as pink was struck by the impossibility of expressing essentials in words, she started scripting her stories in disordered alphabets on canvas. her paintings "letters from arcadia" (ongoing) are in fountain pen on canvas or palimpsest. "letters to family", an ongoing cycle of art works and installations, are communications with those pink regards as close relatives and soulmates who live on in museums and libraries (such as samuel beckett, franz kafka, velimir khlebnikov, james lee byars, louis-ferdinand céline, joseph beuys, piet mondriaan, kazimir malevich, marcel broodthaers, alberto giacometti and the unknown artist). "letters from the ferryman" (2001) is a series of double portraits of strangers (painted and written). "encyclopedia arcadia" (begun 2001) is a series of books: passions, scripts, prayers, alchemy, scriptures, omens, scores, discoveries, torn mirages and inventories. "blanchir l'histoire" (2002–2007) is a cycle of eight paintings, each, in which pink explores the roots of the written word from sumerian to hebrew. in "lot of pink" (2007), the artist explores "lot" in a project where people buy a numbered artwork derived from "standing stone" with the possibility of winning a second work. "satellite view on arcadia" (begun 2008) is a series of collage paintings, with torn, thin blotting paper fixed on canvas with oil paint.