Chapter: The funeral was over. The carriages had rolled away through the soft
mud, and only the poor remained. They approached to the newly-dug shaft
and looked their last at the coffin, now almost hidden beneath the
spadefuls of clay. It was their moment. Most of them were women from the
dead woman's district, to whom black garments had been served out by Mr.
Wilcox's orders. Pure curiosity had brought others. They thrilled with
the excitement of a death, and of a rapid death, and stood in groups or
moved between the graves, like drops of ink. The son of one of them, a
wood-cutter, was perched high above their heads, pollarding one of the
churchyard elms. From where he sat he could see the village of Hilton,
strung upon the North Road, with its accreting suburbs; the sunset
beyond, scarlet and orange, winking at him beneath brows of grey; the
church; the plantations; and behind him an unspoilt country of fields
and farms. But he, too, was rolling the event luxuriously in his mouth.
He tried to tell his mother down below all that he had felt when he saw
the coffin approaching: how he could not leave his work, and yet did not
like to go on with it; how he had almost slipped out of the tree, he was
so upset; the rooks had cawed, and no wonder--it was as if rooks knew
too. His mother claimed the prophetic power herself--she had seen
a strange look about Mrs. Wilcox for some time. London had done the
mischief, said others. She had been a kind lady; her grandmother had
been kind, too--a plainer person, but very kind. Ah, the old sort was
dying out! Mr. Wilcox, he was a kind gentleman. They advanced to the
topic again and again, dully, but with exaltation. The funeral of a rich
person was to them what the funeral of Alcestis or Ophelia is to the
educated. It was Art; though remote from life, it enhanced life's
values, and they witnessed it avidly.

The grave-diggers, who had kept up an undercurrent of disapproval--they
disliked Charles; it was not a moment to speak of such things, but they
did not like Charles Wilcox--the grave-diggers finished their work and
piled up the wreaths and crosses above it. The sun set over Hilton;
the grey brows of the evening flushed a little, and were cleft with
one scarlet frown. Chattering sadly to each other, the mourners passed
through the lych-gate and traversed the chestnut avenues that led down
to the village. The young wood-cutter stayed a little longer, poised
above the silence and swaying rhythmically. At last the bough fell
beneath his saw. With a grunt, he descended, his thoughts dwelling no
longer on death, but on love, for he was mating. He stopped as he passed
the new grave; a sheaf of tawny chrysanthemums had caught his eye.
"They didn't ought to have coloured flowers at buryings," he reflected.
Trudging on a few steps, he stopped again, looked furtively at the dusk,
turned back, wrenched a chrysanthemum from the sheaf, and hid it in his
pocket.

After him came silence absolute. The cottage that abutted on the
churchyard was empty, and no other house stood near. Hour after hour
the scene of the interment remained without an eye to witness it. Clouds
drifted over it from the west; or the church may have been a ship,
high-prowed, steering with all its company towards infinity. Towards
morning the air grew colder, the sky clearer, the surface of the earth
hard and sparkling above the prostrate dead. The wood-cutter, returning
after a night of joy, reflected: "They lilies, they chrysants; it's a
pity I didn't take them all."

Up at Howards End they were attempting breakfast. Charles and Evie sat
in the dining-room, with Mrs. Charles. Their father, who could not bear
to see a face, breakfasted upstairs. He suffered acutely. Pain came over
him in spasms, as if it was physical, and even while he was about to
eat, his eyes would fill with tears, and he would lay down the morsel
untasted.

He remembered his wife's even goodness during thirty years. Not anything
in detail--not courtship or early raptures--but just the unvarying
virtue, that seemed to him a woman's noblest quality. So many women are
capricious, breaking into odd flaws of passion or frivolity. Not so his
wife. Year after year, summer and winter, as bride and mother, she had
been the same, he had always trusted her. Her tenderness! Her innocence!
The wonderful innocence that was hers by the gift of God. Ruth knew
no more of worldly wickedness and wisdom than did the flowers in her
garden, or the grass in her field. Her idea of business--"Henry, why
do people who have enough money try to get more money?" Her idea of
politics--"I am sure that if the mothers of various nations could meet,
there would be no more wars," Her idea of religion--ah, this had been a
cloud, but a cloud that passed. She came of Quaker stock, and he and his
family, formerly Dissenters, were now members of the Church of England.
The rector's sermons had at first repelled her, and she had expressed a
desire for "a more inward light," adding, "not so much for myself as for
baby" (Charles). Inward light must have been granted, for he heard no
complaints in later years. They brought up their three children without
dispute. They had never disputed.

She lay under the earth now. She had gone, and as if to make her going
the more bitter, had gone with a touch of mystery that was all unlike
her. "Why didn't you tell me you knew of it?" he had moaned, and her
faint voice had answered: "I didn't want to, Henry--I might have been
wrong--and every one hates illnesses." He had been told of the horror by
a strange doctor, whom she had consulted during his absence from town.
Was this altogether just? Without fully explaining, she had died. It
was a fault on her part, and--tears rushed into his eyes--what a little
fault! It was the only time she had deceived him in those thirty years.

He rose to his feet and looked out of the window, for Evie had come in
with the letters, and he could meet no one's eye. Ah yes--she had been a
good woman--she had been steady. He chose the word deliberately. To him
steadiness included all praise. He himself, gazing at the wintry garden,
is in appearance a steady man. His face was not as square as his son's,
and, indeed, the chin, though firm enough in outline, retreated a
little, and the lips, ambiguous, were curtained by a moustache. But
there was no external hint of weakness. The eyes, if capable of kindness
and good-fellowship, if ruddy for the moment with tears, were the eyes
of one who could not be driven. The forehead, too, was like Charles's.
High and straight, brown and polished, merging abruptly into temples and
skull, it had the effect of a bastion that protected his head from the
world. At times it had the effect of a blank wall. He had dwelt behind
it, intact and happy, for fifty years. "The post's come, father," said
Evie awkwardly.

"Thanks. Put it down."

"Has the breakfast been all right?"

"Yes, thanks."

The girl glanced at him and at it with constraint. She did not know what
to do.

"Charles says do you want the Times?"

"No, I'll read it later."

"Ring if you want anything, father, won't you?"

"I've all I want."

Having sorted the letters from the circulars, she went back to the
dining-room.

"Father's eaten nothing," she announced, sitting down with wrinkled
brows behind the tea-urn.

Charles did not answer, but after a moment he ran quickly upstairs,
opened the door, and said "Look here father, you must eat, you know;"
and having paused for a reply that did not come, stole down again. "He's
going to read his letters first, I think," he said evasively; "I dare
say he will go on with his breakfast afterwards." Then he took up the
Times, and for some time there was no sound except the clink of cup
against saucer and of knife on plate.

Poor Mrs. Charles sat between her silent companions terrified at
the course of events, and a little bored. She was a rubbishy little
creature, and she knew it. A telegram had dragged her from Naples to
the death-bed of a woman whom she had scarcely known. A word from her
husband had plunged her into mourning. She desired to mourn inwardly as
well, but she wished that Mrs. Wilcox, since fated to die, could have
died before the marriage, for then less would have been expected of her.
Crumbling her toast, and too nervous to ask for the butter, she remained
almost motionless, thankful only for this, that her father-in-law was
having his breakfast upstairs.

At last Charles spoke. "They had no business to be pollarding those elms
yesterday," he said to his sister.

"No, indeed."

"I must make a note of that," he continued. "I am surprised that the
rector allowed it."

"Perhaps it may not be the rector's affair."

"Whose else could it be?"

"The lord of the manor."

"Impossible."

"Butter, Dolly?"

"Thank you, Evie dear. Charles--"

"Yes, dear?"

"I didn't know one could pollard elms. I thought one only pollarded
willows."

"Oh no, one can pollard elms."

"Then why oughtn't the elms in the churchyard to be pollarded?" Charles
frowned a little, and turned again to his sister.

"Another point. I must speak to Chalkeley."

"Yes, rather; you must complain to Chalkeley."

"It's no good his saying he is not responsible for those men. He is
responsible."

"Yes, rather."

Brother and sister were not callous. They spoke thus, partly because
they desired to keep Chalkeley up to the mark--a healthy desire in its
way--partly because they avoided the personal note in life. All Wilcoxes
did. It did not seem to them of supreme importance. Or it may be as
Helen supposed: they realised its importance, but were afraid of it.
Panic and emptiness, could one glance behind. They were not callous, and
they left the breakfast-table with aching hearts. Their mother never had
come in to breakfast. It was in the other rooms, and especially in the
garden, that they felt her loss most. As Charles went out to the garage,
he was reminded at every step of the woman who had loved him and whom
he could never replace. What battles he had fought against her gentle
conservatism! How she had disliked improvements, yet how loyally she had
accepted them when made! He and his father--what trouble they had had
to get this very garage! With what difficulty had they persuaded her to
yield them the paddock for it--the paddock that she loved more dearly
than the garden itself! The vine--she had got her way about the vine. It
still encumbered the south wall with its unproductive branches. And so
with Evie, as she stood talking to the cook. Though she could take up
her mother's work inside the house, just as the man could take it up
without, she felt that something unique had fallen out of her life.
Their grief, though less poignant than their father's, grew from deeper
roots, for a wife may be replaced; a mother never. Charles would go
back to the office. There was little at Howards End. The contents of his
mother's will had long been known to them. There were no legacies, no
annuities, none of the posthumous bustle with which some of the dead
prolong their activities. Trusting her husband, she had left him
everything without reserve. She was quite a poor woman--the house had
been all her dowry, and the house would come to Charles in time. Her
watercolours Mr. Wilcox intended to reserve for Paul, while Evie would
take the jewellery and lace. How easily she slipped out of life!
Charles thought the habit laudable, though he did not intend to adopt
it himself, whereas Margaret would have seen in it an almost culpable
indifference to earthly fame. Cynicism--not the superficial cynicism
that snarls and sneers, but the cynicism that can go with courtesy and
tenderness--that was the note of Mrs. Wilcox's will. She wanted not to
vex people. That accomplished, the earth might freeze over her for ever.

No, there was nothing for Charles to wait for. He could not go on
with his honeymoon, so he would go up to London and work--he felt too
miserable hanging about. He and Dolly would have the furnished flat
while his father rested quietly in the country with Evie. He could
also keep an eye on his own little house, which was being painted and
decorated for him in one of the Surrey suburbs, and in which he hoped to
install himself soon after Christmas. Yes, he would go up after lunch in
his new motor, and the town servants, who had come down for the funeral,
would go up by train.

He found his father's chauffeur in the garage, said "Morning" without
looking at the man's face, and bending over the car, continued: "Hullo!
my new car's been driven!"

"Has it, sir?"

"Yes," said Charles, getting rather red; "and whoever's driven it hasn't
cleaned it properly, for there's mud on the axle. Take it off."

The man went for the cloths without a word. He was a chauffeur as ugly
as sin--not that this did him disservice with Charles, who thought charm
in a man rather rot, and had soon got rid of the little Italian beast
with whom they had started.

"Charles--" His bride was tripping after him over the hoar-frost, a
dainty black column, her little face and elaborate mourning hat forming
the capital thereof.

"One minute, I'm busy. Well, Crane, who's been driving it, do you
suppose?"

"Don't know, I'm sure, sir. No one's driven it since I've been back,
but, of course, there's the fortnight I've been away with the other car
in Yorkshire."

The mud came off easily.

"Charles, your father's down. Something's happened. He wants you in the
house at once. Oh, Charles!"

"Wait, dear, wait a minute. Who had the key of the garage while you were
away, Crane?"

"The gardener, sir."

"Do you mean to tell me that old Penny can drive a motor?"

"No, sir; no one's had the motor out, sir."

"Then how do you account for the mud on the axle?"

"I can't, of course, say for the time I've been in Yorkshire. No more
mud now, sir."

Charles was vexed. The man was treating him as a fool, and if his heart
had not been so heavy he would have reported him to his father. But it
was not a morning for complaints. Ordering the motor to be round after
lunch, he joined his wife, who had all the while been pouring out some
incoherent story about a letter and a Miss Schlegel.

"Now, Dolly, I can attend to you. Miss Schlegel? What does she want?"

When people wrote a letter Charles always asked what they wanted. Want
was to him the only cause of action. And the question in this case was
correct, for his wife replied, "She wants Howards End."

"Howards End? Now, Crane, just don't forget to put on the Stepney
wheel."

"No, sir."

"Now, mind you don't forget, for I--Come, little woman." When they were
out of the chauffeur's sight he put his arm round her waist and pressed
her against him. All his affection and half his attention--it was what
he granted her throughout their happy married life.

"But you haven't listened, Charles."

"What's wrong?"

"I keep on telling you--Howards End. Miss Schlegel's got it."

"Got what?" said Charles, unclasping her. "What the dickens are you
talking about?"

"Now, Charles, you promised not so say those naughty--"

"Look here, I'm in no mood for foolery. It's no morning for it either."

"I tell you--I keep on telling you--Miss Schlegel--she's got it--your
mother's left it to her--and you've all got to move out!"

"HOWARDS END?"

"HOWARDS END!" she screamed, mimicking him, and as she did so Evie came
dashing out of the shubbery.

"Dolly, go back at once! My father's much annoyed with you.
Charles"--she hit herself wildly--"come in at once to father. He's had a
letter that's too awful."

Charles began to run, but checked himself, and stepped heavily across
the gravel path. There the house was with the nine windows, the
unprolific vine. He exclaimed, "Schlegels again!" and as if to complete
chaos, Dolly said, "Oh no, the matron of the nursing home has written
instead of her."

"Come in, all three of you!" cried his father, no longer inert.

"Dolly, why have you disobeyed me?"

"Oh, Mr. Wilcox--"

"I told you not to go out to the garage. I've heard you all shouting in
the garden. I won't have it. Come in."

He stood in the porch, transformed, letters in his hand.

"Into the dining-room, every one of you. We can't discuss private
matters in the middle of all the servants. Here, Charles, here; read
these. See what you make."

Charles took two letters, and read them as he followed the procession.
The first was a covering note from the matron. Mrs. Wilcox had desired
her, when the funeral should be over, to forward the enclosed. The
enclosed--it was from his mother herself. She had written: "To my
husband: I should like Miss Schlegel (Margaret) to have Howards End."

"I suppose we're going to have a talk about this?" he remarked,
ominously calm.

"Certainly. I was coming out to you when Dolly--"

"Well, let's sit down."

"Come, Evie, don't waste time, sit--down."

In silence they drew up to the breakfast-table. The events of
yesterday--indeed, of this morning suddenly receded into a past so
remote that they seemed scarcely to have lived in it. Heavy breathings
were heard. They were calming themselves. Charles, to steady
them further, read the enclosure out loud: "A note in my mother's
handwriting, in an envelope addressed to my father, sealed. Inside: 'I
should like Miss Schlegel (Margaret) to have Howards End.' No date, no
signature. Forwarded through the matron of that nursing home. Now, the
question is--"

Dolly interrupted him. "But I say that note isn't legal. Houses ought to
be done by a lawyer, Charles, surely."

Her husband worked his jaw severely. Little lumps appeared in front of
either ear--a symptom that she had not yet learnt to respect, and she
asked whether she might see the note. Charles looked at his father for
permission, who said abstractedly, "Give it her." She seized it, and
at once exclaimed: "Why, it's only in pencil! I said so. Pencil never
counts."

"We know that it is not legally binding, Dolly," said Mr. Wilcox,
speaking from out of his fortress. "We are aware of that. Legally, I
should be justified in tearing it up and throwing it into the fire. Of
course, my dear, we consider you as one of the family, but it will be
better if you do not interfere with what you do not understand."

Charles, vexed both with his father and his wife, then repeated: "The
question is--" He had cleared a space of the breakfast-table from plates
and knives, so that he could draw patterns on the tablecloth. "The
question is whether Miss Schlegel, during the fortnight we were all
away, whether she unduly--" He stopped.

"I don't think that," said his father, whose nature was nobler than his
son's.

"Don't think what?"

"That she would have--that it is a case of undue influence. No, to
my mind the question is the--the invalid's condition at the time she
wrote."

"My dear father, consult an expert if you like, but I don't admit it is
my mother's writing."

"Why, you just said it was!" cried Dolly.

"Never mind if I did," he blazed out; "and hold your tongue."

The poor little wife coloured at this, and, drawing her handkerchief
from her pocket, shed a few tears. No one noticed her. Evie was scowling
like an angry boy. The two men were gradually assuming the manner of the
committee-room. They were both at their best when serving on committees.
They did not make the mistake of handling human affairs in the bulk, but
disposed of them item by item, sharply. Caligraphy was the item before
them now, and on it they turned their well-trained brains. Charles,
after a little demur, accepted the writing as genuine, and they passed
on to the next point. It is the best--perhaps the only--way of dodging
emotion. They were the average human article, and had they considered
the note as a whole it would have driven them miserable or mad.
Considered item by item, the emotional content was minimised, and all
went forward smoothly. The clock ticked, the coals blazed higher, and
contended with the white radiance that poured in through the windows.
Unnoticed, the sun occupied his sky, and the shadows of the tree stems,
extraordinarily solid, fell like trenches of purple across the frosted
lawn. It was a glorious winter morning. Evie's fox terrier, who had
passed for white, was only a dirty grey dog now, so intense was the
purity that surrounded him. He was discredited, but the blackbirds that
he was chasing glowed with Arabian darkness, for all the conventional
colouring of life had been altered. Inside, the clock struck ten with a
rich and confident note. Other clocks confirmed it, and the discussion
moved towards its close.

To follow it is unnecessary. It is rather a moment when the commentator
should step forward. Ought the Wilcoxes to have offered their home to
Margaret? I think not. The appeal was too flimsy. It was not legal; it
had been written in illness, and under the spell of a sudden friendship;
it was contrary to the dead woman's intentions in the past, contrary to
her very nature, so far as that nature was understood by them. To them
Howards End was a house: they could not know that to her it had been
a spirit, for which she sought a spiritual heir. And--pushing one step
farther in these mists--may they not have decided even better than
they supposed? Is it credible that the possessions of the spirit can be
bequeathed at all? Has the soul offspring? A wych-elm tree, a vine, a
wisp of hay with dew on it--can passion for such things be transmitted
where there is no bond of blood? No; the Wilcoxes are not to be blamed.
The problem is too terrific, and they could not even perceive a problem.
No; it is natural and fitting that after due debate they should tear
the note up and throw it on to their dining-room fire. The practical
moralist may acquit them absolutely. He who strives to look deeper
may acquit them--almost. For one hard fact remains. They did neglect a
personal appeal. The woman who had died did say to them, "Do this," and
they answered, "We will not."

The incident made a most painful impression on them. Grief mounted into
the brain and worked there disquietingly. Yesterday they had lamented:
"She was a dear mother, a true wife; in our absence she neglected her
health and died." To-day they thought: "She was not as true, as dear, as
we supposed." The desire for a more inward light had found expression at
last, the unseen had impacted on the seen, and all that they could say
was "Treachery." Mrs. Wilcox had been treacherous to the family, to the
laws of property, to her own written word. How did she expect Howards
End to be conveyed to Miss Schlegel? Was her husband, to whom it legally
belonged, to make it over to her as a free gift? Was the said Miss
Schlegel to have a life interest in it, or to own it absolutely? Was
there to be no compensation for the garage and other improvements that
they had made under the assumption that all would be theirs some
day? Treacherous! treacherous and absurd! When we think the dead both
treacherous and absurd, we have gone far towards reconciling ourselves
to their departure. That note, scribbled in pencil, sent through the
matron, was unbusinesslike as well as cruel, and decreased at once the
value of the woman who had written it.

"Ah, well!" said Mr. Wilcox, rising from the table. "I shouldn't have
thought it possible."

"Mother couldn't have meant it," said Evie, still frowning.

"No, my girl, of course not."

"Mother believed so in ancestors too--it isn't like her to leave
anything to an outsider, who'd never appreciate."

"The whole thing is unlike her," he announced. "If Miss Schlegel had
been poor, if she had wanted a house, I could understand it a little.
But she has a house of her own. Why should she want another? She
wouldn't have any use for Howards End."

"That time may prove," murmured Charles.

"How?" asked his sister.

"Presumably she knows--mother will have told her. She got twice or three
times into the nursing home. Presumably she is awaiting developments."

"What a horrid woman!" And Dolly, who had recovered, cried, "Why, she
may be coming down to turn us out now!"

Charles put her right. "I wish she would," he said ominously. "I could
then deal with her."

"So could I," echoed his father, who was feeling rather in the cold.
Charles had been kind in undertaking the funeral arrangements and in
telling him to eat his breakfast, but the boy as he grew up was a little
dictatorial, and assumed the post of chairman too readily. "I could deal
with her, if she comes, but she won't come. You're all a bit hard on
Miss Schlegel."

"That Paul business was pretty scandalous, though."

"I want no more of the Paul business, Charles, as I said at the time,
and besides, it is quite apart from this business. Margaret Schlegel has
been officious and tiresome during this terrible week, and we have
all suffered under her, but upon my soul she's honest. She's NOT in
collusion with the matron. I'm absolutely certain of it. Nor was she
with the doctor, I'm equally certain of that. She did not hide anything
from us, for up to that very afternoon she was as ignorant as we are.
She, like ourselves, was a dupe--" He stopped for a moment. "You see,
Charles, in her terrible pain your mother put us all in false positions.
Paul would not have left England, you would not have gone to Italy, nor
Evie and I into Yorkshire, if only we had known. Well, Miss Schlegel's
position has been equally false. Take all in all, she has not come out
of it badly."

Evie said: "But those chrysanthemums--"

"Or coming down to the funeral at all--" echoed Dolly.

"Why shouldn't she come down? She had the right to, and she stood far
back among the Hilton women. The flowers--certainly we should not have
sent such flowers, but they may have seemed the right thing to her,
Evie, and for all you know they may be the custom in Germany."

"Oh, I forget she isn't really English," cried Evie. "That would explain
a lot."

"She's a cosmopolitan," said Charles, looking at his watch. "I admit I'm
rather down on cosmopolitans. My fault, doubtless. I cannot stand them,
and a German cosmopolitan is the limit. I think that's about all, isn't
it? I want to run down and see Chalkeley. A bicycle will do. And, by the
way, I wish you'd speak to Crane some time. I'm certain he's had my new
car out."

"Has he done it any harm?"

"No."

"In that case I shall let it pass. It's not worth while having a row."

Charles and his father sometimes disagreed. But they always parted
with an increased regard for one another, and each desired no doughtier
comrade when it was necessary to voyage for a little past the emotions.
So the sailors of Ulysses voyaged past the Sirens, having first stopped
one another's ears with wool.

 In an abrupt shift, we find ourselves leaving a funeral. We see the attendees milling around, and learn that this is a Wilcox family funeral, in Hilton - it turns out to be Mrs. Wilcox's. We see the goings on from the perspective of a wood-cutter, who's saddened by the events. The people of the village obviously cared for Mrs. Wilcox, and for her husband, as well. Charles, however, is not as popular. There's a sense that the younger generation is somehow worse than their parents. The wood-cutter keeps working as the people drift away, and, even though he disapproves of colored flowers at a funeral, takes one of the flowers from the grave and leaves . At Howards End, the whole family is in mourning. Mr. Wilcox is overcome with memories of his dead wife's goodness and innocence, and he can't believe that she's gone - she didn't tell him of her illness, and died rather suddenly. Evie comes in with the day's mail; she wants to help, but she's not sure what to do. She goes back to Charles and Dolly, and Charles goes in to see their father next. He's equally unsuccessful at getting Mr. Wilcox to eat anything, but pretends to be in charge. Dolly, Charles's new wife, is useless. She's frivolous and unfeeling, and she can't help but wish that Mrs. Wilcox had died before the wedding, so she wouldn't have to be in mourning. Charles, Dolly, and Evie embark on some trivial conversation about the trees in the village - they can't face up to their real sorrow. It's the Wilcox way to avoid things that are deeply felt, even though they are truly sad at heart. Even obnoxious Charles is full of feelings; everything around the house reminds him of his mother. Evie is also struck by her mother's absence, not just in the house, but in her life. As the narrator sadly comments, the children's sadness is different from their father's, for "a wife may be replaced; a mother never." Charles thinks over his mother's will, which seems fair enough - all of her things are divvied up between her husband and children . Charles decides that he and Dolly will return to London so he can go back to work, because to stick around Howards End would be too depressing. Charles heads down to the garage, notices that there's some mud on his new car, and harasses the chauffeur for a while. While they're talking, Dolly comes out and tries to communicate something strange to him: Miss Schlegel , "has got" Howards End. Everyone's all in a tizzy. Mr. Wilcox tries to clear things up by explaining: he's received a letter from the matron of the nursing home where Mrs. Wilcox died, in which a note from Mrs. Wilcox is enclosed. The note says that she wants Margaret to inherit Howards End. The whole family is taken aback. Dolly foolishly tries to intervene, but is told not to meddle. The note isn't legal, but that's not the issue. Mr. Wilcox clearly wants to do what is most loyal to the memory of his wife; Charles, on the other hand, thinks that Margaret must have interfered somehow in her own interest . The family deliberates for hours. The narrator steps in here and agrees that the Wilcoxes shouldn't give the house to Margaret, since the last minute change isn't legal - and, after all, it communicates something about their mother that they couldn't understand. To Mrs. Wilcox, the act was spiritual; Howards End was more than just a house to her, and she saw Margaret as a kindred spirit and an heir to what the house represents. To her husband and children, though, Howards End is simply an asset. This final bequest seems treacherous to the Wilcoxes - they can't believe Mrs. Wilcox would do such a thing. They decide that the whole thing isn't at all like her, and dismiss it. There's more talk about Margaret - none of the Wilcoxes seem to like her, and Charles and Dolly put her down for sending the scandalous colored chrysanthemums, and even for coming to the funeral. They attribute her oddness to the fact that she's not "really English," but is instead a "German cosmopolitan." Mr. Wilcox puts his foot down and says that they are not to blame her, since she was just as in the dark about all of this as they were. Charles brushes the incident off and diverts the conversation back to his new car and the chauffeur. It seems like this troublesome interlude is over.

