Chapter: ACT I. Scene I.
Verona. A public place.

Enter Sampson and Gregory (with swords and bucklers) of the house
of Capulet.


  Samp. Gregory, on my word, we'll not carry coals.

  Greg. No, for then we should be colliers.

  Samp. I mean, an we be in choler, we'll draw.

  Greg. Ay, while you live, draw your neck out of collar.

  Samp. I strike quickly, being moved.

  Greg. But thou art not quickly moved to strike.

  Samp. A dog of the house of Montague moves me.

  Greg. To move is to stir, and to be valiant is to stand.
    Therefore, if thou art moved, thou runn'st away.

  Samp. A dog of that house shall move me to stand. I will take
    the wall of any man or maid of Montague's.

  Greg. That shows thee a weak slave; for the weakest goes to the
    wall.

  Samp. 'Tis true; and therefore women, being the weaker vessels,
    are ever thrust to the wall. Therefore I will push Montague's men
    from the wall and thrust his maids to the wall.

  Greg. The quarrel is between our masters and us their men.

  Samp. 'Tis all one. I will show myself a tyrant. When I have
    fought with the men, I will be cruel with the maids- I will cut off
    their heads.

  Greg. The heads of the maids?

  Samp. Ay, the heads of the maids, or their maidenheads.
    Take it in what sense thou wilt.

  Greg. They must take it in sense that feel it.

  Samp. Me they shall feel while I am able to stand; and 'tis known I
    am a pretty piece of flesh.

  Greg. 'Tis well thou art not fish; if thou hadst, thou hadst
    been poor-John. Draw thy tool! Here comes two of the house of
    Montagues.

           Enter two other Servingmen [Abram and Balthasar].


  Samp. My naked weapon is out. Quarrel! I will back thee.

  Greg. How? turn thy back and run?

  Samp. Fear me not.

  Greg. No, marry. I fear thee!

  Samp. Let us take the law of our sides; let them begin.

  Greg. I will frown as I pass by, and let them take it as they list.

  Samp. Nay, as they dare. I will bite my thumb at them; which is
    disgrace to them, if they bear it.

  Abr. Do you bite your thumb at us, sir?

  Samp. I do bite my thumb, sir.

  Abr. Do you bite your thumb at us, sir?

  Samp. [aside to Gregory] Is the law of our side if I say ay?

  Greg. [aside to Sampson] No.

  Samp. No, sir, I do not bite my thumb at you, sir; but I bite my
    thumb, sir.

  Greg. Do you quarrel, sir?

  Abr. Quarrel, sir? No, sir.

  Samp. But if you do, sir, am for you. I serve as good a man as
    you.

  Abr. No better.

  Samp. Well, sir.

                        Enter Benvolio.


  Greg. [aside to Sampson] Say 'better.' Here comes one of my
    master's kinsmen.

  Samp. Yes, better, sir.

  Abr. You lie.

  Samp. Draw, if you be men. Gregory, remember thy swashing blow.
                                                     They fight.

  Ben. Part, fools! [Beats down their swords.]
    Put up your swords. You know not what you do.

                          Enter Tybalt.


  Tyb. What, art thou drawn among these heartless hinds?
    Turn thee Benvolio! look upon thy death.

  Ben. I do but keep the peace. Put up thy sword,
    Or manage it to part these men with me.

  Tyb. What, drawn, and talk of peace? I hate the word
    As I hate hell, all Montagues, and thee.
    Have at thee, coward!                            They fight.

     Enter an officer, and three or four Citizens with clubs or
                          partisans.


  Officer. Clubs, bills, and partisans! Strike! beat them down!

  Citizens. Down with the Capulets! Down with the Montagues!

           Enter Old Capulet in his gown, and his Wife.


  Cap. What noise is this? Give me my long sword, ho!

  Wife. A crutch, a crutch! Why call you for a sword?

  Cap. My sword, I say! Old Montague is come
    And flourishes his blade in spite of me.

                 Enter Old Montague and his Wife.


  Mon. Thou villain Capulet!- Hold me not, let me go.

  M. Wife. Thou shalt not stir one foot to seek a foe.

                Enter Prince Escalus, with his Train.


  Prince. Rebellious subjects, enemies to peace,
    Profaners of this neighbour-stained steel-
    Will they not hear? What, ho! you men, you beasts,
    That quench the fire of your pernicious rage
    With purple fountains issuing from your veins!
    On pain of torture, from those bloody hands
    Throw your mistempered weapons to the ground
    And hear the sentence of your moved prince.
    Three civil brawls, bred of an airy word
    By thee, old Capulet, and Montague,
    Have thrice disturb'd the quiet of our streets
    And made Verona's ancient citizens
    Cast by their grave beseeming ornaments
    To wield old partisans, in hands as old,
    Cank'red with peace, to part your cank'red hate.
    If ever you disturb our streets again,
    Your lives shall pay the forfeit of the peace.
    For this time all the rest depart away.
    You, Capulet, shall go along with me;
    And, Montague, come you this afternoon,
    To know our farther pleasure in this case,
    To old Freetown, our common judgment place.
    Once more, on pain of death, all men depart.
              Exeunt [all but Montague, his Wife, and Benvolio].

  Mon. Who set this ancient quarrel new abroach?
    Speak, nephew, were you by when it began?

  Ben. Here were the servants of your adversary
    And yours, close fighting ere I did approach.
    I drew to part them. In the instant came
    The fiery Tybalt, with his sword prepar'd;
    Which, as he breath'd defiance to my ears,
    He swung about his head and cut the winds,
    Who, nothing hurt withal, hiss'd him in scorn.
    While we were interchanging thrusts and blows,
    Came more and more, and fought on part and part,
    Till the Prince came, who parted either part.

  M. Wife. O, where is Romeo? Saw you him to-day?
    Right glad I am he was not at this fray.

  Ben. Madam, an hour before the worshipp'd sun
    Peer'd forth the golden window of the East,
    A troubled mind drave me to walk abroad;
    Where, underneath the grove of sycamore
    That westward rooteth from the city's side,
    So early walking did I see your son.
    Towards him I made; but he was ware of me
    And stole into the covert of the wood.
    I- measuring his affections by my own,
    Which then most sought where most might not be found,
    Being one too many by my weary self-
    Pursu'd my humour, not Pursuing his,
    And gladly shunn'd who gladly fled from me.

  Mon. Many a morning hath he there been seen,
    With tears augmenting the fresh morning's dew,
    Adding to clouds more clouds with his deep sighs;
    But all so soon as the all-cheering sun
    Should in the furthest East bean to draw
    The shady curtains from Aurora's bed,
    Away from light steals home my heavy son
    And private in his chamber pens himself,
    Shuts up his windows, locks fair daylight
    And makes himself an artificial night.
    Black and portentous must this humour prove
    Unless good counsel may the cause remove.

  Ben. My noble uncle, do you know the cause?

  Mon. I neither know it nor can learn of him

  Ben. Have you importun'd him by any means?

  Mon. Both by myself and many other friend;
    But he, his own affections' counsellor,
    Is to himself- I will not say how true-
    But to himself so secret and so close,
    So far from sounding and discovery,
    As is the bud bit with an envious worm
    Ere he can spread his sweet leaves to the air
    Or dedicate his beauty to the sun.
    Could we but learn from whence his sorrows grow,
    We would as willingly give cure as know.

                       Enter Romeo.


  Ben. See, where he comes. So please you step aside,
    I'll know his grievance, or be much denied.

  Mon. I would thou wert so happy by thy stay
    To hear true shrift. Come, madam, let's away,
                                     Exeunt [Montague and Wife].

  Ben. Good morrow, cousin.

  Rom. Is the day so young?

  Ben. But new struck nine.

  Rom. Ay me! sad hours seem long.
    Was that my father that went hence so fast?

  Ben. It was. What sadness lengthens Romeo's hours?

  Rom. Not having that which having makes them short.

  Ben. In love?

  Rom. Out-

  Ben. Of love?

  Rom. Out of her favour where I am in love.

  Ben. Alas that love, so gentle in his view,
    Should be so tyrannous and rough in proof!

  Rom. Alas that love, whose view is muffled still,
    Should without eyes see pathways to his will!
    Where shall we dine? O me! What fray was here?
    Yet tell me not, for I have heard it all.
    Here's much to do with hate, but more with love.
    Why then, O brawling love! O loving hate!
    O anything, of nothing first create!
    O heavy lightness! serious vanity!
    Misshapen chaos of well-seeming forms!
    Feather of lead, bright smoke, cold fire, sick health!
    Still-waking sleep, that is not what it is
    This love feel I, that feel no love in this.
    Dost thou not laugh?

  Ben. No, coz, I rather weep.

  Rom. Good heart, at what?

  Ben. At thy good heart's oppression.

  Rom. Why, such is love's transgression.
    Griefs of mine own lie heavy in my breast,
    Which thou wilt propagate, to have it prest
    With more of thine. This love that thou hast shown
    Doth add more grief to too much of mine own.
    Love is a smoke rais'd with the fume of sighs;
    Being purg'd, a fire sparkling in lovers' eyes;
    Being vex'd, a sea nourish'd with lovers' tears.
    What is it else? A madness most discreet,
    A choking gall, and a preserving sweet.
    Farewell, my coz.

  Ben. Soft! I will go along.
    An if you leave me so, you do me wrong.

  Rom. Tut! I have lost myself; I am not here:
    This is not Romeo, he's some other where.

  Ben. Tell me in sadness, who is that you love?

  Rom. What, shall I groan and tell thee?

  Ben. Groan? Why, no;
    But sadly tell me who.

  Rom. Bid a sick man in sadness make his will.
    Ah, word ill urg'd to one that is so ill!
    In sadness, cousin, I do love a woman.

  Ben. I aim'd so near when I suppos'd you lov'd.

  Rom. A right good markman! And she's fair I love.

  Ben. A right fair mark, fair coz, is soonest hit.

  Rom. Well, in that hit you miss. She'll not be hit
    With Cupid's arrow. She hath Dian's wit,
    And, in strong proof of chastity well arm'd,
    From Love's weak childish bow she lives unharm'd.
    She will not stay the siege of loving terms,
    Nor bide th' encounter of assailing eyes,
    Nor ope her lap to saint-seducing gold.
    O, she's rich in beauty; only poor
    That, when she dies, with beauty dies her store.

  Ben. Then she hath sworn that she will still live chaste?

  Rom. She hath, and in that sparing makes huge waste;
    For beauty, starv'd with her severity,
    Cuts beauty off from all posterity.
    She is too fair, too wise, wisely too fair,
    To merit bliss by making me despair.
    She hath forsworn to love, and in that vow
    Do I live dead that live to tell it now.

  Ben. Be rul'd by me: forget to think of her.

  Rom. O, teach me how I should forget to think!

  Ben. By giving liberty unto thine eyes.
    Examine other beauties.

  Rom. 'Tis the way
    To call hers (exquisite) in question more.
    These happy masks that kiss fair ladies' brows,
    Being black puts us in mind they hide the fair.
    He that is strucken blind cannot forget
    The precious treasure of his eyesight lost.
    Show me a mistress that is passing fair,
    What doth her beauty serve but as a note
    Where I may read who pass'd that passing fair?
    Farewell. Thou canst not teach me to forget.

  Ben. I'll pay that doctrine, or else die in debt.      Exeunt.





Scene II.
A Street.

Enter Capulet, County Paris, and [Servant] -the Clown.


  Cap. But Montague is bound as well as I,
    In penalty alike; and 'tis not hard, I think,
    For men so old as we to keep the peace.

  Par. Of honourable reckoning are you both,
    And pity 'tis you liv'd at odds so long.
    But now, my lord, what say you to my suit?

  Cap. But saying o'er what I have said before:
    My child is yet a stranger in the world,
    She hath not seen the change of fourteen years;
    Let two more summers wither in their pride
    Ere we may think her ripe to be a bride.

  Par. Younger than she are happy mothers made.

  Cap. And too soon marr'd are those so early made.
    The earth hath swallowed all my hopes but she;
    She is the hopeful lady of my earth.
    But woo her, gentle Paris, get her heart;
    My will to her consent is but a part.
    An she agree, within her scope of choice
    Lies my consent and fair according voice.
    This night I hold an old accustom'd feast,
    Whereto I have invited many a guest,
    Such as I love; and you among the store,
    One more, most welcome, makes my number more.
    At my poor house look to behold this night
    Earth-treading stars that make dark heaven light.
    Such comfort as do lusty young men feel
    When well apparell'd April on the heel
    Of limping Winter treads, even such delight
    Among fresh female buds shall you this night
    Inherit at my house. Hear all, all see,
    And like her most whose merit most shall be;
    Which, on more view of many, mine, being one,
    May stand in number, though in reck'ning none.
    Come, go with me. [To Servant, giving him a paper] Go,
    sirrah, trudge about
    Through fair Verona; find those persons out
    Whose names are written there, and to them say,
    My house and welcome on their pleasure stay-
                                     Exeunt [Capulet and Paris].

  Serv. Find them out whose names are written here? It is written
    that the shoemaker should meddle with his yard and the tailor
    with his last, the fisher with his pencil and the painter
    with his nets; but I am sent to find those persons whose names are
    here writ, and can never find what names the writing person
    hath here writ. I must to the learned. In good time!

                   Enter Benvolio and Romeo.


  Ben. Tut, man, one fire burns out another's burning;
    One pain is lessoned by another's anguish;
    Turn giddy, and be holp by backward turning;
    One desperate grief cures with another's languish.
    Take thou some new infection to thy eye,
    And the rank poison of the old will die.

  Rom. Your plantain leaf is excellent for that.

  Ben. For what, I pray thee?

  Rom. For your broken shin.

  Ben. Why, Romeo, art thou mad?

  Rom. Not mad, but bound more than a madman is;
    Shut up in Prison, kept without my food,
    Whipp'd and tormented and- God-den, good fellow.

  Serv. God gi' go-den. I pray, sir, can you read?

  Rom. Ay, mine own fortune in my misery.

  Serv. Perhaps you have learned it without book. But I pray, can
    you read anything you see?

  Rom. Ay, If I know the letters and the language.

  Serv. Ye say honestly. Rest you merry!

  Rom. Stay, fellow; I can read.                       He reads.

      'Signior Martino and his wife and daughters;
      County Anselmo and his beauteous sisters;
      The lady widow of Vitruvio;
      Signior Placentio and His lovely nieces;
      Mercutio and his brother Valentine;
      Mine uncle Capulet, his wife, and daughters;
      My fair niece Rosaline and Livia;
      Signior Valentio and His cousin Tybalt;
      Lucio and the lively Helena.'

    [Gives back the paper.] A fair assembly. Whither should they
    come?

  Serv. Up.

  Rom. Whither?

  Serv. To supper, to our house.

  Rom. Whose house?

  Serv. My master's.

  Rom. Indeed I should have ask'd you that before.

  Serv. Now I'll tell you without asking. My master is the great
    rich Capulet; and if you be not of the house of Montagues, I pray
    come and crush a cup of wine. Rest you merry!               Exit.

  Ben. At this same ancient feast of Capulet's
    Sups the fair Rosaline whom thou so lov'st;
    With all the admired beauties of Verona.
    Go thither, and with unattainted eye
    Compare her face with some that I shall show,
    And I will make thee think thy swan a crow.

  Rom. When the devout religion of mine eye
    Maintains such falsehood, then turn tears to fires;
    And these, who, often drown'd, could never die,
    Transparent heretics, be burnt for liars!
    One fairer than my love? The all-seeing sun
    Ne'er saw her match since first the world begun.

  Ben. Tut! you saw her fair, none else being by,
    Herself pois'd with herself in either eye;
    But in that crystal scales let there be weigh'd
    Your lady's love against some other maid
    That I will show you shining at this feast,
    And she shall scant show well that now seems best.

  Rom. I'll go along, no such sight to be shown,
    But to rejoice in splendour of my own.              [Exeunt.]





Scene III.
Capulet's house.

Enter Capulet's Wife, and Nurse.


  Wife. Nurse, where's my daughter? Call her forth to me.

  Nurse. Now, by my maidenhead at twelve year old,
    I bade her come. What, lamb! what ladybird!
    God forbid! Where's this girl? What, Juliet!

                         Enter Juliet.


  Jul. How now? Who calls?

  Nurse. Your mother.

  Jul. Madam, I am here.
    What is your will?

  Wife. This is the matter- Nurse, give leave awhile,
    We must talk in secret. Nurse, come back again;
    I have rememb'red me, thou's hear our counsel.
    Thou knowest my daughter's of a pretty age.

  Nurse. Faith, I can tell her age unto an hour.

  Wife. She's not fourteen.

  Nurse. I'll lay fourteen of my teeth-
    And yet, to my teen be it spoken, I have but four-
    She is not fourteen. How long is it now
    To Lammastide?

  Wife. A fortnight and odd days.

  Nurse. Even or odd, of all days in the year,
    Come Lammas Eve at night shall she be fourteen.
    Susan and she (God rest all Christian souls!)
    Were of an age. Well, Susan is with God;
    She was too good for me. But, as I said,
    On Lammas Eve at night shall she be fourteen;
    That shall she, marry; I remember it well.
    'Tis since the earthquake now eleven years;
    And she was wean'd (I never shall forget it),
    Of all the days of the year, upon that day;
    For I had then laid wormwood to my dug,
    Sitting in the sun under the dovehouse wall.
    My lord and you were then at Mantua.
    Nay, I do bear a brain. But, as I said,
    When it did taste the wormwood on the nipple
    Of my dug and felt it bitter, pretty fool,
    To see it tetchy and fall out with the dug!
    Shake, quoth the dovehouse! 'Twas no need, I trow,
    To bid me trudge.
    And since that time it is eleven years,
    For then she could stand high-lone; nay, by th' rood,
    She could have run and waddled all about;
    For even the day before, she broke her brow;
    And then my husband (God be with his soul!
    'A was a merry man) took up the child.
    'Yea,' quoth he, 'dost thou fall upon thy face?
    Thou wilt fall backward when thou hast more wit;
    Wilt thou not, Jule?' and, by my holidam,
    The pretty wretch left crying, and said 'Ay.'
    To see now how a jest shall come about!
    I warrant, an I should live a thousand yeas,
    I never should forget it. 'Wilt thou not, Jule?' quoth he,
    And, pretty fool, it stinted, and said 'Ay.'

  Wife. Enough of this. I pray thee hold thy peace.

  Nurse. Yes, madam. Yet I cannot choose but laugh
    To think it should leave crying and say 'Ay.'
    And yet, I warrant, it bad upon it brow
    A bump as big as a young cock'rel's stone;
    A perilous knock; and it cried bitterly.
    'Yea,' quoth my husband, 'fall'st upon thy face?
    Thou wilt fall backward when thou comest to age;
    Wilt thou not, Jule?' It stinted, and said 'Ay.'

  Jul. And stint thou too, I pray thee, nurse, say I.

  Nurse. Peace, I have done. God mark thee to his grace!
    Thou wast the prettiest babe that e'er I nurs'd.
    An I might live to see thee married once, I have my wish.

  Wife. Marry, that 'marry' is the very theme
    I came to talk of. Tell me, daughter Juliet,
    How stands your disposition to be married?

  Jul. It is an honour that I dream not of.

  Nurse. An honour? Were not I thine only nurse,
    I would say thou hadst suck'd wisdom from thy teat.

  Wife. Well, think of marriage now. Younger than you,
    Here in Verona, ladies of esteem,
    Are made already mothers. By my count,
    I was your mother much upon these years
    That you are now a maid. Thus then in brief:
    The valiant Paris seeks you for his love.

  Nurse. A man, young lady! lady, such a man
    As all the world- why he's a man of wax.

  Wife. Verona's summer hath not such a flower.

  Nurse. Nay, he's a flower, in faith- a very flower.

  Wife. What say you? Can you love the gentleman?
    This night you shall behold him at our feast.
    Read o'er the volume of young Paris' face,
    And find delight writ there with beauty's pen;
    Examine every married lineament,
    And see how one another lends content;
    And what obscur'd in this fair volume lies
    Find written in the margent of his eyes,
    This precious book of love, this unbound lover,
    To beautify him only lacks a cover.
    The fish lives in the sea, and 'tis much pride
    For fair without the fair within to hide.
    That book in many's eyes doth share the glory,
    That in gold clasps locks in the golden story;
    So shall you share all that he doth possess,
    By having him making yourself no less.

  Nurse. No less? Nay, bigger! Women grow by men

  Wife. Speak briefly, can you like of Paris' love?

  Jul. I'll look to like, if looking liking move;
    But no more deep will I endart mine eye
    Than your consent gives strength to make it fly.

                        Enter Servingman.


  Serv. Madam, the guests are come, supper serv'd up, you call'd,
    my young lady ask'd for, the nurse curs'd in the pantry, and
    everything in extremity. I must hence to wait. I beseech you
    follow straight.

  Wife. We follow thee.                       Exit [Servingman].
    Juliet, the County stays.

  Nurse. Go, girl, seek happy nights to happy days.
                                                         Exeunt.





Scene IV.
A street.

Enter Romeo, Mercutio, Benvolio, with five or six other Maskers;
Torchbearers.


  Rom. What, shall this speech be spoke for our excuse?
    Or shall we on without apology?

  Ben. The date is out of such prolixity.
    We'll have no Cupid hoodwink'd with a scarf,
    Bearing a Tartar's painted bow of lath,
    Scaring the ladies like a crowkeeper;
    Nor no without-book prologue, faintly spoke
    After the prompter, for our entrance;
    But, let them measure us by what they will,
    We'll measure them a measure, and be gone.

  Rom. Give me a torch. I am not for this ambling.
    Being but heavy, I will bear the light.

  Mer. Nay, gentle Romeo, we must have you dance.

  Rom. Not I, believe me. You have dancing shoes
    With nimble soles; I have a soul of lead
    So stakes me to the ground I cannot move.

  Mer. You are a lover. Borrow Cupid's wings
    And soar with them above a common bound.

  Rom. I am too sore enpierced with his shaft
    To soar with his light feathers; and so bound
    I cannot bound a pitch above dull woe.
    Under love's heavy burthen do I sink.

  Mer. And, to sink in it, should you burthen love-
    Too great oppression for a tender thing.

  Rom. Is love a tender thing? It is too rough,
    Too rude, too boist'rous, and it pricks like thorn.

  Mer. If love be rough with you, be rough with love.
    Prick love for pricking, and you beat love down.
    Give me a case to put my visage in.
    A visor for a visor! What care I
    What curious eye doth quote deformities?
    Here are the beetle brows shall blush for me.

  Ben. Come, knock and enter; and no sooner in
    But every man betake him to his legs.

  Rom. A torch for me! Let wantons light of heart
    Tickle the senseless rushes with their heels;
    For I am proverb'd with a grandsire phrase,
    I'll be a candle-holder and look on;
    The game was ne'er so fair, and I am done.

  Mer. Tut! dun's the mouse, the constable's own word!
    If thou art Dun, we'll draw thee from the mire
    Of this sir-reverence love, wherein thou stick'st
    Up to the ears. Come, we burn daylight, ho!

  Rom. Nay, that's not so.

  Mer. I mean, sir, in delay
    We waste our lights in vain, like lamps by day.
    Take our good meaning, for our judgment sits
    Five times in that ere once in our five wits.

  Rom. And we mean well, in going to this masque;
    But 'tis no wit to go.

  Mer. Why, may one ask?

  Rom. I dreamt a dream to-night.

  Mer. And so did I.

  Rom. Well, what was yours?

  Mer. That dreamers often lie.

  Rom. In bed asleep, while they do dream things true.

  Mer. O, then I see Queen Mab hath been with you.
    She is the fairies' midwife, and she comes
    In shape no bigger than an agate stone
    On the forefinger of an alderman,
    Drawn with a team of little atomies
    Athwart men's noses as they lie asleep;
    Her wagon spokes made of long spinners' legs,
    The cover, of the wings of grasshoppers;
    Her traces, of the smallest spider's web;
    Her collars, of the moonshine's wat'ry beams;
    Her whip, of cricket's bone; the lash, of film;
    Her wagoner, a small grey-coated gnat,
    Not half so big as a round little worm
    Prick'd from the lazy finger of a maid;
    Her chariot is an empty hazelnut,
    Made by the joiner squirrel or old grub,
    Time out o' mind the fairies' coachmakers.
    And in this state she 'gallops night by night
    Through lovers' brains, and then they dream of love;
    O'er courtiers' knees, that dream on cursies straight;
    O'er lawyers' fingers, who straight dream on fees;
    O'er ladies' lips, who straight on kisses dream,
    Which oft the angry Mab with blisters plagues,
    Because their breaths with sweetmeats tainted are.
    Sometime she gallops o'er a courtier's nose,
    And then dreams he of smelling out a suit;
    And sometime comes she with a tithe-pig's tail
    Tickling a parson's nose as 'a lies asleep,
    Then dreams he of another benefice.
    Sometimes she driveth o'er a soldier's neck,
    And then dreams he of cutting foreign throats,
    Of breaches, ambuscadoes, Spanish blades,
    Of healths five fadom deep; and then anon
    Drums in his ear, at which he starts and wakes,
    And being thus frighted, swears a prayer or two
    And sleeps again. This is that very Mab
    That plats the manes of horses in the night
    And bakes the elflocks in foul sluttish, hairs,
    Which once untangled much misfortune bodes
    This is the hag, when maids lie on their backs,
    That presses them and learns them first to bear,
    Making them women of good carriage.
    This is she-

  Rom. Peace, peace, Mercutio, peace!
    Thou talk'st of nothing.

  Mer. True, I talk of dreams;
    Which are the children of an idle brain,
    Begot of nothing but vain fantasy;
    Which is as thin of substance as the air,
    And more inconstant than the wind, who wooes
    Even now the frozen bosom of the North
    And, being anger'd, puffs away from thence,
    Turning his face to the dew-dropping South.

  Ben. This wind you talk of blows us from ourselves.
    Supper is done, and we shall come too late.

  Rom. I fear, too early; for my mind misgives
    Some consequence, yet hanging in the stars,
    Shall bitterly begin his fearful date
    With this night's revels and expire the term
    Of a despised life, clos'd in my breast,
    By some vile forfeit of untimely death.
    But he that hath the steerage of my course
    Direct my sail! On, lusty gentlemen!

  Ben. Strike, drum.
                           They march about the stage. [Exeunt.]





Scene V.
Capulet's house.

Servingmen come forth with napkins.

  1. Serv. Where's Potpan, that he helps not to take away?
    He shift a trencher! he scrape a trencher!
  2. Serv. When good manners shall lie all in one or two men's
    hands, and they unwash'd too, 'tis a foul thing.
  1. Serv. Away with the join-stools, remove the court-cubbert,
    look to the plate. Good thou, save me a piece of marchpane and, as
    thou loves me, let the porter let in Susan Grindstone and
Nell.
    Anthony, and Potpan!
  2. Serv. Ay, boy, ready.
  1. Serv. You are look'd for and call'd for, ask'd for and
    sought for, in the great chamber.
  3. Serv. We cannot be here and there too. Cheerly, boys!
    Be brisk awhile, and the longer liver take all.      Exeunt.

    Enter the Maskers, Enter, [with Servants,] Capulet, his Wife,
              Juliet, Tybalt, and all the Guests
               and Gentlewomen to the Maskers.


  Cap. Welcome, gentlemen! Ladies that have their toes
    Unplagu'd with corns will have a bout with you.
    Ah ha, my mistresses! which of you all
    Will now deny to dance? She that makes dainty,
    She I'll swear hath corns. Am I come near ye now?
    Welcome, gentlemen! I have seen the day
    That I have worn a visor and could tell
    A whispering tale in a fair lady's ear,
    Such as would please. 'Tis gone, 'tis gone, 'tis gone!
    You are welcome, gentlemen! Come, musicians, play.
    A hall, a hall! give room! and foot it, girls.
                                    Music plays, and they dance.
    More light, you knaves! and turn the tables up,
    And quench the fire, the room is grown too hot.
    Ah, sirrah, this unlook'd-for sport comes well.
    Nay, sit, nay, sit, good cousin Capulet,
    For you and I are past our dancing days.
    How long is't now since last yourself and I
    Were in a mask?
  2. Cap. By'r Lady, thirty years.

  Cap. What, man? 'Tis not so much, 'tis not so much!
    'Tis since the nuptial of Lucentio,
    Come Pentecost as quickly as it will,
    Some five-and-twenty years, and then we mask'd.
  2. Cap. 'Tis more, 'tis more! His son is elder, sir;
    His son is thirty.

  Cap. Will you tell me that?
    His son was but a ward two years ago.

  Rom. [to a Servingman] What lady's that, which doth enrich the
    hand Of yonder knight?

  Serv. I know not, sir.

  Rom. O, she doth teach the torches to burn bright!
    It seems she hangs upon the cheek of night
    Like a rich jewel in an Ethiop's ear-
    Beauty too rich for use, for earth too dear!
    So shows a snowy dove trooping with crows
    As yonder lady o'er her fellows shows.
    The measure done, I'll watch her place of stand
    And, touching hers, make blessed my rude hand.
    Did my heart love till now? Forswear it, sight!
    For I ne'er saw true beauty till this night.

  Tyb. This, by his voice, should be a Montague.
    Fetch me my rapier, boy. What, dares the slave
    Come hither, cover'd with an antic face,
    To fleer and scorn at our solemnity?
    Now, by the stock and honour of my kin,
    To strike him dead I hold it not a sin.

  Cap. Why, how now, kinsman? Wherefore storm you so?

  Tyb. Uncle, this is a Montague, our foe;
    A villain, that is hither come in spite
    To scorn at our solemnity this night.

  Cap. Young Romeo is it?

  Tyb. 'Tis he, that villain Romeo.

  Cap. Content thee, gentle coz, let him alone.
    'A bears him like a portly gentleman,
    And, to say truth, Verona brags of him
    To be a virtuous and well-govern'd youth.
    I would not for the wealth of all this town
    Here in my house do him disparagement.
    Therefore be patient, take no note of him.
    It is my will; the which if thou respect,
    Show a fair presence and put off these frowns,
    An ill-beseeming semblance for a feast.

  Tyb. It fits when such a villain is a guest.
    I'll not endure him.

  Cap. He shall be endur'd.
    What, goodman boy? I say he shall. Go to!
    Am I the master here, or you? Go to!
    You'll not endure him? God shall mend my soul!
    You'll make a mutiny among my guests!
    You will set cock-a-hoop! you'll be the man!

  Tyb. Why, uncle, 'tis a shame.

  Cap. Go to, go to!
    You are a saucy boy. Is't so, indeed?
    This trick may chance to scathe you. I know what.
    You must contrary me! Marry, 'tis time.-
    Well said, my hearts!- You are a princox- go!
    Be quiet, or- More light, more light!- For shame!
    I'll make you quiet; what!- Cheerly, my hearts!

  Tyb. Patience perforce with wilful choler meeting
    Makes my flesh tremble in their different greeting.
    I will withdraw; but this intrusion shall,
    Now seeming sweet, convert to bitt'rest gall.          Exit.

  Rom. If I profane with my unworthiest hand
    This holy shrine, the gentle fine is this:
    My lips, two blushing pilgrims, ready stand
    To smooth that rough touch with a tender kiss.

  Jul. Good pilgrim, you do wrong your hand too much,
    Which mannerly devotion shows in this;
    For saints have hands that pilgrims' hands do touch,
    And palm to palm is holy palmers' kiss.

  Rom. Have not saints lips, and holy palmers too?

  Jul. Ay, pilgrim, lips that they must use in pray'r.

  Rom. O, then, dear saint, let lips do what hands do!
    They pray; grant thou, lest faith turn to despair.

  Jul. Saints do not move, though grant for prayers' sake.

  Rom. Then move not while my prayer's effect I take.
    Thus from my lips, by thine my sin is purg'd.  [Kisses her.]

  Jul. Then have my lips the sin that they have took.

  Rom. Sin from my lips? O trespass sweetly urg'd!
    Give me my sin again.                          [Kisses her.]

  Jul. You kiss by th' book.

  Nurse. Madam, your mother craves a word with you.

  Rom. What is her mother?

  Nurse. Marry, bachelor,
    Her mother is the lady of the house.
    And a good lady, and a wise and virtuous.
    I nurs'd her daughter that you talk'd withal.
    I tell you, he that can lay hold of her
    Shall have the chinks.

  Rom. Is she a Capulet?
    O dear account! my life is my foe's debt.

  Ben. Away, be gone; the sport is at the best.

  Rom. Ay, so I fear; the more is my unrest.

  Cap. Nay, gentlemen, prepare not to be gone;
    We have a trifling foolish banquet towards.
    Is it e'en so? Why then, I thank you all.
    I thank you, honest gentlemen. Good night.
    More torches here! [Exeunt Maskers.] Come on then, let's to bed.
    Ah, sirrah, by my fay, it waxes late;
    I'll to my rest.
                              Exeunt [all but Juliet and Nurse].

  Jul. Come hither, nurse. What is yond gentleman?

  Nurse. The son and heir of old Tiberio.

  Jul. What's he that now is going out of door?

  Nurse. Marry, that, I think, be young Petruchio.

  Jul. What's he that follows there, that would not dance?

  Nurse. I know not.

  Jul. Go ask his name.- If he be married,
    My grave is like to be my wedding bed.

  Nurse. His name is Romeo, and a Montague,
    The only son of your great enemy.

  Jul. My only love, sprung from my only hate!
    Too early seen unknown, and known too late!
    Prodigious birth of love it is to me
    That I must love a loathed enemy.

  Nurse. What's this? what's this?

  Jul. A rhyme I learnt even now
    Of one I danc'd withal.
                                     One calls within, 'Juliet.'

  Nurse. Anon, anon!
    Come, let's away; the strangers all are gone.        Exeunt.




PROLOGUE

Enter Chorus.


  Chor. Now old desire doth in his deathbed lie,
    And young affection gapes to be his heir;
    That fair for which love groan'd for and would die,
    With tender Juliet match'd, is now not fair.
    Now Romeo is belov'd, and loves again,
    Alike bewitched by the charm of looks;
    But to his foe suppos'd he must complain,
    And she steal love's sweet bait from fearful hooks.
    Being held a foe, he may not have access
    To breathe such vows as lovers use to swear,
    And she as much in love, her means much less
    To meet her new beloved anywhere;
    But passion lends them power, time means, to meet,
    Temp'ring extremities with extreme sweet.
Exit.

 Prologue The chorus introduces the play and establishes the plot that will unfold. They explain how two families in Verona - the Capulets and the Montagues - have reignited an ancient feud, and how two lovers, one from each family, will commit suicide after becoming entangled in this conflict. These lovers are Juliet Capulet and Romeo Montague. Only after the suicides will the families decide to end their feud. Act One, Scene One Two Capulet servants - Sampson and Gregory - loiter on the street, waiting for some Montague servants to pass. They banter, using sexual innuendo and raunchy puns to joke about women, and speak with animosity about the Montagues. They lament that the law prohibits fighting, and wonder how to start a battle legally. When the Montague servants - Abram and Balthasar - arrive, Sampson bites his thumb at them . Insulted, Abram confronts Sampson and a fight begins. Benvolio, Romeo's cousin, arrives to discover the fight in progress. Drawing his sword, he commands them to stop. Then, Tybalt, Juliet's cousin, walks onto the street. Upon seeing his rival, Benvolio, Tybalt also draws his sword, reigniting the altercation. Lord Capulet - the patriarch of the family - arrives at the battle, and demands a sword so that he might join in. However, Lady Capulet restrains him, even after Lord Montague emerges ready to fight. It turns out that the Citizens of the Watch have spread word of the street fight, and Prince Escalus arrives before anyone is killed. The Prince chides the Montagues and the Capulets for their mutual aggression, which he believes is making the streets of Verona unsafe. The Prince then orders everyone to return home and cease hostilities at the risk of great punishment. He personally accompanies the Capulets home. The Montagues and Benvolio remain on stage. The family asks Benvolio where Romeo is, and he tells them that the boy has been in a strange mood lately. When a somber Romeo finally appears, the Montagues ask Benvolio to determine the cause of his melancholy, after which they depart. When Benvolio asks Romeo about the source of his gloom, Romeo explains that he is pining for a woman named Rosaline, who plans to remain chaste for the rest of her life. This unrequited love is the cause of Romeo's depression. Act One, Scene Two Paris Lord Capulet for permission to marry Juliet, but Capulet insists that Paris should be patient, since Juliet is only thirteen. However, Capulet does grant Paris permission to woo Juliet and thereby win her approval. Capulet suggests to Paris that he should try to impress Juliet at a masked ball that the Capulets are hosting that evening. Capulet then hands his servant Peter a list of names and orders the man to invite everyone on the list to the party. Out on the streets, Peter runs into Romeo and Benvolio, who are talking about Rosaline. Peter cannot read, so he asks them to help him interpret the list. Romeo and Benvolio comply, and upon reading the list, they discover that Rosaline will be at the Capulets' party. They decide to attend - even though it is a Capulet party, they will be able to disguise their identities by wearing masks. Act One, Scene Three At the Capulet home, Lady Capulet asks the Nurse to call for Juliet. While they await the girl's arrival, the Nurse laments the fact that Juliet will be fourteen in under two weeks. When Juliet arrives, the Nurse tells a rambling, embarrassing story about how her late husband had once made an inappropriate sexual joke about Juliet when she was an infant. The Nurse keeps telling her endless tale until Juliet orders her to stop. Lady Capulet tells Juliet about Paris's intention to marry her. The mother describes Paris as beautiful, comparing him to a fine book that only lacks a cover. Juliet does not promise anything to her mother, but she does agree to study Paris that night. Act One, Scene Four Romeo, Benvolio, and their friend Mercutio walk through the streets to the Capulets' party. Romeo remains depressed over Rosaline, so Mercutio tries to cheer him up with a story about Queen Mab, a fictitious elf who infiltrates men's dreams. Romeo hushes his friend, admitting his concern about the attending a party at the home of his rivals. Act One, Scene Five At the party, Romeo mopes in the corner, away from the dancing. From this vantage point, he notices Juliet, and falls in love with her immediately. Tybalt overhears Romeo asking a servingman about Juliet, and recognizes the masked man's voice. However, before Tybalt can create a scene, Lord Capulet reminds him of the prince's prohibition of public fighting, and orders the boy to stand down. Romeo approaches Juliet and touches her hand. They speak together in a sonnet, and Romeo eventually earns Juliet's permission for a kiss. However, before they can talk further, the Nurse calls Juliet to see her mother. After Juliet leaves, Romeo asks the Nurse her name, and is shocked to learn that his new object of desire is a Capulet. As the party winds down, Juliet asks her Nurse about Romeo. When she learns about Romeo's identity, she is heartbroken to find out that she has fallen in love with a "loathed enemy" .

