what that exhibition in fact is doing is that it's not saying here's a new spirit in painting, it's saying that we the organizers, having not bothered to show you these things in the sixties and seventies, will now allow you to see them in the eighties, and we will pretend there's a new spirit because we think it's good for the art world to have new fashions, new movements, or at least something new going on that will produce some kind of emotional pressure.