Chapter: CHAPTER XXXI


THEIR night came unheralded.

Kennicott was on a country call. It was cool but Carol huddled on the
porch, rocking, meditating, rocking. The house was lonely and repellent,
and though she sighed, "I ought to go in and read--so many things to
read--ought to go in," she remained. Suddenly Erik was coming, turning
in, swinging open the screen door, touching her hand.

"Erik!"

"Saw your husband driving out of town. Couldn't stand it."

"Well----You mustn't stay more than five minutes."

"Couldn't stand not seeing you. Every day, towards evening, felt I had
to see you--pictured you so clear. I've been good though, staying away,
haven't I!"

"And you must go on being good."

"Why must I?"

"We better not stay here on the porch. The Howlands across the street
are such window-peepers, and Mrs. Bogart----"

She did not look at him but she could divine his tremulousness as he
stumbled indoors. A moment ago the night had been coldly empty; now it
was incalculable, hot, treacherous. But it is women who are the calm
realists once they discard the fetishes of the premarital hunt. Carol
was serene as she murmured, "Hungry? I have some little honey-colored
cakes. You may have two, and then you must skip home."

"Take me up and let me see Hugh asleep."

"I don't believe----"

"Just a glimpse!"

"Well----"

She doubtfully led the way to the hallroom-nursery. Their heads close,
Erik's curls pleasant as they touched her cheek, they looked in at the
baby. Hugh was pink with slumber. He had burrowed into his pillow with
such energy that it was almost smothering him. Beside it was a celluloid
rhinoceros; tight in his hand a torn picture of Old King Cole.

"Shhh!" said Carol, quite automatically. She tiptoed in to pat the
pillow. As she returned to Erik she had a friendly sense of his waiting
for her. They smiled at each other. She did not think of Kennicott, the
baby's father. What she did think was that some one rather like Erik, an
older and surer Erik, ought to be Hugh's father. The three of them would
play--incredible imaginative games.

"Carol! You've told me about your own room. Let me peep in at it."

"But you mustn't stay, not a second. We must go downstairs."

"Yes."

"Will you be good?"

"R-reasonably!" He was pale, large-eyed, serious.

"You've got to be more than reasonably good!" She felt sensible and
superior; she was energetic about pushing open the door.

Kennicott had always seemed out of place there but Erik surprisingly
harmonized with the spirit of the room as he stroked the books, glanced
at the prints. He held out his hands. He came toward her. She was weak,
betrayed to a warm softness. Her head was tilted back. Her eyes were
closed. Her thoughts were formless but many-colored. She felt his kiss,
diffident and reverent, on her eyelid.

Then she knew that it was impossible.

She shook herself. She sprang from him. "Please!" she said sharply.

He looked at her unyielding.

"I am fond of you," she said. "Don't spoil everything. Be my friend."

"How many thousands and millions of women must have said that! And now
you! And it doesn't spoil everything. It glorifies everything."

"Dear, I do think there's a tiny streak of fairy in you--whatever you do
with it. Perhaps I'd have loved that once. But I won't. It's too late.
But I'll keep a fondness for you. Impersonal--I will be impersonal! It
needn't be just a thin talky fondness. You do need me, don't you? Only
you and my son need me. I've wanted so to be wanted! Once I wanted
love to be given to me. Now I'll be content if I can give. . . . Almost
content!

"We women, we like to do things for men. Poor men! We swoop on you when
you're defenseless and fuss over you and insist on reforming you. But
it's so pitifully deep in us. You'll be the one thing in which I haven't
failed. Do something definite! Even if it's just selling cottons. Sell
beautiful cottons--caravans from China----"

"Carol! Stop! You do love me!"

"I do not! It's just----Can't you understand? Everything crushes in on
me so, all the gaping dull people, and I look for a way out----Please
go. I can't stand any more. Please!"

He was gone. And she was not relieved by the quiet of the house. She was
empty and the house was empty and she needed him. She wanted to go
on talking, to get this threshed out, to build a sane friendship. She
wavered down to the living-room, looked out of the bay-window. He was
not to be seen. But Mrs. Westlake was. She was walking past, and in
the light from the corner arc-lamp she quickly inspected the porch, the
windows. Carol dropped the curtain, stood with movement and reflection
paralyzed. Automatically, without reasoning, she mumbled, "I will see
him again soon and make him understand we must be friends. But----The
house is so empty. It echoes so."


II


Kennicott had seemed nervous and absent-minded through that supper-hour,
two evenings after. He prowled about the living-room, then growled:

"What the dickens have you been saying to Ma Westlake?"

Carol's book rattled. "What do you mean?"

"I told you that Westlake and his wife were jealous of us, and here you
been chumming up to them and----From what Dave tells me, Ma Westlake has
been going around town saying you told her that you hate Aunt Bessie,
and that you fixed up your own room because I snore, and you said
Bjornstam was too good for Bea, and then, just recent, that you were
sore on the town because we don't all go down on our knees and beg this
Valborg fellow to come take supper with us. God only knows what else she
says you said."

"It's not true, any of it! I did like Mrs. Westlake, and I've called on
her, and apparently she's gone and twisted everything I've said----"

"Sure. Of course she would. Didn't I tell you she would? She's an old
cat, like her pussyfooting, hand-holding husband. Lord, if I was sick,
I'd rather have a faith-healer than Westlake, and she's another slice
off the same bacon. What I can't understand though----"

She waited, taut.

"----is whatever possessed you to let her pump you, bright a girl as
you are. I don't care what you told her--we all get peeved sometimes
and want to blow off steam, that's natural--but if you wanted to keep it
dark, why didn't you advertise it in the Dauntless, or get a megaphone
and stand on top of the hotel and holler, or do anything besides spill
it to her!"

"I know. You told me. But she was so motherly. And I didn't have any
woman----Vida 's become so married and proprietary."

"Well, next time you'll have better sense."

He patted her head, flumped down behind his newspaper, said nothing
more.

Enemies leered through the windows, stole on her from the hall. She had
no one save Erik. This kind good man Kennicott--he was an elder
brother. It was Erik, her fellow outcast, to whom she wanted to run for
sanctuary. Through her storm she was, to the eye, sitting quietly with
her fingers between the pages of a baby-blue book on home-dressmaking.
But her dismay at Mrs. Westlake's treachery had risen to active dread.
What had the woman said of her and Erik? What did she know? What had she
seen? Who else would join in the baying hunt? Who else had seen her
with Erik? What had she to fear from the Dyers, Cy Bogart, Juanita, Aunt
Bessie? What precisely had she answered to Mrs. Bogart's questioning?

All next day she was too restless to stay home, yet as she walked the
streets on fictitious errands she was afraid of every person she met.
She waited for them to speak; waited with foreboding. She repeated, "I
mustn't ever see Erik again." But the words did not register. She had no
ecstatic indulgence in the sense of guilt which is, to the women of Main
Street, the surest escape from blank tediousness.

At five, crumpled in a chair in the living-room, she started at the
sound of the bell. Some one opened the door. She waited, uneasy. Vida
Sherwin charged into the room. "Here's the one person I can trust!"
Carol rejoiced.

Vida was serious but affectionate. She bustled at Carol with, "Oh, there
you are, dearie, so glad t' find you in, sit down, want to talk to you."

Carol sat, obedient.

Vida fussily tugged over a large chair and launched out:

"I've been hearing vague rumors you were interested in this Erik
Valborg. I knew you couldn't be guilty, and I'm surer than ever of it
now. Here we are, as blooming as a daisy."

"How does a respectable matron look when she feels guilty?"

Carol sounded resentful.

"Why----Oh, it would show! Besides! I know that you, of all people, are
the one that can appreciate Dr. Will."

"What have you been hearing?"

"Nothing, really. I just heard Mrs. Bogart say she'd seen you and
Valborg walking together a lot." Vida's chirping slackened. She looked
at her nails. "But----I suspect you do like Valborg. Oh, I don't mean in
any wrong way. But you're young; you don't know what an innocent liking
might drift into. You always pretend to be so sophisticated and all,
but you're a baby. Just because you are so innocent, you don't know what
evil thoughts may lurk in that fellow's brain."

"You don't suppose Valborg could actually think about making love to
me?"

Her rather cheap sport ended abruptly as Vida cried, with contorted
face, "What do you know about the thoughts in hearts? You just play at
reforming the world. You don't know what it means to suffer."

There are two insults which no human being will endure: the assertion
that he hasn't a sense of humor, and the doubly impertinent assertion
that he has never known trouble. Carol said furiously, "You think I
don't suffer? You think I've always had an easy----"

"No, you don't. I'm going to tell you something I've never told a living
soul, not even Ray." The dam of repressed imagination which Vida had
builded for years, which now, with Raymie off at the wars, she was
building again, gave way.

"I was--I liked Will terribly well. One time at a party--oh, before
he met you, of course--but we held hands, and we were so happy. But I
didn't feel I was really suited to him. I let him go. Please don't think
I still love him! I see now that Ray was predestined to be my mate. But
because I liked him, I know how sincere and pure and noble Will is, and
his thoughts never straying from the path of rectitude, and----If I gave
him up to you, at least you've got to appreciate him! We danced together
and laughed so, and I gave him up, but----This IS my affair! I'm NOT
intruding! I see the whole thing as he does, because of all I've told
you. Maybe it's shameless to bare my heart this way, but I do it for
him--for him and you!"

Carol understood that Vida believed herself to have recited minutely and
brazenly a story of intimate love; understood that, in alarm, she was
trying to cover her shame as she struggled on, "Liked him in the most
honorable way--simply can't help it if I still see things through
his eyes----If I gave him up, I certainly am not beyond my rights
in demanding that you take care to avoid even the appearance of evil
and----" She was weeping; an insignificant, flushed, ungracefully
weeping woman.

Carol could not endure it. She ran to Vida, kissed her forehead,
comforted her with a murmur of dove-like sounds, sought to reassure her
with worn and hastily assembled gifts of words: "Oh, I appreciate it so
much," and "You are so fine and splendid," and "Let me assure you there
isn't a thing to what you've heard," and "Oh, indeed, I do know how
sincere Will is, and as you say, so--so sincere."

Vida believed that she had explained many deep and devious matters. She
came out of her hysteria like a sparrow shaking off rain-drops. She sat
up, and took advantage of her victory:

"I don't want to rub it in, but you can see for yourself now, this is
all a result of your being so discontented and not appreciating the dear
good people here. And another thing: People like you and me, who want to
reform things, have to be particularly careful about appearances. Think
how much better you can criticize conventional customs if you yourself
live up to them, scrupulously. Then people can't say you're attacking
them to excuse your own infractions."

To Carol was given a sudden great philosophical understanding, an
explanation of half the cautious reforms in history. "Yes. I've heard
that plea. It's a good one. It sets revolts aside to cool. It keeps
strays in the flock. To word it differently: 'You must live up to the
popular code if you believe in it; but if you don't believe in it, then
you MUST live up to it!'"

"I don't think so at all," said Vida vaguely. She began to look hurt,
and Carol let her be oracular.


III


Vida had done her a service; had made all agonizing seem so fatuous that
she ceased writhing and saw that her whole problem was simple as mutton:
she was interested in Erik's aspiration; interest gave her a hesitating
fondness for him; and the future would take care of the event. . . .
But at night, thinking in bed, she protested, "I'm not a falsely
accused innocent, though! If it were some one more resolute than Erik, a
fighter, an artist with bearded surly lips----They're only in books.
Is that the real tragedy, that I never shall know tragedy, never find
anything but blustery complications that turn out to be a farce?

"No one big enough or pitiful enough to sacrifice for. Tragedy in
neat blouses; the eternal flame all nice and safe in a kerosene stove.
Neither heroic faith nor heroic guilt. Peeping at love from behind lace
curtains--on Main Street!"

Aunt Bessie crept in next day, tried to pump her, tried to prime the
pump by again hinting that Kennicott might have his own affairs. Carol
snapped, "Whatever I may do, I'll have you to understand that Will is
only too safe!" She wished afterward that she had not been so lofty. How
much would Aunt Bessie make of "Whatever I may do?"

When Kennicott came home he poked at things, and hemmed, and brought
out, "Saw aunty, this afternoon. She said you weren't very polite to
her."

Carol laughed. He looked at her in a puzzled way and fled to his
newspaper.


IV


She lay sleepless. She alternately considered ways of leaving Kennicott,
and remembered his virtues, pitied his bewilderment in face of the
subtle corroding sicknesses which he could not dose nor cut out. Didn't
he perhaps need her more than did the book-solaced Erik? Suppose Will
were to die, suddenly. Suppose she never again saw him at breakfast,
silent but amiable, listening to her chatter. Suppose he never again
played elephant for Hugh. Suppose----A country call, a slippery road,
his motor skidding, the edge of the road crumbling, the car turning
turtle, Will pinned beneath, suffering, brought home maimed, looking at
her with spaniel eyes--or waiting for her, calling for her, while she
was in Chicago, knowing nothing of it. Suppose he were sued by some
vicious shrieking woman for malpractice. He tried to get witnesses;
Westlake spread lies; his friends doubted him; his self-confidence was
so broken that it was horrible to see the indecision of the decisive
man; he was convicted, handcuffed, taken on a train----

She ran to his room. At her nervous push the door swung sharply in,
struck a chair. He awoke, gasped, then in a steady voice: "What is it,
dear? Anything wrong?" She darted to him, fumbled for the familiar harsh
bristly cheek. How well she knew it, every seam, and hardness of bone,
and roll of fat! Yet when he sighed, "This is a nice visit," and dropped
his hand on her thin-covered shoulder, she said, too cheerily, "I
thought I heard you moaning. So silly of me. Good night, dear."


V


She did not see Erik for a fortnight, save once at church and once when
she went to the tailor shop to talk over the plans, contingencies, and
strategy of Kennicott's annual campaign for getting a new suit. Nat
Hicks was there, and he was not so deferential as he had been. With
unnecessary jauntiness he chuckled, "Some nice flannels, them
samples, heh?" Needlessly he touched her arm to call attention to the
fashion-plates, and humorously he glanced from her to Erik. At home she
wondered if the little beast might not be suggesting himself as a rival
to Erik, but that abysmal bedragglement she would not consider.

She saw Juanita Haydock slowly walking past the house--as Mrs. Westlake
had once walked past.

She met Mrs. Westlake in Uncle Whittier's store, and before that alert
stare forgot her determination to be rude, and was shakily cordial.

She was sure that all the men on the street, even Guy Pollock and Sam
Clark, leered at her in an interested hopeful way, as though she were
a notorious divorcee. She felt as insecure as a shadowed criminal. She
wished to see Erik, and wished that she had never seen him. She fancied
that Kennicott was the only person in town who did not know all--know
incomparably more than there was to know--about herself and Erik. She
crouched in her chair as she imagined men talking of her, thick-voiced,
obscene, in barber shops and the tobacco-stinking pool parlor.

Through early autumn Fern Mullins was the only person who broke the
suspense. The frivolous teacher had come to accept Carol as of her
own youth, and though school had begun she rushed in daily to suggest
dances, welsh-rabbit parties.

Fern begged her to go as chaperon to a barn-dance in the country, on a
Saturday evening. Carol could not go. The next day, the storm crashed.

 Carol sits on the porch one evening while Will is out on a country house call. Erik comes marching onto the porch and touches her hand, saying that he saw Will drive out of town and decided to come over. Carol doesn't want any neighbors to see them, so she leads Erik into the house. Erik wants to see Carol's son sleeping, and she lets him... but maybe he's just trying to get her upstairs. Erik steps up to her and kisses her face. Eventually, Carol convinces Erik to leave. When he's gone, she feels completely empty. She glances out the window to see if she can see him leaving, but all she finds is her nosy neighbor standing in front of her house and inspecting it. She feels paralyzed by the thought that this neighbor saw Erik leave while Will wasn't at home. When Will gets back home, he accuses Carol of getting too chummy with the wife of his medical rival, Dr. Westlake. He's heard that Carol trash talks her in-laws with this woman, and he doesn't want to hear any more of it. The next day, Vida Sherwin visits to tell Carol that there have been rumors about her being involved with Erik Valbourg. Carol denies it outright, although it's clear that she's rattled. Carol starts to have daydreams about Will dying while she is somewhere with Erik. She awakens from the dream and runs to be in bed with Will, feeling horribly guilty. Carol goes the next two weeks without speaking to Erik. One night, Fern Mullins asks Carol to be a chaperone at a barn dance in the area, but Carol rejects her, and we find out that something bad happened after that.

