Chapter: A PEAK IN DARIEN

So walking, and so desultorily talking, they came out on a noble white
highway that wound for miles along the bluffy edge of the upland
overlooking the valley upon the one side, fronted by handsome residences
on the other.

It was Johnnie's first view of a big valley, a river, or a city. She had
seen the shoestring creek bottoms between the endless mountains among
which she was born and bred, the high-hung, cup-like depressions of
their inner fastnesses; she was used to the cool, clear, boulder-checked
mountain creeks that fight their way down those steeps like an armed man
beating off assailants at every turn; she had been taken a number of
times to Bledsoe, the tiny settlement at the foot of Unaka Old Bald,
where there were two stores, a blacksmith shop, the post-office and
the church.

Below her, now beginning to glow in the evening light, opened out one of
the finest valleys of the southern Appalachees. Lapped in it, far off,
shrouded with rosy mist which she did not identify as transmuted coal
smoke, a city lay, fretted with spires, already sparkling with electric
lights, set like a glittering boss of jewels in the broad curve of a
shining river.

Directly down the steep at their feet was the cotton-mill town, a suburb
clustered about a half-dozen great factories, whose long rows of lighted
windows defined their black bulk. There was a stream here, too; a small,
sluggish thing that flowed from tank to tank among the factories,
spanned by numerous handrails, bridged in one place for the wagon-road
to cross. Mills, valley, town, distant rimming mountains, river and
creek, glowed and pulsed, dissolved and relimned themselves in the
uprolling glory of sunset.

"Oh, wait for me a minute, Shade," pleaded the girl, pulling off her
sunbonnet.... "I want to look.... Never in my life did I see anything
so sightly!"

"Good land!" laughed the man, with a note of impatience in his voice.
"You and me was raised on mountain scenery, as a body may say. I should
think we'd both had enough of it to last us."

"But this--this is different," groped Johnnie, trying to explain the
emotions that possessed her. "Look at that big settlement over yon. I
reckon it's a city. It must be Watauga. It looks like the--the mansions
of the blest, in the big Bible that preacher Drane has, down
at Bledsoe."

"I reckon they're blest--they got plenty of money," returned Shade, with
the cheap cynicism of his kind.

"So many houses!" the girl communed with herself. "There's bound to be
a-many a person in all them houses," she went on. One could read the
loving outreach to all humanity in her tones.

"There is," put in Shade caustically. "There's many a rogue. You want to
look out for them tricky town folks--a girl like you."

Had he been more kind, he would have said, "a pretty girl like you." But
Johnnie did not miss it; she was used to such as he gave, or less.

"Come on," he urged impatiently. "We won't get no supper if you don't
hurry."

Supper! Johnnie drew in her breath and shook her head. With that scene
unrolled there, as though all the kingdoms of earth were spread before
them to look upon, she was asked to remember supper! Sighing, but
submissively, she moved to follow her guide, a reluctant glance across
her shoulder, when there came a cry something like that which the wild
geese make when they come over in the spring; and a thing with two
shining, fiery eyes, a thing that purred like a giant cat, rounded a
curve in the road and came to a sudden jolting halt beside them.

Shade stopped immediately for that. Johnnie did not fail to recognize
the vehicle. Illustrated magazines go everywhere in these days. In the
automobile rode a man, bare-headed, dressed in a suit of white flannels,
strange to Johnnie's eyes. Beside him sat a woman in a long, shimmering,
silken cloak, a great, misty, silver-gray veil twined round head and hat
and tied in a big bow under the chin. Johnnie had as yet seen nothing
more pretentious than the starched and ruffled flummeries of a small
mountain watering-place. This beautiful, peculiar looking garb had
something of the picturesque, the poetic, about it, that appealed to her
as the frocks worn at Chalybeate Springs or Bledsoe had never done. She
had not wanted them. She wanted this. The automobile was stopped, the
young fellow in it calling to Shade:

"I wonder if you could help me with this thing, Buckheath? It's on a
strike again. Show me what you did to it last time."

Along the edge of the road at this point, for safety's sake, a low stone
wall had been laid. Setting down her bundle, Johnnie leaned upon this,
and shared her admiration between the valley below and these beautiful,
interesting newcomers. Her bonnet was pushed far back; the wind ruffled
the bright hair about her forehead; the wonder and glory and delight of
it all made her deep eyes shine with a child's curiosity and avid
wishfulness. Her lips were parted in unconscious smiles. White and red,
tremulous, on tiptoe, the eager soul looking out of her face, she was
very beautiful. The man in the automobile observed her kindly; the
woman's features she could not quite see, though the veil was parted.

Neither Johnnie nor the driver of the car saw the quick, resentful
glance her companion shot at the city man as Shade noted the latter's
admiring look at the girl. Buckheath displayed an awesome familiarity
with the machine and its workings, crawling under the body, and tapping
it here and there with a wrench its driver supplied. They backed it and
moved it a little, and seemed to be debating the short turn which would
take them into the driveway leading up to a house on the slope above
the road.

Johnnie continued to watch with fascinated eyes; Shade was on his feet
now, reaching into the bowels of the machine to do mysterious things.

"It's a broken connection," he announced briefly.

"Is the wire too short to twist together?" inquired the man in the car.
"Will you have to put in a new piece?"

"Uh-huh," assented Buckheath.

"There's a wire in that box there," directed the other.

Shade worked in silence for a moment.

"Now she'll go, I reckon," he announced, and once more the driver
started up his car. It curved perilously near the bundle she had set
down, with the handkerchief containing her cherished blossom lying atop;
the mud-guard swept this latter off, and Buckheath set a foot upon it as
he followed the machine in its progress.

"Take care--that was a flower," the man in the auto warned, too late.

Shade answered with a quick, backward-flung glance and a little derisive
laugh, but no words. The young fellow stopped the machine, jumped down,
and picked up the coarse little handkerchief which showed a bit of
drooping green stem at one end and a glimpse of pink at the other.

"I'm sorry," he said, presenting it to Johnnie with exactly the air and
tone he had used in speaking to the lady who was with him in the car.
"If I had seen it in time, I might have saved it. I hope it's not
much hurt."

Buckheath addressed himself savagely to his work at the machine. The
woman in the auto glanced uneasily up at the house on the slope above
them. Johnnie looked into the eyes bent so kindly upon her, and could
have worshipped the ground on which their owner trod. Kindness always
melted her heart utterly, but kindness with such beautiful courtesy
added--this was the quality in flower.

"It doesn't make any differ," she said softly, turning to him a rapt,
transfigured face. "It's just a bloom I brought from the mountains--they
don't grow in the valley, and I found this one on my way down."

The man wondered a little if it were only the glow of the sunset that
lit her face with such shining beauty; he noted how the fires of it
flowed over her bright, blown hair and kindled its colour, how it
lingered in the clear eyes, and flamed upon the white neck and throat
till they had almost the translucence of pearl.

"I think this thing'll work now--for a spell, anyhow," Shade Buckheath's
voice sounded sharply from the road behind them.

"Are you afraid to attempt it, Miss Sessions?" the young man called to
his companion. "If you are, we'll walk up, I'll telephone at the house
for a trap and we'll drive back:--Buckheath will take the machine in
for us."

The voice was even and low-toned, yet every word came to Johnnie
distinctly. She watched with a sort of rapture the movements of this
party. The man's hair was dark and crisp, and worn a little long about
the temples and ears; he had pleasant dark eyes and an air of being
slightly amused, even when he did not smile. The lady apparently said
that she was not afraid, for her companion got in, the machine
negotiated the turn safely and began to move slowly up the steep ascent.
As it did so, the driver gave another glance toward where the mountain
girl stood, a swift, kind glance, and a smile that stayed with her after
the shining car had disappeared in the direction of the wide-porched
building where people were laughing and calling to each other and moving
about--people dressed in beautiful garments which Johnnie would fain
have inspected more closely.

Buckheath stood gazing at her sarcastically.

"Come on," he ordered, as she held back, lingering. "They ain't no good
in you hangin' 'round here. That was Mr. Gray Stoddard, and the lady
he's beauin' is Miss Lydia Sessions, Mr. Hardwick's sister-in-law. He's
for such as her--not for you. He's the boss of the bosses down at
Cottonville. No use of you lookin' at him."

Johnnie scarcely heard the words. Her eyes were on the wide porch of the
house above them.

"What is that place?" she inquired in an awestruck whisper, as she fell
into step submissively, plodding with bent head at his shoulder.

"The Country Club," Shade flung back at her. "Did you 'low it was
heaven?"

Heaven! Johnnie brooded on that for a long time. She turned her head
stealthily for a last glimpse of the portico where a laughing girl
tossed a ball to a young fellow on the terrace below. After all, heaven
was not so far amiss. She had rather associated it with the abode of the
blest. The people in it were happy; they moved in beautiful raiment all
day long; they spoke to each other kindly. It was love's home, she was
sure of that. Then her mind went back to the dress of the girl in
the auto.

"I'm a-going to have me a frock like that before I die," she said, half
unconsciously, yet with a sudden passion of resolution. "Yes, if I live
I'm a-goin' to have me just such a frock."

Shade wheeled in his tracks with a swift narrowing of the slate-gray
eyes. He had been more stirred than he was willing to acknowledge by the
girl's beauty, and by a nameless power that went out from the seemingly
helpless creature and laid hold of those with whom she came in contact.
It was the open admiration of young Stoddard which had roused the sullen
resentment he was now spending on her.

"Ye air, air ye?" he demanded sharply. "You're a-goin' to have a frock
like that? And what man's a-goin' to pay for it, I'd like to know?"

Such talk belonged to the valley and the settlement. In the mountains a
woman works, of course, and earns her board and keep. She is a valuable
industrial possession or chattel to the man, who may profit by her
labour; never a luxury--a bill of expense. As she walked, Johnnie nodded
toward the factory in the valley, beginning to blaze with light--her
bridge of toil, that was to carry her from the island of Nowhere to the
great mainland of Life, where everything might be had for the working,
the striving.

"I didn't name no man," she said mildly. "I don't reckon anybody's goin'
to give me things. Ain't there the factory where a body may work and
earn money for all they need?"

"Well, I reckon they might, if they was good and careful to need
powerful little," allowed Shade.

At the moment they came to the opening of a small path which plunged
abruptly down the steep side of the ridge, curving in and out with--and
sometimes across--a carriage road. As they took the first steps on this
the sun forsook the valley at last, and lingered only on the mountain
top where was that Palace of Pleasure into which He and She had
vanished, before which the strange chariot waited. And all at once the
little brook that wound, a golden thread, between the bulk of the mills,
flowed, a stream of ink, from pool to pool of black water. The way down
turned and turned; and each time that Shade and Johnnie got another
sight of the buildings of the little village below, they had changed in
character with the changing point of view. They loomed taller, they
looked darker in spite of the pulsing light from their many windows.

And now there burst out a roar of whistles, like the bellowing of great
monsters. Somehow it struck cold upon the girl's heart. They were coming
down from that wonderful highland where she had seemed to see all the
kingdoms of earth spread before her, hers for the conquering; they were
descending into the shadow.

As they came quite to the foot they saw groups of women and children,
with here and there a decrepit man, leaving the cottages and making
their way toward the lighted mills. From the doors of little shanties
tired-faced women with boys and girls walking near them, and, in one or
two cases, very small ones clinging to their skirts and hands,
reinforced the crowd which set in a steady stream toward the bridges and
the open gates in the high board fences.

"What are they a-goin' to the factory for on Sunday evening?" Johnnie
inquired.

"Night turn," replied Buckheath briefly. "Sunday's over at sundown."

"Oh, yes," agreed Johnnie dutifully, but rather disheartened. "Trade
must be mighty good if they have to work all night."

"Them that works don't get any more for it," retorted Shade harshly.

"What's the little ones goin' to the mill for?" Johnnie questioned,
staring up at him with apprehensive eyes.

"Why, to play, I reckon," returned the young fellow ironically. "Folks
mostly does go to the mill to play, don't they?"

The girl ran forward and clasped his arm with eager fingers that shook.
"Shade!" she cried; "they can't work those little babies. That one over
there ain't to exceed four year old, and I know it."

The man looked indifferently to where a tiny boy trotted at his mother's
heels, solemn, old-faced, unchildish. He laughed a little.

"That thar chap is the oldest feller in the mills," he said. "That's
Benny Tarbox. He's too short to tend a frame, but his maw lets him help
her at the loom--every weaver has obliged to have helpers wait on 'em.
You'll get used to it."

Get used to it! She pulled the sunbonnet about her face. The gold was
all gone from the earth, and from her mood as well. She raised her eyes
to where the last brightness lingered on the mountain-top. Up there they
were happy. And even as her feet carried her forward to Pap Himes's
boarding-house, her soul went clamouring, questing back toward the
heights, and the sunlight, the love and laughter, she had left behind.

"The power and the glory--the power and the glory," she whispered over
and over to herself. "Is it all back there?" Again she looked wistfully
toward the heights. "But maybe a body with two feet can climb."

 Captain Fellows is an American living in Mexico with Mrs. Fellows, his wife, and his young daughter, running the "Central American Banana Company. " He returns home one day and his wife informs him that his daughter, Coral Fellows is speaking with a police officer about a priest who is at large in the area. The police officer is the lieutenant from Chapter Two, who is beginning his search for the priest. After a short, tense conversation with Captain Fellows, the lieutenant departs. Coral then informs her father that she refused to allow the lieutenant to search the premises, because the priest is hiding in the barn. Shocked, Captain Fellows asks his daughter to bring him to the priest's hiding place. He tells the priest that he is not welcome, and the priest, with characteristic deference to others' wishes, says he will depart. He asks for some brandy, but Captain Fellows refuses to break the law any further than he already has. That night, Mr. and Mrs. Fellows lie together in bed, filled with anxiety and trying to ignore the sound of Coral's footsteps as she heads to the barn to bring food to the stranger. Curious, generous, and sensitive, Coral listens carefully to the priest's description of his troubles. With innocent logic, she asks the priest why, if he is so miserable as a fugitive, he doesn't just turn himself in. He explains that it is his duty to remain free as long as he can, and that he cannot renounce his faith because it is out of his "power." The girl listens without judging, then teaches the priest how to use the Morse Code so that he can signal her if he ever returns. The priest then makes his way to a small village where he finds a small hut to sleep in for the night. Desperately tired and wanting only to sleep, he is beset by villagers asking him to hear their confessions. After some time, he grudgingly agrees to forgo sleep and perform his priestly duties for the people. He begins to weep out of frustration and sheer exhaustion, and an old man goes outside and announces to the villagers that the priest is waiting inside for them, weeping for their sins.

