In this research the production process of news pictures at Thomson Reuters\ud
international multimedia news agency is examined along its ‘local’ and ‘international’\ud
key moments and sites, and the career of Reuters photographs- from the moment they\ud
are conceived as ideas to their purchase- is followed and explored at the ways that at\ud
every stage they are used, chosen, sold and processed as 'Reuters' products. Based on\ud
an extensive fieldwork that includes participant observations in the field, the\ud
Jerusalem bureau and the global pictures desk in Israel, Singapore and the UK, indepth\ud
interviews with significant Reuters pictures professionals and observations\ud
conducted at the Guardian’s pictures desk in London, the findings in this project point\ud
to a wide cultural production infrastructure hidden from- and yet also nurtured by- the\ud
consumer's eye. From the camera's lens to the daily work of the photographer, the\ud
editor, the producer, the chief of the department, administrators, graphic designers,\ud
sales and marketing, the international news agency, the different news outlets,\ud
different media and other organizations and their audiences, who are all responsible\ud
for the representation of one reality and the production of another. Focusing an\ud
ethnographic eye on the production processes of news pictures at Thomson Reuters,\ud
and drawing from cultural studies and approaches of the political economy of\ud
communication, this is an attempt to uncover what news is in its photographic form,\ud
and the ways that such unique process of production illustrates the overall production\ud
of newsworthiness