James Brown
Dr James Brown (äigetlig James Joseph Brown, Jr., * 3. Mai 1933 in dr Nööchi vo Barnwell, South Carolina; † 25. Dezämber 2006 z Atlanta, Georgia) isch en amerikanische Musiker gsi. Er het chönne Orgle spiile, Klavier,  Gitarre und Schläägzüüg. Er isch aber fast nume as Sänger und   Dänzer ufdräte. Er isch drzue au Bändliider und Muusigbroduzänt gsi. Er isch im Rhythm and Blues und Soul in de 1950er und 1960er Joor e Figuur gsi, wo uusegstande isch. Er het riisige Iifluss uf s Entstoo vom e nöije Stil vom Soul, vom Funk ghaa, und isch dorum äine vo de bedütendste Pop-Musiker im 20. Joorhundert.

Diskografii

Singles 
In dere Dabälle si d Songs, wo in de Tscharts vo Dütschland, Groossbritannie und de USA Räng iignoo häi.

{| class="prettytable"
! align="left" valign="top"|Jahr
! align="left" valign="top"|Single
! valign="top" width="30"|DE
! valign="top" width="30"|UK
! valign="top" width="30"|US
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1956
| align="left" valign="top"|Please, Please, Please
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1958
| align="left" valign="top"|Try Me
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |48
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1960
| align="left" valign="top"|Think
| align="center" valign="top" |49
| align="center" valign="top" |—
| align="center" valign="top" |33
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1960
| align="left" valign="top"|You've Got the Power
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |86
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1960
| align="left" valign="top"|This Old Heart
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |79
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1960
| align="left" valign="top"|The Bells
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |68
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1961
| align="left" valign="top"|Bewildered
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |40
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1961
| align="left" valign="top"|I Don’t Mind
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |47
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1961
| align="left" valign="top"|Baby You’ve Right
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |49
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1961
| align="left" valign="top"|Lost Someone
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |48
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1962
| align="left" valign="top"|Night Train
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |35
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1962
| align="left" valign="top"|Shout and Shimmy
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |61
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1962
| align="left" valign="top"|Mashed Potatoes U.S.A.
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |82
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1962
| align="left" valign="top"|I've Got Money'''
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |93
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1963
| align="left" valign="top"|Every Beat of My Heart| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |99
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1963
| align="left" valign="top"|Prisoner of Love| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |18
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1963
| align="left" valign="top"|These Foolish Things (Remind Me of You)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |55
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1963
| align="left" valign="top"|Signed, Sealed and Delivered| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |77
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1963
| align="left" valign="top"|Oh Baby Don’t You Weep| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |23
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1964
| align="left" valign="top"|Caldonia| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |95
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1964
| align="left" valign="top"|The Things That I Used to Do| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |99
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1964
| align="left" valign="top"|Out of Sight| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |24
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1964
| align="left" valign="top"|Please, Please, Please (Instrumental)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |95
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1964
| align="left" valign="top"|Have Mercy Baby| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |92
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1965
| align="left" valign="top"|Try Me (Instrumental)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |63
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1965
| align="left" valign="top"|Papa's Got a Brand New Bag| align="center" valign="top" |—
| align="center" valign="top" |25
| align="center" valign="top" |8
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1965
| align="left" valign="top"|I Got You (I Feel Good)| align="center" valign="top" |—
| align="center" valign="top" |29
| align="center" valign="top" |3
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1965
| align="left" valign="top"|Lost Someone (Liveversion)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |94
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1965
| align="left" valign="top"|I’ll Go Crazy| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |73
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1966
| align="left" valign="top"|Ain’t That a Groove| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |42
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1966
| align="left" valign="top"|It’s a Man’s Man’s Man’s World| align="center" valign="top" |—
| align="center" valign="top" |13
| align="center" valign="top" |8
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1966
| align="left" valign="top"|Money Won’t Change You| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |53
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1966
| align="left" valign="top"|Don’t Be a Drop-Out| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |50
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1966
| align="left" valign="top"|Sweet Little Baby Boy| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |8
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1966
| align="left" valign="top"|Bring It Up (Hipster’s Avenue)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |29
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1967
| align="left" valign="top"|Kansas City| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |55
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1967
| align="left" valign="top"|Think (feat. Vicky Anderson)
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |100
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1967
| align="left" valign="top"|Let Yourself Go| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |46
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1967
| align="left" valign="top"|Cold Sweat| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |7
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1967
| align="left" valign="top"|Get It Together| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |40
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1967
| align="left" valign="top"|I Can’t Stand Myself (When You Touch Me)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |28
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1967
| align="left" valign="top"|There Was a Time| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |36
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|I Got the Feelin| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |6
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|Licking Stick – Licking Stick| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |14
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|America is My Home| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |52
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|I Guess I’ll Have to Cry, Cry, Cry| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |55
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|Say It Loud – I’m Black and I’m Proud| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |10
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|Goodbye My Love| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |31
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|Tit For That (Ain’t No Taking Back)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |86
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1968
| align="left" valign="top"|Give It Up or Turnit a Loose| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |15
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|I Don’t Want Nobody To Give Me Nothing (Open Up The Door, I’ll Get It Myself)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |20
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|The Popcorn| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |30
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|Mother Popcorn| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |11
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|Lowdown Popcorn| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |41
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|World| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |37
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|Let A Man Come In and Do the Popcorn, Pt. 1| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |21
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|Ain’t It Funky Now| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |24
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1969
| align="left" valign="top"|Let A Man Come In and Do the Popcorn, Pt. 2| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |40
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1970
| align="left" valign="top"|It’s a New Day| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |32
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1970
| align="left" valign="top"|Funky Drummer| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |51
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1970
| align="left" valign="top"|Brother Rapp| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |32
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1970
| align="left" valign="top"|Get Up (I Feel Like Being a) Sex Machine| align="center" valign="top" |29
| align="center" valign="top" |32
| align="center" valign="top" |15
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1970
| align="left" valign="top"|Super Bad| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |13
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1970
| align="left" valign="top"|Santa Claus Is Definitely Here to Stay| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |7
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1970
| align="left" valign="top"|Get Up, Get Into It, Get Involved| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |34
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|Spinning Wheel| align="center" valign="top" |—
| align="center" valign="top" |78
| align="center" valign="top" |90
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|I Cried| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |50
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|Soul Power| align="center" valign="top" |47
| align="center" valign="top" |78
| align="center" valign="top" |29
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|Escape-ism| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |35
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|Hot Pants| align="center" valign="top" |21
| align="center" valign="top" |—
| align="center" valign="top" |15
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|Make It Funky| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |22
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|I’m A Greedy Man| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |35
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1971
| align="left" valign="top"|Hey America| align="center" valign="top" |—
| align="center" valign="top" |47
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|Talkin’ Loud and Sayin’ Nothing| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |27
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|King Heroin| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |40
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|There It Is| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |43
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|Honky Tonk| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |44
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|Get on the Good Foot| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |18
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|I Got a Bag of My Own| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |44
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|I Got Ants In My Pants (And I Want to Dance)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |27
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1972
| align="left" valign="top"|What My Baby Needs Now Is a Little More Lovin (feat. Lyn Collins)
| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |56
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1973
| align="left" valign="top"|Down And Out In New York City| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |50
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1973
| align="left" valign="top"|Think '73| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |77
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1973
| align="left" valign="top"|Think (Remix)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |80
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1973
| align="left" valign="top"|Sexy, Sexy, Sexy| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |50
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1973
| align="left" valign="top"|Stoned to the Bone| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |58
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1974
| align="left" valign="top"|The Payback| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |26
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1974
| align="left" valign="top"|My Thang| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |29
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1974
| align="left" valign="top"|Papa Don’t Take No Mess| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |31
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1974
| align="left" valign="top"|Funky President (People It’s Bad)| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |44
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1974
| align="left" valign="top"|Coldblooded| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |99
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1975
| align="left" valign="top"|Hustle!!! (Dead on It)| align="center" valign="top" |—
| align="center" valign="top" |11
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1975
| align="left" valign="top"|Reality| align="center" valign="top" |—
| align="center" valign="top" |—
| align="center" valign="top" |80
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1975
| align="left" valign="top"|Sex Machine '76| align="center" valign="top" |—
| align="center" valign="top" |
| align="center" valign="top" |61
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1976
| align="left" valign="top"|Get Up Offa That Thing| align="center" valign="top" |—
| align="center" valign="top" |22
| align="center" valign="top" |45
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1976
| align="left" valign="top"|Body Heat| align="center" valign="top" |—
| align="center" valign="top" |36
| align="center" valign="top" |88
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1980
| align="left" valign="top"|Rapp Payback (Where Iz Moses)| align="center" valign="top" |—
| align="center" valign="top" |39
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1983
| align="left" valign="top"|Bring It On...Bring It On| align="center" valign="top" |—
| align="center" valign="top" |45
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1984
| align="left" valign="top"|Unity (feat. Afrika Bambaataa)
| align="center" valign="top" |—
| align="center" valign="top" |49
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1985
| align="left" valign="top"|Froggy Mix| align="center" valign="top" |—
| align="center" valign="top" |50
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1985
| align="left" valign="top"|Living in America| align="center" valign="top" |12
| align="center" valign="top" |5
| align="center" valign="top" |4
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1986
| align="left" valign="top"|Gravity| align="center" valign="top" |—
| align="center" valign="top" |65
| align="center" valign="top" |93
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1987
| align="left" valign="top"|How Do You Stop| align="center" valign="top" |28
| align="center" valign="top" |90
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1988
| align="left" valign="top"|She’s the One| align="center" valign="top" |—
| align="center" valign="top" |45
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1988
| align="left" valign="top"|The Payback Mix| align="center" valign="top" |—
| align="center" valign="top" |12
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1988
| align="left" valign="top"|I’m Real| align="center" valign="top" |—
| align="center" valign="top" |32
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1988
| align="left" valign="top"|Static| align="center" valign="top" |—
| align="center" valign="top" |83
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1989
| align="left" valign="top"|Gimme Your Love (feat. Aretha Franklin)
| align="center" valign="top" |—
| align="center" valign="top" |79
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1992
| align="left" valign="top"|I Got You (I Feel Good) (vs. Dakeyne)
| align="center" valign="top" |—
| align="center" valign="top" |72
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1993
| align="left" valign="top"|Can’t Get Any Harder| align="center" valign="top" |—
| align="center" valign="top" |59
| align="center" valign="top" |—
|- bgcolor="#f0f0ff"
| align="left" valign="top"|1998
| align="left" valign="top"|Funk on a Roll| align="center" valign="top" |—
| align="center" valign="top" |40
| align="center" valign="top" |—
|}

 Album 

 Kompilazione (Uswaal) 
 1986: In The Jungle Groove
 1991: Star Time
 1991: 20 All-Time Greatest Hits!

1965 häi The Who d Songs „Please Please Please“, „I Don’t Mind“ und „Shout and Shimmy“ gsunge und häi sä uf iirem Debütalbum uusegee und uf B-Site als Hard-Rock-Wersion.

 Litratuur 
 James Brown with Bruce Tucker: The Godfather of Soul (Änglisch), 1988
 Geoff Brown: James Brown: Let's Get Personal - Die Biografie (Dütsch), Bosworth Music 2008, ISBN 978-3-86543-364-0

 Film 
 Dr James Brown hette in de bäide Film vo de Blues Brothers e wichdige Ufdritt as Reverend Cleophus James us Little Rock. Die häi em zum ene Comeback verholfe.
 Au im Spiilfilm Rocky IV – Der Kampf des Jahrhunderts drätet er uf.
 Er het under anderem Gastufdritt in Miami Vice gha, z. B. in dr Folg 4/1987 Verlorene Zeit / Wie ein Orkan, won er d Rolle vom Lou de Long gspiilt het.
 Im Dokumentarfilm When we were kings über e Boxkampf Rumble in the Jungle, wo im Herbst 1974 z Kinshasa, Zaire, veraastaltet worden isch, het s Konzärtufnaame vom James Brown. (Reschii: Leon Gast, het 1997 dr Oscar für e best Dokumentarfilm überchoo)
 Mr. Brown. Dokumentazion, Frankriich, 2008, 57 Min., Buech: Philippe Manoeuvre, Reschii: Philip Priestley, Brodukzion: ARTE France, Morgan Group, Inhaltsaagoob vo arte
 James Brown - Body Heat. Konzärtmitschnitt, USA, 1991, 60 Min., Reschii: Alan Douglas, Inhaltsaagoob vo arte− Konzärt z Monterey, Kalifornie im Januar 1979 
 Im Film The Tuxedo – Gefahr im Anzug spiilt er sich sälber.
 In dr Komödie The New Guy'' (2002), chöme Usschnitt us Archivufnaame vom James Brown vor.
 Dr James Brown spiilt sich sälber in Beat the Devil, eme Churzfilm us dr BMW Wärbigsfilmräije The Hire.

Weblingg 

 
 
 Godfather of Soul – offizielle Webpräsenz
 „James Brown – Godfather of Soul“, New York Times, 27. Dezämber 2006 mit 5 Songclips und „Apollo Pays Tribute to James Brown“, 28. Dezämber 2006 mit Fotoserie
 Bilder-Galerie, Tagesspiegel

Amerikanische Musiker
Vokalist
Soul
Maa