Chapter: Monsieur Leon, while studying law, had gone pretty often to the
dancing-rooms, where he was even a great success amongst the grisettes,
who thought he had a distinguished air. He was the best-mannered of the
students; he wore his hair neither too long nor too short, didn't spend
all his quarter's money on the first day of the month, and kept on good
terms with his professors. As for excesses, he had always abstained from
them, as much from cowardice as from refinement.

Often when he stayed in his room to read, or else when sitting of an
evening under the lime-trees of the Luxembourg, he let his Code fall to
the ground, and the memory of Emma came back to him. But gradually this
feeling grew weaker, and other desires gathered over it, although it
still persisted through them all. For Leon did not lose all hope; there
was for him, as it were, a vague promise floating in the future, like a
golden fruit suspended from some fantastic tree.

Then, seeing her again after three years of absence his passion
reawakened. He must, he thought, at last make up his mind to possess
her. Moreover, his timidity had worn off by contact with his gay
companions, and he returned to the provinces despising everyone who had
not with varnished shoes trodden the asphalt of the boulevards. By
the side of a Parisienne in her laces, in the drawing-room of some
illustrious physician, a person driving his carriage and wearing many
orders, the poor clerk would no doubt have trembled like a child; but
here, at Rouen, on the harbour, with the wife of this small doctor
he felt at his ease, sure beforehand he would shine. Self-possession
depends on its environment. We don't speak on the first floor as on the
fourth; and the wealthy woman seems to have, about her, to guard her
virtue, all her banknotes, like a cuirass in the lining of her corset.

On leaving the Bovarys the night before, Leon had followed them
through the streets at a distance; then having seen them stop at the
"Croix-Rouge," he turned on his heel, and spent the night meditating a
plan.

So the next day about five o'clock he walked into the kitchen of the
inn, with a choking sensation in his throat, pale cheeks, and that
resolution of cowards that stops at nothing.

"The gentleman isn't in," answered a servant.

This seemed to him a good omen. He went upstairs.

She was not disturbed at his approach; on the contrary, she apologised
for having neglected to tell him where they were staying.

"Oh, I divined it!" said Leon.

He pretended he had been guided towards her by chance, by, instinct. She
began to smile; and at once, to repair his folly, Leon told her that he
had spent his morning in looking for her in all the hotels in the town
one after the other.

"So you have made up your mind to stay?" he added.

"Yes," she said, "and I am wrong. One ought not to accustom oneself to
impossible pleasures when there are a thousand demands upon one."

"Oh, I can imagine!"

"Ah! no; for you, you are a man!"

But men too had had their trials, and the conversation went off into
certain philosophical reflections. Emma expatiated much on the misery of
earthly affections, and the eternal isolation in which the heart remains
entombed.

To show off, or from a naive imitation of this melancholy which called
forth his, the young man declared that he had been awfully bored during
the whole course of his studies. The law irritated him, other vocations
attracted him, and his mother never ceased worrying him in every one
of her letters. As they talked they explained more and more fully the
motives of their sadness, working themselves up in their progressive
confidence. But they sometimes stopped short of the complete exposition
of their thought, and then sought to invent a phrase that might express
it all the same. She did not confess her passion for another; he did not
say that he had forgotten her.

Perhaps he no longer remembered his suppers with girls after masked
balls; and no doubt she did not recollect the rendezvous of old when she
ran across the fields in the morning to her lover's house. The noises
of the town hardly reached them, and the room seemed small, as if
on purpose to hem in their solitude more closely. Emma, in a dimity
dressing-gown, leant her head against the back of the old arm-chair; the
yellow wall-paper formed, as it were, a golden background behind her,
and her bare head was mirrored in the glass with the white parting in
the middle, and the tip of her ears peeping out from the folds of her
hair.

"But pardon me!" she said. "It is wrong of me. I weary you with my
eternal complaints."

"No, never, never!"

"If you knew," she went on, raising to the ceiling her beautiful eyes,
in which a tear was trembling, "all that I had dreamed!"

"And I! Oh, I too have suffered! Often I went out; I went away. I
dragged myself along the quays, seeking distraction amid the din of the
crowd without being able to banish the heaviness that weighed upon me.
In an engraver's shop on the boulevard there is an Italian print of one
of the Muses. She is draped in a tunic, and she is looking at the
moon, with forget-me-nots in her flowing hair. Something drove me there
continually; I stayed there hours together." Then in a trembling voice,
"She resembled you a little."

Madame Bovary turned away her head that he might not see the
irrepressible smile she felt rising to her lips.

"Often," he went on, "I wrote you letters that I tore up."

She did not answer. He continued--

"I sometimes fancied that some chance would bring you. I thought I
recognised you at street-corners, and I ran after all the carriages
through whose windows I saw a shawl fluttering, a veil like yours."

She seemed resolved to let him go on speaking without interruption.
Crossing her arms and bending down her face, she looked at the rosettes
on her slippers, and at intervals made little movements inside the satin
of them with her toes.

At last she sighed.

"But the most wretched thing, is it not--is to drag out, as I do, a
useless existence. If our pains were only of some use to someone, we
should find consolation in the thought of the sacrifice."

He started off in praise of virtue, duty, and silent immolation, having
himself an incredible longing for self-sacrifice that he could not
satisfy.

"I should much like," she said, "to be a nurse at a hospital."

"Alas! men have none of these holy missions, and I see nowhere any
calling--unless perhaps that of a doctor."

With a slight shrug of her shoulders, Emma interrupted him to speak of
her illness, which had almost killed her. What a pity! She should not be
suffering now! Leon at once envied the calm of the tomb, and one evening
he had even made his will, asking to be buried in that beautiful rug
with velvet stripes he had received from her. For this was how they
would have wished to be, each setting up an ideal to which they were now
adapting their past life. Besides, speech is a rolling-mill that always
thins out the sentiment.

But at this invention of the rug she asked, "But why?"

"Why?" He hesitated. "Because I loved you so!" And congratulating
himself at having surmounted the difficulty, Leon watched her face out
of the corner of his eyes.

It was like the sky when a gust of wind drives the clouds across. The
mass of sad thoughts that darkened them seemed to be lifted from her
blue eyes; her whole face shone. He waited. At last she replied--

"I always suspected it."

Then they went over all the trifling events of that far-off existence,
whose joys and sorrows they had just summed up in one word. They
recalled the arbour with clematis, the dresses she had worn, the
furniture of her room, the whole of her house.

"And our poor cactuses, where are they?"

"The cold killed them this winter."

"Ah! how I have thought of them, do you know? I often saw them again as
of yore, when on the summer mornings the sun beat down upon your blinds,
and I saw your two bare arms passing out amongst the flowers."

"Poor friend!" she said, holding out her hand to him.

Leon swiftly pressed his lips to it. Then, when he had taken a deep
breath--

"At that time you were to me I know not what incomprehensible force that
took captive my life. Once, for instance, I went to see you; but you, no
doubt, do not remember it."

"I do," she said; "go on."

"You were downstairs in the ante-room, ready to go out, standing on
the last stair; you were wearing a bonnet with small blue flowers; and
without any invitation from you, in spite of myself, I went with you.
Every moment, however, I grew more and more conscious of my folly, and
I went on walking by you, not daring to follow you completely, and
unwilling to leave you. When you went into a shop, I waited in the
street, and I watched you through the window taking off your gloves and
counting the change on the counter. Then you rang at Madame Tuvache's;
you were let in, and I stood like an idiot in front of the great heavy
door that had closed after you."

Madame Bovary, as she listened to him, wondered that she was so old. All
these things reappearing before her seemed to widen out her life; it was
like some sentimental immensity to which she returned; and from time to
time she said in a low voice, her eyes half closed--

"Yes, it is true--true--true!"

They heard eight strike on the different clocks of the Beauvoisine
quarter, which is full of schools, churches, and large empty hotels.
They no longer spoke, but they felt as they looked upon each other a
buzzing in their heads, as if something sonorous had escaped from the
fixed eyes of each of them. They were hand in hand now, and the past,
the future, reminiscences and dreams, all were confounded in the
sweetness of this ecstasy. Night was darkening over the walls, on which
still shone, half hidden in the shade, the coarse colours of four bills
representing four scenes from the "Tour de Nesle," with a motto in
Spanish and French at the bottom. Through the sash-window a patch of
dark sky was seen between the pointed roofs.

She rose to light two wax-candles on the drawers, then she sat down
again.

"Well!" said Leon.

"Well!" she replied.

He was thinking how to resume the interrupted conversation, when she
said to him--

"How is it that no one until now has ever expressed such sentiments to
me?"

The clerk said that ideal natures were difficult to understand. He from
the first moment had loved her, and he despaired when he thought of the
happiness that would have been theirs, if thanks to fortune, meeting her
earlier, they had been indissolubly bound to one another.

"I have sometimes thought of it," she went on.

"What a dream!" murmured Leon. And fingering gently the blue binding of
her long white sash, he added, "And who prevents us from beginning now?"

"No, my friend," she replied; "I am too old; you are too young. Forget
me! Others will love you; you will love them."

"Not as you!" he cried.

"What a child you are! Come, let us be sensible. I wish it."

She showed him the impossibility of their love, and that they must
remain, as formerly, on the simple terms of a fraternal friendship.

Was she speaking thus seriously? No doubt Emma did not herself know,
quite absorbed as she was by the charm of the seduction, and the
necessity of defending herself from it; and contemplating the young
man with a moved look, she gently repulsed the timid caresses that his
trembling hands attempted.

"Ah! forgive me!" he cried, drawing back.

Emma was seized with a vague fear at this shyness, more dangerous to her
than the boldness of Rodolphe when he advanced to her open-armed. No man
had ever seemed to her so beautiful. An exquisite candour emanated from
his being. He lowered his long fine eyelashes, that curled upwards.
His cheek, with the soft skin reddened, she thought, with desire of her
person, and Emma felt an invincible longing to press her lips to it.
Then, leaning towards the clock as if to see the time--

"Ah! how late it is!" she said; "how we do chatter!"

He understood the hint and took up his hat.

"It has even made me forget the theatre. And poor Bovary has left me
here especially for that. Monsieur Lormeaux, of the Rue Grand-Pont, was
to take me and his wife."

And the opportunity was lost, as she was to leave the next day.

"Really!" said Leon.

"Yes."

"But I must see you again," he went on. "I wanted to tell you--"

"What?"

"Something--important--serious. Oh, no! Besides, you will not go; it is
impossible. If you should--listen to me. Then you have not understood
me; you have not guessed--"

"Yet you speak plainly," said Emma.

"Ah! you can jest. Enough! enough! Oh, for pity's sake, let me see you
once--only once!"

"Well--" She stopped; then, as if thinking better of it, "Oh, not here!"

"Where you will."

"Will you--" She seemed to reflect; then abruptly, "To-morrow at eleven
o'clock in the cathedral."

"I shall be there," he cried, seizing her hands, which she disengaged.

And as they were both standing up, he behind her, and Emma with her head
bent, he stooped over her and pressed long kisses on her neck.

"You are mad! Ah! you are mad!" she said, with sounding little laughs,
while the kisses multiplied.

Then bending his head over her shoulder, he seemed to beg the consent of
her eyes. They fell upon him full of an icy dignity.

Leon stepped back to go out. He stopped on the threshold; then he
whispered with a trembling voice, "Tomorrow!"

She answered with a nod, and disappeared like a bird into the next room.

In the evening Emma wrote the clerk an interminable letter, in which she
cancelled the rendezvous; all was over; they must not, for the sake of
their happiness, meet again. But when the letter was finished, as she
did not know Leon's address, she was puzzled.

"I'll give it to him myself," she said; "he will come."

The next morning, at the open window, and humming on his balcony, Leon
himself varnished his pumps with several coatings. He put on white
trousers, fine socks, a green coat, emptied all the scent he had into
his handkerchief, then having had his hair curled, he uncurled it again,
in order to give it a more natural elegance.

"It is still too early," he thought, looking at the hairdresser's
cuckoo-clock, that pointed to the hour of nine. He read an old fashion
journal, went out, smoked a cigar, walked up three streets, thought it
was time, and went slowly towards the porch of Notre Dame.

It was a beautiful summer morning. Silver plate sparkled in the
jeweller's windows, and the light falling obliquely on the cathedral
made mirrors of the corners of the grey stones; a flock of birds
fluttered in the grey sky round the trefoil bell-turrets; the square,
resounding with cries, was fragrant with the flowers that bordered its
pavement, roses, jasmines, pinks, narcissi, and tube-roses, unevenly
spaced out between moist grasses, catmint, and chickweed for the birds;
the fountains gurgled in the centre, and under large umbrellas, amidst
melons, piled up in heaps, flower-women, bare-headed, were twisting
paper round bunches of violets.

The young man took one. It was the first time that he had bought flowers
for a woman, and his breast, as he smelt them, swelled with pride, as if
this homage that he meant for another had recoiled upon himself.

But he was afraid of being seen; he resolutely entered the church. The
beadle, who was just then standing on the threshold in the middle of the
left doorway, under the "Dancing Marianne," with feather cap, and rapier
dangling against his calves, came in, more majestic than a cardinal, and
as shining as a saint on a holy pyx.

He came towards Leon, and, with that smile of wheedling benignity
assumed by ecclesiastics when they question children--

"The gentleman, no doubt, does not belong to these parts? The gentleman
would like to see the curiosities of the church?"

"No!" said the other.

And he first went round the lower aisles. Then he went out to look at
the Place. Emma was not coming yet. He went up again to the choir.

The nave was reflected in the full fonts with the beginning of the
arches and some portions of the glass windows. But the reflections of
the paintings, broken by the marble rim, were continued farther on upon
the flag-stones, like a many-coloured carpet. The broad daylight from
without streamed into the church in three enormous rays from the three
opened portals. From time to time at the upper end a sacristan passed,
making the oblique genuflexion of devout persons in a hurry. The crystal
lustres hung motionless. In the choir a silver lamp was burning, and
from the side chapels and dark places of the church sometimes rose
sounds like sighs, with the clang of a closing grating, its echo
reverberating under the lofty vault.

Leon with solemn steps walked along by the walls. Life had never seemed
so good to him. She would come directly, charming, agitated, looking
back at the glances that followed her, and with her flounced dress, her
gold eyeglass, her thin shoes, with all sorts of elegant trifles that he
had never enjoyed, and with the ineffable seduction of yielding virtue.
The church like a huge boudoir spread around her; the arches bent down
to gather in the shade the confession of her love; the windows shone
resplendent to illumine her face, and the censers would burn that she
might appear like an angel amid the fumes of the sweet-smelling odours.

But she did not come. He sat down on a chair, and his eyes fell upon a
blue stained window representing boatmen carrying baskets. He looked at
it long, attentively, and he counted the scales of the fishes and the
button-holes of the doublets, while his thoughts wandered off towards
Emma.

The beadle, standing aloof, was inwardly angry at this individual who
took the liberty of admiring the cathedral by himself. He seemed to him
to be conducting himself in a monstrous fashion, to be robbing him in a
sort, and almost committing sacrilege.

But a rustle of silk on the flags, the tip of a bonnet, a lined
cloak--it was she! Leon rose and ran to meet her.

Emma was pale. She walked fast.

"Read!" she said, holding out a paper to him. "Oh, no!"

And she abruptly withdrew her hand to enter the chapel of the Virgin,
where, kneeling on a chair, she began to pray.

The young man was irritated at this bigot fancy; then he nevertheless
experienced a certain charm in seeing her, in the middle of a
rendezvous, thus lost in her devotions, like an Andalusian marchioness;
then he grew bored, for she seemed never coming to an end.

Emma prayed, or rather strove to pray, hoping that some sudden
resolution might descend to her from heaven; and to draw down divine
aid she filled full her eyes with the splendours of the tabernacle. She
breathed in the perfumes of the full-blown flowers in the large vases,
and listened to the stillness of the church, that only heightened the
tumult of her heart.

She rose, and they were about to leave, when the beadle came forward,
hurriedly saying--

"Madame, no doubt, does not belong to these parts? Madame would like to
see the curiosities of the church?"

"Oh, no!" cried the clerk.

"Why not?" said she. For she clung with her expiring virtue to the
Virgin, the sculptures, the tombs--anything.

Then, in order to proceed "by rule," the beadle conducted them right to
the entrance near the square, where, pointing out with his cane a large
circle of block-stones without inscription or carving--

"This," he said majestically, "is the circumference of the beautiful
bell of Ambroise. It weighed forty thousand pounds. There was not its
equal in all Europe. The workman who cast it died of the joy--"

"Let us go on," said Leon.

The old fellow started off again; then, having got back to the chapel of
the Virgin, he stretched forth his arm with an all-embracing gesture
of demonstration, and, prouder than a country squire showing you his
espaliers, went on--

"This simple stone covers Pierre de Breze, lord of Varenne and of
Brissac, grand marshal of Poitou, and governor of Normandy, who died at
the battle of Montlhery on the 16th of July, 1465."

Leon bit his lips, fuming.

"And on the right, this gentleman all encased in iron, on the
prancing horse, is his grandson, Louis de Breze, lord of Breval and of
Montchauvet, Count de Maulevrier, Baron de Mauny, chamberlain to the
king, Knight of the Order, and also governor of Normandy; died on the
23rd of July, 1531--a Sunday, as the inscription specifies; and below,
this figure, about to descend into the tomb, portrays the same person.
It is not possible, is it, to see a more perfect representation of
annihilation?"

Madame Bovary put up her eyeglasses. Leon, motionless, looked at her,
no longer even attempting to speak a single word, to make a gesture,
so discouraged was he at this two-fold obstinacy of gossip and
indifference.

The everlasting guide went on--

"Near him, this kneeling woman who weeps is his spouse, Diane de
Poitiers, Countess de Breze, Duchess de Valentinois, born in 1499, died
in 1566, and to the left, the one with the child is the Holy Virgin. Now
turn to this side; here are the tombs of the Ambroise. They were both
cardinals and archbishops of Rouen. That one was minister under Louis 
thousand gold crowns for the poor."

And without stopping, still talking, he pushed them into a chapel
full of balustrades, some put away, and disclosed a kind of block that
certainly might once have been an ill-made statue.

"Truly," he said with a groan, "it adorned the tomb of Richard Coeur de
Lion, King of England and Duke of Normandy. It was the Calvinists, sir,
    who reduced it to this condition. They had buried it for spite in the
    earth, under the episcopal seat of Monsignor. See! this is the door by
    which Monsignor passes to his house. Let us pass on quickly to see the
    gargoyle windows."

    But Leon hastily took some silver from his pocket and seized Emma's
    arm. The beadle stood dumfounded, not able to understand this untimely
    munificence when there were still so many things for the stranger to
    see. So calling him back, he cried--

    "Sir! sir! The steeple! the steeple!"

    "No, thank you!" said Leon.

    "You are wrong, sir! It is four hundred and forty feet high, nine less
    than the great pyramid of Egypt. It is all cast; it--"

    Leon was fleeing, for it seemed to him that his love, that for nearly
    two hours now had become petrified in the church like the stones, would
    vanish like a vapour through that sort of truncated funnel, of oblong
    cage, of open chimney that rises so grotesquely from the cathedral like
    the extravagant attempt of some fantastic brazier.

    "But where are we going?" she said.

    Making no answer, he walked on with a rapid step; and Madame Bovary
    was already, dipping her finger in the holy water when behind them they
    heard a panting breath interrupted by the regular sound of a cane. Leon
    turned back.

    "Sir!"

    "What is it?"

    And he recognised the beadle, holding under his arms and balancing
    against his stomach some twenty large sewn volumes. They were works
    "which treated of the cathedral."

    "Idiot!" growled Leon, rushing out of the church.

    A lad was playing about the close.

    "Go and get me a cab!"

    The child bounded off like a ball by the Rue Quatre-Vents; then they
    were alone a few minutes, face to face, and a little embarrassed.

    "Ah! Leon! Really--I don't know--if I ought," she whispered. Then with a
    more serious air, "Do you know, it is very improper--"

    "How so?" replied the clerk. "It is done at Paris."

    And that, as an irresistible argument, decided her.

    Still the cab did not come. Leon was afraid she might go back into the
    church. At last the cab appeared.

    "At all events, go out by the north porch," cried the beadle, who was
    left alone on the threshold, "so as to see the Resurrection, the Last
    Judgment, Paradise, King David, and the Condemned in Hell-flames."

    "Where to, sir?" asked the coachman.

    "Where you like," said Leon, forcing Emma into the cab.

    And the lumbering machine set out. It went down the Rue Grand-Pont,
    crossed the Place des Arts, the Quai Napoleon, the Pont Neuf, and
    stopped short before the statue of Pierre Corneille.

    "Go on," cried a voice that came from within.

    The cab went on again, and as soon as it reached the Carrefour
    Lafayette, set off down-hill, and entered the station at a gallop.

    "No, straight on!" cried the same voice.

    The cab came out by the gate, and soon having reached the Cours, trotted
    quietly beneath the elm-trees. The coachman wiped his brow, put his
    leather hat between his knees, and drove his carriage beyond the side
    alley by the meadow to the margin of the waters.

    It went along by the river, along the towing-path paved with sharp
    pebbles, and for a long while in the direction of Oyssel, beyond the
    isles.

    But suddenly it turned with a dash across Quatremares, Sotteville, La
    Grande-Chaussee, the Rue d'Elbeuf, and made its third halt in front of
    the Jardin des Plantes.

    "Get on, will you?" cried the voice more furiously.

    And at once resuming its course, it passed by Saint-Sever, by the
    Quai'des Curandiers, the Quai aux Meules, once more over the bridge, by
    the Place du Champ de Mars, and behind the hospital gardens, where old
    men in black coats were walking in the sun along the terrace all green
    with ivy. It went up the Boulevard Bouvreuil, along the Boulevard
    Cauchoise, then the whole of Mont-Riboudet to the Deville hills.

    It came back; and then, without any fixed plan or direction, wandered
    about at hazard. The cab was seen at Saint-Pol, at Lescure, at Mont
    Gargan, at La Rougue-Marc and Place du Gaillardbois; in the Rue
    Maladrerie, Rue Dinanderie, before Saint-Romain, Saint-Vivien,
    Saint-Maclou, Saint-Nicaise--in front of the Customs, at the "Vieille
    Tour," the "Trois Pipes," and the Monumental Cemetery. From time to time
    the coachman, on his box cast despairing eyes at the public-houses.
    He could not understand what furious desire for locomotion urged these
    individuals never to wish to stop. He tried to now and then, and at
    once exclamations of anger burst forth behind him. Then he lashed his
    perspiring jades afresh, but indifferent to their jolting, running up
    against things here and there, not caring if he did, demoralised, and
    almost weeping with thirst, fatigue, and depression.

    And on the harbour, in the midst of the drays and casks, and in the
    streets, at the corners, the good folk opened large wonder-stricken
    eyes at this sight, so extraordinary in the provinces, a cab with blinds
    drawn, and which appeared thus constantly shut more closely than a tomb,
    and tossing about like a vessel.

    Once in the middle of the day, in the open country, just as the sun
    beat most fiercely against the old plated lanterns, a bared hand passed
    beneath the small blinds of yellow canvas, and threw out some scraps
    of paper that scattered in the wind, and farther off lighted like white
    butterflies on a field of red clover all in bloom.

    At about six o'clock the carriage stopped in a back street of the
    Beauvoisine Quarter, and a woman got out, who walked with her veil down,
    and without turning her head.

 A lot of things happened to Leon in Paris. First of all, he studied law. Secondly, he studied women. He's no longer the same shy boy he was before. All along, he held on to a vague hope that someday he and Emma might actually get together, even while he had new experiences with other women. This new Leon is resolved to "possess" Emma. He's determined and much craftier than he used to be. He follows Emma and Charles to their inn, then returns the next morning to scout out the situation. He discovers Emma in the hotel room...alone. Leon has become something of a sweet-talker over the past few years. Perhaps he's not at the same level as Rodolphe, but he's getting up there. He and Emma talk and talk about the various sorrows of their lives. Sigh. Same old, same old. Noticeably, Emma doesn't say anything about loving another man, and Leon doesn't say anything about kind of forgetting Emma. Both of them make dramatic claims, each saying that life is miserable without the other. Basically, this love scene is just one big string of complaints - there's nothing romantic about that. Finally, Leon gives in and says out loud that he was in love with her. All of a sudden the tension is broken, and old feelings come rushing out, created anew by their current proximity. Emma is startled by how much she remembers - she feels old and experienced. They talk until night falls. Leon suggests that they could start over again, but Emma, attempting to be noble, says that she's too old and he's too young . It's late - they've even missed the opera. Leon gets up to leave, but convinces Emma to meet him one more time. She makes their meeting point the famous Rouen cathedral. That night, Emma writes a farewell letter of her own, explaining to Leon why they can't be together. However, she can't send it, since she doesn't have his address. She decides to give it to him in person. Before the rendezvous, Leon primps nervously. He even buys Emma flowers, and goes to meet her at the cathedral. There, he's met not by Emma, but by a cathedral guide, who attempts to give Leon a tour. Emma's late, and Leon grows more anxious. Finally, she arrives. She starts to give him the letter, but is seized by the desire to pray. Leon is both charmed and irritated. As they're about to leave, the guide comes up and offers to give them a tour again. Emma, concerned for her virtue, desperately says yes. They follow the guide, not listening, through the cathedral and back to where they started. Before they get to the tower, Leon basically hurls a coin at the poor guide and pulls Emma away with him. The guide doesn't get the picture - he just keeps coming back. The couple flees the cathedral rather comically. Outside, Leon sends a little street kid to find a cab for them. Awkwardly, they wait alone - there's a kind of aggressive tension between them. The cab arrives. They get in as the cathedral guy yells at them from the church door, and Leon tells the driver to go wherever he wants. The following is one of the most famous scenes of the novel. We see the cab rushing through Rouen aimlessly; we can't see inside it, but we can, however, guess what's going on...Leon keeps yelling up to the driver to keep going; he and Emma stay concealed in the cab. The poor cab driver is tired and certainly weirded out. His horses are exhausted, and everyone's demoralized. The passengers, however, give no sign. Around mid-afternoon, a hand is seen throwing scraps of paper out the window; we assume it's Emma bidding farewell to the well-intentioned farewell letter. Finally, in the early evening, the cab stops. Emma calmly steps out of it and walks away.

