“under the absorbing eye of a god always master of the universe, the apocalyptic frescoes of michel gigon unfold in centripetal swirls which recall, -but in a quasi abstract manner- the dantesque effusions of signorelli, michael ange or gustave moreau. they are, however, different from them in that they have nothing pathetic or paroxysmal about them infused as they are by the peaceful anticipation of christ’s return. what inspired work, fluid and dynamic ; one of the most cosmic and spiritual of our time.” yann le pichon, historian of art.