
town, and he held his position as squire by occasionally appearing among
the younger men and reminding them by a wintry eye that without the
banker none of them could carry on their vulgar businesses.

As Carol defied decency by sitting down with the men, Mr. Stowbody was
piping to Mr. Dawson, "Say, Luke, when was't Biggins first settled in
Winnebago Township? Wa'n't it in 1879?"

"Why no 'twa'n't!" Mr. Dawson was indignant. "He come out from Vermont
in 1867--no, wait, in 1868, it must have been--and took a claim on the
Rum River, quite a ways above Anoka."

"He did not!" roared Mr. Stowbody. "He settled first in Blue Earth
County, him and his father!"

("What's the point at issue?") Carol whispered to Kennicott.

("Whether this old duck Biggins had an English setter or a Llewellyn.
They've been arguing it all evening!")

Dave Dyer interrupted to give tidings, "D' tell you that Clara Biggins
was in town couple days ago? She bought a hot-water bottle--expensive
one, too--two dollars and thirty cents!"

"Yaaaaaah!" snarled Mr. Stowbody. "Course. She's just like her grandad
was. Never save a cent. Two dollars and twenty--thirty, was it?--two
dollars and thirty cents for a hot-water bottle! Brick wrapped up in a
flannel petticoat just as good, anyway!"

"How's Ella's tonsils, Mr. Stowbody?" yawned Chet Dashaway.

While Mr. Stowbody gave a somatic and psychic study of them, Carol
reflected, "Are they really so terribly interested in Ella's tonsils,
or even in Ella's esophagus? I wonder if I could get them away from
personalities? Let's risk damnation and try."

"There hasn't been much labor trouble around here, has there, Mr.
Stowbody?" she asked innocently.

"No, ma'am, thank God, we've been free from that, except maybe with
hired girls and farm-hands. Trouble enough with these foreign farmers;
if you don't watch these Swedes they turn socialist or populist or some
fool thing on you in a minute. Of course, if they have loans you can
make 'em listen to reason. I just have 'em come into the bank for a
talk, and tell 'em a few things. I don't mind their being democrats,
so much, but I won't stand having socialists around. But thank God, we
ain't got the labor trouble they have in these cities. Even Jack Elder
here gets along pretty well, in the planing-mill, don't you, Jack?"

"Yep. Sure. Don't need so many skilled workmen in my place, and it's
a lot of these cranky, wage-hogging, half-baked skilled mechanics that
start trouble--reading a lot of this anarchist literature and union
papers and all."

"Do you approve of union labor?" Carol inquired of Mr. Elder.

"Me? I should say not! It's like this: I don't mind dealing with my men
if they think they've got any grievances--though Lord knows what's come
over workmen, nowadays--don't appreciate a good job. But still, if they
come to me honestly, as man to man, I'll talk things over with them. But
I'm not going to have any outsider, any of these walking delegates, or
whatever fancy names they call themselves now--bunch of rich grafters,
living on the ignorant workmen! Not going to have any of those fellows
butting in and telling ME how to run MY business!"

Mr. Elder was growing more excited, more belligerent and patriotic. "I
stand for freedom and constitutional rights. If any man don't like my
shop, he can get up and git. Same way, if I don't like him, he gits.
And that's all there is to it. I simply can't understand all these
complications and hoop-te-doodles and government reports and wage-scales
and God knows what all that these fellows are balling up the labor
situation with, when it's all perfectly simple. They like what I pay
'em, or they get out. That's all there is to it!"

"What do you think of profit-sharing?" Carol ventured.

Mr. Elder thundered his answer, while the others nodded, solemnly and
in tune, like a shop-window of flexible toys, comic mandarins and judges
and ducks and clowns, set quivering by a breeze from the open door:

"All this profit-sharing and welfare work and insurance and old-age
pension is simply poppycock. Enfeebles a workman's independence--and
wastes a lot of honest profit. The half-baked thinker that isn't dry
behind the ears yet, and these suffragettes and God knows what all
buttinskis there are that are trying to tell a business man how to run
his business, and some of these college professors are just about as
bad, the whole kit and bilin' of 'em are nothing in God's world but
socialism in disguise! And it's my bounden duty as a producer to resist
every attack on the integrity of American industry to the last ditch.
Yes--SIR!"

Mr. Elder wiped his brow.

Dave Dyer added, "Sure! You bet! What they ought to do is simply to
hang every one of these agitators, and that would settle the whole thing
right off. Don't you think so, doc?"

"You bet," agreed Kennicott.

The conversation was at last relieved of the plague of Carol's
intrusions and they settled down to the question of whether the justice
of the peace had sent that hobo drunk to jail for ten days or twelve.
It was a matter not readily determined. Then Dave Dyer communicated his
carefree adventures on the gipsy trail:

"Yep. I get good time out of the flivver. 'Bout a week ago I motored
down to New Wurttemberg. That's forty-three----No, let's see: It's
seventeen miles to Belldale, and 'bout six and three-quarters, call it
seven, to Torgenquist, and it's a good nineteen miles from there to New
Wurttemberg--seventeen and seven and nineteen, that makes, uh, let me
see: seventeen and seven 's twenty-four, plus nineteen, well say plus
twenty, that makes forty-four, well anyway, say about forty-three
or -four miles from here to New Wurttemberg. We got started about
seven-fifteen, prob'ly seven-twenty, because I had to stop and fill the
radiator, and we ran along, just keeping up a good steady gait----"

Mr. Dyer did finally, for reasons and purposes admitted and justified,
attain to New Wurttemberg.

Once--only once--the presence of the alien Carol was recognized. Chet
Dashaway leaned over and said asthmatically, "Say, uh, have you been
reading this serial 'Two Out' in Tingling Tales? Corking yarn! Gosh, the
fellow that wrote it certainly can sling baseball slang!"

The others tried to look literary. Harry Haydock offered, "Juanita is
a great hand for reading high-class stuff, like 'Mid the Magnolias' by
this Sara Hetwiggin Butts, and 'Riders of Ranch Reckless.' Books. But
me," he glanced about importantly, as one convinced that no other hero
had ever been in so strange a plight, "I'm so darn busy I don't have
much time to read."

"I never read anything I can't check against," said Sam Clark.

Thus ended the literary portion of the conversation, and for seven
minutes Jackson Elder outlined reasons for believing that the
pike-fishing was better on the west shore of Lake Minniemashie than on
the east--though it was indeed quite true that on the east shore Nat
Hicks had caught a pike altogether admirable.

The talk went on. It did go on! Their voices were monotonous,
thick, emphatic. They were harshly pompous, like men in the
smoking-compartments of Pullman cars. They did not bore Carol. They
frightened her. She panted, "They will be cordial to me, because my man
belongs to their tribe. God help me if I were an outsider!"

Smiling as changelessly as an ivory figurine she sat quiescent, avoiding
thought, glancing about the living-room and hall, noting their betrayal
of unimaginative commercial prosperity. Kennicott said, "Dandy interior,
eh? My idea of how a place ought to be furnished. Modern." She looked
polite, and observed the oiled floors, hard-wood staircase, unused
fireplace with tiles which resembled brown linoleum, cut-glass vases
standing upon doilies, and the barred, shut, forbidding unit bookcases
that were half filled with swashbuckler novels and unread-looking sets
of Dickens, Kipling, O. Henry, and Elbert Hubbard.

She perceived that even personalities were failing to hold the party.
The room filled with hesitancy as with a fog. People cleared their
throats, tried to choke down yawns. The men shot their cuffs and the
women stuck their combs more firmly into their back hair.

Then a rattle, a daring hope in every eye, the swinging of a door, the
smell of strong coffee, Dave Dyer's mewing voice in a triumphant, "The
eats!" They began to chatter. They had something to do. They could
escape from themselves. They fell upon the food--chicken sandwiches,
maple cake, drug-store ice cream. Even when the food was gone they
remained cheerful. They could go home, any time now, and go to bed!

They went, with a flutter of coats, chiffon scarfs, and good-bys.

Carol and Kennicott walked home.

"Did you like them?" he asked.

"They were terribly sweet to me."

"Uh, Carrie----You ought to be more careful about shocking folks.
Talking about gold stockings, and about showing your ankles to
schoolteachers and all!" More mildly: "You gave 'em a good time, but I'd
watch out for that, 'f I were you. Juanita Haydock is such a damn cat. I
wouldn't give her a chance to criticize me."

"My poor effort to lift up the party! Was I wrong to try to amuse them?"

"No! No! Honey, I didn't mean----You were the only up-and-coming person
in the bunch. I just mean----Don't get onto legs and all that immoral
stuff. Pretty conservative crowd."

She was silent, raw with the shameful thought that the attentive circle
might have been criticizing her, laughing at her.

"Don't, please don't worry!" he pleaded.

"Silence."

"Gosh; I'm sorry I spoke about it. I just meant----But they were crazy
about you. Sam said to me, 'That little lady of yours is the slickest
thing that ever came to this town,' he said; and Ma Dawson--I didn't
hardly know whether she'd like you or not, she's such a dried-up old
bird, but she said, 'Your bride is so quick and bright, I declare, she
just wakes me up.'"

Carol liked praise, the flavor and fatness of it, but she was so
energetically being sorry for herself that she could not taste this
commendation.

"Please! Come on! Cheer up!" His lips said it, his anxious shoulder said
it, his arm about her said it, as they halted on the obscure porch of
their house.

"Do you care if they think I'm flighty, Will?"

"Me? Why, I wouldn't care if the whole world thought you were this or
that or anything else. You're my--well, you're my soul!"

He was an undefined mass, as solid-seeming as rock. She found his
sleeve, pinched it, cried, "I'm glad! It's sweet to be wanted! You must
tolerate my frivolousness. You're all I have!"

He lifted her, carried her into the house, and with her arms about his
neck she forgot Main Street.

 Will tells Carol that his friends--the Clarks--have invited them over to meet some of the townsfolk after they've gotten settled. Carol thinks this'll be nice. Before he does anything else, Will wants to drop by his office for an hour to make sure everything's all right with his work. Carol tells him to go but is secretly disappointed when he does. When she looks around Will's home, Carol realizes how ugly everything is. She basically has a panic attack when she realizes that this home and town will be her prison for the rest of her life. Carol runs into the street to take a walk, but the town doesn't make her feel any better. She only confirms what she already thought: that the place is awful, and she has no chance of changing it. Carol looks at the buildings on Main Street one by one and finds nothing in them worth exploring. Eventually, she gives up and retreats to her new home. We find out that a woman named Bea Sorenson was travelling on the same train to Gopher Prairie as Carol and Will. We look in on her now to find her arriving in her cousin's home and looking to find a job in the town. Bea takes a walk down Main Street and sees the exact opposite of what Carol has. She loves all the stores and the people, which just goes to show how much of a difference your perspective can make. Now we look in on the party that Sam Clark and his wife are hosting for Will and his new bride Carol. Will takes Carol and shows her to the room, telling her about the people before introducing her to them. Carol feels vulnerable and exposed, especially considering how much she dislikes the town so far. She never feels like she's saying anything good to the people because she can't tell how judgmental they are. She's certainly judgmental of them and their boring lives. Eventually, Carol gives up and just tries to say whatever the people around her want to hear. Carol's phony acting soon exhausts her, so she retreats to a chair to sit by herself. The host, Sam Clark, decides to make the party more exciting by calling people to tell stories and give short performances. Carol doesn't realize that she's about to hear the same stories at every party she attends that winter. She also listens to a bunch of petty gossip that makes the people spreading it seem like losers. Then the conversation turns to workers' rights, which the people in Sam's house are not fond of. They think that as businessmen, they should be able to run their businesses however they bloody well want. Carol doesn't agree with any of it. Finally, the evening ends, and Carol heads home with Will. On their way, Will cautions her about being too edgy with some of her comments. For example, she might not want to bring up any labor-related politics from now on.

