Chapter: Playing in New York one evening on this her return, Carrie was putting
the finishing touches to her toilet before leaving for the night, when
a commotion near the stage door caught her ear. It included a familiar
voice.

"Never mind, now. I want to see Miss Madenda."

"You'll have to send in your card."

"Oh, come off! Here."

A half-dollar was passed over, and now a knock came at her dressing-room
door. Carrie opened it.

"Well, well!" said Drouet. "I do swear! Why, how are you? I knew that
was you the moment I saw you."

Carrie fell back a pace, expecting a most embarrassing conversation.

"Aren't you going to shake hands with me? Well, you're a dandy! That's
all right, shake hands."

Carrie put out her hand, smiling, if for nothing more than the man's
exuberant good-nature. Though older, he was but slightly changed. The
same fine clothes, the same stocky body, the same rosy countenance.

"That fellow at the door there didn't want to let me in, until I paid
him. I knew it was you, all right. Say, you've got a great show. You do
your part fine. I knew you would. I just happened to be passing to
night and thought I'd drop in for a few minutes. I saw your name on the
programme, but I didn't remember it until you came on the stage. Then
it struck me all at once. Say, you could have knocked me down with a
feather. That's the same name you used out there in Chicago, isn't it?"

"Yes," answered Carrie, mildly, overwhelmed by the man's assurance.

"I knew it was, the moment I saw you. Well, how have you been, anyhow?"

"Oh, very well," said Carrie, lingering in her dressing-room. She was
rather dazed by the assault. "How have you been?"

"Me? Oh, fine. I'm here now."

"Is that so?" said Carrie.

"Yes. I've been here for six months. I've got charge of a branch here."

"How nice!"

"Well, when did you go on the stage, anyhow?" inquired Drouet.

"About three years ago," said Carrie.

"You don't say so! Well, sir, this is the first I've heard of it. I knew
you would, though. I always said you could act--didn't I?"

Carrie smiled.

"Yes, you did," she said.

"Well, you do look great," he said. "I never saw anybody improve so.
You're taller, aren't you?"

"Me? Oh, a little, maybe."

He gazed at her dress, then at her hair, where a becoming hat was set
jauntily, then into her eyes, which she took all occasion to avert.
Evidently he expected to restore their old friendship at once and
without modification.

"Well," he said, seeing her gather up her purse, handkerchief, and the
like, preparatory to departing, "I want you to come out to dinner with
me; won't you? I've got a friend out here."

"Oh, I can't," said Carrie. "Not to-night. I have an early engagement
to-morrow."

"Aw, let the engagement go. Come on. I can get rid of him. I want to
have a good talk with you."

"No, no," said Carrie; "I can't. You mustn't ask me any more. I don't
care for a late dinner."

"Well, come on and have a talk, then, anyhow."

"Not to-night," she said, shaking her head. "We'll have a talk some
other time."

As a result of this, she noticed a shade of thought pass over his face,
as if he were beginning to realise that things were changed. Good-nature
dictated something better than this for one who had always liked her.

"You come around to the hotel to-morrow," she said, as sort of penance
for error. "You can take dinner with me."

"All right," said Drouet, brightening. "Where are you stopping?"

"At the Waldorf," she answered, mentioning the fashionable hostelry then
but newly erected.

"What time?"

"Well, come at three," said Carrie, pleasantly.

The next day Drouet called, but it was with no especial delight that
Carrie remembered her appointment. However, seeing him, handsome as
ever, after his kind, and most genially disposed, her doubts as to
whether the dinner would be disagreeable were swept away. He talked as
volubly as ever.

"They put on a lot of lugs here, don't they?" was his first remark.

"Yes; they do," said Carrie.

Genial egotist that he was, he went at once into a detailed account of
his own career.

"I'm going to have a business of my own pretty soon," he observed in one
place. "I can get backing for two hundred thousand dollars."

Carrie listened most good-naturedly.

"Say," he said, suddenly; "where is Hurstwood now?"

Carrie flushed a little.

"He's here in New York, I guess," she said. "I haven't seen him for some
time."

Drouet mused for a moment. He had not been sure until now that the
ex-manager was not an influential figure in the background. He imagined
not; but this assurance relieved him. It must be that Carrie had got
rid of him--as well she ought, he thought. "A man always makes a mistake
when he does anything like that," he observed.

"Like what?" said Carrie, unwitting of what was coming.

"Oh, you know," and Drouet waved her intelligence, as it were, with his
hand.

"No, I don't," she answered. "What do you mean?"

"Why that affair in Chicago--the time he left."

"I don't know what you are talking about," said Carrie. Could it be he
would refer so rudely to Hurstwood's flight with her?

"Oho!" said Drouet, incredulously. "You knew he took ten thousand
dollars with him when he left, didn't you?"

"What!" said Carrie. "You don't mean to say he stole money, do you?"

"Why," said Drouet, puzzled at her tone, "you knew that, didn't you?"

"Why, no," said Carrie. "Of course I didn't."

"Well, that's funny," said Drouet. "He did, you know. It was in all the
papers."

"How much did you say he took?" said Carrie.

"Ten thousand dollars. I heard he sent most of it back afterwards,
though."

Carrie looked vacantly at the richly carpeted floor. A new light was
shining upon all the years since her enforced flight. She remembered now
a hundred things that indicated as much. She also imagined that he took
it on her account. Instead of hatred springing up there was a kind of
sorrow generated. Poor fellow! What a thing to have had hanging over his
head all the time.

At dinner Drouet, warmed up by eating and drinking and softened in mood,
fancied he was winning Carrie to her old-time good-natured regard for
him. He began to imagine it would not be so difficult to enter into
her life again, high as she was. Ah, what a prize! he thought. How
beautiful, how elegant, how famous! In her theatrical and Waldorf
setting, Carrie was to him the all desirable.

"Do you remember how nervous you were that night at the Avery?" he
asked.

Carrie smiled to think of it.

"I never saw anybody do better than you did then, Cad," he added
ruefully, as he leaned an elbow on the table; "I thought you and I were
going to get along fine those days."

"You mustn't talk that way," said Carrie, bringing in the least touch of
coldness.

"Won't you let me tell you----"

"No," she answered, rising. "Besides, it's time I was getting ready for
the theatre. I'll have to leave you. Come, now." "Oh, stay a minute,"
pleaded Drouet. "You've got plenty of time."

"No," said Carrie, gently.

Reluctantly Drouet gave up the bright table and followed. He saw her to
the elevator and, standing there, said:

"When do I see you again?"

"Oh, some time, possibly," said Carrie. "I'll be here all summer.
Good-night!"

The elevator door was open.

"Good-night!" said Drouet, as she rustled in.

Then he strolled sadly down the hall, all his old longing revived,
because she was now so far off. The merry frou-frou of the place spoke
all of her. He thought himself hardly dealt with. Carrie, however, had
other thoughts.

That night it was that she passed Hurstwood, waiting at the Casino,
without observing him.

The next night, walking to the theatre, she encountered him face to
face. He was waiting, more gaunt than ever, determined to see her, if
he had to send in word. At first she did not recognise the shabby, baggy
figure. He frightened her, edging so close, a seemingly hungry stranger.

"Carrie," he half whispered, "can I have a few words with you?"

She turned and recognised him on the instant. If there ever had lurked
any feeling in her heart against him, it deserted her now. Still, she
remembered what Drouet said about his having stolen the money.

"Why, George," she said; "what's the matter with you?"

"I've been sick," he answered. "I've just got out of the hospital. For
God's sake, let me have a little money, will you?"

"Of course," said Carrie, her lip trembling in a strong effort to
maintain her composure. "But what's the matter with you, anyhow?"

She was opening her purse, and now pulled out all the bills in it--a
five and two twos.

"I've been sick, I told you," he said, peevishly, almost resenting her
excessive pity. It came hard to him to receive it from such a source.

"Here," she said. "It's all I have with me."

"All right," he answered, softly. "I'll give it back to you some day."

Carrie looked at him, while pedestrians stared at her. She felt the
strain of publicity. So did Hurstwood.

"Why don't you tell me what's the matter with you?" she asked, hardly
knowing what to do. "Where are you living?"

"Oh, I've got a room down in the Bowery," he answered. "There's no use
trying to tell you here. I'm all right now."

He seemed in a way to resent her kindly inquiries--so much better had
fate dealt with her.

"Better go on in," he said. "I'm much obliged, but I won't bother you
any more."

She tried to answer, but he turned away and shuffled off toward the
east.

For days this apparition was a drag on her soul before it began to wear
partially away. Drouet called again, but now he was not even seen by
her. His attentions seemed out of place.

"I'm out," was her reply to the boy.

So peculiar, indeed, was her lonely, self-withdrawing temper, that she
was becoming an interesting figure in the public eye--she was so quiet
and reserved.

Not long after the management decided to transfer the show to London. A
second summer season did not seem to promise well here.

"How would you like to try subduing London?" asked her manager, one
afternoon.

"It might be just the other way," said Carrie.

"I think we'll go in June," he answered.

In the hurry of departure, Hurstwood was forgotten. Both he and Drouet
were left to discover that she was gone. The latter called once, and
exclaimed at the news. Then he stood in the lobby, chewing the ends of
his moustache. At last he reached a conclusion--the old days had gone
for good.

"She isn't so much," he said; but in his heart of hearts he did not
believe this.

Hurstwood shifted by curious means through a long summer and fall. A
small job as janitor of a dance hall helped him for a month. Begging,
sometimes going hungry, sometimes sleeping in the park, carried him over
more days. Resorting to those peculiar charities, several of which, in
the press of hungry search, he accidentally stumbled upon, did the rest.
Toward the dead of winter, Carrie came back, appearing on Broadway in
a new play; but he was not aware of it. For weeks he wandered about the
city, begging, while the fire sign, announcing her engagement, blazed
nightly upon the crowded street of amusements. Drouet saw it, but did
not venture in.

About this time Ames returned to New York. He had made a little success
in the West, and now opened a laboratory in Wooster Street. Of course,
he encountered Carrie through Mrs. Vance; but there was nothing
responsive between them. He thought she was still united to Hurstwood,
until otherwise informed. Not knowing the facts then, he did not profess
to understand, and refrained from comment.

With Mrs. Vance, he saw the new play, and expressed himself accordingly.

"She ought not to be in comedy," he said. "I think she could do better
than that."

One afternoon they met at the Vances' accidentally, and began a very
friendly conversation. She could hardly tell why the one-time keen
interest in him was no longer with her. Unquestionably, it was because
at that time he had represented something which she did not have; but
this she did not understand. Success had given her the momentary feeling
that she was now blessed with much of which he would approve. As a
matter of fact, her little newspaper fame was nothing at all to him. He
thought she could have done better, by far.

"You didn't go into comedy-drama, after all?" he said, remembering her
interest in that form of art.

"No," she answered; "I haven't, so far."

He looked at her in such a peculiar way that she realised she had
failed. It moved her to add: "I want to, though."

"I should think you would," he said. "You have the sort of disposition
that would do well in comedy-drama."

It surprised her that he should speak of disposition. Was she, then, so
clearly in his mind?

"Why?" she asked.

"Well," he said, "I should judge you were rather sympathetic in your
nature."

Carrie smiled and coloured slightly. He was so innocently frank with
her that she drew nearer in friendship. The old call of the ideal was
sounding.

"I don't know," she answered, pleased, nevertheless, beyond all
concealment.

"I saw your play," he remarked. "It's very good."

"I'm glad you liked it."

"Very good, indeed," he said, "for a comedy."

This is all that was said at the time, owing to an interruption, but
later they met again. He was sitting in a corner after dinner, staring
at the floor, when Carrie came up with another of the guests. Hard work
had given his face the look of one who is weary. It was not for Carrie
to know the thing in it which appealed to her.

"All alone?" she said.

"I was listening to the music."

"I'll be back in a moment," said her companion, who saw nothing in the
inventor.

Now he looked up in her face, for she was standing a moment, while he
sat.

"Isn't that a pathetic strain?" he inquired, listening.

"Oh, very," she returned, also catching it, now that her attention was
called.

"Sit down," he added, offering her the chair beside him.

They listened a few moments in silence, touched by the same feeling,
only hers reached her through the heart. Music still charmed her as in
the old days.

"I don't know what it is about music," she started to say, moved by the
inexplicable longings which surged within her; "but it always makes me
feel as if I wanted something--I----"

"Yes," he replied; "I know how you feel."

Suddenly he turned to considering the peculiarity of her disposition,
expressing her feelings so frankly.

"You ought not to be melancholy," he said.

He thought a while, and then went off into a seemingly alien observation
which, however, accorded with their feelings.

"The world is full of desirable situations, but, unfortunately, we can
occupy but one at a time. It doesn't do us any good to wring our hands
over the far-off things."

The music ceased and he arose, taking a standing position before her, as
if to rest himself.

"Why don't you get into some good, strong comedy-drama?" he said. He was
looking directly at her now, studying her face. Her large, sympathetic
eyes and pain-touched mouth appealed to him as proofs of his judgment.

"Perhaps I shall," she returned.

"That's your field," he added.

"Do you think so?"

"Yes," he said; "I do. I don't suppose you're aware of it, but there
is something about your eyes and mouth which fits you for that sort of
work."

Carrie thrilled to be taken so seriously. For the moment, loneliness
deserted her. Here was praise which was keen and analytical.

"It's in your eyes and mouth," he went on abstractedly. "I remember
thinking, the first time I saw you, that there was something peculiar
about your mouth. I thought you were about to cry."

"How odd," said Carrie, warm with delight. This was what her heart
craved.

"Then I noticed that that was your natural look, and to-night I saw it
again. There's a shadow about your eyes, too, which gives your face much
this same character. It's in the depth of them, I think."

Carrie looked straight into his face, wholly aroused.

"You probably are not aware of it," he added.

She looked away, pleased that he should speak thus, longing to be equal
to this feeling written upon her countenance. It unlocked the door to
a new desire. She had cause to ponder over this until they met
again--several weeks or more. It showed her she was drifting away from
the old ideal which had filled her in the dressing-rooms of the Avery
stage and thereafter, for a long time. Why had she lost it?

"I know why you should be a success," he said, another time, "if you had
a more dramatic part. I've studied it out----"

"What is it?" said Carrie.

"Well," he said, as one pleased with a puzzle, "the expression in your
face is one that comes out in different things. You get the same thing
in a pathetic song, or any picture which moves you deeply. It's a
thing the world likes to see, because it's a natural expression of its
longing."

Carrie gazed without exactly getting the import of what he meant.

"The world is always struggling to express itself," he went on. "Most
people are not capable of voicing their feelings. They depend upon
others. That is what genius is for. One man expresses their desires for
them in music; another one in poetry; another one in a play. Sometimes
nature does it in a face--it makes the face representative of all
desire. That's what has happened in your case."

He looked at her with so much of the import of the thing in his eyes
that she caught it. At least, she got the idea that her look was
something which represented the world's longing. She took it to heart as
a creditable thing, until he added:

"That puts a burden of duty on you. It so happens that you have this
thing. It is no credit to you--that is, I mean, you might not have had
it. You paid nothing to get it. But now that you have it, you must do
something with it."

"What?" asked Carrie.

"I should say, turn to the dramatic field. You have so much sympathy and
such a melodious voice. Make them valuable to others. It will make your
powers endure."

Carrie did not understand this last. All the rest showed her that her
comedy success was little or nothing.

"What do you mean?" she asked.

"Why, just this. You have this quality in your eyes and mouth and in
your nature. You can lose it, you know. If you turn away from it and
live to satisfy yourself alone, it will go fast enough. The look
will leave your eyes. Your mouth will change. Your power to act will
disappear. You may think they won't, but they will. Nature takes care of
that."

He was so interested in forwarding all good causes that he sometimes
became enthusiastic, giving vent to these preachments. Something in
Carrie appealed to him. He wanted to stir her up.

"I know," she said, absently, feeling slightly guilty of neglect.

"If I were you," he said, "I'd change."

The effect of this was like roiling helpless waters. Carrie troubled
over it in her rocking-chair for days.

"I don't believe I'll stay in comedy so very much longer," she
eventually remarked to Lola.

"Oh, why not?" said the latter.

"I think," she said, "I can do better in a serious play."

"What put that idea in your head?"

"Oh, nothing," she answered; "I've always thought so."

Still, she did nothing--grieving. It was a long way to this better
thing--or seemed so--and comfort was about her; hence the inactivity and
longing.

 Carrie's in her dressing room when she hears "a familiar voice." No, it's not Hurstwood. It's a blast from her past: Drouet. Remember him? He's stopping by to congratulate Carrie on her success, and invites her to come out with him and his friend. She declines, but invites him to dinner the next night at her latest pad: the Waldorf, a super fancy famous hotel in NYC. Drouet and Carrie meet up for lunch. When Drouet asks about Hurstwood. Carrie only says that she thinks he's still in New York. Drouet fills her in about Hurstwood having stolen the money back in Chicago, and she's shocked. Hearing the news actually makes her feel sorry for Hurstwood. Drouet flirts a bit with Carrie, trying to rekindle their flame, but she's not having it and she leaves. The next night on her way into the theater, Carrie runs smack into Hurstwood, who's hanging around waiting for her. She hardly recognizes him because he looks so bad, and when he asks for money, she immediately gives it to him. She asks what's wrong with him and he says that he's been sick and that he's living in a room in the Bowery. Then he leaves. Carrie becomes withdrawn. The show she's starring in gets transferred to London and it looks like she's setting off for England--cheerio. Months pass, during which Hurstwood continues to suffer homelessness and Carrie returns from London to New York to appear in a new Broadway play. And Ames is back, and he and Mrs. Vance go to see Carrie in a play. But Carrie is no longer romantically interested in Ames. She seems to still be pretty influenced by his opinions, though, and he tells her that she would be better off doing comedy-dramas than comedies because she's more suited to that genre. Carrie tells Lola--surprise, surprise--that she wants to start doing drama.

