on the whole, though, innovation was the order of the day for restoration companies. john downes reports that the king's men initially included some caroline actors; however, the forced break of the interregnum divided both companies from the past. restoration actors performed on proscenium stages, often in the evening, between six and nine. set-design and props became more elaborate and variable. perhaps most noticeably, boy players were replaced by actresses. the audiences of comparatively expensive indoor theaters were richer, better educated, and more homogeneous than the diverse, often unruly crowds at the globe. davenant's company began at the salisbury court theatre, then moved to the theater at lincoln's inn fields, and finally settled in the dorset garden theatre. killigrew began at gibbon's tennis court before settling into christopher wren's new theatre in drury lane. patrons of both companies expected fare quite different from what had pleased elizabethans. for tragedy, their tastes ran to heroic drama; for comedy, to the comedy of manners. though they liked shakespeare, they seem to have wished his plays to conform to these preferences.