Chapter: One January day, thirty years ago, the little town of Hanover,
anchored on a windy Nebraska tableland, was trying not to be blown
away. A mist of fine snowflakes was curling and eddying about the
cluster of low drab buildings huddled on the gray prairie, under
a gray sky. The dwelling-houses were set about haphazard on the
tough prairie sod; some of them looked as if they had been moved in
overnight, and others as if they were straying off by themselves,
headed straight for the open plain. None of them had any appearance
of permanence, and the howling wind blew under them as well as over
them. The main street was a deeply rutted road, now frozen hard,
which ran from the squat red railway station and the grain "elevator"
at the north end of the town to the lumber yard and the horse pond
at the south end. On either side of this road straggled two uneven
rows of wooden buildings; the general merchandise stores, the two
banks, the drug store, the feed store, the saloon, the post-office.
The board sidewalks were gray with trampled snow, but at two o'clock
in the afternoon the shopkeepers, having come back from dinner,
were keeping well behind their frosty windows. The children were
all in school, and there was nobody abroad in the streets but a
few rough-looking countrymen in coarse overcoats, with their long
caps pulled down to their noses. Some of them had brought their
wives to town, and now and then a red or a plaid shawl flashed out
of one store into the shelter of another. At the hitch-bars along
the street a few heavy work-horses, harnessed to farm wagons,
shivered under their blankets. About the station everything was
quiet, for there would not be another train in until night.

On the sidewalk in front of one of the stores sat a little Swede
boy, crying bitterly. He was about five years old. His black cloth
coat was much too big for him and made him look like a little old
man. His shrunken brown flannel dress had been washed many times
and left a long stretch of stocking between the hem of his skirt
and the tops of his clumsy, copper-toed shoes. His cap was pulled
down over his ears; his nose and his chubby cheeks were chapped and
red with cold. He cried quietly, and the few people who hurried
by did not notice him. He was afraid to stop any one, afraid to
go into the store and ask for help, so he sat wringing his long
sleeves and looking up a telegraph pole beside him, whimpering, "My
kitten, oh, my kitten! Her will fweeze!" At the top of the pole
crouched a shivering gray kitten, mewing faintly and clinging
desperately to the wood with her claws. The boy had been left
at the store while his sister went to the doctor's office, and in
her absence a dog had chased his kitten up the pole. The little
creature had never been so high before, and she was too frightened
to move. Her master was sunk in despair. He was a little country
boy, and this village was to him a very strange and perplexing
place, where people wore fine clothes and had hard hearts. He
always felt shy and awkward here, and wanted to hide behind things
for fear some one might laugh at him. Just now, he was too unhappy
to care who laughed. At last he seemed to see a ray of hope: his
sister was coming, and he got up and ran toward her in his heavy
shoes.

His sister was a tall, strong girl, and she walked rapidly and
resolutely, as if she knew exactly where she was going and what she
was going to do next. She wore a man's long ulster (not as if it
were an affliction, but as if it were very comfortable and belonged
to her; carried it like a young soldier), and a round plush cap,
tied down with a thick veil. She had a serious, thoughtful face,
and her clear, deep blue eyes were fixed intently on the distance,
without seeming to see anything, as if she were in trouble. She
did not notice the little boy until he pulled her by the coat.
Then she stopped short and stooped down to wipe his wet face.

"Why, Emil! I told you to stay in the store and not to come out.
What is the matter with you?"

"My kitten, sister, my kitten! A man put her out, and a dog chased
her up there." His forefinger, projecting from the sleeve of his
coat, pointed up to the wretched little creature on the pole.

"Oh, Emil! Didn't I tell you she'd get us into trouble of some
kind, if you brought her? What made you tease me so? But there,
I ought to have known better myself." She went to the foot of the
pole and held out her arms, crying, "Kitty, kitty, kitty," but the
kitten only mewed and faintly waved its tail. Alexandra turned
away decidedly. "No, she won't come down. Somebody will have to
go up after her. I saw the Linstrums' wagon in town. I'll go and
see if I can find Carl. Maybe he can do something. Only you must
stop crying, or I won't go a step. Where's your comforter? Did
you leave it in the store? Never mind. Hold still, till I put
this on you."

She unwound the brown veil from her head and tied it about his
throat. A shabby little traveling man, who was just then coming out
of the store on his way to the saloon, stopped and gazed stupidly
at the shining mass of hair she bared when she took off her veil;
two thick braids, pinned about her head in the German way, with a
fringe of reddish-yellow curls blowing out from under her cap. He
took his cigar out of his mouth and held the wet end between the
fingers of his woolen glove. "My God, girl, what a head of hair!"
he exclaimed, quite innocently and foolishly. She stabbed him with
a glance of Amazonian fierceness and drew in her lower lip--most
unnecessary severity. It gave the little clothing drummer such a
start that he actually let his cigar fall to the sidewalk and went
off weakly in the teeth of the wind to the saloon. His hand was
still unsteady when he took his glass from the bartender. His
feeble flirtatious instincts had been crushed before, but never
so mercilessly. He felt cheap and ill-used, as if some one had
taken advantage of him. When a drummer had been knocking about in
little drab towns and crawling across the wintry country in dirty
smoking-cars, was he to be blamed if, when he chanced upon a fine
human creature, he suddenly wished himself more of a man?

While the little drummer was drinking to recover his nerve, Alexandra
hurried to the drug store as the most likely place to find Carl
Linstrum. There he was, turning over a portfolio of chromo "studies"
which the druggist sold to the Hanover women who did china-painting.
Alexandra explained her predicament, and the boy followed her to
the corner, where Emil still sat by the pole.

"I'll have to go up after her, Alexandra. I think at the depot
they have some spikes I can strap on my feet. Wait a minute." Carl
thrust his hands into his pockets, lowered his head, and darted up
the street against the north wind. He was a tall boy of fifteen,
slight and narrow-chested. When he came back with the spikes,
Alexandra asked him what he had done with his overcoat.

"I left it in the drug store. I couldn't climb in it, anyhow.
Catch me if I fall, Emil," he called back as he began his ascent.
Alexandra watched him anxiously; the cold was bitter enough on the
ground. The kitten would not budge an inch. Carl had to go to
the very top of the pole, and then had some difficulty in tearing
her from her hold. When he reached the ground, he handed the cat
to her tearful little master. "Now go into the store with her,
Emil, and get warm." He opened the door for the child. "Wait a
minute, Alexandra. Why can't I drive for you as far as our place?
It's getting colder every minute. Have you seen the doctor?"

"Yes. He is coming over to-morrow. But he says father can't
get better; can't get well." The girl's lip trembled. She looked
fixedly up the bleak street as if she were gathering her strength
to face something, as if she were trying with all her might to
grasp a situation which, no matter how painful, must be met and
dealt with somehow. The wind flapped the skirts of her heavy coat
about her.

Carl did not say anything, but she felt his sympathy. He, too, was
lonely. He was a thin, frail boy, with brooding dark eyes, very
quiet in all his movements. There was a delicate pallor in his thin
face, and his mouth was too sensitive for a boy's. The lips had
already a little curl of bitterness and skepticism. The two friends
stood for a few moments on the windy street corner, not speaking
a word, as two travelers, who have lost their way, sometimes stand
and admit their perplexity in silence. When Carl turned away he
said, "I'll see to your team." Alexandra went into the store to
have her purchases packed in the egg-boxes, and to get warm before
she set out on her long cold drive.

When she looked for Emil, she found him sitting on a step of the
staircase that led up to the clothing and carpet department. He
was playing with a little Bohemian girl, Marie Tovesky, who was
tying her handkerchief over the kitten's head for a bonnet. Marie
was a stranger in the country, having come from Omaha with her mother
to visit her uncle, Joe Tovesky. She was a dark child, with brown
curly hair, like a brunette doll's, a coaxing little red mouth, and
round, yellow-brown eyes. Every one noticed her eyes; the brown
iris had golden glints that made them look like gold-stone, or, in
softer lights, like that Colorado mineral called tiger-eye.

The country children thereabouts wore their dresses to their
shoe-tops, but this city child was dressed in what was then called
the "Kate Greenaway" manner, and her red cashmere frock, gathered
full from the yoke, came almost to the floor. This, with her
poke bonnet, gave her the look of a quaint little woman. She had
a white fur tippet about her neck and made no fussy objections when
Emil fingered it admiringly. Alexandra had not the heart to take
him away from so pretty a playfellow, and she let them tease the
kitten together until Joe Tovesky came in noisily and picked up
his little niece, setting her on his shoulder for every one to see.
His children were all boys, and he adored this little creature.
His cronies formed a circle about him, admiring and teasing the
little girl, who took their jokes with great good nature. They
were all delighted with her, for they seldom saw so pretty and
carefully nurtured a child. They told her that she must choose
one of them for a sweetheart, and each began pressing his suit and
offering her bribes; candy, and little pigs, and spotted calves.
She looked archly into the big, brown, mustached faces, smelling
of spirits and tobacco, then she ran her tiny forefinger delicately
over Joe's bristly chin and said, "Here is my sweetheart."

The Bohemians roared with laughter, and Marie's uncle hugged her
until she cried, "Please don't, Uncle Joe! You hurt me." Each
of Joe's friends gave her a bag of candy, and she kissed them all
around, though she did not like country candy very well. Perhaps
that was why she bethought herself of Emil. "Let me down, Uncle
Joe," she said, "I want to give some of my candy to that nice little
boy I found." She walked graciously over to Emil, followed by her
lusty admirers, who formed a new circle and teased the little boy
until he hid his face in his sister's skirts, and she had to scold
him for being such a baby.

The farm people were making preparations to start for home. The
women were checking over their groceries and pinning their big red
shawls about their heads. The men were buying tobacco and candy
with what money they had left, were showing each other new boots and
gloves and blue flannel shirts. Three big Bohemians were drinking
raw alcohol, tinctured with oil of cinnamon. This was said to
fortify one effectually against the cold, and they smacked their
lips after each pull at the flask. Their volubility drowned every
other noise in the place, and the overheated store sounded of
their spirited language as it reeked of pipe smoke, damp woolens,
and kerosene.

Carl came in, wearing his overcoat and carrying a wooden box with
a brass handle. "Come," he said, "I've fed and watered your team,
and the wagon is ready." He carried Emil out and tucked him down
in the straw in the wagonbox. The heat had made the little boy
sleepy, but he still clung to his kitten.

"You were awful good to climb so high and get my kitten, Carl.
When I get big I'll climb and get little boys' kittens for them,"
he murmured drowsily. Before the horses were over the first hill,
Emil and his cat were both fast asleep.

Although it was only four o'clock, the winter day was fading. The
road led southwest, toward the streak of pale, watery light that
glimmered in the leaden sky. The light fell upon the two sad young
faces that were turned mutely toward it: upon the eyes of the girl,
who seemed to be looking with such anguished perplexity into the
future; upon the sombre eyes of the boy, who seemed already to be
looking into the past. The little town behind them had vanished as
if it had never been, had fallen behind the swell of the prairie,
and the stern frozen country received them into its bosom. The
homesteads were few and far apart; here and there a windmill gaunt
against the sky, a sod house crouching in a hollow. But the great
fact was the land itself, which seemed to overwhelm the little
beginnings of human society that struggled in its sombre wastes.
It was from facing this vast hardness that the boy's mouth had
become so bitter; because he felt that men were too weak to make
any mark here, that the land wanted to be let alone, to preserve
its own fierce strength, its peculiar, savage kind of beauty, its
uninterrupted mournfulness.

The wagon jolted along over the frozen road. The two friends had
less to say to each other than usual, as if the cold had somehow
penetrated to their hearts.

"Did Lou and Oscar go to the Blue to cut wood to-day?" Carl asked.

"Yes. I'm almost sorry I let them go, it's turned so cold. But
mother frets if the wood gets low." She stopped and put her hand
to her forehead, brushing back her hair. "I don't know what is to
become of us, Carl, if father has to die. I don't dare to think
about it. I wish we could all go with him and let the grass grow
back over everything."

Carl made no reply. Just ahead of them was the Norwegian graveyard,
where the grass had, indeed, grown back over everything, shaggy and
red, hiding even the wire fence. Carl realized that he was not a
very helpful companion, but there was nothing he could say.

"Of course," Alexandra went on, steadying her voice a little, "the
boys are strong and work hard, but we've always depended so on
father that I don't see how we can go ahead. I almost feel as if
there were nothing to go ahead for."

"Does your father know?"

"Yes, I think he does. He lies and counts on his fingers all day.
I think he is trying to count up what he is leaving for us. It's
a comfort to him that my chickens are laying right on through the
cold weather and bringing in a little money. I wish we could keep
his mind off such things, but I don't have much time to be with
him now."

"I wonder if he'd like to have me bring my magic lantern over some
evening?"

Alexandra turned her face toward him. "Oh, Carl! Have you got
it?"

"Yes. It's back there in the straw. Didn't you notice the box
I was carrying? I tried it all morning in the drug-store cellar,
and it worked ever so well, makes fine big pictures."

"What are they about?"

"Oh, hunting pictures in Germany, and Robinson Crusoe and funny
pictures about cannibals. I'm going to paint some slides for it
on glass, out of the Hans Andersen book."

Alexandra seemed actually cheered. There is often a good deal of
the child left in people who have had to grow up too soon. "Do
bring it over, Carl. I can hardly wait to see it, and I'm sure it
will please father. Are the pictures colored? Then I know he'll
like them. He likes the calendars I get him in town. I wish I
could get more. You must leave me here, mustn't you? It's been
nice to have company."

Carl stopped the horses and looked dubiously up at the black sky.
"It's pretty dark. Of course the horses will take you home, but
I think I'd better light your lantern, in case you should need it."

He gave her the reins and climbed back into the wagon-box, where
he crouched down and made a tent of his overcoat. After a dozen
trials he succeeded in lighting the lantern, which he placed in
front of Alexandra, half covering it with a blanket so that the
light would not shine in her eyes. "Now, wait until I find my box.
Yes, here it is. Good-night, Alexandra. Try not to worry." Carl
sprang to the ground and ran off across the fields toward the Linstrum
homestead. "Hoo, hoo-o-o-o!" he called back as he disappeared over
a ridge and dropped into a sand gully. The wind answered him like
an echo, "Hoo, hoo-o-o-o-o-o!" Alexandra drove off alone. The
rattle of her wagon was lost in the howling of the wind, but her
lantern, held firmly between her feet, made a moving point of light
along the highway, going deeper and deeper into the dark country.

 Welcome to Part I, which is on-the-nosedly titled "The Wild Land." The novel opens with a description of Hanover, a made-up town somewhere on the Nebraska prairie. We're not exactly talking prime real estate, here. Think Wizard of Oz, just without all those Technicolor parts. It's winter, it's freezing cold, and everything is gray, gray, gray. The narrator depicts Hanover as a town that was built on the fly, without "any appearance of permanence;" houses are scattered here and there . The children are in school, and only a few wayward figures can be seen walking about. A little country boy, Emil Bergson, is crying in the cold. He's wearing what looks like grandpa's hand-me-downs. Turns out his little kitten has climbed up a telegraph pole and can't get down. Emil isn't used to being in town, and he's impatient for his sister, Alexandra Bergson, to come back from the doctor's office. Alexandra returns, wearing a long man's overcoat "like a young soldier" . She asks Emil why he's crying and he explains about the kitten. Alexandra decides they need some help. She goes to find her friend Carl Linstrum, to see if he can do the job. When she takes off the veil she's wearing and wraps it around her brother's head, a "shabby little traveling man" makes a comment about her golden locks. She gives him a fierce, don't-mess-with-me look. She finds Carl in the drug store and brings him to the rescue scene. Carl climbs up the pole and brings down the kitten. He asks Alexandra whether she's been to the doctor. Alexandra holds back tears, saying that the doctor doesn't think her father has much time left to live. Carl is a "thin, frail boy, with brooding dark eyes" . Though Carl doesn't respond to Alexandra, the narrator lets us know he sympathizes with her. Carl offers to give Alexandra a ride as far as his house. Alexandra looks for Emil and finds him playing with a little Bohemian girl, Marie Tovesky, in the country store. Marie is described as a little girl from the city, who looks like a "brunette doll" . She's the center of attention, and especially loved by her uncle, Joe Tovesky. Alexandra lets Marie and Emil continue to play with the kitten, until Marie's uncle comes to take her. Before she leaves, she tries to give Emil some candy, but he hides his face shyly in his sister's skirts. Carl comes back to take Alexandra and Emil home. The horse drawn wagon takes the three of them away from the town and onto the frozen prairie, toward their homestead. Alexandra talks to Carl about her dying dad. She mentions how worried he is about leaving his children and wife behind in such difficult times. Carl offers to bring over his magic lantern to help cheer everyone up. Alexandra is excited by the idea. Carl lights the lantern on the wagon, then gets off and walks home. Alexandra and Emil drive the rest of the way to the Bergson homestead.

