the recapitulation consists mostly of orthodox sonata-form restatement of the themes, except that schubert restates the melodious second theme in the relative key of d major instead of the usual b major (parallel to the tonic b minor). the dramatic closing section, however, does end in b major and leads to a coda in the tonic b minor. this recalls the opening theme for still another, final, dramatic reworking to pave the way for the emphatic concluding chords.