the brand's official press release stated that, "the location serves as an adequate setting for a definitive moment of enfants riches déprimés, in which henri alexander's concepts are displayed without compromise nor restraint." the runway traveled through the various matignons of christie's, wherein each room was curated with henri alexander's paintings—a series of massive valet tickets and psychological process diagrams, which sought to emblematize, "violent and naïve gestures." attendees cogitated on alexander's array of chaotic scribbles juxtaposed on his fine tailoring, as the paintings—which were on display at christie's for days prior to the show—filled the pacing on the runway.