in performances, publications and installations, hecker deals with specific compositional developments of post-war modernity, electro-acoustic music as well as other, non-musical disciplines. he dramatizes space, time and self-perception in his sonic works by isolating specific auditory events in their singularity, thus stretching the boundaries of their materialization. their objectual autonomy is exposed while simultaneously evoking sensations, memories and associations in an immersive intensity.