the plays of the wpfc focused on issues at the core of the women's movement like sexual harassment, workplace inequality, dominance and submission, and the exclusion of female celebrants by the religious patriarchy. productions were staged in several manhattan venues, among them the theater for the new city, joseph jefferson company, and, at westbeth, the westbeth cabaret and gallery theater. titles include "rape-in" (may 1971), "up! an uppity revue" (february 1972), "wicked women revue" (january 1973), "? ! a revue" (may 1973), "we can feed everybody here" (january 1974), "what time of night it is" (may 1974), "medea" (january 1975), and "jumpin' salty" (april 1975). as publicity for "jumpin' salty" — which showcased the lives of notable women in american history such as birth control advocate margaret sanger and the largely female victims of the 1911 triangle shirtwaist factory fire — the wpfc organized a march through greenwich village, with stops to hear speakers at sites connected to the women and events.