Chapter: Some complicated game had been playing up and down the hillside all the
afternoon. What it was and exactly how the players had sided, Lucy
was slow to discover. Mr. Eager had met them with a questioning eye.
Charlotte had repulsed him with much small talk. Mr. Emerson, seeking
his son, was told whereabouts to find him. Mr. Beebe, who wore the
heated aspect of a neutral, was bidden to collect the factions for the
return home. There was a general sense of groping and bewilderment. Pan
had been amongst them--not the great god Pan, who has been buried these
two thousand years, but the little god Pan, who presides over social
contretemps and unsuccessful picnics. Mr. Beebe had lost everyone, and
had consumed in solitude the tea-basket which he had brought up as a
pleasant surprise. Miss Lavish had lost Miss Bartlett. Lucy had lost Mr.
Eager. Mr. Emerson had lost George. Miss Bartlett had lost a mackintosh
square. Phaethon had lost the game.

That last fact was undeniable. He climbed on to the box shivering, with
his collar up, prophesying the swift approach of bad weather. "Let us go
immediately," he told them. "The signorino will walk."

"All the way? He will be hours," said Mr. Beebe.

"Apparently. I told him it was unwise." He would look no one in the
face; perhaps defeat was particularly mortifying for him. He alone had
played skilfully, using the whole of his instinct, while the others
had used scraps of their intelligence. He alone had divined what things
were, and what he wished them to be. He alone had interpreted the
message that Lucy had received five days before from the lips of a
dying man. Persephone, who spends half her life in the grave--she could
interpret it also. Not so these English. They gain knowledge slowly, and
perhaps too late.

The thoughts of a cab-driver, however just, seldom affect the lives of
his employers. He was the most competent of Miss Bartlett's opponents,
but infinitely the least dangerous. Once back in the town, he and his
insight and his knowledge would trouble English ladies no more. Of
course, it was most unpleasant; she had seen his black head in the
bushes; he might make a tavern story out of it. But after all, what have
we to do with taverns? Real menace belongs to the drawing-room. It
was of drawing-room people that Miss Bartlett thought as she journeyed
downwards towards the fading sun. Lucy sat beside her; Mr. Eager sat
opposite, trying to catch her eye; he was vaguely suspicious. They spoke
of Alessio Baldovinetti.

Rain and darkness came on together. The two ladies huddled together
under an inadequate parasol. There was a lightning flash, and Miss
Lavish who was nervous, screamed from the carriage in front. At the next
flash, Lucy screamed also. Mr. Eager addressed her professionally:

"Courage, Miss Honeychurch, courage and faith. If I might say so, there
is something almost blasphemous in this horror of the elements. Are we
seriously to suppose that all these clouds, all this immense electrical
display, is simply called into existence to extinguish you or me?"

"No--of course--"

"Even from the scientific standpoint the chances against our being
struck are enormous. The steel knives, the only articles which might
attract the current, are in the other carriage. And, in any case, we are
infinitely safer than if we were walking. Courage--courage and faith."

Under the rug, Lucy felt the kindly pressure of her cousin's hand. At
times our need for a sympathetic gesture is so great that we care
not what exactly it signifies or how much we may have to pay for it
afterwards. Miss Bartlett, by this timely exercise of her muscles,
gained more than she would have got in hours of preaching or cross
examination.

She renewed it when the two carriages stopped, half into Florence.

"Mr. Eager!" called Mr. Beebe. "We want your assistance. Will you
interpret for us?"

"George!" cried Mr. Emerson. "Ask your driver which way George went. The
boy may lose his way. He may be killed."

"Go, Mr. Eager," said Miss Bartlett, "don't ask our driver; our driver is
no help. Go and support poor Mr. Beebe--, he is nearly demented."

"He may be killed!" cried the old man. "He may be killed!"

"Typical behaviour," said the chaplain, as he quitted the carriage. "In
the presence of reality that kind of person invariably breaks down."

"What does he know?" whispered Lucy as soon as they were alone.
"Charlotte, how much does Mr. Eager know?"

"Nothing, dearest; he knows nothing. But--" she pointed at the
driver-"HE knows everything. Dearest, had we better? Shall I?" She took
out her purse. "It is dreadful to be entangled with low-class people.
He saw it all." Tapping Phaethon's back with her guide-book, she said,
"Silenzio!" and offered him a franc.

"Va bene," he replied, and accepted it. As well this ending to his day
as any. But Lucy, a mortal maid, was disappointed in him.

There was an explosion up the road. The storm had struck the overhead
wire of the tramline, and one of the great supports had fallen. If they
had not stopped perhaps they might have been hurt. They chose to regard
it as a miraculous preservation, and the floods of love and sincerity,
which fructify every hour of life, burst forth in tumult. They descended
from the carriages; they embraced each other. It was as joyful to be
forgiven past unworthinesses as to forgive them. For a moment they
realized vast possibilities of good.

The older people recovered quickly. In the very height of their emotion
they knew it to be unmanly or unladylike. Miss Lavish calculated that,
even if they had continued, they would not have been caught in the
accident. Mr. Eager mumbled a temperate prayer. But the drivers, through
miles of dark squalid road, poured out their souls to the dryads and the
saints, and Lucy poured out hers to her cousin.

"Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can
understand me. You warned me to be careful. And I--I thought I was
developing."

"Do not cry, dearest. Take your time."

"I have been obstinate and silly--worse than you know, far worse. Once
by the river--Oh, but he isn't killed--he wouldn't be killed, would he?"

The thought disturbed her repentance. As a matter of fact, the storm was
worst along the road; but she had been near danger, and so she thought
it must be near to everyone.

"I trust not. One would always pray against that."

"He is really--I think he was taken by surprise, just as I was before.
But this time I'm not to blame; I want you to believe that. I simply
slipped into those violets. No, I want to be really truthful. I am a
little to blame. I had silly thoughts. The sky, you know, was gold,
and the ground all blue, and for a moment he looked like someone in a
book."

"In a book?"

"Heroes--gods--the nonsense of schoolgirls."

"And then?"

"But, Charlotte, you know what happened then."

Miss Bartlett was silent. Indeed, she had little more to learn. With a
certain amount of insight she drew her young cousin affectionately
to her. All the way back Lucy's body was shaken by deep sighs, which
nothing could repress.

"I want to be truthful," she whispered. "It is so hard to be absolutely
truthful."

"Don't be troubled, dearest. Wait till you are calmer. We will talk it
over before bed-time in my room."

So they re-entered the city with hands clasped. It was a shock to the
girl to find how far emotion had ebbed in others. The storm had ceased,
and Mr. Emerson was easier about his son. Mr. Beebe had regained good
humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone
she was sure of--Charlotte, whose exterior concealed so much insight and
love.

The luxury of self-exposure kept her almost happy through the long
evening. She thought not so much of what had happened as of how she
should describe it. All her sensations, her spasms of courage, her
moments of unreasonable joy, her mysterious discontent, should be
carefully laid before her cousin. And together in divine confidence they
would disentangle and interpret them all.

"At last," thought she, "I shall understand myself. I shan't again
be troubled by things that come out of nothing, and mean I don't know
what."

Miss Alan asked her to play. She refused vehemently. Music seemed to
her the employment of a child. She sat close to her cousin, who, with
commendable patience, was listening to a long story about lost luggage.
When it was over she capped it by a story of her own. Lucy became rather
hysterical with the delay. In vain she tried to check, or at all events
to accelerate, the tale. It was not till a late hour that Miss Bartlett
had recovered her luggage and could say in her usual tone of gentle
reproach:

"Well, dear, I at all events am ready for Bedfordshire. Come into my
room, and I will give a good brush to your hair."

With some solemnity the door was shut, and a cane chair placed for the
girl. Then Miss Bartlett said "So what is to be done?"

She was unprepared for the question. It had not occurred to her that she
would have to do anything. A detailed exhibition of her emotions was all
that she had counted upon.

"What is to be done? A point, dearest, which you alone can settle."

The rain was streaming down the black windows, and the great room felt
damp and chilly, One candle burnt trembling on the chest of drawers
close to Miss Bartlett's toque, which cast monstrous and fantastic
shadows on the bolted door. A tram roared by in the dark, and Lucy felt
unaccountably sad, though she had long since dried her eyes. She lifted
them to the ceiling, where the griffins and bassoons were colourless and
vague, the very ghosts of joy.

"It has been raining for nearly four hours," she said at last.

Miss Bartlett ignored the remark.

"How do you propose to silence him?"

"The driver?"

"My dear girl, no; Mr. George Emerson."

Lucy began to pace up and down the room.

"I don't understand," she said at last.

She understood very well, but she no longer wished to be absolutely
truthful.

"How are you going to stop him talking about it?"

"I have a feeling that talk is a thing he will never do."

"I, too, intend to judge him charitably. But unfortunately I have met
the type before. They seldom keep their exploits to themselves."

"Exploits?" cried Lucy, wincing under the horrible plural.

"My poor dear, did you suppose that this was his first? Come here
and listen to me. I am only gathering it from his own remarks. Do you
remember that day at lunch when he argued with Miss Alan that liking one
person is an extra reason for liking another?"

"Yes," said Lucy, whom at the time the argument had pleased.

"Well, I am no prude. There is no need to call him a wicked young man,
but obviously he is thoroughly unrefined. Let us put it down to his
deplorable antecedents and education, if you wish. But we are no farther
on with our question. What do you propose to do?"

An idea rushed across Lucy's brain, which, had she thought of it sooner
and made it part of her, might have proved victorious.

"I propose to speak to him," said she.

Miss Bartlett uttered a cry of genuine alarm.

"You see, Charlotte, your kindness--I shall never forget it. But--as you
said--it is my affair. Mine and his."

"And you are going to IMPLORE him, to BEG him to keep silence?"

"Certainly not. There would be no difficulty. Whatever you ask him he
answers, yes or no; then it is over. I have been frightened of him. But
now I am not one little bit."

"But we fear him for you, dear. You are so young and inexperienced, you
have lived among such nice people, that you cannot realize what men can
be--how they can take a brutal pleasure in insulting a woman whom her
sex does not protect and rally round. This afternoon, for example, if I
had not arrived, what would have happened?"

"I can't think," said Lucy gravely.

Something in her voice made Miss Bartlett repeat her question, intoning
it more vigorously.

"What would have happened if I hadn't arrived?"

"I can't think," said Lucy again.

"When he insulted you, how would you have replied?"

"I hadn't time to think. You came."

"Yes, but won't you tell me now what you would have done?"

"I should have--" She checked herself, and broke the sentence off. She
went up to the dripping window and strained her eyes into the darkness.
She could not think what she would have done.

"Come away from the window, dear," said Miss Bartlett. "You will be seen
from the road."

Lucy obeyed. She was in her cousin's power. She could not modulate out
the key of self-abasement in which she had started. Neither of them
referred again to her suggestion that she should speak to George and
settle the matter, whatever it was, with him.

Miss Bartlett became plaintive.

"Oh, for a real man! We are only two women, you and I. Mr. Beebe is
hopeless. There is Mr. Eager, but you do not trust him. Oh, for your
brother! He is young, but I know that his sister's insult would rouse
in him a very lion. Thank God, chivalry is not yet dead. There are still
left some men who can reverence woman."

As she spoke, she pulled off her rings, of which she wore several, and
ranged them upon the pin cushion. Then she blew into her gloves and
said:

"It will be a push to catch the morning train, but we must try."

"What train?"

"The train to Rome." She looked at her gloves critically.

The girl received the announcement as easily as it had been given.

"When does the train to Rome go?"

"At eight."

"Signora Bertolini would be upset."

"We must face that," said Miss Bartlett, not liking to say that she had
given notice already.

"She will make us pay for a whole week's pension."

"I expect she will. However, we shall be much more comfortable at the
Vyses' hotel. Isn't afternoon tea given there for nothing?"

"Yes, but they pay extra for wine." After this remark she remained
motionless and silent. To her tired eyes Charlotte throbbed and swelled
like a ghostly figure in a dream.

They began to sort their clothes for packing, for there was no time to
lose, if they were to catch the train to Rome. Lucy, when admonished,
began to move to and fro between the rooms, more conscious of the
discomforts of packing by candlelight than of a subtler ill. Charlotte,
who was practical without ability, knelt by the side of an empty trunk,
vainly endeavouring to pave it with books of varying thickness and size.
She gave two or three sighs, for the stooping posture hurt her back,
and, for all her diplomacy, she felt that she was growing old. The girl
heard her as she entered the room, and was seized with one of those
emotional impulses to which she could never attribute a cause. She only
felt that the candle would burn better, the packing go easier, the world
be happier, if she could give and receive some human love. The impulse
had come before to-day, but never so strongly. She knelt down by her
cousin's side and took her in her arms.

Miss Bartlett returned the embrace with tenderness and warmth. But she
was not a stupid woman, and she knew perfectly well that Lucy did not
love her, but needed her to love. For it was in ominous tones that she
said, after a long pause:

"Dearest Lucy, how will you ever forgive me?"

Lucy was on her guard at once, knowing by bitter experience what
forgiving Miss Bartlett meant. Her emotion relaxed, she modified her
embrace a little, and she said:

"Charlotte dear, what do you mean? As if I have anything to forgive!"

"You have a great deal, and I have a very great deal to forgive myself,
too. I know well how much I vex you at every turn."

"But no--"

Miss Bartlett assumed her favourite role, that of the prematurely aged
martyr.

"Ah, but yes! I feel that our tour together is hardly the success I had
hoped. I might have known it would not do. You want someone younger
and stronger and more in sympathy with you. I am too uninteresting and
old-fashioned--only fit to pack and unpack your things."

"Please--"

"My only consolation was that you found people more to your taste, and
were often able to leave me at home. I had my own poor ideas of what a
lady ought to do, but I hope I did not inflict them on you more than was
necessary. You had your own way about these rooms, at all events."

"You mustn't say these things," said Lucy softly.

She still clung to the hope that she and Charlotte loved each other,
heart and soul. They continued to pack in silence.

"I have been a failure," said Miss Bartlett, as she struggled with the
straps of Lucy's trunk instead of strapping her own. "Failed to make you
happy; failed in my duty to your mother. She has been so generous to me;
I shall never face her again after this disaster."

"But mother will understand. It is not your fault, this trouble, and it
isn't a disaster either."

"It is my fault, it is a disaster. She will never forgive me, and
rightly. For instance, what right had I to make friends with Miss
Lavish?"

"Every right."

"When I was here for your sake? If I have vexed you it is equally true
that I have neglected you. Your mother will see this as clearly as I do,
when you tell her."

Lucy, from a cowardly wish to improve the situation, said:

"Why need mother hear of it?"

"But you tell her everything?"

"I suppose I do generally."

"I dare not break your confidence. There is something sacred in it.
Unless you feel that it is a thing you could not tell her."

The girl would not be degraded to this.

"Naturally I should have told her. But in case she should blame you in
any way, I promise I will not, I am very willing not to. I will never
speak of it either to her or to any one."

Her promise brought the long-drawn interview to a sudden close. Miss
Bartlett pecked her smartly on both cheeks, wished her good-night, and
sent her to her own room.

For a moment the original trouble was in the background. George would
seem to have behaved like a cad throughout; perhaps that was the view
which one would take eventually. At present she neither acquitted nor
condemned him; she did not pass judgement. At the moment when she was
about to judge him her cousin's voice had intervened, and, ever since,
it was Miss Bartlett who had dominated; Miss Bartlett who, even
now, could be heard sighing into a crack in the partition wall;
Miss Bartlett, who had really been neither pliable nor humble nor
inconsistent. She had worked like a great artist; for a time--indeed,
for years--she had been meaningless, but at the end there was presented
to the girl the complete picture of a cheerless, loveless world in which
the young rush to destruction until they learn better--a shamefaced
world of precautions and barriers which may avert evil, but which do not
seem to bring good, if we may judge from those who have used them most.

Lucy was suffering from the most grievous wrong which this world has yet
discovered: diplomatic advantage had been taken of her sincerity, of
her craving for sympathy and love. Such a wrong is not easily forgotten.
Never again did she expose herself without due consideration and
precaution against rebuff. And such a wrong may react disastrously upon
the soul.

The door-bell rang, and she started to the shutters. Before she reached
them she hesitated, turned, and blew out the candle. Thus it was that,
though she saw someone standing in the wet below, he, though he looked
up, did not see her.

To reach his room he had to go by hers. She was still dressed. It struck
her that she might slip into the passage and just say that she would
be gone before he was up, and that their extraordinary intercourse was
over.

Whether she would have dared to do this was never proved. At the
critical moment Miss Bartlett opened her own door, and her voice said:

"I wish one word with you in the drawing-room, Mr. Emerson, please."

Soon their footsteps returned, and Miss Bartlett said: "Good-night, Mr.
Emerson."

His heavy, tired breathing was the only reply; the chaperon had done her
work.

Lucy cried aloud: "It isn't true. It can't all be true. I want not to be
muddled. I want to grow older quickly."

Miss Bartlett tapped on the wall.

"Go to bed at once, dear. You need all the rest you can get."

In the morning they left for Rome.

 Chaos breaks out. Everyone is apparently looking for everyone else. Mr. Beebe attempts to organize the party to leave. George is missing. The carriage driver muses to himself about the incapability of the English to understand their own instincts. He muses out loud that bad weather is coming, and that they should leave - George has told the driver that he's walking home. Charlotte, in super-chaperone mode, is suspicious of the driver, who also witnessed the scandalous kiss. Phaeton was right - bad weather suddenly descends upon them, complete with rain, darkness, and lightning. The ladies scream, and Mr. Eager attempts to calm them. The weather makes everyone freak out. Mr. Emerson is worried that George will be killed in the storm, Mr. Beebe is "nearly demented" , and Mr. Eager goes to translate for Mr. Beebe's carriage driver. While he's gone, Charlotte and Lucy have a quick conference. They're worried about how much Mr. Eager, who's been very suspicious, knows about Lucy and George. Charlotte attempts to be smooth and bribe the driver to keep mum . While this whole ordeal is unfolding, lightning strikes a wire of the tramline ahead of them. The members of the party are all ridiculously relieved, since they might have been struck if they hadn't stopped to argue. All of a sudden, the world seems good again. In the post-disaster period of catharsis, Lucy pours out her soul to Charlotte, admitting that perhaps she was a little to blame for the kiss, being swept away by the romance of the violets and the sunshine and all. She worries that George might be in danger on his long walk back to the city. The two cousins resolve to discuss the matter further that evening, once everyone's safely back in the hotel. By the time they return to the Bertolini, everyone else is back to normal. An ordinary evening passes, in which Charlotte does a great imitation of an untroubled person, but Lucy can't bring herself to do the same. She won't even agree to play the piano - at this moment of struggle, even music seems trivial. Finally, it's time for bed. Lucy and Charlotte meet to evaluate the day. Charlotte, who's in her element in this crisis, wants to know what Lucy intends to do to keep George quiet. Though Lucy protests that George will never say anything, her cousin's not so sure. Lucy decides that she will speak to George. Charlotte is not okay with this - not one bit. She argues, asking Lucy what the girl would have done if she had not arrived to break up the kiss. Lucy doesn't know. Charlotte feebly wishes they had a "real" man on their side - the exemplar she cites is Freddy, Lucy's brother, an idea that will become pretty ridiculous once you meet Freddy in the next chapter. It is decided that they will leave Florence in the morning, and go to stay in Rome with the Vyses. Packing ensues. Lucy, rendered vulnerable by her exciting experiences, goes to Charlotte for comfort. Charlotte, in turn, knows how to use this to her advantage, and again puts on her martyr pose. She guilt-trips Lucy in to promising not to tell her mother about the kiss. Charlotte sends Lucy to her own room, just on the other side of a thin wall. Once Lucy gets there, it occurs to her that Charlotte has dominated the whole handling of the situation. She sees a bleak view of the world as joyless and limited, in which young people have to learn to play by the rules. She realizes that Charlotte has taken advantage of her vulnerability. As these realizations come to Lucy, George arrives at the hotel. She briefly entertains the notion of saying goodbye to him in the hall; Charlotte, however, gets there first, and has a brief discussion with him . We can just imagine what she says. George sighs and tromps off to his own room. Lucy, confused by all her thoughts, cries out that she wants to get older fast, and escape the "muddle" that is youth. Charlotte, always the one to have the last word, hears her through the wall and tells her to go to bed.

