joan g. haahr writes in "the oxford companion to fairy tales": "the story is unusual among andersen's early tales, both in its emphasis on sensual desire and in its ambiguities. blind fate, not intention, determines all events. moreover, the narrative questions the very decorum it praises. the tin soldier's passive acceptance of whatever happens to him, while exemplifying pietistic ideals of self-denial, also contributes to his doom. were he to speak and act, the soldier might gain both life and love. restrained, however, by inhibition and convention, he finds only tragedy and death. the tale is often read autobiographically, with the soldier viewed as symbolizing andersen's feelings of inadequacy with women, his passive acceptance of bourgeois class attitudes, or his sense of alienation as an artist and an outsider, from full participation in everyday life."