sulzer published also a small volume of songs for the sabbath-school, entitled ""duda'im""; and a number of separate compositions, both secular and sacred. his responses are tuneful, and though more melodious than the choral chant of the catholic church, show a strong resemblance to it. in all his compositions strict attention is paid to the hebrew text; and a scrupulous adherence to syntactic construction is observed throughout. the collection ""zwanzig gesänge für den israelitischen gottesdienst"" (vienna, 1892) was printed posthumously. in his ""denkschrift an die wiener cultusgemeinde"" he sums up his ideas on the profession of cantor. sulzer, who was widely famed as a singer and as an interpreter of schubert, was a professor at the imperial conservatorium of vienna, a knight of the order of francis joseph and a maestro of the accademia nazionale di santa cecilia in rome. universally recognized as the regenerator of synagogal music, he has been called the "father of the modern cantorate". the jewish museum in hohenems in western austria (www.jm-hohenems.at) houses a documentation of sulzer's career in its permanent exhibition and an extensive genealogy on www.hohenemsgenealogy.at.