the great changes made by her translators made the continent receive austen differently than in britain. for example, the french writer isabelle de montolieu translated several of austen's novels into the french sentimental novel. in montolieu's "pride and prejudice", lively conversations (talks) between elizabeth and darcy were replaced by calm, proper ones. in jane austen's work, elizabeth said that she has "always seen a great similarity in the turn of [their] minds" (her and darcy's). she says this is because they are "unwilling to speak, unless [they] expect to say something that will amaze (surprise) the whole room". however, this becomes "moi, je garde le silence, parce que je ne sais que dire, et vous, parce que vous aiguisez vos traits pour parler avec effet." ("me, i keep silent, because i don't know what to say, and you, because you excite your features for effect when speaking.") cossy and saglia explained, "the equality of mind which elizabeth takes for granted is denied (not given) and gender distinction introduced". austen’s works were seen in france as part of a sentimental tradition. because of this, people were more interested in the works of french realists like stendhal, balzac, and flaubert. austen was also treated as a romantic writer in germany.