her recent work, "pipelines and power stations" (2013), concerns the destruction of the natural environment, specifically caused by hydraulic fracturing, through a series of pump-like forms made of twisting welded pipes. her more playful series, "last stand" (2017), consists of similar constructions but are made of boxes, cages, poured concrete, pipes, animal skulls, antlers, and other objects found in nature, which are intended to prompt the viewer to question "whether they are an industrial imitation of nature, or, through the evolution of the anthropocene, if this is what nature has become."