Chapter: |JUNIOR Avonlea found it hard to settle down to humdrum existence
again. To Anne in particular things seemed fearfully flat, stale, and
unprofitable after the goblet of excitement she had been sipping for
weeks. Could she go back to the former quiet pleasures of those faraway
days before the concert? At first, as she told Diana, she did not really
think she could.

"I'm positively certain, Diana, that life can never be quite the
same again as it was in those olden days," she said mournfully, as if
referring to a period of at least fifty years back. "Perhaps after a
while I'll get used to it, but I'm afraid concerts spoil people for
everyday life. I suppose that is why Marilla disapproves of them.
Marilla is such a sensible woman. It must be a great deal better to be
sensible; but still, I don't believe I'd really want to be a sensible
person, because they are so unromantic. Mrs. Lynde says there is no
danger of my ever being one, but you can never tell. I feel just now
that I may grow up to be sensible yet. But perhaps that is only because
I'm tired. I simply couldn't sleep last night for ever so long. I just
lay awake and imagined the concert over and over again. That's one
splendid thing about such affairs--it's so lovely to look back to them."

Eventually, however, Avonlea school slipped back into its old groove
and took up its old interests. To be sure, the concert left traces. Ruby
Gillis and Emma White, who had quarreled over a point of precedence in
their platform seats, no longer sat at the same desk, and a promising
friendship of three years was broken up. Josie Pye and Julia Bell did
not "speak" for three months, because Josie Pye had told Bessie Wright
that Julia Bell's bow when she got up to recite made her think of a
chicken jerking its head, and Bessie told Julia. None of the Sloanes
would have any dealings with the Bells, because the Bells had declared
that the Sloanes had too much to do in the program, and the Sloanes had
retorted that the Bells were not capable of doing the little they had to
do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson,
because Moody Spurgeon had said that Anne Shirley put on airs about
her recitations, and Moody Spurgeon was "licked"; consequently Moody
Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the
rest of the winter. With the exception of these trifling frictions, work
in Miss Stacy's little kingdom went on with regularity and smoothness.

The winter weeks slipped by. It was an unusually mild winter, with so
little snow that Anne and Diana could go to school nearly every day by
way of the Birch Path. On Anne's birthday they were tripping lightly
down it, keeping eyes and ears alert amid all their chatter, for Miss
Stacy had told them that they must soon write a composition on "A
Winter's Walk in the Woods," and it behooved them to be observant.

"Just think, Diana, I'm thirteen years old today," remarked Anne in an
awed voice. "I can scarcely realize that I'm in my teens. When I woke
this morning it seemed to me that everything must be different. You've
been thirteen for a month, so I suppose it doesn't seem such a novelty
to you as it does to me. It makes life seem so much more interesting.
In two more years I'll be really grown up. It's a great comfort to think
that I'll be able to use big words then without being laughed at."

"Ruby Gillis says she means to have a beau as soon as she's fifteen,"
said Diana.

"Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.
"She's actually delighted when anyone writes her name up in a
take-notice for all she pretends to be so mad. But I'm afraid that is an
uncharitable speech. Mrs. Allan says we should never make uncharitable
speeches; but they do slip out so often before you think, don't they? I
simply can't talk about Josie Pye without making an uncharitable speech,
so I never mention her at all. You may have noticed that. I'm trying to
be as much like Mrs. Allan as I possibly can, for I think she's perfect.
Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she
treads on and she doesn't really think it right for a minister to
set his affections so much on a mortal being. But then, Diana, even
ministers are human and have their besetting sins just like everybody
else. I had such an interesting talk with Mrs. Allan about besetting
sins last Sunday afternoon. There are just a few things it's proper
to talk about on Sundays and that is one of them. My besetting sin is
imagining too much and forgetting my duties. I'm striving very hard
to overcome it and now that I'm really thirteen perhaps I'll get on
better."

"In four more years we'll be able to put our hair up," said Diana.
"Alice Bell is only sixteen and she is wearing hers up, but I think
that's ridiculous. I shall wait until I'm seventeen."

"If I had Alice Bell's crooked nose," said Anne decidedly, "I
wouldn't--but there! I won't say what I was going to because it was
extremely uncharitable. Besides, I was comparing it with my own nose and
that's vanity. I'm afraid I think too much about my nose ever since I
heard that compliment about it long ago. It really is a great comfort to
me. Oh, Diana, look, there's a rabbit. That's something to remember for
our woods composition. I really think the woods are just as lovely in
winter as in summer. They're so white and still, as if they were asleep
and dreaming pretty dreams."

"I won't mind writing that composition when its time comes," sighed
Diana. "I can manage to write about the woods, but the one we're to
hand in Monday is terrible. The idea of Miss Stacy telling us to write a
story out of our own heads!"

"Why, it's as easy as wink," said Anne.

"It's easy for you because you have an imagination," retorted Diana,
"but what would you do if you had been born without one? I suppose you
have your composition all done?"

Anne nodded, trying hard not to look virtuously complacent and failing
miserably.

"I wrote it last Monday evening. It's called 'The Jealous Rival; or In
Death Not Divided.' I read it to Marilla and she said it was stuff and
nonsense. Then I read it to Matthew and he said it was fine. That is
the kind of critic I like. It's a sad, sweet story. I just cried like
a child while I was writing it. It's about two beautiful maidens called
Cordelia Montmorency and Geraldine Seymour who lived in the same village
and were devotedly attached to each other. Cordelia was a regal brunette
with a coronet of midnight hair and duskly flashing eyes. Geraldine was
a queenly blonde with hair like spun gold and velvety purple eyes."

"I never saw anybody with purple eyes," said Diana dubiously.

"Neither did I. I just imagined them. I wanted something out of the
common. Geraldine had an alabaster brow too. I've found out what an
alabaster brow is. That is one of the advantages of being thirteen. You
know so much more than you did when you were only twelve."

"Well, what became of Cordelia and Geraldine?" asked Diana, who was
beginning to feel rather interested in their fate.

"They grew in beauty side by side until they were sixteen. Then Bertram
DeVere came to their native village and fell in love with the fair
Geraldine. He saved her life when her horse ran away with her in a
carriage, and she fainted in his arms and he carried her home three
miles; because, you understand, the carriage was all smashed up. I found
it rather hard to imagine the proposal because I had no experience to
go by. I asked Ruby Gillis if she knew anything about how men proposed
because I thought she'd likely be an authority on the subject, having so
many sisters married. Ruby told me she was hid in the hall pantry when
Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan
that his dad had given him the farm in his own name and then said, 'What
do you say, darling pet, if we get hitched this fall?' And Susan said,
'Yes--no--I don't know--let me see'--and there they were, engaged as
quick as that. But I didn't think that sort of a proposal was a very
romantic one, so in the end I had to imagine it out as well as I could.
I made it very flowery and poetical and Bertram went on his knees,
although Ruby Gillis says it isn't done nowadays. Geraldine accepted
him in a speech a page long. I can tell you I took a lot of trouble
with that speech. I rewrote it five times and I look upon it as my
masterpiece. Bertram gave her a diamond ring and a ruby necklace
and told her they would go to Europe for a wedding tour, for he was
immensely wealthy. But then, alas, shadows began to darken over their
path. Cordelia was secretly in love with Bertram herself and when
Geraldine told her about the engagement she was simply furious,
especially when she saw the necklace and the diamond ring. All her
affection for Geraldine turned to bitter hate and she vowed that she
should never marry Bertram. But she pretended to be Geraldine's friend
the same as ever. One evening they were standing on the bridge over a
rushing turbulent stream and Cordelia, thinking they were alone, pushed
Geraldine over the brink with a wild, mocking, 'Ha, ha, ha.' But Bertram
saw it all and he at once plunged into the current, exclaiming, 'I
will save thee, my peerless Geraldine.' But alas, he had forgotten he
couldn't swim, and they were both drowned, clasped in each other's arms.
Their bodies were washed ashore soon afterwards. They were buried in the
one grave and their funeral was most imposing, Diana. It's so much
more romantic to end a story up with a funeral than a wedding. As for
Cordelia, she went insane with remorse and was shut up in a lunatic
asylum. I thought that was a poetical retribution for her crime."

"How perfectly lovely!" sighed Diana, who belonged to Matthew's school
of critics. "I don't see how you can make up such thrilling things out
of your own head, Anne. I wish my imagination was as good as yours."

"It would be if you'd only cultivate it," said Anne cheeringly. "I've
just thought of a plan, Diana. Let you and me have a story club all our
own and write stories for practice. I'll help you along until you can
do them by yourself. You ought to cultivate your imagination, you know.
Miss Stacy says so. Only we must take the right way. I told her about
the Haunted Wood, but she said we went the wrong way about it in that."

This was how the story club came into existence. It was limited to Diana
and Anne at first, but soon it was extended to include Jane Andrews
and Ruby Gillis and one or two others who felt that their imaginations
needed cultivating. No boys were allowed in it--although Ruby Gillis
opined that their admission would make it more exciting--and each member
had to produce one story a week.

"It's extremely interesting," Anne told Marilla. "Each girl has to read
her story out loud and then we talk it over. We are going to keep them
all sacredly and have them to read to our descendants. We each write
under a nom-de-plume. Mine is Rosamond Montmorency. All the girls
do pretty well. Ruby Gillis is rather sentimental. She puts too much
lovemaking into her stories and you know too much is worse than too
little. Jane never puts any because she says it makes her feel so silly
when she had to read it out loud. Jane's stories are extremely sensible.
Then Diana puts too many murders into hers. She says most of the time
she doesn't know what to do with the people so she kills them off to get
rid of them. I mostly always have to tell them what to write about, but
that isn't hard for I've millions of ideas."

"I think this story-writing business is the foolishest yet," scoffed
Marilla. "You'll get a pack of nonsense into your heads and waste time
that should be put on your lessons. Reading stories is bad enough but
writing them is worse."

"But we're so careful to put a moral into them all, Marilla," explained
Anne. "I insist upon that. All the good people are rewarded and all
the bad ones are suitably punished. I'm sure that must have a wholesome
effect. The moral is the great thing. Mr. Allan says so. I read one of
my stories to him and Mrs. Allan and they both agreed that the moral was
excellent. Only they laughed in the wrong places. I like it better when
people cry. Jane and Ruby almost always cry when I come to the pathetic
parts. Diana wrote her Aunt Josephine about our club and her Aunt
Josephine wrote back that we were to send her some of our stories. So
we copied out four of our very best and sent them. Miss Josephine Barry
wrote back that she had never read anything so amusing in her life. That
kind of puzzled us because the stories were all very pathetic and almost
everybody died. But I'm glad Miss Barry liked them. It shows our club
is doing some good in the world. Mrs. Allan says that ought to be our
object in everything. I do really try to make it my object but I forget
so often when I'm having fun. I hope I shall be a little like Mrs. Allan
when I grow up. Do you think there is any prospect of it, Marilla?"

"I shouldn't say there was a great deal" was Marilla's encouraging
answer. "I'm sure Mrs. Allan was never such a silly, forgetful little
girl as you are."

"No; but she wasn't always so good as she is now either," said Anne
seriously. "She told me so herself--that is, she said she was a dreadful
mischief when she was a girl and was always getting into scrapes. I felt
so encouraged when I heard that. Is it very wicked of me, Marilla,
to feel encouraged when I hear that other people have been bad and
mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels
shocked when she hears of anyone ever having been naughty, no matter how
small they were. Mrs. Lynde says she once heard a minister confess that
when he was a boy he stole a strawberry tart out of his aunt's pantry
and she never had any respect for that minister again. Now, I wouldn't
have felt that way. I'd have thought that it was real noble of him to
confess it, and I'd have thought what an encouraging thing it would be
for small boys nowadays who do naughty things and are sorry for them
to know that perhaps they may grow up to be ministers in spite of it.
That's how I'd feel, Marilla."

"The way I feel at present, Anne," said Marilla, "is that it's high time
you had those dishes washed. You've taken half an hour longer than
you should with all your chattering. Learn to work first and talk
afterwards."

 The Story Club Is Formed After the excitement of the Christmas concert, the Avonlea students return to their normal, humdrum patterns. Anne, now almost thirteen, vows to improve herself by imitating Mrs. Allan, refraining from saying uncharitable things and trying to do good. For school, the students are assigned to write a piece of fiction and a composition about a walk in the winter. These assignments displease Marilla because they rely on imagination rather than memorization. They elate Anne, however, and she completes her original story early. Diana moans that she does not have enough imagination to do the assignment. To help Diana cultivate her imagination and to practice her own writing, Anne proposes that the two girls start a story club. Two of their friends, Jane Andrews and Ruby Gillis, eventually join, and the girls spend their time inventing romantic, melodramatic storylines

