in 2012, derek charke won the juno award for classical composition of the year for his work, "sepia fragments." the following year charke's work, "between the shore and the ships" received an ecma for classical composition of the year. derek's compositions increasingly pair electroacoustic elements—many of which are derived from environmental sounds—with acoustic instruments. ecological sound as an artistic statement on environmental issues has become an impetus for many works, and his interest in the arctic has like-wise played a role in many of his compositions. his music bridges a divide between this play of pure sound, collecting natural and environmental sound, and a continuation of the western "classical" tradition—albeit with contemporary and popular influences.