after the project was canceled, xuxa was persuaded by her team to make a new film, with a new script, that would rekindle her teen audience, as well as the previous one, and that the idea for a movie for the children's audience would be for next year. his manager then had the idea of making a film that could put musical attractions, just like in the previous one, to attract the adolescent public, that accompanied xuxa in its tv series planeta xuxa. "in some cases it was possible to sew the musical appearance in the plot, but many entries were due to the invitation made by marlene in the middle of filming," says screenwriter vivian perl. diler andrade defines the insertions of musical numbers (in a non-musical film) as a "strategic marriage" between the cinematographic and phonographic industry. "we need to repeat the feat of the music industry, which holds 80% of the market, against 20% of foreign artists. vivian perl says that xuxa manager marlene mattos put the musical number on the film after conducting research on the most popular groups. the recordings began in september 2000.