the imagery was also controversial due to its visual content, which featured the bust of an armless, yet lifelike, mannequin. according to " the telegraph's" culture critic lucy jones, the image depicted violence against women. in her article, which has been since removed from the "telegraph’s" website, jones applauded the censorship of musilek's photograph, arguing that “[t]aking down a poster that could plant a seed in one person’s head that violence is acceptable is commendable.”