music magazine the big takeover describes steinhart's musical style as “soft, finely crafted, windswept pop,” commenting that steinhart sings and writes, “warm, literate, sober, preoccupied folk pop, always well-crafted, and full of small, conspicuous, workmanlike extras (pacific strings, mellotron, piano, guitar tweets, a southern blues harmonica), [with an] aptitude for unpretentious, poppy hooks.”