Fontes artis musicae


01. Jg. 1954

No. 1
 Fontes. S. 1
 IVe Congres International Des Bibliotheques Et Des Phonotheques Musicales. 2E Assemblee Generale De L’association. S. 2–4
 Programme. S. 5–6
 Richard S. Hill: The Growing of IAML. S. 7–11
 Alexander Hyatt King: The British Museum Exhibition of Musik, October 1953. S. 11–12
 Hans Zehntner: Felix Weingartner und Hans Huber: Zwei Ausstellungen in Basel. S. 13–14
 Cari Johansson: Publishers’ addresses as a guide to the dating of French printed music of the second half of the eighteenth century. S. 14–19
 Friedrich Blume: Internationales Quellenlexikon der Musik. S. 19–22
 Nanie Bridgman: A propos d’un Catalogue Central d’ Incipits Musicaux. S. 22–23
 Les Commissions de Travail. 
 John Howard Davies: The Contribution of the Radio Commission. S. 23
 Alfons Ott: Der Beitrag einer Internationalen Arbeitsgemeinschaft für öffentliche Musikbüchereien zur Zeitschrift Fontes Artis Musicae. S. 23–25
 F. W. Pauli: Die Beteiligung der Internationalen Phonotheken-Kommission an den „Fontes“. S. 25–26
 Communiques du Secretariat de l’Association. S. 26–27
 Informations Diverses. S. 27–30
 LES Membres de l’Association (voir Bulletin d’information vol. I, no. 2, mars 1953, et vol. II, no. 1, octobre 1953): Nouveaux Membres. S. 30–31
 Liste Internationale Selective No. 3. S. 32–47
 Editions et Rééditions de Musique Ancienne (avant 1800). S. 48–51
 Editions et Rééditions de Musique Moderne (XIXe et XXe ss.). S. 52

No. 2
 Le Congres De Bruxelles: 11 — 18 Septembre 1955. S. 53–55
 La Commission Internationale Des Bibliotheques Musicales Publiqes. 
 Alfons Ott: La tâche d’une Commission internationale des bibliothèques musicales publiques. S. 56–61
 Hans Ruppe: Das volkstümliche Musikbüchereiwesen in Österreich. S. 61–63
 Noé Richter: Les Bibliothèques musicales en France — La Bibliothèque musicale de Mulhouse. S. 63–65
 John Howard Davies: Public music library service in Great Britain. S. 65–67
 R. I. S. M. — I. I. M. S.. 
 Robert Stevenson: Sixteenth and seventeenth century rescources in Mexico (Part I). S. 68–78
 François Lesure: R. I. S. M. Indentifications: Les anonymes des Recueils imprimés français du XVIe s. S. 78–84
 Nanie Bridgman: Enquête provisoire sur les fonds musicaux des bibliothèques provinciales de France. S. 84–87
 Claudio Sartori, Friedrich Blume: Communiques Du Secretariat Et Informations Diverses. S. 87–93
 Les Membres De L’association (Voir Bulletin D’information Vol. I, No. 2, Vol. Ii, No. 1 Et Fontes, 1954/I): Nouveaux Membres. S. 94–96
 Liste Internationale Selective No. 4 (Octobre 1954). S. 97–109
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 110–113
 Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 113–114

02. Jg. 1955

No. 1
 Le Congres De Bruxelles: 11—18 Septembre 1955 (Communique). S. 1–3
 La Commission Internationale Des Bibliotheques Musicales Publiques. 
 Herbert Schermall: Die Musikbüchereien in Deutschland. S. 3–7
 J. R. Le Cosquino De Bussy: La vie et l’organisation des bibliothèques musicales publiques en Hollande. S. 7–9
 R. I. S. M. — I. I. M. S.. 
 Robert Stevenson: Sixteenth and seventeenth century resources in Mexico (Part II). S. 9–15
 Claudio Sartori: Finalmente Svelati i Misteri delle Biblioteche Italiane. S. 15–37
 François Lesure: R. I. S. M. Identifications: Les anonymes des Recueils imprimés du XVIe s (II). S. 37–39
 Nanie Bridgman, Nanie Bridgmann: Musique profane italienne des 16 e et 17 e siècles dans les Bibliothèques françaises. S. 40–59
 Les Groupes Nationaux de l’ A. I. B. M.. 
 Frits Noske: L’Organisation actuelle des Bibliothèques Musicales en Hollande. S. 60–62
 Luigi Ferdinando Tagliavini: Glorioso Passato e Problemi Presenti della Biblioteca musicale „G. B. Martini“ di Bologna. S. 62–68
 Les Membres de l’Association (voir Bulletin d’information, vol. I, no. 2, vol II, no. 1 et Fontes, 1954/1, 1954/2): Nouveaux Membres. S. 69–70
 Liste Internationale Selective No. 5 (mars 1955). S. 71–86
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 87–93
 Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 93–95

No. 2
 Musicological Index (Communiqué du Secrétariat, juin 1955). S. 97–103
 Les Bibliothèques Musicales Scientifiques. 
 Leopold Nowak: Österreichische Nationalbibliothek: Der Wiederaufbau der Musiksammlung. S. 103–108
 Wilhelm Virneisel: Die Musikabteilung der Deutschen Staatsbibliothek. S. 108–112
 Oldřich Pulkert: The Musical Department of the National Museum in Prague. S. 112–117
 Les GROUPES NATIONAUX de l’ A. I. B. M.. 
 C. L. Cudworth: Music libraries and the research worker. S. 117–122
 Cecil Hopkinson: The Fundamentals of Music Bibliography. S. 122–131
 Walter H. Stock: The United Kingdom Branch. S. 131–133
 R.I.S.M. — I.I.M.S.. 
 Claudio Sartori: Il fondo di musiche a stampa della Biblioteca del Seminario di Lucca. S. 134–147
 Riccardo Allorto: Biblioteche musicali in Italia: La Biblioteca del Conservatorio di Parma e un fondo di edizioni dei sec. XVI e XVII non compiese nel catalogo a stampa. S. 147–151
 Paule Chaillon: Les Fonds Musicaux de quelques Bibliothèques de Province. S. 151–163
 InformationS DIVERSES. S. 163–170
 Les Membres de l’Association (voir Bulletin d’information, vol. I, n o 2, vol. II, n o 1 et Fontes, 1954/1, 1954/2, 1955/1): Nouveaux Membres. S. 171–173
 Liste Internationale Selective No. 6 (juillet 1955). S. 174–185
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 186
 Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 187

03. Jg. 1956

No. 1
 A. Hyatt King: To Unesco on its Tenth Anniversary. S. 5
 Charles Van Den Borren, Edward Carter, Jack Bornoff, Egon Kraus, Alexander Hyatt King: The Brussels Conference. S. 6–14
 Compte-Rendu des Travaux De L’assemble Generale. 
 Frits Noske: Compte-Rendu des Travaux de la 2 e Assemblée Générale de l’A.I.B.M. / Summary Report on the 2 nd General Assembly of the I. A. M. L.. S. 14–17
 Vladimir Fedorov: Rapport du Secrétaire général, années 1951—1955. S. 17–20
 Alfons Ott: Einführungsvortrag für die Generalversammlung der A. I. B. M.. S. 20–21
 F. W. Pauli: Bericht über die Tätigkeit der Kommission. S. 21–23
 Frits Noske: Compte-Rendu Sommaire des Travaux du Congrès. S. 23–26
 John Howard Davies: The Radio Commission at Brussels / La Commission internationale des bibliothèques musicales de la Radiodiffusion à Bruxelles. S. 26–27
 F. W. Pauli: Bericht über die Tagung der Commission Internationale des Phonothèques in Brüssel / Report on the meeting of the International Record-Libraries Committee at Brussels. S. 27–29
 Alfons Ott: Die Commission Internationale des Bibliothèques Musicales Publiques auf dem Kongreß 1955 in Brüssel / La Commission Internationale des Bibliothèques Musicales Publiques au Congrès de Bruxelles. S. 30–31
 Kaj Schmidt-Phiseldeck: La Commission du Code à Bruxelles / The Music Cataloguing Committee at Brussels. S. 31–32
 Rapports Preliminaires. 
 J. R. Le Cosquino De Bussy: Le Rôle Et La Place De La Lecture Publique Dans L’éducation Musicale Contemporaine. S. 35–36
 Vincent H. Duckles: The Rôle Of The Public Library In Modern Musical Education. S. 37–38
 André Schaeffner: Les Tâches Scientifiques Et Pédagogiques Des Phonothèques Musicales. S. 39–40
 Philipp L. Miller: Educational And Scientific Aspects Of The Record Library. S. 41–43
 Friedrich Blume: Problèmes Musicologiques D’un Répertoire Des Sources Musicales. S. 44–48
 François Lesure: Quelques Conséquences Bibliographiques Et Techniques D’un Répertoire International Des Sources Musicales. S. 49–50
 Suzanne Clercx-Lejeune: Le Bibliothécaire Musical. Sa Formation Professionnelle. S. 51–56
 Mercedés De Moura Reis Pequeño: La Formation Professionnelle Du Bibliothécaire Musical. S. 57–61
 John Howard Davies: The Contribution Of Radio Music Libraries To National And International Musical Life. S. 62–67
 Franz Grasberger: À Propos Des Échanges De Musique. S. 68–69
 Gabriel Rouget: Le Disque Et La Bande Comme Matière D’échanges. S. 70–71
 Communications Ecrites. 
 Ermelinda Acerenza: Formación Profesional De Un Bibliotecario De Música. S. 74–76
 Bianca Becherini: Catalogues Généraux Et Catalogues Spécialisés Dans Les Bibliothèques Musicales. S. 76–81
 Jaime Moll Roqueta: Les Bibliothèques Musicales Publiques. Les Aspects Nationaux Du Problème. S. 81–84
 Jaime Moll Roqueta: La Formation Professionnelle D’un Bibliothécaire Musical. S. 84–85
 Gustav C. Chamrath: Die Rechte Der Schallplatte Und Des Tonbandes. S. 86–95
 Valentine Britten, Francis F. Clough, Geoffrey Cuming: Problems Of An International Gramophone Record Catalogue. S. 95–108
 Folke Lindberg: A Survey Of The Musical Resources Of Scandinavia, With Particular Reference To Their Use In Broadcast Performances. S. 109–112
 Enrich Straram: Problèmes Relatifs À L’établissement D’un Inventaire International Des Oeuvres Dont Les Matériels D’exécution N’existent Qu’à De Très Rares Exemplaires. S. 112–115
 Pierre Meylan: Étude Comparative Sur Les Bibliothèques Musicales Publiques Dans Différents Pays. S. 116–122
 Alfons Ott: Wirkungsmöglichkeiten In Öffentlichen Musikbibliotheken. S. 122–132
 Nils Schiørring: Public Music Libraries. International Co-Operation. S. 132–136
 Communications Presentees Au Congres Même. 
 J. R. Le Cosquino De Bussy: Le Rôle et la Place de la Lecture Publique dans l’Education Musicale Contemporaine – Quelques nouveaux aspects de la question. S. 138–139
 Vincent H. Duckles: The Role of the Public Library in Modern Musical Education: an American Appraisal. S. 140–143
 François Lesure: Le R. I. S. M. Deux ans d’expérience. S. 144–146
 Catharine K. Miller: Phonograph Records in U. S. Public Libraries. S. 146–147
 Helmut Reinhold: Aufbau und Verwendungsmöglichkeiten einer Discothek wertvoller Gesangsaufnahmen im Sendebetrieb. S. 148–153
 F. W. Pauli: Die deutschen Rundfunkbibliotheken – ihre Organisation, ihre internationalen Arbeitsmöglichkeiten. S. 153–155
 Suzanne Clercx-Lejeune: Le Bibliothécaire Musical. S. 155–159
 Résolutions et Voeux / Resolutions and Aims / Beschlüsse und Empfehlungen. S. 160–164

No. 2
 A. Hyatt King: The London Committee Meetings. S. 165
 Dix Ans De L’activite De L’unesco Dans Les Domaines De La Musique Et Des Bibliotheques. S. 165–170
 La Commission Internationale Des Phonotheques. 
 Patrick Saul: The British Institute of Recorded Sound. S. 170–173
 Roger Décollogne: Vers la création d’une phonothèque centrale de prêt. S. 174–176
 Les Bibliotheques Musicales Scientifiques. 
 Oldřich Pulkert: The National Music Institute and its necessity as a prez-requisite for musicological research. S. 176–182
 Hans-Martin Pleßke: Musikbibliographie und Deutsche Bücherei. S. 182–183
 Roman Haubenstock-Ramati: The Central Library of Music in Tel Aviv, Israel. S. 184–185
 Les GROUPES NATIONAUX de l’A. I. B. M.. 
 Alfons Ott: Tagung der Arbeitsgemeinschaft für Musikbüchereien (Deutsche Gruppe der Commission Internationale des Bibliothèques Musicales Publiques) Berlin, 22.—28. Mai 1956. S. 185–189
 R. I. S. M. — I. I. M. S.. 
 Claudio Sartori: I Misteri delle Biblioteche Italiane: Seconda Serie. S. 190–202
 Arnold Van Der Hallen: Le fonds musical de l’église Saint-Léonard à Zoutleeuw (Belgique). S. 203–208
 François Lesure: R. I. S. M.: Recueils français du XVIIIe siècle. Datations. S. 209–219
 James B. Coover: A Bibliography of East European Music Periodicals (I). S. 219–226
 Les Membres de l’Association (voir Bulletin d’information vol. I, no. 2, vol. II, no. 1 et Fontes, 1954/1, 1954/2, 1955/1, 1955/2): Nouveaux Membres. S. 227–228
 Liste Internationale Selective No. 7 (Juin 1956). S. 229–259
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 259–267
 Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 267–272

04. Jg. 1957

No. 1
 Frits Noske: Annual Meetings Of The Executive Committee And The Executive Board Of The Association / Reunions Annuelles Du Comite Executif Et Du Bureau De L’association (London, September 25—28, 1956). S. 1–2
 Les Bibliotheques Musicales Scientifiques University And Research Music Libraries. 
 George E. Maby: On University Music Libraries in the United Kingdom. S. 3–6
 Maria Svobodová: Le Département de la Musique de la Bibliothèque Universitaire de Prague. S. 7–8
 Les Bibliotheques Musicales Publiques Public Music Libraries. 
 Hans Ruppe, Paule Salvan: Rôle des Bibliothèques publiques françaises dans la diffusion de la culture musicale. S. 8–14
 Hans Ruppe: The Austrian public music libraries. S. 14–15
 Jaime Moll Roqueta: Informe de las Bibliotecas Musicales Publicas españolas durante el curso 1955—1956. S. 16–17
 Les PHONOTHEQUES MUSICALES The RECORD LIBRARIES. 
 Roger Décollogne, Yves Lecompte: Comment nous utilisons l’électro-mecanographie. S. 17–24
 J. H. Davies, F. Lindberg: Les Bibliotheques Musicales De La Radiodiffusion Radio Music Libraries. S. 24–25
 K. Schmidt-Phiseldeck: Le Code International De Catalogage / The International Cataloging Code. S. 26
 Etudes Techniques / Technical Studies. 
 Jan Larue: Abbreviated description for watermarks. S. 26–28
 R. I. S. M. — I. I. M. S.. 
 Fr. Lesure, Claudio Sartori, Costanzo Antegnati: L’Archivio del Duomo di Piacenza e il Liber XIIII di Costanzo Antegnati. S. 28–37
 Hans Peter Schanzlin: Musik-Sammeldrucke des 16. und 17. Jahrhunderts in schweizerischen Bibliotheken. S. 38–42
 Les Membres de l’Association (voir Bulletin d’information vol. I, no 2, vol. II, no 1 et Fontes, 1954/1—2, 1955/1—2, 1956/2): Nouveaux Membres. S. 43–44
 Liste Internationale Selective No. 8 (décembre 1956). S. 45–67
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 67–75
 Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 75–76

No. 2
 Die Kasseler Tagung Der Ivmb / La Reunion De L’aibm À Cassel / The Kassel Conference Of The Iaml (31. Ix. — 4. X. 1957). S. 77–79
 Fifth Conference Of The Iaml. 
 Lionel R. Mc Colvin: Music in Public Libraries — why? and what? Why should public libraries provide music?. S. 80–83
 Cesare Valabrega: Una storia della musica italiana in dischi microsolco. S. 83–85
 John Howard Davies: Radio music Libraries: I. Historical development and basic policies. S. 85–88
 Kurt Gudewill: Identifizierungen von anonymen und mehrfach zugewiesenen Kompositionen in deutschen Liederdrucken aus der 1. Hälfte des 16. Jahrhunderts. S. 89–97
 James B. Coover: A Bibliography of East European Music Periodicals (II). S. 97–102
 Liste Internationale Selective No. 9 (juillet 1957). S. 103–128

05. Jg. 1958

No. 1
 Frits Noske: Reunions Anuelles Du Comite Executiv Et Du Bureau De L’association / Annual Meetings Of The Executive Committe And Board Of The Association: Kassel, 30. Ix.—4. X. 1957. S. 1–2
 Fritz Pauli, G. R.: Commission Internationale Des Phonotheques: Die Kasseler Tagung, 3.—4. X. 1957. S. 2–5
 Radio Commission Kassel Meeting 1957. 
 Anthony Van Hoboken, F. Lindberg: Probleme der musikbibliographischen Terminologie. S. 5–15
 Kay Schmidt-Phiseldeck: Internationale Kommission für Katalogisierung von Musikalien. S. 15–20
 Lionel R. Mc Colvin: The Central Music Library, Westminster. S. 20–23
 Claudio Sartori: Il fondo musicale dell’ archivio della cattedrale di Vercelli. S. 24–31
 Raymond Meylan: La collection Antonio Venturi, Montecatini-Terme (Pistoia), Italie. S. 31–44
 James B. Coover: A Bibliography of East European Music Periodicals (III). S. 44–45
 Liste Internationale Selective No. 10 (décembre 1957). S. 46–72

No. 2
 Otto Erich Deutsch: Thematische Kataloge. S. 73–79
 Albi Rosenthal: The „Music Antiquarian“. S. 80–90
 Wolfgang Steinecke: Das Kranichsteiner Musikinstitut Darmstadt. S. 90–93
 James B. Coover: A Bibliography of East European Music Periodicals (IV). S. 93–99
 Liste Internationale Selective No. 11 (juillet 1958). S. 100–117
 LISTE DE Membres MITGLIEDERLISTE LIST OF MEMBERS. S. 1–20

06. Jg. 1959

No. 1
 Frits Noske, Dr. Pauli, Roger Décollogne, Folke Lindberg: Annual Meetings Of The Executive And Other Committees Of The Association / Reunions Anuelles Du Comite Executif Et Des Commissions De Travail De L’association. S. 1–4
 Alfons Ott, Hans Ruppe: First International Conference Of The Commission Of Public Music Libraries (Salzburg, September 8—11, 1958). S. 5–7
 Rudolph Tschierpe: Auxiliary Catalogues in the Music-Library. S. 7–9
 Irene Millen: Facts and problems about public libraries in USA. S. 10–11
 Jose Antonio Perez-Rioja: La difusion musical desde la biblioteca (Una experiencia provincial). S. 11–18
 Jan Larue: A union thematic catalogue of 18th century symphonies. S. 18–20
 Hans Peter Schanzlin: Musik-Sammeldrucke des 18. Jahrhunderts in schweizerischen Bibliotheken (I). S. 20–26
 James B. Coover: A Bibliography of East European Music Periodicals (V). S. 27–28
 Liste Internationale Selective No. 12 (janvier 1959). S. 29–40

No. 2
 The Cambridge Congress. 
 A. Hyatt King: The Cambridge Congress. S. 41
 Public Lectures. S. 42
 Special Papers. S. 42–43
 Frits Noske: General Secretary’s Report For The Period 1955—1959. S. 44–45
 Erik Maschat: Commission Internationale Des Phonotheques International Committee Of Record Libraries Internationale Kommission Der Tonträgerarchive. S. 45–48
 Y. Fédoroff: Commission De Catalogage De La Musique. S. 48
 Cecil Hopkinson: Towards A Definition Of Certain Terms In Musical Bibliography (Discussion Panel). S. 48–49
 A. Hyatt King: The Music Librarian and his Tasks, National and International. S. 49–55
 Genevieve Thibault: Les Collections Privées de Livres et d’Instruments de Musique d’Autrefois et d’Aujourd’hui. S. 55–67
 Gilbert Rouget: Recensement International Provisoire des Phonothèques et Discothèques. S. 68–80
 Liste Internationale Selective No. 13 (juillet 1959). S. 81–95

07. Jg. 1960

No. 1
 L. N. Pavlova-Sil’vanskaja, A. A. Račkova, Mme Forest: Le Département de la Musique de la Bibliothèque Publique de Léningrad. S. 1–7
 Maria Prokopowicz: Les Bibliothèques de musique en Pologne. S. 7–11
 Zdenek Vyborny: Der Planfilm — Das Buch der Zukunft: Probleme — Aussichten — Organisation. S. 11–14
 L’EDITION MUSICALE FRANÇAISE. JOURNÉE D’ÊTUDE. S. 14–16
 James B. Coover: A Bibliography of East European Music Periodicals (VI): VIII. POLAND. S. 16–21
 Liste Internationale Selective No. 14 (janvier 1960). S. 22–40

No. 2
 Harald Heckmann, Y. Fédoroff, H. Ruppe, J. H. Davies, Albert Van Der Linden: JAHRESTAGUNG der IVMB in AMSTERDAM — RÉUNION ANNUELLE de L’AIBM à AMSTERDAM — ANNUAL MEETING of the IAML in AMSTERDAM. S. 41–46
 Zofia Lissa: Chopin im Lichte des Briefwechsels von Verlegern seiner Zeit gesehen. S. 46–57
 Claudio Sartori: Le origini di una casa editrice veneziana. S. 57–61
 Donald W. Krummel: Late 18 th Century French Music Publishers’ Catalogs in the Library of Congress. S. 61–64
 Jan Larue: Union Thematic Catalogues for 18 th Century Chamber Music and Concertos. S. 64–66
 Mariangela Donà: Musiche a stampa nella Biblioteca Braidense di Milano. S. 66–69
 James B. Coover: A Bibliography of East European Music Periodicals (VII). S. 69–70
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by C. B. Oldman: The Compleat Music Librarian. Die Musikbibliotheken. (Sonderdruck Ans Handbuch Der Bibliothekswissenschaft, Zweite Auflage, Zweiter Band.) By Alfons Ott. S. 71–72
 Review by Alfons Ott: Ein wichtiges Buch zum öffentlichen Musikbüchereiwesen. Music Librarianship. A Practical Guide By Eric Thomas Bryant. S. 72–73
 Liste Internationale Selective No. 15 (juillet 1960). S. 74–88

08. Jg. 1961

No. 1
 Richard S. Hill in memoriam. S. 1–2
 A. H. K.: A Tribute to Vladimir Fédorov. S. 3
 Gustave Reese: The first Volume of RISM. S. 4–7
 Hans-Martin Plesske: Zur Systematik der Musikbibliographien der Deutschen Bücherei. S. 7–20
 Paule Salvan: Les bibliothèques publiques et la musique en France. S. 20–24
 Roger Décollogne: Un bel exemple de cohésion: le Groupe Français des Phonothèques. S. 24–26
 Hans Peter Schanzlin: Musik-Sammeldrucke des 18. Jahrhunderts in schweiz̀erischen Bibliotheken (II). S. 26–29
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by V. Fédorov: La Bibliothèque musicale américaine et le bibliothécaire musical américain en 1960. Music Libraries, Librarianship. In: Library Trends, Vol. 8, No 4 By Vincent Duckles. S. 30–31
 Review by Nanie Bridgman: Un Nouveau Catalogue Important de Manuscrits. Catalogo Dei Manoscritti Musicali Della Biblioteca Nazionale Di Firenze By Bianca Becherini. S. 31–32
 Liste Internationale Selective No. 16 (janvier 1961). S. 33–53
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 54–60

No. 2
 Harald Heckmann, E. Maschat, J. H. Davies, Alfons Ott, Albert Van Der Linden, K. Schmidt-Phiseldeck: Jahrestagung der IVMB in Lausanne — Réunion Annuelle de l’AIBM à Lausanne — Annual meeting of the IAML at Lausanne. S. 61–68
 Pierre Meylan: Allocution prononcée à la séance inaugurale de la session de 1961 de l’AIBM, à Lausanne, le mardi 27 juin 1961. S. 68–73
 Julien-François Zbinden: Musique et Radio. S. 73–75
 James B. Coover: A Bibliography of East European Music Periodicals (VIII): X. U. S. S. R.. S. 75–90
 Liste Internationale Selective No. 17 (août 1961). S. 91–104
 Editions et Reéditions de Musique Ancienne (avant 1800). S. 105–107
 Editions et Reéditions de Musique Moderne (XIXe et XXe ss.). S. 107–108

09. Jg. 1962

No. 1
 Folke Lindberg: IAML—AIBM—IVMB will hold its 6th International Congress and its 4th General Assembly in Stockholm and Uppsala, Sweden, 13—18 August this summer. S. 1–2
 RISM: The Washington Meeting. 
 Friedrich Blume: [Opening Address]. S. 3–5
 Vladimir Fédorov: The International Joint Commission of the RISM. S. 5–7
 François Lesure: The Central Secretariat of RISM, Paris. S. 7–9
 Harald Heckmann: The RISM Central Office, Kassel. S. 9–12
 Wolfgang Rehm: Report on the Financial Situation of the RISM since the year 1953. S. 13–15
 Nathan Broder: The American representation in the International Inventory of Musical Sources. S. 15–16
 Donald Mintz: International Inventory of Musical Sources • American Secretariat. S. 16–19
 Robert Stevenson: Latin American Archives. S. 19–21
 Helmut Kallmann: RISM Report about Canada. S. 21–22
 Helmut Federhofer: The RISM in Austria. S. 22–23
 René-Bernard Lenaerts: RISM work in Belgium (A brief summary). S. 23–24
 François Lesure: The RISM in France. S. 24
 Hans Halm: The task of RISM in Western Germany. S. 24–25
 Alexander Hyatt King: The International Inventory of Musical Sources in the United Kingdom. S. 26
 Eduard Reeser: Report on RISM in Holland. S. 26
 Claudio Sartori: The RISM Work in Italy. S. 27
 Miguel Querol Gavalda: The RISM in Spain. S. 27–28
 Rita Benton: An Introduction to American Music Libraries. S. 28–33
 Au Dr. Ernst Mohr, pour ses soixante ans. S. 34
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by F. Lesure: Une tablature de luth franco-italienne. S. 35
 Review by Paul Brainard: Documents, Pictures, and Mozart. S. 35–39
 Liste Internationale Selective No. 18 (janvier 1962). S. 40–52
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 53–55
 Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 56

No. 2
 Un hommage de l’ A. I. B. M. au professeur Friedrich Blume. S. 57
 Le congrès de Stockholm. S. 57–58
 Dr. W. M. Luther in memoriam. S. 58
 Alfons Ott: Hans Ruppe. S. 59
 Harald Heckmann, V. Fédorov, J. H. Davies, K. Schmidt-Phiseldeck, Valentine Britten, Alfons Ott, Frits Noske, André Jurres: Der schwedische Kongreß 1962 — The Swedish Congress 1962 Le congrès suedois de 1962. S. 59–71
 Jan Larue, Mary Rasmussen: Numerical Incipits for Thematic Catalogues. S. 72–75
 J. Chailley, I. Adler, Y. Fedoroff, S. Wallon: Le Catalogage des Documents Ethnomusicologiques Sonores (Disques et Bandes) de l’Institut de Musicologie de Paris. S. 76–78
 James B. Coover: A Bibliography of East European Music Periodicals: XI. YUGOSLAVIA. S. 78–80
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Ludwig Finscher: Mozarts Briefe und Aufzeichnungen. S. 81–82
 Liste Internationale Selective No. 19 (âout 1962). S. 83–98
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 99–102
 Editions Et Reeditions De Musique Moderne (XIX et XXe ss.). S. 102–104

10. Jg. 1963

No. 1/2
 Harold Spivacke: Louise Hanson-Dyer in Memoriam. S. 1
 Harald Heckmann, John H. Davies, André Jurres, Alfons Ott, K. Schmidt-Phiseldeck, Harold Spivacke: Jahrestagung der IVMB in Mailand — Annual Meeting of IAML in Milan — Réunion de l’AIBM à Milan. S. 2–11
 Fédération Internationale des Phonothèques (F. I. P.). S. 11–15
 Maria Prokopowicz: Le catalogage des documents sonores (d’après les documents de la conférence annuelle de l’AIBM de 1961). S. 16–19
 Isabelle Cazeaux: The International Code for Cataloguing Music. S. 20–29
 Josef Lansky, Wolfgang Suppan: Der neue Melodien-Katalog des Deutschen Volksliedarchivs. S. 30–34
 Eric Mandell: A Collector’s Random Notes on the Bibliography of Jewish Music (avec une notice préliminaire d’ Israël Adler). S. 34–42
 Albert Palm: J. J. de Momigny als Verleger. S. 42–59
 James B. Coover: A Bibliography of East European Music Periodicals. S. 60–71
 François Lesure: Otto Erich Deutsch a 80 ans. S. 72
 Kurt Dorfmüller: A notre ami Hans Halm. S. 73
 Liste Internationale Selective No. 20 (avril 1963). S. 74–95
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 95–99
 Editions Et Reeditions De Musique Moderne (XIX et XXe ss.). S. 99–100

11. Jg. 1964

No. 1
 Organization of the Congress. S. 5
 Programme and Table of Contents. S. 6–7
 Folke Lindberg: The Stockholm-Uppsala Congress 1962. S. 8
 Carl-Allan Moberg: Opening Speech. S. 9
 Tönnes Kleberg: Greetings of welcome at the opening session. S. 9–10
 Vladimir Fédorov: Les voeux du Conseil international de la musique. S. 10–11
 Public Lectures. 
 First public lecture. 
 Rita Benton: Early Musical scholarship in the United States. S. 12–21
 Second public lecture. 
 Åke Davidsson: Cultural Background to Collections of old Music in Swedish Libraries. S. 21–28
 Third public lecture. 
 Claudio Sartori: Le RISM et l’Italie: A l’aventure dans les bibliothèques italiennes. S. 28–33
 SYMPOSIA: THE PROFESSION OF THE MUSIC LIBRARIAN. 
 First Symposium: Library Building. 
 Kurt Dorfmüller: Die bauliche Einrichtung der Musiksammlung der Bayerischen Staatsbibliothek, München. S. 34–35
 Wolfgang M. Freitag: On Planing a Music Library. S. 35–49
 Karl-Heinz Köhler: Bauliche und strukturelle Verhältnisse der Musikabteilung der Deutschen Staatsbibliothek, Berlin. S. 49–51
 Second Symposium: The Training of the Music Librarian. 
 John H. Davies: A: Paper by Vladimir Fédorov (Paris). S. 51–53
 John H. Davies: B: Paper by C.-G. Stellan Mörner (Stockholm). S. 53–54
 John H. Davies: C: Paper by Miss Joan Pemberton (London). S. 54–55
 John H. Davies: D: Paper by Helge Petersen (Copenhagen). S. 55–57
 John H. Davies: E: Paper by Harold Spivacke (Washington). S. 57–60
 Third Symposium: International Aspects. 
 Hans Zehnter: A: Paper by André Jurres (Amsterdam). S. 60–62
 Hans Zehnter: B: Paper by Mrs. Maria Prokopowicz (Warsaw). S. 62
 Fourth Symposium: The Music Librarian and his Public. 
 Alfons Ott: Possibilities of Musical Education in Public Libraries. S. 63–66
 Kurt Dorfmüller: Der wissenschaftliche Musikbibliothekar und sein Publikum (Zusammenfassung). S. 66–67
 Alfons Annegarn: The Scientific Music Librarian and his Public. S. 67
 D: Paper by Leonhard Duck (Manchester). S. 68–69
 E: Paper By Brooks Shepard, Jr., (New Haven, Connecticut). S. 70

No. 2
 Friedrich Blume: Répertoire International des Sources Musicales (RISM). S. 71–74
 Edward R. Lerner: Music Prints in the Cathedral Library of Brescia. S. 75–78
 Rita Benton: The Instrumental Music of Jean-Frédéric Edelmann: A Thematic Catalogue and List of Early Editions. S. 79–88
 Wolfgang Plath, Wolfgang Rehm: Verzeichnis der verschollenen Mozart-Autographe der ehemaligen Preußischen Staatsbibliothek Berlin (BB). S. 88–91
 Konrad Ameln: Das deutsche Kirchenlied: Ein hymnologisches Standardwerk. S. 92–93
 The Record Archive of the New York Public Library. S. 94
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Ludwig Finscher: Mozarts Briefe und Aufzeichnungen. S. 95
 Review by Ludwig Finscher: Die 6. Auflage des Köchel-Verzeichnisses. S. 95–98
 Review by F. Lesure: Melanges O. E. Deutsch. S. 98
 Liste Internationale Selective No. 21 (mai 1964). S. 99–122
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 123–131
 Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 132

No. 3
 Harald Heckmann, Erling Winkel, Elfriede Kamprad, E. Maschat, Rita Benton, John H. Davies, K. Schmidt-Phiseldeck, François Lesure, André Jurrès: Jahrestagung der IVMB in Aarhus — Annual Meeting of IAML at Aarhaus — Réunion annuelle de l’AIBM à Aarhus. S. 133–141
 Barry S. Brook, Murray Gould, Jan Larue, Ingmar Bengtsson, Nanie Bridgman, Rita Benton, Paule Chaillon-Guiomar: Notating Music with Ordinary Typewriter Characters (A Plaine and Easie Code System for Musicke). S. 142–159
 Lawrence F. Bernstein: Data Processing and the Thematic Index. S. 159–165
 Jacques Chailley: Un Procédé de Codification Alphabétique des Timbres de Chansons. S. 166–167
 Harald Heckmann: An die Mitglieder der IVMB. S. 167–169
 Liste Internationale Selective No. 22 (octobre 1964). S. 170–194
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 194–202
 Editions Et Reeditions De Musique Moderne (XIX et XXe ss.). S. 203–204

12. Jg. 1965

No. 1
 Le Congrès de Dijon. S. 1–2
 A. Hyatt King: Hans Halm in memoriam. S. 2–3
 François Lesure: Enquête sur quelques récentes bibliothèques musicales. S. 4–7
 Alfons Ott: Bericht über die Arbeitstagung der Deutschen Gruppe der AIBM: Freiburg i. Br. vom 21. bis 24. Oktober 1964. S. 7–8
 Wolfgang Suppan: Die Musiksammlung des Freiherrn von Lannoy. S. 9–22
 Wolfgang Matthäus: Die Elemente des Titelblattes im 18. Jahrhundert. S. 23–26
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Mariangela Donà: La stampa della musica negli incunabuli liturgici. S. 27
 Liste Internationale Selective No. 23 (avril 1965). S. 28–46
 Editions Et Reeditions De Musique Ancienne (avant 1800). S. 47–50
 Editions Et Reeditions De Musique Moderne (XIX et XXe ss.). S. 51–52

No. 2/3
 Vladimir Fédorov: Le Congrès de Dijon. S. 55
 Partie administrative du Congrès. S. 56
 Programme du Congrès. S. 57–60
 Discours officiels. 
 Ouverture Officielle du Congrès. S. 62
 André Ameller: Allocution Prononcée À L’occasion De L’ouverture Du Congrès. S. 62–63
 Alexander Hyatt King: Address at the opening session of the Congress. S. 63–65
 François Lesure: Adresse. S. 65–68
 Pierre Quarré: Les Musées de Dijon. S. 68–69
 Pierre Gras: La Bibliothèque municipale de Dijon. S. 69
 André Ameller: Le Conservatoire national de musique de Dijon. S. 70
 Folke Lindberg: Speech improvised at the IAML-luncheon in Laumes and reimprovised several months later in Lidingö, Sweden. S. 71
 Alexander Hyatt King: Short Address. S. 71–72
 Commissions internationales de travail. 
 Friedrich Blume, Harald Heckmann: Répertoire International des Sources Musicales (RISM). S. 74–75
 Andrè Jurrès: Music Information Centers (MIC): Summary of the report on the Dijon meeting. S. 75–76
 Harold Spivacke: International Committee of Music Phonorecord Collections: Dijon—July 2, 1965. S. 76–78
 Rita Benton: International Commission of Research Libraries. S. 78–79
 Karl Ludwig Nicol: Arbeitssitzung der Commission internationale des Bibliothèques musicales publiques: Dijon, 2. 7. 1965. S. 79–80
 J. H. Davies: IAML Radio Commission. S. 80–82
 K. Schmidt-Phiseldeck: Commission Internationale du Code de Catalogage. S. 82
 François Lesure: Commission Internationale des Cotages d’Éditeurs: Dijon, 2 Juillet 1965. S. 82
 Roger Décollogne, Francine Bloch: Réflexions sur le Congrès du Président de la F. I. P.. S. 83–84
 Horst Leuchtmann: Das Polyglotte Musikfachwörterbuch der AIBM. S. 84–86
 Assemblée générale. 
 André Jurrès: Allocution du nouveau Président. S. 88
 Harald Heckman: Generalversammlung / Assemblée générale / General Assembly. S. 88–89
 Harald Heckmann: Bericht des Generalsekretärs / Rapport du Sécretaire général / Report of the Secretary general. S. 90–95
 Wolfgang Rehm: Bericht des Schatzmeisters. S. 95–96
 Harald Heckmann: Sitzungen der Vorstände der AIBM / Réunions des organes directeurs de l’AIBM / Meetings of the Board and the Council of AIBM. S. 97–98
 Les Tables rondes. 
 PREMIÈRE TABLE RONDE: Les Centres de Documentation Musicale et leurs Techniques Particulières. 
 Enrich Straram: Introduction du Président. S. 100
 André Jurrès: Les Centres de documentation musicale et leurs techniques particulières: Rapport principal. S. 100–104
 Bernard Huys: Réponse au rapport préliminaire de M. A. Jurrès. S. 104–106
 John Howard Davies: The Radio Librarian and Music Documentation Techniques: Secondary Report. S. 106–107
 Karl Ludwig Nicol: Bericht zur ersten „Table ronde“. S. 107–108
 Brooks Shepard: Secondary Report. S. 108–109
 Anna Van Steenbergen: Compte-Rendu des Discussions. S. 109–111
 DEUXIÈME TABLE RONDE: Utilization of data Processing techniques in Musical Documentation. 
 Harald Heckmann: Geleitwort des Vorsitzenden. S. 111
 Barry S. Brook: Utilzation of data processing techniques in Music Documentation: The principal Report. S. 112–122
 Nanna Schiødt: Data Processing applied to Byzantine Chant: Secondary Report. S. 122–123
 Walter Reckziegel: Musikbibliographie und Datenspeicher: Nebenbericht. S. 123–128
 Raymond Meylan, Kurt Dorfmüller: Utilisation des calculatrices électroniques pour la comparaison interne du répertoire des basses danses du quinzième siècle. S. 128–135
 Troisième Table Ronde: The Music Librarian, the Bibliographer, the Documentalist. 
 Frits Noske: Introduction by the Chairman. S. 135
 Alexander Hyatt King: The Music Librarian, the Bibliographer, the Documentalist: The principal Report. S. 135–137
 Mariangela Donà: Le Bibliothécaire, le Documentaliste, le Bibliographe Musical: Quelques points de contact entre leurs activités respectives: Rapport secondaire. S. 137–138
 Vincent Duckles: Music Librarian — Bibliographer — Documentalist: Secondary Report. S. 138–141
 Herta Schetelich: Nebenbericht. S. 141–142
 Simone Wallon: The Music Librarian, the Bibliographer, the Documentalist: Rapport secondaire. S. 142–143
 Hans Zehntner: Bibliothekar, Bibliograph und Dokumentalist: Nebenbericht. S. 143–145
 Charles Cudworth: Un „Répertoire de documents musicaux“: Secondary Report. S. 145–146
 Manfred Willfort: Bericht über das Dritte Rundgespräch. S. 146
 QUATRIÈME TABLE RONDE: Audio-Visual Means of Musical Documentation. 
 Harold Spivacke: Introduction by the President. S. 147
 Folke Lindberg: Quelques aspects de la documentation musicale audio-visuelle: Rapport principal. S. 147–150
 Elisabeth Lebeau: Le problème des publications originales de musique non imprimées, à propos de la recherche de la musique de film: Rapport secondaire. S. 150–152
 Patrick Saul: A Documentation Policy for a National Sound Archive: Secondary Report. S. 152–155
 Barry S. Brook: The Simplified „Plaine and Easie Code System“ for Notating Music : A Proposal for International Adoption. S. 156–160
 Séance de la Société française de Musicologie: „Le Tempo dans l’exécution musicale du XVIIe et du XVIIIe siècles“ „Le Tempo dans la musique de tradition orale“. 
 Comtesse H. De Chambure: Avant propos du Président de séance. S. 162
 G. Thibault: Le „Te Deum“ de Lalande. Minutage de l’époque. S. 162–165
 Denise Launay: Les Rapports de Tempo entre Mesures Binaires et Mesures Ternaires dans la Musique Française (1600 — 1650). S. 166–194
 Charles Cudworth: The Meaning of „Vivace“ in Eighteenth Century England. S. 194–195
 Barry S. Brook: Le Tempo dans l’exécution de la musique instrumentale à la fin du XVIIIe siècle : Les Contributions de C. Mason et William Crotch. S. 196–201
 André Verchaly: Le Tempo dans la „musique mesurée à l’antique“. S. 202–204
 Claudie Marcel-Dubois: Le Tempo dans les Musiques de tradition Orale. S. 204–206
 SÉANCE DU GROUPE FRANÇAIS DU C.I.M.C.I.M.: Beaune, 6 juillet 1965. 
 Claudie Marcel-Dubois: Instruments de Musique Ethniques et Musées spécialisés d’Ethnologie: Résumé. S. 207–208
 G. Thibault: Recherches Effectuées au Musée Instrumental du Conservatoire de Paris (1962—1965). S. 209–212
 Concert-Conférence de Musique expérimentale. 
 Jean-Étienne Marie: Musique Expérimentale: Conférence-Concert du 5 juillet. S. 214–222
 La Vie du Congrès. 
 Miriam Miller: Life at the Congress. S. 223–224
 Jean-Claude Garreta: Estampes à Sujets Musicaux Relevées dans les Recueils de la Bibliothèque Municipale de Dijon: Exposition présentée dans les salles Vaillant et Boullemier de la Bibliothèque: Catalogue. S. 225–227
 Liste des Participants au Congrès. S. 228–230

13. Jg. 1966

No. 1
 Harald Heckmann, Wolfgang Rehm: Zum Geleit. S. 4
 Ihr Friedrich Blume: Lieber Freund Vladimir Fédorov!. S. 5–8
 Karl Vötterle: Fontes Artis Musicae. S. 8
 Israël Adler: Une source hébraïque de 1602 relative à la musica reservata?. S. 9–15
 Higinio Anglés: Relations épistolaires entre César Cui et Philippe Pedrell. S. 15–21
 Rita Benton: Ignace Pleyel, Disputant. S. 21–24
 Nanie Bridgman: La typographie musicale italienne (1475—1630) dans les collections de la Bibliothèque nationale de Paris. S. 24–27
 Charles Cudworth: Richard, Viscount Fitzwilliam, and the French Baroque Music in the Fitzwilliam Museum, Cambridge. S. 27–31
 John Howard Davies: Entente-Cordiale G. Jean-Aubry and a Generation of Anglo French Musical Journalism in The Chesterian. S. 31–33
 Kurt Dorfmüller: Gustav-Mahler-Dokumente in München. S. 33–39
 Karl Gustav Fellerer: Zur Kontrapunkt-Literatur im 16. Jahrhundert. S. 39–43
 Paule Guiomar: J. J. Imbault. S. 43–46
 Cari Johansson: Carl Fredric Fredenheim and his Collection of Eighteenth-Century Music. S. 46–49
 André Jurrès: Les compositeurs néerlandais et l’Orchestre du Concertgebouw. S. 49–53
 A. Hyatt King: C. G. Röder’s Music-Printing Business in 1885. S. 53–59
 Jan Larue: Classification of Watermarks for Musicological Purposes. S. 59–63
 Denise Launay: À propos de deux manuscrits musicaux aux armes de Louis XIII. S. 63–67
 Elisabeth Lebeau: Les catalogues de vente de tableaux et d’objets d’art, source de documentation musicale. S. 67–72
 François Lesure, G. Thibault: La méthode de mandoline de Michel Corrette (1772). S. 72–76
 Folke Lindberg: Broadcasting Libraries and Archives as Music Research Centres. S. 76–79
 Zofia Lissa: Max Regers Metamorphosen der „ Berceuse“ op. 83 von Frédéric Chopin. S. 79–84
 Oscar Mischiati: Un’inedita testimonianza su Bartolomeo Ramis de Pareia. S. 84–86
 Frits Noske: Early Sources of the Dutch National Anthem (1574—1626). S. 87–94
 Leopold Nowak: Ein Bach-Fund. S. 95–98
 Alfons Ott: Couperin als Quelle für Richard Strauss. S. 99–103
 Miguel Querol: Lista de los catálogos musicales publicados en España. S. 103–105
 Friedrich W. Riedel: Die Libretto-Sammlung im Benediktinerstift Göttweig. S. 105–111
 Claudio Sartori: Un catalogo di Giuseppe Sala del 1715. S. 112–116
 Kay Schmidt-Phiseldeck: Notes sur les buts du catalogage des livres et de la musique. S. 117–121
 Wolfgang Schmieder: Werkstatt-Erfahrungen beim Katalogisieren von Musikhandschriften: Ein Brief. S. 121–125
 Simone Wallon: L’alliance franco-russe dans la chanson française de 1890 à 1901. S. 126–136
 Liesbeth Weinhold: Musiktitel und Datierung. S. 136–140
 Hans Zehntner: Musikerbriefe in der Universitätsbibliothek Basel. S. 140–149
 Bernard Bardet: Oeuvres de Vladimir Fédorov. S. 150–152

No. 2/3
 Maria Prokopowicz: La Réunion de l’AIBM à Varsovie du 4 au 8 Septembre 1666. S. 153–154
 Virginia Cunningham: Minnie Elmer in Memoriam. S. 154
 Otfried Büthe: Einige methodische Fragen zu Vorbereitung und Aufbau einer musikhistorischen Ausstellung. S. 155–158
 Howard Brofsky: Students of Padre Martini: A Preliminary List. S. 159–160
 Hans-Martin Plesske: Musikergedenkstätten in der Deutschen Demokratischen Republik. S. 161–166
 Henry Watson Music Library: Music Manuscripts Available in Microform. S. 167–171
 Wolfgang Suppan: Communiqués / Mitteilungen / Notes And Information. S. 172–175
 Liste Internationale Selective No. 24 (avril 1966). S. 176–217
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 217–228
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 228–230

14. Jg. 1967

No. 1/2
 Luiz Heitor Corrêa De Azevedo: La Musique et les musiciens à l’UNESCO: Un bilan à l’occasion du 20e anniversaire de l’organisation. S. 1–8
 Maria Prokopowicz: La Réunion de l’AIBM à Varsovie du 4 au 8 Septembre 1966 (Participation et contribution des représentants polonais). S. 9–11
 Hieronim Feicht: Neue Quellen zur Geschichte der alten polnischen Musik. S. 11–16
 Maria Prokopowicz: La musique imprimée de 1800 à 1831 comme source de la culture musicale polonaise de l’époque. S. 16–22
 F. Lesure: Cotages d’éditeurs antérieurs à c. 1850: Liste préliminaire. S. 22–37
 Wolfgang Matthäus: Quellen und Fehlerquellen zur Datierung von Musikdrucken aus der Zeit nach 1750. S. 37–42
 Kurt Dorfmüller, Alfons Ott, Wolfgang Schmieder: Wolfgang Schmieder — Bibliographie: Erstellt zu seinem 65. Geburtstag am 29. Mai 1966. S. 43–53
 Harald Heckmann, Virginia Cunningham, Kurt Dorfmüller, Rita Benton, Vlasta Pouzarová, Jaroslava Klapková, Elisabeth Strandbygaard, Herta Schetelich, K. Musiol, D. W. Krummel, Alfons Ott, Barry S. Brook, Gerhard Schuhmacher, André Jurres: Jahrestagung der IVMB in Warschau—IAML Annual Conference in Warsaw—Réunion annuelle de l’AIBM à Varsovie. S. 53–67
 Liste Internationale Selective No. 25 (décembre 1966). S. 68–92
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 92–97
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 97–99

No. 3
 Axel Helmer: The Swedish Archives of Music History: A Report. S. 101–103
 Elena Andreevna Novikova, Minnie Elmer: Actual Problems of Contemporary Music Cataloging. S. 103–117
 Communiqués / Mitteilungen / Notes And Information. 
 Claes M. Cnattingius: Phonograph Commission. S. 118
 Gloria Rose Donington: Another Approach to Thorough-Bass. S. 118–119
 Karl Ferdinand Müller: Gesangbucharchiv der Ev.-luth. Landeskirche Hannovers in der Kirchenmusikschule Hannover. S. 119
 Philippe Mercier: Pourra-t-on ressusciter Gresnick?. S. 119–120
 Silvano De Francesco: Annotazioni su alcune musiche, finora non segnalate, di Giorgio Federico Ghedini. S. 120–121
 Verzeichnis der seit Erscheinen der ersten Bach-Gesamtausgabe verschollenen Originalhandschriften Bachscher Werke. S. 121–123
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Alfons Ott: Das Musiklexikon der Steiermark. Steirisches Musiklexikon. Im Auftrag Des Steirischen Tonkünstlerbundes Unter Benützung Der „Sammlung Wamlek“ Bearbeitet Und Herausgegeben. Akademische Druck- U. Verlagsanstalt, Graz 1962—1966 (Beiträge Zur Steirischen Musikforschung, Band 1) By Wolfgang Suppan. S. 124–125
 Liste Internationale Selective No. 26 (mai 1967). S. 126–152
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 152–159
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 160–162

15. Jg. 1968

No. 1
 André Jurres: Karl Vötterle sixty-five years young. S. 1
 Barry S. Brook, Nanna Schiødt: RILM: Répertoire International de Littérature Musicale / International Repertory of Music Literature / Internationales Repertorium der Musikliteratur. S. 2–9
 Wolfgang Rehm: Die Neue Mozart-Ausgabe: Ziele und Aufgaben. S. 9–13
 Cecil Hopkinson: Two important Berlioz discoveries (offered to Vladimir Fédorov in honour of his Sixty-Fifth Birthday). S. 14–16
 Eugenia C. Saville: Liturgical music of Giovanni Clari: An Annotated Index. S. 17–31
 Denis Vaughan: Berne Convention. Printing, Publication and Distribution of Musical Works. S. 32–33
 Harald Heckmann, André Jurres, Rita Benton, Alfons Ott, J. H. Davies, Kurt Dorfmüller, Harold Spivacke: Jahrestagung der IVMB in Salzburg — IAML annual conference in Salzburg — Réunion annuelle de l’AIBM à Salzbourg. S. 34–47
 Alfons Ott: Deutsche Sektion (BRD) der Association Internationale des Bibliothèques Musicales (AIBM) Arbeits- und Fortbildungstagung, München 1967. S. 47–48
 Communiqués / Mitteilungen / Notes And Information. 
 Ritva Piispanen: Music Libraries in Finland 1967. S. 49
 Hellmuth Christian Wolff: Répertoire Iconographique de l’Opéra (RICO). S. 50–51
 R. Meylan: Enquête sur Arthur Parchet. S. 51–52
 COMPTES — RENDUS / BESPRECHUNGEN / Reviews. 
 Review by Emanuel Winternitz: Music is for people. Musik Und Gesellschaft Im Bild — Zeugnisse Der Malerei Aus Sechs Jahrhunderten By Francois Lesure; Pierre Francastel. S. 52–54
 Review by Philipp Naegele: Haydns gesammelte Briefe und Aufzeichnungen. Gesammelte Briefe Und Aufzeichnungen By Joseph Haydn; H. C. Robbins Landon; Dénes Bartha. S. 54–56
 Liste Internationale Selective No. 27 (septembre 1967). S. 57–70
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 70–73
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 73–74

No. 2/3
 Hans Lenneberg: Problems in the International Exchange of Microfilm. S. 75–78
 Harald Heckmann, François Lesure, Rita Benton: Bemerkungen — Remarques — Remarks zu Lennebergs „Problems in the international Exchange of Microfilm“. S. 79–82
 Iván Pethes, Ing. Karel Kozelek, Eric Winkel, Helmut Rösner, Hans-Martin Pleßke, Miguel Querol Gavaldá, Simone Wallon, E. T. Bryant, Mariangela Donà, Karol Musioł, Hans Zehntner, Alfhild Forslin, Virginia Cunningham, Barbara R. Greener: The Classification of Music and Literature on Music. S. 83–102
 Liesbeth Weinhold: Der Anteil der Bundesrepublik Deutschland am Internationalen Quellenlexion der Musik: Referat auf der Tagung der Deutschen Gruppe der AIBM in München am 30. 8. 1967. S. 102–107
 K. Ph. Bernet Kempers: Die Sigel RISM 1553 und 1553. S. 108–110
 Communiqués / Mitteilungen / Notes And Information. 
 E. L.: Les Manuscrits de Nicolas Obouhov au Département de la Musique de la Bibliothèque nationale. S. 111–114
 Iván Pethes: Musikbibliotheken in Ungarn. S. 114–119
 C. Johansson: Réunion du Groupe Scandinave de l’AIBM. S. 119
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by V. F.: Franz Liszt en Hongrie. S. 120–121
 Liste Internationale Selective No. 28 (mai 1968). S. 122–140
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 140–148
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 148–151

16. Jg. 1969

No. 1/2
 André Jurrès: LE HUITIÈME CONGRÈS DE L’Association À NEW YORK ET À WASHINGTON (8 — 15 SEPTEMBRE 1968) COMPTES-RENDUS DES TRAVAUX : Un simple mot d’adieu. S. 1–2
 Harald Heckmann: Bericht über die 6. Generalversammlung der IVMB / Report of the sixth General Assembly of IAML / Compte-Rendu de la 6e Assemblée Générale de l’AIBM. S. 3–5
 Harald Heckmann: Bericht des Generalsekretärs — Report of the Secretary general / Rapport du Sécretaire général. S. 6–8
 Harald Heckmann: Bericht des Schatzmeisters: Übersicht über die Einnahmen und Ausgaben in den Jahren 1965, 1966 und 1967. S. 9–12
 Rita Benton, Thor E. Wood, Dietrich Lotichius, John H. Davies, Kurt Dorfmüller, François Lesure, Keith C. Macmillan: Commissions Internationales de Travail: Research Libraries Commission. S. 12–19
 Patrick Saul: Fédération Internationale des Phonothèques (F.I.P.) (International Federation of Sound Archives). S. 19
 Karlheinz Schlager, Helmut Kallmann, Nanna Schiødt, Liesbeth Weinhold, François Lesure, Israel Adler, Alfons Annegarn, Cari Johansson, Harold Spivacke: Répertoire International des Sources Musicales (RISM): Protokoll über die RISM-Sitzungen. S. 20–24
 Barry S. Brook, Nanna Schiødt: Répertoire International de Littérature Musicale (RILM): Report No. 3: September 1968. S. 24–27
 Exhibition of Musical Resources from American Archives. S. 27–28
 Cecil Hopkinson: Berlioz Discoveries (An open letter). S. 28–29
 Marie Louise Martinez-Göllner: Die Augsburger Bibliothek Herwart und ihre Lautentabulaturen: Ein Musikbestand der Bayerischen Staatsbibliothek aus dem 16. Jahrhundert. S. 29–48
 Axel Helmer, Wolfram Uhlmann: Retrieval of Historical Data: Towards a Computerized Concert Index at The Swedish Archives of Music History. S. 48–56
 Leeman L. Perkins: Notes bibliographiques au sujet de l’ancien fond musical de l’Église de Saint Louis des Français à Rome: D’après l’étude inédite d’Alberto Cametti concernant la chapelle musicale de cette église). S. 57–71
 Communiqués / Mitteilungen / Notes And Information. 
 Verschollene Kantaten von Sebastian Knüpfer und Johann Gottlieb Görner. S. 72
 Commissions For Processing The Stored Musical Data. S. 72
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Hans Zehntner: Musik Und Verlag. Karl Vötterle Zum 65. Geburtstag Am 12. April 1968 By Richard Baum; Wolfgang Rehm. S. 73–74
 Review by Dragotin Cvetko: Ein neues Werk über das Musikbarock. Der Musikbegriff Im Deutschen Barock By Rolf Dammann. S. 74–76
 Review by Ewald Jammers: Die Lieder des Fürsten Wizlaw von Rügen. The Songs Of The Minnesinger, Prince Wizlaw Of Rügen (Univers. Of North Carolina Studies In The Germanic Languages, Literatures Nr 59.) By Thomas Wesley; Barbara Garvey Seagrave. S. 77–78
 Liste Internationale Selective No. 29 (décembre 1968). S. 79–97
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 97–102
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 102–105

No. 3
 AVANT-PROPOS / VORWORT / FOREWORD. S. 107
 Thor E. Wood: American Music Libraries and Information Agencies: Preface to this Issue. S. 108–109
 Carroll D. Wade: The Music Division in the Library of Congress. S. 109–112
 Frank C. Campbell: The Music Division of The New York Public Library. S. 112–119
 Donald W. Krummel: The Newberry Library, Chicago. S. 119–124
 Rita Benton: The Music Library of the University of Iowa. S. 124–129
 Violet E. Lowens: The Public Library Music Division: A Glimpse of Past, Present, and Future. S. 129–133
 Kurtz Myers: The Public Library and the Musical Community. S. 133–135
 Geraldine Ostrove: Conservatory Libraries in the United States. S. 136–143
 Ruth Watanabe: The Sibley Music Library of the Eastman School of Music. S. 143–144
 James Browning: The American Music Center. S. 144–146
 Philip L. Miller: Association for Recorded Sound Collections. S. 146–147
 Charles Hamm, Herbert Kellman: The Musicological Archive for Renaissance Manuscript Studies. S. 148–149
 Susan Thiemann Sommer: Toscanini Memorial Archives. S. 149–150

17. Jg. 1970

No. 1/2
 Hans Zehntner: LE CONGRÈS DE SAINT-GALL. S. 1
 Imogen Fellinger: Die Zentralstelle für Musikbibliographie des 19. Jahrhunderts. S. 2–6
 Imogen Fellinger: Verzeichnis der Musikzeitschriften des 19. Jahrhunderts: Nachträge, Folge 1. S. 7–8
 Rita Benton: A la recherche de Pleyel perdu, or Perils, Problems, and Procedures of Pleyel Research. S. 9–15
 Hans-Rudolf Dürrenmatt, Murray Gould, Jan Larue: Die Notierung thematischer Incipits auf „Mark-Sense-Cards“: Thematisch-bibliographische Katalogisierung im Zeitraum von 1600—1800 mit Hilfe elektronischer Datenverarbeitung. S. 15–23
 Rudolf Elvers: Breitkopf & Härtels Verlagsarchiv. S. 24–28
 Jutta Theurich: Die Arbeiten am RISM in der Deutschen Demokratischen Republik. S. 28–32
 Harald Heckmann, Rita Benton, Alfons Ott, John H. Davies, Kurt Dorfmüller, Donald W. Krummel, Claes M. Cnattingius, André Jurres: Jahrestagung der IVMB in Amsterdam / IAML Annual Conference in Amsterdam / Réunion annuelle de l’AIBM à Amsterdam. S. 32–40
 Harald Heckmann: Répertoire International des Sources Musicales (RISM). S. 40–41
 Barry S. Brook, Nanna Schiødt: Répertoire International de Littérature Musicale (RILM): Report No. 4: Amsterdam, August 1969. S. 41–44
 International Association of Sound Archives (IASA). S. 44–47
 Communiqués / Mitteilungen / Notes And Information. 
 Alfons Ott: Musikbibliothekarische Arbeit und Arbeitsplanung. S. 48–51
 Bernard Bardet: Les programmes au Département de la Musique à la Bibliothèque nationale. S. 51–53
 Music Library Personnel to Study at North Texas State University. S. 53
 Howard Brown: Rism-Recueils Imprimés Du Xvi E Et Xvii E Ss. Dépouillements. S. 54
 Les Oeuvres Complètes de Paul Hindemith. S. 54
 Robert Freeman: Thematic Catalogue Of Cadenzas For Mozart Concertos. S. 54
 William J. Maynard: Other Mozart and Weber Cadenzas. S. 54
 Comptes-Rendus / Besprechungen / Reviews. 
 Un Guide musical non-conformiste. S. 55
 Review by François Lesure: Une Entreprise Modèle Et Systématique. S. 55
 Review by Dragotin Cvetko: Une nouvelle Encyclopédie de la Musique. S. 55–56
 Review by Ivo Supičić: Entre l’Esthétique et l’Histoire. S. 56–58
 LISTE INTERNATIONALE SÉLECTIVE No. 30 (décembre 1969). S. 59–93
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 93–102
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 102–107

No. 3
 Note du rédacteur. S. 109
 James Coover: American Music Librarianship: The Formative Years and the First Generation. S. 109–119
 Martin Staehelin: Zum Schicksal des alten Musikalien-Fonds von San Luigi dei Francesi in Rom. S. 120–127
 Sharon E. Girard: Bibliography of Musical Articles in the National Hemeroteca, Mexico City: A Preliminary Study. S. 127–128
 François Lesure: Un Guide Américain pour L’Europe. S. 129
 Communiqués / Mitteilungen / Notes And Information. 
 Lutz Lesle: Tagung der Deutschen Gruppe BRD der AIBM in Westberlin. S. 130–131
 John H. Davies: Helmut Kallmann, First National Music Librarian of Canada. S. 131–132
 Dan Fog: Sven Lunn, Kaj Schmidt-Phiseldeck, Erling Winkel in Memoriam. S. 132–133
 Barry S. Brook: Thematic Catalogues in Music. An Annotated Bibliography. S. 133
 OUVRAGES REÇUS / EINGEGANGENE SCHRIFTEN / BOOKS RECEIVED. S. 134–136
 LISTE INTERNATIONALE SÉLECTIVE No. 31 (août 1970). S. 137–165
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 165–173
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 174–178

18. Jg. 1971

No. 1/2
 Vladimir Fédorov zum 70. Geburtstag am 18. August 1971. S. 1
 King of the Music Room: On his Sixtieth Birthday, 18 July 1971. S. 2–3
 Thor E. Wood, H. N.: Music Librarianship in the United States. S. 3–5
 June R. Morroni: The Music Library Association. S. 5–18
 Walter Gerboth: The Publics of the Music Library. S. 19–21
 Donald L. Leavitt: Some Practices and Problems in American Record Libraries. S. 22–27
 William J. Weichlein: Training for Music Librarianship. S. 28–30
 Ruth Watanabe: Workshops and Institutes for Music Librarians in the United States. S. 30–35
 Vincent Duckles: Music Bibliography in the United States (1960—1970). S. 35–40
 Donald W. Krummel: Guide for dating early music: A Synopsis. S. 40–59
 Imogen Fellinger: Verzeichnis der Musikzeitschriften des 19. Jahrhunderts. S. 59–62
 Harald Heckmann, Rita Benton, Alfons Ott, Iván Pethes, Karol Musioł, John H. Davies, Kurt Dorfmüller, Claes M. Cnattingius, André Jurres: Jahrestagung der IVMB in Leipzig / IAML annual Conference in Leipzig / Réunion annuelle de l’AIBM à Leipzig. S. 62–72
 Harald Heckmann: Répertoire International des Sources Musicales (RISM). S. 73
 Barry S. Brook, Nanna Schiødt: Répertoire International de Littérature Musicale (RILM). S. 73–77
 International Association of Sound Archives (IASA). S. 77–79
 Communiqués / Mitteilungen / Notes And Information. 
 Iván Pethes: Musiksektion des Vereins der ungarischen Bibliothekare. S. 80
 Anna Veress: Die Musiksammlung der Universitätsbibliothek in Debrecen (Ungarn). S. 80–81
 Der XI. Kongreß der IGMw. S. 81
 The New York Public Library Acquires Early English Music Manuscripts, The Giuditta Pasta Collection. S. 81–82
 Neue Bibliographien der Werke von Beethoven, Brahms und Chopin. S. 82
 Correspondance de F.-J. Fétis. S. 82
 LISTE INTERNATIONALE SÉLECTIVE No. 31 (septembre 1970). S. 83–90
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 90–91
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 91–92

No. 3
 Le Biblioteche Italiane. S. 93–157
 LISTE INTERNATIONALE SÉLECTIVE N O 32 (janvier 1967—décembre 1970). S. 158–162
 Éditions et Rééditions de Musique ANCIENNE (avant 1800). S. 162–166
 Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 166

19. Jg. 1972

No. 1/2
 Rudolf Elvers, Cecil Hopkinson: A Survey of the Music Catalogues of Whistling and Hofmeister. S. 1–7
 Cecil Hill: William Stansby and Music-Printing. S. 7–13
 Carol June Bradley: The Dickinson Classification for Music. S. 13–22
 Marie Svobodová: Music Journals in Bohemia and Moravia: 1796—1970 (Prague 1971). S. 22–41
 Imogen Fellinger: Verzeichnis der Musikzeitschriften des 19. Jahrhunderts: Nachträge, Folge 3. S. 41–44
 Pour Ernst Mohr. S. 45
 Ouvrages Reçus / Eingegangene Schriften / Books And Music Received. S. 45–52
 Liste Internationale Sélective No. 33 (Décembre 1971). S. 53–84
 Éditions Et Rééditions De Musique Ancienne (Avant 1800). S. 84–91
 Éditions Et Rééditions De Musique Moderne (XIXe et XXe ss.). S. 91–96

No. 3
 A. Hyatt King, Folke Lindberg: JOHN HOWARD DAVIES. S. 97–98
 NEUVIÈME CONGRÈS INTERNATIONAL DES BIBLIOTHÈQUES MUSICALES ST-GALL 22—28 AOÛT 1971. S. 99
 Partie Administrative. S. 100
 Programme du Congrès. S. 100–101
 Hans Steinbeck: Avant-propos. S. 102
 SÉANCE D’OUVERTURE. S. 103–112
 Johannes Durft, Kurt Von Fischer: RÉUNIONS PUBLIQUES: „ORGANISMES DE LA RADIODIFFUSION: BIBLIOTHÈQUES ET ARCHIVES SONORES“. S. 113–154
 Harald Heckmann, Wolfgang Rehm: ASSEMBLÉE GÉNÉRALE. S. 155–162
 Commissions DE TRAVAIL. S. 163–207
 SOMMER-AUSSTELLUNG 1971 IN DER STIFTSBIBLIOTHEK ST. GALLEN: „GESANGSKUNST — BUCHKUNST“ ST. GALLER MANUSKRIPTE AUS DEM 8. BIS 18. JAHRHUNDERT (Kongreß der Internationalen Vereinigung der Musikbibliotheken, 22.—28. August, in St. Gallen). S. 208–211
 LISTE DES CONGRESSISTES. S. 212–214

20. Jg. 1973

No. 1/2
 Harald Heckmann, André Jurres, Folke Lindberg, Kurt Dorfmüller, Thor E. Wood, Karol Musiol, Claes M. Cnattingius, Rita Benton, D. W. Krummel, Barry S. Brook, R. L. Schuursma: Jahrestagung der IVMB in Bologna / IAML annual Conference in Bologna / Réunion annuelle de l’AIBM à Bologne. S. 1–25
 Ouvrages Reçus / Eingegangene Schriften / Books And Music Received. S. 26–38
 Liste Internationale Sélective No. 34 (Décembre 1972). S. 39–72
 Éditions Et Rééditions De Musique Ancienne (Avant 1800). S. 72–79
 Éditions Et Rééditions De Musique Moderne (Xixe Et Xxe Ss.). S. 79–84

No. 3
 10th Congress of the International Association of Music Libraries: Jerusalem, 18—24 August, 1974. S. 85–86
 Robert Stevenson: The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. S. 87–107
 Imogen Fellinger: Verzeichnis der Musikzeitschriften des 19. Jahrhunderts. S. 108–111
 Chappell White: Toward a more accurate Chronology of Viotti’s Violin Concertos. S. 111–124

21. Jg. 1974

No. 1/2
 Harald Heckmann, André Jurres, Kurt Dorfmüller, Charlotte Van Der Pot, Rita Benton, Anders Lönn, Mariangela Donà, Imogen Fellinger, Jürgen Kindermann, Frederick Rimmer, Eva Brit Fanger, D. W. Krummel, Folke Lindberg, Karlheinz Schlager, Barry S. Brook, Nanna Schiødt, Claes M. Cnattingius: Jahrestagung der IVMB in London / IAML annual Conference in London / Réunion annuelle de l’AIBM à Londres. S. 1–27, 83–84
 Folke Lindberg: Gramophone Record Catalogues based on EDP Routines: A short survey. S. 28–32
 Marie Svobodová, Juraj Potúček: Music Journals in Slovakia 1871–1970. S. 32–36
 Imogen Fellinger: Verzeichnis der Musikzeitschriften des 19. Jahrhunderts. S. 36–38
 Communiqués / Mitteilungen / Notes And Information. 
 Index of New Musical Notation. S. 39
 Popular Music. S. 39
 Liste Internationale Sélective No. 35 (Décembre 1973). S. 40–68
 Éditions Et Rééditions De Musique Ancienne (Avant 1800). S. 68–76
 Éditions Et Rééditions De Musique Moderne (Xixe Et Xxe Ss). S. 76–83

No. 3
 Catharina Van Hees, Charlotte Van Der Pot: Introduction. S. 87–90
 [Map of music and record libraries]. S. 91
 Do Reeser: Sixty Years of Public Music Libraries in the Netherlands. S. 92–96
 Charlotte Van Der Pot: The Study Centre for Music and Record Libraries. S. 96–100
 Dule Aelberts-Van De Ven, Catharina Van Hees: Training Music / Gramophone Record Librarians. S. 100–103
 Paul Van Reijen: The Toonkunst Library. S. 103–106
 Arie Verveen, Magda Klerk: The Gemeentemuseum at the Hague. S. 106–109
 Fred Matter: The Volksliedarchief at Amsterdam. S. 109–111
 Huib Deetman: Public Record Libraries in the Netherlands. S. 111–115
 Axel Meijer: Conservatory Libraries in the Netherlands. S. 115–119
 Rogier Starreveld: The Donemus Foundation. S. 119–122
 Cees Rusche: The Sound Recording Library at the Dutch Broadcasting Foundation (NOS). S. 122–124
 Kees Silvis: County Record Libraries. S. 124–128
 Rolf Schuursma: The Historical Sound Archive of the Foundation for Film and Science, Utrecht. S. 128–130
 Annie Willemsen: The Music Libray for the Blind at the Amsterdam Public Library. S. 130–133
 Clemens Von Gleich: The Society of Dutch Music History. S. 134–136
 Statistical Survey. S. 136
 Bibliography of Professional Literature Published in Commission or under the Auspices of the Study Centre for Music and Record Libraries. S. 137–138
 Qualifications of a Music Librarian. S. 139–143
 Communiques / Mitteilungen / Notes And Information. 
 The 12th Congress of the International Musicological Society (Berkeley, August 1977). S. 144

22. Jg. 1975

No. 1/2
 Israel Adler, Bathja Bayer: Tenth International Congress Of Music Libraries Jerusalem: August 18Th To 24Th 1974. S. 1
 Israel Adler, Bathja Bayer: Administrative Information. S. 2–6
 Opening Session: Monday 19. 8. 1974, 15,00 H., Maison De France Programme. S. 7–15
 Harald Heckmann: General Assembly: Monday 19. 8. 1974, 16 H. 30, Maison De France. S. 16–31
 Public Sessions. S. 32–47
 Kurt Dorfmüller, D. W. Krummel, André Jurres, Don L. Roberts, Charlotte Van Der Pot, Claes M. Cnattingius, Dietrich Lotichius, Anders Lönn, Barry S. Brook, Rolf L. Schuursma: Working Commissions. S. 48–61
 Avigdor Herzog: Concerts And Exhibitions. S. 62–79
 List Of Participants. S. 80–81
 קׇנ וׁן לְסַפְרׇן (קהלת י„ב פס’ י„ב) / Canon Bibliothecarii (Ecclesiastes, Xii, 12). S. 82
 Kurt Dorfmüller, François Lesure, Norbert Böker-Heil: Neue Pläne Für RISM. S. 83–90

No. 3
 Vladimir Fédorov: Mes chers Amis. S. 91
 Rita Benton: A Statement from the new Editor. S. 91–93
 François Lesure: Geneviève Thibault, comtesse de Chambure. S. 94
 Harald Heckmann: In memoriam Karl Vötterle. S. 95
 Vladimir Fédorov: La mort de Friedrich Blume (5 janvier 1893 — 22 novembre 1975). S. 95–96
 BIBLIOTHÈQUES DES CONSERVATOIRES ACADÉMIES ET ÉCOLES DE MUSIQUE. 
 Karol Musiol: Die Aufgaben der Bibliothek in der Musikhochschule. S. 98–100
 Werner Gallusser: Music School Libraries in Australia and New Zealand. S. 100–101
 Kamiel Cooremans, Guy Tops: Music Libraries in Belgium. S. 101–103
 Maria-Felicitas Kletzin: Bericht über die Musikhochschulbibliotheken in der Bundesrepublik Deutschland. S. 104–107
 Maria-Felicitas Kletzin: Die Eigengesetzlichkeit der Musikhochschulbibliotheken gegenüber den öffentlichen Musikbüchereien. S. 107–111
 Ladislav Černecký: Libraries and Archives of Music Schools in Czechoslovakia. S. 112–113
 Ina Albert: Die Bibliotheken der Musikhochschulen der DDR. S. 114–115
 Miguel Querol: España. S. 116–118
 François Lesure: Les Bibliothèques des Conservatoires en France. S. 119–121
 Edward Thompson: Music School Libraries in Britain. S. 121–123
 Claude Abravanel: Les Bibliothèques dans les Établissements pédagogiques de Musique en Israël. S. 123–124
 Koralja Kos: Musikhochschulbibliotheken in Jugoslawien. S. 125–127
 Magda Gráf-Forrai: Die Geschichte und heutige Stellung der Bibliotheken musikpädagogischer Institutionen in Ungarn. S. 128–131
 Harald Bogner: Österreichische Musikhochschul- und Konservatoriumsbibliotheken. S. 132–133
 Karol Musiol: Die Bibliotheken der Staatlichen Hochschulen für Musik in Polen. S. 133–135
 Theo Hirsbrunner: Die Bibliotheken der Schweizer Konservatorien und Musikhochschulen. S. 136–137
 Cari Johansson: The Libraries of the Royal Swedish Academy of Music, Conservatories and Music Schools in Sweden. S. 137–140
 Tamara Lysenko: Libraries of the Conservatories in the USSR. S. 140–144
 Ruth Watanabe: Libraries in the Schools of Musical Performance and Pedagogy in the United States. S. 144–154
 Comptes- Rendus / Besprechungen / Reviews. 
 Review by Rita Benton: Les Catalogues de la Bibliothèque Royale de Belgique. S. 155
 Review by Bernard Marrey, Morris Martin: Discographies. S. 155–157
 Review by Dietrich Berke: Mozart-Briefausgabe abgeschlossen. S. 157–158
 Review by Dietrich Berke: Über Musiker-Gesamtausgaben. S. 158
 Review by S. Wallon: Comment dater la Musique ancienne?. S. 158–159
 Review by Jean-Michel Nectoux: À l’Écoute de Claude Debussy. S. 159–160

23. Jg. 1976

No. 1
 H. H.: Lieber V. F.. S. 1
 Helmut Rösing: Zur Planung und zum gegenwärtigen Stand des RISM Handschriftenprojekts. S. 2–6
 Cecil Hill: Ferdinand Ries: a preliminary list of correspondence. S. 7–39
 Rb: Fontes Editoriales. S. 40
 Nouvelles/Nachrichten/News. S. 41
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Sven H. Hansell: Svensk solosång 1850—1890. Vol. I: En genrehistorisk studie. Vol. II: Sångförteckning by Axel Helmer. S. 42–43
 Review by Rita Benton: Histoire du Concert spirituel 1725—1790 by Constant Pierre. S. 43–46
 Annual Meeting: International Association of Music Libraries. S. 47
 Réunion Annuelle: Association Internationale des Bibliothèques Musicales. S. 47
 Ella Arntsen: Jahrestagung: Internationale Vereinigung der Musikbibliotheken. S. 48

No. 2
 Charlotte Van Der Pot, Sabine Lichtenstein: Two Expositions Organized by the Music Library in Amsterdam. S. 49–52
 Rita Benton: The Nature of Music and some Implications for the University Music Library. S. 53–60
 George Mullally: Some Remarks on the Library of Congress Classification Schedule for Music. S. 60–61
 Imogen Fellinger: Verzeichnis der Musikzeitschriften des 19. Jahrhunderts. S. 62–66
 Barry S. Brook: The International Music Council, 1975. S. 67–69
 IAML Annual Conference in Montreal Réunion annuelle de l’AIBM à Montréal Jahrestagung der IVMB in Montreal. 
 Anders Lönn: [Introduction]. S. 69–70
 Bengt Kyhlberg: Broadcasting Libraries Commission. S. 71
 D. W. Krummel: Commission For Bibliographical Research. S. 71–72
 Don L. Roberts: Commission On Education And Training. S. 72
 Ruth Watanabe: Commission On Libraries In Conservatories And Schools Of Music. S. 73
 Kurt Dofmüller: Katalog-Kommission. S. 73–75
 André Jurres: Music Information Centres. S. 75
 Elizabeth M. Hart: Public Libraries Commission. S. 76
 Derek Lewis: Record Libraries Commission. S. 77–80
 Rita Benton: Research Libraries Commission. S. 80–81
 Helmut Rösing, Kurt Dorfmüller: RISM. S. 81–82
 RILM. S. 82–85
 Barry S. Brook: RIDIM. S. 85–89
 INTERNATIONAL Association OF SOUND ARCHIVES (IASA). S. 89–90
 rb: Fontes Editoriales. S. 91
 Nouvelles/Nachrichten/News. S. 92–94
 Publications à Caractère Bibliographique. S. 95–97
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by James Moldovan Beilman: Notaţia şi Ehurile Muzicii Bizantine by Grigore Panţiru. S. 98
 Review by Pierre Pidoux: Das Deutsche Kirchenlied (DKL). Band I, Teil 1: Verzeichnis der Drucke by Konrad Ameln; Markus Jenny; Walther Lipphardt. S. 98–99
 Review by François Lesure: Sixteenth-century Choirbooks in the Archivio Capitolare at Casale Monferrato (Renaissance Manuscript Studies, 2) by David Crawford. S. 99–100

No. 3
 A. Hyatt King: Music in the British Library. S. 101–102
 Nancy B. Reich: Liszt’s Variations on the March from Rossini’s Siège de Corinthe. S. 102–106
 Belgian Issue. 
 B. H.: Introduction. S. 107
 Bernard Huys: La Section de la Musique de la Bibliothèque Royale Albert Ier à Bruxelles. S. 108–113
 Diana Von Volborth-Danys: CeBeDeM — Belgian Centre for Music Documentation. S. 113–115
 Edouard A. Niffle: La Bibliothèque musicale de la Radio-Télévision Belge. S. 116–117
 Adrienne Doignies: Le Centre de Documentation musicale de l’Union Européenne de Radiodiffusion. S. 118
 Paul Culot: Quelques moments de l’histoire musicale évoqués par les collections du Musée de Mariemont. S. 119–123
 Maurice Barthélemy: Le Fonds Terry de la Bibliothèque du Conservatoire Royal de Musique de Liège. S. 124–126
 Bernard Huys: Le Fonds de Sainte-Gudule de la Bibliothèque du Conservatoire Royal de Musique de Bruxelles. S. 127
 Ludo Simons: The Department of Music in the „Archives and Museum of Flemish Cultural Life“ (Antwerpen). S. 127–129
 Frans M. J. Dupont: Le Fonds Peter Benoit (Antwerpen). S. 130–131
 Henri Vanhulst: La Société Belge de Musicologie. S. 131–132
 Irène Bogaert: Vereniging voor Muziekgeschiedenis Antwerpen. S. 132–134
 José Quitin, B. H.: La Société liégeoise de musicologie. S. 134–137
 Cebedem: Some Belgian Music Publishers (including some that have ceased to publish in the last few years). S. 138–142
 Rb: Fontes Editoriales. S. 143
 Nouvelles / Nachrichten / News. S. 144–146
 Publications à Caractère Bibliographique. S. 146–148
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Kerala J. Snyder: Thematisch-Systematisches Verzeichnis der musikalischen Werke von Dietrich Buxtehude: Buxtehude-Werke-Verzeichnis (BuxWV) by Georg Karstädt. S. 148–149
 Review by D. Martin Jenni: Songwriters’ Rhyming Dictionary by Jane Shaw Whitfield; Frances Stillman. S. 149–150

No. 4
 Dena J. Epstein: Documenting the History of Black Folk Music in the United States: A Librarian’s Odyssey. S. 151–157
 Nanna Schiødt: MUSICAT. A Method of Cataloguing Music Manuscripts by Computer, as applied in the Danish RISM Manuscript Project. S. 158–167
 Friedrich Lippmann: Die Musikgeschichtliche Abteilung des Deutschen Historischen Instituts in Rom. S. 167–171
 James R. Parrott: Bibliotheca Harmonicorum: A Bibliography where Science and Music Meet. S. 171–176
 Richard D. Claypool: Archival Collections of the Moravian Music Foundation and some notes on the Philharmonic Society of Bethlehem. S. 177–190
 Rb: Fontes Editoriales. S. 191
 Communiqués/Mitteilungen/Communications. S. 192–193
 Nouvelles / Nachrichten / News. S. 193–195
 Publications à Caractère Bibliographique. S. 196–197
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by H. Edmund Poole: English Music Printing 1553—1700 by Donald W. Krummel. S. 198–199
 Review by Sven Hansell: Opernlexikon: Teil I: Titelkatalog by Franz Stieger. S. 199–201
 Review by François Lesure: Musikhandschriften aus der Sammlung Paul Sacher. Festschrift zu Paul Sachers siebzigstem Geburtstag. S. 201
 Review by Neil Ratliff: Songs from Hollywood Musical Comedies, 1927 to the Present: A Dictionary by Allen L. Woll. S. 202
 Review by Gordon S. Rowley: Information on Music: A Handbook of Reference Sources in European Languages. Vol. I: Basic and Universal Sources by Guy A. Marco. S. 202–205
 Liste sélective: Canada. S. 206–208

24. Jg. 1977

No. 1
 Kurt Dorfmüller: Alfons Ott: 21. Februar 1914 — 12. November 1976. S. 1–2
 Dorothy Freed: Music Lending in New Zealand, with some Remarks on the Australian Situation. S. 2–6
 Miranda Lee Pao: Training of the Music Librarian: A Double Degree Program. S. 7–12
 IAML Annual Conference in Bergen Réunion annuelle de l’AIBM à Bergen Jahrestagung der IVBM in Bergen. 
 Anders Lönn: [Introduction]. S. 13–16
 Ella Arntsen, The Arrangement Committee: The Conference Week in Bergen 1976, as the Hosts saw it. S. 17–18
 D. W. Krummel: Commission For Bibliographical Research. S. 18
 Bengt Kyhlberg: Broadcasting Libraries Commission. S. 18–19
 Dietrich Lotichius: Broadcasting Libraries Commission: Subcommission Radio Sound Archives. S. 19–21
 Karol Musioł: Commission On Libraries In Academies, Conservatories And Music Colleges. S. 21–22
 Don L. Roberts: Commission On Education And Training. S. 22
 Huib Deetman: The Tasks Of A Music Librarian: A Report To The Commission On Education And Training. S. 23–25
 Katalog-Kommission. S. 25
 Kurt Dofmüller: Katalog-Kommission: Subkommission Klassifikation. S. 26
 Keith Macmillan: Music Information Centres. S. 26–27
 Eric Cooper: Public Libraries Commission. S. 27–28
 Charlotte Van Der Pot: Results An Enquiry By The Public Libraries Commission. S. 28–29
 Claes M. Cnattingius: Record Libraries Commission. S. 29–30
 Eric Cooper: Record Libraries And Public Libraries Commissions: Joint Session On Record Lending Libraries. S. 30
 Rudolf Elvers, Kurt Dorfmüller: Commission Of Research Libraries. S. 31
 Harald Heckmann: RISM. S. 31–34
 José López-Calo: The Rism A/II Project in Spain. S. 34–35
 Barry S. Brook: RILM. S. 35–38
 Barry S. Brook: RIdIM. S. 38–41
 David Lance: International Association of Sound Archives (IASA). S. 42
 Rb: Fontes Editoriales. S. 43
 Nouvelles/Nachrichten/News. S. 44–45
 W. Dale Ward, I. G. Miller: Communiqués/Mitteilungen/Communications. S. 46–48
 Publications à Caractère Bibliographique. S. 48–49
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Marie-Noëlle Colette: H. 159 Montpellier. Tonary of St Bénigne of Dijon by Finn Egeland Hansen. S. 50
 Review by Barry S. Brook: Edition et commerce de la musique gravée à Paris dans la première moitié du XVIII e siècle: Boivin et Le Clerc (Archives de l’édition musicale française I) by Anik Devriès. S. 50–52
 Review by Jos. Smits Van Waesberghe: Hebrew Writings concerning Music in Manuscripts and Printed Books from Geonic Times up to 1800 by Israel Adler. S. 53
 Review by Alan Tyson: Franz Schuberts Werke in Abschriften: Liederalben und Sammlungen. Franz Schubert, Neue Ausgabe Sämtlicher Werke, Serie VIII, Supplement 8. Quellen II by Walther Dürr. S. 53–54
 Review by Gilbert Rouget: Hornbostel Opera Omnia, Volume I by Klaus P. Wachsmann; Dieter Cristensen; Hans-Peter Reinecke; Richard G. Campbell; Nerthus Christensen; Hans-Jürgen Jordan. S. 54–55
 Review by Liesbeth Weinhold: Die Notendrucker und Musikverleger in Frankfurt am Main von 1630 bis um 1720. Eine bibliographisch-drucktechnische Untersuchung. Bd. 1.2. (Catalogus musicus VII) by Hartmut Schaefer. S. 56–57

No. 2
 James Siddons: A Librarian’s Guide to Musical Japan. S. 59–68
 Finn Kirstein, Claus Smith-Nielsen: Musicat. A Technical Description of the Danish Music Cataloguing Project. S. 69–71
 H. B. M. Van Werkhoven: The Automation Plans of the Music Library of the Nederlandse Omroep Stichting (Dutch Broadcasting Foundation). S. 72–74
 Miriam Miller: Computer Cataloguing and the Broadcasting Library. S. 74–75
 James G. Roy, Jr.: The BMI/Haverlin Archives Go Abroad. S. 76–79
 Charlotte Van Der Pot: Public Music and Record Lending Libraries in the Netherlands: Increases for the Period 1971 to 1976. S. 79–80
 Linda I. Solow: An Index to Publishers, Engravers, and Lithographers and a Bibliography of the Literature cited in the IAML Guide for Dating Early Published Music. S. 81–95
 Nouvelles /Nachrichten/News. S. 95–96
 Communiqués/Mitteilungen/Communications. S. 97
 Publications à Caractère Bibliographique. S. 98–99
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by J. M. Nectoux: Team Piano Repertoire. Manual of Music for Multiple Players at one or more Pianos by Frederic – Ming Chang; Albert Faurot. S. 100
 Review by A. Hyatt King: Mozart-Bibliographie (bis 1970). Zusammengestellt von Rudolph Angermüller und Otto Schneider. S. 100–102
 Review by François Lesure: Handbuch der Musikalischen Litteratur by Carl Friedrich Whistling; Friedrich Hofmeister; Neil Ratliff. S. 102
 Review by Simha Arom: A. Z. Idelsohn Archives at the Jewish National and University Library, Catalogue (Yuval Monograph Series IV.) by Israel Adler; Judith Cohen. S. 103
 Review by Gilbert Rouget: Rumanian Folk Music. Vol. IV: Carols and Christmas Songs (Colinde). Vol. V: Maramures County by Béla Bartók; Benjamin Suchoff; E. C. Teodorescu; B. Suchoff; Sabin Dragoĭ; Tiberiu Alexandru. S. 103–105
 Liste sélective: France. S. 106–107
 International Association of Music Libraries (IAML)/ Association Internationale des Bibliothèques Musicales (AIBM)/ Internationale Vereinigung der Musikbibliotheken (IVMB). S. 108–111

No. 3
 Virginia L. Hancock: Sources of Brahms’s Manuscript Copies of Early Music in the Archiv der Gesellschaft der Musikfreunde in Wien. S. 113–121
 Ingmar Bengtsson: The Oddest of Thematic Catalogues. S. 121–125
 Claudio Sartori: Nascita, letargo e risveglio della Biblioteca Greggiati. S. 126–138
 Anthony Hodges: Music Conservatory Libraries in the United Kingdom: Recent Developments. S. 138–141
 Dan Fog: Random Thoughts on Music Dating and Terminology. S. 141–144
 David Crawford: Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Señora of Guadalupe. S. 145–174
 D. W. Krummel: Supplement to the Guide for Dating Early Published Music. S. 175–184
 Ernst Hilmar: Fritz Racek. S. 185
 Rb: Fontes Editoriales. S. 186
 Maria Prokopowicz: Communiqués/Mitteilungen/Communications. S. 187–188
 Lise Widding, Christal Jørgensen, J.-M. Nectoux, Anders Lönn: Nouvelles / Nachrichten / News. S. 188–190
 Publications à Caractère Bibliographique. S. 191–192
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by F. Lesure: RISM, Serie A/I, Einzeldrucke vor 1800. Band 6: Montalbano-Pleyel (RISM, A/I/6) by Redaktion Karlheinz Schlager. S. 193
 Review by F. Lesure: Kompositionen von Friedr. Kuhlau. Thematisch-bibliographischer Katalog by DAN FOG. S. 193–194
 Review by Sven Hansell: Sohlmans Musiklexikon by Hanse Astrand. S. 194–196

No. 4
 Jean-Michel Nectoux: Maurice Ravel et sa Bibliothèque Musicale. S. 199–206
 Siegrun H. Folter: Library Restrictions on the Use of Microfilm Copies. S. 207–243
 Magda Graf-Forrai: Formen der Musikbibliothekarsausbildung in Ungarn. S. 244–246
 Asbjørn Jørgensen: The Education of Music Librarians in Norway. S. 246–248
 Margaret G. Cobb: Centre de Documentation Claude Debussy. S. 249–252
 Lise Widding, Marion Korda: The New Music Law in Denmark. S. 253–254
 Rachel W. Wade: Beethoven’s Eroica Sketchbook. S. 254–289
 Renate Wagner, Munir Bashir, Judith A. Coon: Nouvelles/Nachrichten/News. S. 290–291
 Communiqués/Mitteilungen/Communications. S. 291
 Publications à Caractere Bibliographique. S. 292–293
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Mariangela Donà: Italienische Opernarien des frühen Settecento (1720—1730). Erster Teil: Studien. Zweiter Teil: Notenbeispiele und Verzeichnisse. (Analecta Musicologica, Band 16/I—II) by Reinhard Strohm. S. 294–295
 Review by Catherine Massip: Thematischer Katalog der Musikhandschriften der Fürstlich Oettingen-Wallerstein’schen Bibliothek Schloß Harburg. (Kataloge Bayerischer Musiksammlungen) by Gertraut Haberkamp; Volker von Volckamer. S. 295–296
 Review by Delbert Disselhorst: The History of the Organ in the United States by Orpha Ochse. S. 296–298
 Review by William W. Austin: Catalogue de l’oeuvre de Claude Debussy (Publications du Centre de Documentation Claude Debussy, Saint-Germain-en-Laye, III) by François Lesure. S. 298–299
 Review by Mireille Helffer: Tibetan Buddhist Chant by Walter Kaufmann. S. 299
 Review by Richard Crawford: A Bibliography of Songsters Printed in America Before 1821 by Irving Lowens. S. 299–303
 Liste sélective: FRANCE. S. 304–306

25. Jg. 1978

No. 1
 Barry S. Brook: Fontes at Twenty-five — IAML at Thirty / Fontes a 25 ans — l’AIBM a 30 ans 25 Jahre / Fontes — 30 Jahre IVMB. S. 1–7
 Eleventh International Congress Of Music Libraries Mainz. S. 9
 The 1977 Mainz Congress Der Mainzer Kongress 1977 Le Congrès De Mainz 1977. S. 10
 Hermann Waßner, Christoph Stollenwerk, Harald Heckmann, Dietrich Schüller: Zur Eröffnung Des Aibm-Kongresses In Mainz Am 11. September 1977. S. 10–15
 Friedrich W. Riedel: Mainz — Musikstadt im Spiegel internationaler Verbindungen. S. 15–17
 Festliche Eröffnung Des 11. Kongresses Der Internationalen Vereinigung Der Musikbibliotheken In Verbindung Mit Der Internationalen Vereinigung Der Schallarchive Im Stadttheater Mainz Am 11. September 1977 Um 18 Uhr. S. 18
 Carl Dahlhaus: Public Session: Zur Ideengeschichte Musikalischer Editionsprinzipien. S. 19–27
 Barry S. Brook, Israel Adler, Karl-Heinz Köhler, Brian Redfern, Hans Steinbeck, Anders Lönn, Dimiter Christoff, Wolfgang Rehm: Official Meetings: International Association Of Music Libraries. S. 28–42
 Association Internationale Des Bibliothèques Musicales. S. 43–45
 International Association Of Music Libraries. S. 46–48
 Internationale Vereinigung Der Musikbibliotheken. S. 49–51
 Commission Reports And Papers Given At Their Meetings. 
 Karol Musioł: Commission Of Libraries In Academies, Conservatories And Music Colleges. S. 52
 Cari Johansson: The New Numericode Thematic Catalogue In The Library Of The Royal Swedish Academy Of Music In Stockholm. S. 52–55
 Alla Fiodorovna Tcherkassova: The Contribution Of The Library Of The Moscow State Conservatory To The Training And Educational Process. S. 56–60
 D. W. Krummel, Maria Calderisi: Commission For Bibliographical Research: 12 And 13 September, 1977. S. 61
 Bengt Kyhlberg: Broadcasting Libraries Commission. S. 61–62
 Don L. Roberts: Commission On Education And Training. S. 62
 Maria Prokopowicz: The Music Librarian — His Tasks And Qualifications (Based On Practical Experiences In Polish Libraries). S. 62–64
 Michael Ochs: Qualifications For Music Librarianship In The United States Of America. S. 64–69
 Eva-Brit Fanger: Qualifications Needed To Become A Music Librarian In Denmark. S. 70–71
 Britta Carlsson: Qualifications For Music Librarians In Sweden. S. 72–73
 Lutz Lesle: The Education Of Music Librarians In The Bundesrepublik Deutschland. S. 73–76
 Huber Van Werkhoven: Some Observations Concerning Qualifications For Broadcasting Music Librarians. S. 77–78
 Kurt Dorfmüller: Katalog-Kommission. S. 78–79
 Kurt Dorfmüller: Subkommission Für Klassifikation. S. 79
 Garrett Bowles: Working Group On Computer Cataloging. S. 80
 Anna Van Steenbergen: Music Information Centres (Mic). S. 80
 Eric Cooper: Public Libraries Commission. S. 81–82
 Charlotte Van Der Pot: Music Libraries And Music Publishers, A Report. S. 82–85
 Gerald D. Gibson: Record Libraries Commission. S. 85
 Dietrich Lotichius: Record Libraries Commission, Subcommission Radio Sound Archives. S. 85–86
 Ulf Scharlau: Athanasius Kircher (1601—1680), or Some Aspects of Acoustical Developments in the 17th Century. S. 86–89
 Irmgard Von Broich-Oppert, Wilfried Zahn: From the Talking Machine to the Kunstkopf: One Hundred Years of Sound Recording. S. 90–98
 Rudolf Elvers: COMMISSION OF RESEARCH LIBRARIES. S. 98
 Kurt Dorfmüller: RISM. S. 98–100
 Barry S. Brook, Nanna Schiødt: RILM. S. 100–101
 Barry S. Brook, Maria Calderisi: RIdIM. S. 101–103
 David Lance: International Association of Sound Archives 9th Annual Conference, Mainz: Report of Proceedings. S. 104
 Heinz Lanzke: ISBD (Music) — First Meeting of the IFLA/IAML Working Group in Mainz, 19—21 September 1977. S. 105
 Rb: Fontes Editoriales. S. 106
 Alexander Hyatt King, Rudolf Elvers, Bernard Huys, François Lesure, Günter Birkner: Communiqués/Mitteilungen/Communications. S. 107–109
 Nouvelles/Nachrichten/News. S. 110–111
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by François Lesure: International Directory of Musical Instrument Collections by Jean Jenkins. S. 111–112
 Review by Irving Lowens: The Literature of American Music in Books and Folk Music Collections by David Horn. S. 112–113
 Review by Jean-Michel Nectoux: Classical Vocal Music in Print by Thomas R. Nardone. S. 113–114
 Review by Willard Rhodes: Music and Dance Research of Southwestern United States Indians; Past Trends, Present Activities, and Suggestions for Future Research. (Detroit Studies in Music Bibliography 36.) by Charlotte J. Frisbie. S. 114
 Review by Mireille Helffer: The Rāgas of South India; a Catalogue of Scalar Material by Walter Kaufmann. S. 114–116
 Review by Marie-Noëlle Colette: Die Melodien des einstimmigen Credo der römisch-katholischen lateinischen Kirche. Eine Untersuchung der Melodien in den handschriftlichen Überlieferungen mit besonderer Berücksichtigung der polnischen Handschriften by Tadeusz Miazga. S. 116–117
 Liste sélective: Canada. S. 117–118
 Donald M. McCorkle†. S. 118

No. 2
 Thomas J. Mathiesen: Towards a Corpus of Ancient Greek Music Theory A New Catalogue Raisonné Planned for RISM. S. 119–134
 Wolfgang Rehm: Notenschrift und Aufführung: Die Rolle der Musikverlage. S. 135–141
 Hanne Bruhns, Bent Christiansen: Music Library Education in Denmark. S. 142–145
 Karl-Heinz Köhler: Zum Ausbildungsstand von Musikbibliothekaren in der Deutschen Demokratischen Republik. S. 145–146
 Hermann Wassner: Neuordnung der Zusatzausbildung für den Dienst an Öffentlichen Musikbibliotheken in der Bundesrepublik Deutschland. S. 147–149
 Catharina C. Van Hees: Music Library Education in the Netherlands. S. 149–152
 Hans Spatzenegger: Entwendete Musikalien aus dem Besitz des Domchors in Salzburg. S. 152–156
 Robert Stevenson: Sixteenth- through Eighteenth-Century Resources in Mexico: Part III. S. 156–187
 International Basic List of Literature on Music. S. 188–191
 Nouvelles / Nachrichten / News. S. 191–192
 Publications à Caractère Bibliographique. S. 193–194
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Rita Benton: Bernhard Schott, Hofmusikstecher in Mainz. Die Frühgeschichte seines Musikverlages bis 1797. Mit einem Verzeichnis der Verlagswerke 1779—1797. (Beiträge zur mittelrheinischen Musikgeschichte Nr. 16.) by Hans-Christian Müller. S. 194–195
 Review by François Lesure: Archives nationales. Archives du Théâtre national de l’Opéra (AJ 13 1 à 1466). Inventaire par Brigitte Labat-Poussin... . S. 195–196
 Review by Rita H. Mead: Music in American Society 1776—1976: From Puritan Hymn to Synthesizer by George McCue. S. 196–197
 Review by François Lesure: The Theme of Music in Flemish Paintings of the Seventeenth Century. (Musik und Musiker im Bild. Ikonologische Studien hrsg. von Walter Salmen, Band I.) by Richard D. Leppert. S. 197
 Review by Rita Benton: Cinq catalogues d’éditeurs de musique à Paris (1824—1834): Dufaut et Dubois, Petit, Frère, Delahante-Erard, Pleyel. (Archives de l’édition musicale française 2.) by François Lesure. S. 197–199
 Review by Lowell Cross: Soundtrack: The Music of the Movies by Mark Evans. S. 199

No. 3
 BRITISH ISSUE. 
 Roger Crudge, Malcolm Jones, Miriam Miller: Editors’ Note. S. 201
 A. Hyatt King: The History of Music Libraries in the United Kingdom. S. 201–204
 O. W. Neighbour, Roger Duce, M. I. Williams: National Collections. S. 205–208
 Margaret Laurie: Research Collections. S. 209–212
 Susan M. Clegg: Music Libraries in Teaching Institutions. S. 212–216
 Brian Redfern: The Education of Music Librarians in the United Kingdom. S. 217–219
 Sheila Cotton: Education and Research in Music Librarianship. S. 219–223
 Malcolm Jones: Developments in Services and Techniques. S. 224–226
 Catherine F. Pinion: The Impact of Non-Book Materials — with Particular Reference to Music Libraries. S. 227–230
 Miriam Miller: The Provision of Performance Materials. S. 230–233
 Roger Crudge: Public Libraries. S. 234–238
 Gordon Dodd: The Viola da Gamba Society’s Index of Music for Viols. S. 239–242
 Jiří Sehnal: Der Musikalienkatalog eines Olmützer Buchhändlers aus dem Jahr 1757. S. 243–249
 Ethel Bloesch: Music Autographs and First Editions on Postage Stamps. S. 250–263
 Rb: Fontes editoriales. S. 264
 Communiqués/Mitteilungen/Communications. S. 265–266
 Renata Wagner: Nouvelles/Nachrichten/News. S. 266–268
 Publications à Caractère Bibliographique. S. 269
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Sven Hansell: Le sonate per violino di Giuseppe Tartini: Catalogo tematico by Paul Brainard. S. 270–273
 Review by François Lesure: Seventeenth-Century Instrumental Dance Music in Uppsala University Library Instr. mus. hs. 409. (Monumenta musicae svecicae, 8) by Jaroslav J. S. Mŕaček. S. 273
 Review by Geneva H. Southall: Sinful Tunes and Spirituals: Black Folk Music to the Civil War by Dena J. Epstein. S. 273–275
 Review by Himie Voxman: Charles T. Griffes: An Annotated Bibliography-Discography. (Bibliographies in American Music No. 3) by Donna K. Anderson. S. 275–276
 Review by Sven Hansell: Aarsberetning 1976/77: Særnummer af Meddelelser fra Rigsbibliotekaren. S. 276
 Review by A. Hyatt King: Mozart. Die Dokumente seines Lebens. Addenda und Corrigenda zusammengestellt von Joseph Heinz Eibl. (Neue Mozart Ausgabe X/31. Bd. 1). S. 276–277
 Review by Betty Bang Mather: Italian Baroque Sonatas for the Recorder and the Flute. (Detroit Studies in Music Bibliography, No. 37) by Richard A. McGowan. S. 277–278
 Review by Everett Helm: An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival-Conference by H. Wiley Hitchcock; Vivian Perlis. S. 278–279
 Liste sélective: POLOGNE. S. 280–284

No. 4
 Kurt Dorfmüller: RISM’s wechselnde Gesichter / The Changing Face of RISM / Les visages changeants de RISM. S. 285–291
 [Musterseite]. S. 292
 Checklist RISM A/II. S. 293
 Fürstlich Hohenlohe-Langenburg’sche Schlossbibliothek. Katalog Der Musikhandschriften (Aufbewahrt In: Neuenstein, Württ., Hohenlohe-Zentralarchiv). S. 295–411
 Communiqués/Mitteilungen/Communications. S. 412
 Nouvelles / Nachrichten / News. S. 412–413
 Publications à Caractère Bibliographique. S. 413–415
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Doris Evans Mcginty: Afro-American Singers; An Index and Preliminary Discography of Opera, Choral Music and Song by Patricia Turner. S. 416–417
 Review by Leola Nelson Bergmann: Det Trondhjemske Musikalske Selskab av 1786 (Ringve Museums Skrifter, I.) by Håkon Sivertsen. S. 417
 Review by Rita Benton: Music Periodical Literature: An Annotated Bibliography of Indexes and Bibliographies by Joan M. Megget. S. 417–418
 Review by Jean-Michel Nectoux: Bibliography of Discographies. Vol. 1. Classical Music, 1925—1975 by Michael H. Gray; Gerald D. Gibson. S. 418–419

26. Jg. 1979

No. 1
 [Illustration]. 
 François Lesure: Écrits imprimés sur la musique Addenda et corrigenda. S. 1–4
 Alexander Weinmann: Musikalische Quellenforschung, beginnend mit der Zeit Joseph Haydns. S. 4–16
 J. Bunker Clark: American Musical Tributes of 1824—25 to Lafayette: a Report and Inventory. S. 17–35
 Maria Prokopowicz: Traditions and Achievements of Music Libraries and Library Science in the Polish People’s Republic. S. 36–43
 Linda I. Solow: Education for Music Librarianship in the United States. S. 44–47
 René Kopff: Aperçu général sur les Sources musicales dans les Archives de la Ville de Strasbourg. S. 47–54
 Barry S. Brook, Maria Calderisi: Report of the International Music Council Meetings, Bratislava and Prague, 2—9 October 1977. S. 55–56
 Rita Benton: Cari Johansson†. S. 56
 Maria Calderisi: Communiqués/Mitteilungen/Communications. S. 57
 Nouvelles/Nachrichten/News. S. 58
 Publications à Caractère Bibliographique. S. 59–61
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Catherine Massip: El Archivo musical de la Catedral de Bogota. (Publicaciones del Instituto Caro y Cuervo, XXXVII) by José Ignacio Perdomo Escobar. S. 61
 Review by François Lesure: Ferdinand Ries. A Thematic Catalogue. (University of New England. Monographs, I) by Cecil Hill. S. 62
 Review by Gordon S. Rowley: Information on Music: A Handbook of Reference Sources in European Languages. Vol. II: The Americas by Guy A. Marco; Ann M. Garfield; Sharon Paugh Ferris. S. 62–63
 Review by Sven Hansell: Meddelelser fra Rigsbibliotekaren. S. 63–64
 Review by Liesbeth Weinhold: Der Musikverlag Lotter in Augsburg. (ca. (1719—1845). (Musikbibliographische Arbeiten. Herausgegeben von Rudolf Elvers. Bd. 3) by Hans Rheinfurth. S. 64–66
 Review by Nick Chadwick: A Catalogue of the Compositions of Frederick Delius. Sources and References by Robert Threlfall. S. 66–67
 Review by Don Harrán: Bibliografia della musica italiana vocale profana pubblicata dal 1500 al 1700 by Emil Vogel; Alfred Einstein; François Lesure; Claudio Sartori. S. 67–69
 Review by Bruce Archibald: Dokumentation zur Oper „Wozzeck“ von Alban Berg. Die Jahre des Durchbruchs, 1925—1932 by Konrad Vogelsang. S. 69–70
 Liste Sélective: Belgique. S. 71–72
 Liste Sélective: France. S. 72–74
 International Association of Music Libraries (IAML) / Association Internationale des Bibliothèques Musicales (AIBM) / Internationale Vereinigung der Musikbibliotheken (IVMB). S. 75–79

No. 2
 IAML Annual Conference 1978 in Lisbon Réunion annuelle de l’AIBM 1978 à Lisbonne Jahrestagung der IVMB 1978 in Lissabon. 
 Anders Lönn: [Introduction]. S. 81–85
 Karl-Heinz Köhler: Return of Treasures to the Deutsche Staatsbibliothek. S. 86–87
 Karol Musiol: Commission Of Libraries In Academies, Conservatories And Music Colleges. S. 88
 János Kárpáti: The Role Of Audiovisual Materials In Music School Libraries. S. 88–91
 Maria Calderisi: Commission For Bibliographical Research. S. 91
 Miriam Miller: Broadcasting Libraries Commission. S. 91–92
 Don L. Roberts: Commission On Education And Training. S. 92
 Jane Harington: The Qualifications For Conservatory Librarians. S. 93–95
 Susan T. Sommer: Qualifications Of A Music Research Librarian. S. 95–97
 Kurt Dorfmüller: Katalog-Kommission. S. 97
 Garrett H. Bowles: Catalog Commission Working Groups. S. 97
 Anna Van Steenbergen: Music Information Centres. S. 98
 Thor E. Wood: Public Libraries Commission. S. 98–99
 Rudolf Elvers: Commission Of Research Libraries. S. 99
 Harald Heckmann: Computer Aids in Music Libraries and Archives. S. 100–101
 Garrett H. Bowles: A Computer-Produced Thematic Catalog: The „Pièces de Violes“ of Marin Marais. S. 102–107
 Helmut Rösing: RISM-Handschriftenkatalogisierung und elektronische Datenverarbeitung (EDV). S. 107–109
 Anders Askenfelt: Automatic Notation of Played Music: the Visa Project. S. 109–120
 Kurt Dorfmüller: RISM. S. 120–121
 Ian Fenlon, Iain Fenlon: Manuscript Sources of Polyphonic Secular Song ca. 1520—1600: A RISM Project. S. 121–123
 Barry S. Brook, Nanna Schiødt: RILM. S. 124–125
 Anders Lönn: RILM THESAURUS SUB-COMMISSION. S. 125
 Barry S. Brook, Maria Calderisi: RIdIM. S. 125–127
 Cecil Hill: Music in Australia. S. 127–130
 D.G. Lance: Annual Conference of the International Association of Sound Archives Lisbon, 23—28 July 1978. S. 130–131
 Rita Benton: Second Symposium of Editors of Documentation, Library and Archives Journals Berlin, 4—7 September 1978. S. 131–132
 Maria Calderisi: 44th IFLA Council: Štrbské Pleso, Czechoslovakia, 27 August — 2 September 1978. S. 132–133
 Rb: Fontes Editorialis. S. 134
 A. Hyatt King, Karl-Heinz Köhler: Communiqués/Mitteilungen/Communications. S. 135–136
 Nouvelles / Nachrichten / News. S. 136–137
 Publications à Caractère Bibliographique. S. 138–139
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Alan Tyson: Ignace Pleyel: A Thematic Catalogue of his Compositions (Thematic Catalogues no. 2) by Rita Benton. S. 139–141
 Review by Paul R. Kelly: Information Theory and Music by Joop Stam. S. 141–142
 Review by Jean-Jacques Eigeldinger: Rȩkopisy utworów Chopina. Katalog / Manuscripts of Chopin’s Works. Catalogue by Krystyna Kobylańska. S. 142–144
 Review by Rita Benton: Journal général d’annonces des œuvres de musique, gravures, lithographies publié en France et à l’étranger. Avec un index des noms cités (Archives de l’édition musicale française, tome III). S. 144–145
 Review by François Lesure: Einzeldrucke vor 1800. Redaktion Karlheinz Schlager. Band 7: Plowden-Schreyer (RISM, A/I/7.). S. 145
 Review by Simone Wallon: Terminorum musicae index septem linguis redactus = Polyglottes Wörterbuch der musikalischen Terminologie, deutsch, englisch, französisch, italienisch, spanisch, ungarisch, russisch = Polyglot dictionary of musical terms... = Dictionnaire polyglotte de la terminologie musicale [...]. S. 145–146
 Hans Steinbeck, Anna Van Steenbergen: Directory of Music Information Centres (Professional Branch of IAML). S. 147–159

No. 3
 Wolfgang Rehm: Vladimir Fédorov 1901—1979. S. 161–162
 Milton Steinhardt: A Musical Fragment from Prague: Národní Muzeum XIV C 149. S. 163–172
 Georg Feder: Joseph Haydns Skizzen und Entwürfe Übersicht der Manuskripte, Werkregister, Literatur- und Ausgabenverzeichnis. S. 172–188
 Maurice Esses: New Information Concerning Some Music Research Libraries in Spain. S. 189–191
 Charles Suttoni: Franz Liszt’s Published Correspondence: an Annotated Bibliography. S. 191–234
 Rita Benton, Nancy B. Reich, Karl-Heinz Köhler: Communiqués/Mitteilungen/Communications. S. 235–238
 Nouvelles / Nachrichten / News. S. 239–240
 Publications à Caractère Bibliographique. S. 241–242
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Rita Benton: Bretter die die Welt bedeuten. Entwürfe zum Theaterdekor und zum Bühnenkostüm in fünf Jahrhunderten, von Ekhart Berckenhagen und Gretel Wagner (78. Veröffentlichung der Kunstbibliothek Berlin). S. 243
 Review by Don L. Hixon: Music through Sources and Documents by Ruth Halle Rowen. S. 243–244
 Review by Frits Noske: Index to Opera, Operetta and Musical Comedy Synopses in Collections and Periodicals by Jeanette Marie Drone. S. 244
 Review by D. W. Krummel: Der Musikverlag Artaria & Comp. Geschichte und Probleme der Druckproduktion (Publikationen des Instituts für Österreichische Musikdokumentation, Nr. 6) by Rosemary Hilmar. S. 244–245
 Review by H. Wiley Hitchcock: A Chronology of Music in the Florentine Theater 1590—1750 (Detroit Studies in Music Bibliography, No. 38) by Robert Lamar Weaver; Norma Wright Weaver. S. 245–246
 Review by Marie-Noëlle Colette: Analecta Hymnica Medii Aevi [Musikwissenschaftliches Seminar der Universität Zürich] T. I, T. II by Max Lütolf; G. M. Dreves; Cl. Blume; H. M. Bannister; D. Baumann; E. Meier; M. Römer; A. Wernli. S. 246–247
 Review by François Lesure: Lute, Vihuela, Guitar to 1800: a Bibliography (Detroit Studies in Music Bibliography, No. 40) by David B. Lyons. S. 247
 Review by Alan Tyson: Ludwig van Beethoven 1770—1827. Ausstellung der Bayerischen Staatsbibliothek München, September bis November 1977. Katalog. S. 247
 Liste sélective: Belgique. S. 248
 Liste sélective: France. S. 249–250

No. 4
 IAML — IASA Cambridge 1980: Preliminary Announcement. S. 251
 Angelika Bierbaum, Jürgen Howitz, Helmut Rösing: Liste der Abkürzungen zur Serie A/II des RISM — List of Abbreviations for RISM Series A/II —Liste des abréviations pour la série A/II du RISM. S. 251–257
 Thomas Stoner: Mendelssohn’s Lieder not Included in the Werke. S. 258–266
 Alexander Jansen: The Archives of the Netherlands Broadcasting Foundation (NOS). S. 266–267
 Jeannine S. Ingram: Repertory and Resources of the Salem Collegium Musicum, 1780—1790. S. 267–281
 Christa Landon, Alexander Weinmann: Beethovens Sonate op. 111: Eigenhändiges Korrekturexemplar der Wiener Ausgabe von Cappi & Diabelli Eine neu aufgefundene Quelle. S. 281–294
 Ignace Bossuyt: Newly-Discovered Part Books of Early Madrigal Collections of Philippus de Monte (1521—1603). S. 295–297
 William C. Rorick: The Horatio Parker Archives in the Yale University Music Library. S. 298–304
 Jean-Jacques Eigeldinger, Jean Gribenski, Ruth Froriep: Communiqués/Mitteilungen/Communications. S. 305–306
 Nouvelles / Nachrichten / News. S. 306–308
 Publications à Caractère Bibliographique. S. 309–310
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Simone Wallon: Wörterbuch Musik = Dictionary of Terms in Music. Englisch-Deutsch / Deutsch-Englisch = English-German / German-English. 2. Auflage = 2nd edition by Horst Leuchtmann. S. 310–311
 Review by Sven Hansell: Dania Sonans IV: Musik fra Christian IIIs tid; Udvalgte satser fra det danske hofkapels stemmebøger (1541). [part 1] by Henrik Glahn. S. 311–312
 Review by Jean-Michel Nectoux: Discographies of Commercial Recordings of the Cleveland Orchestra (1924—1977) and the Cincinnati Symphony Orchestra (1917—1977) by Frederick P. Fellers; Betty Meyers. S. 312–313
 Review by Rita Benton: Annales de la musique, ou Almanach musical pour l’an 1819 [and] Annales de la musique, ou Almanach musical de Paris, des départemens et de l’étranger pour l’an 1820 (Archives de l’édition musicale française V.) by César Gardeton; Bibliographie musicale de la France et de l’étranger, ou Répertoire général systématique de tous les traités et œuvres de musique vocale et instrumentale... 1822 (Archives de l’édition musicale française VI.) by César Gardeton. S. 313

27. Jg. 1980

No. 1
 Rita Benton †. 
 IAML Annual Conference 1—7 July 1979 in Salzburg / Réunion annuelle de l’AIBM 1—7 Juillet 1979 à Salzburg/Jahrestagung der IVMB 1.—7. Juli 1979 in Salzburg. 
 Anders Lönn: [Introduction]. S. 1–5
 Harald Heckmann: Schallaufzeichnungen als musikgeschichtliche Quellen. S. 5–12
 Anthony T Hodges: Commission Of Libraries In Academies, Conservatories And Music Colleges. S. 12
 Maria Calderisi: Commission For Bibliographical Research. S. 12–13
 Imogen Fellinger, Anthony Hodges, Charlotte van der Pot: Union Catalogues Of Music Periodicals. S. 13–17
 Bengt Kyhlberg: Broadcasting Libraries Commission. S. 17–18
 Don L. Roberts: Commission On Education And Training. S. 18
 Kurt Dorfmüller, Brian Redfern: Katalog-Kommission. S. 18–19
 Lenore Coral: Open Session On Isbd (Nbm), Salzburg 4 July 1979. S. 20
 Anna Van Steenbergen: Music Information Centres. S. 20
 Eric Cooper: Public Libraries Commission. S. 21–22
 Rudolf Elvers: Research Libraries Commission. S. 22
 Kurt Dorfmüller: RISM. S. 22–23
 Elvidio Surian: The Italian RISM Group: A Report on its Activity (1975—1979) and a Plan to Meet Future Tasks. S. 23–25
 Kathleen Toomey: RILM THESAURUS SUB-COMMISSION. S. 25–26
 Barry S. Brook, Monika Holl, Carol Oja: RIdIM. S. 26–27
 Derek Lewis: IAML/IASA Joint Committee on Music and Sound Archives. S. 27–29
 Hans Lenneberg: Handwriting Identification and Common Sense. S. 30–32
 Marius Flothuis: An Unexpected Source of Musical Information: the Correspondence of Belle Van Zuylen (1740—1805). S. 33–36
 Sandra P. Rosenblum: Clementi’s Pianoforte Tutor on the Continent. S. 37–48
 rb: Fontes Editoriales. S. 48
 Noriko Murai, Hans Lenneberg, Anna Van Steenbergen, H. Robert Cohen, Evelyn van Kaam, Charles Suttoni: Communiqués/Mitteilungen/Communications. S. 49–50
 Nouvelles/Nachrichten/News. S. 51–53
 Publications à Caractère Bibliographique. S. 53–54
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Andrew Porter: A Bibliography of the Works of Guiseppe Verdi, 1813—1901. Vol. II, Operatic Works by Cecil Hopkinson. S. 55–56
 Review by Himie Voxman: First Performances in America to 1900 (Works with Orchestra). (Bibliographies in American Music No. 4) by H. Earle Johnson. S. 56–57
 Review by Rita Benton: Printed Music in the British Museum; an Account of the Collections, the Catalogues, and their Formation, up to 1920 by Alec Hyatt King. S. 57–58
 Review by François Lesure: Chinese Music. An Annotated Bibliography. Second edition, revised and enlarged by Frederic Lieberman. S. 58–59
 International Association of Music Libraries (IAML) / Association Internationale des Bibliothèques Musicales (AIBM) / Internationale Vereinigung der Musikbibliotheken (IVMB). S. 59–63

1980

No. 2
 Barry S. Brook, André Jurres, Dale M. Bentz: Rita Benton — In Memoriam. S. 65–66
 Eva-Britt Fanger: The Danish National Bibliography of Music: Problems Connected with its Establishment. S. 67–70
 Bryan R. Simms: The Historical Editions of Alexandre-Étienne Choron. S. 71–77
 Daphne J. Kennard: Music Services for Handicapped People. S. 77–84
 Ivano Cavallini: Il Fondo musicale dell’Archivio della Chiesa Cattedrale di Adria: Elenco. S. 84–92
 Natalia Rodriguez: An Introduction to the Glinka Museum in Moscow. S. 92–95
 Roger Hellyer: The Harmoniemusik of the Moravian Communities in America. S. 95–108
 Robert Polansky: A Newly-Discovered Copy of the First Edition of Berlioz’ „Huit scènes de Faust“. S. 108–111
 Barry S. Brook, Catherine Massip: RILM Report No. 14—Salzburg, 1979. S. 111–112
 W. Dijk, Evelyn van Kaam: Communiqués / Mitteilungen / Communications. S. 113
 Nouvelles / Nachrichten / News. S. 113–116
 Publications à Caractère Bibliographique. S. 116–118
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Bernard Lortat-Jacob: Yugoslav Folk Music, Vol. I à IV. Vol. I: Serbo-Croatian Folk Songs and Instrumental Pieces from the Milman Parry Collection, Vol. II: Tabulation of Material, Vol. III: Source Melodies (Part one), Vol. IV: Source Melodies (Part two) by Béla Bartók; Benjamin Suchoff; Albert B. Lord. S. 118–119
 Review by Rudolph Angermüller: Musikgeschichte Österreichs. Im Auftrag der Österreichischen Gesellschaft für Musikwissenschaft. Band I: Von den Anfängen bis zum Barock. Band II: Vom Barock bis zur Gegenwart by Rudolf Flotzinger; Gernot Gruber. S. 119–120
 Review by Jean-Michel Nectoux: Porträt-Katalog des Theatermuseums München (früher Clara-Ziegler-Stiftung). Die graphischen Einzelblätter (Quellenkataloge zur Musikgeschichte, 11—12) by Günter Schöne. S. 120–121
 Review by Rita Benton: A Guide to International Congress Reports in Musicology 1900—1975 [Garland Reference Library of the Humanities, v. 118] by John Tyrrell; Rosemary Wise. S. 121
 Review by François Lesure: Stravinsky. The Composer and His Works. 2d edition by Eric Walter White. S. 121–122
 Review by Nanna Schiødt: Music Translation Dictionary. An English, Czech, Danish, Dutch, French, German, Hungarian, Italian, Polish, Portuguese, Russian, Spanish, Swedish Vocabulary of Musical Terms by Carolyn Doub Grigg. S. 122
 Liste Sélective: Belgique. S. 123

1980

No. 3/4
 Anik Devriès: Un éditeur de musique „à la tête ardente“ Maurice Schlesinger. S. 125–136
 Ralph P. Locke, Jurgen Thym: New Schumann Materials in Upstate New York: A First Report on the Dickinson Collection, with Catalogues of its Manuscript Holdings. S. 137–161
 William Liddell Smith: An Inventory of pre-1600 Manuscripts, Pertaining to Music, in the Bundesstaatliche Studienbibliothek (Linz, Austria). S. 162–171
 Erich Schwandt: Some 17th-Century French Unica in Canada: Notes for RISM. S. 172–174
 Rudolph Angermüller: Die Bibliotheca Mozartiana der Internationalen Stiftung Mozarteum Salzburg. Zur Geschichte einer Sammlung. S. 174–177
 Klaus Stoessel: Computereinsatz in der Musikkatalogisierung im Deutschen Rundfunkarchiv. S. 178–183
 Malcolm Turner: Conservation in Music Libraries. S. 183–201
 Brian Redfern: Public Lending Right: A New Law in the United Kingdom. S. 202–204
 Thor Wood: A Brief History of the Public Libraries Commission: a Survey of 25 Years. S. 204–207
 International Association of Music Libraries, Archives and Documentation Centres (IAML): Report on the supply and use of microfilms / Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux (AIBM): Rapport sur la fourniture et l’emploi des microfilms / Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren (IVMB): Bericht über die Bereitstellung und den Gebrauch von Mikrofilmen. S. 207–211
 Barry S. Brook: The International Music Council of UNESCO in Australia September 22 to October 7, 1979 Impressions, Reactions, Repercussions. S. 212–214
 Kurt Dorfmüller: Iván Pethes †. S. 214
 Richard Andrewes, Janet M. Smith, Birthe Heien, Ruth Henderson, Ruth Froriep: Communiqués / Mitteilungen / Communications. S. 215–218
 Nouvelles / Nachrichten / News. S. 218–220
 Publications à Caractère Bibliographique. S. 221–222
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Wolfgang Krueger: RISM Series C: Directory of Music Research Libraries Vol. IV: Australia, Israel, Japan, New Zealand by Rita Benton. S. 223–224
 Review by Alexander L. Ringer: The Arnold Schoenberg-Hans Nachod Collection. (Detroit Studies in Music Bibliography, Number 41) by John A. Kimmen; A Bibliographic catalog with discography and a comprehensive bibliography of Arnold Schoenberg (Bibliography Series, 1) by Tetsuo Satoh. S. 224–225
 Review by Pierluigi Petrobelli: Padre Martini’s Collection of Letters in the Civico Museo Bibliografico Musicale in Bologna — An Annotated Index (Annotated Reference Tools in Music, no. 2) by Anne Schnoebelen. S. 225–227
 Review by Antonio R. Damasio: Opera on the Coffee Table. The Illustrated Encyclopedia of Recorded Opera by Peter Gammond; Lyric Opera of Chicago by Claudia Cassidy; Celebration: The Metropolitan Opera by Francis Robinson. S. 227–228
 Review by Pierre Jaquier: Musée du Louvre. Département des Antiquités égyptiennes. Catalogue des instruments de musique égyptiens by Christiane Ziegler. S. 228–229
 Review by Yvette Fédoroff: Manuale di catalogazione musicale. S. 230
 Review by François Lesure: Thèses de doctorat en langue française relatives à la musique: bibliographie commentée. French language dissertations in music: an annotated bibliography. (RILM Retrospectives, 2) by Jean Gribenski. S. 230–231
 Review by Pierre Hardouin: A new history of the Organ, from the Greeks to the present day by Peter Williams. S. 231–232
 Review by Pierre Hardouin: Organistbogen. En beskrivelse af organiste og Kantorstillinger under tjenestemandslovens lønrammeysystem, samt en beskrivelse af de respektive kirkeorgler eften Den danske Orgelregistrant. Redigeret af Henrik Fibiger Nørfelt. S. 232–233
 Review by Rudolph Angermüller: Anton Bruckner und die Wiener Hofmusikkapelle (Anton Bruckner. Dokumente und Studien. Band 1) by Theophil Antonicek; Franz Grasberger. S. 233
 Review by Sven Hansell: Ornamentation in Baroque and Post-Baroque Music by Frederick Neumann. S. 233–236
 Review by Christian Meyer: Die Messen Heinrich Isaacs (Publikationen der Schweizerischen Musikforschenden Gesellschaft, Serie II Vol. 28 I-III ) by Martin Staehelin. S. 236–237
 Review by Ann M. Woodward: Music for Viola (Detroit Studies in Music Bibliography, 42) by Michael D. Williams. S. 237–238
 Review by D.M. Jenni: American and English Popular Entertainment: a Guide to Information Sources by Don B. Wilmeth. S. 238–239
 Liste sélective: France. S. 239–241
 Liste sélective: Pologne. S. 242–246

28. Jg. 1981

No. 1/2
 André Jurres: Preface/Préface/Vorwort. S. 3
 Barry S. Brook: Opening Of The Congress: New Directions In Music Documentation: Phantasy And Reality. S. 4–12
 Anders Lönn, Wolfgang Rehm: Official Meetings. S. 13–26
 International Association of Music Libraries, Archives and Documentation Centres (IAML): Constitution (adopted by the General Assembly in August, 1980) / Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux (AIBM): Statuts (adoptés par l’Assemblée générale en août 1980) / Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren (IVMB): Statuten (angenommen auf der Generalversammlung, August 1980). S. 27–36
 International Association of Music Libraries, Archives and Documentation Centres (IAML): Provisional Rules of Procedure (adopted by the Council on 8 August, 1980). S. 37–38
 Commission Reports And Papers. 
 Bengt Kyhlberg: Broadcasting Libraries Commission. S. 39
 Bengt Kyhlberg: Copyright From A Broadcasting Music Librarian’s Point Of View. S. 39–42
 Anthony Hodges: Report Of The Commission Of Libraries In Music Teaching Institutions. S. 42
 Anna Van Steenbergen: Music Information Centres. S. 42–43
 Eric Cooper, Liz Hart: Public Libraries Commission. S. 43
 Liz Hart: Session 1. S. 44
 Britta Carlsson: Children and Music — A Report from Sweden. S. 44–45
 Bent Christiansen: Music for Children — Some Considerations from a Danish Point of View. S. 46–47
 Ruth Hellen: Session 2. S. 47–48
 Bent Christiansen: Danish Public Music Libraries in the Economic Crisis. S. 48–50
 Peter Sawbridge: Session on „The International Economic Crisis and Public Music Libraries“. S. 50–52
 Statement from the International Association of Music Libraries, Archives and Documentation Centres. S. 53
 Richard Buxton: Session 3. S. 53–54
 Lenore Coral: Cataloguing Commission. S. 54–55
 Kurt Dorfmüller: Subkommission Für Klassifikation. S. 55
 Patrick Mills: Working Group On Computer Cataloguing. S. 55
 Eckehard Baer: Zum Aufbau Des Einheitssachtitels Für Musikalien Und Tonträger — Am Beispiel Des Deutschen Musikarchivs, Berlin. S. 56–58
 Don L. Roberts: Commission On Education And Training. S. 58
 Mary Frances A. Hoban: Continuing Education: Preparing For The Twenty First Century With Sla’s Continuing Education Program. S. 58–63
 Garrett Bowles: Working Group On Isbd (Nbm). S. 63
 Isbd (Nbm) – Sound Recordings Amendments And Additions. S. 63–67
 Richard Andrewes: Research Libraries Professional Branch. S. 67
 Richard Andrewes: Programmes Collections And Their Organisation A Symposium. S. 67
 Joachim Jaenecke: Aufbewahrung Und Erschliessung Einer Programm-Sammlung. S. 68–73
 Simone Wallon: La Collection De Programmes Du Departement De La Musique De La Bibliotheque Nationale De Paris. S. 73–75
 Ruth Watanabe: Concert Programs In The Sibley Music Library, Rochester, New York. S. 75–78
 Susan Sommer: The Treatment Of Programs At The New York Public Library. S. 78–81
 Thomas F. Heck: The Relevance Of The „Arts & Humanities“ Data Base To Musicological Research. S. 81–87
 Catherine Massip: Les Filigranes: Utilisation, Lecture Et Reproduction. S. 87–93
 Maria Calderisi: Commission For Bibliographical Research. S. 93
 Ralph W. Holibaugh, D. W. Krummel: Documentation of Music Publishing in the U.S.A. in the 19th Century. S. 94–97
 Imogen Fellinger: Report of the „Working Group on Music Periodicals“. S. 97–99
 Joachim Jaenecke: Bericht der Arbeitsgruppe „Terminologie“. S. 99–104
 H. Robert Cohen, Marcello Conati, Elvidio Surian: Centres Internationaux de Recherche sur la Presse Musicale (CIRPM) / Répertoire International de la Presse Musicale du Dix-Neuvième Siècle (RIPMxix). S. 105–106
 RISM. S. 106–107
 Barry S. Brook, Nanna Schiødt: RILM. S. 107–108
 Anders Lönn, Larry Laskowski: RILM THESAURUS SUBCOMMISSION. S. 108
 Monika Holl, Barry S. Brook: RIdIM. S. 108–110
 Andrew E. Green: SESSION ON RIdIM CATALOGUING. S. 110–111
 Derek Lewis: IAML — IASA COMMITTEE ON MUSIC AND SOUND ARCHIVES. S. 111–112
 Derek Lewis: IASA COPYRIGHT COMMITTEE. S. 112–113
 Derek Lewis: IAML—IASA COMMITTEE ON MUSIC AND SOUND ARCHIVES / COMMISSION ON EDUCATION AND TRAINING. S. 113–114
 Wolfgang Schmieder zum Achtzigsten Geburtstag. S. 115
 Kurt Dorfmüller: Form- und Gattungsnamen im Sachkatalog der Musica practica Zum Entwurf eines Thesaurus. S. 115–129
 Richtlinien für die RISM-Mitarbeiter der Serie A/II (dargestellt in Anlehnung an die Checklist, veröffentlicht in „Fontes“ 1978) / Guidelines for RISM Co-workers on Series A/II (with reference to the checklist printed in „Fontes“ 1978) / Directives pour les collaborateurs du RISM à la série A/II (établies d’après la checklist parue dans „Fontes“ 1978). S. 130–143
 Leslie W. Dunlap, Marius Flothuis, Hans Steinbeck: Information. S. 144–147
 Publications à Caractère Bibliographique. S. 148–149
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Pierre Hardouin: Survey of Organ Literature and Editions by Marilou Kratzenstein. S. 149–150
 Review by Geraldine Ostrove: 18th-Century American Secular Music Manuscripts: An Inventory (MLA Index and Bibliography Series, No. 20.) by James J. Fuld; Mary Wallace Davidson. S. 150
 Review by Michael H. Gray: Gabriel Fauré, 1900—1977 (Phonographies, 1.) by Jean-Michel Nectoux. S. 150–151

No. 3
 Ulrich Drüner: Das Viola-Konzert vor 1840. S. 153–176
 Don Harrán: Hubert Naich, Musicien, Académicien Notice bio-bibliographique. S. 177–194
 Erich Schwandt: The Motet in New France: Some 17 th and 18 th Century Manuscripts in Quebec. S. 194–219
 Stephen A. Willier: The Present Location of Libraries Listed in Robert Eitner’s Biographisch-bibliographisches Quellen-Lexikon. S. 220–239
 In memoriam Tim Eckersley. S. 240
 In memoriam Paule Letailleur. S. 240
 Evelyn van Kaam, John May: Information. S. 241–244
 Publications à Caractère Bibliographique. S. 245–247
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Dee Baily: Women in American Music; a bibliography of music and literature by Adrienne Fried Block; Carol Neuls-Bates. S. 248–249
 Review by Marie Noëlle Colette: Dies ire, dies illa. Studien zur Frühgeschichte einer Sequenz (Utrechtse Bijdragen tot de Muziekwetenschap) by Kees Vellekoop. S. 249–251
 Review by Don Harrán: The Madrigal at Ferrara, 1579—1597 (1, Text; II, Musical Examples) (Princeton Studies in Music, 7.) by Anthony Newcomb. S. 251–252
 Review by Lewis Lockwood: Beiträge zur Beethoven-Bibliographie. Studien und Materialien zum Werkverzeichnis von Kinsky-Halm by Kurt Dorfmüller. S. 252–253
 Review by Catherine Massip: Inventaire du Fonds musical Ferenc Farkas: catalogue des oeuvres par Jean-Louis Matthey et András Farkas; avec la collaboration de Ferenc Farkas (Bibliothèque cantonale et universitaire / Département de la Musique — Inventaire isolé) by Jean-Louis Matthey; András Farkas. S. 253
 Review by Catherine Massip: Franz Schneider (1737—1812). A Thematic Catalogue of His Works (Thematic catalogue series; n o 5) by Robert N. Freeman. S. 253–254
 Review by Gilbert Rouget: African Music and Oral Data. A Catalog of Field Recordings, 1902—1975 by Ruth M. Stone; Frank J. Gillis. S. 254–255
 Review by Malou Haine: Verzeichnis der europäischen Musikinstrumente im Germanischen Nationalmuseum Nürnberg, Band I — Hörner und Trompeten — Membranophone — Idiophone by John Henry van der Meer. S. 255–256
 Liste Sélective: France. S. 256–258

No. 4
 Gertraut Haberkamp, Helmut Rösing: Text- und Musikincipit-Register zu den Anhängen 1 und 2 in RISM A/I Band 9. S. 259–306
 Mark Germer: Dlabač’s Dictionary and its Place in the Literature. S. 307–312
 Klaus Kindler: Verzeichnis der musikalischen Werke Giuseppe Jannacconis (1740—1816) in der Santini-Sammlung in Münster (Westfalen). S. 313–319
 Lionel Sawkins: An Encore to the Lexicographer’s Dilemma, or de Lalande et du Bon Sens. S. 319–323
 Imogen Fellinger: List of Union Catalogues of (Music) Periodicals. S. 323–327
 Information. S. 328–330
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Georgie Durosoir: Italian manuscript sources of 17th century keyboard music. (Studies in musicology, n o 18) by Alexander Silbiger. S. 330
 Review by Thomas F. Heck: Franz Berwald: Die Dokumente seines Lebens. (Franz Berwald Sämtliche Werke, Supplement) by Erling Lomnäs; Ingmar Bengtsson; Nils Castegren. S. 330–331
 Review by Thomas F. Heck: Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs. (Bach-Dokumente, IV) by Werner Neumann. S. 331–332

29. Jg. 1982

No. 1/2
 André Jurres: Préface / Preface / Vorwort. S. 1
 IAML Annual Conference 6—11 September 1981 in Budapest / Réunion annuelle de l’AIBM 6—11 Septembre 1981 à Budapest / Jahrestagung der IVMB 6.—11. September 1981 in Budapest. 
 Anders Lönn, James Pruett, Hermann Wassner: [Introduction]. S. 2–6
 János Kárpáti: Béla Bartók and International Co-operation in the Music Publishing and Recording Field. S. 6–10
 Miriam Miller: Broadcasting Libraries Professional Branch. S. 10
 Eric Cooper: Public Libraries Professional Branch. S. 11
 Maria Nyéki: La Musique et le Centre Pompidou. S. 11–12
 Judit Skaliczki: Public Music Libraries in Hungary: Their Past and Present. S. 13–15
 Ágnes Szalai: Selection and Acquisition in Public Music Libraries With a View on Training. S. 15–18
 Ildikó Varga: The Disk on the Desk. S. 19
 Magda Gráf-Forrai: Music for Mentally Retarded Children. S. 20–21
 Hermann Wassner: Schallplatten und Musikkassetten in Öffentlichen Musikbibliotheken: Anmerkungen zu einem aktuellen Thema. S. 21–27
 Richard Andrewes: RESEARCH LIBRARIES PROFESSIONAL BRANCH. S. 27–28
 Wolfgang Reich: Über Benutzungsbedingungen bei musikalischem Quellenmaterial. S. 28–29
 Anthony Hodges: PROFESSIONAL BRANCH OF LIBRARIES IN MUSIC TEACHING INSTITUTIONS. S. 29–30
 Hermine Nicolussi-Prohászka: Die Entwicklung der Hochschulbibliothek der Hochschule für Musik und darstellende Kunst in Wien aus historischer und rechtlicher Sicht. S. 30–34
 Jan Olof Rudén: Advantages and Disadvantages of small self-made computerized Cataloguing System for Music and Sound Recordings: Experiences after five Years of Use. S. 34–35
 Gertraut Haberkamp, Maria Calderisi-Bryce: COMMISSION FOR BIBLIOGRAPHICAL RESEARCH. S. 35–36
 Imogen Fellinger: WORKING GROUP ON MUSIC PERIODICALS. S. 36–38
 Heinz Lanzke: Leihmateriale im bibliographischen System des Deutschen Musikarchivs. S. 38–40
 Ilona Mona: On Music Publishing in Hungary. S. 40–43
 Kari Michelsen: Music Trade in Norway to 1929. S. 43–44
 Nanna Schiødt: An Inventory of a Collection of Source Material for Danish Music History, 1100—1929. S. 45
 Lenore Coral: Cataloguing Commission. S. 45
 Kurt Dorfmüller: Cataloguing Commission: Subkommission Für Klassifikation. S. 46
 Patrick Mills: Cataloguing Commission: Working Group On Computer Cataloguing. S. 46
 Lenore Coral: Cataloguing Commission: Working Group On Isbd(Nbm). S. 46–47
 Richard Andrewes: Cataloguing Commission: Working Group On Isbd(Pm) & (A). S. 47
 Galina Koltypina: Standardization of the Bibliographic Description of Printed Music in the USSR. S. 47–48
 Heinz Lanzke: Die Musiksonderregeln zu den Regeln für die alphabetische Katalogisierung. S. 49–51
 Hans-Martin Plesske: Einige Bemerkungen zum EDV-Projekt Bibliographieherstellung der Deutschen Bücherei. S. 51–54
 Nanna Schiødt: The Relationship of the IAML Cataloguing Code to the Newly Completed ISBD (PM and NBM) and AACR 2: A Preliminary Study of the Need and the Feasibility of Revising the IAML Cataloguing Code in the Light of these Developments. S. 54–56
 Wojciech Tomaszewski: Polish Work on the Standard Bibliographic Description for Printed Music. S. 56–58
 Don L. Roberts: COMMISSION ON EDUCATION AND TRAINING. S. 58–59
 László Somfai: The Budapest Bartók Archives. S. 59–65
 Huib Deetman, Don L. Roberts: Statement on Qualifications for Music Librarians. S. 66–67
 Kurt Dorfmüller: RISM. S. 67–68
 Barry S. Brook, Nanna Schiødt: RILM. S. 68–69
 Barry S. Brook, Terry Ford: RIdIM. S. 69–71
 Evelyn van Kaam: IAML Library: A New Section of Fontes. S. 72–74
 Helen P. Harrison: ANNUAL CONFERENCE OF IASA: Budapest, 6—11 September 1981. S. 74–75
 Alice Moyle: Bartók’s Legacy and the Documentation and Dissemination of Australian Folk and Aboriginal Music. S. 76–79
 Lenore Coral: OPEN MEETING ON IFLA. S. 79
 Tony Reed: Universal Availability of Publications and Music. S. 79–82
 Harald Heckmann: André Jurres — 70 Jahre alt. S. 82
 Geraint J. Philp: An International Bibliography for Printed Music: A Feasibility Study. S. 83–84
 Prue Neidorf: Information. S. 85–86
 Publications à Caractère Bibliographique. S. 87–89
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Donald W. Krummel: Music Publishing in the Canadas, 1800—1867 / L’Edition musicale au Canada, 1800—1867 by Maria Calderisi. S. 90
 Review by Claudio Sartori: The Letters of Claudio Monteverdi by Denis Stevens. S. 90–91
 Review by Irving Lowens: The Shaker Spiritual by Daniel W. Patterson. S. 91–92
 Review by George A. Proctor: Encyclopedia of Music in Canada by Helmut Kallmann; Gilles Potvin; Kenneth Winters. S. 92

No. 3
 Bertil H. van Boer Jr., Leif Jonsson: The Silverstolpe Music Collection in Rö, Uppland, Sweden: A Preliminary Catalogue. S. 93–103
 Dinko Fabris: Prime Aggiunte Italiane al Volume RISM B/VII — Intavolature mss. per Liuto e Chitarra. S. 103–121
 Richard Jones: Special Collections in Music — An Alternate Approach. S. 122–124
 William C. Rorick: Galaxy Music Corporation: the first fifty Years. S. 125–128
 James Bradford Young: An Account of Printed Musick ca. 1724. S. 129–136
 A Goldmine for Musicologists, Music Librarians, Performers and Musical Amateurs / Eine Fundgrube für Musikwissenschaftler, Musikbibliothekare, ausübende Musiker und Musikliebhaber / Une source inépuisable pour les musicologues, interprètes, bibliothécaires et amateurs de musique. S. 136–138
 James J. Fuld, James R. Anthony: Information. S. 139–141
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Jean-Jacques Eigeldinger: Frédéric Chopin. Thematisch-bibliographisches Werkverzeichnis by Krystyna Kobylańska. S. 142–145
 Review by Michael Talbot: Pietro Antonio Locatelli. Der Virtuose und seine Welt. Band I, Band II by Albert Dunning. S. 145–147
 Review by Vincent Duckles: Music Collections in American Libraries: a Chronology, (Detroit Studies in Music Bibliography, 46) by Carol June Bradley. S. 147–148
 Review by Catherine Massip: Carlo d’Ordonez 1734—1786. A Thematic Catalog (Detroit Studies in Music Bibliography, 39) by A. Peter Brown. S. 148–149
 Review by Catherine Massip: Music in the Paris Academy of Sciences 1666—1793. A Source Archive in Photocopy At Stanford University. (Detroit Studies in Music Bibliography, 43) by Albert Cohen; Leta E. Miller. S. 149
 Review by François Lesure: A Dictionary of early music from the troubadours to Monteverdi by Jerome Roche; Elizabeth Roche. S. 149
 Liste sélective: France. S. 150–151

No. 4
 Preface / Préface / Vorwort. S. 153
 Commission on Répertoire International de la Presse Musicale du XIXe Siècle. 
 H. Robert Cohen, Elvidio Surian, Marcello Conati: CIRPM — PARMA. S. 154–155
 H. Robert Cohen: CIRPM — VANCOUVER. S. 155–156
 Hans Burndorfer: THE CIRPM ARCHIVE (VANCOUVER). S. 156–157
 H. Robert Cohen, Elvidio Surian: CURRENT RIPMxix — CIRPM Projects: International Developments, Commissions and Commission Membership. S. 157–158
 Christoph-Hellmut Mahling: Bemerkungen zur „Illustrirten Zeitung“ als Quelle zur Musikgeschichte des 19. Jahrhunderts. S. 158–160
 Joel H. Kaplan: Musical Iconography in „The Illustrated London News“: An Introduction. S. 161–169
 Ilona Mona: Über Franz Liszts Ungarische Nobilität: Dichtung und Wahrheit Musikhistorische Beziehungen der bibliographischen Arbeit. S. 169–182
 Jørgen Bennetzen, Kirsten Maegaard: Reggae. S. 182–186
 Henning Smidth, James Murdoch, Eric Cooper, Prue Neidorf, Diane van der Heyden: Information. S. 187–192
 Publications à Caractère Bibliographique. S. 193–195
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Marie-Noël Colette: The Grammar of gregorian tonality. An investigation based on the repertory in Codex H 159, Montpellier by F.E. Hansen. S. 196
 Review by Sven Hansell: Autographus Musicus, facsimile editions by Sigvard Samuelsson; Sinfonia in E la fa, MS (vol. 1, 1973); Sinfonia i Ciss [moll], MS (vol. 11, 1978); Miserere [in c minor], MS (vol. 11, 1978); Miserere [in E-flat major], MS (vol. 12, 1978) by Joseph Martin Kraus; Motetto: Benedicam Dominum in omni tempore, MS (vol. 2, 1973); [trio] Sonata ex G, MS (vol. 3, 1973) by Dietrich Buxtehude; Sonata i C-dur [and] Sonata nr 9 i d [moll], MSS (vols. 4 & 5, 1976); [orchestral] Bilägers Musiquen uppförd 1744 på Drottningholm, MS (vol. 8, 1977); [12] Sonate a flauto traverso, violone e cembalo, MS parts (vol. 9, 1978) by Johan Helmich Roman; Sonata 1 [and] 5 [in B-flat major and D major from] Sei sonate per il cembalo, op. 2, (vol. 6, 1976) by Johan Joachim Agrell; 8 [organ] Preludier, MS (vol. 7, 1977) by Ferdinand Zellbell; 24 Oder af våra bästa poeters arbeten, print of Stockholm 1754 (vol. 13, 1978); Sei sonate per il cembalo, MS (vol. 14, 1979) by Henrich Philip Johnsen. S. 197–198
 Review by Thomas F. Heck: Resources of American Music History: A Directory of Source Materials from Colonial Times to World War II. (Music in American Life) by D.W. Krummel; Jean Geil; Doris J. Dyen; Deane L. Root. S. 198–199
 Review by Christian Meyer: „Musica getutscht“. Deutsche Fachprosa des Spätmittelalters im Bereich der Musik. (Münchener Texte und Untersuchungen zur Deutschen Literatur des Mittelalters. Herausgegeben von der Kommission für Deutsche Literatur des Mittelalters der Bayerischen Akademie der Wissenschaften. Band 69) by Rudolf Denk. S. 199

30. Jg. 1983

No. 1/2
 Preface / Préface / Vorwort. S. 1
 IAML Annual Conference 4—9 July 1982 in Brussels / Réunion annuelle de l’AIBM 4—9 Juillet 1982 à Bruxelles / Jahrestagung der IVMB 4.—9. Juli 1982 in Brüssel. 
 Anders Lönn: [Introduction]. S. 2–5
 Anders Lönn: IAML/AIBM/IVMB Directory. S. 5–7
 G.C.M. van Dijck: BROADCASTING LIBRARIES. S. 8
 Diane Ward: Broadcasting Libraries: Arrangements, Rights and Duties. S. 8–10
 Christine Pratt: Music Hire. S. 10–15
 Anthony Hodges: LIBRARIES IN MUSIC TEACHING INSTITUTIONS. S. 15
 Liz Hart: PUBLIC LIBRARIES. S. 15–16
 Julius Hůlek: Information on Principles of the Organization and Development of Music Sections in Public Libraries in the Czech Socialist Republic. S. 17–18
 Evelyn van Kaam, Rob van den Beld: Audio Visual Media and the Training of the Public Librarian. S. 18–28
 Richard Andrewes: RESEARCH LIBRARIES. S. 28
 Bernard Huys: François-Joseph Fétis. S. 29–30
 Richard Andrewes: Edward Francis Rimbault, 1816—1876. S. 30–34
 William Y. Elias: MUSIC Information CENTRES. S. 34
 Maria Calderisi Bryce, Joachim Jaenecke: BIBLIOGRAPHY COMMISSION. S. 34–35
 Geraldine E. Ostrove: The Boston Composers Project. S. 36–39
 Geraint Philp: An International Music Bibliography: A Feasibility Study: A Report. S. 40–44
 Don Hixon, Don Hennessee, Imogen Fellinger, Günter Brosche, Simone Wallon, Veronika Vavrinecz, Magda Gráf-Forrai: International Bio-Bibliography of Musicians Project. S. 44–52
 Lenore Coral, Kurt Dorfmüller, Patrick Mills, Heinz Lanzke, Richard Andrewes, Joan Colquhoun: CATALOGUING COMMISSION. S. 52–55
 Don L. Roberts, Prue Neidorf: COMMISSION ON SERVICE AND TRAINING. S. 56
 D.W. Krummel: Kinkeldey Revisited: American Music Library Education in 1937 and 1982. S. 56–60
 Brian Redfern: Music Libraries and Research in the United Kingdom. S. 60–61
 Kurt Dorfmüller: RISM. S. 61–62
 Barry S. Brook, Nanna Schiødt: RILM. S. 62–63
 Barry S. Brook: RIdIM. S. 64–65
 H. Robert Cohen: RIPMxix. S. 65
 H. Robert Cohen: On the Structure of the Repertory: RIPMxix Series A and Series B. S. 66–68
 Marcello Conati, Elvidio Surian: Le Centre International de Recherche sur la Presse Musicale (CIRPM) à Parme. S. 68–70
 Zoltan Roman: Periodica Musica. S. 70–72
 Helen P. Harrison: Annual Conference of IASA Brussels 4—9 July 1982. S. 73–74
 Maria Prokopowicz: In memoriam Karol Musioł. S. 75
 Robert Tucker: Information. S. 76–77
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by François Lesure: Piano music in collections. An index by Rita M. Fuszek. S. 78
 Review by François Lesure: Musical instrument collections. Catalogues and cognate literature. (Detroit Studies in Music Bibliography, 47) by James Coover. S. 78
 Review by Alexander Hyatt King: Einzeldrucke vor 1800. Karlheinz Schlager. Band 8[-9] (RISM, A/I/8—9) by Otto E. Albrecht. S. 78–80

No. 3
 Preface/Préface/Vorwort. S. 81
 Hermann Waßner: Untersuchungen zur musikbibliothekarischen Arbeit: Ein Überblick über neuere Veröffentlichungen, gegenwärtige Aktivitäten und vorzuschlagende Arbeitsziele (Beiträge aus der Bundesrepublik und aus West-Berlin). S. 82–98
 George S. Bozarth: Brahms’s Lieder Inventory of 1859—60 and other Documents of his Life and Work. S. 98–117
 Daphne Kennard: Music for One-Handed Pianists. S. 117–131
 Jens Jørgen Gjedsted: Electric Jazz. S. 132–136
 Huib Deetman: Indonesian Libraries: the Need for Development. S. 137–138
 Henning Bro Rasmussen: Some Facts about the International Music Council IMC. S. 138–141
 Kurt von Fischer, Angelika Bierbaum, Helmut Rösing, Joachim Schlichte: Répertoire International des Sources Musicales / Internationales Quellenlexikon der Musik / International Inventory of Musical Sources. S. 142–158
 Mozart 1784. S. 159
 M.A. Kotrbová: Information. S. 160–163
 Publications à Caractère Bibliographique. S. 164–167
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Thomas F. Heck: Quellenforschung in der Musikwissenschaft (Wolfenbütteler Forschungen, Bd. 15) by Wolfgang Rehm; Martin Ruhnke; Georg Feder. S. 168
 Review by H. Wiley Hitchcock: Louis Moreau Gottschalk 1829—1869: A Bibliographical Study and Catalog of Works. (College Music Society Bibliographies in American Music, no. 7) by John G. Doyle. S. 168–170
 Review by A. Hyatt King: Mozart, Bibliographie 1976—1980 mit Nachträgen zur Mozart-Bibliographie bis 1975 by Rudolph Angermüller; Otto Schneider. S. 170
 Review by Pierre Jaquier: Alte Meistergeigen. Beschreibungen. Expertisen. Band VIII: Französische Schule und Deutsche Meister by Verband Schweizerischer Geigenbaumeister. S. 170–171
 Review by François Lesure: The piano in concert. Volume I[—II] by George Kehler. S. 171

No. 4
 Preface / Préface / Vorwort. S. 173
 Robert Ford: Osborn MS 515, A Guardbook of Restoration Instrumental Music. S. 174–184
 Catherine Massip: La collection musicale Toulouse-Philidor à la Bibliothèque nationale. S. 184–207
 Thomas Quigley: Johannes Brahms and Bibliographic Control — Review and Assessment. S. 207–214
 IAML Library. S. 215
 Alison Hall, Noriko Murai, Neil Ratliff, Walter Lebermann: Information. S. 216–221
 Publications à Caractère Bibliographique. S. 221–223
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by François Lesure: Heinrich Schütz. A Guide to research (Garland composer resource Manuals, 1) by Allen B. Skei. S. 223
 Review by Jean Duron: Les oeuvres de/The works of Marc-Antoine Charpentier by H.W. Hitchcock. S. 223–224
 Review by François Lesure: Encyclopédie de la musique au Canada by Helmut Kallmann; Gilles Potvin; Kenneth Winters. S. 224–225
 Review by Claudio Sartori: Katalog der vor 1800 gedruckten Opernlibretti in der Musikbibliothek der Stadt Leipzig Teil 1[-2] by Bearbeitet von Cornelia Krumbiegel; Peter Krause. S. 225
 Review by Malou Haine: Twenty-five hundred historical woodwind instruments. An inventory of the major collections by Pillip T. Young. S. 225–227

31. Jg. 1984

No. 1
 Preface / Préface / Vorwort. S. 3
 Anders Lönn, Wolfgang Rehm: BUSINESS MATTERS. S. 4–11
 Professional Branches. 
 Miriam Miller: Broadcasting Libraries. S. 12
 Anthony Hodges: Libraries In Music Teaching Institutions. S. 12
 William Y. Elias: Music Information Centres. S. 12–14
 Rogier Starreveld: How Do Mics Promote Performances Of Contemporary Music?. S. 14–17
 Roger Crudge, Thor E. Wood, Mary Ashe: Public Libraries Branch. S. 17–18
 Richard Andrewes: Research Libraries Branch: Jazz In Research Libraries: Introduction. S. 18–19
 Derek Langridge: A Survey. S. 19–23
 Laurence Gushee: The Researcher’s View. S. 23–25
 Paul S. Machlin: Wallering in Muddy Waters: Searching the Archives for Jazz. S. 25–29
 Richard Andrewes: Appendix I. S. 29–30
 Subject Commissions And Project Groups: Appendix II: Notes on the contributors. S. 30
 Maria Calderisi Bryce: REPORT OF THE BIBLIOGRAPHY COMMISSION. S. 31–32
 John Morehen: Thematic Cataloging by Computer. S. 32–38
 Bryan N. S. Gooch: Catalogues and Computers or Bibliography and the Beast. S. 38–41
 Walter A. Frankel: The Music-In-Print Series. S. 41–44
 William Y. Elias: Project Group on Editing and Publishing Contemporary Music (EdPuM). S. 44–45
 Geraldine Ostrove: Preliminary Report on the Availability of Rental Music in Libraries. S. 45–48
 Imogen Fellinger: Project Group on Music Periodicals. S. 48–50
 Charles Lindahl: Past Efforts regarding Union Catalogues of Periodicals in the United States of America. S. 50–51
 Wilma Reid Cipolla: Present Activities regarding Union Catalogues of Periodicals in the United States of America. S. 51–54
 Gillian B. Anderson: Unpublished Periodical Indexes at the Library of Congress and elsewhere in the United States of America. S. 54–60
 Lenore Coral: CATALOGUING COMMISSION. S. 61
 Kurt Dorfmüller: Project Group on Classification. S. 61
 Lenore Coral: Project Group on Computer Cataloguing. S. 62
 Lenore Coral: Project Group on ISBD(NBM). S. 62
 Heinz Lanzke: Project Group on ISBD(PM). S. 62–63
 Richard Andrewes: Project Group on ISBD(PM) & (A) — Final Report and Recommendations. S. 63–64
 Joan Colquhoun: Project Group on UNIMARC. S. 64–65
 Prue Neidorf, Don L. Roberts: COMMISSION ON SERVICE AND TRAINING. S. 65
 Marsha Berman: New Eyes: The Intern in the Music Library. S. 65–68
 Prue Neidorf: In-Service Training for Music Librarians in Australia: the National Library of Australia’s Experiences. S. 68–69
 Hermann Waßner: Das musikbibliothekarische Praktikum als Hauptteil der Zusatzausbildung für künftige Musikbibliothekare in der Bundesrepublik Deutschland. S. 70–78
 Richard Crawford: American Music and its Two Written Traditions. S. 79–84
 Kurt Dorfmüller, Barry S. Brook, Sylvia L’Ecuyer Lacroix: JOINT Commissions. S. 85–88
 Helen P. Harrison, Anders Lönn, Lenore Coral: OTHER ORGANISATIONS. S. 88–92
 In memoriam Irving Lowens. S. 93
 Information. S. 94

No. 2
 Preface / Préface / Vorwort. S. 95
 H. Robert Cohen, Sylvia L’Ecuyer Lacroix: Indexation de l’iconographie musicale dans la presse illustrée du dix-neuvième siècle: Présentation d’une Méthode. S. 96–107
 Jon Albris, Anders Laurson: Zydeco & Cajun. S. 108–112
 Klaus Kindler: Zur Problematik der Masi-Handschriften in der Santini-Sammlung in Münster (Westf.). S. 112–118
 William C. Rorick: Theodore Presser Company: A Bicentennial Retrospect. S. 118–125
 Information. S. 126–129
 Publications à Caractère Bibliographique. S. 130–132
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Thomas F. Heck: American music recordings: a discography of 20th-century U.S. composers by Carol J. Oja. S. 132–133
 Review by Christian Meyer: Cambridge Music Manuscripts 900—1700 by Iain Fenlon. S. 133–134
 Review by Catherine Massip: A melodic Index to Haydn’s instrumental music. A thematic Locator for Anthony Van Hoboken’s Thematisch-bibliographisches Werkverzeichnis, vols. I et III. (Thematic Catalogues no 8.) by Stephen C. Bryant; Gary W. Chapman; Jan La Rue. S. 134
 Review by Geraldine Ostrove: RISM. Series C, Directory of Music Research Libraries. Volume I, Canada and the United States. 2d revised edition. S. 134–135
 Review by Malou Haine, Anne Meurant: Catalogo degli strumenti musicali dell’Accademia Filarmonica di Verona by John Henry van der Meer; Rainer Weber. S. 135–137
 Review by Thomas F. Heck: I Libretti Vivaldiani: recensione e collazione dei testimoni a stampa. (Studi di musica veneta: quaderni vivaldiani, 3) by Anna Laura Bellina; Bruno Brizi; Maria Grazia Pensa. S. 137
 Review by Catherine Massip: Mikrofilmek címjegyzéke. Zenei gyűjtemény. 1. köt. Zeneműkéziratok I. Vegyes eredetű rezidenciális zeneműkéziratok 1 by Zoltan Nagy; Index of microfilms. Music collection. 1. Music manuscripts. I. Music manuscripts of a mixed origin from various residences by Zoltan Nagy; István Kecskeméti. S. 137–138
 Abstracts to the Articles. S. 138–139

No. 3
 Preface / Préface / Vorwort. S. 141
 Bernhard R. Appel: Acht unbekannte Briefe von Ferruccio und Gerda Busoni an Rudolf Nováček (1860—1929). S. 142–153
 Hélène Charnassé, Harry B. Lincoln, Warren E. Hultberg, Helmut Rösing, Joachim Schlichte, Philip J. Drummond: Les bases de données en musicologie. S. 153–176
 Bendt Viinholt Nielsen: Danish Music from the 1950s till Today. S. 176–182
 Andrew Green: Répertoire Internationale d’Iconographie Musicale. S. 183–184
 John H. Roberts: In Memoriam Otto E. Albrecht. S. 184
 David Lindsey Clark: Information. S. 185–188
 Lenore Coral: Correction Robert Ford Article. S. 188
 Publications à Caractère Bibliographique. S. 189–190
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Peter Bloom: La musique à Paris en 1830—1831 by Marie-Noëlle Colette; Joël-Marie Fauquet; Adélaïde de Place; Anne Randier; Nicole Wild; François Lesure. S. 191–192
 Review by Thomas F. Heck: Musical Morphology: a Discourse and a Dictionary by Siegmund Levarie; Ernst Levy. S. 192–193

No. 4
 Preface / Préface / Vorwort. S. 195
 Wolfgang Rehm: Harald Heckmann zum 60. Geburtstag am 6. Dezember 1984. S. 196–197
 Jaroslav Bužga: Zelenkas Musikinventar aus der katholischen Schloßkapelle in Dresden. S. 198–206
 Malena Kuss: Current State of Bibliographic Research in Latin American Music. S. 206–228
 Don L. Roberts: The Ethnic Music of the United States. S. 228–233
 Mariella Busnelli: Notizie inedite su Giovanni Maria Marchi (1689—1740). S. 233–239
 László Somfai, Bärenreiter Verlag: Information. S. 240–241
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Harald Heckmann: Sound Archives. A Guide to their Establishment and Development by David Lance. S. 241
 Review by François Lesure: Les gravures musicales dans l’Illustration. I843—I899 by H. Robert Cohen; Sylvia L’Ecuyer Lacroix; Jacques Léveillé. S. 242
 Review by Christian Meyer: Spielpraxis und Instrumentarium um 1500. Dargestellt an Sebastian Virdung’s „Musica getutscht“ (Basel 1511). (Forschungen zur Älteren Musikgeschichte, 4) by Gerhard Stradner. S. 242–243

32. Jg. 1985

No. 1
 Préface / Vorwort / Preface. S. 1
 Neil Ratliff, Kirsten Maegaard, Huib Deetman, Wolfgang Rehm: BUSINESS MATTERS. S. 2–17
 Professional Branches. 
 Anthony Hodges: LIBRARIES IN MUSIC TEACHING INSTITUTIONS. S. 18
 Standards. S. 18–19
 William Y. Elias: Music Information Centres. S. 19–20
 Elizabeth M. Hart: PUBLIC LIBRARIES BRANCH REPORT. S. 20–21
 Wim Dijk: Availability of Sound Recordings in Public Collections. S. 21–24
 Bent Christiansen, Elizabeth Hart: Some Aspects of Contemporary Music — in Society and in the Library. S. 24–27
 Roger Crudge: Music Library Statistics in Britain. S. 27–28
 Subject Commissions AND PROJECT GROUPS. 
 Maria Calderisi Bryce, Joachim Jaenecke: BIBLIOGRAPHY COMMISSION REPORT. S. 29–30
 Agostina Zecca Laterza, Maria Calderisi Bryce: Milanese Music Publishers in the First Half of the Nineteenth Century. S. 30–31
 Bianca Maria Antolini, Annalisa Bini: Music Publishing in Rome during the 19th Century. S. 31–32
 Dan Fog: Music in the 19th Century — A Bibliographic Project Realized. S. 33–35
 Imogen Fellinger: Project Group on Music Periodicals: Report. S. 35–37
 Mariangela Donà: The Present State of Music Periodicals in Italy. S. 37–39
 Agostina Zecca Laterza: Cataloghi collettivi per i periodici musicali in Italia. S. 39
 Dick van den Hul: Present-Day Music Periodicals in the Netherlands. S. 40–41
 Lenore Coral: Cataloguing Commission Report. S. 41–42
 Kurt Dorfmüller: Project Group on Classification: Report. S. 42
 Harry Price: Subject Access to Jazz and Popular Music Materials on Library of Congress Catalog Records. S. 42–54
 Heinz Lanzke: Project Group on ISBD(PM): Report. S. 55
 Joan Colquhoun: Project Group on UNIMARC: Report. S. 55–56
 Don L. Roberts: COMMISSION ON SERVICE AND TRAINING REPORT. S. 56
 Catherine Garland: Training of LC Catalogers for Music Online. S. 57–59
 Don L. Roberts: Education for Music Librarians in the United States and Canada. S. 59–62
 Helmut Rösner: Zur Statistik der Musikbibliotheken in der Bundesrepublik Deutschland. S. 62–68
 Susan M. Clegg: User Surveys and Statistics — the Opportunities for Music Libraries. S. 69–75
 Tony Reed: Project Group on Universal Availability of Publications (Printed Music): Report. S. 76
 H. Robert Cohen, Barry S. Brook, Nanna Schiødt, Kurt Dorfmüller: JOINT Commissions. S. 77–81
 Lenore Coral, Don L. Roberts, Helen P. Harrison: OTHER ORGANISATIONS. S. 82–86
 John Henry van der Meer: Information. S. 87–88
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Allen P. Britton: Fuging Tunes in the Eighteenth Century. (Detroit Studies in Music Bibliography, Number Forty-Nine) by Nicholas Temperley; Charles G. Manns. S. 88–89
 Review by Bernard Lortat-Jacob: Big sounds from small people. The music industry in small countries. (Sociology of Music No. 2) by Roger Wallis; Krister Malm. S. 89
 Review by Gillian B. Anderson: Women Composers. A Discography. (Detroit Studies in Music Bibliography, Number Fifty) by Jane Frazier. S. 89–90

No. 2
 André Jurres: Préface / Vorwort / Preface. S. 91
 Peter Ross, Andreas Traub: Die Kirchenmusik von Johann Christian Bach im Kloster Einsiedeln. S. 92–102
 Robert Elliott, Harry M. White: A Collection of Oratorio Libretti, 1700—1800, in the Thomas Fisher Rarebook Library, University of Toronto. S. 102–114
 Anna Maria Trivisonno: The „Basevi“ Collection in the Library of Cherubini Conservatory, Florence (Italy). S. 114–117
 Helmut Rösing, Joachim Schlichte: Nachtrag zu / Addition to / Complément à Die Serie A/II des Internationalen Quellenlexikons der Musik in Fontes Artis Musicae, Vol. 31/3, 1984, S. 167ff.. S. 117–118
 Barry S. Brook, David Bain: Music in the Life of Man: Theoretical and Practical Foundations for a World History. S. 118–132
 Dorothy Freed: Information. S. 133–136
 Publications à Caractère Bibliographique. S. 137–139
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Marita P. McClymonds: The Book of World-Famous Libretti: The Musical Theater from 1598 to Today by James J. Fuld; Patrick J. Smith. S. 140–141
 Review by Thomas F. Heck: Oscar Sonneck and American Music by William Lichtenwanger. S. 141–142
 Addendum: User Surveys and Statistics — the Opportunities for Music Libraries. S. 142
 International Association of Music Libraries, Archives and Documentation Centres (IAML) Provisional Rules of Procedure (adopted by the Council on 8 August, 1980 and incorporating amendments approved by Council in 1981 and 1984). S. 143–145

No. 3
 Préface/Vorwort/Preface. S. 147
 J. Bradford Young: The Great Abuse of Musick, 1711. S. 148–152
 Barry S. Brook, David Bain: World Music, World History, and the Music in the Life of Man Project. S. 153–156
 William Y. Elias: Project Group On Editing And Publishing Contemporary Music (Edpum). S. 156
 Jaap Gerritse: Jazz and Light Music in Music Teaching Institutions. S. 157–160
 Inge Pechotsch-Feichtinger: Verzeichnis Österreichischer Musikzeitschriften 1945—1980. S. 160–171
 William C. Rorick: Johnny Marks and St. Nicholas Music, Inc.. S. 171–174
 Information. S. 175–178
 Publications à Caractère Bibliographique. S. 178–179
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by François Lesure: Indici, cataloghi e avvisi degli editori e librai musicali italiani dal 1591 al 1798. (Studi e testi per la storia della musica, 2) by Oscar Mischiati. S. 180
 Review by Thomas F. Heck: Guitar Bibliography: an international listing of theoretical literature on classical guitar from the beginning to the present = Gitarre-Bibliographie by Werner Schwarz; Monika Haringer; Siegfried Behrend. S. 180–181
 Review by François Lesure: Analyses of nineteenth-century music. Second edition: 1940—1980 — Analyses of twentieth-century music. Supplement. Second edition. (MLA Index and Bibliography Series, Nr. 13 et 14) by Arthur Wenk. S. 181–182
 Anders Lönn: Dankwort des Präsidenten an Dr. Wolfgang Rehm. S. 183–184

No. 4
 Préface / Vorwort / Preface. S. 185
 Laurent Guillo: Les Motets de Layolle et les Psaumes de Piéton: Deux nouvelles éditions lyonnaises du seizième siècle. S. 186–191
 Bengt Johnsson: Manuel Blasco de Nebra, ein unbekannter Klaviermeister. S. 191–208
 Roberto Verti: L’Indice de’ teatrali spettacoli, Milan,Venise, Rome 1764—1823: Une source pour l’histoire de l’opéra italien. S. 209–211
 In Memoriam Vincent H. Duckles. S. 212
 Ing. Karel Kozelek: Information. S. 213–217
 Publications à Caractère Bibliographique. S. 217–218
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Kurt Dorfmüller: Organ Literature: A Comprehensive Survey. 2nd edition. Vol. 1: Historical Survey. Vol. 2: Biographical Catalog by Corliss Richard Arnold. S. 218–220
 Review by Jean-Michel Nectoux: Phonographies. II: Francis Poulenc, 1928—1982 by Francine Bloch. S. 220–221
 Review by Gillian B. Anderson: Women Composers and Hymnists. A Concise Biographical Dictionary by Gene Claghorn. S. 221–222
 Review by Jean-Michel Nectoux: Four Centuries of Organ Music, from the Robertsbridge Codex through the Baroque Era, an Annotated Discography. (Detroit Studies in Music Bibliography, no 51) by Marilou Kratzenstein; Jerald Hamilton. S. 222
 Review by Jean-Michel Nectoux: A Discography of Treble voice recordings. (Detroit Studies in Music Bibliography, no 52) by James Laster. S. 222–223
 Review by Jean-Michel Nectoux: Discography of Solo Song. Supplement 1975—1982 by Dorothy Stahl. S. 223

33. Jg. 1986

No. 1
 Préface / Vorwort / Preface. S. 1
 Neil Ratliff, Ad Blokland, Roger Crudge: BUSINESS MATTERS. S. 2–15
 Professional Branches. 
 Anne Nenquin: Broadcasting Libraries Branch Report. S. 16
 Ellen Roeser: Public Libraries: Die Arbeit Der Musikbibliotheken Im Rahmen Der Staatlichen Allgemeinbibliotheken. S. 17–20
 Judit Skaliczki: The Public Music Library System In Hungary. S. 20–21
 Subject Commissions And Project Groups. 
 Joachim Jaenecke: Bibliographische Kommission, Bericht. S. 22–23
 Hans-Martin Pleßke: Inhalt und Abgrenzung der „Deutschen Musikbibliographie“. S. 23–25
 Heinz Lanzke: Nationalbibliographien: Inhalt und Abgrenzung Bericht über das Deutsche Musikarchiv. S. 25–27
 Patrick Mills: The British Catalogue of Music: Inclusion Policy. S. 28–29
 Wolfgang Ritschel: Bibliographische Wege zum Musikschaffen und Musikdenken in der DDR. S. 29–34
 Joachim Jaenecke: Zum Thema „Nationalbibliographien: Inhalt und Abgrenzung“ In Nationalbibliographien vorkommende ausländische Verlage. S. 34–37
 Imogen Fellinger: Project Group on Music Periodicals: Report. S. 37–38
 Peter Krause: Zum gegenwärtigen Stand der Musikzeitschriften in der Deutschen Demokratischen Republik. S. 39–44
 Kornel Michałowski: Musikbibliographie der Zeitschriften in Polen. S. 45–51
 Lenore Coral: Cataloguing Commission Report. S. 51–52
 Mary Wallace Davidson: Towards a National Program for the Retrospective Conversion of Music Records. S. 52–59
 Renata Wagner, Kurt Dorfmüller: Die Notendrucke der Bayerischen Staatsbibliothek München Zur Revision und Veröffentlichung des Kataloges. S. 59–64
 János Kárpáti: Project Group on Classification: Report. S. 64–65
 Ann Schuursma: Comments on „A New Classification for RILM Abstracts“. S. 65–67
 Malena Kuss: Proposal for Latin America. S. 68
 Dorothy Curzon: Comments on the Japanese Proposal. S. 69–70
 Gen’ichi Tsuge: The Classification of World Cultures in RILM. S. 70–71
 János Kárpáti: Comments on the Japanese Proposal. S. 72–73
 Barry S. Brook: RILM Classification — Suggested Revisions. S. 73–74
 Heinz Lanzke: Project Group on ISBD(PM): Report. S. 75
 Joan Colquhoun: Project Group on UNIMARC: Report. S. 75–76
 Thomas Heck: Project Group on Universal Availability of Publications: Music on Demand: Facsimile Technology at the Service of Interlibrary Loan and Beyond. S. 77–79
 Tony Reed: The Pre-Paid Lending Form: An Evaluation of the British Experience. S. 80–85
 Olga Buth: Interlibrary Loan, the Stepchild of the Library: A Report on the Interlending of Music in the U.S.A.. S. 86–87
 Wolfgang Krueger, Barry S. Brook, Nanna Schiødt, Kurt Dorfmüller: JOINT Commissions. S. 88–93
 Helen P Harrison, Lenore Coral, Dietrich Schüller, Monicah Kabeberi, Washington A. Omondi: RELATED ORGANISATIONS. S. 94–117
 Kurt Dorfmüller: Orbituary: Liesbeth Weinhold †. S. 117–118
 Norbert Böker-Heil: Information. S. 119–120
 Publications à Caractère Bibliographique. S. 121–122
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Thomas Quigley: Brahms-Bibliographie by Siegfried Kross. S. 123–124
 Review by François Lesure: Giovanni Battista Viotti (1755—1824). A Thematic Catalogue of his works. (Thematic Catalogues, No. 12) by Chappell White. S. 124–125
 Review by D. W. Krummel: Musikdokumentation, gestern, heute und morgen: Harald Heckmann zum 60. Geburtstag am 6. Dezember 1984 by Wolfgang Rehm. S. 125

No. 2
 Préface / Vorwort / Preface. S. 127
 Anders Lönn: Music Libraries, Librarianship and Documentation in Sweden — an Overview. S. 128–134
 Åke Davidsson: The Collections of Early Music in Swedish Libraries. S. 135–145
 Bibbi Andersson: Music and the Public Library in Sweden. S. 146–148
 Lennart Reimers: Music Publishing and Distribution in Sweden. S. 148–151
 Henrik Karlsson: The Swedish Phonogram Market. S. 151–160
 Anders Lönn: Statens musiksamlingar (SMS) / The Swedish National Collections of Music. S. 161
 Anders Lönn: Musikaliska akademiens bibliotek (MAB) / The Library of the Swedish Academy of Music. S. 162–171
 Veslemöy Heintz: Svenskt musikhistoriskt arkiv (SMA) / The Swedish Music History Archive. S. 171–174
 Birgitta Dahl: The Archives Housed at Musikmuseet. S. 174–177
 Sven Allerstrand: Arkivet för ljud och bild (ALB) / The National Archive of Recorded Sound and Moving Images. S. 177–180
 Margareta Jersild, Märta Ramsten: Svenskt visarkiv / The Swedish Centre for Folk Song and Folk Music Research. S. 180–184
 Jan Olof Rudén: Svensk musik / Swedish Music Information Center. S. 184–186
 Lisbeth Holm, Ruth Hansell: Musikbiblioteket, Sveriges riksradio / The Music Library of the Swedish Radio Company. S. 186–188
 Eva Helenius-Öberg: RIdIM in Sweden. S. 189–190
 Ingebjørg Barth Magnus: Musical Motifs in the Medieval Church Paintings of Uppland — a Swedish RIdIM Project. S. 190–193
 Åke Davidsson, Veslemöy Heintz: Swedish Music Periodicals of the 19th Century. S. 194–210
 Anders Lönn, Veslemöy Heintz: Reference Sources on Swedish Music: a Supplement to Marco Volume III. S. 211–213
 Information. S. 214–215
 Publications à Caractère Bibliographique. S. 216–217
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by François Lesure: Baker’s Biographical Dictionary of Musicians. Seventh edition revised by Nicolas Slonimsky. S. 218
 Review by Henri Vanhulst: Fontes hymnodiae neerlandicae impressi 1539—1700 — De melodieën van het Nederlandstalig geestelijk lied 1539—1700: Een bibliografie van de gedrukte bronnen (Bibliotheca bibliographica neerlandica, vol. XVIII) by C. A. Höweler; F. H. Matter. S. 218–219
 Review by Miriam Miller: Music Publishing, copyright and piracy in Victorian England; a twenty-five year chronicle, 1881—1906, from the pages of Musical Opinion and Music Trades Review and other English music journals of the period by James Coover. S. 219–220

No. 3
 Préface / Vorwort / Preface. S. 225
 Jane Schatkin Hettrick: A Thematic Catalogue of Sacred Works by Antonio Salieri: An Uncatalogued Holograph of the Composer in the Archive of the Vienna Hofkapelle. S. 226–235
 Olgica Momčilović: Musikbibliotheken in Jugoslawien. S. 236–240
 Agostina Zecca Laterza: Le edizioni Ricordi in Pazdirek Handbuch. S. 240–244
 Dorothee Hanemann: Bach Database-Symposion in Kassel. S. 244–246
 Supplement to Fontes 33/1 (Berlin/DDR Conference). 
 Sue Clegg: IAML PROJECT GROUP ON STATISTICS. S. 246
 Marsha Berman: COMMISSION ON SERVICE AND TRAINING: REPORT. S. 247
 Isolde Unger: Zu Fragen der Aus- und Weiterbildung der Musikbibliothekare in der DDR. S. 248–250
 Maria Prokopowicz: Music Librarianship in Academic Curriculum and Courses for Librarians Organized in Poland. S. 251–253
 Galina A. Timoshchenkova: Provision of Printed Music to the Users by the Library Service of the USSR. S. 253–256
 Information. S. 257–258
 Publications à Caractère Bibliographique. S. 259–261
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Ann Basart: Concert and Opera Singers: A Bibliography of Biographical Materials. (Music Reference Collection, Number 5) by Robert H. Cowden. S. 261–262
 IAML — IASA Conference 1987, 21—26 June Sweelinck Conservatorium, Amsterdam, The Netherlands. S. 262–263

No. 4
 Préface / Vorwort / Preface. S. 265
 James Siddons: Supplement for the Japan Section of the Directory of Music Research Libraries (RISM Series C, Vol. IV). S. 266–273
 Ken Nein: The Class of‚86 An Insider’s Report of the Graduating Class of Librarians in Public Music Libraries in West Germany. S. 274–275
 Marco Giuliani: Bibliografie dimenticate ed esemplari ritrovati. S. 275–280
 Joost van Gemert: The co-operative „Muziek Catalogus Nederland“. S. 280–284
 Jaap Gerritse: A profile of the Music Library of Rotterdam. S. 284–287
 Donald Thompson: The Music Collection of the Puerto Rico General Archive. S. 288–292
 Samuel F. Pogue: Information. S. 293–295
 Publications à Caractère Bibliographique. S. 295–297
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by François Lesure: Die Erstdrucke der Werke von Wolfgang Amadeus Mozart by Gertraut Haberkamp. S. 297
 Review by Gertraut Haberkamp: Der Briefwechsel mit dem Verlag Schott by Ludwig van Beethoven; S. Brandenburg; M. Staehelin; G. Brosche; L. Lockwood; M. Solomon; A. Tyson; M. Gutiérrez-Denhoff; D. Beck; G. Herre. S. 298–300
 Review by François Lesure: Dictionnaire des facteurs d’instruments de musique en Wallonie et à Bruxelles du 9e siècle à nos jours by Malou Haine; Nicolas Meeùs. S. 300

34. Jg. 1987

No. 1
 Préface / Vorwort / Preface. S. 1–2
 Maria Calderisi Bryce: From the President. S. 2–3
 Nanna Schiødt, Neil Ratliff: STOCKHOLM 1986: BUSINESS MATTERS. S. 4–15
 Professional Branches. 
 Anne Nenquin: BROADCASTING LIBRARIES BRANCH. S. 16
 William Y. Elias: MUSIC Information CENTRES. S. 16–18
 William Y. Elias: Margaret Jory – In Memoriam. S. 18
 Robert M. Jones: LIBRARIES IN MUSIC TEACHING INSTITUTIONS. S. 18–19
 Kirsten Maegaard: PUBLIC LIBRARIES BRANCH. S. 19
 Commissions. 
 Joachim Jaenecke: BIBLIOGRAPHISCHE KOMMISSION. S. 20
 Imogen Fellinger: Project Group on Music Periodicals. S. 21–22
 William Y. Elias: Project Group on Editing and Publishing Contemporary Music (EdPum). S. 22
 Lenore Coral: CATALOGUING COMMISSION. S. 22–23
 Lenore Coral: Project Group Classification. S. 23
 Alison Hall: Project Group on Authority Structure for Uniform Titles. S. 24
 Project Group ISBD(PM). S. 24
 Project Group ISBD(NBM). S. 24
 Joan Colquhoun: Project Group on UNIMARC. S. 24–25
 Marsha Berman: COMMISSION ON SERVICE AND TRAINING. S. 25
 Thomas F. Heck: Project Group on the Universal Availability of Publications. S. 25–26
 Susan M. Clegg: Project Group on Statistics. S. 26
 Nanna Schiødt, Ad Blokland: IAML Archive Committee. S. 27
 Wolfgang Krueger, Barry S. Brook, Nanna Schiødt, H. Robert Cohen, Marcello Conati, Kurt Dorfmüller: JOINT Commissions. S. 28–35
 Helen P Harrison, Lenore Coral: RELATED ORGANISATIONS. S. 36–41
 Sylvia Goldstein: The Availability of Performance Materials: the Music Publisher’s Viewpoint. S. 42–44
 Mary Kay Duggan: Teaching Online Reference for Music Librarians. S. 44–53
 Wolfgang Krueger: Online-bibliographieren in der zukünftigen musikbibliothekarischen Ausbildung in Deutschland. S. 53–61
 Garrett H. Bowles: The Future of Music Databases. S. 61–66
 Information. S. 67–68
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Thomas F. Heck: Opera composers and their works: A-D. (The Mellen opera reference index; v. 1.) by Charles H. Parsons. S. 69
 Review by Christian Meyer: Das Tenorlied. Mehrstimmige Lieder in deutschen Quellen 1450–1580. Harald Heckmann und Ilse Kindermann. Band 3: Register (Catalogus Musicus, XI.) by Norbert Böker-Heil; Harald Heckmann; Ilse Kindermann. S. 69–71
 Review by Martin Staehelin: The Beethoven Sketchbooks. History, Reconstruction, Inventory by Douglas Johnson; Alan Tyson; Robert Winter. S. 71–72
 Publications à Caractère Bibliographique. S. 73–75

No. 2/3
 Harald Heckmann: André Jurres — 75 Jahre alt. S. 77–78
 Editorial. S. 79–80
 Maria Calderisi Bryce: De la Présidente. S. 80–81
 Maria Calderisi Bryce: Von der Präsidentin. S. 81–82
 Maria Calderisi Bryce: From the President. S. 82
 Geraint J Philp: The Internationalisation of Music Bibliography. S. 83–86
 Joachim Jaenecke: Zum Problem der Leihmaterialien in Nationalbibliographien und Nationalbibliotheken. S. 87–89
 Henning Smidth: Music in the Danish National Bibliography. S. 90–93
 Øyvind Norheim: The Norwegian National Bibliography of Printed Music and its Relationship to the Legal Deposit Act. S. 94–96
 Stig Berg: The Swedish National Bibliography: Printed Music. S. 96–98
 Veslemöy Heintz: The Bibliography of Swedish Music History. S. 98–100
 Lennart Reimers: Music Publishing in Sweden. S. 100–108
 Inger Enquist: Musical Source Material: Documentation and Archival Work at the Swedish Music History Archive. S. 108–112
 Göran Grahn: Stiftelsen Musikkulturens främjande. S. 112–114
 Anders Edling: The Music Collections of the Uppsala University Library. S. 114–117
 Lise McKinnon: The Grieg Archives in the Bergen Public Library. S. 117–120
 Øyvind Norheim: Norwegian Music Periodicals in Past and Present. S. 121–124
 Eva-Brit Fanger: Catalogues of Music Periodicals in Denmark From Traditional Card Files to Electronic Data Processing. S. 124–126
 Maija Suhonen: Music Periodicals in Finland. S. 127–132
 Catherine Garland: PREMARC: Retrospective conversion at the Library of Congress. S. 132–138
 Krystyna Bielska: ISBD for Sound Recordings in Poland. S. 138–142
 Dorothy Freed: Availability of Choral and Orchestral Scores in New Zealand. S. 142–145
 Rønnaug Ryssdal: Music and the Public Library in Norway. S. 145–149
 Bente Honoré Kjeldsen: Public Music Libraries in Denmark. S. 150–153
 Veslemöy Heintz: Report from the meetings of the Project Group on Archives held during the IAML Conference in Stockholm. S. 154
 National Branches: United Kingdom Thirty-fourth Annual Report 1986. S. 155–157
 Information. S. 158
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Hazelle Miloradovitch: Viola d’amore Bibliographie by Heinz Berck. S. 159
 Review by Ruth Watanabe: A Guide to Research in Music Education by Roger P. Phelps. S. 159–162
 Review by Catherine Massip: Handschriftliche thematische Kataloge aus dem Benediktinerstift Melk. (Tabulae musicae austriacae; 10.) by Alexander Weinmann. S. 162
 Review by Catherine Massip: Die Musikhandschriften des Dominikanerinnen-Klosters Lienz im Tiroler Landesmuseum Ferdinandeum. Thematischer Katalog. (Beiträge zur Musikforschung in Tirol; 1.) by Hildegard Herrmann-Schneider. S. 162
 Review by François Lesure: Catalogue de la musique imprimée avant 1801 conservée dans les bibliothèques de Lyon, Grenoble et la région by Laurent Guillo. S. 162–163
 Publications à Caractère Bibliographique. S. 163–165

No. 4
 Brian Redfern: Editorial. S. 167–168
 Maria Calderisi Bryce: De la Présidente. S. 168
 Maria Calderisi Bryce: Von der Präsidentin. S. 169
 Maria Calderisi Bryce: From the President. S. 169–170
 Maria Calderisi Bryce: The Canadian Issue: An Introduction. S. 170–172
 Marjorie Hale: Canadian Association of Music Libraries/Association canadienne des Bibliothèques musicales. S. 172–173
 Helmut Kallmann: The Music Collection of the National Library of Canada. S. 174–184
 Isabel Rose: Music in Public Libraries in Canada. S. 184–187
 Nicole Boisclair: Les Centres de documentation des Conservatoires de musique du Québec. S. 187–193
 Carole Saulnier: Fonds et collections de musique traditionnelle conservés aux Archives de folklore de l’Université Laval. S. 194–197
 Bryan N. S. Gooch: A Shakespeare Music Catalogue: Approaching the Final Stage. S. 197–202
 Elaine Keillor, Mark Hand: 1986: The International Year of Canadian Music. S. 203–207
 Conrad Sabourin: Les Services de Musique de Radio-Canada. S. 208–210
 Gordon Richardson: The Music and Record Libraries of the Canadian Broadcasting Corporation. S. 211–216
 Karen Keiser, Mark Hand: The Canadian Music Centre: A History. S. 216–223
 Mireille Gagné: Le Centre de la Musique canadienne au Québec Une brève description. S. 223–226
 Lucien Poirier: La Presse québécoise comme source de documentation de la vie musicale au Québec dans le dernier tiers du XVIIIe siècle. S. 226–235
 Alison Hall: Music Libraries in Canadian Universities. S. 235
 Kirsten Walsh: A Brief History of the University of British Columbia Music Library. S. 236
 Rita Vine: The University of Calgary Music Library. S. 237–238
 Kathleen McMorrow: The Edward Johnson Music Library. S. 239–240
 Jane A. Pearce Baldwin, William G. Guthrie, Sr., Louise Smith: Special Collections at The Music Library of The University of Western Ontario. S. 240–242
 Claude Beaudry: La Bibliothèque de musique de l’Université Laval. S. 243–247
 Peter Higham: Musical Canadiana at Mount Allison University. S. 247–250
 Kathleen McMorrow: Music Periodicals in Canada. S. 250–254
 Joan Colquhoun: Bibliographic Control of Canadian Music Materials. S. 255–259
 Branch News New Zealand Branch. S. 260–262
 Information. S. 263–264
 Publications à Caractère Bibliographique. S. 265

35. Jg. 1988

No. 1
 Editorial. S. 1
 Maria Calderisi Bryce: From the President. S. 2
 Anders Lönn: The IAML Constitution revisited — a progress report. S. 3–6
 Lise McKinnon: Amsterdam Conference: Impressions of the Amsterdam Conference. S. 7–9
 Neil Ratliff, Don L. Roberts, Larry N. Yarbrough: Business Matters. S. 9–29
 Catherine Massip: Comité des Publications. S. 29–30
 Professional Branches. 
 Finn Kaisner: Broadcasting and Orchestra Libraries. S. 30
 Rogier Starreveld: International Association of Music Information Centres (IAMIC). S. 31
 Robert M. Jones: Libraries in Music Teaching Institutions. S. 32
 Kirsten Maegaard: Public Libraries. S. 32–33
 Commissions. 
 Joachim Jaenecke: Bibliographische Kommission. S. 33–35
 Imogen Fellinger: Project Group on Music Periodicals. S. 35–36
 Frits Zwart: Project Group on Archives. S. 36–37
 Lenore Coral: Cataloguing Commission. S. 37
 Ann Schuursma: Project Group on Classification and Indexing. S. 38
 Alison Hall: Project Group on Authority Structure for Uniform Titles. S. 38
 Heinz Lanzke: Project Group on ISBD (PM). S. 38
 Commission on Service and Training. S. 39
 Project Group on Universal Availability of Publications. S. 39
 Marsha Berman: Project Group on Statistics. S. 39
 Barry S. Brook, Nanna Schiødt, Harald Heckmann: Joint Commissions. S. 40–44
 Helen P. Harrison: Related Organisations: IASA Annual conference. S. 45–48
 Joachim Schlichte: Internationales Quellenlexikon der Musik Zentralredaktion Frankfurt/Main Arbeitsbericht 1987. S. 48–51
 Tony Reed: Universal Availability of Publications and Music. S. 52–61
 Marianne Horn: Computer-based music information in Danish libraries. S. 62–64
 Maria Nyéki: Le Développement des Collections des Vidéos Musicaux et des Disques dans les Bibliothèques. S. 65–70
 National Branches: Canadian Association of Music Libraries/Association canadienne des Bibliothèques musicales. S. 70
 Information. S. 71–72
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Marie-Noël Colette: Music in early Christian literature by James Mc Kinnon. S. 73
 Publications à Caractère bibliographique. S. 74–75

1988

No. 2
 Editorial. S. 77
 Maria Calderisi: From the President. S. 78
 Kazuyuki Tōyama: The Japanese Issue: An Introduction. S. 79–80
 Kōzō Hirao: The Descriptive Cataloguing of Music in Japan. S. 80–83
 Ichirō Nishimura, Hisao Kondō: On the Publication of Musical Scores and Phonograph Records in Japan: A Statistical Analysis. S. 83–88
 Takashi Ogawa, Setsuko Mori: The History of Musical Publications in Japan: Books on Western Music. S. 89–95
 Gen’ichi Tsuge: Discography and Filmography. S. 96–97
 Joaquim M. Benítez: Collected Editions and Music Series Published in Japan: A Comprehensive Listing. S. 97–115
 Shu-Ji Lin: Music Periodicals in Japan — A Comprehensive List. S. 116–128
 Yoshio Miyama: Recherche d’iconographie musicale au Japon. S. 128–129
 Kazuo Fukushima: Source Materials of Music in Japan. S. 129–134
 Carlo Marinelli, Egisto Macchi: Information. S. 135–138
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Jean-Bernard Condat: The Workshop of Bartók and Kodály by Ernö Lendvai. S. 139–140
 Joachim Jaenecke: Musikbibliographische Neuerscheinungen Nach Sachgruppen geordnet. S. 141–142
 IAML/AIBM/IVMB Directory 1987—1989. S. 143–145

1988

No. 3
 Editorial. S. 147–148
 Dan Fog: Hofmeister XIX: Zur chronologischen Musikbibliographie des 19. Jahrhunderts. S. 149–154
 Hans-Otto Korth: Die Edition der deutschen Kirchenlieder: Grundlagen der Darstellung. S. 155–158
 Bernard Huys: Les imprimeurs de musique à Bruxelles au XIXe siècle. S. 158–167
 Maija Suhonen: Bibliographies and Music in Finland. S. 167–171
 Dick van den Hul: Early music periodicals in the Netherlands. S. 171–174
 Isabel Freire de Andrade: Portuguese Music Periodicals. S. 174–179
 Bernard Huys: Belgian music periodicals; their national and international interest. S. 179–184
 David Buckle: Network-based interlibrary loan in the international environment: a report on the activities of OCLC Europe. S. 184–189
 Marilyn Bliss: Indexing policy at RILM — present perspectives and future prospects. S. 189–194
 Susan T. Sommer: Teaching collection development in context. S. 195–197
 Achim Rohde, Gabriele Huckwitz: Ten Years of the Phonoklub, Berlin (GDR). S. 197–198
 Inger Hagen, Christl L. Jørgensen: The Music Library of Lyngby, Denmark. S. 199–201
 National Branches: United Kingdom Thirty-fifth Annual Report 1987. S. 201–204
 Information. S. 205–207
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Thomas F. Heck: Periodica musicalia (1789 bis 1830). Im Auftrag des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz (Studien zur Musikgeschichte des 19. Jahrhunderts. Band 55) by Imogen Fellinger. S. 207–208
 Review by Ann P. Basart: Großes Sängerlexikon by Karl Josef Kutsch; Leo Riemans. S. 208
 Review by Ann P. Basart: The Dictionary of Composers and Their Music: A Listener’s Companion. 2d rev. ed. by Eric Gilder. S. 208–209
 Review by Ann P. Basart: Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley. (University of California Publications: Catalogs and Bibliographies, v.4) by John A. Emerson. S. 209
 Musikbibliographische Neuerscheinungen. S. 209–211

1988

No. 4
 Anders Lönn: Folke Lindberg (1911—1988). S. 213
 Editorial. S. 214
 Maria Calderisi: From the Pesident. S. 215
 Nazlin Bhimani: A History of Selected Manuscripts in the Royal Academy of Music Library. S. 216–224
 Anders Lönn: Thematic Catalogue Numbers in Music Uniform Titles: an International Comparison. S. 224–243
 Marie-Noëlle Chailley: Une proposition de Classification décimale pour les besoins des Bibliothèques Musicales de type Multimedia. S. 243–256
 Rudolf Walter: Das Musikalienverzeichnis der Breslauer Kathedrale aus dem Jahr 1761. S. 256–275
 Karl Kroeger: An Unknown Collection of Eighteenth-Century Instrumental Music. S. 275–281
 Roger Flury: Branch News Annual Report of the President, IAML (NZ Branch) for 1987/8. S. 281–282
 Information. S. 283–285
 Comptes-Rendus / Besprechungen / Reviews. 
 Review by Keith E. Mixter: Die Musikhandschriften aus dem Dom zu Unserer Lieben Frau in München: Thematischer Katalog. (Katalog Bayerischer Musiksammlungen, 8) by Helmut Hell; Monika Holl; Robert Machtold. S. 285–286
 Review by Robert L. Taylor: Gustav Mahler: a critical bibliography by Simon Michael Namenwirth. S. 286–287
 Review by Ann P. Basart: Anthologies of Music: An Annotated Index. (Detroit Studies in Music Bibliography, 55) by Sterling E. Murray. S. 287–288
 Review by Ann P. Basart: The Art Song: A Research and Information Guide. (Garland Reference Library of the Humanities, 673; Music Research and Information Guides, 6) by Douglass Seaton. S. 288–289
 Review by Ann P. Basart: The Music Educator’s Journal: Cumulative Index, 1914—1987, Including the Music Supervisors’ Bulletin and the Music Supervisors’ Journal by Arne Jon Arneson. S. 289
 Review by Ann P. Basart: Dictionary of Music Production and Engineering Terminology by Wayne Wadhams; Robin Coxe-Yeldham. S. 289–290
 Review by Ann P. Basart: Secular Choral Music in Print. 2d ed. (Music in Print Series, v. 2) by F. Mark Daugherty; Susan H. Simon. S. 290
 Review by Stephen C. Willis: Sunset on the St. Lawrence: a history of the Frederick Harris Music Co., Limited, 1904—1984 by Wayne Gilpin. S. 291
 Review by Robert Skelton: Guidelist of unpublished Canadian string orchestra music suitable for student performers by Patricia Martin Shand. S. 291–292

36. Jg. 1989

No. 1
 Editorial. S. 1
 William Pidduck, Elvidio Surian, Deta S. Davis: Letters to the Editor. S. 1–2
 Neil Ratliff: A Memorial to Thor E. Wood. S. 3–5
 Maria Calderisi: From the President. S. 6
 Veslemöy Heintz: Tokyo Conference: Business Matters: Council meetings, 4 and 8 September 1988, in Tokyo, Japan. S. 7–10
 Don L. Roberts: 1987 Treasurer’s Report. S. 11
 Don L. Roberts, Eric Hartman: Bilanz/Accounting 1987. S. 12–13
 Budget 1986—1988. S. 14
 Professional Branches. 
 Helen Faulkner: Broadcasting and Orchestra Libraries. S. 15
 Heikki Poroila: Public Libraries. S. 15–16
 Commissions. 
 Joachim Jaenecke: Bibliographische Kommission. S. 16–17
 Imogen Fellinger: Project Group on Music Periodicals. S. 17–18
 Mary Kay Duggan, Neil Ratliff: Project Group on Hofmeister XIX. S. 18
 Lenore Coral: Cataloguing Commission. S. 19
 Louise Spear: Project Group on Classification and Indexing. S. 19–20
 Alison Hall: Project Group for Authority Structure in Uniform Titles. S. 20
 Heinz Lanzke: Project Group on ISBD (PM). S. 20
 Barry S. Brook, Harald Heckmann, H. Robert Cohen: Joint Commissions. S. 21–24
 Joachim Schlichte: Internationales Quellenlexikon der Musik Zentralredaktion Frankfurt/Main Arbeitsbericht 1988. S. 25–31
 Thomas F. Heck, Reiko Yoshimura: Japanese Musical Term Retrieval in „RILM“ on-line: A Status Report and Comparison to „The Music Index“ and „Zeitschriftendienst Musik“. S. 31–37
 Hiroko Kishimoto: Music Periodicals in Japan — A Comprehensive List: Additional Corrections and Alphabetical Title Index. S. 38–43
 Setsuko Mori: A Historical Survey of Music Periodicals in Japan: 1881—1920. S. 44–50
 Tomoko Sumikawa: Music and Bibliographies in Japan. S. 50–55
 Lenore Coral: The ISBD (NBM) Revision: An Historical Review. S. 55–57
 Information. S. 58–60
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Suzanne A. Fisher: Symphony Orchestras of the World: Selected Profiles by Robert R. Craven. S. 61–62
 Review by Keith E. Mixter: Music: a Guide to the Reference Literature. (Reference Sources in the Humanities Series) by William S. Brockman. S. 62–63
 Review by Ann P. Basart: The Literature of American Music in Books and Folk Music Collections: a Fully Annotated Bibliography. Supplement I by David Horn; Richard Jackson. S. 63–64
 Review by Jeanette M. Drone, Mark A. Crook: Directory of computer assisted research in musicology 1987 by Walter B. Hewlett; Eleanor Selfridge-Field. S. 64
 Review by Ann P. Basart: Computer Music Association Source Book: Activities and Resources in Computer Music by Craig R. Harris; Stephen T. Pope; Computer Applications in Music: A Bibliography. (The Computer Music and Digital Audio Series, 4) by Deta S. Davis. S. 65–66
 Review by Marie-Noël Colette: Alleluia-Melodien II, ab 1100. (Monumenta monodica medii aevi, Bd. VIII) by Karlheinz Schlager. S. 66–67
 Geraldine Ostrove, Robert J. Palian: Recent Publications in Music. S. 68–75

No. 2
 Editorial. S. 77
 Maria Calderisi: From the President. S. 78
 Joachim Jaenecke: 25 Jahre Bibliographische Kommission. S. 79–84
 Mary Kay Duggan: CD-ROM, Music Libraries, Present and Future. S. 84–89
 Wolfgang Krueger: Optical mass storage development and its effects on the training of music librarians. S. 89–95
 Hitoshi Matsushita: The Role of the Music Library Association of Japan in the Education of Music Librarians. S. 95–102
 Richard A. McGowan: The Venetian Printer Giuseppe Sala: New Information Based Upon Archival Documents. S. 102–108
 Willem Elders: Le problème de l’authenticité chez Josquin et les éditions de Petrucci: Une investigation préliminaire. S. 108–115
 Laurent Guillo: Notes sur la Librairie musicale à Lyon et à Genève au XVIIe Siècle. S. 116–135
 Anna Maria Trivisonno: Observations on the Cataloguing of the Basevi Collection. S. 135–136
 Further Reports from the 1988 Conferences in Tokyo, Stockholm & Vienna. 
 Professional Branches. 
 Heikki Poroila: Public Libraries: Public Music Libraries in Japan — Facts and Figures. S. 136–139
 Dominique Assaf: Bibliothèques de Recherche. S. 139–140
 Rogier Starreveld: International Association of Music Information Centres (IAMIC). S. 140–141
 Commissions. 
 David A. Day: Bibliography Commission. S. 141–143
 Marsha Berman: Commission on Service and Training. S. 143
 Sue Clegg: Project Group on Statistics. S. 143
 Thomas Heck: Project Group on Universal Availability of Publications (UAP). S. 143
 Joint Commissions. 
 Barry S. Brook: RIdIM: Report no. 18. S. 144–145
 Related Organisations. 
 Jean-Claude Hayoz: IASA Annual Conference Vienna 1988. S. 146–147
 Wolfgang Krueger: National Branches. S. 148–151
 Information. S. 152–153
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Ann P. Basart: The Schirmer Guide to Schools of Music and Conservatories Throughout the World by Nancy Uscher. S. 154
 Review by Georgia Peeples: Women and Music in Cross-Cultural Perspective. (Contributions in Women’s Studies, Number 79) by Ellen Koskoff. S. 154–155
 Review by Burdette L. Green: A classic turn of phrase: music and the psychology of convention. (Studies in the criticism and theory of music) by Robert O. Gjerdingen. S. 155–156
 Review by H. Stephen Wright: Unheard melodies: narrative film music by Claudia Gorbman. S. 156–157
 Review by Susan L. Porter: Early American choral music: an annotated guide. (Fallen Leaf reference books in music, no. 10) by David P. DeVenney. S. 157
 Review by Nancy L. England: Elinor Remick Warren. (Composers of North America, No. 5) by Virginia Bortin. S. 158
 Review by Ann P. Basart: Percussion: An Annotated Bibliography, with Special Emphasis on Contemporary Notation and Performance by Dieter Bajzek. S. 158–159
 Geraldine Ostrove: Recent Publications in Music. S. 159–160
 IAML/AIBM/IVMB Directory 1987—1989 (Revised). S. 161–163

No. 3
 Dein Wolfgang Rehm: Harald Heckmann zum 65. Geburtstag am 6. Dezember 1989. S. 165
 Editorial. S. 166
 Leslie R. Morris: Letter to the Editor. S. 166–167
 Chris Clark: Special Editorial to Jazz Number. S. 168–177
 Vincent Pelote: The Institute of Jazz Studies. S. 177–181
 Chris Clark, John Edward Hasse: Ellington at The Smithsonian and Jazz Masterworks Editions. S. 181–183
 Graham Langley: The British Institute of Jazz Studies. S. 183–185
 Chris Clark: Jazz Oral History at The British Library National Sound Archive. S. 185–194
 Digby Fairweather: The founding of the National Jazz Foundation Archive. S. 194–197
 François Morey: Le Jazz dans les collections de la Discothèque des Halles. S. 197–201
 Ross Laird: Sources & Resources for Research into Australian Jazz. S. 201–204
 Erik Raben: Jazz Records 1942–80 — a jazz discography. S. 204–207
 Bruce Bastin: Harlequin: reissuing historical jazz from outside America. S. 208–211
 Michael Cuscuna, Charlie Lourie: Mosaic Records. S. 211–215
 Chris Parker: Quartet Jazz: a view of the jazz book publishing market. S. 215–219
 Pino Candini: Musica Jazz: the Italian jazz magazine which is also a record. S. 219–220
 Charles Alexander: Instructing the Improviser. S. 220–223
 Elisabeth Kolleritsch: Ein neuer Zweig der Musikwissenschaft, des praktischen Musikstudiums und der Musikpädagogik: Das Institut für Jazzforschung und die Abteilung für Jazz an der Hochschule für Musik und darstellende Kunst in Graz. S. 223–227
 Addresses of Contributing Organisations and other Archives Mentioned. S. 227–228
 Mireille Geering, Heikki Poroila, Mary V. O’Mara, Ad Blokland, Dorothy Freed: National Branches. S. 229–235
 Information. S. 236–238
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Daniel Zager: Music reference and research materials: an annotated bibliography by Vincent H. Duckles; Michael A. Keller. S. 239–240
 Review by Thomas F. Heck: tributes from friends. (Detroit Studies in Music Bibliography, 58.) by Richard S. Hill; Carol June Bradley; James B. Coover; Musiques — signes — images. Liber amicorum François Lesure by Joël-Marie Fauquet. S. 240–242
 Review by Ann P. Basart: Music and dance periodicals: an international directory & guidebook by Doris Robinson. S. 242–243
 Review by Gregory Proctor: Music Analysis in Theory and Practice by Jonathan Dunsby; Arnold Whittall. S. 243–244
 Review by Timothy Carobine: Stephen Collins Foster: a guide to research. (Garland composer resource manuals, 10). (Garland reference library of the humanities, 782) by Calvin Elliker. S. 244–246
 Review by Jay Weitz: David Diamond: a bio-bibliography by Victoria J. Kimberling. S. 246–247
 Review by Markus Müller-Benedict: Musikliteratur im Überblick: eine Anleitung zum Nachschlagen by Kurt Oehl; Kristina Pfarr. S. 247–248

No. 4
 Maria Calderisi: From the President. S. 249
 Editorial. S. 249–250
 Richard Luce: From the RT Hon Richard Luce MP, Minister of State, Privy Council Office and Minister for the Arts. S. 251
 Percy M. Young: Music in English Cathedral Libraries. S. 252–261
 Angela Escott: Music College Libraries in the United Kingdom. S. 261–267
 Malcolm Lewis: Music Services in Public Libraries in the United Kingdom. S. 267–277
 John Wagstaff: UK academic music libraries: a need for change?. S. 277–280
 Helen Faulkner: The Music Library of the BBC: its maturity and future. S. 280–285
 David Horn: The Institute of Popular Music at the University of Liverpool. S. 286–290
 Hugh Cobbe: Ordeal by Fire — Music libraries and public policy in the United Kingdom since 1979. S. 291–294
 Alan Pope: An International Standard Music Number: A Proposal. S. 295–297
 Malcolm Turner: Waving or drowning? — the growth of the music catalogues in the British Library. S. 297–304
 Rudolf Walter: Das Musikalien-Inventar der Breslauer Kathedrale aus den Jahren 1824/25. S. 304–328
 Information. S. 329–330
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Peter Ward Jones: Répertoire international de la presse musicale. A retrospective index series. S. 331–332
 Review by Jon Solomon: Ancient Greek Music Theory: A Catalogue Raisonné of Manuscripts. (Repertoire international des sources musicales, sér. B, XI) by Thomas J. Mathiesen. S. 332–333
 Review by Lenore Coral: Antiquarian catalogues of musical interest by James Coover; Private libraries of musicians and musicologists: a bibliography of catalogs. (Auction catalogues of music, 7) by Siegrun H. Folter. S. 333–334
 Review by Keith E. Mixter: Late Renaissance music at the Habsburg Court: polyphonic settings of the Mass ordinary at the Court of Rudolf II (1576—1612). (Musicology series, 4) by Carmelo Peter Comberiati. S. 334–335
 Review by Jay Weitz: A Descriptive bibliography of art music by Israeli composers. (Detroit studies in music bibliography, no. 62) by Alice Tischler. S. 335–337
 Review by Karl Kroeger: The music of Henry Cowell: a descriptive catalog. (I. S. A. M. monographs, 23) by William Lichtenwanger. S. 337–338
 Review by François Morey: Ellingtonia: the Recorded Music of Duke Ellington and His Sidemen. Third edition. (Studies in jazz, 7) by W. E. Timner. S. 338–340
 Review by H. Stephen Wright: Film, television and stage music on phonograph records: a discography by Steve Harris. S. 340–341

37. Jg. 1990

No. 1
 Editorial. S. 1
 Catherine Massip: From the President. S. 2
 Veslemöy Heintz: Oxford Conference: Business Matters: Council meetings, 27 August and 1 September 1989 in Oxford, England. S. 3–7
 Veslemöy Heintz: The General Assembly, 31 August 1989. S. 7–11
 Don L. Roberts: 1988 Treasurer’s Report. S. 11–12
 Don L. Roberts, Catherine Helm: Bilanz/Accounting 1988. S. 13–14
 Budget 1986—1988. S. 15
 Don L. Roberts: Budget 1989—1991. S. 16
 Professional Branches. 
 Agostina Zecca Laterza: Libraries in Music Teaching Institutions. S. 17
 Dominique Hausfater: Research Libraries. S. 17–18
 Ken Nein: Public Libraries. S. 18
 Commissions. 
 David A. Day: Archives Commission (Formerly Project Group on Archives). S. 18–20
 Joachim Jaenecke: Bibliographische Kommission. S. 20–21
 Imogen Fellinger: Project Group on Music Periodicals. S. 21–22
 Lenore Coral: Cataloguing Commission. S. 23
 Ann Schuursma: Project Group on Classification and Indexing. S. 23–24
 Alison Hall: Project Group on Authority Structure for Uniform Titles. S. 24
 Marsha Berman: Service and Training. S. 24
 Thomas Heck: Project Group on UAP-Music. S. 24
 Melva Peterson: Project Group on Statistics. S. 25
 Barry S. Brook, Terence Ford, Helmut Rösing, H. Robert Cohen: Joint Commissions. S. 25–32
 Maria Calderisi, Lenore Coral: Related Organisations: IFLA-55th International Congress — 18—25 August 1989. S. 33–34
 Joachim Schlichte: Der automatische Vergleich von 83.243 Musikincipits aus der RISM-Datenbank: Ergebnisse — Nutzen — Perspektiven. S. 35–46
 Ann Schuursma: Summary Report of Activities IAML Project Group on Classification & Indexing. S. 46–48
 Malcolm Turner, Hugh Cobbe: Jam tomorrow: the present and future state of the British Library’s automated music catalogues. S. 48–56
 Kirsten Voss-Eliasson, Mary V. O’Mara, Roger Flury, Malcolm Jones: National Branches. S. 57–63
 Information. S. 64
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Lilian P. Pruett: Die Musikhandschriften Herzog Wilhelms in Bayern, der Grafen zu Toerring-Jettenbach und der Fürsten Fugger von Babenhausen. (Kataloge bayerischer Musiksammlungen, 13) by Gertraut Haberkamp; Barbara Zaber; Bischöfliche Zentralbibliothek Regensburg: Thematischer Katalog der Musikhandschriften — 1: Sammlung Proske. (Kataloge bayerischer Musiksammlungen, 14/1) by Gertraut Haberkamp. S. 65–66
 Review by Paul Taylor: Max Reger: a bio-bibliography. (Bio-bibliographies in music, 7) by William E. Grim. S. 66–67
 Review by Philip Russom: La estética musical de Ravel. (Colección ópera omnia, 11) by Mariano Pérez Gutiérrez. S. 67–68
 Review by Eleanor Selfridge-Field: Cori spezzati. Vol. 1: The development of sacred polychoral music to the time of Schütz. Vol. 2: An anthology of sacred polychoral music by Anthony F. Carver. S. 69–70
 Review by Helen Brown: The time of music: new meanings, new temporalities, new listening strategies by Jonathan D. Kramer. S. 70–71
 Review by Linda Pohly: Periodical literature on American music, 1620—1920: a classified bibliography with annotations. (Bibliographies in American Music, 12) by Thomas E. Warner. S. 72–73
 Review by Suzanne A. Fisher: American art song and American poetry, Volume III: The century advances by Ruth C. Friedberg. S. 73–74
 Review by Paul Robinson: A bio-bibliography by Gunther Schuller; Norbert Carnovale. S. 74
 Geraldine Ostrove, Robert J. Palian: Recent Publications in Music. S. 75–85

No. 2
 Editorial. S. 87–88
 Catherine Massip: From the President. S. 88
 Constitution. 
 International Association of Music Libraries, Archives and Documentation Centres (IAML). S. 89–93
 Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux (AIBM). S. 94–98
 Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdomumentationszentren (IVMB). S. 99–104
 Rules of Procedure. 
 International Association of Music Libraries, Archives and Documentation Centres (IAML). S. 105–109
 Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux (AIBM). S. 110–114
 Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren (IVMB). S. 115–119
 Barry S. Brook: Joint Commissions. S. 120–121
 Bryan N. S. Gooch: A Shakespearean Music Catalogue: The Path and the Progress. S. 121–124
 Lucas van Dijck: Music Bibliography in the Netherlands. S. 125–128
 Karl Kroeger: Research Centers in American Music: A Little-Used Informational Resource. S. 129–138
 Alison Hall, Gail J. Sonnemann: Establishing an Instructional Program for Music Users of Online Catalogs: Concepts, Options and Priorities. S. 138–149
 Marilyn Bliss: From Neoclassicism to Nepal: the Making of RILM’s Third Cumulative Index. S. 149–164
 Marie-France Plassard: Interlending within the EC — Problems and Perspectives. S. 164–171
 Roger Flury: Music in Public Libraries in New Zealand and the Sound and Music Centre. S. 172–176
 Irati Antonio: The „Bibliografia da Música Brasileira“ Project. S. 177–179
 Ercilia Morena Chá, Ercilia Moreno Chá: Research Centers and Sound Archives of Traditional Music in Latin America. S. 179–191
 Ad Blokland, Heikki Poroila, Hans-Martin Pleßke, Debra Begg, Malcolm Jones: National Branches. S. 192–196
 Information. S. 197–198
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Lenore Coral: Dictionnaire des éditeurs de musique français. Volume II: De 1820 à 1914 (Archives de l’édition musicale française, IV/2) by Anik Devriès; François Lesure. S. 199–200
 Review by Kerala J. Snyder: Dietrich Buxtehude (1637—1707): Bibliographie zu seinem Leben und Werk/Bibliography of his life and work. 2d ed. by Hermann Wettstein. S. 200–201
 Review by Hans Lenneberg: Antonio Gardano, Venetian music printer 1538—1569. A descriptive bibliography and historical study. Volume I, 1538—1549 by Mary S. Lewis. S. 201–202
 Review by Thomas F. Heck: Le fonti musicali in Italia: studi e ricerche. Anno I; Biblioteca Nazionale Universitaria di Torino, I: Raccolta Mauro Foà — Raccolta Renzo Giordano (Cataloghi di fondi musicali italiani, 7) by Isabella Fragalà Data; Annarita Colturato; Alberto Basso. S. 202–204
 Review by H. Stephen Wright: Music for silent films, 1894—1929: a guide by Gillian B. Anderson. S. 204–205
 Review by Donald Hixon: Music at auction: Puttick and Simpson (of London), 1794—1971. (Detroit studies in music bibliography, 60) by James Coover. S. 205–207
 Review by Karl Kroeger: Benny Goodman: listen to his legacy. (Studies in Jazz, 6) by D. Russell Connor. S. 207–208

No. 3
 Editorial. S. 209
 Alec Hyatt King, Richard Turbet: Letters to the Editor. S. 209–210
 François Lesure: Préface au Numéro spécial français. S. 210–211
 Michel Sineux: LES BIBLIOTHÈQUES PUBLIQUES: La Musique dans les bibliothèques de lecture publique de la Ville de Paris. S. 212–218
 Maria Nyeki: Les Documents musicaux au Centre Georges Pompidou. S. 218–220
 Anne Volkoff: Les Documents Sonores à la BPI. S. 220–222
 Raymond Quere: Musique en Salle d’Actualité. S. 222–223
 Marie-France Ego: Salle d’Actualité Jeunesse. S. 223
 Joël-Marie Fauquet: Les Bibliothèques de l’IRCAM et du CID. S. 223–224
 Miriam Chimènes, Myriam Chimènes: Le Centre de Documentation Claude Debussy. S. 224–225
 Laurence Languin: Colombes: De la Discothèque de Prêt au Département Musique de la Bibliothèque municipale. S. 226–228
 Philippe Russell: Bibliothèque publique et vie musicale l’exemple de Mulhouse. S. 229–231
 Dominique Hausfater: LES BIBLIOTHÈQUES DE RECHERCHE: Les Archives musicales en France. S. 231–235
 Josette Millet-Alviset: Patrimoine Musical de Vichy. S. 236–238
 Marie-Gabrielle Soret: La Bibliothèque musicale Gustav Mahler. S. 239–242
 Monique Garrigues: Le Musée Kwok On. S. 242–244
 Gilles Vachia: LES BIBLIOTHÈQUES DE CONSERVATOIRES ET ÉTABLISSEMENTS D’ENSEIGNEMENT: Les Bibliothèques des Conservatoires et Écoles de Musique: les résultats d’une enquête. S. 245–248
 Nathalie Cousin, Mme Tristant, F. Ramonet, L. Lockner, C. Robillard, G. Dussaussois, M. Rosaz, M. Popin, N. Cousin, M. Ancelin, M. Gallais, Mme Bassédas, M. Tissot, D. Simon, D. Agniel, D. Prévôt, M. B. Ravenel, A. Trancard, J.-L. Béaud, C. Roux, J. Mas, M Boucher, Mme Dupont, M. Thérenty: La Musique dans les Bibliothèques d’Université: bilan d’une enquête. S. 248–261
 Elisabeth Giuliani: La Médiathèque du Conservatoire national supérieur de musique de Paris. S. 262–266
 Marie-France Calas: LES ARCHIVES SONORES EN FRANCE: La Phonothèque nationale. S. 266–272
 Information. S. 273–275
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Michael A. Keller: The Italian madrigal and related repertories: indexes to printed collections, 1500—1600 by Harry B. Lincoln. S. 276–277
 Review by Richard Andrewes: A catalogue of 18th-century symphonies. Volume I, thematic identifier by Jan La Rue. S. 277–278
 Review by Barry J. Zaslow, Barry J. Zazslow: Subject guide to classical instrumental music by Jennifer Goodenberger. S. 278–280
 Review by Lorna Young: Choral music reviews index II, 1986—1988. (Garland reference library of the humanities, 962) by Avery T. Sharp. S. 280–281
 Review by Claire Brook: Writing about music: A guide to publishing opportunities for authors and reviewers. (Fallen Leaf Reference Books in Music) by Ann P. Basart. S. 281–282
 Review by Stephen K. Long: From Sibelius to Sallinen: Finnish nationalism and the music of Finland. (Contributions to the study of music and dance, 16) by Lisa de Gorog. S. 282–283

No. 4
 Editorial. S. 285
 Important Notice. S. 285–286
 Anders Lönn: ISMN — a standard in the making. S. 286–287
 Lewis Reece Baratz: A Belgian Fonds and Secondary Source Materials. S. 288–290
 Anne Swartz: Chopin Holdings in the M. E. Saltykov-Shchedrin State Public Library, Leningrad. S. 291–295
 Martin Thacker: Single Composer Collections: Libraries, Archives or Documentation Centres?. S. 296–298
 Richard Turbet: A Byrd Miscellany. S. 299–302
 Martin Elste: Auf dem Weg zu einem Répertoire International des Sources Sonores Musicales?. S. 302–307
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Margaret Downie Banks: Stringed instruments of ancient Greece by Martha Maas; Jane McIntosh Snyder. S. 308–309
 Review by Jeannie Pool: The musical woman an international perspective. Volume II 1984—1985 by Judith Lang Zaimont; Catherine Overhauser; Jane Gottlieb. S. 309–310
 Review by Jeannie Pool: Women composers, conductors, and musicians of the twentieth century, Vol. III: Selected Biographies by Jane Weiner Le Page. S. 310–311
 Review by H. Stephen Wright: A history of orchestral conducting in theory and practice by Elliott W. Galkin. S. 311–312
 Review by Jane Edmister Penner: Between modes and keys: German theory 1592—1802. (Harmonologia series, 3) by Joel Lester. S. 313
 Review by Garrett H. Bowles: Music and the personal computer; an annotated bibliography. (Music Reference Collection, 22) by William J. Waters. S. 314–315
 Review by Alison Hall: Gänzl’s book of the musical theatre by Kurt Gänzl; Andrew Lamb. S. 315–316
 Review by Alison Hall: Bloomsbury dictionary of opera and operetta by James Anderson. S. 316–317

38. Jg. 1991

No. 1
 Editorial. S. 1–2
 Anthony Hodges: Letter to the Editor. S. 2
 Eric Cooper: E. T. Bryant. S. 3–4
 Boulogne Conference: Business Matters: Council meetings, 8 and 13 July 1990 in Boulogne, France. S. 5–9
 Don L. Roberts: 1989 Treasurer’s Report. S. 10
 Don L. Roberts, Catherine Helm: Bilanz/Accounting 1990. S. 11–12
 Budget 1989—1991. S. 13
 Lenore Coral: Publications Committee. S. 14
 Professional Branches. 
 Anne Nenquin: Broadcasting and Orchestra Libraries Branch: Report. S. 15
 Agostina Zecca Laterza: Libraries in Music Teaching Institutions. S. 15–16
 Maria Nyéki: Les Bibliothèques publiques. S. 16–17
 Commissions. 
 David Day: Archives Commission. S. 17–18
 Joachim Jaenecke: Bibliographische Kommission. S. 19–20
 Imogen Fellinger: Working Group on Music Periodicals. S. 20–21
 Lenore Coral: Cataloguing Commission. S. 21
 Mireille Geering: Arbeitsgruppe Uniform titles for anonymous music other than liturgical. S. 22
 Marsha Berman: Commission on Service and Training. S. 22–23
 Susan Clegg: Working Group on Statistics. S. 23
 Thomas F. Heck: Working Group on the Universal Availability of Publications (UAP-Music). S. 23
 Barry S. Brook, Nanna Schiødt, H. Robert Cohen, Marcello Conati: Joint Commissions. S. 24–31
 Chris Clark: POMPI: Popular Music Periodicals Index. S. 32–37
 Anne Randier-Glenisson: Maurice Schlesinger, éditeur de musique et fondateur de la „Gazette musicale de Paris“, 1834—1846. S. 37–48
 Mary Kay Duggan: Multimedia Databases for Public Service in Music Libraries. S. 49–55
 Mireille Geering, Timothy Carobine, Annalisa Bini: Issues in the Training of Music Cataloguers. S. 56–70
 Joachim Jaenecke, Roger Flury: National Branches. S. 71–73
 Information. S. 74–75
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Richard D. Burbank: Music cataloging: the bibliographic control of printed and recorded music in libraries by Richard P. Smiraglia. S. 76–77
 Review by Horst Leuchtmann: Thematic catalogue of the works of Carl Philipp Emanuel Bach by E. Eugene Helm. S. 78–79
 Review by Margarita Mazo: Biographical Dictionary of Russian/Soviet Composers by Allan Ho; Dmitry Feofanov. S. 79–81
 Review by Thomas Leibnitz: Concert life in Haydn’s Vienna: Aspects of a developing musical and social institution. (Sociology of Music, 7) by Mary Sue Morrow. S. 82
 Review by François Lesure, James R. Briscoe: Claude Debussy: a guide to research. (Garland Composer Resource Manuals, 27) by James R. Briscoe. S. 83–84
 Review by Edward R. Reilly, Susan M. Filler: Gustav and Alma Mahler: a guide to research. (Garland Composer Resource Manuals, 28) by Susan M. Filler. S. 84–86
 Review by Jan Kemp, Ian Kemp: Michael Tippett: a bio-bibliography. (Music reference collection, 21) by Gordon Theil. S. 86

No. 2
 Editorial. S. 89–90
 Blanka Červinková: Brief presentation of today’s state of the Czechoslovakian music libraries: Introduction to the problem. S. 90–91
 Pam Thompson: IAML International Conference, Boulogne, July 1990: a personal view. S. 91–93
 Dominique Hausfater: Bibliothèques de Recherche: Compte-rendu du Congrès de Boulogne-Billancourt. S. 93
 Dominique Hausfater: L’Inventaire du Patrimoine musical écrit en France. S. 94–96
 Eva Dobrzyński: Les Échanges internationaux: Département de la musique, Bibliothèque nationale, Paris. S. 97–101
 Colette Chabaud: Le Prêt inter-bibliothèque pour la musique. S. 101–104
 Dorothea Baumann: Performance Practice and architectural acoustics: bibliographic sources in related disciplines. S. 104–110
 Susana Friedmann: The Special Situation Regarding Music Periodicals in Colombia. S. 110–117
 Klaus Henning Oelmann: Griegiana in Bergen (Norwegen). S. 117–122
 Christian Meyer: Un inventaire des livres et des instruments de musique de la chapelle des Comtes de Montbéliard (1555). S. 122–129
 Jennifer M. Pickering: Printing, Publishing and the Migration of Sources: The Case of Carl Stamitz. S. 130–138
 Ellen Roeser, Hans-Martin Pleßke: National Branches: Deutsche Demokratische Republik Beschluß. S. 138
 Gerald Seaman: Information. S. 139–141
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Thomas Leibnitz: Nachschlagewerke im Fachgebiet Musik. (Lehrbriefe Musik: Begleitmaterialien zur musikbibliothekarischen Ausbildung der Fachhochschule für Bibliothekswesen, Stuttgart, Bd. 3, Teil 6) by Markus Müller-Benedict; Wo finde ich Informationen über Musik, Noten, Tonträger, Musikliteratur. Bd. 1. Musikdokumente und Musiksammlungen — Musiklexika — Musikgeschichte — Musikleben. (Orientierungshilfen, 22) by Heinz Lanzke. S. 142–143
 Review by Jay Weitz: Hebrew notated manuscript sources up to circa 1840: a descriptive and thematic catalogue with a checklist of printed sources. (Répertoire international des sources musicales, B IX, 1) by Israel Adler; Lea Shalem. S. 144–145
 Review by John Druesedow: Modern music librarianship: essays in honor of Ruth Watanabe. (Festschrift series, 8) by Alfred Mann; American music librarianship: a biographical and historical survey by Carol June Bradley. S. 146–147
 Review by Cynthia J. Cyprus, Cynthia J. Cyrus: Performance practice, medieval to contemporary: a bibliographic guide. (Music research and information guides, 9) by Roland Jackson. S. 147–148
 Review by Karl Kroeger: Early American music: a research and information guide. (Music Research and Information Guides, 13) by James R. Heintze. S. 148–149
 Review by Kendall L. Krilly, Kendall L. Crilly: William Mason (1829—1908): an annotated bibliography and catalog of works. (Bibliographies in American music, 13) by Kenneth Graber; Horatio Parker, 1863—1919: his life, music and ideas. (Composers of North America, 6) by William K. Kearns. S. 149–151
 Review by Carl Rahkonen: Historische Musikinstrumente der Staatlichen Reka-Sammlung am Bezirksmuseum Viadrina, Frankfurt (Oder): Katalog. 1. Aufl. by Herbert Heyde; [Musica]: Les instruments de musique dans les collections belges/Musical instruments in Belgian collections/Muziek-instrumenten in Belgische verzamelingen by Malou Haine. S. 151–152
 AIBM/IVMB/IAML Directory 1991. S. 153–155

No. 3
 Editorial. S. 157
 Martin Thacker: Letter to the Editor. S. 157
 Ken Nein: Looking forward. S. 158–159
 ELECTION RESULTS — ELECTION RESULTS — ELECTION RESULTS. S. 159–160
 Júlia Gócza: Hungary’s Pethes Heritage in Music Librarianship. S. 161–163
 Judit Skaliczki: Coming of age in the land of Bartók and Kodály The development of music departments in large public libraries in Hungary, 1978—1988. S. 163–171
 Bettina Schnitzler: The German „Wende': Before, during and after the „turn of events“ in the former German Democratic Republic. A personal report from a music librarian’s point of view. S. 171–176
 Marianne Horn, Kirsten Voss: SuperMax and Knogo: On the doorstep to a fully automated integrated library system in the music department at Herlev Public Library, Denmark. S. 176–181
 Heikki Poroila: No Fees, Please!. S. 181–184
 Turid Martinsen: „Gi kassettene til meg!” Politicians stop CD and music loans free-of-charge. S. 184–188
 Liz Hart: You don’t know what you’ve got till it’s gone: The UK Branch’s response to reductions in music library services. S. 188–191
 Ken Nein: The Public Libraries Address Network — a P. L. A. N. for a IAML Handbook. S. 191–237
 A few last notes.... S. 238–239
 Information. S. 240–241
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Edward A. Riedinger: Bibliografia da música brasileira, 1977—1984 by Irati Antonio; Heloísa Helena Bauab; Rita de Cássia Rodrigues. S. 242–243
 Review by Rob van der Bliek: The traditional music of Britain and Ireland: a research and information guide. (Music research and information guides, 11) by James Porter. S. 243–244
 Review by Jay Weitz: Orbis musicae: Studies in musicology; Jewish musicians at the court of the Mantuan Dukes (1542—1628). (Documentation & studies, 1) by Eduard Birnbaum; Judith Cohen; The Ashkenazi tradition of biblical chant between 1500 and 1900: Documentation and musical analysis. English ed (Documentation & studies, 2) by Hanoch Avenary; The Epistle on music of the Ikhwān al-Sāfā (Bagdad [sic], 10th century). (Documentation & studies, 3) by Amnon Shiloah; Encounters of East and West in music: Selected writings by Hanoch Avenary; Migrations and mutations of the music in East and West: Selected writings by Edith Gerson-Kiwi; Il Secondo libro de madrigali a cinque voci di Salamon Rossi Hebreo. (Vocal works by Salamon Rossi, ed. by Hanoch Avenary, 2) by Salamon Rossi. S. 244–245
 Review by Cindy Bylander: Polish music; a research and information guide. (Music research and information guides, 12) by William Smialek. S. 246–247
 Review by Horst Leuchtmann: A nineteenth-century musical chronicle: events, 1800—1899. (Music reference collection, 21) by Charles J. Hall. S. 247–248
 Review by William McClellan: Contemplating music: source readings in the aesthetics of music. Volume II: Import. (Aesthetics in music, no. 5) by Ruth Katz; Carl Dahlhaus. S. 248–249
 Review by Jim Farrington: Classical music discographies, 1976—1988: a bibliography. (Discographies, 34) by Michael Gray. S. 250
 Geraldine Ostrove, Robert J. Palian: Recent Publications in Music: Prepared for the IAML conference in Boulogne-Billancourt July 8—13, 1990. S. 251–273

No. 4
 Editorial. S. 275
 Julius Hůlek: Introduction to Czechoslovakian Special Number. S. 276–278
 Blanka Červinková: The Bedřich Smetana Library The Prague City Library music department in the year of the 100th anniversary of the establishment of public libraries in Prague. S. 278–282
 Jana Jiraková: The Programme and Archive Collections of Czechoslovak Radio in Prague. S. 282–287
 Emese Duka-Zólyomiová: Music Librarianship in Slovakia. S. 287–292
 Emanuel Muntág: The Archive of Music Manuscripts of Matica Slovenská. S. 293–295
 Silvia Gonščáková: The Libraries of the Music Schools in Slovakia. S. 296–301
 Petra Heerenová: Music Librarianship in Southern Moravia. S. 301–303
 Milan Vokroj: Hits or Fugues? Two trends in musical education in the audio libraries of Czechoslovak public libraries. S. 303–305
 Nina Všetečková: The Music Information Centre of the Czech Music Fund (Czech MIC). S. 305–308
 Viera Polakovičová: The Music Information Centre of the Slovak Music Fund (Slovak MIC): The History of the Slovak Music Fund and its Financial Resources. S. 308–311
 Anthony M. Cummings: Gian Maria Giudeo, Sonatore del Liuto, and the Medici. S. 312–318
 Maurizio Tarrini: Une nouvelle source pour l’histoire de l’orgue et de la musique sacrée en Italie au XIXème siècle: Les Archives et la Bibliothèque de Pier Costantino Remondini à Gênes. S. 319–323
 Kirsten Voss-Eliasson, János Kárpáti, Mariangela Donà, Harie Jannssen, Liesbeth Hodemaek, Ad Blokland, Gerald Seaman, Inger Johanne Christiansen, Mireille Geering, Barbara Padjasek: National Branches. S. 324–333
 Information. S. 334–335
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Dorothy Freed: British union catalogue of orchestral sets. 2d ed. by Tony Reed. S. 336–337
 Review by Thomas F. Heck: La vita musicale europea del 1800: archivio musicale genovese by Leopoldo Gamberini. S. 337–338
 Review by Cynthia J. Cyrus: Music theory and its sources: Antiquity and the Middle Ages. (Notre Dame conferences in medieval studies, 1) by André Barbera. S. 339–340
 Review by Burdette L. Green: Music theory from Zarlino to Schenker: a bibliography and guide. (Harmonologia series, 4) by David Damschroder; David Russell Williams. S. 340–341
 Review by Marc Crozet: The Orphée data-base of guitar records by Jacques Chaîné; Matanya Ophee. S. 341–342
 Review by Rob van der Bliek: Selected musical terms of non-western cultures: a notebook-glossary. (Detroit studies in music bibliography, 65) by Walter Kaufmann. S. 342–343

39. Jg. 1992

No. 1
 Marie Svobodová: Vladimir Fédorov. S. 1–2
 Maria Nyéki: Editorial. S. 3–4
 Veslemöy Heintz: Prague Conference: Business Matters: Council meetings, 11 and 16 August 1991 in Prague. S. 5–14
 Don L. Roberts: 1990 Treasurer’s Report. S. 14
 Don L. Roberts: Bilanz/Accounting 1990. S. 15–16
 Budget 1989 —1991. S. 17
 Anders Lönn: ISMN DISpatched. S. 18–22
 Lenore Coral: Publications Committee. S. 22
 Professional Branches. 
 Helen Faulkner: Broadcasting and Orchestra Libraries. S. 23
 Heikki Poroila: Public Libraries. S. 23–24
 Dominique Hausfater: Bibliothèques de recherche. S. 24–28
 Subject Commissions & Working Groups. 
 David A. Day: Archives Commission. S. 28–29
 David A. Day: Working Group on the AMC Format. S. 29–30
 John H. Roberts: Bibliography Commission. S. 30–31
 Imogen Fellinger: Working Group on Music Periodicals. S. 31–33
 Anders Lönn: Cataloguing Commission. S. 33–34
 Mireille Geering: Arbeitsgruppe Uniform Titles for Anonymous Music Other Than Liturgical. S. 34–35
 Wolfgang Krueger: Sachkommission für Dienstleistung und Ausbildung. S. 35–36
 H. Robert Cohen, Marcello Conati: Joint Commission. S. 36–38
 Vladimír Čížik: Slowakische Musikzeitschriften. S. 39–43
 Jerzy Wilgocki: Polnische musikwissenschaftliche Zeitschriften aus der Perspektive von 80 Jahren (1911—1991). S. 43–50
 Włodzimierz Pigła: Die Warschauer Musikzeitschriften (1850—1914). S. 50–56
 Joachim Jaenecke: Die Staatsbibliotheken in Berlin und ihre Musikabteilungen. S. 56–61
 Mireille Geering, Jaromír Paclt: Eine musikalische Theaterbibliothek „auf der Reise nach Prag“. S. 61–70
 Information. S. 71
 Comtes-Rendus/Besprechungen/Reviews. 
 Review by Horst Leuchtmann: Johannes Brahms: an annotated bibliography of the literature through 1982 by Thomas Quigley; Margit L. McCorkle. S. 72–74
 Review by Robert Kosovsky: Piano information guide: an aid to research. (Music research and information guides, 10) (Garland reference library of the humanities, 806) by Robert Palmieri. S. 74–75
 Review by Ross Wood: A catalogue of French harpsichord music: 1699—1780 by Bruce Gustafson; David Fuller. S. 75–76
 Review by Massimo Gentili-Tedeschi: Alessandro Stradella (1639—1682): a thematic catalogue of his compositions. (Thematic catalogue series, 16) by Carolyn Gianturco; Eleanor McCrickard. S. 76–77
 Review by Greg Notess: Brass bibliography: sources on the history, literature, pedagogy, performance, and acoustics of brass instruments by Mark J. Fasman. S. 77–78
 Review by Nancy L. Stokes: Frank Martin: a bio-bibliography. (Bio-bibliographies in music, 26) by Charles W. King. S. 78–79

No. 2
 Harald Heckmann: André Jurres zum achtzigsten Geburtstag. S. 81–82
 Editorial. S. 82
 Joachim Jaenecke: Musikbibliothekswesen in der Bundesrepublik Deutschland: Einleitung. S. 83
 Joachim Jaenecke: Musikbibliotheken in der Bundesrepublik Deutschland: Ein Überblick. S. 84–90
 Hans-Martin Pleßke: Zur Geschichte der AIBM-Ländergruppe DDR (1959—1990). S. 90–95
 Gertraud Voss-Krueger: Die Öffentlichen Musikbibliotheken in den alten Bundesländern. S. 95–106
 Ellen Roeser: Die Öffentlichen Musikbibliotheken in den neuen Bundesländern: Eine Bestandsaufnahme. S. 107–112
 Hartmut Schaefer: Die wissenschaftlichen Musikbibliotheken in den alten Bundesländern. S. 112–123
 Wolfgang Ritschel: Die wissenschaftlichen Musikbibliotheken in den neuen Bundesländern. S. 123–129
 Petra Wagenknecht: Musikhochschulbibliotheken in den alten Bundesländern. S. 129–134
 Renate Wicke: Die Situation der Bibliotheken der Musikhochschulen in der ehemaligen DDR. S. 135–139
 Heinz Lanzke: Das Deutsche Musikarchiv: Zentrale Musikdokumentation und Nationalbibliothek in Deutschland. S. 140–143
 Marion Sommerfeld: Phonotheken in den neuen Bundesländern — gestern und heute. S. 143–146
 Wolfgang Krueger: Die musikbibliothekarische Ausbildung im vereinigten Deutschland als Perspektive im europäischen Kontext. S. 146–153
 Jutta Scholl: Sondersammelgebiet Noten in Nordrhein-Westfalen. S. 153–159
 Erwin Hardeck: Musikalien-Leihverkehr in Deutschland: Von der Improvisation bis zum Nachweis der Notendrucke in Verbundkatalogen. S. 160–168
 Imogen Fellinger: Die gegenwärtige Situation der Musikzeitschriften in Deutschland. S. 169–175
 Helmut Rösner: Zur Statistik der Musikbibliotheken. S. 175–178
 Helmut Hell: Sonderregeln für Musikdrucke und Musiktonträger zu den Regeln für den Schlagwortkatalog (RSWK). S. 179–185
 Markus Müller-Benedict: Klassifikatorische Inhaltserschließung im Fachgebiet Musik. S. 185–188
 Information. S. 189–190
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Daniel Zager: Bibliographie der Musikbuchreihen, 1886—1990. (Catalogus Musicus, 12) by Hermann Walther. S. 191–192
 Review by Liane Curtis: The musical woman: an international perspective. Volume III, 1986—1990 by Judith Lang Zaimont; Jane Gottlieb; Joanne Polk; Michael J. Rogan; Women and music: a history by Karen Pendle. S. 192–194
 Review by Harriette Hemmasi: The coming of age of American art music: New England’s classical romanticists. (Contributions to the Study of Music and Dance, 22) by Nicholas E. Tawa. S. 194–195
 Review by Ralph Hartsock: American masses and requiems: a descriptive guide. (Fallen Leaf Reference Books in Music, no. 15) by David P. DeVenney; Randall Thompson: a bio-bibliography. (Bio-Bibliographies in Music, no. 38) by Caroline Cepin Benser; David Francis Urrows. S. 195–196
 Review by Harriette Hemmasi: The Charles Ives tunebook. (Bibliographies in American Music, 14) by Clayton W. Henderson. S. 196–197
 Review by Stephen Long: New music in Iceland by Goran Bergendal; Peter Lyne. S. 197–198

No. 3/4
 Simone Wallon: Yvette Fédoroff (1919—1992). S. 199–200
 Editorial. S. 200–201
 Music in New Zealand Libraries: Contributors. S. 202
 Elizabeth F. Nichol: Preamble. S. 203
 Dorothy Freed: Music library service in New Zealand: an essay in resource sharing. S. 204–209
 Brian W. Pritchard: Documenting New Zealand’s musical past: a beginning. S. 209–211
 Gerald R. Seaman: New Zealand Periodicals with Musical Content. S. 211–219
 Gerald R. Seaman: Music Archives in the University of Auckland: The Archive of Russian and East European Music. S. 219–220
 Richard Moyle: Music Archives in the University of Auckland: The Archive of Maori and Pacific Music. S. 220–224
 Angela Annabell: New Zealand Folk Song: An Update with Reference to Resources in New Zealand Libraries. S. 225–226
 Jill Palmer: A Dutch-Austrian Duo The Paul and Diny Schramm collection at the National Library of New Zealand. S. 226–229
 Elizabeth F. Nichol: Auckland City Libraries: A Public Library music Service. S. 229–232
 Professional Branches. 
 Michèle Lancelin: Conference Reports and Papers Prague Conference (1991) Reports: Libraries in Music Teaching Institutions. S. 233
 Harald Heckmann: Joint Commission: RISM. S. 234
 Conference Papers from various conferences. 
 Irati Antonio: Impression of Music: Periodical Press and Documentation in Brazil. S. 235–245
 Maria Calderisi: Plenary Session on Reprint Publishing. S. 245–248
 Barry S. Brook: On reprinting music and books about music: then and now. S. 248–254
 Adolf Knoll: Universal Availability of Publications Problems in Czechoslovakia. S. 255–258
 Vojtech Mojžiš: Editorial Polices and the Availability of the Publications of Editio Supraphon. S. 259–261
 Joana Crespi: Le Département de la Musique de la Biblioteca de Catalunya (Barcelona, Espagne). S. 261–265
 Bernard Huys: Vingt-cinq années de bibliographie musicale en Belgique (1966—1990). S. 265–268
 E. Rassina: Sonderausgaben im Bestand der wissenschaftlichen Tanejev-Musikbibliothek des Moskauer Konservatoriums. S. 268–271
 Thomas F. Heck: UAP/Music: A retrospective of the Working Group’s activities, 1983—1990. S. 271–274
 Miscellaneous Papers. 
 Nikolaus Delius: Jacob Friedrich Kleinknecht und seine Brüder Versuch einer Werkliste. S. 274–325
 Christine E. Jackson: M & N Hanhart: printers of Victorian music covers. S. 326–330
 Christian Meyer: Un répertoire de luth allemand des années 1520: Kraków, Biblioteka Jagiellońska, Mus. ms. 40154. S. 331–343
 Werner Unger: Thesaurus „Phonographie“. S. 344–347
 Werner Unger: Phonographie: Stiefkind der Musikwissenschaft: Anmerkungen zum Thesaurus für eine seit langem vernachlässigte Materie. S. 347–352
 Heikki Poroila, Joachim Jaenecke, Maria Prokopowicz, Włodzimierz Pigła, Dorothea Baumann, Julie Crawley: National Branches. S. 353–360
 Information. S. 361–362
 Comptes-Rendus/Besprechungen/Reviews. 
 Review by Jay Weitz: Musaurus: a music thesaurus. A new approach to organising music information by Ann Harrold; Graham Lea; On concepts and classifications of musical instruments (Chicago studies in ethnomusicology) by Margaret J. Kartomi. S. 363–364
 Review by Keith E. Mixter: Music history during the Renaissance period, 1425–1520: a documented chronology (Music Reference Collection, 28) by Blanche M. Gangwere. S. 364–366
 Review by Winfried Kirsch: Thematischer Katalog der Opernsammlung in der Stadt- und Universitätsbibliothek Frankfurt am Main (Signaturengruppe Mus Hs Opern) (Kataloge der Stadt- und Universitätsbibliothek Frankfurt am Main, 9) by Robert Didion; Joachim Schlichte; Operas in German: a dictionary by Margaret Ross Griffel; Nicht nur Mozarts Rivalinnen. Leben und Schaffen der 22 österreichischen Opern-Komponistinnen (Neff’s Kleine Bibliothek der Schönen Künste) by Clemens M. Gruber. S. 366–368
 Review by Michael J. Budds: Victorian music publishers: an annotated list (Detroit studies in music bibliography, 64) by John A. Parkinson. S. 369–370
 Review by Stephen Long: Rued Langgaards kompositioner: annoteret værkfortegnelse by Bendt Viinholt Nielsen; Noteworthy Danes: portraits of eleven Danish composers by Karl Aage Rasmussen. S. 370–371
 Review by Philip Vandermeer: Ethnomusicology research: a select annotated bibliography (Garland library of music ethnology) by Ann Briegleb Schuursma. S. 371–372
 Review by Cynthia Bylander: Polish folk music: Slavonic heritage — Polish tradition — contemporary trends (Cambridge Studies in Ethnomusicology, 9) by Anna Czekanowska. S. 373–374
 Review by Darwin F. Scott: De musica mensurata (Music — scholarship and performance) by Anonymous of St. Emmeram; Jeremy Yudkin. S. 374–377
 Review by John E. Druesedow: Music librarianship in America (Originally published in the „Harvard Library Bulletin“, N.s., vol. 2, no. 1, Spring 1991.) by Michael Ochs. S. 377–378
 Review by Leslie Bennett: The Heritage encyclopedia of band music: composers and their music by William H. Rehrig; Paul E. Bierley. S. 378–379
 Review by Calvin Elliker: Guitar and lute music in periodicals: an index. (Fallen Leaf reference books in music, 13) by Dorman H. Smith; Laurie Eagleson. S. 379–380
 Review by Giuseppe Cattaneo, Guiseppe Cattaneo: Music for oboe 1650—1800: a bibliography. 2d ed. by Bruce Haynes. S. 381–382
 Review by James R. Briscoe: Masters of the French art song: translations of the complete songs of Chausson, Debussy, Duparc, Fauré and Ravel by Timothy LeVan. S. 382–383
 Review by Claudia Macdonald, Adel Heinrich: Organ and harpsichord music by women composers: an annotated catalog. (Music Reference Collection, 30) by Adel Heinrich. S. 383–384
 Review by Carl Rahkonen: Otto Luening: a bio-bibliography by Ralph Hartsock. S. 385

40. Jg. 1993

No. 1
 Don L. Roberts: President’s Message. S. 1
 Editorial. S. 2–3
 Heikki Poroila: Guest Editorial: Welcome To Helsinki In August 1993!. S. 4
 Music Libraries In Finland. 
 Heikki Poroila: General Orientation. S. 5–10
 Esko Häkli: From Neumes To Network: Music In The Helsinki University Library. S. 11–16
 Tuula Kotilainen, Orvokki Suomala: The Sibelius Academy. S. 17–20
 Ilpo Tolvas, Inger Jakobsson-Wärn: The Sibelius Museum. S. 21–24
 Kaisu Ollila: The Finnish National Discography Musa: Sound Recordings At The Jyväskylä University Library. S. 24–27
 Kauko Karjalainen: The Music Library Of The Finnish Broadcasting Company. S. 28–30
 Pekka Gronow: The Record Library Of The Finnish Broadcasting Company. S. 31–33
 Risto Korhonen: The Finnish Music Information Centre. S. 33–35
 Alarik Repo: Association Of Finnish Symphony Orchestras: National Central Library Of Orchestral Music. S. 36–37
 Heikki Poroila, Pirkko Heikkinen: Two Finnish Public Music Libraries. S. 37–40
 Fabian Dahlström: Working On The Thematic-Bibliographic Catalogue Of Jean Sibelius. S. 41–46
 Erkki Salmenhaara: Writing A National Finnish Music History. S. 47–50
 Mimi S. Daitz: ESTONIA: Its Musical Life and Libraries. S. 51–56
 Reports. 
 Mireille Geering: Working Group on Uniform Titles for Music Manuscript Collections other than Liturgical (olim: Arbeitsgruppe Uniform titles for anonymous music other than liturgical). S. 57
 Kirsten Voss-Eliasson: Denmark: Annual Report 1991. S. 58
 Reviews. 
 Review by Linda Phyllis Austern: A Shakespeare Music Catalogue by Bryan N. S. Gooch; David Thatcher. S. 59–60
 Review by Nym Cooke: Catalog of the Musical Works of William Billings. (Music Reference Collection, 32.) by Karl Kroeger. S. 60–62
 Review by James P. Cassaro: Archival Information Processing for Sound Recordings: The Design of a Database for the Rodgers & Hammerstein Archives of Recorded Sound. (MLA Technical Reports, 21) by David H. Thomas. S. 63–64
 Review by Amanda Maple: The Oxford Companion to Popular Music by Peter Gammond; The Penguin Encyclopedia of Popular Music by Donald Clarke. S. 64–65
 Review by Anthony Lis: Where’s That Tune?: An Index to Songs in Fakebooks by William D. Goodfellow. S. 65–67
 Review by Suzanne L. Moulton-Gertig: Harp Music in the Nineteenth Century by Hans Joachim Zingel; Mark Palkovic. S. 67–68
 Information. S. 69–74

No. 2
 Veslemöy Heintz: The General Assembly: 3 September 1992. S. 81–85
 Veslemöy Heintz: Council Meeting: 30 August And 4 September 1992 In Frankfurt. S. 85–94
 Guidelines For The Election Of Officers Of Iaml Subject Commissions And Professional Branches Adopted By The Council On 4 September 1992 / Wahlordnung Für Die Funktionäre Der Fachgruppen Und Sachkommissionen Der Ivbm Angenommen Durch Das Direktorium Am 4. September 1992 / Règlement Pour L’élection Des Responsables Des Commissions Spécialisées Et Des Branches Professionnelles De L’aibm Adopté Par Le Conseil Le 4 Septembre 1992. S. 95–100
 Don L. Roberts: 1991 Treasurer’s Report. S. 101–109
 Lenore Coral: IndexING AND RETRIEVING SPECIAL MATERIALS IN ONLINE CATALOGUES. S. 110–115
 Jorge de Persia: ARCHIVO MANUEL DE FALLA. S. 115–119
 Jon Bagüés: ERESBIL: Archives of Basque Composers. S. 119–127
 Cecilie Butenschøn: THE GRIEG PROJECT. S. 128–139
 Reports. 
 Professional Branches. 
 Helen Faulkner, Anne Nenquin: Broadcasting & Orchestra Libraries Branch. S. 140
 Michèle Lancelin: Branche Professionelle des Bibliothèques dans les Institutions d’Enseignement Musical. S. 140–141
 Veslemöy Heintz: Music Documentation Centres Branch. S. 141–142
 Heikki Poroila: Public Libraries Branch. S. 142
 Øyvind Norheim: Research Libraries Branch. S. 142–144
 Subject Commissions. 
 David A. Day: Subject Commission on Archives. S. 145–146
 David Sommerfield: Subject Commission on Audiovisual Materials. S. 146
 John H. Roberts: Subject Commission on Bibliography. S. 147
 James P. Cassaro: Subject Commission on Cataloguing. S. 147–149
 Wolfgang Krueger: Sachkommission für Dienstleistung und Ausbildung. S. 149–150
 OTHER Reports. 
 Imogen Fellinger: Working Group on Music Periodicals. S. 151
 Mireille Geering: Working Group on Uniform Titles for Music Manuscript Collections other than Liturgical. S. 151–152
 H. Robert Cohen: RIPM. S. 152–153
 Adam O’Connor: RILM. S. 153–156
 Barry S. Brook: RIDIM. S. 157–158
 Documenta Musicologica. S. 158–160
 Lenore Coral: Publications Committee. S. 160
 János Kárpáti: Hungarian Music Libraries Today (An Essay On A Paradox). S. 161–163
 Reviews. 
 Review by Martin Staehelin: Manuscrits de musique polyphonique, XVe et XVIe siècles: Italie. (RISM B IV/5) by Nanie Bridgman. S. 164–166
 Review by Lenore Coral: Music in British Libraries: A Directory of Resources. 4th edition. by Barbara Penney. S. 166
 Review by Irati Antonio: As cantoras do rádio: 50 anos de som e imagem da MPB. (Série Projeto Miécio Caffé). S. 167–168
 Review by Paul R. Laird: The Choral Music of Latin America: A Guide to Compositions and Research. (Music Reference Collection, 36) by Suzanne Spicer Tiemstra. S. 168–169
 Information. S. 170–173

No. 3
 Wolfgang Krueger: Education And Training Of Music Librarians: New European Aspects. S. 185–190
 Mary Kay Duggan: Teaching Music Librarians Through Very Large Databases: Local Online Catalogues, Oclc, And Rlin. S. 191–197
 Erwin Hardeck: Musikalien In Deutschen Regionalen Verbünden. S. 198–206
 Christine Roth: La Musique Dans Sibil. S. 207–227
 Jane Gottlieb: Sharing Information On Archival Collections: Marc Amc And Beyond In The U.S.. S. 228–238
 Maria Burchard: Czech Composers In Silesian Manuscripts: The Wrocław Collection At The Warsaw University Library. S. 239–245
 Sue Clegg: Guidelines And Recommendations For The Collection Of Music Library Statistics: Project Group On Statistics. S. 246–259
 Reports. 
 Heikki Poroila: Finnish National Branch. S. 260
 Mireille Geering: Swiss National Branch. S. 261
 Emilia B. Rassina: Der Innovationsprozess in der Wissenschaftlichen Musikalischen S.I. Taneev-Bibliothek des Moskauer Staatlichen Konservatoriums. S. 261–263
 Reviews. 
 Review by Stephen Roe: Music Manuscripts at Harvard: A Catalogue of Music Manuscripts from the 14th to the 20th Centuries in the Houghton Library and the Eda Kuhn Loeb Music Library by Barbara Mahrenholz Wolff. S. 264–265
 Review by Calvin Elliker: Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith. (Festschrift Series, no. 9) by Israel J. Katz. S. 265–268
 Review by Charlotte Leonard: Encyclopedia of Music in Canada. 2nd edition by Helmut Kallmann; Gilles Potvin. S. 268–269
 Review by Alan Green: Computing in Musicology: A Directory of Research. Volume 7, 1991 by Walter B. Hewlett; Eleanor Selfridge-Field. S. 269–271
 Review by Cynthia J. Cyrus: Companion to Medieval and Renaissance Music by Tess Knighton; David Fallows. S. 271–273
 Review by Joyce E. Green: Pierre Baillot. The Art of the Violin by Louise Goldberg. S. 273–274
 Information. S. 275–277
 Irving Godt, Mimi S. Daitz: COMMUNICATIONS. S. 278

No. 4
 Editorial. S. 281–282
 Anne Tatnall Gross: A Musicological Puzzle: Scrambled Editions Of The Phalèse „Livre Septième“ In Two London Libraries. S. 283–313
 Margaret Seares: John Christopher Smith’s Harpsichord Music: A Clarification Of The Publications. S. 314–322
 Eva-Brit Fanger: Überblick Über Die Historische Entwicklung Dänischer Musikzeitschriften. S. 323–331
 Reports. 
 Julie Crawley: United Kingdom: 1992. S. 332–333
 Kaye Hill: Australia: Sept. 1990 – Dec. 1992. S. 333–334
 Ruth Henderson: United States of America: 1992. S. 334
 Włodzimierz Pigła: Poland: 1992. S. 334–335
 Zuzana Petrášková, Julius Hǔlek: Czech Republic: 1993. S. 335–336
 Dominique Hausfater: Rapport D’Activité Du Groupe Français 1991—1992. S. 336–338
 Reviews. 
 Review by Lilian P. Pruett: Die Musikhandschriften der Bayerischen Staatsbibliothek, Band 1: Chorbücher und Handschriften in chorbuchartiger Notierung. Mit einem Anhang: Nachträge zu den Tabulaturen und Stimmbüchern Katalog bayerischer Musiksammlungen 5/2. (Kataloge bayerischer Musiksammlungen, 5/1) by Martin Bente; Marie Louise Göllner; Hellmut Hell; Bettina Wackernagel; Die Musikhandschriften der Bischöflichen Zentralbibliothek Regensburg, Band 2: Sammlung Proske. Manuskripte des 18. und 19. Jahrhunderts aus den Signaturen A.R., C AN. (Kataloge bayerischer Musiksammlungen, 14/2) by Gertraut Haberkamp; Jochen Reutter; Die Musikhandschriften der Bischöflichen Zentralbibliothek Regensburg, Band 3: Sammlung Proske. Mappenbibliothek. (Kataloge bayerischer Musiksammlungen, 14/3) by Gertraut Haberkamp; Jochen Reutter; Die Musikhandschriften katholischer Pfarreien in Franken, Bistum Würzburg. (Kataloge bayerischer Musiksammlungen, 17) by Gertraut Haberkamp; Martin Seelkopf; Die Musikhandschriften der evangelisch lutherischen Pfarrkirche St. Mang in Kempten. (Kataloge bayerischer Musiksammlungen, 19) by Hildegard Herrmann-Schneider. S. 339–342
 Review by Calvin Elliker: The Bandora: Its Music and Sources. (Detroit Studies in Music Bibliography, 66) by Lyle Nordstrom. S. 342–343
 Review by Rebecca K. Troxler: The Early Flute. (Early Music Series, 15) by John Solum; Anne Smith. S. 343–345
 Review by Robin A. Leaver: German Sacred Polyphonic Vocal Music Between Schütz and Bach: Sources and Critical Editions. (Detroit Studies in Music Bibliography, 67) by Diane Parr Walker; Paul Walker. S. 345–347
 Review by Hans Lenneberg: Italian Music Incunabula: Printers and Type by Mary Kay Duggan. S. 347–348
 Information. S. 349–351

41. Jg. 1994

No. 1
 Music Libraries in Canada. 
 Bryan N. S. Gooch: The Canadian Scene — Measure Of Progress. S. 1–2
 Helmut Kallmann: The Making Of A One-Country Music Encyclopedia: An Essay After An Encyclopedia. S. 3–19
 Elaine Keillor: Finding The Sounds Of Canada’s Musical Past. S. 20–31
 Jeannine Barriault: Les Archives Musicales Au Canada. S. 32–39
 Marlene Wehrle: Reference Sources On Canadian Music: A Supplement To Guy Marco „Information On Music“, Volume Ii. S. 40–52
 Maria Calderisi: An Unsung Treasure At The National Library Of Canada: The Percy A. Scholes Collection. S. 53–65
 Geraldine E. Ostrove: Recent Publications In Music. S. 66–127
 Reports. 
 Kirsten Voss: Denmark: Annual Report 1992. S. 128
 Gerald R. Seaman: New Zealand: Report September 1992—August 1993. S. 128–129
 Murai: Japan: Annual Report 1993. S. 129
 Imogen Fellinger: Working Group on Music Periodicals: Progress Report. S. 129–130
 Reviews. 
 Review by James R. Briscoe: A Bio-Bibliography. (Bio-Bibliographies in Music, 28) by Francis Poulenc; George R. Keck; Henri Sauguet: A Bio-Bibliography. (Bio-Bibliographies in Music, 39) by David L. Austin. S. 131–133
 Review by Ruthann Boles McTyre: The Chorus in Opera: A Guide to the Repertory by David P. DeVenney; Craig R. Johnson. S. 133–134
 Review by Sally E. Norman: Mensuration and Proportion Signs: Origins and Evolution. (Oxford Monographs on Music) by Anna Maria Busse Berger. S. 134–136
 Review by David Hunter: The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music by Lydia Goehr. S. 136–138
 Information. S. 139–140

No. 2
 IAML President’s Message. S. 151
 COUNCIL MEETING: 8 and 13 August 1993 in Helsinki. S. 152–164
 Don L. Roberts: 1992 Treasurer’s Report. S. 165–169
 Iaml Directory. S. 170–174
 Oskari Hellman: Iaml In Helsinki. S. 175–180
 Katre Linnas: Survey Of Estonian Music Bibliography. S. 181–186
 Valentina Iljowa: Der Heutige Stand Der Russischen Musikbibliographie. S. 187–195
 Reports. 
 Professional Branches. 
 Helen Faulkner, Anne Nenquin: Broadcasting and Orchestra Libraries Branch. S. 196–197
 Michèle Lancelin: Branche Professionnelle des Bibliothèques dans les Institutions D’Enseignement Musical. S. 197–198
 Veslemöy Heintz: Music Documentation Centres Branch. S. 198
 Heikki Poroila: Public Libraries Branch. S. 198–199
 Dominique Hausfater: Branche des Bibliotheques de Recherche. S. 199–200
 Subject Commissions. 
 David A. Day: Subject Commission on Archives. S. 201
 David Sommerfield: Commission on Audio-Visual Materials. S. 201–202
 John H. Roberts: Bibliography Commission. S. 202–203
 James P. Cassaro: Subject Commission on Cataloguing. S. 203–205
 Wolfgang Krueger: Commission on Service and Training. S. 205–206
 Working Groups AND OTHER Reports. 
 Imogen Fellinger: Working Group on Music Periodicals. S. 207
 Mireille Geering: Working Group on Uniform Titles for Music Manuscript Collections other than Liturgical. S. 207–208
 Chris Banks: Working Group on Hofmeister XIX. S. 208–209
 H. Robert Cohen: RIPM. S. 210–211
 Hartmut Schaefer: RISM. S. 211–212
 Lenore Coral: Publications Committee. S. 213
 National Branches. 
 Kaye Hill: Australian Branch: January to August 1993. S. 214
 Joachim Jaenecke: Bundesrepublik Deutschland: 1992. S. 214–216
 Joachim Jaenecke: Bundesrepublik Deutschland: 1993. S. 216–218
 Outreach. 
 Červinková: What Our Libraries Need Most (besides money). S. 218–220
 Judit Skaliczki: Audio-Visual Documents in Hungarian Libraries. S. 220–222
 Reviews. 
 Review by Susan T. Sommer: The New Grove Dictionary of Opera by Stanley Sadie. S. 223–224
 Review by Evan Baker: A Chronology of Music in the Florentine Theater 1751—1800: Operas, Prologues, Farces, Intermezzos, Concerts, and Plays with Incidental Music. (Detroit Studies in Music Bibliography, 70) by Robert Lamar Weaver; Norma Wright Weaver. S. 225–227
 Review by R. L. Barclay: The Conservation and Technology of Musical Instruments: A Bibliographic Supplement to Art and Archaeology Technical Abstracts, Volume 28 by Cary Karp. S. 227–228
 Review by Evan Feldman: American Orchestral Music: A Performance Catalog by Richard Koshgarian; A Conductor’s Repertory of Chamber Music: Compositions for Nine to Fifteen Solo Instruments. (Music Reference Collection, 39) by William Scott; The American Wind Symphony Commissioning Project: A Descriptive Catalog of Published Editions, 1957—1991. (Music Reference Collection, 34) by Jeffrey H. Renshaw. S. 228–230
 Review by Kendall L. Crilly: The‚Music Information Explosion’ and its Implications for College Teachers and Students. (College Music Society Report, 9) by Thomas F. Heck. S. 231–233
 Information. S. 234–236

No. 3
 Editorial. S. 243–244
 James P. Cassaro: Music Cataloguing And The Future. S. 245–250
 Liesbeth Hoedemaeker: Conservation In The Netherlands. S. 251–255
 Susan T. Sommer: Knowing The Score: Preserving Collections Of Music. S. 256–260
 Janet Gertz, Susan Blaine: Preservation Of Printed Music: The Columbia University Libraries Scores Condition Survey. S. 261–269
 Jens Hendrik Koudal, Jens Henrik Koudal: The Music Discovered At Aalholm Manor: A Brief Introduction. S. 270–278
 James L. Zychowicz: Music Manuscripts In The Bibliothèque Musicale Gustav Mahler, Paris. S. 279–295
 Reports. 
 Jon Bagüés: Spain: 1993. S. 296
 Heikki Poroila: Finland: 1993. S. 297–298
 Ruth Henderson: United States: 1993. S. 298
 Klaus Keil: Internationales Quellenlexikon der Musik (RISM): Stand der Arbeit Ende 1993. S. 298–300
 Tinsley Silcox: Reading about: Preservation. S. 300–302
 Reviews. 
 Review by Dena J. Epstein: Music and Dance in Puerto Rico from the Age of Columbus to Modern Times: An Annotated Bibliography. (Studies in Latin American Music, 1) by Donald Thompson; Annie F. Thompson. S. 303
 Review by Judy Weidow: The Bach English-Title Index. (Fallen Leaf Reference Books in Music, 20) by Ray Reeder. S. 303–305
 Review by Vivian Perlis: The Twentieth-Century Composer Speaks: An Index of Interviews. (Fallen Leaf Reference Books in Music, 28) by Mari Nishimura. S. 305–306
 Information. S. 307–309

No. 4
 Susi Woodhouse, Pamela Thompson: Towards A Music Lip: A Library and Information Plan for Music Services in the United Kingdom and the Republic of Ireland. S. 313–339
 Christine Heyter-Rauland: Neues Zur Cäcilia. Eine Zeitschrift Für Die Musikalische Welt. S. 340–357
 Geraldine E. Ostrove: Recent Publications In Music. S. 358–386
 Reports. 
 Zdravko Blažeković: RIdIM: Helsinki, 1993 (Report Number 22). S. 387–388
 Erling Dujardin: Denmark: Annual Report 1993. S. 388–389
 Anders Lönn: Proposed Amendment to the IAML Constitution. S. 389–390
 Reviews. 
 Review by John Wagstaff: La Médiathèque musicale publique: évolution d’un concept et perspectives d’avenir by Dominique Hausfater; Guide d’acquisition de la musique imprimée, à l’usage des bibliothèques musicales by Michèle Lancelin; Anne Catrice; Anna Guerrieri. S. 391–392
 Review by Thomas F. Heck: Sourcebook for Research in Music by Phillip D. Crabtree; Donald H. Foster. S. 392–394
 Review by Scott Warfield: The Nineteenth-Century German Lied by Lorraine Gorrell. S. 394–396
 Review by Martin Jenkins: The English Musical Renaissance 1860—1940: Construction and Deconstruction by Robert Stradling; Meirion Hughes. S. 396–398
 Information. S. 399–402

42. Jg. 1995

No. 1
 Music Libraries in Denmark. 
 Ingeborg Rørbye: Public Music Libraries In Denmark. S. 1–3
 Marianne Horn: A Musical Tour Through Copenhagen. S. 4–8
 Niels Krabbe: Danish Musicology Of The 1980S And Early 1990S. S. 9–25
 Pia Rasmussen: Women In Music: Seen From A Danish Perspective. S. 26–34
 Charlotte Schrøder: [Illustration]. S. 35
 Bendt Viinholt Nielsen: An Ecstatic Outsider: Rued Langgaard, 1893—1952. S. 36–50
 Bodil Høgh: Listen To Denmark. S. 51–53
 [Two Traveling Exhibitions: Carl Nielsen And Danish Music After Carl Nielsen]. S. 54
 Jørgen I. Jensen: At The Boundary Between Music And Science: From Per Nørgård To Carl Nielsen. S. 55–61
 Otto Laust Hansen: Children And Music: Voluntary Music Education In Denmark. S. 62–67
 Peter Westh: The Importance And Position Of Conservatories In Musical Life. S. 68–71
 Flemming Madsen: The Danish Music Information Center. S. 72–76
 Povl Stenfelt Thomsen: The Danish Library Center And Music. S. 77–81
 Kirsten Maegaard: Hans Christian Andersen’s Travel Album. S. 82–84
 Anne Ørbæk Jensen: Two Great Danish Editions In Progress: Niels W. Gade And Carl Nielsen. S. 85–90
 Kirsten Maegaard: The Danish Radio Record Collection: Diskoteket. S. 91–93
 Reports. 
 Kaye Hill: Australian Branch: September 1993—June 1994. S. 94–95
 Julius Hůlek: Czech Branch: 1993—94. S. 95–96
 Julie Crawley: United Kingdom Branch (IAML UK): 1993. S. 96–98
 Reviews. 
 Review by Mark DeVoto: Harvard Composers: Walter Piston and His Students, from Elliott Carter to Frederic Rzewski by Howard Pollack. S. 99–102
 Review by Martin Jenkins: William Walton: A Source Book by Stewart R. Craggs. S. 102–103
 Information. S. 104–105

No. 2
 Don L. Roberts: President’s Report. S. 111
 Veslemöy Heintz: Council Meetings: 22 and 27 July 1994 in Ottawa. S. 112–127
 Pamela Thompson: 1993 Treasurer’s Report. S. 128–134
 Harald Heckmann: Das Repertoire International Des Sources Musicales (Rism) In Geschichte Und Gegenwart. S. 135–143
 Hugh Cobbe: The Iaml Outreach Initiative. S. 144–150
 Cécile Grand: A Iaml Portfolio. S. 151–163
 Harmut Walravens: Ismn: The International Standard Music Number: A new standard to rationalize the music trade. S. 164–171
 Reports. 
 Professional Branches. 
 Inger Enquist: Archives and Music Documentation Centres Branch. S. 172
 Helen Faulkner, Anne Nenquin: Broadcasting and Orchestra Libraries Branch. S. 172–173
 Michèle Lancelin: Branche Professionnelle des Bibliothèques dans les Institutions d’Enseignement Musical. S. 173–174
 Heikki Poroila: Public Libraries Branch. S. 174–176
 Liesbeth Hoedemaeker: Research Libraries Branch. S. 176
 Subject Commissions. 
 John H. Roberts: Commission on Bibliography. S. 177
 David Sommerfield: Commission on Audiovisual Materials. S. 177–181
 James P. Cassaro: Commission on Cataloguing. S. 181–182
 Wolfgang Krueger: Kommission für Dienstleistung und Ausbildung. S. 182–183
 OTHER Reports. 
 Imogen Fellinger: Working Group on Music Periodicals. S. 184
 Mireille Geering: Working Group on Uniform Titles for Music Manuscript Collections other than Liturgical. S. 184–185
 Elizabeth Davis: Working Group on the Revision of RISM Series C. S. 185
 H. Robert Cohen: RIPM. S. 185–186
 Lenore Coral: Publications Committee. S. 186
 National Reports. 
 Roger Flury: New Zealand. S. 187
 Kurt Deggeller: Swiss Branch: 1993. S. 187
 Ruth Henderson: U.S. Branch: 1994. S. 187–188
 Reviews. 
 Review by Heikki Poroila: Johann Michael Haydn (1737–1806): A Chronological Thematic Catalogue of His Works. (Thematic Catalogue Series, 17) by Charles H. Sherman; T. Donley Thomas; Giovanni Paisiello: A Thematic Catalogue of his Works. (Thematic Catalogue Series, 15) by Michael F. Robinson; John Ireland: A Catalogue, Discography, and Bibliography by Stewart R. Craggs. S. 189–190
 Review by Karl Kroeger: Music Reference and Research Materials: An Annotated Bibliography. Fourth Edition, Revised by Vincent H. Duckles; Michael A. Keller. S. 191–192
 Review by Marcoemilio Camera: Il Fondo Musicale dell’Arciconfraternitá di S. Girolamo della Caritá. (Cataloghi di Fondi Musicali Italiani, 15; Quaderni della Rassegna degli Archivi di Stato, 69) by Eleonora Simi Bonini. S. 192
 Review by Diane Steinhaus Pettit: Georg Philipp Telemann: Autographe und Abschriften. (Staatsbibliothek zu Berlin, Preussischer Kulturbesitz. Kataloge der Musikabteilung. Erste Reihe: Handschriften, 7) by Joachim Jaenecke. S. 193–194
 Review by Evan Feldman: Compendium of Modern Instrumental Techniques by Gardner Read. S. 194–195
 Review by Tinsley Silcox: American Choral Music Since 1920: An Annotated Guide. Fallen Leaf Reference Books in Music by David P. DeVenney. S. 195–196
 Information. S. 197–201

No. 3
 Rudolf Schnitzler: Fux Or Badia? The Attribution Of Santa Geltrude And Ismaele. S. 205–245
 Marie Cornaz: Le Fonds De Musique Ancienne De L’abbaye De Maredsous. S. 246–270
 Leslie Troutman: MLA-L: A New Mode of Communication. S. 271–281
 Reports. 
 Joachim Jaenecke: Germany: 1994. S. 282–284
 Kirsten Voss, Erling Dujardin: Denmark: 1994. S. 284–285
 Heikki Poroila: Finland: 1994. S. 286
 Reviews. 
 Review by Marcoemilio Camera: Bibliografia delle opere dei musicisti bresciani pubblicate a stampa dal 1497 al 1740. (Biblioteca di Bibliografia Italiana, 126) by Oscar Mischiati; Mariella Sala; Ernesto Meli. S. 287–288
 Review by David Lasocki: Antonio Vivaldi: A Guide to Research. (Garland Composer Resource Manuals, 12; Garland Reference Library of the Humanities, 757) by Michael Talbot. S. 288–289
 Review by Karl Kroeger: The Literature of Music Bibliography: An Account of the Writings on the History of Music Printing & Publishing (Fallen Leaf Reference Books in Music, 21) by D. W. Krummel. S. 289–290
 Information. S. 291–294

No. 4
 Paul van Reijen: KÖCHEL 2000: Suggestions for a New Catalogue of Mozart’s Works. S. 299–310
 Bonny H. Miller: Household Periodicals: An Unstudied Source of American Music. S. 311–319
 Kari Laitinen: Suomen Musiikkilehti 1923—46: The Story Of A Finnish Periodical. S. 320–324
 Geraldine E. Ostrove: Recent Publications In Music. S. 325–372
 Reports. 
 Wodzimierz Pigła: Polish National Branch: 1994. S. 373–374
 Yo Akioka: Japanese National Branch: 1994. S. 374
 Reviews. 
 Review by Massimo Gentili-Tedeschi: The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors by William Waterhouse. S. 375–376
 Review by Silvia Di Pietro Liti: Musical References in the Gazzetta di Napoli, 1681—1725. (Fallen Leaf Reference Books in Music, 17) by Thomas Griffin; Eleanor Selfridge-Field. S. 376–377
 Review by Paul Bryan: Dejiny Hudobnej Kultúry na Slovensku. Vyd. 2. Klasicizmus by Darina Múdra. S. 377–379
 Review by John E. Lindberg: Musikgeschichte in Daten by Gerhard Dietel. S. 379–381
 Review by Sarah Dorsey: Cello Music Since 1960: A Bibliography of Solo, Chamber, & Orchestral Works for the Solo Cellist. (Fallen Leaf Reference Books in Music, 26) by Donald Homuth. S. 381–382
 Review by Scott Warfield: Richard Strauss Werkverzeichnis. (Veröffentlichungen der Richard-Strauss-Gesellschaft München, 12) by Franz Trenner. S. 382–384
 Review by Joy Haslam Calico: Anthologies of Music: An Annotated Index. 2nd edition. (Detroit Studies in Music Bibliography, 68) by Sterling E. Murray; Music for Piano and Orchestra: An Annotated Guide. Enlarged edition by Maurice Hinson; The Schoenberg Discography. 2nd edition, (Fallen Leaf Press Reference Books in Music, 18) by R. Wayne Shoaf; Music Since 1900. 5th edition by Nicolas Slonimsky. S. 384–387

43. Jg. 1996

No. 1
 Susan T. Sommer: Editorial. S. 1–2
 Agostina Zecca Laterza: Invitation. S. 3
 Massimo Gentili-Tedeschi: Networks For Music Libraries In Italy. S. 4–11
 Bianca Maria Antolini: Archival Sources For The History Of Music In Italy: Recent Research. S. 12–39
 Federica Riva: Reference Works On Music In Italy: 1985—1995. S. 40–80
 Elena Ferrari Barassi: Musical Iconography In Italy 1985—1995. S. 81–99
 Carmela Bongiovanni: Librettos: Italian Projects And Catalogues: 1985—1995. S. 100–122
 Marcello Ruggieri: An Italian Contemporary Music Documentation Center: Why A Utopia?. S. 123–135

No. 2
 Veslemöy Heintz: IAML President’s Message. S. 143
 Veslemöy Heintz: The General Assembly: 23 June 1995 in Helsingør. S. 144–150
 Veslemöy Heintz: Council Meetings: 19 and 23 June 1995 in Helsingør. S. 151–164
 Pamela Thompson: 1994 Treasurer’s Report. S. 165–173
 Lasse Beck, Erling Dujardin, Dorte Remar: Press Reports On The Iaml Congress In Helsingør. S. 174–176
 Kazuo Fukushima, Steven G. Nelson: The Documentary Sources Of Japanese Music. S. 177–193
 Vjera Katalinić: The Croatian 19Th-Century Musical Heritage: Sources, Research, Perspectives. S. 194–199
 Reports. 
 Professional Branches. 
 Inger Enquist: Archives and Music Documentation Centers. S. 200–201
 Anne Nenquin, Helen Faulkner: Broadcasting and Orchestra Libraries. S. 201–202
 Michele Lancelin: Libraries in Music Teaching Institutions. S. 202
 Heikki Poroila: Public Libraries. S. 202–204
 Liesbeth Hoedemaeker: Research Libraries. S. 204
 Subject Commissions. 
 John H. Roberts: Bibliography Commission. S. 205
 James P. Cassaro: Commission on Cataloguing. S. 205–207
 Wolfgang Kreuger: Service and Training (Kommission für Dienstleistung und Ausbildung). S. 207
 OTHER Reports. 
 Imogen Fellinger: Working Group on Music Periodicals. S. 208
 Anders Cato: Working Group on the Core Bibliographic Record for Music and Sound Recordings. S. 208–209
 National Reports. 
 Roger Taylor: United Kingdom 1994. S. 210
 Heikki Poroila: Finland: 1995. S. 210–211
 Ruth Henderson: United States: 1995. S. 211–212
 Jon Bagüés: Spain. S. 212
 Reviews. 
 Review by Imogen Fellinger: International Music Journals. (Historical Guides to the World’s Periodicals and Newspapers) by Linda M. Fidler; Richard S. James. S. 213–214
 Review by Evan Baker: Catalog of Venetian Librettos at the University of California, Los Angeles. (University of California Publications. Catalogs and Bibliographies, 9) by Irene Alm. S. 214–216
 Review by Maurizio Tarrini: Camillo Sivori: La Vita, i Concerti, le Musiche. (Graphos/Musica, 2) by Flavio Menardi Noguera. S. 216
 Review by Tinsley Silcox: Foundations in Music Bibliography by Richard D. Green. S. 216–217
 Naomi Sharp: Information. S. 218–220

No. 3
 Editorial. S. 229
 Inger Enquist: Archives And Music Libraries: Introduction. S. 231–234
 Michael Cook: Managing The Archives: A Basic Program. S. 235–241
 Heather MacNeil: Subject Access To Archival „Fonds“: Balancing Provenance And Pertinence. S. 242–258
 Nils Brübach: Bewertung Im Archiv. S. 259–270
 Jan Dahlin: Archival Descriptive Standards: Some Remarks. S. 271–273
 Stephané Jean, Jeannine Barriault, Stéphane Jean: La Description Des Archives De Musique: Un Exemple Canadien. S. 274–285
 Anna Lena Holm: Library Management Of Composers’ Archives. S. 286–289
 Yola de Lusenet: Keeping Our Memory Alive For The Next Century. S. 290–297
 Reports. 
 Heather Platt: RILM in the 1990s. S. 298–302
 Joana Crespi: Spain: 1995. S. 302–303
 Reviews. 
 Review by Martin D. Jenkins: Encyclopedia of Percussion. (Garland Reference Library of the Humanities, 947) by John H. Beck. S. 304–305
 Review by Thomas Brothers: Duke Ellington: Day by Day and Film by Film by Klaus Stratemann; John Coltrane: A Discography and Musical Biography. (Studies in Jazz, 20) by Yasuhiro Fujioka; Lewis Porter; Yoh-Ichi Hamada; Sarah Vaughan: A Discography. (Discographies, 47) by Denis Brown. S. 305–306
 Review by Gertraut Haberkamp: Die Musikhandschriften des Speyerer Domchores. (Pfälzische Arbeiten zum Buch- und Bibliothekswesen und zur Bibliographie, 18) by Edith Klenk. S. 307–308
 Information. S. 309

No. 4
 Sherry L. Vellucci: Down The Yellow Brick Road: What Should We Teach About Internet Resources?. S. 315–324
 Bryan N. S. Gooch: The Researcher’s Problem: Routes And Rewards. S. 325–328
 Geraldine E. Ostrove: Recent Publications In Music. S. 329–377
 International Association Of Music Libraries, Archives And Documentation Centres (Iaml) / Association Internationale Des Bibliothèques, Archives Et Centres De Documentation Musicaux (Aibm) / Internationale Vereinigung Der Musikbibliotheken, Musikarchive Und Musikdomumentationszentren (Ivmb). S. 378–412
 Reviews. 
 Review by Judy Tsou: Women and Music: A Selective Annotated Bibliography on Women and Gender Issues in Music 1987—1992 by Margaret D. Ericson. S. 413–414
 Review by Gary R. Boye: The Manuscript Sources of Seventeenth-Century Italian Lute Music by Victor Coelho. S. 414–415
 Review by Robert L. Taylor: Briefwechsel mit Arnold Schoenberg, Anton Webern, Alban Berg und Franz Schreker. (Briefwechsel der Wiener Schule, 1) by Alexander Zemlinsky; Horst Weber. S. 415–416
 Øyvind Norheim: Information. S. 417

44. Jg. 1997

No. 1
 Music Libraries in Switzerland. 
 Welcome To Geneva. S. 1–2
 Kurt Deggeller: Coordination Of Music Documentation In Switzerland: Realities, Projects, Dreams For The Future. S. 3–6
 Chris Walton: Modernism In Music: Documents In The Zentralbibliothek Zürich. S. 7–14
 Jean-Louis Matthey: La Bibliothèque Cantonale Et Universitaire Vaudoise: La Mise En Valeur Des Fonds D’archives Musicales. S. 15–19
 The Paul Sacher Foundation. S. 20–22
 Dorothea Baumann: Music Documentation In Switzerland: The Future Of Shared Cataloguing, Rism A Ii. S. 23–31
 Jacqueline Waeber: „Pygmalion“ Et J.-J. Rousseau: „Un Grand Poète, Qui Serait En Même Temps Un Peu Musicien“. S. 32–41
 Eamonn O’Keeffe: The Score-Books Of Christ Church Cathedral Dublin: A Catalogue. S. 42–104
 Reports. 
 Roger Taylor: United Kingdom Branch (IAML UK): 1996. S. 105–106
 Reviews. 
 Review by Gertraut Haberkamp: Internationaler Biographischer Index der Musik, Komponisten, Dirigenten, Instrumentalisten und Sänger by Kurt Dorfmüller. S. 107–108
 Review by Emily Laurance: Harp Music Bibliography: Compositions for Solo Harp and Harp Ensemble by Mark Palkovic; Nineteenth- and Twentieth-Century Harpists: A Bio-Critical Sourcebook (Bio-Critical Sourcebooks on Musical Performance) by Wenonah Milton Govea; Sally Maxwell. S. 109–110
 Information. S. 111

No. 2
 Alison Hall: Council Meetings: 1 And 6 September 1996 In Perugia. S. 119–134
 Iaml Directory. S. 135–140
 Pamela Thompson: 1995 Treasurer’s Report. S. 141–147
 Joachim Jaenecke: Iaml Outreach. S. 148–150
 Tiziana Grande: Neapolitan Music Periodicals In The Second Half Of The 19Th Century. S. 151–168
 Elisabeth Giuliani, Elizabeth Giuliani: Opera Et Histoire. S. 169–177
 Reports. 
 Professional Branches. 
 Inger Enquist: Archives and Music Documentation Centres Branch. S. 178
 Michèle Lancelin: Libraries in Music Teaching Institutions Branch. S. 178–180
 Heikki Poroila: Public Libraries Branch. S. 180–181
 Liesbeth Hoedemaeker: Research Libraries Branch. S. 181–182
 Subject Commissions. 
 David Sommerfield: Audio-Visual Materials. S. 183–185
 John H. Roberts: Bibliography Commission. S. 185
 James P. Cassaro: Cataloguing. S. 185–186
 Wolfgang Krueger: Service and Training. S. 186–187
 Working Groups. 
 Anders Cato: Core Bibliographic Record for Music and Sound Recordings. S. 188
 Imogen Fellinger: Music Periodicals. S. 188–189
 PUBLICATIONS. 
 Joachim Jaenecke: Documenta musicologica. S. 190
 Barbara Mackenzie: RILM. S. 190–192
 H. Robert Cohen: RIPM. S. 192–193
 Hartmut Walravens: ISMN: New Developments. S. 193–196
 National Branches. 
 Kaye Hill: Australia: July 1995—June 1996. S. 197–198
 Yo Akioka: Japan: 1995. S. 198
 Brian W. Pritchard: New Zealand: 1995—1996. S. 198–199
 Włodzimierz Pigła: Poland: 1995—96. S. 199–200
 Reviews. 
 Review by Martin Elste: Discographie der deutschen Sprachaufnahmen, Bd. 1 by Rainer E. Lotz; Michael E. Gunrem; Walter Roller; Discographie der deutschen Kleinkunst, Bd. 4 by Rainer E. Lotz; Andreas Masel; Discographie der deutschen Tanzmusik, Bd. 4 by Rainer E. Lotz; Discographie der deutschen Gesangsaufnahmen, Bd. 1 by Manfred Weihermüller. S. 201
 Lenore Coral: Information. S. 202–205

No. 3
 Michitaka Takeuchi: Kabuki Music Of The 18Th And 19Th Centuries: Documentary Materials For Research. S. 213–233
 E. Douglas Bomberger: Alfred Michaelis And The „Leipziger Musikzeitung“. S. 234–247
 Taras Pavlovsky: Slavic Sacred Music: Issues In Cataloguing. S. 248–265
 Charles Ditto: Handel’s Musical Clock Music. S. 266–280
 Sisir Kumar Mukherjee: Sources For Indian Music: The Songs of Rabindranath Tagore. S. 281–289
 Reports. 
 Bettina von Seyfried: Deutschland: Oktober 1995—September 1996. S. 290–291
 Reviews. 
 Review by Martin Jenkins: International Directory of Music and Music Education Institutions 1996: Details of Higher Music and Music Education Qualifications at 3,182 Institutions in 146 Countries. 2nd edition to International Directory of Music Education 1993/4 by Graham A. R. Bartle. S. 292
 Review by Chris Walton: Poetry into Song: Performance and Analysis of Lieder by Deborah Stein; Robert Spillman; Elly Ameling; Max Deen Larsen. S. 293–294
 Review by Chris Walton: A Guide to the Solo Songs of Johannes Brahms by Lucien Stark. S. 294
 Roger Crudge: Information. S. 295

No. 4
 Thomas F. Heck: The Illustration Of Music Periodicals, C. 1880—1914: A Question Of Halftones And „Whole“-Tones. S. 307–330
 Jacinto Torres Mulas: Music Periodicals In Spain: Beginnings and Historical Development. S. 331–342
 Geraldine E. Ostrove: Recent Publications In Music. S. 343–400
 Reports. 
 Kirsten Voss: Denmark: 1996. S. 401

45. Jg. 1998

No. 1
 Music Libraries in Spain. 
 Joana Crespi: Introduction. S. 1–2
 Jon Bagüés, Miquel Angel Plaza-Navas: Institutions Of Musical Documentation: A Selective Bibliography. S. 3–20
 Beatriz de Miguel: Andalucía: The Centro De Documentación Musical. S. 21–30
 Antoni Pizà, Joan Parets i Serra: Mallorca: Centers For Musical Historical Research. S. 31–38
 José V. González Valle: Spanish Ecclesiastical Archives: Musical Documentation. S. 39–53
 Carmen Sierra Bárcena: Musical Collections In Spanish Archives: Two Databases. S. 54–62
 Nieves Iglesias Martinez: Musicologists And Archivists Confront The Nineteenth Century: Notes From The National Library Of Madrid. S. 63–80
 Antonio Ezquerro: Cataloguing Musical Sources In Spain: A Rism Perspective. S. 81–89

No. 2
 Alison Hall: Council Meetings: 31 August And 5 September 1997 In Geneva. S. 95–111
 Pamela Thompson: 1996 Treasurer’s Report. S. 112–118
 Joachim Jaenecke, Zhou Haihong, Rolando Delgado Miranda, Željka Dolić: Iaml Outreach. S. 119–138
 Anders Cato: The Core Bibliographic Record For Music And Sound Recordings. S. 139–151
 Joachim Jaenecke: Die Planung Für Ein Verzeichnis Der Musiknachlässe In Deutschland. S. 152–156
 Yasuko Todo: Community And Libraries In Music Teaching Institutions In Japan. S. 157–159
 Reports. 
 Professional Branches. 
 Inger Enquist: Archives and Music Documentation Centres Branch. S. 160–161
 Inger Enquist: Working Group on the Registration of Music Archives. S. 161–162
 Kauko Karjalainen: Broadcasting and Orchestra Libraries Branch. S. 162
 Federica Riva: Libraries in Music Teaching Institutions. S. 163
 Kirsten Voss: Public Libraries Branch. S. 163–164
 Liesbeth Hoedemaeker: Research Libraries Branch. S. 164
 Subject Commissions. 
 James P. Cassaro: Subject Commission on Cataloguing. S. 165
 Working Groups. 
 Imogen Fellinger: Music Periodicals. S. 166–167
 Anne LeLay: Copyright. S. 167
 PUBLICATIONS. 
 Joachim Jaenecke: Documenta Musicologica. S. 168
 H. Robert Cohen: RIPM 1997. S. 168–169
 Harmut Walravens: ISMN 1996/97. S. 169–171
 Barbara Dobbs Mackenzie: RILM. S. 171–173
 Keil: RISM-Publikationen 1997. S. 173–176
 National Reports. 
 Caroline Symes: Australia July 1996—June 1997. S. 177
 Heikki Poroila: Finland: 1996. S. 177–178
 Bettina von Seyfried: Deutschland: 1997. S. 178–180
 Agostina Zecca Laterza: Italy: 1996. S. 180
 Hiroko Kishimoto: Japan: 1996. S. 180–181
 Andrzej Spóz: Poland: 1996—97. S. 181–182
 Emilia Rassina: Russia: 1996. S. 183
 Kurt Deggeller: Switzerland: 1995/1996. S. 183
 Roger Taylor: United Kingdom: 1996—1997. S. 184–185
 Lenore Coral: United States: 1997. S. 185
 Reviews. 
 Review by Lenore Coral: Early Lithographed Music: A Study Based on the H. Baron Collection by Michael Twyman. S. 186–187
 Review by Hugh Cobbe: A Catalogue of Handel’s Musical Autographs by Donald Burrows; Martha J. Ronish. S. 187–189
 Review by Heikki Poroila: Valentin Haussman: A Thematic-Documentary Catalogue; With a Documentary Biography by Klaus-Peter Koch. (Thematic Catalogues, No. 25) by Robert B. Lynn; The Music of Antonio Rosetti: A Thematic Catalog. (Detroit Studies in Music Bibliography, no. 76) by Sterling E. Murray; Chronologisch-thematisches Verzeichnis sämtlicher Werke von Daniel François Esprit Auber (AWV). (Hochschule für Musik und Darstellende Kunst Frankfurt/Main, Musikwissenschaftlich Publikationen, Bd. 1) by Herbert Schneider. S. 189–191
 Review by John Wagstaff: Conservation des documents sonores by Marie-France Calas; Jean-Marc Fontaine. S. 191–193
 Review by John Wagstaff: Collection Assessment in Music Libraries. (MLA Technical Report, No. 22) by Jane Gottlieb; Knowing the Score: Preserving Collections of Music. (MLA Technical Report, No. 23) by Jane Gottlieb; Mark Roosa. S. 193–194
 Review by John Wagstaff: General Bibliography for Music Research. 3d ed. (Detroit Studies in Music Bibliography, No. 75) by Keith E. Mixter. S. 195–196
 Review by Kim Armstrong: Lieder Line by Line and Word for Word. Revised edition by Lois Phillips. S. 196–197
 Review by Heikki Poroila: The Sibelius Companion by Glenda Dawn Goss. S. 197–198
 Review by Richard D. Burbank: William Grant Still: A Bio-Bibliography. (Bio-Bibliographies in Music, no. 61) by Judith Anne Still; Michael J. Dabrishus; Carolyn L. Quin. S. 198–199
 Information. S. 200–202

No. 3/4
 Sherry L. Vellucci: Bibliographic Relationships And The Future Of Music Catalogues. S. 213–226
 Chris Walton: Iphigenia Lost And Found: A Newly-Discovered Gluck Arrangement By Richard Wagner. S. 227–236
 Kirsten Beißwenger: Erwerbsmethoden Von Musikalien Im Frühen 18. Jahrhunderts: Am Beispiel Johann Sebastian Bachs Und Johann Gottfried Walthers. S. 237–249
 Consuelo Giglio: Music Periodicals In Palermo: The Nineteenth And Early Twentieth Centuries. S. 250–272
 Mireille Geering: Schweizer Musikzeitschriften: Gestern und Heute. S. 273–281
 Geraldine E. Ostrove: Recent Publications In Music. S. 282–351
 Reviews. 
 Review by Gertraut Haberkamp: Hudobný klasicizmus na Slovensku v dobových dokumentoch-Musikalische Klassik in der Slowakei in Zeitdokumenten by Darina Múdra. S. 352–353

46. Jg. 1999

No. 1/2
 New Zealand. 
 Roger Flury: Introduction. S. 1–2
 Robert Petre: Early Music Sources In New Zealand. S. 3–11
 Jackie Waylen: Domestic Music-Making In Early New Zealand: Two Volumes Of Early Engraved Piano Music. S. 12–34
 Jill Palmer: Twenty-Five Years On: The Archive Of New Zealand Music And The Alexander Turnbull Library. S. 35–41
 Roger Flury: Music In The National Library. S. 42–50
 Ross Somerville: Music In The „Dictionary Of New Zealand Biography“: A Survey. S. 51–63
 Jill Palmer: Dorothy Freed: Pioneer Of Music Librarianship In New Zealand. S. 64–68
 Roger Flury, Kerry Cox, Nick Tipping: New Zealand And South Pacific Music And Musicians: A Select Annotated Bibliography. S. 69–80
 Iaml Congress San Sebastián/Donostia, Spain 1998. 
 Pamela Thompson: Iaml President’s Message. S. 81–82
 Alison Hall: Iaml General Assembly: 25 June 1998 In San Sebastián, Spain. S. 83–90
 Alison Hall: Council Meetings: 21 And 26 June In San Sebastián. S. 91–107
 Pamela Thompson: 1997 Treasurer’s Report: General Assembly, June 1998. S. 108–117
 Iaml Outreach 1997—98: Three Perspectives On Outreach. 
 Joachim Jaenecke: Outreach Aktivitäten Aus Der Sicht Eines Aibm-Vizepräsidenten. S. 118–120
 Pamela Thompson: Outreach From The Perspective Of The Iaml Treasurer. S. 121–122
 Roger Taylor: Outreach From A Participant’s Perspective. S. 122–134
 Lenore Coral: Individual Reports. S. 134–144
 Reports. 
 Professional Branches. 
 Inger Enquist: Archives and Music Documentation Centres. S. 145–146
 Judy Tsou: Working Group on the Registration of Music Archives. S. 146
 Kauko Karjalainen: Broadcasting and Orchestra Libraries. S. 146–147
 Federica Riva: Libraries in Music Teaching Institutions. S. 147–148
 Carolyn Dow: Public Libraries. S. 148
 Liesbeth Hoedemaeker: Research Libraries. S. 148–149
 Subject Commissions. 
 Elizabeth Giuliani: Audio-Visual Materials. S. 150
 James P. Cassaro: Cataloguing. S. 150–151
 Subject Commissions. 
 Mary Kay Duggan: Service and Training. S. 151–152
 Imogen Fellinger: Working Group on Music Periodicals. S. 152–153
 Joachim Jaenecke: COPYRIGHT: Zum aktuellen Stand des Urheberrechts in Deutschland. S. 154–158
 PUBLICATIONS. 
 RISM. S. 159–160
 H. Robert Cohen: RIPM. S. 160–161
 Harmut Walravens: ISMN 1997/1998. S. 161–164
 National Branches. 
 Wolfgang Krueger: Deutschland: Oktober 1997-September 1998. S. 165–166
 Aurika Gergeležiu: Estonia: 1996—98. S. 166–168
 Heikki Poroila: Finland: 1997. S. 168–169
 Heikki Poroila: Finland: 1998. S. 169–170
 Ruth Hellen: United Kingdom (IAML UK): 1997—1998. S. 170–171
 Lenore Coral: U.S. Branch: 1998. S. 171–172
 Reviews. 
 Review by Daniel Zager: Music Reference and Research Materials: An Annotated Bibliography. 5th ed. by Vincent Duckles; Ida Reed; Michael A. Keller; Linda Solow Blotner. S. 173–175
 Review by Heikki Poroila: Thematic Catalogues in Music: An Annotated Bibliography. Second edition. (Annotated Reference Tools in Music No. 5) by Barry S. Brook; Richard Viano. S. 175–177
 Review by Chris Walton: The Harvard Biographical Dictionary of Music by Don Michael Randel. S. 177–178
 Review by John Wagstaff: Early Keyboard Instruments in European Museums by Edward L. Kottick; George Lucktenberg; British Keyboard Music to c. 1660: Sources and Thematic Index by Virginia Brookes. S. 178–180
 Review by Stephen Long: Twentieth-Century Danish Music: An Annotated Bibliography and Research Directory. (Music Reference Collection, No. 65) by Lansing D. McLoskey. S. 181–182
 Review by Chris Walton: The Encyclopedia of the Piano. (Garland Reference Library of the Humanities, vol. 1131) by Robert Palmieri. S. 183
 Review by Laura Dankner: The Blues: From Robert Johnson to Robert Cray by Tony Russell. S. 184–186
 Review by Isabelle Bélance-Zank: The Original Staging Manuals for Ten Parisian Operatic Premières 1824–1843. Dix Livrets de mise en scène lyrique datant des créations parisiennes 1824–1843. (Musical Life in 19th-Century France, 6.) by H. Robert Cohen. S. 186–188
 Review by Kurt Dorfmüller: Der deutsche Musikalienleihhandel: Funktion, Bedeutung und Topographie einer Form gewerblicher Musikaliendistribution vom späten 18. bis zum frühen 20. Jahrhundert by Tobias Widmaier. S. 188–189
 Review by Thomas F. Heck: Handbook to Bach’s Sacred Cantata Texts: An Interlinear Translation with Reference Guide to Biblical Quotations and Allusions by Melvin P. Unger; Biblical Quotation and Allusion in the Cantata Libretti of Johann Sebastian Bach. (Studies in Liturgical Musicology, 5) by Ulrich Meyer. S. 190–193
 Review by Christina L. Bonner: Schubert’s Vienna by Raymond Erickson. S. 193–195
 Review by Andrew Kearns: Concerto for Horn and Orchestra in E-flat major, K. 370b + 371: A Facsimile Reconstruction of the Autograph Sources by John Brooks Howard; Christoph Wolff; Robert D. Levin; Wolfgang Amadeus Mozart. S. 195–197

No. 3/4
 Sherry L. Vellucci: Metadata For Music: Issues And Directions. S. 205–217
 Miquel Angel Plaza-Navas: Music Databases In Spain: A First Survey. S. 218–243
 Marina Toffetti: The Tini Family: Sixteenth-Century Music Printers In Milan. S. 244–267
 Susanne Staral: Rilm In Germany. S. 268–278
 Georgina Binns: Music Libraries In Australian Tertiary Music Teaching Institutions. S. 279–285
 Geraldine E. Ostrove: Recent Publications In Music. S. 286–342
 Reviews. 
 Review by Kristin L. Shanton, Giulio M. Ongaro: Music Printing in Renaissance Venice: The Scotto Press (1539—1572) by Jane A. Bernstein. S. 343–344
 Review by Calvin Elliker: Mauro Giuliani: Virtuoso Guitarist and Composer by Thomas F. Heck. S. 344–346
 Review by Chris Walton: Cambridge Companion to the Piano. (Cambridge Companions to Music) by David Rowland. S. 346–348
 Review by Stephen Zank: Anton Rubinstein: An Annotated Catalog of Piano Works and Biography. (Music Reference Collection, no. 72) by Larry Sitsky. S. 348–350
 Review by Stephen Zank: George Whitefield Chadwick: A Bio-Bibliography. (Bio-Bibliographies in Music, no. 66) by Bill F. Faucett. S. 350–352
 Review by Chris Walton: The Arnold Schoenberg Companion by Walter B. Bailey. S. 352–354
 Review by James Kalbach: 20/20: 20 New Sounds of the 20th Century by William Duckworth. S. 354–356
 Review by Kristina L. Shanton: Music Subject Headings: Compiled from Library of Congress Subject Headings. 2nd ed. (Soldier Creek Music Series, no. 4) by Harriette Hemmasi. S. 356–357
 Review by Brad Short: Index to CD and Record Reviews, 1987—1997: Based on Material Originally Published in Notes, the Quarterly Journal of the Music Library Association between 1987 and 1997 by Mark Palkovic; Paul Cauthen. S. 357–358
 Review by Kristina L. Shanton: Musical Theater Synopses: An Index by Jeanette Marie Drone. S. 358–359
 Review by Kurt Gänzl: Sing Us One of the Old Songs: A Guide to Popular Song, 1860—1920 by Michael Kilgarriff. S. 360–361

47. Jg. 2000

No. 1
 Music Libraries in the United Kingdom. 
 Pam Thompson: John May: A Tribute. S. 1
 Alastair Cherry, Roger Duce, Murray Simpson, Iain Maciver: The National Library Of Scotland: Music Manuscripts And Special Collections Of Printed Music. S. 3–9
 Morag Brooksbank: The Scottish Music Information Centre. S. 10–13
 Katharine Hogg: Music Libraries Online: A Virtual Union Catalogue For Music. S. 14–21
 Liz Hart, Ruth Hellen: Music For The Terrified: Basic Music Courses For Library Staff. S. 22–26
 Hugh Cobbe: Music In The New British Library. S. 27–32
 Ian Ledsham: Distance Learning: A Course For Music Librarianship In The Uk. S. 33–41
 Richard Turbet: Orlando Gibbons: Music in Printed Editions 1625—1925. S. 42–47
 Reports. 
 Susi Woodhouse: Bringing UK Public Libraries to the Network. S. 48–49
 Malcolm Jones: Performance Sets. S. 49–50
 Noëlle Mann: The Serge Prokofiev Archive. S. 50
 Candace Bailey: NEW YORK PUBLIC LIBRARY DREXEL MS 5611: English Keyboard Music of the Early Restoration. S. 51–67
 Reviews. 
 Review by John Wagstaff: Opera & Song Books Published in England, 1703—1726 by David Hunter. S. 68–69
 Review by Laura Dankner: Popular Musicians by Steve Hochman. S. 69–70
 Review by John Dilworth: Violin Fraud: Deception, Forgery, Theft, and Lawsuits in England and America. 2nd ed. by Brian W. Harvey; Carla J. Shapreau. S. 70–72
 Review by Robin Moore: Latin Jazz: The First of the Fusions, 1880s to Today by John Storm Roberts. S. 72–74
 Review by Robin Moore: Music in Latin American Culture: Regional Traditions by John M. Schechter. S. 74–76
 Review by Chris Walton: A Catalogue of Early Printed Editions of the Works of Frédéric Chopin in the University of Chicago Library by George W. Platzman. S. 76–77
 Review by Chris Walton: Der Musikverlag Johann André in Offenbach am Main. Studien zur Verlagstätigkeit von Johann Anton André und Verzeichnis der Musikalien von 1800 bis 1840. Würzburger musikhistorische Beiträge; Vol. 21 by Britta Constapel. S. 77–78

No. 2/3
 John Wagstaff: Editorial. S. 83–84
 Dominique Hausfater: Préface. S. 85–87
 La Cité De La Musique. 
 France de Rasilly: La Médiathèque Hector-Berlioz du Conservatoire national supérieur de musique et de danse de Paris. S. 88–92
 Marianne Lyon: Le Centre de documentation de la musique contemporaine (Cdmc). S. 92–94
 Christiane Louis: Le Centre d’informations musicales de la Cité de la musique. S. 94–97
 Corinne Brun: La Médiathèque pédagogique de la Cité de la musique. S. 97–98
 Patrice Verrier: Le Centre de documentation du Musée de la musique. S. 99–103
 La Musique À La Bibliothèque Nationale De France. 
 Catherine Massip: Les Sources Écrites. S. 104–118
 Elizabeth Giuliani: Les Sources Audiovisuelles. S. 119–130
 Bibliothèques Publiques. 
 Dominique Hausfater: La Musique Dans Les Bibliothèques Publiques Françaises. S. 131–135
 Nathalie Sicard: La Musique Dans Le Réseau Des Bibliothèques Municipales De La Ville De Paris. S. 135–139
 Danielle Collard, Françoise Bérard: La Place Du Secteur Musique Dans Les Bibliothèques Municipales À Vocation Régionale (Bmvr). S. 140–149
 Cécile Grand: L’inventaire Du Patrimoine Musical Régional Français (1989–2000) : Organisation Et Méthodes De Travail. S. 150–163
 Maria Nyéki: Les Ressources Documentaires En France Sur Les Musiques D’europe De L’est. S. 164–176
 François Madurell: L’édition Musicale Française À La Croisée Des Chemins. S. 177–190
 Bruno Giner: Musique Contemporaine Française : Quelques Tendances. S. 191–204
 Abstracts Of Articles. S. 205–208
 Reviews. 
 Review by Renée Chérie Clark: Composers on Modern Musical Culture: an Anthology of Readings on Twentieth-Century Music by Bryan R. Simms. S. 209
 Review by Geoff Thomason: Antonio Salieri and Viennese Opera by John A. Rice. S. 210–211
 Review by John Wagstaff: Catalogue des fonds musicaux anciens conservés en Bretagne by Françoise Constant. S. 211
 Review by Chris Walton: Viola Bibliographie: das Repertoire für die historische Bratsche von 1649 bis nach 1800: kommentiertes thematisches Verzeichnis by Michael Jappe; Dorothea Jappe. S. 212
 David Farneth, Alison Hall, Judy Tsou, Kauko Karjalainen, Ann Kersting-Meuleman, Thomas Leibnitz, Susanne Staral, Anders Cato, Imogen Fellinger: Information, NEWS AND Reports. S. 213–220
 MINUTES OF IAML COUNCIL, EDINBURGH, SCOTLAND: August 6 and 11 2000. S. 221–241

No. 4
 Alison Hall: Council Meetings: July 18 and 23 1999 in Wellington, New Zealand. S. 247–267
 Martie Severt, Pamela Thompson: IAML Treasurer’s Report 1998. S. 268–275
 Martie Severt: IAML Treasurer’s Report 1999. S. 276–283
 Joachim Jaenecke: IAML Outreach: Outreach Reports 1999—2000. S. 284–291
 Reports. 
 Professional Branches. 
 Inger Enquist: Archives and Music Documentation Centres Branch. S. 292
 Kauko Karjalainen: Broadcasting and Orchestra Libraries Branch. S. 292–293
 Federica Riva: Libraries in Music Teaching Institutions Branch. S. 293–295
 Ann Kersting-Meuleman: Research Libraries Branch. S. 295–296
 Subject Commissions. 
 Antony Gordon: Audio-Visual Commission. S. 296
 Susanne Staral: Bibliography Commission. S. 296–297
 Sherry L. Vellucci: Cataloguing Commission. S. 297–298
 Mary Kay Duggan: Commission on Service and Training. S. 298–299
 Working Groups and Committees. 
 Judy Tsou: Working Group on Archives Registration. S. 299–300
 Imogen Fellinger: Working Group on Music Periodicals. S. 300–301
 Anne Le Lay: Copyright Committee. S. 301
 H. Robert Cohen: RIPM. S. 301–303
 National Reports. 
 Johan Eeckeloo: Belgium: August 2000. S. 304
 Wolfgang Krueger: Germany: Oct. 1998—Sep. 1999. S. 304–306
 Yasuko Todo: Japan. S. 307
 Inger Christiansen: Norway: 2000. S. 307–308
 Sherry L. Vellucci: United States: Report for 2000. S. 308–309
 Frances Barulich: IL SEGRETO: The Viotti/Chinnery Correspondence in New York. S. 310–344
 Hartmut Walravens: POPULAR CHINESE MUSIC A CENTURY AGO : Berthold Laufer’s Legacy. S. 345–352
 Geraldine E. Ostrove: Recent Publications In Music. S. 353–422
 Reviews. 
 Review by Stephen Banfield: A Catalogue of the Works of Sir Arnold Bax by Graham Parlett. S. 423–424
 Review by Daniel F. Boomhower: The Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony by Siglind Bruhn. S. 424–426
 Review by Jennifer Bollerman: Baker’s Student Encyclopedia of Music by Laura Kuhn. S. 426–428
 Review by James Kalbach: Techniques of the Contemporary Composer by David Cope. S. 428–430
 Review by Geoff Thomason: Haydn, Mozart & Beethoven: Studies in the Music of the Classical Period: Essays in Honour of Alan Tyson by Sieghard Brandenburg. S. 430–431
 Review by Jane Ellsworth: The Oxford History of English Music: Volume II: From c. 1715 to the Present Day by John Caldwell. S. 432–433
 Review by Stephen Zank: Intimate Music: A History of the Idea of Chamber Music by John Herschel Baron. S. 433–435

48. Jg. 2001

No. 1
 Nanna Schiødt: The Iaml „Hourglass“. S. 1
 Maria Calderisi: To Our Readers. S. 3–4
 Harald Heckmann: Ein Halbes Jahrhundert. S. 5–11
 Harald Heckmann, Michaëla Rubi: Un Demi Siècle D’existence. S. 12–18
 Harald Heckmann, Malcolm Turner: Half A Century. S. 19–24
 François Lesure, Malcolm Turner, Wolfgang Krueger: Souvenirs, Souvenirs... / Memories, Memories... / Erinnerungen, Erinnerungen.... S. 25–30
 Liste Des Membres Du Congrès Et Des Observateurs: Maison de l’UNESCO, Paris, 22–25 juillet 1951. S. 31–35
 IAML PHOTO GALLERY. S. 36–48
 THE PRESIDENTS /LES PRÉSIDENT(E)S /DIE PRÄSIDENT(INN)EN. S. 49–70
 FROM OUR MEMBERS /DE NOS Membres /VON UNSEREN MITGLIEDERN. S. 71–101
 PARTNERS AND FRIENDS /ASSOCIÉS ET AMIS /PARTNER UND FREUNDE. S. 102–111
 Inger Enquist: CHRONOLOGY OF THE INTERNATIONAL Association OF MUSIC LIBRARIES, ARCHIVES AND DOCUMENTATION CENTRES (IAML), 1949–2000. S. 112–124

No. 2
 John Wagstaff: Editorial. S. 127–128
 Stanley Boorman: Thoughts On The Popularity Of Printed Music In 16Th-Century Italy. S. 129–144
 Laurent Guillo: L’edition Musicale En France Au Xive Siècle: État De La Recherche. S. 145–155
 Jeremy Smith: Print Culture And The Elizabethan Composer. S. 156–172
 Henri Vanhulst: Les Emprunts Aux Éditions Perdues De Le Roy Et Ballard: identifiables dans le répertoire pour instruments à cordes pincées publié à Louvain par Pierre Phalèse. S. 173–189
 Reviews. 
 Review by Judy Tsou: The New Grove Dictionary of Music and Musicians. 2nd ed. by Stanley Sadie; John Tyrrell. S. 190–194
 Review by Bérengère Demerliac: The Music of Francis Poulenc (1899—1963): a Catalogue by Carl B. Schmidt. S. 194–195
 Review by Raymond Dittrich: Musik in Bibliotheken: Materialien—Sammlungstypen—Musikbibliothekarische Praxis. (Elemente des Buch- und Bibliothekswesens; 15) by Kurt Dorfmüller; Markus Müller-Benedict. S. 195–198
 Review by Joachim Jaenecke: Schiller-Vertonungen. (Deutsches Literaturarchiv: Verzeichnisse, Berichte, Informationen; 27/1, 27/2) (Bestandskataloge der Musikaliensammlung im Schiller-Nationalmuseum und Deutschen Literaturarchiv) by Georg Günther; Michael Davidis. S. 198–199
 Review by Jennifer Bollerman: Schubert and his World: a Biographical Dictionary by Peter Clive. S. 199–201
 Review by Heikki Poroila: Johann Waṅhal, Viennese Symphonist: his Life and Musical Environment. (Thematic catalogues; 23) by Paul Bryan. S. 201–202
 Review by Martin Jenkins: Musical Americans: a Biographical Dictionary, 1918—1926. (Fallen Leaf reference books in music; 23) by Mary DuPree; Pro-Musica: Patronage, Performance, and a Periodical. (MLA index and bibliography series; 28) by Paula Elliot. S. 202–203
 Wolfgang Krueger, Lisa Allcott, Maria Prokopowicz: Information, NEWS AND Reports. S. 204–210

No. 3
 Catherine Massip: In memoriam Simone Wallon (29 août 1918—12 mai 2001). S. 215
 Rupert Ridgewell: Music Printing In Mozart’s Vienna: The Artaria Press. S. 217–236
 Hugh Cobbe: Gifts, Purchases, The Lottery And The Treasury: Some Personal Reflections On 25 Years Of Music Acquisitions At The British Library. S. 237–245
 Heikki Poroila: Children And The Music Library. S. 246–249
 Lawrence Bennett: A Little-Known Collection Of Early-Eighteenth-Century: Vocal Music At Schloss Elisabethenburg, Meiningen. S. 250–302
 Review Article. 
 Review by Pietro Zappala, Alex Wilson: Catalogue of Early Music Prints from the Collections of the Former Preußische Staatsbibliothek in Berlin, Kept at the Jagiellonian Library in Cracow = Katalog starodruków muzycznych ze zbiorów byłej Pruskiej Biblioteki Państwowej w Berlinie, przechowywanych w Bibliotece Jagiellońskiej w Krakowie by Aleksandra Patalas. S. 303–314
 Reviews. 
 Review by Stephanus Muller: Suid-Afrikaanse Musiekwoordeboek/South African Music Dictionary. 2nd ed. by Reino Ottermann; Maria Smit. S. 315–316
 Review by Licia Sirch: Dizionario degli editori musicali italiani, 1750—1930 by Bianca Maria Antolini. S. 316–318
 Information, NEWS AND Reports: Music Library Association. S. 319

No. 4
 Daniel Zager: Introduction. S. 325–326
 Linda B. Fairtile, Karen M. Burke: Music Collections In American Public Libraries. S. 327–341
 Marjorie Hassen: The Early Development Of American Music Libraries Serving Academic Departments Of Music. S. 342–352
 Deborah Campana: Music Libraries Supporting Comprehensive Schools Of Music. S. 353–361
 Rachel Doggett: Music In The Collections Of The Folger Shakespeare Library, Washington, D. C.. S. 362–366
 J. Rigbie Turner: Music Collections At The Pierpont Morgan Library. S. 367–371
 Susan Summerfield, JoEllen Dickie: Music Collections At The Newberry Library. S. 372–375
 Dell Hollingsworth, David Hunter: Music In The Collections Of The Harry Ransom Humanities Research Center. S. 376–380
 Mary Russell Bucknum: Music Sound Archives In The United States. S. 381–390
 Lenore Coral: New Facilities, New Potentials: Recent Developments In American Music Libraries. S. 391–397
 Mary Wallace Davidson: Trends And Issues In Digital Technology. S. 398–410
 Geraldine E. Ostrove: Recent Publications In Music. S. 411–456
 Reviews. 
 Review by Kristina L. Shanton: Film Composers in America: a Filmography 1911–1970 by Clifford McCarty. S. 457

49. Jg. 2002

No. 1/2
 John Wagstaff: Editorial. S. 1
 Thomas Ertelt: Imogen Fellinger (1928—2001): Nachruf. S. 3–4
 Alison Hall: Iaml Council Meetings: 8 And 13 July 2001 In Périgueux, France. S. 5–21
 Alison Hall: General Assembly: Iaml 19Th Congress: 12 July 2001 In Périgueux, France. S. 22–32
 Martie Severt: IAML Treasurer’s Report 2000. S. 33–42
 Reports. 
 Professional Branches. 
 Judy Tsou: Archives and Music Documentation Centres. S. 43
 Ann Kersting-Meuleman: Research Libraries. S. 44
 Working Groups AND Committees. 
 Ann Le Lay, Anne Le Lay: Copyright Committee. S. 44–47
 David Day: Working Group for the International Registration of Music Archives. S. 47–48
 National Reports. 
 Georgina Binns: Australia: Report 2000—01. S. 48–49
 Johan Eeckeloo: Belgium, 2000—2001 (Report presented in Périgueux, July 2001). S. 49
 Wolfgang Krueger: Bericht der IVMB/Deutschland e.V., Oktober 1999—September 2000. S. 50
 Lisa Allcott: New Zealand: President’s Report, October 2001. S. 51–52
 Inger Johanne Christiansen: Norway: Report for 2001. S. 52–53
 Stanisław Hrabia: Poland, August 2000—July 2001. S. 53
 Jane Gottlieb: United States Report for 2001. S. 53–54
 Gerald Seaman: The „Russkaya Muzykal’naya Gazeta“ [Russian Music Gazette]. S. 55–66
 Yannick Simon: Les Périodiques Musicaux Français Pendant La Seconde Guerre Mondiale. S. 67–78
 Brian W. Pritchard: Music Periodicals In New Zealand: Viewing A Century Of Publication And Some Landmark Enterprises. S. 79–93
 Zdravko Blažeković: An Inventory Of Croatian Music Periodicals. S. 94–124
 Reviews. 
 Review by Matthias S. von Orelli: Rossini nelle raccolte Piancastelli di Forlì [Nach der gleichlautenden Ausstellung vom 5. Mai bis 3. Juni 2001 in Lugo] by Paolo Fabbri. S. 125–126
 Review by Chris Walton: Kürschners Deutscher Musik-Kalender. 3. Ausgabe by Katrin Hofmann. S. 126–127
 Review by Silvia Arena: Caroli de Liechtenstein-Castelcorno Episcopi Olomucensis operum artis musicae collectio Cremsirii reservata (vol. 1); (vol. 2). (Catalogus artis musicae in Bohemia et Moravia cultae, Artis musicae antiquioris catalogorum; 5) by Jiří Sehnal; Jitřenka Pešková. S. 128–129
 Review by Miquel Àngel Plaza-Navas, Anne Le Lay: Íncipit de poesía española musicada, ca. 1465—ca. 1710 by Mariano Lambea. S. 129–130
 Information, NEWS, Reports. S. 131

No. 3
 Harald Heckmann: André Jurres In Memoriam. S. 137–138
 Judith L. Marley: Education For Music Librarianship Within The United States: Needs And Opinions Of Recent Graduate/Practitioners. S. 139–172
 Bettina von Seyfried: Das Deutsche Musikarchiv Berlin Der Deutschen Bibliothek Als Musikalisches Informationszentrum. S. 173–181
 Roger Flury: Pietro Mascagni: Time for a Reappraisal. S. 182–198
 Reviews. 
 Review by Brad Short: The New Grove Dictionary of Jazz. 2nd ed. by Barry Kernfeld. S. 199–200
 Review by Dominik Rahmer: Thematisches Verzeichnis der Werke von Grazyna Bacewicz mit einem biographischen Essay by Grazyna Briel. S. 200–201
 Review by Chris Walton: Lexikon Programmusik by Klaus Schneider; Kompendium der musikalischen Sujets: ein Werkkatalog by Alexander Reischert. S. 201–203
 Review by Heikki Poroila: Anton Cajetan Adlgasser (1729—1777): a Thematic Catalogue of His Works. (Thematic Catalogue, no 22) by Christine D. de Catanzaro; Werner Rainer; Joseph Martin Kraus (1756—1792): a Systematic-Thematic Catalogue of his Musical Works and Source Study. (Thematic Catalogue, no 26) by Bertil H. Van Boer. S. 203–205
 Joachim Jaenecke, Lenore Coral, Alan Karass: Information, NEWS, Reports. S. 206–209

No. 4
 Geraldine E. Ostrove: Recent Publications In Music. S. 215–270
 Chris Walton: Wagner’s Peculiar Oboist: Philipp Joseph Fries. S. 271–284
 Chris Walton: The Zurich Music Publisher P. J. Fries: List Of Publications, 1851—Ca 1872. S. 285–295
 Meredith Lawn: Musings Of A Music Archivist: Arranging and Describing the Music Manuscripts of Alfred and Mirrie Hill at the State Library of New South Wales. S. 296–303
 Reviews. 
 Review by Gerald R. Seaman: Music Printing and Publishing in Australia: Papers from the History of the Book in Australia Seminar, Monash University, November 2000. Bibliographical Society of Australia and New Zealand Bulletin, vol. 25, nos 3 and 4 (2001, issued March 2002) by Georgina Binns. S. 304–305
 Review by Jacques Tchamkerten: Ernest Bloch (1880–1959) : sa vie et sa pensée. Tome I : Les années de galères (1880–1916). Tome II : La consécration américaine (1916–1930) by Joseph Lewinski; Emmanuelle Dijon. S. 305–307
 Information, NEWS, Reports. S. 308

50. Jg. 2003

No. 1
 Irmgard Lerch-Kalavrytinos: Plate Numbers Of Greek Music Publishers : A Selection Of Dated Lists. S. 1–21
 Mathias Boström: The Phonogram Archive Of The Stockholm Ethnographic Museum (1909–1930): Another Chapter In The History Of Ethnographic Cylinder Recordings. S. 22–35
 Andrea Lindmayr-Brandl: Text Und Musik Im Tenorlied: Eine Fiktive Textierungslehre Von 1517. S. 36–57
 Yves Lenoir: Les Archives Béla Bartók De Belgique/Fonds Denijs Dille À La Bibliothèque Royale De Belgique. S. 58–61
 Frits Zwart: A New Music Institute In The Netherlands. S. 62–68
 Reviews. 
 Review by Joachim Jaenecke: Kataloge der Universitätsbibliothek Eichstätt. Verlagsarchive, Band 3: Das Bucharchiv Hans Schneider: Musikantiquariat und Verlag 1949—2002 by Helga König. S. 69–71
 Review by Roger Flury: Pietro Mascagni and his Operas by Alan Mallach. S. 71–73
 Review by Chris Walton: Heinrich Christoph Koch, Musikalisches Lexikon. Faksimile-Reprint der Ausgabe Frankfurt/Main 1802 by Nicole Schwindt. S. 73
 Information, NEWS, Reports. S. 74–75

No. 2/4
 Papers from IAML’s Berkeley Meeting, August 2002. 
 Laurel Sercombe: Researching The Music Of The First People Of The Pacific Northwest: From The Academy To The Brain Room. S. 81–88
 Yumiko Hasegawa: Features Of Early Printed Editions Of The Works Of Beethoven At The Kunitachi College Of Music Library. S. 89–105
 Gordon Theil: The Challenge Of Supporting Current Music Research And Instruction. S. 106–113
 Irina Medvedeva, Natalia Tartakovskaia: American Materials At The Glinka State Central Museum Of Musical Culture. S. 114–129
 Norbert Gertsch, Kurt Dorfmüller: The Revision Of The Beethoven Catalogue Of Works. S. 130–139
 Susanne Staral: A Unique Source For Musical Instruments: the Library and the Museum of Musical Instruments at the SIM, Berlin. S. 140–156
 Alison Hall: IAML Council Meetings: 4 and 9 August 2002 in Berkeley, California, USA. S. 157–189
 Martie Severt: IAML Treasurer’s Report 2001. S. 190–196
 Geraldine E. Ostrove: Recent Publications In Music. S. 197–290
 Reports. 
 Professional Branches. 
 Judy Tsou: Archives and Documentation Centres Branch. S. 291–292
 Kauko Karjalainen: Broadcasting and Orchestra Libraries Branch. S. 292–293
 Subject Commissions. 
 Ann Kersting-Meuleman, Thomas Leibnitz, Susanne Staral: Bibliography Commission 2001. S. 293–294
 Thomas Leibnitz, Susanne Staral: Bibliography Commission 2002. S. 295
 David A. Day: Working Group for the International Registration of Music Archives: Report of Sessions at Berkeley in 2002. S. 295–297
 Working Groups AND Committees. 
 Barbara Dobbs Mackenzie: RILM. S. 297–300
 H. Robert Cohen: RIPM. S. 300
 Klaus Keil: RISM: Report for 2002. S. 301–302
 Reviews. 
 Review by David Fanning: Dmitri Shostakovich: a Catalogue, Bibliography, and Discography. 3rd ed. by Derek C. Hulme; Irina Shostakovich. S. 303–306
 Review by Emanuele Senici: Giacomo Puccini: Catalogue of the Works by Dieter Schickling; Michael Kaye. S. 306–309
 Review by Chris Walton: Richard Wagner, Cosima Wagner & Charles Nuitter: Correspondance by Peter Jost; Romain Feist; Philippe Reynal. S. 309–311
 Review by Heikki Poroila: Jean Sibelius : thematisch-bibliographisches Verzeichnis seiner Werke by Fabian Dahlström. S. 311–313
 Information AND NEWS: News from the Music Library Association. S. 314

51. Jg. 2004

No. 1
 Kenneth Kreitner: The Musical Warhorses Of Juan De Urrede. S. 1–18
 Marilee J. Mouser: Petrucci And His Shadow: A Case Study Of Reception History. S. 19–52
 Bruce R. Schueneman, María de Jesús Ayala-Schueneman: The Composers’ House: Le Magasin De Musique De Cherubini, Méhul, R. Kreutzer, Rode, Nicolo Isouard, Et Boïeldieu. S. 53–73
 Peter J. D. Scott: Ottaviano Petrucci, Paragon Of Printing Perfection?: Observations On His 1506 Lamentationum Jeremie Prophete Liber Primus And Liber Secundus. S. 74–92
 Susan Lewis Hammond: Pierre Phalèse As Music Editor: The Madrigal Anthology Musica Divina (1583). S. 93–110
 Rebecca Wagner Oettinger: Berg V. Gerlach: Printing And Lasso’s Imperial Privilege Of 1582. S. 111–134
 Obituaries. 
 Eric Cooper: Huib Deetman (1934—2003). S. 135–136
 Paul Cauthen: Leslie Troutman. S. 136–138
 Reviews. 
 Review by Michael Colby: Cataloger’s Judgement: Music Cataloging Questions and Answers from the Music OCLC Users Group Newsletter by Jay Weitz. S. 139
 Review by Chris Walton: Im Dienst der Quellen zur Musik. Festschrift Gertraut Haberkamp zum 65. Geburtstag by Paul Mai. S. 139–140
 Review by Philip V. Bohlman: Quellen zur Geschichte emigrierter Musiker/Sources relating to the History of Emigré Musicians, 1933—1950. Vol. 1: Kalifornien/California by Horst Weber; Manuela Schwartz. S. 140–143
 Review by Philip Jane: John Mansfield Thomson : Notes towards a Biography by Margaret Clark; Jim Collinge; Martin Lodge. S. 143–144
 Review by Fiorella Pomponi: Standardi e documenti musicali : i numeri, i modelli, i formati. (Bibliografia e biblioteconomia) by Nicola Tangari. S. 144–146
 Review by Chris Walton: Musicalisches Lexicon oder Musicalische Bibliothec. Studienausgabe im Neusatz des Textes und der Noten by Johann Gottfried Walther; Friederike Ramm. S. 146–147
 Review by Chris Walton: The Letters of Arturo Toscanini by Harvey Sachs. S. 147–149

No. 2
 Berit Holth: Editorial. S. 151–152
 Jorid Nordal Baumann, Inger Johanne Christiansen: The National Music Collection/Norsk Musikksamling. S. 153–158
 Trond Valberg: 100 Years Of Recorded Sound Under The Arctic Circle: Some Music Collections At The National Library Of Norway. S. 159–168
 Marit Grimstad: The Digital Radio Archives (Dra) At The Norwegian Broadcasting Corporation. S. 169–172
 Unni Knutsen: Bibliographic Treatment Of Music Scores And Sound Recordings At The National Library Of Norway. S. 173–177
 Ann Kunish: Why Does The Public Library Need A Music Department, And Why Should It Continue To Be Federally Funded?. S. 178–182
 Gisela Attinger: Mittelalterliche Musikfragmente In Norwegen. S. 183–190
 Cecilie Dahm: Agathe Backer Grøndahl (1847–1907). S. 191–198
 Anne Jorunn Kydland Lysdahl: Eivind Groven’s Pure-Tuned Organ: Past And Future. S. 199–216
 Håvard Skaadel: Sur L’utilité Des Archives Et Des Bibliothèques : Un Témoignage Personnel. S. 217–228
 Hilde Holbæk-Hanssen: Twenty-Five Years Of The Music Information Centre Norway. S. 229–236
 Ola Graff: The North Norway Folk Music Collection At The Tromsø Museum: The Foremost Archive Of Lapp (Sami) Music. S. 237–242
 Hans-Hinrich Thedens: Norwegische Volksmusik Im Schallarchiv. S. 243–249
 Siren Steen: The Grieg Archives At Bergen Public Library. S. 250–256
 Øyvind Norheim: The New Thematic Catalogue Of Edvard Grieg’s Works, And Its Predecessors: Some Considerations. S. 257–261
 Finn J. Kramer-Johansen: The Norwegian Jazz Archive: A Centre Of Authority. S. 262–266
 Berit Holth: A Calendar Of Norwegian Music Festivals. S. 267–272
 Reviews. 
 Review by Heikki Poroila: Günter Bialas: Werkverzeichnis by Gabriele E. Meyer; Joseph Strauß: kommentiertes Werkverzeichnis by Franz Mailer. S. 273
 Review by Jan Dewilde: Der Streit ums „Deutsche“: Alfred Heuss und die Zeitschrift für Musik. Musikstadt Leipzig: Studien und Dokumente, Band 5 by Oliver Hilmes. S. 274–276
 Review by Julian Rushton: Berlioz, la voix du romantisme by Catherine Massip; Cécile Reynaud. S. 276–278

No. 3/4
 Aurika Gergeležiu: The Publishing Scene For Music Research In Estonia. S. 279–283
 Katre Riisalu: Music In Estonian Research Libraries. S. 284–289
 Marina Mikhailets: The Publishing Situation In Latvia. S. 290–294
 Ingrid Rüütel: Traditional Music In Estonia Today. S. 295–303
 Anu Vissel: A Century Of Collecting And Preserving Estonian Traditional Music. S. 304–314
 Anu Kõlar: Folk Hymns As A Source Of Cyrillus Kreek’s Compositions. S. 315–321
 Mimi S. Daitz: Integral Vs. Derivative Use Of Balto-Finnic Traditional Song In The Choral Compositions Of Veljo Tormis. S. 322–331
 Margus Pärtlas: Eduard Tubin: Current Research And Publishing Projects. S. 332–338
 Aldis Pūtelis: Big Or Small? Archives Of Latvian Folklore As A Public Source Of Information. S. 339–343
 Koldo Bravo: La Création De Musikene Et La Nouvelle Structure Des Bibliothèques Des Centres D’enseignement Musical De La Communauté Autonome Du Pays Basque. S. 344–350
 Thomas Aigner: The Vienna City Library’s Johann Strauss Ii Collection. S. 351–357
 Glenda Dawn Goss: A Critical Edition For Jean Sibelius. S. 358–366
 Daina Gauja: Musiksammlungen In Lettland: Situation Und Probleme. S. 367–372
 Joahim Jaenecke, Joachim Jaenecke: Das Archiv Der Sing-Akademie Zu Berlin. S. 373–378
 Iaml Reports. 
 Alison Hall: Iaml Council Meetings: 6 And 11 July 2003 In Tallinn, Estonia. S. 379–404
 Reports. 
 Alison Hall: Cataloguing Commission. S. 405
 Massimo Gentili-Tedeschi: Unimarc. S. 405
 Anne Le Lay: Libraries In Music Teaching Institutions. S. 405–406
 Thomas Leibnitz: Research Libraries. S. 406–407
 Thomas Leibnitz, Susanne Staral: Bibliography Commission. S. 407–408
 National Reports. 
 Georgina Binns: Australia. S. 408–409
 Austria. S. 409
 Denmark. S. 410
 Laurence Languin: France. S. 410–411
 Italy. S. 411
 Tsuneko Arakawa: Japan. S. 411–412
 Anna Kucianová: Slovakia. S. 412–413
 Reviews. 
 Review by Nicholas Marston: Robert Schumann: thematisch-bibliographisches Werkverzeichnis. Series 8, vol. 6 of Robert Schumann: New Edition of the Complete Works by Margit L. McCorkle. S. 414–417
 Review by Beate Redlich: Dirigentinnen im 20. Jahrhundert : Porträts von Marin Alsop bis Simone Young by Elke Mascha Blankenburg. S. 417–418
 Review by Martin Elste: Lexikon der Violine. Baugeschichte — Spielpraxis — Komponisten und ihre Werke — Interpreten by Stefan Drees; Gidon Kremer. S. 419–420
 Martie Severt: IAML Treasurer’s Report 2002. S. 421–430

52. Jg. 2005

No. 1
 Joan V. Staples: Highlights Of The Cello Collections At The University Of North Carolina At Greensboro. S. 1–22
 András Székely: János Kárpáti: A Scholar-Librarian. S. 23–28
 John D. Spilker: Toward An International Music Thesaurus. S. 29–44
 Danutė Petrauskaitė: Juozas Žilevičius’ Lithuanian Musicology Archives: Past And Present. S. 45–59
 John Hsu: The First Modern Edition Of The Instrumental Works Of Marin Marais (1656—1728). S. 60–64
 Reviews. 
 Review by Mark McKnight: Speaking of Music: Music Conferences, 1835—1966. (RILM Retrospective Series, No. 4) by James R. Cowdery; Zdravko Blažeković; Barry S. Brook. S. 65–66
 Review by Alan Shockley: Modernism and Music: an Anthology of Sources by Daniel Albright. S. 66–69
 Review by Johan Eeckeloo: Het geheugen van de geluidsfabriek. De Vlaamse symfonische muziek in de voormalige muziekbibliotheek van de openbare omroep 1930—1960. (Symbolae Facultatis Litterarum Lovaniensis, series B, 33) by Mark Delaere; Pieter Mannaerts; Kristin Van Den Buys; Veronique Verspeurt. S. 69–70

No. 2
 Roger Flury: IAML COUNCIL MINUTES OSLO: August 8 and 13 2004. S. 71–83
 Martie Severt: IAML Treasurer’s Report 2003. S. 84–92
 Reports. 
 Professional Branches. 
 Jutta Lambrecht: Broadcasting and Orchestra Libraries. S. 93–94
 Thomas Leibnitz: Research Libraries. S. 94
 Subject Commissions. 
 Thomas Leibnitz: Bibliography. S. 94–96
 Wolfgang Krueger: Service and Training. S. 96
 Allison Hall, Alison Hall: Cataloguing. S. 96–97
 Working Groups. 
 Rupert Ridgewell: Indexing of Music Performances. S. 97–99
 David Sommerfield: Music and ISBD. S. 99
 Richard Chesser: Committees: Copyright. S. 99–102
 National Reports. 
 Georgina Binns: Australia. S. 103
 Thomas Leibnitz: Austria. S. 103–104
 Johan Eeckeloo: Belgium. S. 104
 Ole Bisbjerg: Denmark. S. 104–105
 Ulla Ikaheimo: Finland. S. 105–106
 Laurence Languin: France. S. 106
 Susanne Hein: Germany. S. 106–107
 Julianna Gócza: Hungary. S. 107–108
 Tsuneko Arawaka: Japan. S. 108–109
 Gert Floor: Netherlands. S. 110
 Joan Clayton: New Zealand. S. 110–111
 Siren Steen: Norway. S. 111–112
 Jolanta Byczkowska-Sztaba: Poland. S. 112–113
 Emilia Rassina: Russia. S. 113
 Pio Pellizzari: Switzerland. S. 113–114
 Kathy Adamson: United Kingdom And Ireland. S. 114
 Jane Gottlieb: United States Of America. S. 114–115
 Niels Krabbe: The Reception Of Gade, Hartmann And Nielsen: Three Danish Classics, And The Role Of The Scholarly Edition. S. 116–124
 Reviews. 
 Review by Bruce Gustafson: Seventeenth-Century British Keyboard Sources. (Detroit studies in music bibliography, no. 83) by Candace Bailey. S. 125–126
 Review by Stephen L. Clark: C.P.E. Bach: A Guide to Research. Routledge Music Bibliographies by Doris Bosworth Powers. S. 126–127
 Review by Jan Dewilde: George Onslow: Gentleman Composer by Viviane Niaux. S. 127–129
 Review by Chris Walton: Instrumentation. Geschichte und Wandel des Orchesterklanges. Bärenreiter Studienbücher Musik, Vol. 13 by Peter Jost. S. 129–130
 Review by Gerald R. Seaman: Wahlverwandtschaften: zwei Jahrhunderte musikalischer Wechselwirkungen zwischen Dänemark und Deutschland, translated from Wahlverwandtschaften: Udstilling om musikalske forbindelser mellem Tyskland og Danmark 1760–1914, Göttinger Bibliotheksschriften, 28 by Niels Krabbe; Monika Wesemann. S. 130–132

No. 3
 Gerry Ostrove, Geraldine E. Ostrove: Lenore Coral A Iaml Remembrance. S. 133–134
 Alla Semenyuk: Russian Editions Of Works By Michał Kleofas Ogiński In The Holdings Of The Russian State Library. S. 135–138
 Philip Gossett: Critical Editions: Musicologists And Copyright. S. 139–144
 Glenda Dawn Goss: Sibelius Letters In The Helsinki University Library. S. 145–156
 Peter Low: French Words And Music A Century Ago: Composers’ Responses To A 1911 Survey. S. 157–175
 Reviews. 
 Review by Joachim Jaeneke: Die Musik in den Zeitschriften des 18. Jahrhunderts : eine Bibliographie; mit Datenbank auf CD-ROM. (Catalogus musicus; 18) by Laurenz Lütteken; Gudula Schütz; Karsten Mackensen. S. 176–177
 Review by Ruthann McTyre: Index to Poetry in Music: A Guide to the Poetry Set as Solo Songs by 125 Major Composers by Carol June Bradley. S. 177–178
 Review by Chris Walton: Varèse: Astronomer in Sound by Malcolm MacDonald. S. 178–179

No. 4
 Galina Malinina: OLD-RUSSIAN CHANT MANUSCRIPTS IN THE WARSAW NATIONAL LIBRARY. S. 181–192
 Alina Żórawska-Witkowska: KÖNIGLICHE ARCHIVALIEN ALS GEGENSTAND MUSIKWISSENSCHAFTLICHER FORSCHUNGEN. S. 193–203
 David Francis Urrows: AUS DER NEUEN WELT: OTTO DRESEL’S NEW YORK LIEDER. S. 204–216
 Geraldine E. Ostrove: Recent Publications In Music. S. 217–310
 Reviews. 
 Review by Elizabeth Bowers: A Topical Guide to Schenkerian Literature: an Annotated Bibliography with Indices. Harmonologia: Studies in Music Theory 11 by David Carson Berry. S. 311–313
 Review by N. Lee Orr: Henry F. Gilbert: A Bio-Bibliography. Bio-bibliographies in music, no. 93 by Sherrill V. Martin. S. 313–314
 Review by Joy Pile: Armenian Music: A Comprehensive Bibliography and Discography by Jonathan McCollum; Andy Nercessian. S. 314–315
 Review by Barry Zaslow: The Pianist’s Dictionary by Maurice Hinson. S. 315–316

53. Jg. 2006

No. 1
 Outreach. 
 Ruth Hellen: IAML Outreach. S. 1–2
 Patricia Frechon: L’outreach Au Cnsmdp (Conservatoire National Supérieur De Musique Et Danse De Paris). S. 3–12
 Julianna Gócza: The New Members Of The European Union: Outreach Initiatives In Hungary. S. 13–16
 Marjorie Hassen: An Overview Of The Iaml-U.S. Donated Music Materials Program. S. 17–20
 Christian Onyeji: Rescue Of Endangered Folk Music Heritage Of Nigeria: Library Of Folk Music Of Nigeria Project. S. 21–30
 Chris Walton: Documenting Africa. S. 31–36
 Reviews. 
 Review by D. W. Krummel: Ottaviano Petrucci: A Catalogue Raisonné by Stanley Boorman. S. 37–38
 Review by Amélie Roper: Repertoire Catalogue: Piccolo, Alto Flute, Bass Flute, including ca 900 Works for Flute Choir or Flute Orchestra by Peter van Munster. S. 38

No. 2
 Roger Flury: IAML Council Meetings: 10 and 16 July 2005 at the National Library of Poland, Warsaw. S. 39–51
 Martie Severt: IAML Treasurer’s Report 2005. S. 52–59
 Reports. 
 Professional Branches. 
 Judy Tsou: Archives and Documentation Centres Branch. S. 60–61
 Angela Escott: Broadcasting and Orchestra Libraries Branch. S. 61–62
 Hanneke Kuiper: Public Libraries Branch. S. 62–63
 Thomas Leibnitz: Research Libraries Branch. S. 63–65
 Subject Commissions. 
 Alison Hall: Cataloguing Commission. S. 65–66
 Laurence Decobert: Commission de Catalogage : Sous-commission Unimarc. S. 66–67
 Antony Gordon: Commission on Audio-Visual Materials. S. 67
 Mary Wallace Davidson: Commission on Service and Training. S. 67–69
 Working Groups. 
 BRANCHES. 
 Judy Tsou: Archives Branch: Working Group on Access to Music Archives (formerly Working Group on the Registration of Archives). S. 69
 Hanneke Kuiper: Public Libraries Branch: Working Group on the IAML Toolbox. S. 69
 Commissions. 
 Chris Banks: Bibliography Commission: Working Group on Hofmeister XIX. S. 69–70
 Rupert Ridgewell: Bibliography Commission: Working Group on Access to Performance Ephemera (tentative name) (formerly Working Group on the Indexing of Music Performances). S. 70–71
 David Sommerfield: Cataloguing Commission: Working Group on ISBD and Music. S. 71–72
 Committees. 
 Richard Chesser: Copyright Committee. S. 72–73
 Antony Gordon: Information Technology Committee. S. 73
 Ruth Hellen: Outreach Committee. S. 73–75
 Richard Chesser: Structure of Conferences Committee. S. 75–76
 R-Projects. 
 Barbara Dobbs Mackenzie: RILM (Répertoire international de littérature musicale). S. 76–78
 Antonio Baldassare, Antonio Baldassarre: RIdIM (Répertoire international d’iconographie musicale). S. 78–81
 H. Robert Cohen: RIPM (Répertoire international de la presse musicale). S. 81–82
 National Reports. 
 Georgina Binns: Australia. S. 83
 Thomas Leibnitz: Austria. S. 83–84
 Johann Eeckeloo: Belgium. S. 84
 Lucinda Walls: Canada. S. 85–86
 Igor Mladinić: Croatia. S. 86
 Zuzana Petrášková: Czech Republic. S. 86–87
 Ulla Ikäheimo: Finland. S. 87
 Laurence Languin: France. S. 87–88
 Susanne Hein: Deutschland. S. 88–89
 Julianna Gócza: Hungary. S. 89–90
 Agostina Zecca Laterza: Italy. S. 90
 Tsuneko Arakawa: Japan. S. 90–91
 Gert Floor: Netherlands. S. 91–92
 Joan Clayton, Elizabeth Nichol: New Zealand. S. 92–93
 Emilia Rassina: Russia. S. 93
 Anna Kucianová: Slovakia. S. 94–95
 Simona Moličnik Šivic: Slovenia. S. 95
 José Carlos Gosálvez Lara: Spain. S. 96
 Pia Schekhter: Sweden. S. 96–97
 Kathryn Adamson: UK and Ireland. S. 97
 Mary Wallace Davidson: United States. S. 97–98
 Emilia Rassina: RUSSIAN MUSICAL ARCHIVES OUTSIDE OF RUSSIA. S. 99–102
 Reviews. 
 Review by Beate Redlich: Lexikon „Musik über Musik“ : Variationen — Transkriptionen — Hommagen — Stilimitation — B-A-C-H. by Klaus Schneider. S. 103–105
 Review by Joy Pile: Armenian Music: A Comprehensive Bibliography and Discography by Jonathan McCollum; Andy Nercessian. S. 105
 Review by Barry Zaslow: The Pianist’s Dictionary by Maurice Hinson. S. 106–107

No. 3
 Pamela Thompson: Preface. S. 109
 St. Petersburg. 
 Pamela Thompson: [Introduction]. S. 110
 Irina F. Bezuglova: National Library Of Russia, St. Petersburg. S. 111–118
 Natalya Grushkin: The Yusupov Music Collection Of The Russian National Library: A Short Historical Survey. S. 119–123
 Irina F. Bezuglova: Some Materials Of Foreign Musicians In The Manuscript Department Of The Russian National Library. S. 124–129
 Elena V. Nekrasova: The History, Collections And Activities Of The Music Research Library Of The St. Petersburg Rimsky-Korsakov State Conservatoire. S. 130–136
 Olga N. Blyoskina: Rare Editions From The Fifteenth To Seventeenth Centuries In The Music Research Library Of The St. Petersburg Conservatoire. S. 137–142
 Tamara Z. Skvirskaya, Vladimir A. Somov: Materials Of Foreign Musicians In The Manuscript Department Of The St. Petersburg Conservatoire: A Short Survey. S. 143–153
 Galina Viktorovna Kopytova: The Music Collections Of The Russian Institute For The History Of The Arts. S. 154–158
 Galina Viktorovna Kopytova: The Sheremetev Collection. S. 159–164
 Galina Leonidovna Retrovskaya: The Music Library Of The St. Petersburg Academic Philharmonic Society Named After D. D. Shostakovich. S. 165–169
 Irina V. Taburetkina: The Central Music Library Of The St. Petersburg State Academic Mariinsky Theatre. S. 170–172
 Irina Vladimirovna Grigor’eva: The Music Library Of The State Academic Vocal Academy Of St. Petersburg. S. 173–174
 Moscow. 
 Pamela Thompson: [Preface]. S. 175
 Galina Andreevna Timoshenkova: Music Collections In The Libraries, Institutes And Museums Of Moscow. S. 176–180
 Emilia B. Rassina: The History Of The Music Research Library Named After S. I. Taneyev Of The Moscow Conservatoire. S. 181–186
 Emilia B. Rassina: The Problem Of Musical „Rossica“. S. 187–193
 Chris Banks: Russian Music Archives In The British Library: An Overview. S. 194–199
 Natalya Serafimovna Vostokova: Letters Of Foreign Musicians In The Collections Of The State Central Museum Of Musical Culture Named After M. I. Glinka. S. 200–206
 Ludmilia Zinov’evna Korabel’nikova, Ludmila Zinov’evna Korabel’nikov: The Study Of The Music Of Expatriate Russians. S. 207–213
 Natalya Pavlovna Savkina: Some Materials Relating To Prokofiev’s Life Abroad. S. 214–219
 Natalya Yur’evna Tartakovskayaa, Natalya Yur’evna Tartakovskaya: Some Autographs Of Tchaikovsky, Glazunov, And Shostakovich In British Archives. S. 220–225
 Catherine Massip: Russian Archives In The Collections Of The Music Department Of The Bibliothèque Nationale De France. S. 226–232
 Gerald R. Seaman: Soviet Musical Life In The 1920S As Seen In Contemporary Music Periodicals. S. 233–238
 Joachim Jaenecke, Agostina Zecca-Laterza, Seija Lappalainen, Jolanta Byczkowska-Sztaba, Pamela Thompson, Tatjana D. Kuzovkina, Galina Vladimirovna Grigor’eva, Olga Mikhailovna Tompakova, Svetlana Sergeyevna Martynova, Viktor Pavlovich Varunts, Galina M. Malinina, N. S. Tselov, Bernard Borisovich Granovsky, Margarita Pavlovna Pryashnikova, Mikhail A. Saponov, Olga Vladimirovna Loseva, Denis G. Lomtev, Irina Alexeevna Kryazheva, T. M. Korobova, Polina E. Vaidman, Irina Vyacheslavovna Brezhneva, Valeriya Y. Shulgina, Elvira Anatol’evna Okuneva-Fatykhova: Notes On Papers Given At International Conferences In Moscow On „Russian Music Archives Abroad; Foreign Music Archives In Russia“. S. 239–260
 Reviews. 
 Review by Wolfgang Krueger: Handschriften aus deutschen Sammlungen in der Russischen Nationalbibliothek Sankt Petersburg. Musikmanuskripte und Musikdrucke des 17.—20. Jahrhunderts by Viacheslav Kartsovnik; Nina Rjazanova. S. 261–262

No. 4
 Jacques Depaulis: Un Compositeur Français Sous-Estimé : Reynaldo Hahn. S. 263–308
 Georg A. Predota: Muddying The Waters: Max Kalbeck And The Fifth Symphony By Johannes Brahms. S. 309–329
 Sara J. Beutter: A New Resource For Research On Musical Learning In The Renaissance And Early Modern Periods: The „Miml Bibliography“. S. 330–336
 André Guerra Cotta, Tom Moore: Modeling Descriptive Elements And Selecting Information Exchange Formats For Musical Manuscript Sources. S. 337–346
 Ann Kersting-Meuleman: The Friedrich Nicolas Manskopf Portrait Collection Digitization And Catalogue Project At Frankfurt University Library. S. 347–352
 Rex Lawson: What Should Librarians Do With Piano Rolls?: A Tentative Solution From The Iaml Conference In Göteborg, Sweden. S. 353–361
 Geraldine E. Ostrove: Recent Publications In Music. S. 362–468
 Reviews. 
 Review by Melissa Ursula Dawn Goldsmith: The Mahler Family Letters by Stephen McClatchie. S. 469–470
 Review by Brenda M. Romero: Music in Latin America and the Caribbean, An Encyclopedic History. Volume I, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico by Malena Kuss. S. 470–471
 Review by Scott Atwell: Syntagma musicum III: Termini musici by Michael Praetorius; Jeffrey Kite-Powell. S. 471–473
 Obituaries. 
 Mindaugas Urbaitis: Antanas Auškalnis, 1961–2006. S. 474–475
 Malcolm Jones: Ian Ledsham, 1954–2005. S. 475–477

54. Jg. 2007

No. 1
 Dominique Hausfater, Rémy Campos: L’interprétation Musicale Dans Les Fonds Des Bibliothèques : Journée D’étude Du 7 Janvier 2006 Conservatoire De Musique De Genève / Haute École De Musique. S. 1–5
 Catherine Massip: Les Sources Écrites De L’interprétation Au Département De La Musique De La Bibliothèque Nationale De France : Présentation Générale. S. 6–26
 Jacques Tchamkerten: La Bibliothèque Du Conservatoire De Musique De Genève Et Les Fonds De Musiciens Interprètes : Histoire De La Bibliothèque Et Présentation De Quelques Fonds. S. 27–32
 Nimrod Ben-Zeev: Réflexions Sur Le Catalogage Des Partitions Annotées. S. 33–37
 Florence Gétreau: Les Archives De La Société De Musique D’autrefois, 1926–1975, Conservées Au Musée De La Musique À Paris. S. 38–54
 Laurence Languin: Le Fonds Jean Martinon À La Médiathèque Nadia Boulanger Du Conservatoire National Supérieur Musique Et Danse De Lyon. S. 55–62
 Kathy Adamson: La Foyle Menuhin Archive De La Royal Academy Of Music De Londres. S. 63–72
 Massimo Gentili-Tedeschi: Archives De Musiciens Et Structure Des Notices Bibliographiques : Réflexions Préliminaires. S. 73–77
 Rémy Campos: Histoire De L’interprétation Et Histoire Des Bibliothèques : Le Cas Des Matériels De La Société De Musique De Genève (1823–2006). S. 78–99
 Cédric Segond: Une Génétique De L’interprétation Chez Nadia Boulanger : Enjeux Méthodologiques Et Bibliothéconomiques. S. 100–114
 Susanne Staral: Musikwissenschaftliche Publikationen In Deutschland. S. 115–121
 Olga Mojžíšová: Die Digitalisierung von Bedřich Smetana’s Musikhandschriften Und Korrespondenz. S. 122–126
 Heikki Poroila: Waste Of Time Or Time Saver?: Catalogues Of Uniform Titles In Finnish Music Libraries. S. 127–136
 Corresponding Editors’ News. 
 Heikki Poroila: Autumn in Helsinki — why not?. S. 137
 Berit Holth: Norwegian National Music Collection 80th Anniversary. S. 138–140
 Lisa Philpott: CAML Conference 2007. S. 140
 Reviews. 
 Review by Nathan B. Putnam: Careers in Music Librarianship II: Traditions and Transitions. (Music Library Association Technical Reports, no. 29) by Paula Elliot; Linda Blair. S. 141–142
 Review by John Schuster-Craig: MENC Handbook of Research Methodologies by Richard Colwell; MENC Handbook of Musical Cognition and Development by Richard Colwell. S. 142–144
 Review by Ron Wiecki: A Handbook to Twentieth-Century Musical Sketches by Patricia Hall; Friedemann Sallis. S. 144–146
 Review by Katrina Mitchell: The Thematic Catalogue of the Musical Works of Johann Pachelbel by Jean M. Perreault; Donna K. Fitch. S. 146–148
 Review by John Wagstaff: A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657—1726) by Lionel Sawkins; John Nightingale. S. 148–149
 Review by Tammy Ravas: Irving Fine: An American Composer in His Time by Phillip Ramey. S. 149–150
 Review by Bryan Proksch: The Reception of Bach’s Organ Works from Mendelssohn to Brahms by Russell Stinson. S. 150–151

No. 2
 Roger Flury: MINUTES OF COUNCIL MEETING: held Sunday 18 and Thursday 22 June 2006 at Artisten, Göteborg, Sweden. S. 151–165
 Martie Severt: 2005 Treasurer’s Report TO COUNCIL JUNE 2006. S. 166–174
 Reports. 
 Professional Branches. 
 John Shepard: Archive and Music Documentation Centres Branch. S. 175–176
 Angela Escott: Broadcasting and Orchestra Libraries Branch. S. 176–177
 Pia Shekhter: Libraries in Music Teaching Institutions. S. 177–178
 Hanneke Kuiper: Public Libraries Branch. S. 178–182
 Almut Boehme: Research Libraries Branch. S. 182–185
 Subject Commissions. 
 Berit Holth: Bibliography Commission. S. 185–189
 Elizabeth Giuliani: La Commission Audiovisuelle. S. 189
 Mary Wallace Davidson: Service and Training. S. 189–190
 Antony Gordon: Cataloguing Commission. S. 190–191
 Laurence Decobert: Sous-commission Unimarc. S. 191–194
 Working Groups. 
 BRANCHES. 
 Judy Tsou, Inger Enquist: Access to Music Archives Working Group Report. S. 194
 Commissions. 
 Rupert Ridgewell, Rupert Ridgwell: IAML Working Group on Access to Performance Ephemera. S. 194–196
 David Sommerfield: Working Group on ISBD and Music. S. 196
 Committees. 
 Antony Gordon: Information Technology Committee. S. 196–197
 Angela Escott: Website Guidelines Subcommittee. S. 197
 R-Projects. 
 Christoph Wolff: Répertoire International Des Sources Musicales (Rism). S. 198–199
 Barbara Dobbs Mackenzie: Répertoire International De Littérature Musicale (Rilm). S. 199–202
 H. Robert Cohen: Répertoire International De La Presse Musicale (Ripm). S. 202–204
 Ismn. 
 Hartmut Walravens: The International Standard Music Number (Ismn): A History And Current Status Report. S. 204–207
 National Reports. 
 Laurel Dingle: Australia. S. 208–209
 Thomas Leibnitz: Austria. S. 209
 Johan Eeckeloo: Belgium. S. 209–210
 Lucinda Walls: Canada. S. 210–211
 Igor Mladinić: Croatia. S. 211–212
 Jana Navratilova: Czech Republic. S. 212
 Ole Bisbjerg: Denmark. S. 212–214
 Jaakko Tuohiniemi: Finland. S. 214
 Laurence Languin: France. S. 214–215
 Susanne Hein: Germany. S. 215–216
 Julianna Gócza: Hungary. S. 216–217
 Agostina Zecca Laterza: Italy. S. 217
 Tsuneko Arakawa: Japan. S. 217–218
 Eglė Elena Marcenienė: Lithuania. S. 218–220
 Gert Floor: The Netherlands. S. 220–221
 Roger Flury: New Zealand. S. 221
 Siren Steen: Norway. S. 221–223
 Jolanta Byczkowska-Sztaba: Poland. S. 223–224
 Emilia Rassena, Emilia Rassina: Russia. S. 224
 Anna Kucianová: Slovakia. S. 224–226
 José Carlos Gosálvez Lara: Spain. S. 226–227
 Veslemöy Heinz: Sweden. S. 227
 Kathy Adamson: Uk And Ireland. S. 227–228
 Mary Wallace Davidson: United States. S. 228
 Corresponding Editors’ News. 
 Heikki Poroila: Finnish Broadcasting Company’s Database opened for public. S. 229
 Reviews. 
 Review by Kenneth Kreitner: Mehrstimmige Messen in Quellen aus Spanien, Portugal und Lateinamerika, ca. 1490—1630: Drucke, Handschriften und verlorene Quellen. (RISM B XV) by Cristina Urchueguía. S. 230–231
 Review by Barry Zaslow: A Chronological Order For The Keyboard Sonatas of Domenico Scarlatti (1685—1757). (Studies in the History and Interpretation of Music, Vol. 109) by Matthew Flannery. S. 231–232
 Review by Felicitas Zink: Mozart: Briefe und Aufzeichnungen. Gesamtausgabe (8 Bände im Schuber. 4) by Wilhelm A. Bauer; Otto Erich Deutsch; Josef Heinz Eibl; Ulrich Konrad. S. 232–234
 Review by Jutta Lambrecht: Mozart-Werkverzeichnis. Kompositionen, Fragmente, Skizzen, Bearbeitungen, Abschriften, Texte by Ulrich Konrad. S. 234–235
 Review by Jan Dewilde: Dictionnaire Berlioz by Pierre Citron; Cécile Reynaud. S. 235–237
 Review by Christopher Walton: Die Hochschule für Musik zu Berlin. Preussens Konservatorium zwischen romantischem Klassizismus und Neuer Musik, 1869—1932/33. (Pallas Athene, Vol. 8) by Dietmar Schenk. S. 237–238
 Review by Peter Franklin: Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek. (Patrimonia; 157) by Günther Weiss; Sigrid von Moisy; Hartmut Schaefer. S. 238–240
 Review by Cindy Richardson: Convergences in Music & Art: A Bibliographic Study. (Detroit Studies in Music Bibliography, No. 86) by George C. Schuetze. S. 240–241
 Review by Lewis Foreman: Ibbs and Tillett: The Rise and Fall of a Musical Empire by Christopher Fifield. S. 241–243
 Review by Anna Pensaert: Bibliography and Discography on Music for Solo Wind Instruments and Orchestra = Bibliographie und Diskographie für Soloblasinstrumente und Orchester. Volume 1: Recorder, Flute = Blockflöte, Flöte. Volume 2: Oboe, Clarinet, Bassoon, Saxophone = Oboe, Klarinette, Fagott, Saxophon. Volume 3: Horn, Trumpet, Trombone, Tuba = Horn, Trompete, Posaune, Tuba by Hermann Haug. S. 243–245
 Review by Anna Pensaert: Clavis Archivorum ac Bibliothecarum Italicarum ad Musicam artem pertinentium (CABIMUS) = Guida alle Biblioteche e agli Archivi Musicali Italiani: con la relative Bibliografia Musicologica by Giancarlo Rostirolla; Luciano Lucani. S. 245–246
 Review by Niels Krabbe: Jean Sibelius. Complete works. Series I/1 Volume 1—4. Kullervo op. 7 for Soloists, Men’s Chorus and Orchestra. Kullervo: piano-vocal arrangements, movements III and V by Glenda Dawn Goss. S. 246–250

No. 3
 Chris Walton: Music In South Africa: Foreword. S. 251–253
 Kofi Agawu: To Cite Or Not To Cite?: Confronting The Legacy Of (European) Writing On African Music. S. 254–262
 Lara Allen: Preserving A Nation’s Heritage: The Gallo Music Archive And South African Popular Music. S. 263–279
 Mogomme Alpheus Masoga: Rescuing Archives Of Indigenous Knowledge For Contemporary Musical Arts: The Case Of Rangwato Magoro. S. 280–290
 Elsabé Kloppers: Singing Hymns Under The Southern Cross: The „Liedboek Van Die Kerk“, A New Afrikaans Hymnal. S. 291–307
 Carol Steyn: President Kruger’s Armenian Hymnal: A Late-Mediaeval Discovery In Pretoria. S. 308–319
 Santie de Jongh: From St Petersburg To The Cape: Three Autobiographical Texts By Albert Coates. S. 320–330
 Barry Ross: Maestro And Commander: The Michael Scott Collection At The University Of Stellenbosch. S. 331–358
 Michael Blake: South African Composers On The World Stage: The Iscm In South Africa. S. 359–373
 Review Article. 
 Review by Stephanus Muller: The World of South African Music: A Reader by Christine Lucia. S. 374–379
 Reviews. 
 Review by Annemie Stimie: Emerging Solutions for Musical Arts Education in Africa by Anri Herbst. S. 379–380
 Review by Mary Rorich: The Drumcafé’s Traditional Music of South Africa by Laurie Levine. S. 380–382

No. 4
 The R-Projects. 
 Maureen Buja: The R-Projects: Editoral Essay. S. 383–384
 Maureen Buja: A Quarter-Century Of Success: An Interview With H. Robert Cohen, Founder And Director Of The Répertoire International De La Presse Musicale (Ripm). S. 385–390
 H. Robert Cohen, Benjamin Knysak: Ripm: Online Archive Of Music Periodicals (1800—1950). S. 391–420
 Barbara Dobbs Mackenzie: Rilm At 40: A View From The Bridge. S. 421–439
 Antonio Baldassarre: Quo Vadis Music Iconography? The Répertoire Internatonal D’iconographie Musicale As A Case Study. S. 440–452
 Ron Wiecki: Seguin Operatic Troupe Materials In The Tams-Witmark/Wisconsin Collection: A Preliminary Descriptive Catalog. S. 453–480
 Andrew Ashbee, John Harley: Records Of The English Chapel Royal. S. 481–521
 Fabian Kolb: Die Oper In Italien Und Deutschland Zwischen 1770 Und 1830: Die Neue Online-Datenbank Erschließt Das Opernrepertoire Der Zeit Um 1800 Und Stellt Rund 500 Digitalisierte Manuskripte Zur Verfügung. S. 522–527
 Alla Semenyuk: The Digital Collection Of Russian Music Of The First Half Of The Nineteenth Century (From The Russian State Library Stocks). S. 528–530
 Eglė Stalnionienė: Outreach In Lithuanian Music Libraries. S. 531–537
 Ingela Sundström-Öberg: The Music Will Always Go On: The Swedish Contribution To The Work Of The Edward Said National Conservatory Of Music In Ramallah. S. 538–540
 Mathias Auclair: Les Sources Sur Les Ballets Suédois Conservées À La Bibliothèque-Musée De L’opéra. S. 541–569
 Owen Tam, Patrick Lo: Making The Library Opac Sing: How To Introduce Naxos Music Library Titles To Online Public Access Catalogues — The Lingnan University Library Experience. S. 570–595
 Corresponding Editors’ News. 
 Heikki Poroila: News from the Second Nordic-Baltic Meeting Music—Politics—Libraries in Helsinki. S. 596
 Johan Delauré: FRBR in Flanders. S. 596
 Gabriella Biagi Ravenni: Work on a New Catalogue of the Works of Luigi Boccherini. S. 596–597
 Ria Warmerdam: News from the Netherlands. S. 598–599
 Reviews. 
 Review by Gerald Seaman: Douglas Lilburn: His Life and Music by Philip Norman. S. 600–601
 Review by Gerald Seaman: A Soviet Credo: Shostakovich’s Fourth Symphony by Pauline Fairclough. S. 601–603
 Review by Laurel Tarulli: Music Abbreviations: A Reverse Dictionary by Donald L. Hixon. S. 603–604
 Review by John Schuster-Craig: Benjamin Britten: The Spiritual Dimension. (Oxford Studies in British Church Music) by Graham Elliott. S. 604–605
 Review by Bryan Proksch: Brass Scholarship in Review: Proceedings of the Historic Brass Society Conference, Cité de la Musique, Paris 1999. (Bucina: The Historic Brass Society Series No. 6) by Stewart Carter. S. 605–607
 Review by Ralph Hartsock: Performance Practice: A Dictionary Guide for Musicians by Roland Jackson. S. 607–608
 Review by Joy Pile: Gaetano Brunetti (1744—1798): Catálogo Crítico, Temático y Cronológico. (Coleccíon de Monografías, no. 8.) by Germán Labrador López de Azcona. S. 608–609
 Review by Brad Eden: Researching the Song: a Lexicon by Shirlee Emmons; Wilbur Watkin Lewis. S. 609–610
 Review by Karen M. Burke: Sourcebook for Research in Music. Second Edition by Phillip D. Crabtree; Donald H. Foster; Allen Scott. S. 610–611
 Review by Scott Warfield: Orchestral Music: A Handbook. Fourth Edition by David Daniels. S. 611–612
 Geraldine E. Ostrove: Recent Publications In Music. S. 613–758

55. Jg. 2008

No. 1
 Roger Flury: MINUTES OF COUNCIL MEETING: held Sunday 1 July at 14.00 and Thursday 5 July 2007 at 16.00 at the Conservatorium of Music, Sydney, Australia. S. 1–14
 Martie Severt: 2006 Treasurer’s Report TO COUNCIL AND GENERAL ASSEMBLY JULY 2007. S. 15–24
 Reports. 
 Professional Branches. 
 Angela Escott: Broadcasting and Orchestra Branch. S. 25
 Hanneke Kuiper: Public Libraries Branch. S. 25–32
 Almut Boehme: Research Libraries Branch. S. 32–35
 Subject Commissions. 
 David Day: Bibliography Commission. S. 35
 Elizabeth Giuliani: Archives and Music Documentation Centres. S. 35
 Mary Wallace Davidson: Subject Commission: Service and Training. S. 35–36
 Antony Gordon: Cataloguing Commission. S. 36–37
 Laurence Decobert: Sous-commission UNIMARC / Sub-Commission on UNIMARC. S. 38–40
 Working Groups. 
 Branches. 
 Judy Tsou, Inger Enquist: Working Group on Access to Music Archives. S. 40
 Nicholas Cook: Hofmeister XIX. S. 40–41
 Commissions. 
 Rupert Ridgewell: Working Group on Access to Music Ephemera. S. 41
 David Sommerfield: The Working Group on ISBD and Music. S. 41
 Committees. 
 Antony Gordon: Information Technology Committee. S. 41
 Ruth Hellen: Outreach Committee. S. 41–44
 Angela Escott: Sub-committee on Guidelines for the IAML Website. S. 44
 R-Projects. 
 Christoph Wolff, Klaus Keil: Répertoire International des Sources Musicales (RISM). S. 44–50
 Barbara Dobbs Mackenzie: Répertoire international de littérature musicale (RILM). S. 50–51
 Antonio Bladassare, Antonio Baldassarre: Répertoire International d’Iconographie Musicale (RIdIM): Three years of new activities. S. 51–52
 H. Robert Cohen: Répertoire international de la presse musicale (RIPM). S. 53–54
 National Reports. 
 Laura Dingle: Australia. S. 54–55
 Thomas Leibnitz: Austria. S. 55
 Johan Eeckeloo: Belgium. S. 55–56
 Lucinda Walls: Canada. S. 56–57
 Jana Navrátilová: Czech Republic. S. 57–58
 Ole Bisbjerg: Denmark. S. 58–59
 Aurika Gergeležiu: Estonia: January 2006—July 2007. S. 60–61
 Ulla Ikäheimo: Finland. S. 61
 Laurence Languin: France. S. 61–62
 Susanne Hein: Germany. S. 62–63
 Julianna Gócza: Hungary. S. 63–64
 Agostina Zecca Laterza: Italy. S. 64
 Tsuneko ARAKAWA: Japan. S. 64–65
 Gert Floor: The Netherlands. S. 65–66
 Roger Flury, Elizabeth Nichol: New Zealand. S. 66–67
 Siren Steen: Norway. S. 67–68
 Stanisław Hrabia, Stansław Hrabia: Poland. S. 68–69
 Alda Goes: Portugal. S. 69–70
 Emilia Rassena, Emilia Rassina: Russia. S. 70
 Anna Kucianová: Slovakia. S. 70–72
 José Carlos Gosálvez Lara: Spain. S. 72–73
 Christel Rosenborg: Sweden. S. 73
 Liz Hart: United Kingdom and Ireland. S. 73–74
 Mary Wallace Davidson: United States. S. 74–75
 Corresponding Editors’ News. 
 Heikki Poroila: 50 th Anniversary of Music Departments in Finnish Public Libraries. S. 75
 Heikki Poroila: Popular Song Celebrations. S. 75–76
 Ilvi Rauna: Tubin Complete Works Launch. S. 76
 Helen Faulkner: Ursula Vaughan Williams (1911—2007). S. 76–77
 Reviews. 
 Review by J. Bradford Young: Music, Libraries and the Academy: Essays in Honor of Lenore Coral by James P. Cassaro. S. 78–79
 Review by John Wagstaff: Bibliographic Control of Music, 1897—2000. (MLA Index and Bibliography Series; 32) by Richard P. Smiraglia; J. Bradford Young. S. 79–81
 Review by Sophie Fuller: Women in Music: A Research and Information Guide. (Routledge Music Bibliographies) by Karin Pendle. S. 81–84
 Review by Andrew R. Walkling: An Annotated Catalogue of the Music Manuscripts in the Folger Shakespeare Library, Washington, D.C. (Annotated Reference Tools in Music, no. 6) by Richard Charteris. S. 84–88
 Review by Kathryn Lowerre: J.S. Bach: A Life in Music by Peter Williams. S. 88–89
 Review by Joachim Jaenecke: Nähe aus Distanz. Bach-Rezeption in der Schweiz by Urs Fischer; Hans-Joachim Hinrichsen; Laurenz Lütteken. S. 89–91
 Review by John Wagstaff: The Conservatoire Américain: a History by Kendra Preston Leonard. S. 91–93
 Review by Cindy Richardson: Jean Coulthard: A Life in Music by William Bruneau; David Gordon Duke. S. 93–94
 Review by Joy Pile: Musikinstrumentenbau im interkulturellen Diskurs. (Berichte des interkulturellen Forschungsprojekts „Deutsche Musikkultur im östlichen Europa“; Bd. 1) by Erik Fischer; Annelie Kürsten; Sarah Brassack. S. 94–96
 Review by Donald Babcock: The Trombone. (Yale Musical Instrument Series) by Trevor Herbert. S. 96–97
 Australia. 
 Georgina Binns: National Issue: Australia. S. 98–100
 Malcolm Gillies: From Pencil To Podcast: Maximizing Musical Resources. S. 101–110
 Graeme Skinner: Some Makings Of An Australian Composer (1964—65): Historical Context And The National Library Of Australia’s Peter Sculthorpe Papers. S. 111–127
 Robyn Holmes, Kaye McIntyre: Music Australia: From Development To Production Service. S. 128–141
 Robyn Holmes: Contexts, Contents And Challenges: Publishing Music Research In Australia. S. 142–154
 Grace Koch: Music And Land Rights: Archival Recordings As Documentation For Australian Aboriginal Land Claims. S. 155–164
 Cate Richmond: Engaging With Remote Communities In The Northern Territory: The Libraries And Knowledge Centres Program. S. 165–169
 Daniela Kaleva: The Gustav Holst And British Music Society Of Victoria Collections At The State Library Of Victoria. S. 170–179
 Aline Scott-Maxwell: Royal Songs And Royal Singing: Music In The Norodom Sihanouk Archival Collection, Monash University Library. S. 180–190
 Reis W. Flora: Twelve Ragamala Paintings In The National Gallery Of Victoria, Melbourne: A Concordance For Two Sets Of Names And Five Sets Of Numbers. S. 191–204
 Jane Morlet Hardie: Spanish Liturgical Music Manuscripts At The University Of Sydney: A Preliminary Report. S. 205–222
 Kathleen E. Nelson: Fragments Of Medieval Chant Manuscripts At The University Of Sydney. S. 223–231
 Reviews of Australian Books. 
 Review by Kathleen Haefliger: Currency Companion to Music and Dance in Australia by John Whiteoak; Aline Scott-Maxwell. S. 232–234
 Review by Anna Gifford: Intercultural Music: Creation and Interpretation by Sally Macarthur; Bruce Crossman; Ronald Morelos. S. 234–238
 Review by Peter Campbell: The Soundscapes of Australia: Music, Place and Spirituality by Fiona Richards. S. 238–239
 Review by Mal Stanley: Sounds from the Corner: Australian Contemporary Jazz on CD by Roger Dean. S. 239–240
 Review by Georgina Binns: Australian Solo Piano Works of the Last Twenty-five Years. 4 th edition by Jeanell Carrigan. S. 240–241

No. 2
 Hugh Cobbe: Susan Thiemann Sommer: 1935—2008. S. 253–255
 Outreach. 
 Ruth Hellen: Sydney Conference : Outreach Committee Session. S. 256
 Julianna Gócza: Music Library Services In Hungary: Future Requirements For Support. S. 257–262
 Christian Onyeji: Library Of Folk Music Of Nigeria Project: The Current State. S. 263–269
 Ruth Hellen: Music Libraries In Armenia: October 2006. S. 270–273
 Almut Boehme: An Initial Investigation Into The Early Dissemination Of Scottish Music In Australia. S. 274–296
 Koo Ching Lan Jasmine, Peter Warning: Metadata Design For Digital Chinese Orchestral Scores With Instrumental Parts. S. 297–339
 Richard Turbet: A Selective Bibliography Of Writings About Tudor Music 1992—2007: For John Harley On His Eightieth Birthday. S. 340–362
 Jerry L. McBride: Copying By Libraries In The United States: Reviewing Section 108 Of The Us Copyright Laws. S. 363–376
 Franc Križnar: On „Alamut“, An Opera In Three Acts, By Matjaž Jarc. S. 377–388
 Corresponding Editors’ News. 
 Ilvi Rauna: Digital and Collected Editions Symposium. S. 389
 Ria Warmerdam: Merger of Dutch Music Institutes Completed. S. 390–392
 Heikki Poroila: From Finnish Film Archive to Finnish National Audiovisual Archive. S. 392
 Lisa Philpott: CAML. S. 392
 Reviews. 
 Review by Laurel Tarulli: How to Write about Music: The RILM Manual of Style. Second edition by James R. Cowdery. S. 393–394
 Review by Brian Cockburn: Historical dictionary of sacred music by Joseph P. Swain. S. 394–395
 Review by Bryan Proksch: C. P. E. Bach Studies by Annette Richards. S. 395–396
 Review by John Wagstaff: Catalogue des éditions françaises de Mozart, 1764—1825. (Catalogues du Centre de Musique Baroque de Versailles; 1) by Jean Gribenski. S. 397–398
 Review by Mark E. Perry: Analytical Studies in World Music by Michael Tenzer. S. 398–399
 Review by Anna Pensaert: William Byrd: A Guide to Research. 2 nd ed. (Routledge music bibliographies) by Richard Turbet. S. 399–401
 Review by Andy Linehan: Rock Song Index: the 7500 most important songs of the Rock and Roll era, 1944—2000. 2 nd Edition by Bruce Pollock. S. 401–402
 Review by Ralph Hartsock: Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists, and Writers on Music by Jeanette Marie Drone. S. 402–404
 Review by Laurel E. Fay: Dmitri Shostakovich [Catalogue of Works]. S. 404–405
 Review by Kevin Bartig: Sergey Prokofiev, Diaries 1907—1914: Prodigious Youth by Anthony Phillips. S. 405–406
 Review by Jan Dewilde: François-Joseph Fétis: correspondance by Robert Wangermée. S. 406–409
 Review by Ron Wiecki: Grawemeyer Award for Music Composition: The First Twenty Years. (Music Library Association Index and Bibliography Series, no. 33) by Karen R. Little; Julia Graepel; R. Scott Adams. S. 410–411
 Review by Brian C. Thompson: Nationalism and Ethnosymbolism: History, Culture and Ethnicity in the Formation of Nations by Athena S. Leoussi; Steven Grosby. S. 411–413
 Review by William G. Rose: Guide to the Euphonium Repertoire: The Euphonium Sourcebook by Lloyd E. Bone; Eric Paull. S. 413–414
 Review by Keith E. Clifton: Classic Chic: Music, Fashion, and Modernism. (California Studies in 20th-Century Music, 6) by Mary E. Davis. S. 414–416
 Reviews from „Forum Musikbibliothek“. 
 Review by Jutta Lambrecht: Antonio Vivaldi. Thematischsystematisches Verzeichnis seiner Werke (RV) / Thematic-Systematic Catalogue of his Works. — Inhaltsverzeichnis, Vorwort und Hinweise zur Benutzung in deutsch und englisch by Peter Ryom. S. 416–417
 Review by Peter Sühring: Mozarts Opern. Das Handbuch, (Das Mozart-Handbuch; 3) by Dieter Borchmeyer; Gernot Gruber. S. 417–419
 Review by Peter Sühring: Das Reichsorchester. Die Berliner Philharmoniker und der Nationalsozialismus by Misha Aster; Mike Aster; Die Furtwänglers. Geschichte einer deutschen Familie by Eberhard Straub. S. 419–420
 Review by Jürgen May: Beethoven und der Musikverlag Breitkopf & Härtel. Begleitbuch zu einer Ausstellung des Beethoven-Hauses Bonn (Veröffentlichungen des Beethoven-Hauses Bonn; Begleitpublikationen zu Ausstellungen; 18) by Nicole Kämpken; Michael Ladenburger. S. 421
 Review by Claudia Niebel, Claudel Niebel: Variationen mit Orchester : 125 Jahre Berliner Philharmoniker. Biographien und Konzerte Stiftung Berliner Philharmoniker. S. 421–422
 Review by Andreas Vollberg: Oper in Köln. Von den Anfängen bis zur Gegenwart by Christoph Schwandt. S. 422–423
 Review by Michael Stapper: Der deutsche Musikfilm. Archäologie eines Genres 1914—1945 by Michael Wedel. S. 423
 Review by Martin Elste: Ausgespielt. Aufstieg und Fall der Klassikindustrie by Norman Lebrecht; Ingeborg Hagedorn; Katja Naumann. S. 424–427

No. 3
 Special Collections and Private Music Libraries. 
 Maureen Buja: Special Collections And Private Music Libraries Introduction. S. 433–434
 Katharine Hogg: Handel And The Foundling Hospital: The Gerald Coke Handel Collection At The Foundling Museum. S. 435–447
 Kathryn Bosi: The Morrill Music Library At The Biblioteca Berenson, Villa I Tatti, Florence: Its History And Holdings. S. 448–473
 Pamela Thompson: The Edward Heron-Allen Collection In The Royal College Of Music Library. S. 474–483
 Angela Escott: Orchestral Performance Practice Revealed In A Conservatoire’s Historic Collections. S. 484–494
 Jim H Y Chang: Saving Local Music From Oblivion: The Hong Kong Music Collection At The Hong Kong Central Library. S. 495–511
 Greta Olson, Rosa Isusi Fagoaga: The Music Archive And Library At The Real Colegio-Seminario De Corpus Christi (Valencia). S. 512–518
 Richard Excell: Bowerbird To L’oiseau – Lyre: The Hanson – Dyer Collection At The Louise Hanson – Dyer Music Library, The University Of Melbourne. S. 519–532
 Mary Black Junttonen: The G. Robert Vincent Voice Library. S. 533–542
 Noëlle Mann: The Serge Prokofiev Archive In London – A Complex Story. S. 543–547
 Fiona McKnight: The Serge Prokofiev Archive Today And Beyond. S. 548–553
 Corresponding Editors’ News. 
 Berit Holth: Last, But Not Least! Opening of the New Norwegian Opera House. S. 554–559
 Ilvi Rauna: Unique Estonian Sound Recordings from 1939 Found in Denmark. S. 560
 Reviews. 
 Review by Ron Wiecki: Music in North America and the West Indies from the Discovery to 1850: A Historical Survey by Daniel Mendoza de Arce. S. 561–563
 Review by Chris Walton: Johannes Brahms: Vom Ratgeber zum Kompositionslehrer. Schweizer Beiträge zur Musikforschung, Vol. 6 by Johannes Behr. S. 563–564
 Review by Katrina Mitchell: Johann Georg von Werdenstein (1542–1608): A Major Collector of Early Music Prints. (Detroit Studies in Music Bibliography, No. 87) by Richard Charteris. S. 564–566
 Review by Malena Kuss: Diccionario bibliográfico de la müsica argentina y de la música en la Argentina by Leandro Donozo. S. 566–568
 Review by Melissa Ursula Dawn Goldsmith: Directory of Conductors’ Archives in American Institutions by Henry Bloch. S. 568–569
 Review by Allan Badley: The Chevalier de Saint-Georges: Virtuoso of the Sword and the Bow. (Lives in Music Series, No. 7) by Gabriel Banat. S. 569–571
 Review by Allan Badley: George Augustus Polgreen Bridgetower, Violin Virtuoso and Composer of Color in late 18th Century Europe by Clifford D. Panton. S. 571–572
 Review by Barry J. Zaslow: A Living Legacy: Historic Stringed Instruments at The Juilliard School by Lisa B. Robinson. S. 572–573
 Review by Melissa Ursula Dawn Goldsmith: A Manual for the Performance Library. Music Library Association Basic Manual Series, no. 6 by Russ Girsberger. S. 573–574

No. 4
 Roger Flury: MINUTES OF COUNCIL MEETING: held Sunday 20 July in the Sala Martucci, Conservatorio San Pietro a Majella and Thursday 24 July in the Sala Dione, Expo Centro Congressi Terminali Napoli. S. 581–590
 Kathy Adamson, Martie Severt: 2007 Treasurer’s Report TO COUNCIL JULY 2008. S. 591–596
 IAML Reports. 
 Professional Branches. 
 John Shepard: Archives and Music Documentation Centres Branch. S. 597–599
 Angela Escott: Reports of the Broadcasting and Orchestra Libraries Branch. S. 599–600
 Pia Shekhter: Libraries in Music Teaching Institutions. S. 600–601
 Hanneke Kuiper: Public Libraries Branch. S. 601–606
 Almut Boehme: Research Libraries Branch. S. 606–608
 Subject Commissions. 
 Berit Holth, David Day: Bibliography Commission. S. 608–612
 Elizabeth Giuliani: Commission on Audio-Visual Materials. S. 612–613
 Mary Wallace Davidson: Commission on Service and Training. S. 613–614
 Antony Gordon: Cataloguing Commission. S. 614–615
 Tiziana Morsanuto, Isabelle Gauchet Doris: Sub-commissiosn on Unimarc. S. 615–617
 Working Groups. 
 Branches. 
 Jon Bagüés, Inger Enquist: Working Group on Access to Music Archives. S. 618
 Chris Banks: Working Group on Hofmeister XIX. S. 618–619
 Commissions. 
 Rupert Ridgewell: Working Group on Access to Performance Ephemera. S. 619–620
 Antony Gordon: Working Group on Exchange of Authority Data. S. 620
 David Sommerfield: Cataloguing Commission: Working Group on ISBD and Music. S. 620
 Committees. 
 Richard Chesser: Constitution Committee. S. 620
 Federica Riva, Richard Chesser: Copyright Committee. S. 620–621
 Antony Gordon: Information Technology Committee. S. 621–623
 Jon Bagüés: Outreach Committee. S. 623–624
 Jim Cassaro, James Cassaro: Programme Committee. S. 624–625
 R-Projects. 
 Klaus Keil, Christoph Wolff: Répertoire International Des Sources Musicales (RISM): Jahresbericht 2007. S. 625–627
 Barbara Dobbs Mackenzie: Répertoire International de Littérature Musicale (RILM). S. 627–630
 Antonio Baldassarre, Antonio Bladassare: Repertoire International d’Iconographie Musicale (RidIM). S. 630–633
 H. Robert Cohen: Répertoire international de la presse musicale (RIPM). S. 633–635
 IAML-L and ISMN. 
 Bonna J. Boettcher: IAML-L. S. 635
 Hartmut Walravens: International Standard Music Number (ISMN). S. 635–636
 National Reports. 
 Laurel Dingle: Australia. S. 636–637
 Thomas Leibnitz: Austria. S. 637
 Johann Eeckeloo: Belgium. S. 637–638
 Peter Higham: Canada. S. 638–639
 Željka Radovinović: Croatia. S. 639–640
 Zuzana Petrášková: Czech Republic. S. 640–641
 Ole Bisbjerg: Denmark. S. 641–642
 Aurika Gergeležiu: Estonia. S. 642–643
 Ulla Ikäheimo: Finland. S. 643
 Laurence Languin: France. S. 643–644
 Susanne Hein: Deutschland. S. 644–645
 Julianna Gócza: Hungary. S. 645–646
 Agostina Zecca Laterza: Italy. S. 646–647
 Yasuko TODO: Japan. S. 647–648
 Gert Floor: The Netherlands. S. 648–651
 Elizabeth Nichol: New Zealand. S. 651–652
 Siren Steen: Norway. S. 652
 Stanisław Hrabia, Stansław Hrabia: Poland. S. 653
 Emilia Rassina, Emilia Rassena: Russia. S. 653–654
 Anna Kucianová: Slovakia. S. 654–656
 Jorge García: Spain. S. 656
 Dorothea Baumann, Pia Shekhter: Switzerland. S. 656–657
 Liz Hart: United Kingdom and Ireland. S. 657–658
 Judy Tsou: United States. S. 658–659
 Corresponding Editors’ News. 
 Berit Holth: A New Grieg Thematic and Bibliographic Work Catalogue. S. 659
 Berit Holth: Report from 16th International ISMN Panel Meeting & the 2nd Annual General Meeting of the Internationale ISMN-Agentur e.V., June 16—18 2008, in Yogyakarta, Indonesia. S. 659–660
 Obituary. 
 Sylwia Heinrich: Agnieszka Mietelska-Ciepierska (20 Oct. 1939—14 Jan. 2008). S. 661
 Reviews. 
 Review by John Schuster-Craig: Analyses of Nineteenth- and Twentieth Century Music, 1940—2000. Music Library Association Index and Bibliography Series, No. 34 by D. J. Hoek; Arthur Wenk. S. 662–663
 Review by N. Lee Orr: Church Music in America by John Ogasapian. S. 663–665
 Review by Mac Nelson: A Cellist’s Companion: A Comprehensive Catalogue of Cello Literature by Henk Lambooij; Michael Feves. S. 665–666
 Review by Ralph Hartsock: Encyclopedia of the Blues by Edward Komara. S. 666–668
 Review by Keith E. Clifton: French Music since Berlioz by Richard Langham Smith; Caroline Potter. S. 668–669
 Review by Robert Torre: Music in Eighteenth-Century Life: Cities, Courts, Churches by Mara E. Parker. S. 669–671
 De musica disserenda. Year III No. 1 by Nataša Cigoj Krstulović. S. 671
 De musica disserenda. Year III No. 2 by Jurij Snoj. S. 671
 Muzikološki Zbornik (Musicological Annual) XLIII/1 by Matjaž Barbo; Gregor Pompe. S. 671–672
 Review by Gerald Seaman: Muzikološki Zbornik (Musicological Annual) XLIII/2 by Leon Stefanija; Katarina Bogunović Hočevan; Matjaž Barbo. S. 672
 Geraldine E. Ostrove: Recent Publications In Music. S. 673–762

56. Jg. 2009

No. 1
 Svetlana Martynova: Italians In A Russian Manner: One Step From Serious To Funny. S. 1–6
 Pinuccia Carrer: A Pink Database: A Repertoire Of Feminine Names In The Noseda Collection Of The Conservatory Library In Milan. S. 7–9
 Danutė Petrauskaitė: The Lithuanian Treasure From Chicago: The Dr. Kazys Pemkus Collection At Klaipėda University Library. S. 10–24
 Juha Torvinen: Can Music (Libraries) Predict Our Future?. S. 25–28
 Joachim Jaenecke: Dating Music Manuscripts And Prints: An Overview Of Past And Present Research. S. 29–35
 Giovanni Insom: The Music Archives In The Abbey Of Montecassino And The Library Of S. Domenico In Ortona: Multifunctional Activity For A High-Quality Cataloguing. S. 36–50
 Tatjana Mihalić: Music Collections In Croatia. S. 51–65
 Per Dahl: The Rise And Fall Of Literacy In Classical Music: An Essay On Musical Notation. S. 66–76
 Corresponding Editors’ News. 
 Heikki Poroila: 50 years of Finnish public music libraries. S. 77
 Heikki Poroila: Pekka Gronow retires. S. 77
 Ria Warmerdam: John Adams thinks the world of music librarians. S. 78
 Ria Warmerdam: Performing arts in The Netherlands in shock: New subsidy policy distresses renowned musical ensembles. S. 78
 Ria Warmerdam: Conservatorium van Amsterdam moves to new building. S. 78–79
 Ria Warmerdam: IAML-IMS Amsterdam 2009. S. 79
 Ria Warmerdam: Opening of the National Knowledge Centre of Organ Music, www.orgelmuziekweb.nl. S. 79–80
 Reviews. 
 Review by Gerald Seaman: The Beauty of Belaieff by Richard Beattie Davis. S. 81–82
 Review by Kirstin Dougan: Music Research: A Handbook by Laurie Sampsel. S. 82–84
 Review by Chris Walton: Skizzen einer Persönlichkeit. Max Kalbeck zum 150. Geburtstag. Breslau 4. Jänner 1850 — Wien 4. Mai 1921. Symposion. Wien 21.—24. Mai 2000 by Uwe Harten. S. 84–85
 Review by Bryan Proksch: W. A. Mozart by Hermann Abert; Cliff Eisen; Stewart Spencer. S. 85–86
 Review by Chris Walton: Hugo Wolf Enzyklopädie by Ernst Hilmar. S. 86–87
 Review by Anna Pensaert: Vlaamse dansen. Homerische symfonie. Stadspark. (Repertoire Explorer: The Flemish Music Collection. Editor Daniel Gazon) by Jan Blockx; Lodewijk Mortelmans; Arthur Meulemans. S. 87–88
 Review by John Schuster-Craig: Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality. (California Studies in 20 th -Century Music, 5) by David E. Schneider. S. 88–90
 Review by Delphine Mordey: Reynaldo Hahn by Jacques Depaulis. S. 90–92
 Review by Johan Eeckeloo: Ah! Le métier de donneur de concerts : Adrien François Servais (1807—1866) als rondreizend cellovirtuoos by Peter François; Adrien François Servais, Halse cellist met wereldfaam: catalogus by Peter François; Mélanges d’histoire du Conservatoire royal de Bruxelles, vol. I by Paul Raspé. S. 92–93
 Review by Graydon Beeks: G. F. Handel: A Guide to Research, Second Edition. (Routledge Music Bibliographies) by Mary Ann Parker. S. 93–94
 Review by S. Timothy Maloney: Sousa at Illinois: The John Philip Sousa and Herbert L. Clarke Manuscript Collections at the University of Illinois at Urbana-Champaign: A Catalogue of the Collections. Detroit Studies in Music Bibliography, No. 85 by Phyllis Danner. S. 94–96
 Review by Stanley Boorman: Tielman Susato and the Music of his Time: Print Culture, Compositional Technique and Instrumental Music in the Renaissance. (Bucina: The Historic Brass Society Series, 5) by Keith Polk. S. 96
 Reviews from „Forum Musikbibliothek“. 
 Review by Peter Sühring: Briefwechsel mit Leipziger Verlegern III: Friese, Hofmeister, Peters, Siegel. (Schumann Briefedition, Serie III Verlegerbriefwechsel; 3) by Robert Schumann; Clara Schumann; Petra Dießner; Irmgard Knechtges-Obrecht; Thomas Synofzik; Briefwechsel mit Verlagen in West- und Süddeutschland. (Schumann Briefedition, Serie III Verlegerbriefwechsel; 5) by Robert Schumann; Clara Schumann; Hrosvith Dahmen; Thomas Synofzik. S. 96–98
 Review by Michael Stapper: PopMusicology. Perspektiven der Popmusikwissenschaft by Christian Bielefeld; Udo Dahmen; Rolf Grossmann. S. 98
 Review by Andreas Vollberg: Operette unterm Hakenkreuz. Zwischen hoffähiger Kunst und „Entartung“. Beiträge einer Tagung der Staatsoperette Dresden by Wolfgang Schaller. S. 99
 Review by Martin Elste: Das Wiener Klavier bis 1850. Bericht des Symposiums „Das Wiener Klavier bis 1850“, veranstaltet von der Sammlung alter Musikinstrumente des Kunsthistorischen Museums Wien vom 16. bis 18.10.2003 by Beatrix Darmstädter; Alfons Huber; Rudolf Hopfner. S. 99–100
 Review by Georg Günther: Europäische Romantik in der Musik. Band 1: Oper und symphonischer Stil 1770—1820. Band 2: Von E. T. A. Hoffmann zu Richard Wagner by Carl Dahlhaus; Norbert Miller. S. 100–101
 Review by Peter Sühring: I Mozart in Italia. Cronistoria dei viaggi, documenti, lettere dizionario dei luoghi e delle persone. (L’arte armonica, Serie IV, Iconografia e cataloghi; 3) by Alberto Basso. S. 101–102
 Review by Ludwig Steinbach: Joseph Keilberth. Ein Dirigentenleben im XX. Jahrhundert by Thomas Keilberth; Hermann Dechant. S. 102–103
 Review by Ludwig Steinbach: Carlos Kleiber. Eine Biografie by Alexander Werner. S. 103
 Review by Marianne Noeske: Carmina Burana von Carl Orff: Entstehung — Wirkung — Text by Franz Willnauer; Carl Orff. Carmina Burana. (Bärenreiter Werkeinführungen) by Susanne Gläß. S. 104–105
 Review by Peter Sühring: Musiktheoretische Quellen 1750—1800. Gedruckte Schriften von Joseph Riepel, Heinrich Christoph Koch, Johann Friedrich Daube und Johann Adolph Scheibe by Ulrich Kaiser; Stefan Eckert. S. 105–106
 Review by Claudia Niebel: Johannes Brahms. Leben und Werk by Malte Korff. S. 106–107

No. 2
 Pamela Tancsik: Tracing Joseph Trauneck: The Wanderings Of A Persecuted Man. S. 115–137
 Lucy Walker: The Benjamin Britten Thematic Catalogue: An Introduction To The Online Resource. S. 138–149
 Stefanie Beghein: Une Collection Musicale D’origine Italienne (Première Moitié Du 18 Ième Siècle) Dans Les Archives Archiépiscopales De Malines. S. 150–161
 M. Carmen García Mallo: The Reception Of Italian Repertoire In The Spanish Upper Classes Through The Private Music Collection Of Anselmo González Del Valle (1852—1911). S. 162–200
 Antonio Ezquerro Esteban: Neue Herausforderungen Im Umfeld Des Rism-Projektes: Der Fall Spanien. S. 201–206
 Fiona Still-Drewett: South African Music Libraries: Collegial, Institutional And Geographic Isolation, An Examination. S. 207–214
 Corresponding Editors’ News. 
 Santie de Jongh: South African Music Archives Project (SAMAP). S. 215
 Santie de Jongh: The International Library of African Music (ILAM). S. 215
 Santie de Jongh: New Cultural Institute for University of Cape Town. S. 215–216
 Heikki Poroila: Topical Music and Musical subjects — A New Service for Finnish Music Libraries. S. 216
 Reviews. 
 Review by Lionel Pike: Letters of Ralph Vaughan Williams, 1895—1958 by Hugh Cobbe. S. 217
 Review by Barry J. Zaslow: Alessandro and Domenico Scarlatti: Two Lives in One. (Lives in Music Series) by Robert Pagano; Frederick Hammond. S. 217–218
 Review by Mark E. Perry: Critical Essays in Popular Musicology by Allan F. Moore. S. 219–220
 Review by John Hajdu Heyer: Les Manuscrits autographes de Marc-Antoine Charpentier by Catherine Cessac. S. 220–223
 Review by Jane Dahlenburg: Cristóbal de Morales: Sources, Influences, Reception. (Studies in Medieval and Renaissance Music 6) by Owen Rees; Bernadette Nelson. S. 224–225
 Review by Brian Cockburn: A Conductor’s Guide to Nineteenth-Century Choral-Orchestral Works by Jonathan D. Green. S. 225–226
 Review by Keith E. Clifton: French Music, Culture, and National Identity, 1870—1939 by Barbara L. Kelly. S. 226–227
 Review by Richard Turbet: Liturgy and contemplation in Byrd’s Gradualia by Kerry McCarthy. S. 228–231
 Review by John Wagstaff: Regensburger Verlagsbuchhandlungen als Musikverlage (1850—1950). (Quellen und Abhandlungen zur Geschichte des Musikverlagswesens, Bd 3) by Thomas Emmerig. S. 231–232

No. 3
 Michael E. McClellan: Negotiating Musical Cultures In East And Southeast Asia. S. 239–240
 Chuen-Fung Wong: The Value Of Missing Tunes: Scholarship On Uyghur Minority Music In Northwest China. S. 241–253
 Hsin-chun Tasaw Lu: The Burmese Classical Music Tradition: An Introduction. S. 254–271
 Lulu Chiu: From 1746 To 1786: The Continued Revision Of The Imperial Music Treatise „Yuzhi Lülü Zhengyi Houbian“. S. 272–281
 Masakata Kanazawa, Yasuko Todo: Collections Of Western Music In Japan: An Introduction. S. 282–286
 Hui-Shan Chen: Changing Tendency Of Western Music Tradition In Taiwan. S. 287–298
 Bussakorn Binson-Sumrongthong: Rites And Beliefs Of Music In The Thailand’s Lanna Region. S. 299–313
 Michael E. McClellan: Music, Education And „Français De Couleur“: Music Instruction In Colonial Hanoi. S. 314–325
 Reviews. 
 Review by Gerald Seaman: Spectral World Music. Proceedings of the Istanbul Spectral Music Conference by Robert Reigle; Paul Whitehead. S. 326–327

No. 4
 Roger Flury: MINUTES OF THE COUNCIL MEETING: held on Sunday 5 July and Thursday 9 July 2009 at the Amsterdam Conservatoire, Amsterdam, The Netherlands. S. 333–340
 Kathy Adamson: 2008 Treasurer’s Report TO COUNCIL JULY 2009. S. 341–346
 Reports. 
 BOARD Committees. 
 Antony Gordon: Ad-Hoc Committee on Electronic Voting. S. 347
 Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 347
 Professional Branches. 
 Marguerite Sablonnière: Archives and Music Documentation Centres Branch. S. 347–348
 Angela Escott: Broadcasting and Orchestra Libraries Branch. S. 349
 Pia Shekhter: Libraries in Music Teaching Institutions. S. 349–350
 Hanneke Kuiper: Public Libraries Branch. S. 350–355
 Almut Boehme: Research Libraries Branch. S. 355–357
 Subject Commissions. 
 David Day: Bibliography Commission. S. 357–361
 Mary Wedgewood: Commission on Audio-Visual Materials. S. 361–363
 Geoff Thomason: Commission on Service and Training. S. 363–364
 Antony Gordon: Cataloguing Commission. S. 364–365
 Tiziana Morsanuto, Laurence Decobert: Cataloguing Commission: Sub-Commission on UNIMARC. S. 365–366
 Working Groups. 
 Branches. 
 Jon Bagüés, Inger Enquist: Archives Branch: Working Group on Access to Music Archives. S. 366–367
 Commissions. 
 Rupert Ridgewell: Bibliography Commission: Working Group on Access to Performance Ephemera. S. 367
 Chris Banks: Bibliography Commission: Working Group on Hofmeister. S. 367
 Malcolm Jones: Cataloguing Commission: Working Group on the Exchange of Authority Data: A Brief Summary. S. 367–368
 Antony Gordon: Cataloguing Commission: Working Group on a Music Ontology. S. 368
 Committees. 
 Richard Chesser: Constitution Committee. S. 368
 Helen Faulkner: Copyright Committee. S. 368
 Antony Gordon: Information Technology Committee (including Working Group on a Music Ontology and Ad-Hoc Committee on Electronic Voting discussions). S. 368–369
 Aurika Gergeležiu: Outreach Committee. S. 369
 Jim Cassaro, James Cassaro: Programme Committee. S. 369–370
 Jutta Lambrecht: Publications Committee. S. 370–371
 R-Projects. 
 Klaus Keil: Répertoire International Des Sources Musicales (RISM). S. 371–373
 Barbara Dobbs Mackenzie: Répertoire International de Littérature Musicale (RILM). S. 373–376
 Antonio Baldassarre, Antonio Bladassare: Répertoire International d’Iconographie Musicale (RIdIM). S. 376–379
 H. Robert Cohen: Répertoire international de la presse musicale (RIPM). S. 379–381
 IAML-L and ISMN. 
 Bonna Boetcher: IAML-L. S. 381
 Hartmut Walravens: International Standard Music Number (ISMN). S. 381–382
 National Reports. 
 Jonathan Wood: Australia. S. 383
 Thomas Leibnitz: Austria. S. 383–384
 Johann Eeckeloo: Belgium. S. 384
 Peter Higham: Canada. S. 384–385
 Željka Radovinović: Croatia. S. 385
 Jana Navratilova: Czech Republic. S. 385–387
 Ole Bisbjerg: Denmark. S. 387
 Aurika Gergeležiu: Estonia. S. 387–388
 Jaakko Tuohiniemi: Finland. S. 388
 Laurence Languin: France. S. 388–389
 Susanne Heine: Germany. S. 389–390
 Maureen Buja: Hong Kong. S. 390
 Julianna Gócza: Hungary. S. 390–391
 Federica Biancheri: Italy. S. 391–392
 Masakata Kanazawa: Japan. S. 392–393
 Eglė Elena Marčėnienė: Lithuania. S. 393–395
 Willem Rodenhuis: The Netherlands. S. 395–396
 Phillippa McKeown-Green: New Zealand. S. 396–397
 Siren Steen: Norway. S. 397–398
 Stanisław Hrabia, Stansław Hrabia: Poland. S. 398
 Emilia Rassina, Emilia Rassena: Russia. S. 398–399
 Anna Kucianová: Slovakia. S. 399–401
 Jorge García: Spain. S. 401
 Pia Shekhter: Sweden 2008. S. 401–402
 Pia Shekhter: Sweden 2009. S. 402–403
 Liz Hart: United Kingdom and Ireland. S. 403–404
 Judy Tsou: UNITED STATES BRANCH. S. 404
 Obituaries. 
 Anders Lönn (1943—2009): Veslemöy Heintz. S. 405–406
 Susanne Hein: Größe, kluge Voraussicht und feinsinniger Humor: Zum Tode von Prof. Dr. Wolfgang Krueger (23.06.1942—16.04.2009). S. 406–407
 Reviews. 
 Review by Kirstin Dougan: Music Library and Research Skills by Jane Gottlieb. S. 408–409
 Review by Melissa Ursula Dawn Goldsmith: A Guide to Library Research in Music by Pauline Shaw Bayne. S. 409–412
 Review by John Wagstaff: Editing Music in Early Modern Germany by Susan Lewis Hammond. S. 412–413
 Review by Gwen Burgett Thrasher: Encyclopedia of Percussion. Second edition by John H. Beck. S. 413–414
 Review by Gerald Seaman: History of Music in Russia from Antiquity to 1800. Volume I. From Antiquity to the Beginning of the Eighteenth Century; Volume II. The Eighteenth Century by Nikolai Findeizen; Miloš Velimirović; Claudia R. Jensen; Malcolm Hamrick Brown; Daniel C. Waugh. S. 414–416
 Review by John Schuster-Craig: Leoncavallo: Life and Works by Konrad Dryden; Plácido Domingo; Piera Leoncavallo. S. 416–417
 Review by Susi Woodhouse: Music and the Book Trade from the Sixteenth to the Twentieth Century. (Publishing Pathways Series) by Robin Myers; Michael Harris; Giles Mandelbrote. S. 418–419
 Review by Benjamin Ayotte: „Vom Erkennen des Erkannten“: Musikalische Analyse und Editionsphilologie by Friedericke Weißmann; Thomas Ahrend; Heinz von Loesch. S. 419–421
 Review by John Schuster-Craig: Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure by Barbara L. Kelly; Kerry Murphy. S. 421–423
 Review by Bryan Proksch: Communication in Eighteenth-Century Music by Danuta Mirka; Kofi Agawu. S. 423–424
 Review by Benjamin Ayotte: Selected Correspondence of Charles Ives by Tom C. Owens. S. 424–428
 Review by Brian Thompson: A History of Film Music by Mervyn Cooke. S. 428–429
 Geraldine E. Ostrove, Maureen Buja: Recent Publications In Music. S. 430

57. Jg. 2010

No. 1
 Karl Stapleton: Prague Concert Life 1850—1881: An Annotated Database. S. 1–22
 Artur Simon: Southeast Asia : Musical Syncretism And Cultural Identity. S. 23–34
 Solveig Serre: « Il Est Vraiment Inconcevable Qu’elles Soient Encore Si Riches » : Les Archives De L’académie Royale De Musique, Entre Bibliothèque-Musée De L’opéra De Paris Et Archives Nationales. S. 35–49
 Rupert Ridgewell: The Concert Programmes Project: History, Progress And Future Directions. S. 50–64
 Ella Kulik: Digital Musical Libraries: The Patterns Of Use Of Digital Musical Scores. S. 65–75
 Claire Kidwell: Integrating Web 2.0 Into A Higher Education Library Service : A Case Study Of Trinity College Of Music’s Library Facebook Page. S. 76–85
 Wendy H. W. Wong: The „Imperial And Royal-Court Schumann Robber“: The Unpublished Piano Cycles Of Ernst Von Dohnányi. S. 86–114
 Reviews. 
 Review by Bradford Lee Eden: American Muse: The Life and Times of William Schuman by Joseph W. Polisi. S. 115
 Review by Georg Günther: Edvard Grieg. Thematisch-Bibliographisches Werkverzeichnis by Dan Fog; Kirsti Grinde; Øyvind Norheim. S. 115–116
 Review by Melissa Ursula Dawn Goldsmith: A Guide to Library Research in Music by Pauline Shaw Bayne. S. 116–118
 Review by Thomas S. Hischak: No Legs, No Jokes, No Chance: A History of the American Musical Theatre by Sheldon Patinkin. S. 119–120
 Review by Fiona McKnight: Sergey Prokofiev and His World by Simon Morrison. S. 120–121
 Review by Hartmut Möller: History|Herstory. Alternative Musikgeschichten. (Musik – Kultur- Gender Band 5) by Annette Kreutziger-Herr; Katrin Losleben. S. 122–124
 Review by Charles N. Page II: America’s Concertmasters by Anne Mischakoff Heiles. S. 124–125
 Review by Diane M. Paige: Antal Doráti and the Joy of Making Music by Richard Chlupaty. S. 125–126
 Review by Bryan Proksch: Bach’s Cycle, Mozart’s Arrow: An Essay on the Origins of Musical Modernity by Karol Berger. S. 126–128
 Review by Robert Walser: Theory and Analysis of Classic Heavy Metal Harmony. (Publications of the Finnish Music Library Association, volume 136, Advanced musicology, volume 1) by Esa Lilja. S. 128
 Review by Scott Warfield: Sibelius: The Orchestral Music: An Owner’s Manual. (Unlocking the Masters No. 12) by David Hurwitz. S. 128–130
 Review by Ruthann McTyre: Vocal Chamber Music: a Performer’s Guide. 2 nd edition by Barbara Winchester; Kay Dunlap. S. 130–131
 Review by Santie de Jongh: Focus: Music of South Africa. 2nd ed. (Focus on World Music Series) by Carol Ann Muller. S. 131–133

No. 2
 Pierluigi Petrobelli: Towards A Rism Series For Libretti. S. 135–139
 Harald Heckmann: Das Répertoire International Des Sources Musicales (Rism) In Geschichte Und Gegenwart. S. 140–147
 Aleksandra Patalas: Musica Claromontana – Music In Jasna Góra Monastery: Attributions, Forms, Style, Exchange Of Repertoire. S. 148–161
 Joseph Hafner: Oclc Worldcat Selection @ Mcgill University. S. 162–166
 Esther Burgos Bordonau: The First Spanish Music Codes For The Blind And Their Comparison With The American Ones. S. 167–185
 Victoria Alemany Ferrer: The Establishment Of The Modern Piano Pedagogy In Spain: The Case Of Valencia. S. 186–197
 Corresponding Editors’ News. 
 Lisa Philpott: Canada: IASPA and CSTM Joint Conference, July 2010. S. 198
 Heikki Poroila: Finland: The Compositions of Erkki Melartin Now Available Online. S. 198
 Jutta Lambrecht: Germany. S. 198–202
 Mari Itoh: Japan: The Japanese Branch Celebrated Its 30th Anniversary in 2009. S. 202
 Santie De Jongh: South Africa: IMS-SASRIM Conference in Stellenbosch, South Africa, 2010. S. 203
 Ellen Kempers, Ria Warmerdam: The Netherlands. S. 203–205
 Reviews. 
 Review by Ron Wiecki: Charles Ives Reconsidered by Gayle Sherwood Magee. S. 206–207
 Review by Edward Wickham: „Recevez ce mien petit labeur“: Studies in Renaissance Music in Honour of Ignace Bossuyt by Mark Delaere; Pieter Bergé. S. 208–209
 Review by Richard Andrewes: The Viola da Gamba Society Index of Manuscripts Containing Consort Music. Volume II by Andrew Ashbee; Robert Thompson; Jonathan Wainwright. S. 209–210
 Review by Bradford Lee Eden: Aspects of Early Music and Performance by Audrey Ekdahl Davidson. S. 210–211
 Review by Allan Badley: Josef Mysliveček, „Il Boemo“ The Man and His Music. Detroit Monographs in Musicology/ Studies in Music, No.54 by Daniel E. Freeman. S. 211–214
 Review by Brian Thompson: Music Makes the Nation: Nationalist Composers and Nation Building in Nineteenth-Century Europe by Benjamin Curtis. S. 214–215
 Review by Cindy Richardson: Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance. (Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance) by Leslie Ritchie. S. 215–216
 Review by John Schuster-Craig: Form, Program, and Metaphor in the Music of Berlioz by Stephen Rodgers. S. 216–218
 Review by Barry Zaslow: Choral Music in the Nineteenth Century by Nick Strimple. S. 218–219
 Review by Bradford Lee Eden: A Performer’s Guide to Renaissance Music. 2 nd ed. by Jeffery Kite-Powell. S. 219
 Review by Paul Schreiber: The Cambridge Companion to Electronic Music by Nick Collins; Julio d’Escriván. S. 220–222
 Review by Ruthann B. McTyre: The Grove Book of Opera Singers by Laura Macy. S. 222–223
 Review by Georg Günther: Felix Mendelssohn Bartholdy. Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV). (Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy; XIII; 1A) by Ralf Wehner. S. 223–224
 Review by Frances Barulich: Las Claves Madrileñas de Isaac Albéniz by Jacinto Torres Mulas; Ester Aguado Sánchez. S. 224–225
 Review by Ian Davis: Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design by Karen Collins. S. 226–227

No. 3
 Hanneke Kuiper: Are Public Music Libraries On The Road To Full Democracy?. S. 229–235
 Mattias Lundberg: The First Hundred Years Of Music Librarianship At The Swedish Royal Academy Of Music: 1771—1871. S. 236–249
 Gilles Pierret: L’avenir De La Musique Dans Les Bibliothèques Publiques Françaises Ou De La Difficulté À Trouver Un Modèle De Substitution À La Discothèque De Prêt. S. 250–258
 Frances Metcalfe: Issues Of Access: The Future Of Music Audio Provision In Uk Public Libraries. S. 259–266
 Laurel Tarulli: Exploring Public Library Music Collections Through Social Technologies. S. 267–274
 Siren Steen: Special Collections In The Bergen Public Library. S. 275–279
 Ria Warmerdam: Keeping The Music Alive. S. 280–284
 Phillippa McKeown-Green, Marilyn Portman: Music At Your Fingertips: Music Resources Seminars For Secondary School Teachers And Public Libraries. S. 285–290
 Ann Kunish: Boomwhackers: A Public Library Service For Music Teachers In The Public School System In Oslo, Norway. S. 291–295
 Verena Funtenberger: Von Mozart-Rallye Bis Notenkoffer: Musikspezifische Angebote Der Stadtbibliothek Essen Für Schulen, Kinderchöre Und Jugendensembles. S. 296–302
 Bülent Yılmaz: Public Libraries In Turkey. S. 303–308
 Mari Itoh, Shigeyuki Kohzuma, Yasuko Nagai, Yasuko Nagaı: Public And Special Libraries In Japan. S. 309–315
 Reviews. 
 Review by Anna Pensaert: Guide to Developing a Library Music Collection. (ALCTS Collection Management and Development Guides; 14) by R. Michael Fling. S. 316–317
 Review by Brian Cockburn: The Disney Song Encyclopedia by Thomas S. Hischak; Mark A. Robinson. S. 317–319
 Review by Barry Zaslow: After the Golden Age: Romantic Pianism and Modern Performance by Kenneth Hamilton. S. 319–320
 Review by John Schuster-Craig: The Great American Symphony: Music, The Depression, and War by Nicholas Tawa. S. 320–321
 Review by Ralph Hartsock: Music of the Postwar Era by Don Tyler. S. 321–322
 Review by Suzana Ograjenšek: Händel und seine Zeitgenossen. Eine biographische Enzyklopädie. (Das Händel-Handbuch 1) by Hans Joachim Marx. S. 322–325
 Review by Jessie Fillerup: The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier by Roy Howat. S. 326–328
 Review by Jan Dewilde: André Cluytens. Itinéraire d’un chef d’orchestre by Erik Baeck. S. 328–330
 Review by Keith E. Clifton: Camille Saint-Saëns on Music and Musicians by Roger Nichols. S. 330–331
 Review by Allan Badley: Amico: The Life of Giovanni Battista Viotti by Warwick Lister. S. 331–333
 Reprinted from „Forum Musikbibliothek“. 
 Review by Barbara Wolf: Antonio Vivaldi und seine Zeit. (Große Komponisten und ihre Zeit) by Siegbert Rampe. S. 333–334
 Review by Peter Sühring: Robert Schumann und seine Zeit. 3. überarb. und erw. Aufl. (Große Komponisten und ihre Zeit) by Arnfried Edler; Robert Schumann. (C.H. Beck Wissen; 2474) by Arnfried Edler. S. 334–335
 Review by Marianne Noeske: Musik und Bibel: 111 Figuren und Motive, Themen und Texte. (Bärenreiter Basiswissen). Band 1: Altes Testament. Band 2: Neues Testament by Thomas Schipperges. S. 335
 Review by Andreas Vollberg: Leoš Janácek: Eine Biografie. (Serie Musik; 8412) by Christoph Schwandt. S. 336

No. 4
 Roger Flury: Minutes Of The Council Meeting: held on Sunday 27 June at 14.00 and Thursday 1 July at 16.00 at the Russian Academy of Public Administration under the President of the Russian Federation (RAPA), Moscow, Russia. S. 341–351
 Kathryn Adamson: 2009 Treasurer’s Report. S. 352–357
 Reports. 
 Board Committees. 
 Antony Gordon: Ad-Hoc Committee on Electronic Voting. S. 358
 Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 358
 Professional Branches. 
 Marguerite Sablonnière: Archives and Music Documentation Centres Branch. S. 358–359
 Sabina Benelli: Broadcasting and Orchestra Branch. S. 359–361
 Pia Schekter, Pia Shekhter: Libraries in Music Teaching Institutions Branch. S. 361–362
 Hanneke Kuiper: Public Libraries Branch. S. 362–364
 Almut Boehme: Research Libraries Branch. S. 364–366
 Subject Commissions. 
 David Day: Bibliography Commission. S. 367–371
 Andrew Justice: Commission on Audio-Visual Materials. S. 371–372
 Geoff Thomason: Commission on Service and Training. S. 372–374
 Antony Gordon: Cataloguing Commission. S. 374
 Tiziana Morsanuto: Cataloguing commission: Sub-commission on UNIMARC. S. 374–375
 Working Groups. 
 Branches. 
 Inger Enquist, Jon Bagüés: Archives Branch: Working Group on Access to Music Archives. S. 375
 Commissions. 
 Rupert Ridgewell: Bibliography Commission: Working Group on Access to Performance Ephemera. S. 375
 Malcolm Jones: Cataloguing Commission: Working Group on the Exchange of Authority Data. S. 375
 Antony Gordon: Cataloguing Commission: Working Group on a Music Ontology. S. 375
 Committees. 
 Richard Chesser: Constitution Committee. S. 376
 Helen Faulkner: Copyright Committee. S. 376
 Antony Gordon: Information Technology Committee. S. 376
 Jon Bagüés: Outreach Committee. S. 376
 Stanisław Hrabia, Stansław Hrabia: Programme Committee. S. 376–377
 Jutta Lambrecht: Publications Committee. S. 377–378
 R-Projects. 
 Klaus Keil: Répertoire international des sources musicales (RISM). S. 378–382
 Barbara Dobbs Mackenzie: Répertoire international de littérature musicale (RILM). S. 382–384
 Antonio Bladassare, Antonio Baldassarre: Répertoire International d’Iconographie Musicale (RIdIM). S. 385–387
 H. Robert Cohen: Répertoire international de la presse musicale (RIPM). S. 387–390
 IAML-L AND ISMN. 
 Bonna J. Boettcher: IAML Listserv (IAML-L). S. 390
 Hartmut Walravens: International Standard Music Number (ISMN). S. 390–391
 Corresponding Editors’ News. 
 Georgina Binns: Australian Challenges for Music Libraries and Archives of the Future. S. 391–392
 Ilvi Rauna: The Estonian Academy of Music and Theatre at 90: Some New Publications. S. 393
 Heikki Poroila: Finland: A local music library universe?. S. 393–394
 Jorge García: Spain: The Published Proceedings of an International Congress on Martin y Soler. S. 394–395
 HONORARY MEMBERS. 
 Pia Schechter, Pia Shekhter: Song to Veslemöy. S. 395–397
 Richard Chesser: Pamela Thompson. S. 397–398
 National Reports. 
 Robyn Holmes: Australia. S. 399–401
 Thomas Aigner: Austria. S. 401
 Johan Eeckeloo: Belgium. S. 401
 Kirsten Walsh: Canada. S. 402
 Željka Radovinovic: Croatia. S. 402
 Jana Navrátilová: Czech Republic. S. 402–403
 Ole Bisbjerg: Denmark. S. 404–405
 Kaie Viigipuu-Kreintaal: Estonia. S. 405
 Jaakko Tuohiniemi: Finland. S. 405–406
 Laurence Languin: France. S. 406–407
 Barbara Wiermann: Germany. S. 407–408
 Julianna Gócza: Hungary. S. 408–410
 Federica Riva: Italy. S. 410–411
 Yasuko Todo: Japan. S. 411–412
 Eglė Elena Marčėnienė: Lithuania. S. 412–416
 Willem Rodenhuis: The Netherlands. S. 416–417
 Phillippa McKeown-Green: New Zealand. S. 417–418
 Siren Steen: Norway. S. 418–419
 Stanisław Hrabia: Poland. S. 419
 Emilia Rassena, Emilia Rassina: Russia. S. 419–420
 Anna Kucianová: Slovakia. S. 420–421
 Jorge García: Spain. S. 421–422
 Birgitta Sparre: Sweden. S. 422
 Dorothea Baumann: Switzerland. S. 422
 Richard Chesser: United Kingdom and Ireland. S. 423
 Judy Tsou: United States. S. 424
 Obituary. 
 Fiona McKnight: Noëlle Mann (1946—2010). S. 424–425
 Reviews. 
 Review by Hartmut Walravens: Die Wachszylinder des Berliner Phonogramm-Archivs. (Veröffentlichungen des Ethnologischen Museums Berlin NF 74; Abt. Musikethnologe, Medien-Technik und Berliner Phonogramm-Archiv; 12) by Susanne Ziegler. S. 426–427
 Review by Susi Woodhouse: Letters From a Life: The Selected Letters of Benjamin Britten 1913—1976. Volume 4: 1952—1957 by Philip Reed; Mervyn Cooke; Donald Mitchell. S. 427–428
 Review by Tim Eggington: Music, Experiment and Mathematics in England, 1653—1705 by Benjamin Wardhaugh. S. 429–431
 Review by Kathryn Lowerre: Handel Studies: A Gedenkschrift for Howard Serwer by Richard G. King. S. 431–432
 Review by Hartmut Walravens: Ethnomusikologie. Aspekte, Methoden und Ziele by Artur Simon. S. 432–433
 Review by David Rayl: The Masses of Joseph Haydn: History, Style, Performance by Robert W. Demaree; Don V. Moses. S. 433–435
 Review by Rupert Ridgewell: Die Zauberflöte K.620: Fascimile of the Autograph Score, Staatsbibliothek zu Berlin — Preußischer Kulturbesitz (Mus. Ms autogr. W. A. Mozart 620). (Mozart Operas in Facsimile; VI) by Wolfgang Amadeus Mozart; Hans Joachim Kreutzer; Christoph Wolff. S. 435–437
 Review by David Trippett: Hearing and Knowing Music: The Unpublished Essays of Edward T. Cone by Robert P. Morgan. S. 437–440
 Review by John Wagstaff: Der Friedrich Hofmeister Musikverlag: sein Profil in Geschichte und Gegenwart by Anita Punkt. S. 441–442
 Reprinted From „Forum Musikbibliothek“. 
 Review by Andreas Odenkirchen: Jean Sibelius. Symphonien und symphonische Dichtungen. Ein musikalischer Werkführer. (C.H. Beck Wissen; 2219) by Joachim Brügge. S. 443
 Review by Manfred Sailer: Thematischer Katalog Karlmann Pachschmidt. (Österreichische Akademie der Wissenschaften: Tabulae Musicae Austriacae. Kataloge österreichischer Musiküberlieferung; XVII) by Alexander Opatrny. S. 443–444
 Review by Peter Sühring: Felicitas Kukuck als Komponistin von Solo- und Chorliedern. Exemplarische Untersuchungen zu zeitgeschichtlichem Umfeld und stilistischen Einflüssen. (Systematische Musikwissenschaft und Musikkulturen der Gegenwart; 1) by Cordula Sprenger. S. 444–445
 Review by Martina Rebmann: Clara Schumann. Musik und Öffentlichkeit. (Europäische Komponistinnen; 3) by Janina Klassen. S. 445
 Geraldine E. Ostrove, Maureen Buja: Recent Publications In Music. S. 446

58. Jg. 2011

No. 1
 Cliff Eisen: In Mozart’s Words: Perspectives On A New, Online Edition Of The Mozart Family Letters From Italy, 1770–1773. S. 1–7
 Patrizia Rebulla: In Mozart’s Words: Working With A Correspondence Database. S. 8–15
 Maria Majno: Prima La Musica, O Le Parole?: A Web Of Words To Surround Mozart’s Music. S. 16–23
 Renata Suchowiejko: Henryk Wieniawski’s Concert Performances In Russia. S. 24–33
 François Auzeil: Un Fonds De Livres Liturgiques Au Département De La Musique De La Bibliothèque Nationale De France. S. 34–48
 Berit Holth, Jorid Nordal Baumann: Music Heritage In Manuscripts And Printed Music. S. 49–54
 Michael Fingerhut: Ircam-Moscow. S. 55–71
 Rémy Campos, Aurélien Poidevin: Les Archives Des Institutions Musicales Parisiennes (1918–1969). S. 72–84
 Corresponding Editors’ News. 
 Evelyn Portek: Marshall-Hall Concert Programs Digitisation Project, 2010. S. 85
 Heikki Poroila: Finnish Jazz and Pop Archive’s New Digitizing Service. S. 85–86
 Jorge García García: International Conference on Music Printing and Publishing in Spain. S. 86
 Jørgen Langdalen: Editing Historical Music in the 21st Century—Conference on Music Editing, Oslo, Norway, 10—11 December 2010. S. 86–87
 Reviews. 
 Review by David F. García: Music in Latin America and the Caribbean: An Encyclopedic History. Volume 2: Performing the Caribbean Experience by Malena Kuss. S. 88–89
 Review by Bradford Lee Eden: Music and Meaning: Studies in Music History and the Neighbouring Disciplines. (Historiae musicae cultores; 113) by Warren Kirkendale; Ursula Kirkendale. S. 90
 Review by Melissa Ursula Dawn Goldsmith: The Sound of Broadway Music: A Book of Orchestrators and Orchestration by Steven Suskin. S. 90–92
 Review by Renée McBride: Fanny Hensel: The Other Mendelssohn by R. Larry Todd. S. 92–94
 Review by Joseph Hafner: The Metropolitan Opera on Record: A Discography of the Commercial Recordings. Second edition by Frederick P. Fellers. S. 94–96
 Review by Bradford Lee Eden: Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany by Alexander Rehding. S. 96–97
 Review by Raphael Jimenez: Estudios Sobre la Obra de Astor Piazzolla by Omar Garcia Brunelli. S. 97–99
 Review by John Schuster-Craig: Kaija Saariaho. (Women Composers Series, 1) by Pirkko Moisala. S. 99–100
 Review by Ken Prouty: Long Lost Blues: Popular Blues in America, 1850–1920 by Peter C. Muir. S. 101–103
 Review by Janelle West: A Dictionary for the Modern Flutist by Susan J. Maclagan. S. 103–104

No. 2
 Stanley Boorman: Identifying And Studying Published Manuscripts. S. 109–126
 Laura Buch, Paul Corneilson, Jason B. Grant, Mark W. Knoll: Carl Philipp Emanuel Bach: The Complete Works. S. 127–136
 Licia Sirch: Clori: The Archive Of The Italian Cantata. S. 137–147
 John Shepard: Preserve: Teaching Archives To Dance Companies. S. 148–156
 Fiona Still-Drewett: Ilam’s Archival Revitalisation: The Past Five Years At The International Library Of African Music. S. 157–164
 John Wagstaff: Spreading The Message: Teaching Music Librarianship By Distance-Learning. S. 165–176
 Corresponding Editors’ News. 
 Georgina Binns: Barry Tuckwell Collection. S. 177
 Georgina Binns: Grainger Studies – New Journal Available in Print and Free Online. S. 177–178
 Ilvi Rauna: German opera director Prof. Joachim Herz donates his library to the Estonian Academy of Music and Theatre. S. 178–179
 Heikki Poroila: The Finnish Music Bazaar. S. 179
 Judy Tsou: IAML-US merges with MLA. S. 179
 Reviews. 
 Review by Jane Dahlenburg: Antonio Caldara: Life and Venetian-Roman Oratorios by Ursula Kirkendale; Warren Kirkendale. S. 180–181
 Review by Willem Rodenhuis: Hindustani Music: Thirteenth to Twentieth Centuries by Joep Bor; Françoise‚Nalini’ Delvoye; Jane Harvey; Emmie te Nijenhuis. S. 181–183
 Review by Bradford Lee Eden: Child Composers and Their Works: A Historical Survey by Barry Cooper. S. 183–184
 Review by Georg Günther: The Archive of the Sing-Akademie zu Berlin. Catalogue / Das Archiv der Sing-Akademie zu Berlin. Katalog by Axel Fischer; Matthias Kornemann. S. 184–185
 Review by Alon Schab: Music and Musicians on the London Stage, 1695—1705 by Kathryn Lowerre. S. 185–187
 Review by Thomas S. Hischak: A Song in the Dark: The Birth of the Musical Film. 2 nd Edition by Richard Barrios; The New Broadway Song Companion: An Annotated Guide to Musical Theatre Literature by Voice Type and Song Style by David P. DeVenney. S. 187–188
 Review by Gerald R. Seaman: Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth Century England. (Royal Musical Association Monographs; 18) by Philip Ross Bullock. S. 188–191
 Review by Barry J. Zaslow: Variations on the Canon: Essays on Music From Bach to Boulez in Honor of Charles Rosen on His Eightieth Birthday by Robert Curry; David Gable; Robert L. Marshall. S. 191–192
 Review by Jordi Reig: The Traditional Folk Music and Dances of Spain: A Bibliographical Guide to Research, Vol. 1 by Israel J. Katz. S. 192–194
 Review by Heather Platt: Johannes Brahms und der Leipziger Musikverlag Breitkopf & Härtel. (Abhandlungen zur Musikgeschichte, Band 20.) by Peter Schmitz. S. 194–196
 Review by Adriana Helbig: The New (Ethno)musicologies. (Europea: Ethnomusicologies and Modernities) by Henry Stobart. S. 196–197
 Review by Tim Eggington: Thomas Tallis and his Music in Victorian England by Suzanne Cole. S. 197–200
 Review by Bryan Proksch: Keys to the Drama: Nine Perspectives on Sonata Forms by Gordon Sly. S. 200–201
 Review by Hannu Salmi: Richard Wagner, Sämtliche Briefe. Band 18: Briefe des Jahres 1866 by Andreas Mielke; Isabel Kraft. S. 201–203
 Review by John Schuster-Craig: Wagner and Venice by John W. Barker. S. 203–204

No. 3
 Rupert Ridgewell: National Objectives—International Solutions: Music In National Libraries. S. 209–211
 Robyn Holmes: Music At The National Library Of Australia. S. 212–226
 Richard Green, Library, Archives Canada Music Staff: The Music Collection Of Library And Archives Canada In 2011. S. 227–235
 Marie-Pierre Bodez, Pierre Pichon, Marguerite Sablonnière: Le Dépôt Légal De La Musique À La Bibliothèque Nationale De France: État Des Lieux Et Nouveaux Enjeux. S. 236–243
 Martina Rebmann: Die Musikabteilung Der Staatsbibliothek Zu Berlin — Preußischer Kulturbesitz: Ein Kompetenz-Zentrum Für Musik In Nationalbibliothekarischem Zusammenhang. S. 244–252
 Anne Ørbæk Jensen: Experiencing Materials And Knowledge: The Danish National Library’s Music Collection. S. 253–259
 Balázs Mikusi: The Tumbling Flagship: The Music Collection Of The National Széchényi Library, Budapest. S. 260–265
 Una Hunt: The National Archive Of Irish Composers: Creating A Digital Collection Of Music From The National Library Of Ireland. S. 266–273
 Massimo Gentili-Tedeschi: Music In Italian National Libraries. S. 274–280
 Paola Gibbin: Music In The National Central Library Of Florence: Legal Deposit And National Bibliography Of Music. S. 281–286
 Federica Riva: The Network Of National Libraries And Central Institutes In Italy. S. 287–294
 Martie Severt: National Music Collections In The Netherlands. S. 295–297
 Roger Flury: New Zealand: Standing Proud On Shaky Ground. S. 298–301
 Inger Johanne Christiansen: The National Music Collection (Norsk Musikksamling) Of The National Library Of Norway. S. 302–307
 Almut Boehme: Music In The National Library Of Scotland. S. 308–316
 José Carlos Gosálvez Lara: Music Collections And Audio-Visual Documents In The Spanish National Library (Madrid). S. 317–324
 Richard Chesser: Music In The British Library: The Present And The Future. S. 325–332
 Reviews. 
 Review by Laurel Tarulli: Liber Amicorum: Festschriften for Music Scholars and Nonmusicians, 1840—1966 by Zdravko Blažeković; James R. Cowdery. S. 333–334
 Review by John Wagstaff: Josquin. (Epitome musical) by David Fallows. S. 334–336
 Review by Jan Dewilde: Les éditions musicales publiées à Bruxelles au XVIIIe siècle (1706—1794): catalogue descriptif et illustré. (Etudes de musicologie; 2) by Marie Cornaz. S. 336–338
 Review by John Schuster-Craig: Othmar Schoeck: Life and Works. Eastman Studies in Music by Chris Walton. S. 338–339
 Review by Keith E. Clifton: Composer sous Vichy by Yannick Simon. S. 339–341
 Review by Peter Sühring: Norbert Burgmüller. Thematisch-Bibliographisches Werkverzeichnis by Klaus Tischendorf; Tobias Koch. S. 341–343
 Review by Clemens Gresser: Roger Sessions: A Biography by Andrea Olmstead. S. 343–345
 Review by Thomas S. Hischak: South Pacific: Paradise Rewritten by Jim Lovensheimer; Broadway Musicals: The Biggest Hit & the Biggest Flop of the Season 1959—2009 by Peter Filichia. S. 345–347
 Review by Cynthia Richardson: The Music of Peggy Glanville-Hicks by Victoria Rogers. S. 347–348
 Review by Claire Taylor-Jay: Lexikon Musik und Gender by Annette Kreutziger-Herr; Melanie Unseld. S. 348–351
 Review by Ron Wiecki: The Letters of Gertrude Stein and Virgil Thomson: Composition as Conversation by Susan Holbrook; Thomas Dilworth. S. 351–352

No. 4
 Pia Shekhter: Minutes For The Council Meeting: on Sunday 24 July at 14.00 and Thursday 28 July at 16.00. S. 357–366
 Kathryn Adamson: Treasurer’s Report. S. 367–372
 Reports. 
 Board Committees. 
 Antony Gordon: Ad-Hoc Committee on Electronic Voting. S. 373
 Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 373
 Professional Branches. 
 Manual Ervitti, Manual Erviti: Archives and Music Documentation Centres Branch. S. 373–376
 Sabina Benelli, Angela Escott: Broadcasting and Orchestra Libraries Branch. S. 376–378
 Pia Shekhter, Claire Kidwell: Libraries in Music Teaching Institutions Branch. S. 378–381
 Hanneke Kuiper: Public Libraries Branch. S. 381–383
 Almut Boehme: Research Libraries Branch. S. 383–384
 Subject Commissions. 
 David Day: Bibliography Commission. S. 384–387
 Mary Wedgewood: Commission on Audio-Visual Materials. S. 387–388
 Geoff Thomason: Commission on Service and Training. S. 388–390
 Joseph Hafner: Cataloguing Commission. S. 390–391
 Massimo Gentili-Tedeschi: Cataloguing Commission: Sub-Commission on ISBD and Music. S. 391–392
 Isabelle Gauchet Doris, Massimo Gentili-Tedeschi, Tiziana Morsanuto: Cataloguing Commission: Sub-Commission on UNIMARC. S. 392–395
 Working Groups. 
 Branches. 
 Jon Bagüés: Archives Branch: Working Group on Access to Music Archives. S. 395–396
 Commissions. 
 Rupert Ridgewell: Cataloguing Commission: Working Group on Access to Performance Ephemera. S. 396
 Malcolm Jones: Cataloguing Commission: Working Group on Exchange of Authority Data. S. 396
 Antony Gordon: Cataloguing Commission: Working Group on a Music Ontology. S. 396
 Committees. 
 Richard Chesser: Constitution Committee. S. 396
 Helen Faulkner: Copyright Committee. S. 397
 Antony Gordon: Information Technology Committee. S. 397
 Martie Severt: Outreach Committee. S. 397
 Stansław Hrabia, Stanisław Hrabia: Programme Committee. S. 397–399
 Jutta Lambrecht: Publications Committee. S. 399–401
 R-Projects. 
 Klaus Keil: Répertoire International des Sources Musicales (RISM). S. 401–403
 Barbara Dobbs Mackenzie: RILM (Répertoire International de Littérature Musicale). S. 403–407
 Antonio Baldassare, Antonio Baldassarre: RIdIM (Répertoire International d’Iconographie Musicale). S. 407–409
 H. Robert Cohen: Répertoire International de la Presse Musicale (RIPM). S. 409–412
 IAML-L AND ISMN. 
 Bonna J. Boettcher, Bonna Boetcher: IAML-L. S. 412
 Hartmut Walravens: ISMN (International Standard Music Number). S. 412–414
 National Reports. 
 Robyn Holmes: Australia. S. 414–415
 Thomas Aigner: Austria. S. 415
 Johan Eeckeloo: Belgium. S. 415–416
 Kirsten Walsh: Canada. S. 416–417
 Jana Navraátilová: Czech Republic. S. 417
 Kaie Viigipuu-Kreintaal: Estonia. S. 418
 Jaakko Tuohiniemi: Finland. S. 418–419
 Elizabeth Giuliani: France. S. 419
 Barbara Wiermann: Germany (Deutschland). S. 420
 Julianna Gócza: Hungary. S. 420–422
 Federica Riva: Italy. S. 422–424
 Masakata Kanazawa: Japan. S. 424–425
 Jurate Janutenaitè: Lithuania. S. 425–426
 Willem Rodenhuis: The Netherlands. S. 426–427
 Phillippa McKeown-Green: New Zealand. S. 427–428
 Christian Onyeji: Nigeria. S. 428–429
 Siren Steen: Norway. S. 429
 Stansław Hrabia, Stanisław Hrabia: Poland. S. 429–430
 Emilia Rassena, Emilia Rassina: Russia. S. 430–431
 Anna Kucianová: Slovak Republic (Slovakia). S. 431–432
 Jorge García: Spain. S. 433
 Birgitta Sparre: Sweden. S. 433–434
 Dorothea Baumann: Switzerland. S. 434
 Richard Chesser: UK and Ireland. S. 434–435
 Judy Tsou: United States. S. 436–437
 Corresponding Editors’ News. 
 Ann Kunish: Report from Oslo Public Library on the 22 July 2011 Oslo Bombing. S. 437–438
 Reviews. 
 Review by Elisabeth Giselbrecht: Niveau Nische Nimbus. Die Anfänge des Musikdrucks nördlich der Alpen. (Wiener Forum für ältere Musikgeschichte, Band 3) by Birgit Lodes. S. 439–440
 Review by Marcie Ray: The Era after the Baroque: Music and the Fine Arts 1750—1900 by Robert Tallant Laudon. S. 440–441
 Review by John Schuster-Craig: The Blue Moment: Miles Davis’s „Kind of Blue“ and the Remaking of Modern Music by Richard Williams. S. 442–443
 Review by Claudia Albert: Hanns Eisler Briefe 1907—1943. (Hanns Eisler Gesamtausgabe; Serie IX : Schriften; Band 4.1) by Jürgen Schebera; Maren Köster. S. 443–445
 Review by William Berz: The Conductor’s Legacy by Paula A. Crider. S. 445–446
 Review by Jan Dewilde: Gabriel Fauré: les voix du clair-obscur. 2 nd rev. ed. by Jean-Michel Nectoux. S. 447–448
 Review by Mac Nelson: The Lost Cellos of Lev Aronson by Frances Brent. S. 448–449
 Review by Joshua Barton: Work and Sing: A History of Occupational and Labor Union Songs in the United States by Ronald D. Cohen. S. 450–451
 Review by Bryan Proksch: Coll’ astuzia, col giudizio: Essays in Honor of Neal Zaslaw by Cliff Eisen. S. 451–452
 Review by Carol A. Hess: An Annotated Index to Selected Articles from The Musical Courier, 1880—1940 by Peter H. Adams. S. 452–454
 Geraldine E. Ostrove, Maureen Buja: Recent Publications In Music. S. 455

59. Jg. 2012

No. 1
 Niels Krabbe: The Carl Nielsen Edition – Brought To Completion. S. 1–13
 Hildegard Herrmann-Schneider: Music Manuscripts From The Seventeenth To The Twentieth Centuries In Stams, Bressanone, Salzburg, And From „Vipiteno“. S. 14–24
 Karen E McAulay: Minstrels Of The Celtic Nations: Metaphors In Early Nineteenth-Century Celtic Song Collections. S. 25–38
 Ilias Chrissochoidis: A Master Stands: Rare Brahms Photos In The Library Of Congress. S. 39–44
 Carol Steyn: The Music Manuscripts Of The Grey Collection In Cape Town And Their European Connections. S. 45–56
 Reports. 
 Corresponding Editors’ News. 
 Heikki Poroila: Finland: Sibelius Academy Library. In Helsinki Music Centre. Now!. S. 57
 Ria Warmerdam: The Netherlands: Libraries at the Crossroads. S. 57–59
 Ruthann B. McTyre: United States: News from IAML-US. S. 59
 Reviews. 
 Review by Christian Thomas Leitmeir: The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music. (ASM Studies in Music, 4) by Charles M. Atkinson. S. 60–61
 Review by Miriam Wendling: Musik im Kloster St. Gallen. Katalog zur Jahresausstellung in der Stiftsbibliothek. S. 61–63
 Review by James Vincent Maiello: Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers by Jane Alden. S. 63–65
 Review by George Vlastos: The Opéra-Comique in the Eighteenth and Nineteenth Centuries. (Speculum Musicae, XV) by Lorenzo Frassà. S. 65–67
 Review by Karen E. McAulay: The Music Trade in Georgian England by Michael Kassler. S. 67–69
 Review by Stefan Hanheide: Karl Amadeus Hartmann. Komponist zwischen den Fronten und zwischen den Zeiten. Bericht über das musikwissenschaftliche Symposium zum 100. Geburtstag in München, 5.-7. Oktober 2005. (Münchner Veröffentlichungen zur Musikgeschichte. Bd. 68) by Inga Mai Groote; Hartmut Schick. S. 69–72
 Review by Keith E. Clifton: Composing the Citizen: Music as Public Utility in Third Republic France by Jann Pasler. S. 72–74
 Review by George Kennaway: Estonian Sound Recordings 1939 by Kadri Steinbach; Urve Lippus. S. 74–76
 Review by Loukia Drosopoulou: Praktisches Wörterbuch der Musik by Roberto Braccini. S. 76–77
 Review by Chris Collins: Visiones del Quijote en la música del siglo XX by Begoña Lolo. S. 77–79
 Review by Sophie Luise Tiezel: Eduard Hanslick zum Gedenken. Bericht des Symposiums zum Anlass seines 100. Todestages. (Wiener Veröffentlichungen zur Musikwissenschaft; 43) by Teophil Antonicek; Gernot Gruber; Christop Landerer. S. 79–81
 Review by Peter Sühring: Music’s Intellectual History. (RILM Perspectives; 1) by Zdravko Blažekovič; Barbara Dobbs Mackenzie. S. 81–83
 Review by Ann-Katrin Zimmermann: Geschichte des Fagotts by Sebastian Werr. S. 83–86
 Review by Brian C. Thompson: Music, Nationalism, and the Making of the New Europe. (Focus on World Music Series) 2 nd edition by Philip V. Bohlman. S. 86–87

No. 2
 Pamela Thompson: The Bluffer’s Guide To Conservatoire Libraries. S. 97–105
 Simon Polson: The Sydney Manuscript: Vaughan Williams’s (Unknown) Orchestral Setting Of „The Spanish Ladies“. S. 106–116
 Kendra Preston Leonard: Towards A Works List For Louise Talma. S. 117–126
 Priscilla Winling: Bringing The Local Music Scene To The Public Libraries Network Of Strasbourg: A Live Collection. S. 127–133
 Jolanta Byczkowska-Sztaba: The Music Manuscripts And Music Prints Collection In The Archive Of The Cistercian Abbey In Mogiła. S. 134–148
 Agostina Zecca Laterza: Manuscript Music Published In Naples: 1780–1820. S. 149–157
 Joe C. Clark: User – Centered Events In A Performing Arts Library. S. 158–167
 Amelie Roper: Bridging The Gap: Developing Professional Education For Music Library Staff In The United Kingdom And Ireland. S. 168–178
 Wolfgang Sawodny (Nersingen): Addenda Und Corrigenda Zu Ulrich Drüners Arbeit Über „Das Viola – Konzert Vor 1840“. S. 179–184
 Reports. 
 Corresponding Editors’ News. 
 Heikki Poroila: Finland: Intervalli – R.I.P.. S. 185
 Martina Rebmann, Fernand Hörner, Andreas Friesenhagen, Angelika von Wilamowitz-Moellendorff, Jutta Lambrecht: Neuigkeiten aus Deutschland. S. 185–189
 Mari Itoh: Japan. S. 189
 Ria Warmerdam: The Netherlands. S. 189–191
 Reviews. 
 Review by Renée McBride: Women in Music: A Research and Information Guide. 2 nd ed. by Karin Pendle; Melinda Boyd. S. 192–194
 Review by Wolfgang Marx: Musikalische Analyse und kulturgeschichtliche Kontextualisierung. Für Reinhold Brinkmann by Tobias Bleek; Camilla Bork. S. 195–197
 Review by Zofia Chechlińska: Chopin’s Polish Ballade Op. 38 as Narrative of National Martyrdom by Jonathan Bellman. S. 197–199
 Review by Sophie Luise Tiezel: Eduard Hanslick zum Gedenken. Bericht des Symposiums zum Anlass seines 100. Todestages. (Wiener Veröffentlichungen zur Musikwissenschaft; 43) by Teophil Antonicek; Gernot Gruber; Christoph Landerer; Christop Landerer. S. 200–202
 Review by Rainer J. Schwob: Mozart im Zentrum. Festschrift für Manfred Hermann Schmid zum 60. Geburtstag by Ann-Katrin Zimmermann; Klaus Aringer. S. 202–205
 Review by Ken Prouty: Sounding Out Pop: Analytical Essays in Popular Music by Mark Spicer; John Covach. S. 205–208
 Review by Björn Heile: Mauricio Kagel. Zwei-Mann-Orchester. Essays und Dokumente by Matthias Kassel; Mauricio Kagel. Zwei-Mann-Orchester. S. 208–210
 Review by Robert G. Rawson: The Instrumental Music of Schmeltzer, Biber, Muffat and Their Contemporaries by Charles Brewer. S. 211–213
 Review by Bryan Proksch: Music and the Wesleys by Nicholas Temperley; Stephen Banfield. S. 213–215
 Review by Irmgard Knechtges-Obrecht: Die Ouvertüren Robert Schumanns. (Studien und Materialien zur Musikwissenschaft; 62) by Fabian Bergener. S. 215–217
 Review by Philip Furia: Off-Broadway Musicals since 1919: From The Greenwich Village Follies to The Toxic Avenger by Thomas S. Hischak. S. 217–218
 Review by John Schuster-Craig: Modern Music and After. 3 rd edition by Paul Griffiths. S. 218–219
 Review by Jutta Raab Hansen: Dokumente zur Musik des 20. Jahrhunderts. Bd. 1. Bd. 2 by Helga de la Motte-Haber; Lydia Rilling; Julia H. Schröder; Hans Emons; Lutz Fahrenkrog-Petersen; Wolfram Knauer. S. 219–222
 Review by Christian Berger: Der französische Liederzyklus von 1866 bis 1914. Entwicklungen und Strukturen. (Beitrage zum Archiv für Musikwissenschaft; 66) by Ulrich Linke. S. 222–225
 Review by John McKean: Thematischer Katalog der Musikhandschriften (Signaturengruppe Mus. Hs.). (Die Handschriften der Badischen Landesbibliothek in Karlsruhe, Band XIV) by Armin Brinzing. S. 225–227
 Review by Susi Woodhouse: Letters From a Life: The Selected Letters of Benjamin Britten 1913–1976. Volume 5: 1958–1965 by Philip Reed; Mervyn Cooke. S. 227–229
 Review by Katy Romanou: A Descriptive Catalogue of the Musical Manuscript Collection of the National library of Greece. Byzantine Chant and other Music Repertory Recovered by Diane H. Touliatos-Miles. S. 229–232
 Review by Michael Lorenz: Franz Schubert by Hans-Joachim Hinrichsen. S. 232–233
 Review by Beat Föllmi: Charles Koechlin: compositeur et humaniste. (collection MusicologieS) by Philippe Cathé; Sylvie Douche; Michel Duchesneau. S. 233–235
 Review by Bryan Proksch: Haydn and His Contemporaries by Sterling E. Murray. S. 235–236

No. 3
 James P. Cassaro: Music Cataloguing—Where Is It Headed?. S. 247–248
 Jean Harden: Cataloguing In 2012: On The Cusp Of Rda. S. 249–256
 Stephen Henry: Rda And Music Reference Services: What To Expect And What To Do Next. S. 257–269
 Anders Cato: Music Cataloguing In Europe And Rda: Current Practises Challenged By New Rules. S. 270–285
 Mark McKnight: Are We There Yet? Toward A Workable Controlled Vocabulary For Music. S. 286–292

No. 4
 Front Matter. 
 Management Reports. 
 Pia Shekhter: Minutes From The Council Meeting. S. 303–313
 Kathryn Adamson: Treasurer’s Report. S. 314–319
 Reports. 
 Ad-Hoc Committees. 
 Antony Gordon: Ad-hoc Committee on Electronic Voting. S. 320
 Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 320
 Antony Gordon: IAML Strategy Committee. S. 320
 Pia Shejhter and Pia Shekhter: Ad-hoc Committee on the Restructuring of IAML. S. 320
 Professional Branches. 
 Marie-Gabrielle Soret: Archives et centres de documentation musicaux. S. 320–324
 Sabina Benelli and Nienke de Boer: Broadcasting and Orchestra Libraries Branch. S. 324–325
 Johan Eeckeloo, Johann Eekeloo and Claire Kidwell: Libraries in Music Teaching Institutions. S. 325–327
 Annika Simms and Hanneke Kuiper: Public Libraries Branch. S. 327–330
 Kerstin Carpvik: Research Libraries Branch. S. 330–331
 Subject Commissions. 
 Jaakko Tuohiniemi and Rupert Ridgewell: Bibliography Commission. S. 331–333
 Andrew Justice: Audio-Visual Commission. S. 333
 Geoff Thomason and Geoffrey Thomason: Commission on Service and Training. S. 333–335
 Joseph Hafner: Cataloguing Commission. S. 335–336
 Isabelle Gauchet Doris: Sub-commission on UNIMARC. S. 336–338
 Working Groups. 
 Inger Enquist and Jon Bagüés: Working Group Access to Music Archives. S. 338–339
 Paul Banks and Rupert Ridgewell: Working Group on Access to Performance Ephemera. S. 339
 Andrew Justice: Working Group on the Creation of a Digital Collections Database. S. 339
 Committees. 
 Richard Chesser: Constitution Committee. S. 340
 Helen Faulkner: Copyright. S. 340
 Antony Gordon: IT Committee. S. 340
 Martie Severt and Martie Severts: Outreach Committee. S. 340
 Stanisław Hrabia: Programme Committee. S. 340–342
 Jutta Lambrecht: Publications Committee. S. 342–343
 R-Projects. 
 Klaus Keil: Repertoire International des Sources Musicales (RISM). S. 343–346
 Barbara Dobbs Mackenzie: Répertoire International de Littérature Musicale (RILM). S. 346–348
 Antonio Baldassarre, Antonio Baldassare and Debra Pring: Répertoire International d’Iconographie Musicale (RIdIM). S. 348–351
 H. Robert Cohen and Bonna Boetticher: Répertoire international de la presse musicale (RIPM). S. 351–352
 Carolin Unger and Hartmut Walravens: International Standard Music Number (ISMN). S. 352–353
 National Reports. 
 Julia Mitford: Australia. S. 353–356
 Thomas Aigner: Austria. S. 356
 Johan Eeckeloo: Belgium. S. 356–357
 Janneka Guise and Jan Guise: Canada. S. 357–358
 Željka Radovinovič: Croatia. S. 358–359
 Zoja Seyčková: Czech Republic. S. 359
 Kaie Viigipuu-Kreintaal and Kaie Viigipuu-Kreintaa: Estonia. S. 359–360
 Jaakko Tuohiniemi: Finland. S. 360–361
 Elizabeth Giuliani: France. S. 361
 Barbara Wiermann: Deutschland / Germany. S. 362
 Julianna GÓCZA: Hungary. S. 362–364
 Federica Riva: Italy. S. 364–367
 Masakata KANAZAWA: Japan. S. 367–368
 Egle Jovaisaite and Eglė Marčėnienė: Lithuania. S. 368–370
 Willem Rodenhuis: The Netherlands. S. 370–371
 Phillippa McKeown-Green: New Zealand. S. 371–372
 Siren Steen: Norway. S. 372
 Stanisław Hrabia: Poland. S. 373–374
 Emiliya Rassina and Emilia Rassina: Russia. S. 374
 Anna Kucianová: Slovakia. S. 374–376
 Jorge García García and Jorge García: Spain. S. 376–377
 Birgitta Sparre: Sweden. S. 377–378
 Jörg Müller: Schweiz / Switzerland. S. 378–379
 Richard Chesser: United Kingdom and Ireland. S. 379–381
 Jerry McBride: United States. S. 381–385
 Corresponding Editors. 
 Jorge García García: Spain. S. 386
 Obituaries. 
 Maria Calderisi: Dr. Helmut Kallmann, 1922–2012. S. 387–388
 Jolanta Byczkowska-Sztaba, Mariola Nałęcz and Stanisław Hrabia: Bożena Elżbieta Wojnowska, 28 October 1949–9 March 2012. S. 388–389
 Richard Chesser: Malcolm Turner, 1939–2012. S. 389–390
 Michael Ochs: Mary Wallace Davidson (1935–2012). S. 390–391
 Reviews. 
 Review by Diane M. Paige: A Descriptive Bibliography of Art Music by Israeli Composers. Second edition. (Detroit Studies in Music Bibliography, no. 88) by Alice Tischler. S. 392–393
 Review by Alma Bejtullahu: Albanian Traditional Music: An Introduction by Spiro J. Sxhetuni; Spiro J. Shetuni. S. 393–394
 Review by Stephen Chase: Behind Bars: The Definitive Guide to Music Notation by Elaine Gould. S. 395–396
 Review by Benjamin Korstvedt: Bruckner Handbuch by Hans-Joachim Hinrichsen. S. 396–399
 Review by Susan Wollenberg: C.P.E. Bach: The Complete Works: VII/1–3: Versuch über die wahre Art das Clavier zu spielen by Tobias Plebuch. S. 399–401
 Review by Clive Simmonds: The Collected Writings of Franz Liszt, Vol. 1: F. Chopin by Janita R. Hall-Swadley. S. 401–403
 Review by John Wagstaff: Collectionner la musique. Vol. 1: Histoires d’une passion by Denis Herlin; Catherine Massip; Jean Duron; Dinko Fabris. S. 403–406
 Review by Antonia Lange: Das große Handbuch der Oper by Heinz Wagner. S. 406–408
 Review by Jutta Raab Hansen: Die verschwundenen Musiker: Jüdische Flüchtlinge in Australien by Albrecht Dümling. S. 408–411
 Review by Keith E. Clifton: French Opera: A Short History by Vincent Giroud. S. 411–414
 Review by Irene Suchy: Hugo Wolf Werkverzeichnis. (Catalogus Musicus. 19) by Margret Jestremski. S. 414–416
 Review by Aaron J. West: Jazz Books in the 1990s: An Annotated Bibliography by Janice Leslie Hochstat Greenberg. S. 416–417
 Review by Claire Taylor-Jay: ‚Immer wieder werden mich thätige Geister verlocken‘: Alma Mahler-Werfels Briefe an Alban Berg und seine Frau by Martina Steiger. S. 417–420
 Review by Tim Eggington: John Birchensha: Writings on Music by Christopher D.S. Field; Benjamin Wardhaugh. S. 420–422
 Review by William Drabkin: Lexikon der musikalischen Form by Reinhard Amon; Gerold Gruber; Alfred Litschauer. S. 422–424
 Review by Stefano Baldi: Luigi Russolo. La musica, la pittura, il pensiero. Nuove ricerche sugli scritti. (Documenti del MART, Museo di Arte Moderna e Contemporanea di Rovereto, 13) by Giuliano Bellorini; Anna Gasparotto; Franco Tagliapietra. S. 424–426
 Review by Kevin Dawe: Nettl’s Elephant: On the History of Ethnomusicology by Bruno Nettl. S. 427–429
 Review by Eva Rieger: Richard Wagner, Sämtliche Briefe, Band 19. Briefe des Jahres 1867 by Margret Jestremski. S. 429–431
 Review by John Schuster-Craig: Source: Music of the Avant Garde, 1966–1973 by Larry Austin; Douglas Kahn; Nilendra Gurusinghe; Source Records 1–6: Music of the Avant-Garde, 1968–1971. S. 431–433
 Review by Nina Eichholz: Telemann und die Kirchenmusik. Bericht über die Internationale Wissenschaftliche Konferenz Magdeburg, 15. bis 17. März 2006, anlässlich der 18. Magdeburger Telemann-Festtage by Carsten Lange; Brit Reipsch. S. 433–436
 Review by Bethany Lowe: The Correspondence of Jean Sibelius and Rosa Newmarch, 1906–1939 by Philip Ross Bullock. S. 436–438
 Review by Joe C. Clark: The Early Years of Folk Music: Fifty Founders of the Tradition by David Dicaire. S. 438–439
 Review by Margaret Jones: The Routledge Film Music Sourcebook by James Wierzbicki; Nathan Platte; Colin Roust. S. 439–441
 Review by Paul Nash: There’s a Place For Us: The Musical Theatre Works of Leonard Bernstein by Helen Smith. S. 441–443
 Review by Matthias Range: William Boyce: A Tercentenary Sourcebook and Compendium by Ian Bartlett; Robert J. Bruce. S. 443–445
 Review by Sophie Fuller: The Song Cycle by Laura Tunbridge. S. 445–448
 Geraldine E. Ostrove And Maureen Buja: Recent Publications In Music. S. 448
 [Index]. S. 449–484
 Back Matter.

60. Jg. 2013

61. Jg. 2014