in 1999, mitch glazier, a congressional staff attorney, inserted, without public notice or comment, substantive language into the final markup of a "technical corrections" section of copyright legislation, classifying many music recordings as "works made for hire", thereby stripping artists of their copyright interests and transferring those interests to their record labels. shortly afterwards, glazier was hired as senior vice president of government relations and legislative counsel for the riaa, which vigorously defended the change when it came to light. the battle over the disputed provision led to the formation of the recording artists' coalition, which successfully lobbied for repeal of the change.