This thesis traces the developing relationship between history and the tourist\ud
industry in Tasmania from 1856 to 1972. Its title, Profiting from the Past, has two\ud
meanings, both major themes of the work. The first meaning, the literal, implies that\ud
the past may be treated as a commodity from which money may be made. The\ud
second meaning, the metaphorical, implies that people may benefit from a\ud
knowledge and understanding of what has gone before.\ud
That Tasmania had a past was all too apparent to both locals and tourists in 1856,\ud
the year in which the island was declared an independent colony-yet there was no\ud
"historical tourism" as such. By 1972, the year when a newly-created government\ud
department assumed control of the state's major historical sites, both Tasmania's\ud
generalised "past" and its wealth of discrete historical attractions, many of them\ud
"commodified", were as large a factor in luring tourists to the state as was its much\ud
vaunted scenery.\ud
Throughout the period in question, the manner in which Tasmania's past has been\ud
sought by tourists, promoted to them and in some instances kept from them is\ud
examined, and the benefits which they hoped to find in Tasmania's past are\ud
analysed. This analysis is carried out in the light of categories of 'past-related\ud
benefits' identified by David Lowenthal in The Past is a Foreign Country. The work of\ud
the promoters, interpreters and exploiters of Tasmania's past is also considered. The\ud
inquiry into the ideologies driving this group is conducted in the light of J H\ud
Plumb's analysis in The Death of the Past.\ud
The development of historical tourism is also described in relation to the growth of\ud
Tasmania's tourist industry as a whole, to the development of Tasmanian\ud
historiography and to the changing sensibilities of the Tasmanians themselves as\ud
they struggled to come to terms with a problematic past, often from the standpoint\ud
of an unsatisfactory present. The effect of "development" and the role of the\ud
conservation movement are considered where these factors have influenced the\ud
evolution of the "tourist-historical-landscape", and hence the tourist industry.\ud
In every aspect of the selling of Tasmania's past, its material preservation,\ud
interpretation and promotion, there has been both· an ideological and a commercial\ud
element. This thesis concludes that in general the latter has overridden the former -\ud
thus literal profit has determined the nature of metaphorical profit. The implications\ud
this conclusion holds both for Tasmania's "heritage" and its "heritage industry" are\ud
considered in a closing chapter