works by her are noted to be much women-centric. "panikkudam" the first tamil feminist magazine by her claimed varied aspects such as family, politics, business, discovery of feminine language, introducing modern play, novels, short stories and poetry created by women writers. interviews of women writers, introduction to modern poetry and short stories, translations of such works into tamil from world languages, discussions of the creative process and sangam literature were some of the elements that made the part of the magazine. in the field of poetry, her first release in the year 2000 was "poonaiyai pola alaiyum velicham". kutti revathi's second book, "mulaigal" that was published in 2002, evoked a storm of protest and stirred controversies from the conservatives of the tamil literary establishment. the consequences of release were such that a group of outraged male film lyricists damned the book. the debate extended to parameters of cultural debate: obscene calls, letters and threats ensued, and comments on the author's morality were freely aired. while one lyricist demanded that writers of her types must watch out for dire consequences, the other exhorted the public to burn them on chennai's mount road. however she explained, "my aim is to explore 'mulaigal' (breasts) as an 'inhabited' living reality, rather than an 'exhibited' commodity." adjoint to the content, an essay titled "with words i weave my body", she discussed the ways in which a patriarchal tradition, fearful of sharing the power of the written word, compelled women to imprint narratives on their bodies. her third release was "thanimaiyin aayiram irakkaigal" in 2003.