the coda starts with a new theme that is simply an extension of the two-bar e major cadential figure that opens the movement. this gives way to the laconic triadic first-violin transition motto, which leads to a restatement of the first theme by the woodwinds in distant a major followed by the motto again leading back to the tonic e major for a final extended transformation of the first theme, leading in term to a final extended version of the opening cadential figure that reappears to close.