a final feature of restoration stagecraft impacted productions of shakespeare. the taste for opera that the exiles had developed in france made its mark on shakespeare as well. davenant and john dryden worked "the tempest" into an opera, "the tempest, or the enchanted island"; their work featured a sister for miranda, a man, hippolito, who has never seen a woman, and another paired marriage at the end. it also featured many songs, a spectacular shipwreck scene, and a masque of flying cupids. other of shakespeare's works given operatic treatment included "a midsummer night's dream" (as "the fairy-queen" in 1692) and charles gildon's "measure for measure" (by way of an elaborate masque.)