Chapter: I. THE PRISON-DOOR.


[Illustration]

A throng of bearded men, in sad-colored garments, and gray,
steeple-crowned hats, intermixed with women, some wearing hoods and
others bareheaded, was assembled in front of a wooden edifice, the
door of which was heavily timbered with oak, and studded with iron
spikes.

The founders of a new colony, whatever Utopia of human virtue and
happiness they might originally project, have invariably recognized it
among their earliest practical necessities to allot a portion of the
virgin soil as a cemetery, and another portion as the site of a
prison. In accordance with this rule, it may safely be assumed that
the forefathers of Boston had built the first prison-house somewhere
in the vicinity of Cornhill, almost as seasonably as they marked out
the first burial-ground, on Isaac Johnson's lot, and round about his
grave, which subsequently became the nucleus of all the congregated
sepulchres in the old churchyard of King's Chapel. Certain it is,
that, some fifteen or twenty years after the settlement of the town,
the wooden jail was already marked with weather-stains and other
indications of age, which gave a yet darker aspect to its
beetle-browed and gloomy front. The rust on the ponderous iron-work of
its oaken door looked more antique than anything else in the New
World. Like all that pertains to crime, it seemed never to have known
a youthful era. Before this ugly edifice, and between it and the
wheel-track of the street, was a grass-plot, much overgrown with
burdock, pigweed, apple-peru, and such unsightly vegetation, which
evidently found something congenial in the soil that had so early
borne the black flower of civilized society, a prison. But on one side
of the portal, and rooted almost at the threshold, was a wild
rose-bush, covered, in this month of June, with its delicate gems,
which might be imagined to offer their fragrance and fragile beauty to
the prisoner as he went in, and to the condemned criminal as he came
forth to his doom, in token that the deep heart of Nature could pity
and be kind to him.

This rose-bush, by a strange chance, has been kept alive in history;
but whether it had merely survived out of the stern old wilderness, so
long after the fall of the gigantic pines and oaks that originally
overshadowed it,--or whether, as there is fair authority for
believing, it had sprung up under the footsteps of the sainted Ann
Hutchinson, as she entered the prison-door,--we shall not take upon us
to determine. Finding it so directly on the threshold of our
narrative, which is now about to issue from that inauspicious portal,
we could hardly do otherwise than pluck one of its flowers, and
present it to the reader. It may serve, let us hope, to symbolize some
sweet moral blossom, that may be found along the track, or relieve the
darkening close of a tale of human frailty and sorrow.

[Illustration]




                            [Illustration]

 In this first chapter, Hawthorne sets the scene of the novel -- Boston of the seventeenth century. It is June, and a throng of drably dressed Puritans stands before a weather-beaten wooden prison. In front of the prison stands an unsightly plot of weeds, and beside it grows a wild rosebush, which seems out of place in this scene dominated by dark colors.

