the second suite begins with an introduction by the wind section, followed by the melody in the strings. the melodies are repeated by various sections throughout the first movement. in the suite, the opening section returns and concludes the piece. in the original version, the "central" section, which was a wordless chorus sung by women, ends the piece. the second movement intermezzo features utilization of low tones and begins with the wind section. guiraud adds twelve additional bars to the concluding section. sometime after this second suite was prepared from the l'arlesienne music, guiraud extracted the intermezzo movement, added the latin sacred text of the agnus dei to it, and published it as yet another "new" work of bizet. the menuet, which is not from "l'arlésienne", but from bizet's 1866 opera "the fair maid of perth", features solos by harp, flute, and, later, saxophone (this replacing the vocal parts of the original); it is the most subdued and emotional movement. the finale, the farandole, incorporates the theme of the "march of the kings" once again. this is an expanded combination of numbers 21 and 23-24 of the original incidental music, in which the farandole appears first on its own. it is afterwards briefly combined with the march.